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✨ Mirror, mirror on the wall, what should I pick from olulo.objects, after all? ✅ olulo Chillax - Short Sleeves Shirt สองสีสุดชิล White และ Beige วางขายแล้วที่ olulo.objects Pop-Up Store เดอะมอลล์บางกะปิแล้วนะ 💥 และพิเศษ! ยังมีโปรโมชันสำหรับสินค้าอื่น ๆ เฉพาะที่ Pop-Up Store นี้เท่านั้นด้วยนะ #oluloobjects #olulo #olulopopup

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olulo

53,595 Aufrufe • vor 6 Monaten

Cinematic AI commerical GPT Image 2 and Seedance on SocialSight Prompt for storyboard : 35mm anamorphic, 2.39:1, no flares. Ultra-realistic international French pharmacy skincare commercial for La Roche-Posay Anthelios UVMune 400 Hydrating Cream SPF50+. Soft premium music plus tactile realistic sound effects throughout. Rich warm natural grain, premium but not over-polished. Palette: warm ivory whites, soft stone neutrals, signature La Roche-Posay orange, subtle clinical cyan-blue, sunlit beige, realistic warm skin tones. The tube is iconic. The skin is the proof. Every shot builds toward the moment the product disappears into real skin and protection becomes confidence. Fast cuts, macro intimacy, tactile realism, one quiet transformation that feels earned: sunscreen that looks invisible, breathable, and real. MODEL / WARDROBE Use the same female model consistently across all shots, matching the approved character sheet: slim natural model proportions, warm medium skin tone, dark brown hair in a clean low bun, refined oval face, natural brows, realistic under-eye detail, subtle lips, minimal makeup. Same face, same hairstyle, same body structure, same skin tone, same wardrobe continuity throughout. Wardrobe must be modest, elegant, and fully covered. No exposed body, no tank top, no fitted clothing, no cleavage, no bare shoulders, no body-hugging silhouette. Wardrobe: loose cream linen button-up shirt, full sleeves, fully buttoned or layered over a high-neck white inner top, soft beige trousers only if visible, minimal jewelry, refined French pharmacy skincare styling. Clothing should feel premium, breathable, clean, and international — not sensual, not revealing, not fashion-body-focused. The camera may show hands, face, neck-up portrait, shoulders, waist-up, mirror shots, bathroom ritual shots, and outdoor walking lifestyle shots, but the body must not be emphasized. Keep attention on skin texture, hands applying sunscreen, product packaging, morning ritual, and confident protected face. SKIN REALISM Skin must look human and unfiltered: visible pores, peach fuzz, tiny fine lines, slight under-eye texture, natural skin tone variation, realistic facial micro texture, matte-hydrated finish. No glossy skin, no oily shine, no wet-look face, no waxy AI skin, no porcelain smoothing, no glam beauty filter, no fake glow. PRODUCT REFERENCE Use the exact La Roche-Posay Anthelios UVMune 400 Hydrating Cream SPF50+ product reference: white tube, orange square logo, black La Roche-Posay typography, orange SPF50+ panel, light blue hydrating cream band, orange lower panel, white pump-cap base. Product shape and color blocking must remain consistent. MUSIC DIRECTION Soft elegant premium skincare music throughout: gentle piano, airy ambient pads, subtle low-end warmth, very light modern electronic pulse, calm emotional lift. Music should feel expensive, dermatological, trustworthy, and international. Never loud, never dramatic, never trailer-like, never distracting. The music should support the tactile sound design, not overpower it. Video Prompt 👇

Synthia

18,341 Aufrufe • vor 2 Monaten

Created with seedance 2.0 on TapNow Luxury backstage lounge at a live concert venue, late afternoon. A rising female K-pop idol lolwasdf records a fun "Get Ready With Me" vlog on her phone while waiting for her stage call. The atmosphere feels warm, energetic, and authentic. Natural handheld camera movement from start to finish with quick, dynamic cuts. She constantly interacts with the lens through genuine smiles, playful teasing, eye contact, and spontaneous laughter. Eight seamless vlog-style shots unfold inside the same dressing room, creating a lively behind-the-scenes experience. Character A Korean female idol in her early 20s. Long silky dark brown hair with soft waves, glowing glass skin, expressive almond-shaped eyes, soft peach makeup, glossy lips, slim elegant figure. Wearing a stylish white cropped cardigan over a pastel blue mini dress with silver accessories and white knee-high boots. Cute, confident, and effortlessly charming. Storyboard Cut 1 (~2s · selfie) She opens the vlog with a bright smile while spinning once in front of the mirror. "Today's concert is finally here! Let's get ready together!" Cut 2 (~2s · handheld room tour) She walks around showing her makeup station, flowers from fans, customized microphone, and stage outfit hanging nearby. "Look what everyone sent me today!" Cut 3 (~2s · medium shot) She sprays perfume, fixes a bracelet, then smiles proudly at the mirror. "Almost ready!" Cut 4 (~1.5s · cinematic close-up) Detailed shot of sparkling jewelry, polished nails, and glitter makeup catching the lights. Soft fabric movement and ambient backstage sounds only. Cut 5 (~2s · selfie) She practices cute ending fairy poses, finger hearts, flying kisses, then laughs after making a funny face. "Which pose should I do on stage?" Cut 6 (~2s · handheld) A stylist quickly enters to adjust her hair for a second. She giggles while staying focused on the camera. "They're always fixing something!" Cut 7 (~2s · selfie walking) She walks through the backstage hallway, greeting dancers and staff with cheerful waves as everyone smiles back. Cut 8 (~2s · final selfie) The stage manager announces her performance. She takes a deep breath, winks at the camera, forms a heart with both hands, then jogs excitedly toward the glowing stage entrance. Final Line: "Wish me luck... let's make amazing memories together!"

Anissa

15,897 Aufrufe • vor 10 Tagen

Seedance 2.0 prompts below! 👇 [STYLE + CAMERA + ATMOSPHERE] Authentic amateur footage captured horizontally on a smartphone in landscape mode, natural shaky handheld camera with typical phone jitter and micro-movements, casual real-life vlog style, raw mobile video quality with slight grain and compression artifacts, natural indoor lighting from cheap fluorescent tubes and some window light, no cinematic color grading, no film look, no polish — just real phone recording. [IMAGE REFERENCES] No reference image provided. The main character is a woman in her mid-30s. Maintain consistent appearance throughout: natural look, shoulder-length dark hair, fair skin, casual t-shirt and jeans. [TIMELINE SECOND BY SECOND] 0-4s: [Shaky Handheld Phone Shot] Inside a cheap, cluttered Indian-style beauty salon with faded posters, plastic furniture and dim lighting. The woman sits relaxed in a worn chair. A male esthetician stands beside her holding a small jar of thick off-white cream. Natural phone camera shake. Esthetician says in casual American English with a light Indian accent: "This is our special cream, madam. Very good for the skin. You will like the results." 4-8s: [Close-up Handheld] The esthetician scoops the cream and rubs it thickly all over the woman’s face, covering forehead, cheeks, chin and lips. The woman has her eyes closed, looking calm. Unsteady phone camera moves slightly closer. Esthetician continues: "Just relax and close your eyes. It works very fast." 8-12s: [Medium Close-up, slight push-in] The woman’s lips start to visibly swell and enlarge dramatically, becoming much fuller, plumper and noticeably bigger. At the same time her chest grows larger and rounder, stretching her t-shirt. She opens her eyes in shock, looks down at her chest and touches her lips with her hands. Handheld camera jolts a little from the surprise. 12-15s: [Handheld Reaction Shot] The woman turns fast toward a wall mirror and stares at her reflection in total horror. Her lips are now much larger and her chest significantly bigger. She reacts in natural New York style: "Wait… what the hell? My lips feel huge… and my chest too? What did you put on me?!" The esthetician replies from the side: "It's just activating, no problem. It will settle down." The shaky phone camera captures her panicked expression and the mirror reflection. [STYLE & QUALITY BOOSTERS] Authentic smartphone video quality, natural realistic skin physics and body transformation, coherent character consistency, slight handheld camera shake throughout, natural lighting and shadows, no artifacts, raw mobile recording look. waiting for your versions! 🫡

TechHalla

35,170 Aufrufe • vor 14 Tagen

EXODUS: Help Darren Stallcup Move Out Of San Francisco After dedicating the best years of my life to save San Francisco, I have made the heartbreaking decision to leave this great beautiful city behind. I did the best that I could every day and I know so many honest good caring San Franciscans out there are hurting just as much as I am and I've met so many of you who desperately want the same healing and recovery for this city that I do... The truth is... the daily chaos, lawlessness and human suffering on our streets are not accidents but a deliberate result of a cruel, sick game engineered by corrupt politicians and non-profits who benefit from the suffering of the less fortunate. I don't hate everyone who votes differently or works in non-profits... there are plenty of decent people trying to help, but far too many bad apples in the Democratic party are working hand-in-hand with these organizations to keep the crisis alive. I'm infuriated by this broken, predatory system that devastates the vulnerable, attacks those trying to help and enriches those who have blood on their hands... all on the taxpayers dime. That's why I'm done playing along and refusing to sacrifice my life to their endless failure. Yet even as I leave, I'll never stop fighting for the less fortunate by demanding secure treatment beds, real enforcement against fentanyl dealers and sober housing that actually saves lives instead of enabling death. I can continue my art, music and citizen journalism in another city that is cleaner, safer and dare I say more friendlier to me, a conservative Patriot who loves our great beautiful country. Day and Night I walked these streets up and down the block, handing out food, clothing and blankets to the less fortunate while listening to their stories. Through citizen journalism, I documented the homeless crisis on the ground, sharing videos and photos to raise awareness. I spoke passionately at City Hall meetings, demanding accountability from leaders who seemed indifferent. I appeared on national and international television to share my story with the world about the fentanyl genocide devastating our city. Today, with a heavy heart, I regret to inform our community that I am relocating to a safer area outside San Francisco. I can no longer tolerate the chaos and stress of day to day survival in this city. It has taken an undeniable toll on my physical, mental and spiritual well being. Our corrupt and incompetent local and state leaders have deliberately enabled chaos on San Francisco's streets, creating a perpetual crisis that funnels billions of taxpayer dollars into the hands of corrupt non-profits and organizations. These entities thrive on the suffering of the less fortunate, profiting from endless contracts for shelters, outreach programs and harm-reduction initiatives that fail to reduce harm or homelessness. Harm reduction is causing more harm. Progressive policy is making everything progressively worse. I am done being a guinea pig in their social experiment. Year after year, billions have been spent, yet the humanitarian crisis has only worsened, with more tents, more overdoses, and more despair. Fentanyl overdoses are on the rise, homelessness numbers are climbing and our public spaces have all but deteriorated, all while the same politicians get elected year after year. It is a calculated system of human suffering and I am done living through the nightmare every single day. I've been documenting the truth about San Francisco's streets for years, but as I prepare to leave for good, this frontline perspective might go with me unless I am able to find a nice small town where I can continue my work from afar. If my story has ever opened your eyes or fueled your fight, I ask you to show love to my journey. My work in our community began with a deep compassion for those suffering on the streets and I poured my energy into helping the homeless directly. My home burned down to the ground, I know what it's like to have nothing and work your way up from rock bottom. Every day, more people overdose and more people show up in San Francisco from all over the country. It's a never ending cycle. I have lost too many family and friends and I refuse to be next. I am profoundly tired of the fentanyl genocide that has turned my once beloved city into a hell hole. I have seen one too many open air drug markets, claiming thousands of lives each year. The drug dealers operating freely, the human feces and needles littering streets and sidewalks, the judges letting the fentanyl dealers out of jail, the fentanyl showing up on playgrounds and in schools, the women giving birth on the sidewalk, the still born babies found in port-o-pottys, the people jumping off of buildings, the people living in the sewers, the non-stop every day looting of our grocery store, the robbery of our local restaurants, the targeting of our mom-and-pop shops, the risk of riding public transportation, the waking up to burglars kicking in my door and fighting them off, the sound of going to sleep to people screaming and waking up to emergency sirens, the billion dollar tech offices and third world conditions across the streets, the constant threat of The Big Earthquake, power outages, infrastructure breakdown, skyrocketing cost of living, it's all become unbearable. Homeless encampments blocking public spaces, the high risk of fentanyl exposure and rampant property crime have eroded any sense of normalcy. Personal safety threats from erratic behavior, boarded-up stores and political hostility weigh heavily on me. I no longer desire or wish to endure these heartbreaking struggles. Building a life for myself, let alone a family, in this decay, is almost impossible. The frustration with leftist policies enabling open drug scenes, health risks from biohazards and store closures reducing access to essentials has taken its toll. I have personally witnessed at least a dozen grocery stores close down and my heart is broken as I wonder if I am slowly living in a food desert because of rampant, unchecked crime. They defunded the police and the judge releases criminals out of jail the next day. I am sick and tired of fighting off the same bad guys every day. The Urban decay is not just in areas like the Tenderloin, SOMA and Union Square, but all over the city. The difficulty in regular social life is noticeable and everybody is on guard making human connection even more challenging unless you are a millionaire. I walk into small businesses, stores and restaurants and all the workers are on edge wondering what chaos will happen that day. Tourists ask me what is happening to the city? All I do is shake my head. This is not the San Francisco I grew up in. My City has become unrecognizable. The Full House Days are long gone and it will take years, if not generations, for San Francisco to recover from all the damage done. Years of frontline activism without any city wide solutions have left me absolutely drained. Every day feels like the same nightmare, repeating the same chaos day after day without end. I don't want my life trapped in this cycle of sirens, screams and unchecked decline. It's time to step away from this chaos. I do not want to die here. The threats to personal safety, the constant exposure to violence and humanitarian crisis has become too much for one lifetime. I shouldn't have PTSD from living in San Francisco, but I do. Honestly, we all have survivor's guilt. I refuse to let this environment claim my future or my dreams. Relocating means saving my health, mental well being, spirituality and opportunity to thrive elsewhere. No more waking up and counting the bodies on the sidewalks or navigating hazards just to live daily life. I deserve a chance to build without the shadow of this humanitarian crisis looming over everything. I've sacrificed my personal health, safety and years of my life on the frontlines for the vulnerable while our local leaders profited from their pain... now, to keep fighting, I have to leave everything behind and start over. If this battle has ever meant something to you, please do consider supporting. As I pursue my American dreams in a new place, I carry the lessons from San Francisco with me forever. I will always cherish the memories and good times. This city will always have a place in my heart. San Francisco is my hometown. I continue advocating for change from afar, but with renewed energy in a safer environment. This move allows me to build a stable life, free from the nightmare that has defined too many years of life. Thank you to all my family and friends that have supported my work, I fought valiantly but now it is time for a tactical retreat. My time in the trenches, on the frontlines are over. I can't believe I made it out alive. Here's to new beginnings and the hope that one day, San Francisco heals.

Darren Stallcup - World Peace Movement

20,793 Aufrufe • vor 7 Monaten

Seedance 2.0 on Higgsfield AI Full open-sourced prompts & assets below: SCENE CONTEXT A young woman sleeps on her side in her pink bedroom at night; in a single locked frame the room snaps instantly from night to morning like a finger-snap time jump. She sleepily half-wakes, turns over to find a white cat curled against her back, then pushes up to half-sitting and sees her room quietly tidied — her school uniform hung on the chair and her backpack packed on the vanity. ACTIVE REFERENCES >>: young woman, low pigtails, pink hair-roller clip, beige t-shirt with brown long sleeves, sleeping then waking. 100% matches the reference. >>: fluffy white long-haired cat, adult, curled and pressed against her back. 100% matches the reference. >>: pink bedroom. 100% matches the reference. Every element and corner is preserved and stays consistent across all shots. >>: school uniform — navy cardigan, white shirt, green-striped tie, plaid skirt, knee socks — draped and hung on the pink chair. 100% matches the reference. >>: solid pink backpack with front zip pocket and pink pompom keychain, packed and zipped, standing on the vanity table. 100% matches the reference. LOCATION MAP Pink bedroom, remembered corner by corner and held identical in every shot: - Screen-left: a wooden door with a brass knob, dark wood trim and wood wainscoting along the lower wall, blush-pink upper walls. - Beside the door: a large ornate pink-and-white Victorian dollhouse with a small pink chair at its base. - A white vanity desk with a trifold arched mirror, cluttered with cosmetics, brushes and small bottles, a pink desk chair tucked at it. - A wide window with sheer white curtains behind the vanity; a leafy potted plant beside it. - A tall brass floor lamp standing near the bed. - A wooden nightstand at the head of the bed with a small lamp, a framed photo, a tissue box and a cup. - The bed against the wall: carved wooden headboard, pink ruffled bedding, pink pillows, a soft pink blanket — the central anchor of the room. - A woven area rug over dark hardwood floor, a small wall shelf with items above the bed side. FIRST FRAME AND SPATIAL BLOCKING The first visible frame is a close-up of her sleeping face. She lies on her left side facing the bedside lamp / nightstand side, cheek on the pink pillow, hair loose, pink hair-roller clip visible, breathing slow. The bed's pink blanket is clean and clear. No empty establishing frame. FORMAT MODE Controlled four-shot sequence with HARD CUTs at 4.0s, 8.0s and 11.5s. The night-to-morning transition inside shot 1 is an instantaneous in-frame light change, not a cut. Real-time motion. No subtitles, no music. OPTICS Shot 1: 50° diagonal field of view, standard normal lens character, camera 0.6 to 0.8 meters from her face, shallow depth of field — closed eyelids, lashes, loose strands and the hair-roller clip razor-sharp, the room soft behind. Shot 2: 56° diagonal field of view, near-normal lens character, camera 1 meter, holding her face and the white cat against her back, rack focus available between them. Shot 3: 63° diagonal field of view, slightly-wide lens character, camera 1.5 to 2 meters, rising with her as she sits up, more of the room entering frame. Shot 4: 84° diagonal field of view, classic wide lens character, camera 2 meters, wide enough to reveal the tidied room — vanity, chair and bed together — then easing toward her. CAMERA Shot 1: locked close-up with a very slow creeping push-in; the framing does not change through the night-to-morning snap. Shot 2: small reframe and rack focus as she turns, pulling focus onto the cat curled at her back, then back to her reacting face. Shot 3: a smooth crane-up rising with her from lying to half-sitting, revealing the room behind the bed. Shot 4: a slow pan across the tidied room — uniform on the chair, packed backpack on the vanity — settling with a gentle push-in on her half-sitting figure and dawning expression. ACTION TIMING 0.0s to 2.0s: close on her sleeping face at night, perfectly still, breathing slow, cool dim room around her. 2.0s: an instantaneous in-frame light snap — the room flips from night to morning in a single frame, no cut, no dissolve; she does not move at all, only the light changes, like a finger-snap time jump. 2.0s to 4.0s: hold on her face now in soft warm morning light, still asleep for a beat. 4.0s HARD CUT. 4.0s to 8.0s: she sleepily half-opens her eyes, stirs, and turns over toward screen-right, discovering a fluffy white cat curled warmly against her back; her half-lidded eyes drift to it. 8.0s HARD CUT. 8.0s to 11.5s: she pushes herself up on one arm to half-sitting, hair mussed from sleep, blinking and groggy, beginning to glance around the room. 11.5s HARD CUT. 11.5s to 15.0s: reveal of the quietly tidied room — her navy cardigan and plaid skirt uniform hung neatly on the pink chair at the vanity, the packed pink backpack standing zipped on the vanity table, its pompom keychain still — her expression softening into slow, disbelieving realization as she takes it in. PHYSICS During the night-to-morning snap her body is absolutely motionless — only light changes, no drift, no shift. As she wakes, eyelids lift heavily, she rolls with natural weight and the mattress and blanket shift under her; the cat's long fur rises and falls with slow breathing and compresses softly where it presses to her back. Sitting up, her hair falls loose in individual strands, the blanket sliding down naturally, her supporting arm taking real weight. LIGHTING Cinematic and restrained throughout, never bright or flat. Night (pre-snap): low-key cool moonlight through the sheer curtains with a faint warm practical accent, deep but detailed shadow, moody film texture and soft grain. At the snap, the light flips instantly to soft warm directional morning sun through the sheer curtains — golden but controlled and filmic, gentle rolloff, faces readable, shadows soft, not overexposed or blown out. The warm-cool contrast and naturalistic grain carry the cinematic feel into every shot. AUDIO Shot 1: quiet steady sleeping breath, faint cool room tone; at the snap a soft airy shimmer-whoosh transient marks the time jump, then gentle morning birdsong and warm ambience fade in. Shot 2: a soft sleepy inhale, faint fur rustle as she finds the cat, a quiet purr. Shot 3: soft blanket rustle as she sits up. Shot 4: quiet held breath, faint ambient morning tone under her realization. No dialogue, no music, no subtitles. POSITIVE LOCKS Woman matches >> exactly, cat matches >> exactly, bedroom matches >> exactly and every listed corner — wooden door, dollhouse, vanity with trifold mirror, pink chair, brass floor lamp, wooden nightstand, carved bed with pink ruffled bedding, woven rug — stays present and consistent across all four shots, with no new or missing furniture. The bed's pink blanket is clean and clear — no laptop, bag, papers or objects resting on top of it. The night-to-morning transition is one instantaneous in-frame light change on a single locked framing; she does not move during it — no dissolve, no fade, no camera cut. The white cat lies pressed against her back. In the final shot the uniform hangs on the pink chair matching >> and the packed backpack sits on the vanity matching >>. Lighting stays cinematic and controlled, never bright or washed out.

Noor

13,809 Aufrufe • vor 15 Tagen

OFFICIAL: EASTER EGG GUIDE FOR TOTENREICH: Wonder Weapon: 1. Head to The Drydocks and lower The Crane, this will allow you to wall jump and interact with the tip of the ship to pick up the Chain Link 2. Next, Head to Storm Bridge and pick up Chili Chunks behind the truck next to Deadshot 3. Place Chili Chunks on the table in the middle of the Skalen Market 4. Next, Head to Burial Grounds left-side door and interact with the keyhole. 5. Interact with the door again and hold it to open the door and to unlock the underground area. 6. This will spawn a Zursa Bear during a special round (starting the second special round) you need to kill him and he will drop The Lantern 7. Place The Lantern in the center of the Underground Room in Burial Grounds. 8. Constellations will appear around the wall. Interact with them as they’re shown on the table in this order: left, right, back, front. 9. Once completed, Astrid will appear and talk, she will then travel to different areas of the map. She will occasionally stop and you will need to kill frost zombies next to her. 10. Once all the Soulboxes are completed an Obstacle Course will form on the outside of The Lighthouse, climb to the top by Jumping / Wall Jumping up 11. Once you reach the top, Listen to the Astrid talk and pick up The Jotunn Star Wundersignal: 1. After completing Jotun Star Quest Head to The Lighthouse and inside on a shelf there will be a Crowbar 2. There are Multiple Wooden Boxes around the map with red IDs on the bottom right corner of the front of the box in red (for example III-6) use The Crowbar on the Wooden Box that has the Roboterteile ID (the IDs are on the shipping manifest in the War Factory Admin Room), this will give Flak Gun Round War Factory Core Foundry Fjord Road Dry Dock 3. Head to Turret Gun beside The Lighthouse and place Flak Gun Round then melee with Jotunn Star 4. Next, Head to The Robot Head in spawn and interact with it to search broken piece to get The Transmitter 5. Go to Tyr’s Head and place it inside the Wall Machine thingy at the top of the Ladder 6. Next, whilst inside of Tyr’s Head underneath the balcony there are 3 white lights, 2 of these lights will blink, count how many times it blinks -Both lights will remain on, There is the sound of a light turning on to indicate the start of a new light flashing cycle where both lights will flash at the same time to a certain count (for example left 2, right 5). Both lights will be on and then it will flash another set (for example left 6, right 4). (Unsure if these 2 combos have to be put into console in order but correct entry will give two different voicelines.) After entering one correctly you will be kicked out to hear voiceline and can re-enter console to input the 2nd shortly afterwards. 7. Now head to Core Foundry, and use a molotov to burn the ascender to access the consoles. 8. Ascend and interact with the consoles, The next part is timed and has a cooldown if you fail - you need to Calibrate the Amplitude and Frequency using the flashing light code. 9. Once this has been done head to the room Next to the Radio Tower and pick up The Wunderbarrage Controller Atomkraft Core 1. Find three uraniums: Uranium #1 Find the Fishing Rod (Olaf’s Personal Item) locations: - Dry Dock - Storm Bridge - Fishery Island - Beacon island Look for a Glowing Green Fish jumping around the water at each Fishing Location and use the Fishing Rod at that location once you see it Fishing Locations: Eidskallen Landing x2 Beacon Island x2 Eidskallen Square x2 Dry Dock (found one so far) Fishery Island x2 Tyr’s Foot (found one so far) Once the fish is caught it will spawn an Irradiated Ravager (HVT) that will disappear and respawn somewhere else, chase it down and kill it (check your map to see its location, it shows up as an HVT). It will drop a Uranium. Uranium #2 Next, Craft an ARC-XD (there is one for free in Eidskallen Square on top of a box near the flame trap, you can get it by fishing as well) and melee the vent at Core Foundry to the left of the zipline to open the Secret ARC-XD Course. Blow up the boat full of barrels. Once the course is completed the 935 Genetic Lab room will be open and another Uranium x2 will be inside a Prison Cell There are several Jars with Heads inside in this room, all labelled A,B,C,D,E Look down the Hallway inside the Lab and note which numbered rooms have Nuclear Symbols 1 = A, 2 = B, 3 = C, 4 = D and 5 = E Take one Jar at a time that corresponds with the Numbers next to Nuclear Symbols and place them on the machine to the right of the cell door, once the correct jars are placed the Jar on the left side of the machine will glow purple and you can pick up acid There is a Big Chunk of Meat on a desk next to multiple drawings in the same Room, interact with it, then Pick up The Necrospike Once you have The Necrospike, use it on the Prison Cell Door, this will trigger a lockpick mini game. Spin the lockpick until the lock turns white 3x to unlock the cell, then pick up the second Uranium. Uranium #3 Next you need to craft or obtain the Glocke Drop, once you have one call it in, then shoot 20 mid-air zombies it throws up. This will drop the third and final Uranium. 2. At the Dry Dock, you need to call a WunderBarrage (unlocked by completing Wundersignal steps) in on the “02 Building” at Dry Dock (where there’s debris on the stairs), this will open the stairs to the Machine Workshop. 3. Inside The Workshop there is a Claw Machine which you can place all of The Uranium inside of and play a mini-game. -Have a big group of 7 cores and a small group of 2 cores. 4. Once you complete the Mini-game you will be able to pick up The Atomkraft Core (Note: you drop if you zipline, and cant sprint with it) 5. Head to Quick Revive and place The Atomkraft Core on generator next to quick revive. Go into the shed behind quick revive and turn on the generator. You must now defend the The Atomkraft Core until it’s charged. In interrupted you must turn on the generator again to continue. 6. Take the The Atomkraft Core to the barrel on the Storm Bridge and a Mini-Cutscene will play between the Giant and The Robot. Vegvisir 1. After the cutscene finishes, The Dravakar Shard will spawn at Tyr’s Foot, pick it up 2. Pick it up and place the Shard inside the Bloodheim Hall on the bonfire 3. Use WW range attack to light the fire 4. Use Disciple Injection (there should be a free one around the map) and throw zombies into the bonfire (I only had to throw four) 5. A lockdown will start. Kill the boss zombie and pick up the Sunstone from the bonfire 6. Put the Sunstone in the church and do a range WW attack on it. 7. Around the map, there will now be floating rocks and runes. Above the church there will now be a compass with runes and arrows. -Shoot the floating rune rocks with the ranged WW in the order of the arrow lines. If an arrow has 1 line, then that's the first one. If an arrow has 2 lines, that's the second one, etc. 8. Go into Tyr's Head and interact with the console to start the boss fight. Credit to Callum and the ZoneX discord

COD: Zombies News

81,036 Aufrufe • vor 3 Monaten

Seedance 2.0 on Higgsfield AI just raised the bar. The quality, motion, and creative control are on another level. Full open-source prompts & assets below. SCENE CONTEXT A young man carries the sleeping woman into her pink bedroom, lays her down on the bed, covers her with the blanket and switches off the lamp, then sits on the floor at the foot of the bed, rests his head on the mattress edge, and falls asleep there, keeping a respectful distance. ACTIVE REFERENCES >>: young man, messy light-brown hair, white t-shirt, carrying then floor-sitting posture, tender careful movement. 100% matches the reference. >>: sleeping young woman, low pigtails, pink hair-roller clip, beige t-shirt with brown long sleeves, pink plaid pajama bottoms, eyes closed, carried then lying tucked in bed. 100% matches the reference. >>: pink bedroom. 100% matches the reference. Every element and corner is preserved and stays consistent across all shots. LOCATION MAP Pink bedroom, remembered corner by corner from >> and held identical in every shot: - Wooden door with brass knob and dark wood trim / wardrobe on one side wall. - A large ornate pink-and-white Victorian dollhouse standing on the floor against the wall. - A wide window with sheer white curtains, cool outside light filtering through. - A vanity desk with an upright mirror and a pink desk chair beside the window, a leafy potted plant next to it. - A tall warm floor lamp — the main practical light — near the bed, wall-mounted shelves with small items above it, wood wainscoting along the lower wall. - An ornate white bed frame with pink ruffled bedding and a soft pink pillow, the central anchor of the room. - A woven area rug on a wooden floor, light soft clutter (tissue boxes, papers) scattered naturally. Open floor between the door and the bed is his carrying path; clear floor space at the foot of the bed is where he sits. FIRST FRAME AND SPATIAL BLOCKING The first visible frame matches the attached carry reference exactly: he stands mid-room holding her in a bridal carry, her head resting against his chest and shoulder, eyes closed, pink plaid fabric bundled across his forearms, the white ornate bed and pink bedding soft behind, sheer-curtained window and dollhouse readable in the background. No empty establishing frame. FORMAT MODE Controlled four-shot sequence with HARD CUTs at 3.5s, 7.5s, and 11.0s. Real-time motion, gentle handheld for the carry only. No subtitles, no music. OPTICS Shot 1 (carry): 50° diagonal field of view, standard normal lens character, camera 1.5 to 2 meters, clean medium two-shot holding both faces. Shot 2 (lay down): 56° diagonal field of view, near-normal lens character, camera low at the head of the bed looking down along her body, 1 to 1.3 meters, shallow depth on her settling face. Shot 3 (blanket + lamp): 63° diagonal field of view, slightly-wide lens character, camera 2 meters back at a bedside three-quarter angle, wide enough to hold him, the tucked bed, and the floor lamp in frame. Shot 4 (floor sleep): 63° diagonal field of view, slightly-wide lens character, camera low at the foot of the bed, then a slow crane-up to a high three-quarter looking down the length of the bed. CAMERA Shot 1: gentle handheld follow, slow dolly-in with him toward the bed, subtle vertical bob and weight-shift pulse matching the carry, human motion not digital jitter. Shot 2: separate angle from the head of the bed; slow push-in as he lowers her, settling as her head meets the pillow. Shot 3: static-leaning three-quarter as he draws the blanket up and tucks it, then reaches and clicks off the floor lamp; frame holds through the drop into moody low light, her tucked body still framed. Shot 4: low static at the foot of the bed as he sinks to the floor and lowers his head to the mattress edge, then a smooth crane-up to a high three-quarter — her tucked on the bed, him asleep on the floor below. ACTION TIMING 0.0s to 3.5s: he carries her in a bridal hold, walking slowly toward the bed, her head lolling gently against his chest, pigtail swaying with each step. 3.5s HARD CUT. 3.5s to 7.5s: from the head-of-bed angle he lowers her onto the mattress, her shoulders and head settling into the pillow, hair fanning out, body coming to rest. 7.5s HARD CUT. 7.5s to 11.0s: he draws the pink blanket up over her and tucks the edge along her shoulder with both hands, then reaches to the floor lamp and switches it off; the warm glow dies and the room falls to cool moody window light — she lies exactly as he left her, tucked and unmoved. 11.0s HARD CUT. 11.0s to 15.0s: in the dim room he lowers himself to sit on the floor at the foot of the bed, rests his head sideways on the mattress edge near her feet, settles, breathing slows, and he closes his eyes and falls asleep there — not on the bed, a clear respectful distance kept. PHYSICS Her body carries real dead-weight during the carry — limbs sag, head lolls, pigtail swings freely. As he lowers her, pillow and mattress compress under her head and shoulders, hair sliding and resettling; the pink blanket drapes and folds naturally as it is pulled up and tucked. His footsteps are grounded heel-to-toe with real weight transfer. As he sinks to the floor his weight settles, one arm resting on the mattress, head lowering onto the edge which dips slightly; his eyelids close with a soft final settle. LIGHTING Cinematic low-key interior, moody and restrained, never bright or flat. Primary motivation: the warm floor lamp and a low bedside practical, casting soft warm pools with gentle falloff into deep but detailed shadow, cool bluish light from the sheer-curtained window balancing the warmth for filmic warm-cool contrast. Naturalistic film texture, soft grain, gentle highlight rolloff, faces modeled and readable within the low light, not lit up. Shots 1–3 carry the warm lamp motivation. At the lamp switch (shot 3) the room drops to cool low-key window moonlight — atmospheric, shadows deep, her tucked form and his movement still clearly readable, never a crushed black frame. Shot 4 stays in this cool moody light, his sitting, head-lowering, and closing eyes visible, the bed and floor softly modeled by the window. AUDIO Shot 1: soft footsteps, faint effort breath under her weight, a quiet sleepy sigh from her. Shot 2: soft mattress and pillow settle as she comes to rest. Shot 3: gentle blanket rustle as he tucks her in, a quiet lamp-switch click, room tone shifting. Shot 4: a soft floor settle and faint cloth rustle as he sits and lowers his head, then quiet steady breathing from both. No dialogue, no music, no subtitles. POSITIVE LOCKS First frame matches the attached carry reference exactly. Man matches >> exactly, woman matches >> exactly. The bedroom matches >> exactly and every listed corner — door and wood trim, ornate dollhouse, sheer-curtained window, vanity with mirror and pink chair, floor lamp, shelves, ornate white bed with pink ruffled bedding, woven rug — stays present and consistent across all four shots, with no new or missing furniture. Carrying and laying her down are two separate shots with different angles. Lighting stays cinematic and dim, motivated by the practical lamps, never bright or flat. When the lamp is switched off she remains tucked in the exact pose he left her, unmoved. He does not lie on the bed: he sleeps sitting on the floor at the foot of the bed with his head on the mattress edge, a clear respectful gap kept.

𝗦𝗮𝗻𝗶𝗮

50,358 Aufrufe • vor 13 Tagen

Berlin Vlog GPT Image 2 Prompt: { "objective": "Create an ultra-realistic cinematic 3x3 Berlin travel photo collage featuring the extremely beautiful Black woman with naturally occurring vitiligo patterns across her skin. The collage should feel like authentic candid iPhone travel photography captured during a stylish trip around Berlin.", "aspect_ratio": "16:9", "composition": { "layout": "3x3 grid (9 equal panels)", "style": "luxury Instagram travel/lifestyle collage with clean white borders", "framing": "mix of candid street photography, blurry walking moments, mirror selfies, cafe shots, over-the-shoulder travel frames, accidental portraits, handheld snapshots", "consistency": "same exact woman across all panels with identical vitiligo patterns, facial structure, body proportions, and hair consistency" }, "subject": { "person": "adult Black woman", "appearance": { "beauty": "extremely striking natural beauty", "physique": "slender elegant figure", "vibe": "effortlessly cool, sensual, mysterious, soft feminine energy", "hair": "long dark silky hair, naturally flowing, slightly messy texture", "skin": { "condition": "visible vitiligo", "description": "large irregular depigmented white skin patches naturally distributed across the face, around the eyes, forehead, neck, chest, shoulders, collarbones, and hands", "contrast": "strong contrast between deep rich dark skin tone and lighter depigmented vitiligo areas", "pattern_style": "organic asymmetrical shapes with realistic soft skin transitions", "realism": "must look medically authentic and naturally occurring, not artistic makeup or body paint" }, "expression": "relaxed confidence, candid soft expressions, natural emotion", "skin_texture": "extremely realistic pores, texture, slight imperfections, authentic human skin detail" }, "outfits": [ "oversized black leather jacket", "white oversized shirt partially open", "minimal black tank top", "dark trench coat", "grey oversized hoodie", "simple fitted black dress" ] }, "scenes_and_shots": [ { "scene": "Berlin U-Bahn station", "shot": "standing alone waiting for the train under fluorescent lights, candid side profile" }, { "scene": "small rainy Berlin cafe", "shot": "holding coffee while staring outside the foggy window" }, { "scene": "Brandenburg Gate", "shot": "walking naturally through tourists with subtle motion blur" }, { "scene": "Kreuzberg graffiti alley", "shot": "close-up portrait against textured graffiti wall using harsh direct flash" }, { "scene": "Berlin apartment mirror", "shot": "messy mirror selfie before going out at night" }, { "scene": "late-night convenience store", "shot": "holding drink bottle under cold fluorescent lighting" }, { "scene": "Museum Island riverside", "shot": "sitting alone near the water listening to music with headphones" }, { "scene": "crosswalk at night in Berlin", "shot": "walking through wet asphalt reflections and neon lights" }, { "scene": "vintage Berlin photo booth", "shot": "tight candid portrait fixing hair naturally inside the booth" } ], "environment_details": { "city": "Berlin, Germany", "elements": [ "wet asphalt reflections", "graffiti walls", "European architecture", "U-Bahn signs", "tram lines", "vintage cafes", "cold urban atmosphere", "rainy cinematic mood", "Berlin nightlife glow" ] }, "visual_style": { "genre": "ultra-realistic cinematic travel photography", "quality": "raw iPhone documentary realism", "texture": [ "natural skin texture", "visible pores", "slight digital grain", "realistic low-light noise", "motion blur", "imperfect framing", "lens smudges", "flash reflections" ], "color_tone": "muted Berlin cinematic tones, cold greys, blacks, rainy blues, warm cafe ambers" }, "lighting": { "style": "natural real-world lighting", "variations": [ "overcast daylight", "cold fluorescent lighting", "warm tungsten cafe lighting", "soft rainy daylight", "night neon reflections", "harsh direct flash" ] }, "camera": { "type": "iPhone 16 Pro documentary photography", "lens": "casual handheld smartphone lens", "feel": "extremely authentic candid travel photography" }, "quality_targets": { "look": "real influencer Berlin travel dump", "feel": "authentic, emotional, intimate, cinematic, naturally beautiful", "realism": "must look indistinguishable from real smartphone photography", "consistency": "same exact woman across all 9 images" }, "negative_constraints": [ "no AI beauty look", "no over-smoothed skin", "no plastic CGI skin", "no unrealistic perfection", "no studio photoshoot feeling", "no exaggerated fashion poses", "no fantasy atmosphere", "no body paint appearance", "no inconsistent vitiligo patterns", "no cartoon style", "no glam makeup look", "no unrealistic lighting" ] }

Ege

16,727 Aufrufe • vor 2 Monaten

🎊 THE GRAND SPECTACLE BEGINS! Ladies and Gentlemen. Fans and Judges. The stage is set. The stakes? Oh, they’re high. I present to you my latest grand spectacle— POPIT GAMES 🃏 YEP YEP POPIT GAMES 2025 | A TOURNAMENT | MORE THAN $500,000 PRIZE POOL | 10,000 WINNERS | FREE TO PLAY ➡️ REGISTER NOW on the official Popit Games website: ⚡️ $100,000 in pure, spend-it-how-you-want cash. Yep. ⚡️ 1,000 players get Node Cores worth $400,000 Yep. ⚡️ 10,000 winners claim their share of 850,000,000 Boosts, along with special prizes and more. Yep. ⚡️ Two categories. Two leaderboards = more chances to win. Yep. 🏆 INDIVIDUAL / TEAM INDIVIDUAL LEADERBOARD – FLY ALONE 🥇 1st place – $27,000 🥈 2nd – $8,400 🥉 3rd – $5,400 🏅 4th – $3,600 🏅 5th & 6th – $2,100 each 🏅 7th & 8th – $1,500 each 🏅 9th – 12th – $1,200 each 🏅 13th – 16th – $900 each TEAM LEADERBOARD — STRENGTHEN THE BONDS 🥇 1st place – $18,000 🥈 2nd – $5,600 🥉 3rd – $3,600 🏅 4th – $2,400 🏅 5th & 6th – $1,400 each 🏅 7th & 8th – $1,000 each 🏅 9th – 12th – $800 each 🏅 13th – 16th – $600 each 🎁 SPECIAL REWARDS – $400,000 WORTH OF NODE CORES TO TOP 1000 PLAYERS Yep. Yep. 🎁 The top 1000 players get Cores as a prize. 🎁 On top of all this, every participant receives an exclusive POPIT GAMES POP Coin. Yep. 🎁 Players in positions 101-1000 receive Collectible POPIT Packs. 🔥 The TOP 10,000 players will automatically receive Boosts from a total pool of 850,000,000. Power matters. Instead of spending hours, days, weeks collecting the Boosts you need to up your mining power, being a Top 10k Popit Games player lets you get that shiny, shiny power. 🏆 1st – 14,400,000 Boosts 🥈 2nd – 10,472,000 Boosts 🥉 3rd – 2,618,000 Boosts … and the list keeps going! “But wait!” Popit wails “Is that not all?” “Not quite. I have a SECRET. A SURPRISE. The top 3 Tournament winners will get a SPECIAL ITEM.” “What is it?” “Wait and see…” 🃏WHAT WILL WE PLAY? You already know. The Popit Card Game! A tournament of this first-of-its-kind dynamic card game, where many players compete simultaneously. No waiting for your turn. Popit Game fully supports eGaming features. Some of you even hold the limited Pop Coin Edition. Mmm, lucky ones. But everyone in the tournament gets a standard Pop Coin Deck they can play with and keep. These are your cards. Strategy is your weapon. Build and maintain the highest possible block until the end of each stage. 🃏 EARLY ACCESS – ONE WEEK BEFORE Fair is fair. One week before the tournament, the doors open. A chance to test, learn, and sharpen your skills. Everyone starts on equal ground. 🃏 AND THAT’S NOT ALL… Popit Games will be covered LIVE in several languages by top YouTube and Twitch commentators. Expect the unexpected. A spectacle of surprises. I have my own tricks waiting… rabbits in hats, cards up sleeves. You will see. SO Here’s the deal 🎭 LET’S MAKE THIS THE MOST UNFORGETTABLE SHOW ACKI NACKI’S UNIVERSE HAS EVER SEEN 💥 Tension. Passion. Gold. Can you feel it? But in the end, it’s just... a game 🃏 *Popit claps his hands and vanishes into thin air, leaving behind only the lingering scent of opportunity* ♠️ ᴍᴀʏ ꜰᴏʀᴛᴜɴᴇ ꜱᴍɪʟᴇ ᴜᴘᴏɴ ᴛʜᴇ ʜᴏɴᴇꜱᴛ ♠️ #AckiNacki #PopitGames #Tournament

Acki Nacki

14,762 Aufrufe • vor 1 Jahr

Saturday - Adam Friedland This musical intro was the best part of the show. The rest of his act just made me miss Nick Mullen. Unlike every other show this week, there were girls there. They seem to love this guy. I used him as bait, to get the girl from Wednesday to go out with me again. She loves Red Scare Podcast and this Jewish twink is a staple of the Red Scare Extended Universe and I wanted to fuck her and so let's go see Adam Friedland. The problem with Adam is that he has no conviction. He does not own the room, he's just filling space. He announced that his father was there, in the crowd, which is great, let's hear something that might make your father uncomfortable. No such thing was said. He stared at the floor for half the set, as if he was sorry for being there. I saw Mulaney the night before; the difference was stark. Mulaney can get away with being a sheepish pushover twink Sometimes because he also has balls. He can accelerate from "Aw shucks" to "SHUCK YOU MOTHERSHUCKER" and both versions of himself feel true. Look, I get it, being a sad sorry pushover is his schtick and it works with the voice and it's very relatable for sensitive young men who didn't do sports in high school but to carry a room for a full hour you also need to be able to fight back. I could hear Nick's intonations in his voice. But it's clear that Mulldog spent all his creative energy this week ghostwriting the white guys' lines for the Roast of Kevin Hart and so Friedland was left to fend for himself, comedically. The mark of whether a comedian is delivering or not, for me, is whether I hold my piss in to keep hearing them. This was not the case on Saturday night. I recall stepping out and getting a good look at the crowd, and Friedland bumbling through his completely forgettable material, and thinking: this makes me feel like I could start stand up comedy today and dominate the genre. I have this instinct to say: Adam's young! He'll get better! But he's not. He won't. He's 39. He doesn't have the neuroplasticity. He crossed the Sensitive Young Man threshold ten years ago. Mulaney at 43 could be his father now. He's a "much better interviewer" apparently. I tuned out after Cumtown ended because frankly I don't give a shit about the middle east, and that's 90% of what he talks about. Different strokes. I asked some guy in the bathroom, mid-piss: "what would you rate this show, out of 10?" He said: ehh, like a 6. He's a much better interviewer. I don't hate Adam Friedland, I just wish there was anybody to be excited about in stand up comedy. Between this mens' magazine giving me a $500 stipend to "report" on all these shows and the $474 ticket to Gillis and the $432 ticket to Chappelle and the $741 ticket to Mulaney and all the drinks they make you buy at these things I'm feeling like a huge sunk cost leech on the world. Just taking people's money and using it to complain. At least my date seemed to be having a good time. I wrapped my hand around her low back and leaned into her head, wanting her but not sure how to say it. It's much easier to express that kind of thing on blow. Later that night I K-holed in public. Erica and I took way too much in the front seat of the van. We were outside a rave at 3 AM, they asked me to produce a QR code on my phone, I could barely stand. I felt like I was moving in 2D. The fat security guard barely flinched as I walked past him in slow heavy steps, like a penguin, marching into this densely fogged room with colorful lights and loud bumping trance music where all I could stand to do was lean against the heavily breathing walls. I tried to dance with the girl but it probably looked retarded. I didn't try to interact with anyone, I was too far gone. I thought of Karen, as I do every time I take K. The girl led me through the venue, as I worried I would fall over or walk straight into a wall. I worried about how bad this must look, how retarded I must look, wearing this huge XXL t-shirt tucked in to my pants that don't even fit that well because I have anterior pelvic tilt and no ass. I looked and felt like a clown. A failed clown. I was smiling painfully at Erica, looking down at her, and she was doing the same to me. We found a bathroom and I forced my way in. The ketamine was NOT wearing off. I felt my heart beating hard and my head spinning like I could have thrown up but there was nothing in my stomach besides liquid—no food all day besides a croissant at 2PM. I had downed some random person's red wine glass at the last bar. I worried it might have been spiked. I leaned with my head against the wall, sweating, wishing it would end, brutally aware that Erica's out there waiting for me, my friends are out there waiting for me, wondering if I'm okay, thinking he's too fucked up, he can't handle himself, I thought Thomas was always okay and always in control no matter what, they're losing confidence in me, they're losing confidence in themselves for associating with me, what is this big colorful retarded clown shirt I'm wearing I must look like such a fool right now I can't face these people, I can never face them ever again, my face must look so evil ugly and strained, I splash my face with water but it doesn't help, run it through my hair but it doesn't help, get the water all over my shirt but then it just looks like I threw up on myself or pissed myself or something, and I don't have another shirt, should I go out there shirtless, no that's worse, how am I ever going to leave this bathroom, why won't this K wear off, now Erica's calling me, texting me, are you okay, eventually they're just gonna bust in here I know, fine, I can do it, I'm opening the door, yes, I come out, she's still there, good, good girl. She leads me outside. I feel 10% better. I lead her straight to the van. We get in. I tell her to lay with me. Just like on the first night we met. Head spinning, chest heaving, completely exhausted, just lay with me. She asks are you okay and I say for the first time, no. No, I am actually not okay. I blame Adam Friedland. Overall rating: 4/10. Have Nick write your jokes or just stick to interviews.

Worst Boyfriend Ever

89,388 Aufrufe • vor 2 Monaten

Cole Tomas Allen, the man accused of opening fire at the White House Correspondents’ dinner at the Washington Hilton in Washington, D.C. Saturday, reported released a manifesto to his close family members only minutes before the shooting took place. The dinner, an annual event with President Donald Trump, First Lady Melania Trump, and other Trump administration officials in attendance, was cancelled and its attendees evacuated after gun shots rang out late Saturday night. On Sunday, the New York Post obtained and published what they report to be Allen’s full, 1,052-word manifesto in which he refers to himself as “Cole ‘coldForce’ ‘Friendly Federal Assassin’ Allen.” Among the many chilling details laid out in the manifesto, included in full below, are the following: Allen maintained he was “no longer willing to permit a pedophile, rapist, and traitor”(referencing left-wing conspiracies related to President Trump) to commit crimes. He planned to target numerous Trump administration officials “prioritized from highest-ranking to lowest.” Allen was willing to “go through most everyone” in attendance at the event “if it were absolutely necessary,” rationalizing the violence because all those present “[chose] to attend a speech by a pedophile, rapist, and traitor and are thus complicit.” Various talking points and accusations levied against President Trump in the note appear to come directly from various misleading left-wing conspiracies and talking points spread by Democratic Party members and other U.S. leftists. What follows is Allen’s manifesto, as released by the New York Post, in full, with one minor edit to remove profanity: Hello everybody! So I may have given a lot of people a surprise today. Let me start off by apologizing to everyone whose trust I abused. I apologize to my parents for saying I had an interview without specifying it was for “Most Wanted.” apologize to my colleagues and students for saying I had a personal emergency (by the time anyone reads this, I probably most certainly DO need to go to the ER, but can hardly call that not a self-inflicted status.) I apologize to all of the people I traveled next to, all the workers who handled my luggage, and all the other non-targeted people at the hotel who I put in danger simply by being near. I apologize to everyone who was abused and/or murdered before this, to all those who suffered before I was able to attempt this, to all who may still suffer after, regardless of my success or failure. I don’t expect forgiveness, but if I could have seen any other way to get this close, I would have taken it. Again, my sincere apologies. On to why I did any of this:I am a citizen of the United States of America. What my representatives do reflects on me. And I am no longer willing to permit a pedophile, rapist, and traitor to coat my hands with his crimes. (Well, to be completely honest, I was no longer willing a long time ago, but this is the first real opportunity I’ve had to do something about it.) While I’m discussing this, I’ll also go over my expected rules of engagement (probably in a terrible format, but I’m not military so too bad.) Administration officials (not including Mr. Patel): they are targets, prioritized from highest-ranking to lowest Secret Service: they are targets only if necessary, and to be incapacitated non-lethally if possible (aka, I hope they’re wearing body armor because center mass with shotguns messes up people who *aren’t* Hotel Security: not targets if at all possible (aka unless they shoot at me) Capitol Police: same as Hotel Security National Guard: same as Hotel Security Hotel Employees: not targets at all Guests: not targets at all In order to minimize casualties I will also be using buckshot rather than slugs (less penetration through walls) I would still go through most everyone here to get to the targets if it were absolutely necessary (on the basis that most people *chose* to attend a speech by a pedophile, rapist, and traitor, and are thus complicit) but I really hope it doesn’t come to that. Rebuttals to objections: Objection 1: As a Christian, you should turn the other cheek. Rebuttal: Turning the other cheek is for when you yourself are oppressed. I’m not the person raped in a detention camp. I’m not the fisherman executed without trial. I’m not a school kid blown up or a child starved or a teenage girl abused by the many criminals in this administration. Turning the other cheek when *someone else* is oppressed is not Christian behavior; it is complicity in the oppressor’s crimes. Objection 2: This is not a convenient time for you to do this. Rebuttal: I need whoever thinks this way to take a couple minutes and realize that the world isn’t about them. Do you think that when I see someone raped or murdered or abused, I should walk on by because it would be “inconvenient” for people who aren’t the victim? This was the best timing and chance of success I could come up with. Objection 3: You didn’t get them all. Rebuttal: Gotta start somewhere. Objection 4: As a half-black, half-white person, you shouldn’t be the one doing this. Rebuttal: I don’t see anyone else picking up the slack Objection 5: Yield unto Caesar what is Caesar’s. Rebuttal: The United States of America are ruled by the law, not by any one or several people. In so far as representatives and judges do not follow the law, no one is required to yield them anything so unlawfully ordered. I would also like to extend my appreciation to a great many people since I will not be likely to be able to talk with them again (unless the Secret Service is *astoundingly* incompetent.) Thank you to my family, both personal and church, for your love over these 31 years. Thank you to my friends, for your companionship over many years. Thank you to my colleagues over many jobs, for your positivity and professionalism. Thank you to my students for your enthusiasm and love of learning. Thank you to the many acquaintances I’ve met, in person and online, for short interactions and long-term relationships, for your perspectives and inspiration. Thank you all for everything. Sincerely, Cole “coldForce” “Friendly Federal Assassin” Allen PS: Ok now that all the sappy stuff is done, what the hell is the Secret Service doing? Sorry, gonna rant a bit here and drop the formal tone. Like, I expected security cameras at every bend, bugged hotel rooms, armed agents every 10 feet, metal detectors out the wazoo. What I got (who knows, maybe they’re pranking me!) is nothing. No damn security. Not in transport. Not in the hotel. Not in the event. Like, the one thing that I immediately noticed walking into the hotel is the sense of arrogance. I walk in with multiple weapons and not a single person there considers the possibility that I could be a threat. The security at the event is all outside, focused on protestors and current arrivals, because apparently no one thought about what happens if someone checks in the day before. Like, this level of incompetence is insane, and I very sincerely hope it’s corrected by the time this country gets actually competent leadership again. Like, if I was an Iranian agent, instead of an American citizen, I could have brought a damn Ma Deuce in here and no one would have noticed s**t. Actually insane. Oh and if anyone is curious is how doing something like feels: it’s awful. I want to throw up; I want to cry for all the things I wanted to do and never will, for all the people whose trust this betrays; I experience rage thinking about everything this administration has done. Can’t really recommend it! Stay in school, kids.

The Western Journal

104,655 Aufrufe • vor 3 Monaten

🦕💬 • 260611 [01:03 AM KST] 41 voice notes transcripted/translated in order: hi how did you like made by riize? you’re asking if i ate dinner? i didn’t eat. i ate lunch kind of late, but i ate a hearty lunch. i also wanted to do a live as i finished work, but while wondering if i should do a live or not, something new to do popped up. and while i was doing it, it got too late. so i'll do a live later. go knicks! lately, the NBA's a hot topic lately. knicks. crazy. i don't know, you know... basketball that well, but i remember growing up they were sort of *the team* that people, yk cheered on. but i don't remember anyone saying that they were doing great, or anything. but apparently they're in the finals rn and they're doing rly well, so also can't forget the world cup. world cup season rn, so... just sports season.. sports season, crazy, yeah? [singing dyd] how is it? riize's challenge. easy, right? do it lots, please~ these days, a lot of short-form [videos] are coming up, as you've probably seen. I thought it might be fun if everyone did that together... what do you think? live... there's a way to turn it on, but even if i turned it on, i'm not sure if i could do it well. i don't have confidence rn so i'm talking like this wa, but there's only 4 days left for our comeback.. only 4 days left... how is it? are you guys looking forward to it? are u guys excited? we're going to ulsan the 15th, and wonbin hyung, said he's buying us lunch... not really. but it's our first time going to ulsan all together. we'll have our comeback there. i think it'll be fun. also, the 15th we're doing a comeback live.. we've been doing it every comeback... and at the live stream we'll be high school students.. but it could honestly be university students too.. or really just do it without a concept, but i think it'll be fun... just... it'll be fun... so, while doing that we'll talk about the comeback whatever happens i want us all to just create fun memories together, and since it’s summer, how about you all enjoy summer together with riize... how does that feel? how's this pfp? i like it ㅎㅎ engddongi, eng, engddon ah, right. also with taro hyung, we'll appear at salon drip... i also think that will be fun when it comes out. the recording was also fun, with doyeon nuna.. please watch it ah... you guys can hear the dryer? i won't tell you who's clothes it's drying, it's a secret~ since you could look at this as something im trying out instead of doing a live stream i won't be able to do it super often or every single day, but I think it wouldn't be bad to use this feature again sometime what do you think? ah, but languages are difficult it's not easy to unify into just one language now, but on the other hand, it's really fun. somehow, this chat room..? is that right? realizing that this place is totally global and international is in a way pretty cool. haha anyway, after a long time i rode a bike again.. there was a lot of sunlight... sunlight.. did lots of photosynthesis but what was a real mistake was first of all the bicycle didnt have a basket, and I didnt wear a comfortable backpack. i came out carrying a somewhat awkward/uncomfortable bag, so i really messed up on top of that the bicycle was incredibly heavy, but then the battery completely died... so I almost cried. without even realizing it I had gone so far away so I suffered a bit. that’s the story i also have the feeling i bruised my butt a bit... ㅎㅎ but that will also become a funny memory, right? how's riizing summer vacation? i think there were really a lot of funny moments... sungchan hyung was so funny... sungchan hyung said somewhere he hasn't eaten ramyeon in a year ㅎㅎ and sungchan hyung honestly isn't the type to eat ramen alone, he's on the not eating it side... but he's always like 'one bite, one bite'... so if we put all that together, wouldn't it be a plate of ramen?ㅎㅎ for me, at the beginning of our debut, it was a bit... you know how while filming content, i ended up grilling meat and all? but now, grilling meat... well, i don't think it's that bad also, back when we went to japan to shoot our album jacket photos and the trailer, we visited a lot of vinyl (LP) shops... and that was actually the first time in my life buying an LP with my own money when i was young i went to la to play, and then there was this famous 'amoeba music' store. i looked around and everything, but honestly back then i really wasn't that much interested in LPs. so i bought things like a lot of stickers and used them to decorate my laptop. somehow, after that time, [it was like] I truly spent time in a vinyl shop? but visiting now that I'm a bit older, it was so much fun there are so many songs I don’t know, and tons of songs that aren't even famous so back then in japan, duran duran is a really famous band, but I bought duran duran's Notorious LP and then I also bought Barry Finnertys,, barrynims NY City LP. what was so surprising was that as soon as I listened to the LP, the sound and quality were so good that I was like, 'wow, what is this?' but when I looked it up on the internet, it only had like 3,000 views on YouTube? I think it was 3,000, so because it was so good, I bought it. and after that yesterday too while wandering around here and there, i happened to walk into a cafe and they had LPs there too so yesterday, I bought one or two ㅎㅎ lp's no mater how you look it they have a vibe... its true that nowadays you can just look up and listen to everything on your phone, but another good thing about it (lps) is that I think it’s really great for finding songs you don't know so when going to the lp shop you get to learn a lot of new songs that you didn't know before. even if you don't go with the sole purpose of buying an LP, it's just... really great for discovering things... should I say? a riize lp would also be good... back then, during boom boom bass, we even went there and did all that stuff with our LP too... how was the video editing? back then when i went to school when doing things like presentations, together with other students we would edit videos.. i did lowkey find that kind of stuff pretty fun though because it was pretty much my first time [doing that] since back during those days... but really i think it was fun like... yeah.. i want to try to do it again when i was young i did draw. i drew for fun but it had been such a long time since i last properly sat down and tried to draw something properly with a pencil.. i think it's been such a long time i'm probably the worst at drawing in my family? ㅎㅎ my dad's good, my mom's also good.. my grandpa also draws reaññu well. but it was fun drawing again, so i also want to try that again... why is there so many things i want to do? really why is it? and above all, i want to work really hard on music so that someday i can show you even more. now, like from the trailer to the full version that was uploaded to our site... those kinds of things are a bit different from just being a song, though.. now everyone, let's try meditating together with me sorry.. anyways.. i have to leave in a couple hours actually, so.. time to hit the hay, yeehaw i can't fall asleep right away ㅎㅎ this.. seems like it might be a bit difficult to interpret/translate.. (yes anton, it is,,,) next time it might be better to just turn on a live stream instead ㅎㅎ sorry wow... sleep is really not coming... [1 video] [1 picture] ok jinja gn

🧼

37,315 Aufrufe • vor 1 Monat

I would be angry about the Virginia redistricting, but let’s be real, the Republicans are basically Democrats and only serve to attack America Only people like Massie. That anger I could feel would just be wasted energy. Why should we even care the Democrats are redistricting? What have the Republicans done for us? Why should we protect the Republicans? Not a single penny of what DOGE found to be fraudulent or redundant was removed from the budget. They’ve squandered every single minute of this last year trying to protect Epstein clients and attacking “America Only.” Mike Johnson even shut the House down for like three months to slow the Discharge Petition that would reveal all the Epstein Files. This past year has been nothing but cowering down to Israel and the Democrats and printing even more money. They let the Hearing Protection Act and SHORT Act be “Byrd Bath’d” (declared improper through parliamentary rules and removed) out of the Trump Omnibus bill by an Obama appointed parliamentarian. Said parliamentarian still has a job by the way. Here in Virginia, we can’t even get Morgan Griffith to sign on to the Constitutional Carry bill Massie submitted. What would be different in any meaningful way if the Democrats were to be allowed to gerrymander everything to the extreme? They’re mostly useless and only occasionally will throw us a crumb. They’re basically just Democrats that only want to turn things 🌈💩 a little slower. I’m sorry my friends, but I don’t see a political solution to any of this. We’re not voting our way to a better government. As much as I love my fellow Libertarians, the Libertarian Party has its head so far up its own 🍑 that they can smell yesterday’s breakfast before it stinks. Fund raising is nonexistent. What money is raised is wasted on frivolous lawsuits. This system is going to collapse and we’re going to have to rebuild the country when it does. Use every single second until that happens in preparing for the storm, and just refuse to comply with tyrannical laws. Make them come and take your guns out of your cold dead hands. Are you ready to thrive in a world where we are no longer one country? For extreme Balkanization where towns compete over limited local resources? Where millions pour out of the cities like World War Z taking everything they can find? Prepare ways to feed yourself and your family. Prepare for how to defend your property from marauders and thieves who are NOT preparing now. Spread out where you store your supplies so that they can’t all be lost if one location falls into enemy hands. Make sure they’re not written down anywhere and are memorized by your family. Learn your neighbors names, their skills, their background. Stop being fat. Get in shape. Buy ammo and more guns. Study survival. We’re going to have to rebuild this world. And it’s time we start acting like it because time is running out. Republicans will betray you and find any reason to cave on defending your rights 100 times out of 100. We must appeal to Heaven. Ave Christus Rex.

Appalachian Liberty

40,107 Aufrufe • vor 5 Monaten

Seedance 2.0 on Hailuo AI (MiniMax) ===================== Prompt: Style: Photorealistic behind-the-scenes smartphone vlog footage. Faux vertical smartphone footage naturally cropped into 16:9. Authentic handheld phone aesthetic. No cinematic color grading, no HDR look, no 3D render, no game engine, no beauty filters. Feels like genuine behind-the-scenes content uploaded by a Korean idol. Lighting: Bright summer afternoon sunlight through large apartment windows gradually transitions into warm evening apartment lighting. Natural exposure fluctuations and auto white balance typical of smartphone cameras. Color: Neutral consumer smartphone color science with slightly soft contrast, mild highlight clipping near windows and natural indoor color shifts. Camera: Simulated smartphone camera filmed by another female idol member. Gentle handheld movement, natural walking motion, subtle autofocus breathing, slight rolling shutter during quick pans, occasional imperfect framing, brief focus hunting and realistic phone compression. Camera behaves like a friend casually filming, never professionally stabilized. Skin: Extremely realistic skin texture with visible pores and natural imperfections. Light everyday makeup. No skin smoothing. Acting: Gentle, elegant and soft-spoken. She smiles modestly, speaks calmly, occasionally becomes slightly shy after noticing the camera, and naturally thanks the person filming. Her personality is graceful, feminine, polite and slightly reserved. She rarely laughs loudly, instead showing warm smiles, subtle amusement and delicate facial expressions. Every movement feels refined, relaxed and effortless. Physics: Hair, clothing, towels, food, steam, water droplets and household objects all move naturally with realistic weight and momentum. Composition: Casual smartphone framing with occasional imperfect composition and spontaneous reframing. Feels like authentic dorm footage rather than planned content. Continuity: Maintain the exact same face, platinum blonde long straight hair with bangs, body proportions and identity from the reference image throughout every scene. No identity drift. Technical: Authentic 24–30fps smartphone video look with subtle compression artifacts. Final output 16:9. Audio: Natural apartment ambience only. Air conditioner humming, distant Seoul traffic, birds outside the window, cooking sounds, boiling water, frying food, dishes, footsteps, running water, toothbrush brushing, hair dryer, refrigerator hum and soft room ambience. No background music. No subtitles. Overall Mood: Warm, peaceful, elegant and comforting. Similar to a quiet behind-the-scenes dorm vlog uploaded by a Korean idol. Everything feels sincere, calming and intimate without trying to be entertaining. Character: A fictional Korean female idol in her early 20s. Long platinum blonde hair with straight bangs. Fair skin. Soft cat-like eyes. Slim figure. Graceful and feminine. She is known for her gentle personality, polite manners and calm speaking voice. She has just returned to the dorm after school and a schedule and quietly spends the rest of her summer evening. Wardrobe Continuity: CUT 1 She arrives wearing the exact sailor-style school uniform from the reference image, including the cream knit vest, blue sailor collar, blue pleated skirt, white socks and black loafers. CUT 2 She changes into an oversized white graphic T-shirt and loose black athletic shorts while cooking. CUT 3 She now wears a soft pastel blue sleeveless lounge top with white lounge shorts while eating dinner. CUT 4 The same lounge outfit while brushing her teeth. CUT 5 After washing her face she changes into luxurious white silk short pajamas featuring elegant gold piping along the collar, cuffs, chest pocket and shorts hem. The pajama set consists of a relaxed short-sleeve button-up shirt with matching silk shorts. Her hair is loosely tied back while doing skincare. CUT 6 Fresh after showering, still wearing the same white silk pajamas with gold piping. Her hair is slightly damp with a white towel resting around her neck while drying it. CUT 7 Relaxing on the sofa wearing the elegant white silk pajamas while hugging a plush toy and drinking iced tea. CUT 8 Before bed she lets her hair down naturally, waves softly toward the camera while wearing the elegant white silk pajamas, turns off the bedroom light and closes the door. Scene: A beautiful modern luxury Korean idol dorm apartment during a peaceful summer afternoon and evening. Cozy, bright and elegant interior with tasteful furniture, skincare products, plush toys, snacks, fresh flowers, books and neatly organized living spaces. CUT 1 — Coming Home Continuous handheld shot. She unlocks the front door, quietly enters the dorm wearing the school uniform from the reference image, removes her loafers neatly, places her school bag beside the entrance, smiles softly toward the camera and bows her head slightly. Dialogue: "다녀왔어요." CUT 2 — Cooking The camera follows her into the kitchen. She washes vegetables, prepares simple Korean home cooking, fries eggs, boils ramen, tastes the soup with a spoon and smiles gently. Dialogue: "오늘 많이 배고프네요." A female member is heard faintly from another room. Female Voice: "언니~" She smiles softly. "왜?" CUT 3 — Dinner She sits quietly at the dining table. Before eating, she gently places her hands together. Dialogue: "잘 먹겠습니다." She enjoys the meal peacefully while occasionally smiling toward the camera. CUT 4 — Brushing Teeth Bathroom mirror shot. She brushes her teeth slowly before smiling shyly after making accidental eye contact with the camera. Dialogue: "이제 양치해야지." CUT 5 — Skincare Now wearing elegant white silk pajamas with gold piping. She carefully applies toner, serum and moisturizer while calmly speaking to the camera. Dialogue: "오늘 피부가 조금 좋아 보이는 것 같아요." CUT 6 — After Shower She walks out of the bathroom with slightly damp hair and a towel resting around her neck. She quietly dries her hair while looking out the apartment window at the summer sunset. Dialogue: "샤워하니까 정말 개운해." CUT 7 — Relaxing She sits comfortably on the sofa hugging a plush toy while sipping iced tea and slowly scrolling through her phone. A female member speaks softly from another room. Female Voice: "영화 볼래?" She smiles warmly. "좋아요." CUT 8 — Good Night Late evening. She walks into her bedroom carrying her phone charger and plush toy. She turns around one last time, smiles gently at the camera and gives a small wave. Dialogue: "오늘도 함께해줘서 정말 고마워요. 좋은 꿈 꾸세요." She switches off the bedroom light. The bedroom door slowly closes while the handheld camera quietly remains outside for another second before the recording naturally ends.

TSUBAKI

118,339 Aufrufe • vor 27 Tagen