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Mistress Mel Fire 🍯 Mel Fire 🔥 does her first dirty anal with DIRTY ANAL PRODUCTIONS #scatbook #anal #dirty #dirtyanal #scatanal #analscat #content #scatcontent #scatvideo #copro

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SCATBOOK 💩

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74,463 просмотров • 10 месяцев назад •via X (Twitter)

NSFW#scatbook#anal#dirty#dirtyanal#scatanal#analscat#content#scatcontent#scatvideo#copro
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ICE target specific protester they recognize from TikTok—shoot her in back with "fire releasing flash bomb." "I was nowhere near property line and they shot me in the back of head as I was running away." "Agents call me all sorts of things—such as fat and dirty—and know my name on TikTok." The woman, who goes by "Almond Milk," temporarily lost her hearing—and had to be treated by volunteer medics on site. The incident occurred during the No Kings protests this weekend outside the ICE facility in Portland, Oregon. #DemsUnited
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Seedance 2.5 shame walk prompt is below 👇 [STYLE + CAMERA + ATMOSPHERE] Gritty high-end medieval television production look. Shot on ARRI Alexa XT with Cooke anamorphic lenses, mix of Steadicam tracking and handheld inside the crowd. Natural overcast daylight, desaturated dirty palette, visible film grain, realistic crowd physics and fabric movement. No modern polish. [CHARACTERS] Central figure: proud middle-aged noblewoman with roughly cropped short blonde hair, wearing a plain rough grey woolen penitential robe that fully covers her, barefoot, pale skin, rigid upright posture that slowly cracks under public condemnation. Stern middle-aged woman in plain brown religious robes walking just behind her, continuously ringing a large heavy iron handbell and chanting in a loud flat voice. Dense crowd of dirty medieval city dwellers of every age and class in period clothing packed on both sides and leaning from windows. [LOCATION] Narrow winding cobblestone streets of a medieval coastal city, high stone walls, arched doorways, wooden shutters, mud on the ground. [TIMELINE] 0-6s: [Steadicam tracking medium-wide from the side] The woman in the plain robe walks steadily forward with forced dignity. The robed woman stays half a step behind ringing the bell and chanting “Shame. Shame. Shame.” Crowd begins to notice, first heads turn, early shouts of “Shame!” rise. 6-12s: [Handheld inside the pack, pushing closer] Crowd presses tighter along the path. Faces show pure contempt. Children point and call out. The woman keeps her chin high but her eyes start to glaze. Bell never stops. Chant continues: “Shame. Shame. Shame.” 12-18s: [Low tracking shot moving with her feet then tilting up to face] Bare feet slap wet cobblestones. A woman leans from a window and shouts “Shame!” The central woman’s jaw tightens, first tears form but she does not break stride. Crowd noise becomes a continuous wall of overlapping “Shame!” mixed with the bell. 18-24s: [Medium close-up handheld, slight shake] Camera stays locked on her face as the controlled mask cracks. Tears finally fall. She stares straight ahead, breathing harder. Behind her the religious woman rings harder and keeps the flat chant. The plain robe shifts with every step under the weight of the stares. 24-30s: [Pull-back Steadicam wide tracking] The full street is visible: wall of bodies on both sides, continuous shouting of “Shame! Shame! Shame!” mixed with the bell. The woman continues walking, posture still upright but now visibly broken, tears streaming, until the frame holds on her isolated figure moving through the condemnation. [STYLE & QUALITY BOOSTERS] Exact period production texture of a major series, coherent physics of every body and fabric movement, stable character continuity, natural motion blur, no modern digital cleanliness, no artificial enhancement. we are cooked 😮
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Most guys do not realize how dirty, naughty, and sexual women are. The average woman is way dirtier than the average man. I don’t think I’ve ever met a woman who wasn’t turned on by public sex, for example. Very few men are as into it as women are. As a guy, when you’re about to get it on with a girl in public, she’s there moaning, telling you to “put it in”; meanwhile you are looking around to check if anyone else is nearby while positioning her in this uncomfortable public position in the dirt, in the cold, and telling her “all right, hold on, I’m working on it, let me just get it up here, give me a second, sheesh!” If you read a woman’s romance novel, there is so much ink spilled on teasing, build up, this sex act, that sex act, the other sex act, that it’s basically unreadable if you are a guy. As a guy, you just wanna get your hot dog in her hot dog bun. But women want to do all KINDS of stuff. There’s a million things sexually these girls want to do. So why aren’t girls jumping at the chance to go to bed with every guy they meet? ✅ She needs to TRUST a guy first. Trust that she is safe with him. Trust that he will not judge her. Trust that it won’t affect her reputation. Many men aren’t good at building trust. Trust is KEY. ✅ She needs some degree of attraction to the guy. Not NEARLY as much as most guys think. She does NOT need to be wild with desire for you to sleep with you. It is even possible to sleep with women who really are not attracted to you at all, but who are just bored (and horny) and you did the moves right. (Or, bonus round, you just offered her an experience she has always fantasized about, so even if you are not her dream guy, she nevertheless says fine, let’s do it.) ✅ She needs to be aroused. You know the whole “women’s arousal is like a dimmer” thing… it’s accurate. You need to ramp her arousal up with touch, teasing, flirtation, innuendo, sex talk, etc. ✅ She needs to be ALONE with you. If she trusts you enough, you can get her alone with you. Once she’s alone with you, if there is trust there, and there’s arousal, and maybe a bit of attraction, you will get her clothes off. Yes… even if she is a ‘good’ girl. ‘Good’ girls did not manage to pass down their genes by hating sex (they are just a bit more selective about the men they have it with, is all. They need more TRUST!). Also: don’t be UNNERVED by female sexuality. Every girl has a tigress inside her waiting for the right guy to unleash it… a guy who makes her trust him, arouses her, gets her alone with him, and maybe creates some attraction with her. Women’s romance novels are ALL about this. Women’s romances in real life are as well. In fact, in real life, women often settle for far less ideal situations: men they don’t completely trust, aren’t that attracted to, are only partway aroused by, who get them alone somewhere. The better a job you can do approaching her sexual “Platonic ideal”, the more reliably you can bring out that sexual tigress lurking inside of EVERY woman (even the ‘good’ girls).
1:05

Most guys do not realize how dirty, naughty, and sexual women are. The average woman is way dirtier than the average man. I don’t think I’ve ever met a woman who wasn’t turned on by public sex, for example. Very few men are as into it as women are. As a guy, when you’re about to get it on with a girl in public, she’s there moaning, telling you to “put it in”; meanwhile you are looking around to check if anyone else is nearby while positioning her in this uncomfortable public position in the dirt, in the cold, and telling her “all right, hold on, I’m working on it, let me just get it up here, give me a second, sheesh!” If you read a woman’s romance novel, there is so much ink spilled on teasing, build up, this sex act, that sex act, the other sex act, that it’s basically unreadable if you are a guy. As a guy, you just wanna get your hot dog in her hot dog bun. But women want to do all KINDS of stuff. There’s a million things sexually these girls want to do. So why aren’t girls jumping at the chance to go to bed with every guy they meet? ✅ She needs to TRUST a guy first. Trust that she is safe with him. Trust that he will not judge her. Trust that it won’t affect her reputation. Many men aren’t good at building trust. Trust is KEY. ✅ She needs some degree of attraction to the guy. Not NEARLY as much as most guys think. She does NOT need to be wild with desire for you to sleep with you. It is even possible to sleep with women who really are not attracted to you at all, but who are just bored (and horny) and you did the moves right. (Or, bonus round, you just offered her an experience she has always fantasized about, so even if you are not her dream guy, she nevertheless says fine, let’s do it.) ✅ She needs to be aroused. You know the whole “women’s arousal is like a dimmer” thing… it’s accurate. You need to ramp her arousal up with touch, teasing, flirtation, innuendo, sex talk, etc. ✅ She needs to be ALONE with you. If she trusts you enough, you can get her alone with you. Once she’s alone with you, if there is trust there, and there’s arousal, and maybe a bit of attraction, you will get her clothes off. Yes… even if she is a ‘good’ girl. ‘Good’ girls did not manage to pass down their genes by hating sex (they are just a bit more selective about the men they have it with, is all. They need more TRUST!). Also: don’t be UNNERVED by female sexuality. Every girl has a tigress inside her waiting for the right guy to unleash it… a guy who makes her trust him, arouses her, gets her alone with him, and maybe creates some attraction with her. Women’s romance novels are ALL about this. Women’s romances in real life are as well. In fact, in real life, women often settle for far less ideal situations: men they don’t completely trust, aren’t that attracted to, are only partway aroused by, who get them alone somewhere. The better a job you can do approaching her sexual “Platonic ideal”, the more reliably you can bring out that sexual tigress lurking inside of EVERY woman (even the ‘good’ girls).

Girls Chase 🏃‍♀️💨

34,136 просмотров • 8 месяцев назад

“Hollywood Steps Out” (1941). “Hollywood Steps Out” is a 1941 Warner Bros. Merrie Melodies cartoon short directed by Tex Avery and produced by Leon Schlesinger. The cartoon features caricatures of over forty contemporary Hollywood celebrities (along with guest appearances). PLOT A group of “caricatured” Hollywood stars is having an expensive dinner at Ciro's nightclub in West Hollywood. The first stars seen are Claudette Colbert, Don Ameche, Adolphe Menjou and Norma Shearer. Greta Garbo, working as a cigarette girl, sells a pack to Cary Grant, then lights his cigarette by striking a match on her very large foot. Edward G. Robinson asks Ann Sheridan “How's the Oomph girl tonight?”. Sheridan responds by uttering the word “oomph” several times. Warner Bros. staffers Henry Binder and Leon Schlesinger are shown. A seat is reserved for Bette Davis, as is an extra-wide sofa for Kate Smith. More seats are reserved for the characters of the Blondie films, including a fire hydrant for Daisy the dog. In the cloakroom, Johnny Weissmuller checks a coat with Paulette Goddard that reveals his Tarzan outfit. Sally Rand leaves her trademark feather fans behind and is presumably naked. James Cagney prepares Humphrey Bogart and George Raft for a risky task: pitching pennies. Harpo Marx gives Garbo a hot foot, who reacts with a weary “Ouch”. Clark Gable turns his head around 180 degrees to observe a blonde girl, whom he follows offscreen. Bing Crosby introduces the evening's entertainment, interrupted frequently by a racehorse with an apparently unconscious jockey. Crosby presents conductor Leopold Stokowski, who wears a snood before performing “Ahí, viene la conga” (also known as “Here comes the conga” in English). The conga inspires Dorothy Lamour to invite James Stewart to dance with her, who stutters, stammers, and runs away scared. Gable dances by, following the girl he saw earlier. Tyrone Power dances with Sonja Henie. Frankenstein's monster dances stiffly and woodenly. The Three Stooges abuse each other in rhythm to the beat. Oliver Hardy's dance partner is revealed to be twin blonde women initially hidden by his obese frame. Cesar Romero dances clumsily with Rita Hayworth. Mickey Rooney, sitting with Judy Garland, is presented with an expensive bill, who turns to ask his Andy Hardy movie father (Lewis Stone) for a heart-to-heart talk. In the next scene, they are seen washing dishes. Gable is still pursuing the girl. Crosby then introduces Sally Rand (identified as “Sally Strand”), performing a bubble dance to “I'm Forever Blowing Bubbles”, as the camera cuts between the men's reactions and her dancing. Spectators at various tables include: Kay Kyser, William Powell, Spencer Tracy, Ronald Colman, Errol Flynn, Wallace Beery, and C. Aubrey Smith, who wolf-whistle in unison (by saying “Baby!”), Peter Lorre, Henry Fonda, whose “mother” pulls him away by his ear (in its reference to The Aldrich Family), J. Edgar Hoover, Boris Karloff, Arthur Treacher, Buster Keaton, and Mischa Auer, asked by Ned Sparks if they are having a good time, and Jerry Colonna, who reveals an invisible character next to him called “Yehudi”. Now that Strand is standing still on the stage, this allows Harpo Marx an opportunity to shoot her bubble with a slingshot. The bubble explodes on impact, and she reacts with shock, as it reveals she is wearing a barrel, held up by suspenders. Meanwhile, Gable has finally caught up to the girl he was chasing and insists she kiss him. The girl turns out to be Groucho Marx in drag. CAST Kent Rogers as James Cagney, Cary Grant, Edward G. Robinson, Clark Gable, Ned Sparks, Peter Lorre, Groucho Marx, Mickey Rooney, James Stewart, J. Edgar Hoover, Henry Fonda, Bing Crosby, Kay Kyser, Lewis Stone, Mel Blanc as Jerry Colonna, Sara Berner as Greta Garbo, Ann Sheridan, Paulette Goddard, Dorothy Lamour, and Henry Fonda's mother. Directed by Supervision: Fred Avery Story by: Dave Monahan Produced by: Leon Schlesinger Starring Sara Berner, Mel Blanc and Kent Rogers Edited by: Treg Brown Music by: Carl W. Stalling Animation by: Rod Scribner Color Process: Technicolor Production Company: Leon Schlesinger Productions Distributed by: Warner Bros. Pictures Release Dates: May 24, 1941 (original); October 2, 1948 (Blue Ribbon reissue).
6:37

“Hollywood Steps Out” (1941). “Hollywood Steps Out” is a 1941 Warner Bros. Merrie Melodies cartoon short directed by Tex Avery and produced by Leon Schlesinger. The cartoon features caricatures of over forty contemporary Hollywood celebrities (along with guest appearances). PLOT A group of “caricatured” Hollywood stars is having an expensive dinner at Ciro's nightclub in West Hollywood. The first stars seen are Claudette Colbert, Don Ameche, Adolphe Menjou and Norma Shearer. Greta Garbo, working as a cigarette girl, sells a pack to Cary Grant, then lights his cigarette by striking a match on her very large foot. Edward G. Robinson asks Ann Sheridan “How's the Oomph girl tonight?”. Sheridan responds by uttering the word “oomph” several times. Warner Bros. staffers Henry Binder and Leon Schlesinger are shown. A seat is reserved for Bette Davis, as is an extra-wide sofa for Kate Smith. More seats are reserved for the characters of the Blondie films, including a fire hydrant for Daisy the dog. In the cloakroom, Johnny Weissmuller checks a coat with Paulette Goddard that reveals his Tarzan outfit. Sally Rand leaves her trademark feather fans behind and is presumably naked. James Cagney prepares Humphrey Bogart and George Raft for a risky task: pitching pennies. Harpo Marx gives Garbo a hot foot, who reacts with a weary “Ouch”. Clark Gable turns his head around 180 degrees to observe a blonde girl, whom he follows offscreen. Bing Crosby introduces the evening's entertainment, interrupted frequently by a racehorse with an apparently unconscious jockey. Crosby presents conductor Leopold Stokowski, who wears a snood before performing “Ahí, viene la conga” (also known as “Here comes the conga” in English). The conga inspires Dorothy Lamour to invite James Stewart to dance with her, who stutters, stammers, and runs away scared. Gable dances by, following the girl he saw earlier. Tyrone Power dances with Sonja Henie. Frankenstein's monster dances stiffly and woodenly. The Three Stooges abuse each other in rhythm to the beat. Oliver Hardy's dance partner is revealed to be twin blonde women initially hidden by his obese frame. Cesar Romero dances clumsily with Rita Hayworth. Mickey Rooney, sitting with Judy Garland, is presented with an expensive bill, who turns to ask his Andy Hardy movie father (Lewis Stone) for a heart-to-heart talk. In the next scene, they are seen washing dishes. Gable is still pursuing the girl. Crosby then introduces Sally Rand (identified as “Sally Strand”), performing a bubble dance to “I'm Forever Blowing Bubbles”, as the camera cuts between the men's reactions and her dancing. Spectators at various tables include: Kay Kyser, William Powell, Spencer Tracy, Ronald Colman, Errol Flynn, Wallace Beery, and C. Aubrey Smith, who wolf-whistle in unison (by saying “Baby!”), Peter Lorre, Henry Fonda, whose “mother” pulls him away by his ear (in its reference to The Aldrich Family), J. Edgar Hoover, Boris Karloff, Arthur Treacher, Buster Keaton, and Mischa Auer, asked by Ned Sparks if they are having a good time, and Jerry Colonna, who reveals an invisible character next to him called “Yehudi”. Now that Strand is standing still on the stage, this allows Harpo Marx an opportunity to shoot her bubble with a slingshot. The bubble explodes on impact, and she reacts with shock, as it reveals she is wearing a barrel, held up by suspenders. Meanwhile, Gable has finally caught up to the girl he was chasing and insists she kiss him. The girl turns out to be Groucho Marx in drag. CAST Kent Rogers as James Cagney, Cary Grant, Edward G. Robinson, Clark Gable, Ned Sparks, Peter Lorre, Groucho Marx, Mickey Rooney, James Stewart, J. Edgar Hoover, Henry Fonda, Bing Crosby, Kay Kyser, Lewis Stone, Mel Blanc as Jerry Colonna, Sara Berner as Greta Garbo, Ann Sheridan, Paulette Goddard, Dorothy Lamour, and Henry Fonda's mother. Directed by Supervision: Fred Avery Story by: Dave Monahan Produced by: Leon Schlesinger Starring Sara Berner, Mel Blanc and Kent Rogers Edited by: Treg Brown Music by: Carl W. Stalling Animation by: Rod Scribner Color Process: Technicolor Production Company: Leon Schlesinger Productions Distributed by: Warner Bros. Pictures Release Dates: May 24, 1941 (original); October 2, 1948 (Blue Ribbon reissue).

Hollywood Golden Age of cinema

54,656 просмотров • 4 месяцев назад