正在加载视频...
视频加载失败
✨ Mirror, mirror on the wall, what should I pick from olulo.objects, after all? ✅ olulo Chillax - Short Sleeves Shirt สองสีสุดชิล White และ Beige วางขายแล้วที่ olulo.objects Pop-Up Store เดอะมอลล์บางกะปิแล้วนะ 💥 และพิเศษ! ยังมีโปรโมชันสำหรับสินค้าอื่น ๆ เฉพาะที่ Pop-Up Store นี้เท่านั้นด้วยนะ #oluloobjects #olulo #olulopopup
0 条评论
暂无评论
原始帖子的评论将显示在这里
![Seedance 2.0 prompts below! 👇 [STYLE + CAMERA + ATMOSPHERE] Authentic amateur footage captured horizontally on a smartphone in landscape mode, natural shaky handheld camera with typical phone jitter and micro-movements, casual real-life vlog style, raw mobile video quality with slight grain and compression artifacts, natural indoor lighting from cheap fluorescent tubes and some window light, no cinematic color grading, no film look, no polish — just real phone recording. [IMAGE REFERENCES] No reference image provided. The main character is a woman in her mid-30s. Maintain consistent appearance throughout: natural look, shoulder-length dark hair, fair skin, casual t-shirt and jeans. [TIMELINE SECOND BY SECOND] 0-4s: [Shaky Handheld Phone Shot] Inside a cheap, cluttered Indian-style beauty salon with faded posters, plastic furniture and dim lighting. The woman sits relaxed in a worn chair. A male esthetician stands beside her holding a small jar of thick off-white cream. Natural phone camera shake. Esthetician says in casual American English with a light Indian accent: "This is our special cream, madam. Very good for the skin. You will like the results." 4-8s: [Close-up Handheld] The esthetician scoops the cream and rubs it thickly all over the woman’s face, covering forehead, cheeks, chin and lips. The woman has her eyes closed, looking calm. Unsteady phone camera moves slightly closer. Esthetician continues: "Just relax and close your eyes. It works very fast." 8-12s: [Medium Close-up, slight push-in] The woman’s lips start to visibly swell and enlarge dramatically, becoming much fuller, plumper and noticeably bigger. At the same time her chest grows larger and rounder, stretching her t-shirt. She opens her eyes in shock, looks down at her chest and touches her lips with her hands. Handheld camera jolts a little from the surprise. 12-15s: [Handheld Reaction Shot] The woman turns fast toward a wall mirror and stares at her reflection in total horror. Her lips are now much larger and her chest significantly bigger. She reacts in natural New York style: "Wait… what the hell? My lips feel huge… and my chest too? What did you put on me?!" The esthetician replies from the side: "It's just activating, no problem. It will settle down." The shaky phone camera captures her panicked expression and the mirror reflection. [STYLE & QUALITY BOOSTERS] Authentic smartphone video quality, natural realistic skin physics and body transformation, coherent character consistency, slight handheld camera shake throughout, natural lighting and shadows, no artifacts, raw mobile recording look. waiting for your versions! 🫡](https://image.24vids.com/tw-2078073640197693927/amplify_video_thumb/2078073007994470400/img/gEA7NyqP0o8vkNr8.jpg)
![Berlin Vlog GPT Image 2 Prompt: { "objective": "Create an ultra-realistic cinematic 3x3 Berlin travel photo collage featuring the extremely beautiful Black woman with naturally occurring vitiligo patterns across her skin. The collage should feel like authentic candid iPhone travel photography captured during a stylish trip around Berlin.", "aspect_ratio": "16:9", "composition": { "layout": "3x3 grid (9 equal panels)", "style": "luxury Instagram travel/lifestyle collage with clean white borders", "framing": "mix of candid street photography, blurry walking moments, mirror selfies, cafe shots, over-the-shoulder travel frames, accidental portraits, handheld snapshots", "consistency": "same exact woman across all panels with identical vitiligo patterns, facial structure, body proportions, and hair consistency" }, "subject": { "person": "adult Black woman", "appearance": { "beauty": "extremely striking natural beauty", "physique": "slender elegant figure", "vibe": "effortlessly cool, sensual, mysterious, soft feminine energy", "hair": "long dark silky hair, naturally flowing, slightly messy texture", "skin": { "condition": "visible vitiligo", "description": "large irregular depigmented white skin patches naturally distributed across the face, around the eyes, forehead, neck, chest, shoulders, collarbones, and hands", "contrast": "strong contrast between deep rich dark skin tone and lighter depigmented vitiligo areas", "pattern_style": "organic asymmetrical shapes with realistic soft skin transitions", "realism": "must look medically authentic and naturally occurring, not artistic makeup or body paint" }, "expression": "relaxed confidence, candid soft expressions, natural emotion", "skin_texture": "extremely realistic pores, texture, slight imperfections, authentic human skin detail" }, "outfits": [ "oversized black leather jacket", "white oversized shirt partially open", "minimal black tank top", "dark trench coat", "grey oversized hoodie", "simple fitted black dress" ] }, "scenes_and_shots": [ { "scene": "Berlin U-Bahn station", "shot": "standing alone waiting for the train under fluorescent lights, candid side profile" }, { "scene": "small rainy Berlin cafe", "shot": "holding coffee while staring outside the foggy window" }, { "scene": "Brandenburg Gate", "shot": "walking naturally through tourists with subtle motion blur" }, { "scene": "Kreuzberg graffiti alley", "shot": "close-up portrait against textured graffiti wall using harsh direct flash" }, { "scene": "Berlin apartment mirror", "shot": "messy mirror selfie before going out at night" }, { "scene": "late-night convenience store", "shot": "holding drink bottle under cold fluorescent lighting" }, { "scene": "Museum Island riverside", "shot": "sitting alone near the water listening to music with headphones" }, { "scene": "crosswalk at night in Berlin", "shot": "walking through wet asphalt reflections and neon lights" }, { "scene": "vintage Berlin photo booth", "shot": "tight candid portrait fixing hair naturally inside the booth" } ], "environment_details": { "city": "Berlin, Germany", "elements": [ "wet asphalt reflections", "graffiti walls", "European architecture", "U-Bahn signs", "tram lines", "vintage cafes", "cold urban atmosphere", "rainy cinematic mood", "Berlin nightlife glow" ] }, "visual_style": { "genre": "ultra-realistic cinematic travel photography", "quality": "raw iPhone documentary realism", "texture": [ "natural skin texture", "visible pores", "slight digital grain", "realistic low-light noise", "motion blur", "imperfect framing", "lens smudges", "flash reflections" ], "color_tone": "muted Berlin cinematic tones, cold greys, blacks, rainy blues, warm cafe ambers" }, "lighting": { "style": "natural real-world lighting", "variations": [ "overcast daylight", "cold fluorescent lighting", "warm tungsten cafe lighting", "soft rainy daylight", "night neon reflections", "harsh direct flash" ] }, "camera": { "type": "iPhone 16 Pro documentary photography", "lens": "casual handheld smartphone lens", "feel": "extremely authentic candid travel photography" }, "quality_targets": { "look": "real influencer Berlin travel dump", "feel": "authentic, emotional, intimate, cinematic, naturally beautiful", "realism": "must look indistinguishable from real smartphone photography", "consistency": "same exact woman across all 9 images" }, "negative_constraints": [ "no AI beauty look", "no over-smoothed skin", "no plastic CGI skin", "no unrealistic perfection", "no studio photoshoot feeling", "no exaggerated fashion poses", "no fantasy atmosphere", "no body paint appearance", "no inconsistent vitiligo patterns", "no cartoon style", "no glam makeup look", "no unrealistic lighting" ] }](https://image.24vids.com/tw-2055720039781941669/amplify_video_thumb/2055718373346959360/img/wYFiLIOuIx-mzhrC.jpg)
![MiniMax H3で清涼飲料水のCM動画を生成。 映像スタイルはモーショングラフィックス。 もちろん、プロンプトはClaude Codeに全部書いてもらっています。 プロンプトを書いてもらう方法は引用元で紹介しています😃 今回使用したプロンプト↓ ----------------- integrated_multimodal_description: Create a complete 15-second Japanese flat-illustration motion-graphics commercial for a bottled mineral water in a clean 16:9 composition. The bottle is the hero of every shot: it appears within the first second, stays large and centred, and its pale blue label reading the exact Latin characters "AOI WATER" is sharp and readable in every frame it occupies. Use friendly 2D vector illustration, thick navy outlines, flat solid colour fills, and springy cutout animation with snappy overshoot easing. Compact palette of warm white, deep navy, bright aqua, deep blue and saturated yellow, where yellow carries the summer heat and aqua carries the cold refreshment. A fictional young Japanese actress supports the product, drawn as a flat vector icon with a round friendly face, simple dot eyes, a curved smile, a glossy black chin-length bob, a white short-sleeved shirt over a navy tank top; she keeps the same design in every shot. No photorealism, no 3D rendering, no gradients, no drop shadows, no browser interface, no screen-recording artifacts, no player controls. [Shot 1] Begin on a saturated yellow field. A large white sun pulses twice at the top of the frame and wavy heat-haze lines rise from the bottom edge. At 00:00.800 a tall white bottle of AOI WATER shoots up from the bottom edge into the centre of the frame, overshooting and settling at eighty percent of the frame height, and a single white flash frame fires on the impact. Three aqua ripple rings expand from the bottle and the small navy headline assembles word by word at the top: "この夏、あつい。" [Shot 2] At 00:02.400, a wave of bright aqua water sweeps across the frame from the left and washes the yellow away. The bottle stays centred and rotates a quarter turn to show its side. Its pale blue label assembles letter by letter into "AOI WATER" with a thin white underline drawing beneath, six round condensation drops pop onto the glass one after another, and two flat ice cubes tumble down past it. [Shot 3] At 00:05.000, a deep blue field wipes in from the right. The bottle tilts on the left and a clear aqua stream pours in a smooth arc into a tall glass on the right; three flat ice cubes drop into the glass one at a time and bounce, throwing a radial burst of white droplets on the third. Two white snowflake marks pop in beside the glass and the kinetic word "キンッ。" stamps in with a small shake. [Shot 4] At 00:07.600, the deep blue flips to aqua in a hard shape wipe. The actress stands centre frame holding the bottle high, tips it and drinks; a column of aqua fills her outlined body from top to bottom in three quick pulses, one per gulp, and white radial speed-lines snap outward on the third. The kinetic word "ごくっ" pops in beside her cheek and the bottle stays fully visible in her hand. [Shot 5] At 00:10.200, a saturated yellow field wipes in from the bottom. The actress jumps once with the bottle raised above her head, her bob and shirt lifting, while flat aqua and white circles, triangles and arcs burst outward from her in a ring and three ripple rings expand from her landing point. The headline assembles in two stages: "夏に、" then "負けない。" A thick yellow underline strikes beneath the second phrase. [Shot 6] At 00:12.600, cut to a calm warm-white end card with generous negative space. The bottle slides to the centre and scales up slightly, its "AOI WATER" label square to the viewer and perfectly readable, with a ring of six aqua droplets popping outward around it one by one. The logotype "AOI WATER" reveals in deep navy beside the bottle with a small aqua droplet mark, and the smaller line "アオイ・ウォーター" fades in beneath it. A calm, bright young Japanese woman (S1) says in an off-screen voiceover: [Japanese] 夏に、負けない。 The end card holds sharp, centred and readable until exactly 15.000 seconds. Throughout: flat vector motion graphics only, one palette and one line weight, the same bottle design and the same character design in every shot, and something on screen is always moving. All Japanese text in clean gothic type and the label and logotype in clean geometric capitals, correctly formed and static once placed, with no subtitles of the spoken line and no other lettering. overall_soundscape: A deep whoosh and a short impact thud land as the bottle shoots up into frame, followed by three soft ripple taps. An airy whoosh runs under each colour wipe and a liquid sweep carries the aqua water across the frame. Rounded pops mark the sun pulses and each condensation drop, two ice cubes clink as they tumble, and a bottle cap cracks open before a clear pouring stream and three ice cubes landing in a glass. Three deep gulps and a quick refreshed exhale carry the drink, a light whoosh and landing thud carry the jump, and a clean shimmering chime rings on the logotype. non_diegetic_music: Generate an original 15-second bright Japanese commercial cue at 128 BPM using marimba, ukulele upstrokes, hand claps, a warm round bass and a light drum kit, playing without a gap from the first frame to the last. Open with a single accent hit as the bottle lands at 00:00.800, add the full kit as the water sweeps in, thin to marimba and claps under the pour, push to the loudest point with a rising fill under the jump, drop under the spoken line, and resolve on one clean sustained chord at 15.000 seconds. No singing and no lyrics.](https://image.24vids.com/tw-2087681623718518870/amplify_video_thumb/2087680897478955008/img/8z97seoFxzmaTDGp.jpg)
![Cole Tomas Allen, the man accused of opening fire at the White House Correspondents’ dinner at the Washington Hilton in Washington, D.C. Saturday, reported released a manifesto to his close family members only minutes before the shooting took place. The dinner, an annual event with President Donald Trump, First Lady Melania Trump, and other Trump administration officials in attendance, was cancelled and its attendees evacuated after gun shots rang out late Saturday night. On Sunday, the New York Post obtained and published what they report to be Allen’s full, 1,052-word manifesto in which he refers to himself as “Cole ‘coldForce’ ‘Friendly Federal Assassin’ Allen.” Among the many chilling details laid out in the manifesto, included in full below, are the following: Allen maintained he was “no longer willing to permit a pedophile, rapist, and traitor”(referencing left-wing conspiracies related to President Trump) to commit crimes. He planned to target numerous Trump administration officials “prioritized from highest-ranking to lowest.” Allen was willing to “go through most everyone” in attendance at the event “if it were absolutely necessary,” rationalizing the violence because all those present “[chose] to attend a speech by a pedophile, rapist, and traitor and are thus complicit.” Various talking points and accusations levied against President Trump in the note appear to come directly from various misleading left-wing conspiracies and talking points spread by Democratic Party members and other U.S. leftists. What follows is Allen’s manifesto, as released by the New York Post, in full, with one minor edit to remove profanity: Hello everybody! So I may have given a lot of people a surprise today. Let me start off by apologizing to everyone whose trust I abused. I apologize to my parents for saying I had an interview without specifying it was for “Most Wanted.” apologize to my colleagues and students for saying I had a personal emergency (by the time anyone reads this, I probably most certainly DO need to go to the ER, but can hardly call that not a self-inflicted status.) I apologize to all of the people I traveled next to, all the workers who handled my luggage, and all the other non-targeted people at the hotel who I put in danger simply by being near. I apologize to everyone who was abused and/or murdered before this, to all those who suffered before I was able to attempt this, to all who may still suffer after, regardless of my success or failure. I don’t expect forgiveness, but if I could have seen any other way to get this close, I would have taken it. Again, my sincere apologies. On to why I did any of this:I am a citizen of the United States of America. What my representatives do reflects on me. And I am no longer willing to permit a pedophile, rapist, and traitor to coat my hands with his crimes. (Well, to be completely honest, I was no longer willing a long time ago, but this is the first real opportunity I’ve had to do something about it.) While I’m discussing this, I’ll also go over my expected rules of engagement (probably in a terrible format, but I’m not military so too bad.) Administration officials (not including Mr. Patel): they are targets, prioritized from highest-ranking to lowest Secret Service: they are targets only if necessary, and to be incapacitated non-lethally if possible (aka, I hope they’re wearing body armor because center mass with shotguns messes up people who *aren’t* Hotel Security: not targets if at all possible (aka unless they shoot at me) Capitol Police: same as Hotel Security National Guard: same as Hotel Security Hotel Employees: not targets at all Guests: not targets at all In order to minimize casualties I will also be using buckshot rather than slugs (less penetration through walls) I would still go through most everyone here to get to the targets if it were absolutely necessary (on the basis that most people *chose* to attend a speech by a pedophile, rapist, and traitor, and are thus complicit) but I really hope it doesn’t come to that. Rebuttals to objections: Objection 1: As a Christian, you should turn the other cheek. Rebuttal: Turning the other cheek is for when you yourself are oppressed. I’m not the person raped in a detention camp. I’m not the fisherman executed without trial. I’m not a school kid blown up or a child starved or a teenage girl abused by the many criminals in this administration. Turning the other cheek when *someone else* is oppressed is not Christian behavior; it is complicity in the oppressor’s crimes. Objection 2: This is not a convenient time for you to do this. Rebuttal: I need whoever thinks this way to take a couple minutes and realize that the world isn’t about them. Do you think that when I see someone raped or murdered or abused, I should walk on by because it would be “inconvenient” for people who aren’t the victim? This was the best timing and chance of success I could come up with. Objection 3: You didn’t get them all. Rebuttal: Gotta start somewhere. Objection 4: As a half-black, half-white person, you shouldn’t be the one doing this. Rebuttal: I don’t see anyone else picking up the slack Objection 5: Yield unto Caesar what is Caesar’s. Rebuttal: The United States of America are ruled by the law, not by any one or several people. In so far as representatives and judges do not follow the law, no one is required to yield them anything so unlawfully ordered. I would also like to extend my appreciation to a great many people since I will not be likely to be able to talk with them again (unless the Secret Service is *astoundingly* incompetent.) Thank you to my family, both personal and church, for your love over these 31 years. Thank you to my friends, for your companionship over many years. Thank you to my colleagues over many jobs, for your positivity and professionalism. Thank you to my students for your enthusiasm and love of learning. Thank you to the many acquaintances I’ve met, in person and online, for short interactions and long-term relationships, for your perspectives and inspiration. Thank you all for everything. Sincerely, Cole “coldForce” “Friendly Federal Assassin” Allen PS: Ok now that all the sappy stuff is done, what the hell is the Secret Service doing? Sorry, gonna rant a bit here and drop the formal tone. Like, I expected security cameras at every bend, bugged hotel rooms, armed agents every 10 feet, metal detectors out the wazoo. What I got (who knows, maybe they’re pranking me!) is nothing. No damn security. Not in transport. Not in the hotel. Not in the event. Like, the one thing that I immediately noticed walking into the hotel is the sense of arrogance. I walk in with multiple weapons and not a single person there considers the possibility that I could be a threat. The security at the event is all outside, focused on protestors and current arrivals, because apparently no one thought about what happens if someone checks in the day before. Like, this level of incompetence is insane, and I very sincerely hope it’s corrected by the time this country gets actually competent leadership again. Like, if I was an Iranian agent, instead of an American citizen, I could have brought a damn Ma Deuce in here and no one would have noticed s**t. Actually insane. Oh and if anyone is curious is how doing something like feels: it’s awful. I want to throw up; I want to cry for all the things I wanted to do and never will, for all the people whose trust this betrays; I experience rage thinking about everything this administration has done. Can’t really recommend it! Stay in school, kids.](https://image.24vids.com/tw-2048575292445208833/amplify_video_thumb/2048575077877194752/img/l7bcQXetQDVbBtD1.jpg)