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Mixing Different Materials & Textures Has Always Been Something We Pushed In Footwear & I’ve Became Known For. This Pair Specifically Almost Never Seen A Release Date & This Is One Of Those Projects For Me That I Had To Finish Even If I Lost Money. This Is The...

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John Geiger

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19,439 görüntüleme • 5 ay önce •via X (Twitter)

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#วาดฝันวันวิวาห์ #InLoveForever Paa Jaew: I’ve made lakorns that had a following before but I’ve never seen this many people like GL (fans). Well, they love the actresses so much that they want to control everything themselves, which makes it difficult for me. I’ve had to explain that I have a structured way of working and I have my own thoughts. Please don’t lead, instruct, or force me to do this or that, because I feel it isn’t right. I feel the goal of the work would become wishy-washy if I tried to please the followers, I can’t. I create my work on a global scale, for the majority of audiences. What I think about goes beyond that - the story has to be good, the actresses have to perform well, and the production has to look polished and beautiful. Each GL project that’s chosen has a different story, a different way, and different directors and producers. So each project has its own unique identity, even if the pair is the same #LingOrm #หลิงออม
1:11

#วาดฝันวันวิวาห์ #InLoveForever Paa Jaew: I’ve made lakorns that had a following before but I’ve never seen this many people like GL (fans). Well, they love the actresses so much that they want to control everything themselves, which makes it difficult for me. I’ve had to explain that I have a structured way of working and I have my own thoughts. Please don’t lead, instruct, or force me to do this or that, because I feel it isn’t right. I feel the goal of the work would become wishy-washy if I tried to please the followers, I can’t. I create my work on a global scale, for the majority of audiences. What I think about goes beyond that - the story has to be good, the actresses have to perform well, and the production has to look polished and beautiful. Each GL project that’s chosen has a different story, a different way, and different directors and producers. So each project has its own unique identity, even if the pair is the same #LingOrm #หลิงออม

lingdenn.

114,299 görüntüleme • 6 ay önce

Chanhyuk: Company doesn’t matter, but it’s about the people you work with. “There’s also something like this. Even though we say we created a “company,” we just used that word because it’s easier for people to understand. But in the end, it’s not really about the company, it’s about the people. Like, who you work with. And what kind of experiences you share with them, that’s what really matters the most. So with these people, whether we go, volunteering or travel somewhere, we always move together as one group. Because if not and later on, when I write and release a song, if we hadn’t shared those experiences, I’d have to explain everything. Like, “I went somewhere and had this kind of experience…” But since we’ve all lived it together, I can just say, “Hey, I wrote this kind of song this time,” and they’ll be like, “Oh, yeah, I get it. I know exactly what that is.” It just makes everything so much faster, right?”
0:47

Chanhyuk: Company doesn’t matter, but it’s about the people you work with. “There’s also something like this. Even though we say we created a “company,” we just used that word because it’s easier for people to understand. But in the end, it’s not really about the company, it’s about the people. Like, who you work with. And what kind of experiences you share with them, that’s what really matters the most. So with these people, whether we go, volunteering or travel somewhere, we always move together as one group. Because if not and later on, when I write and release a song, if we hadn’t shared those experiences, I’d have to explain everything. Like, “I went somewhere and had this kind of experience…” But since we’ve all lived it together, I can just say, “Hey, I wrote this kind of song this time,” and they’ll be like, “Oh, yeah, I get it. I know exactly what that is.” It just makes everything so much faster, right?”

akmerch ⚔️

194,144 görüntüleme • 4 ay önce

Sooyoung: i heard from the director and staff, they said those who used to be on stage is different.. they said we prepared differently! To be honest, when I first heard it i kind of disliked it, because i also feel comfortable and free at the site… at that moment ì focus on what i would do on a scene because i really like doing that.. i have lived a life where i always had to prepare for something, so i will always looking at my script, thinking how should i move during a scene, of course the others actors did this too, so we continue to prepare like this! (how idol turned actress/actors had this compulsion where they had to prepare perfectly)
0:47

Sooyoung: i heard from the director and staff, they said those who used to be on stage is different.. they said we prepared differently! To be honest, when I first heard it i kind of disliked it, because i also feel comfortable and free at the site… at that moment ì focus on what i would do on a scene because i really like doing that.. i have lived a life where i always had to prepare for something, so i will always looking at my script, thinking how should i move during a scene, of course the others actors did this too, so we continue to prepare like this! (how idol turned actress/actors had this compulsion where they had to prepare perfectly)

for Sooyoung Choi

24,449 görüntüleme • 2 yıl önce

Mom is subbing in for #Littlehands on the couch today! I totally forgot about those bedazzled jeans. I remember seeing a pair of Ron Herman jeans at Fred Segal on Melrose, and of course we didn’t have a quarter of the money it had cost to buy them. So I got it in my head that I could make them myself – which I did, and it took at least 15 hours. The bedazzler kit I got didn’t work so I ended up using needle nose pliers to do it by hand. I would push the metal bracket through the jean from underneath, placing the gemstone on the outer side and bending each bracket prong one by one. A labor of love! Where are those jeans now??
1:43

Mom is subbing in for #Littlehands on the couch today! I totally forgot about those bedazzled jeans. I remember seeing a pair of Ron Herman jeans at Fred Segal on Melrose, and of course we didn’t have a quarter of the money it had cost to buy them. So I got it in my head that I could make them myself – which I did, and it took at least 15 hours. The bedazzler kit I got didn’t work so I ended up using needle nose pliers to do it by hand. I would push the metal bracket through the jean from underneath, placing the gemstone on the outer side and bending each bracket prong one by one. A labor of love! Where are those jeans now??

Padma Lakshmi

46,405 görüntüleme • 1 yıl önce

This year marks 10 years since my first EP “Small Talk” came out. The fact that much time has passed is insane. Fun fact, it was called “Small Talk” because it was what my album “Language” was supposed to be but I was asked to do an EP so I made it a “small talk”, so that the “big conversation” could be “Language” you geddit? Eh, idk. Basically I’d had these songs and they needed a home and so “Small Talk” happened so that I could restart my debut album. But this has bangers let’s be clear. Even if I cringe at some of my vocals I chose on this EP 💀- every song clears, I’m afraid. I did what had to be done. Obviously, to those who have watched, I’ve grown a lot since this EP but this was a lot of people’s introduction to me and I don’t acknowledge nearly enough, so I thought I’d sing a lil “Wrote a Song About You”. Hope you enjoy! 🌞 (sidenote - had to wear an appropriate jacket for 3/27! Mariah Carey)
1:35

This year marks 10 years since my first EP “Small Talk” came out. The fact that much time has passed is insane. Fun fact, it was called “Small Talk” because it was what my album “Language” was supposed to be but I was asked to do an EP so I made it a “small talk”, so that the “big conversation” could be “Language” you geddit? Eh, idk. Basically I’d had these songs and they needed a home and so “Small Talk” happened so that I could restart my debut album. But this has bangers let’s be clear. Even if I cringe at some of my vocals I chose on this EP 💀- every song clears, I’m afraid. I did what had to be done. Obviously, to those who have watched, I’ve grown a lot since this EP but this was a lot of people’s introduction to me and I don’t acknowledge nearly enough, so I thought I’d sing a lil “Wrote a Song About You”. Hope you enjoy! 🌞 (sidenote - had to wear an appropriate jacket for 3/27! Mariah Carey)

MNEK

14,287 görüntüleme • 1 yıl önce

EFM FANDOM WITH JJJ #JanJingjingxFANDOMFANFIC #JanJingjing “i’ve succeeded like this because i have you.” 😭😭😭 i don’t need fanfics irl janjing is goooood enough 🦊: i choose our own pair (as the sweetest pair in BBFF), because after the concert ended, jingjing shared what was in her heart to me~ you share yourself if you want to say it! 🐯: i stayed quiet about this for a long time, p’!! so p’jan and i have been in the industry. and we have the same passion. we have been in the industry for nearly 10 years. before we could have today, we’ve gone through a lot of things. we got through those days to meet each other and have today. we share the same passion and get to act as a pair, i felt that, “we’re able to follow our dreams to a certain extent!” so it felt like, “i’ve succeeded like this because i have you.” when we’re together, i’m happy. so i told her, “i’m happy to be paired together, that we get to be together.” it’s like we’ve both been hurt a lot, you know? 🎤: what did you say, jan? “i know already~”? 555 🦊: i said, “same~”
1:11

EFM FANDOM WITH JJJ #JanJingjingxFANDOMFANFIC #JanJingjing “i’ve succeeded like this because i have you.” 😭😭😭 i don’t need fanfics irl janjing is goooood enough 🦊: i choose our own pair (as the sweetest pair in BBFF), because after the concert ended, jingjing shared what was in her heart to me~ you share yourself if you want to say it! 🐯: i stayed quiet about this for a long time, p’!! so p’jan and i have been in the industry. and we have the same passion. we have been in the industry for nearly 10 years. before we could have today, we’ve gone through a lot of things. we got through those days to meet each other and have today. we share the same passion and get to act as a pair, i felt that, “we’re able to follow our dreams to a certain extent!” so it felt like, “i’ve succeeded like this because i have you.” when we’re together, i’m happy. so i told her, “i’m happy to be paired together, that we get to be together.” it’s like we’ve both been hurt a lot, you know? 🎤: what did you say, jan? “i know already~”? 555 🦊: i said, “same~”

²²

38,410 görüntüleme • 1 ay önce

JAMESSU AT DMDLAND3 D2 #DMDLAND3DAY2 #JamesSu #JDSEngsub I’m JamesSu. I’ve been with Domundi for a very long time, from Gen 1 and Gen 2, all the way to Gen 5 now. First of all, I want to say that looking back at everything it took to get here, I feel like I’ve been through so much. It’s been so much that sometimes I secretly wonder if I’ve even chosen the right path. There are so many emotions involved that I can’t explain them all today, or perhaps ever. There was a time when we started with nothing, then reached what I suppose was the pinnacle of life, and then it went down, and up and down again. I’ve faced the good times and various dramas. So many things that it almost feels like a dream. I never thought one person would have to shoulder so much. There were moments when I felt worthless or even started looking down on myself. However, I want to thank all my friends. Even if we haven't always talked about the specific problems, dramas, or successes each of us has faced, I always remind myself that in this house, I’m not the only one walking a path covered in stones and gravel. Knowing I have friends sharing the joys and sorrows makes me feel like I’m not alone. Even if those lonely thoughts creep in sometimes, I guess that’s just human nature. Most importantly, I have to thank P’Aoftion and the entire team for looking after us, no matter which gen we belong to. Whenever we have a problem, the Domundi behind-the-scenes team is always there, calling us directly to check in. Thank you for teaching us what real life is like, until we became who we are today. Thank you so much.
3:05

JAMESSU AT DMDLAND3 D2 #DMDLAND3DAY2 #JamesSu #JDSEngsub I’m JamesSu. I’ve been with Domundi for a very long time, from Gen 1 and Gen 2, all the way to Gen 5 now. First of all, I want to say that looking back at everything it took to get here, I feel like I’ve been through so much. It’s been so much that sometimes I secretly wonder if I’ve even chosen the right path. There are so many emotions involved that I can’t explain them all today, or perhaps ever. There was a time when we started with nothing, then reached what I suppose was the pinnacle of life, and then it went down, and up and down again. I’ve faced the good times and various dramas. So many things that it almost feels like a dream. I never thought one person would have to shoulder so much. There were moments when I felt worthless or even started looking down on myself. However, I want to thank all my friends. Even if we haven't always talked about the specific problems, dramas, or successes each of us has faced, I always remind myself that in this house, I’m not the only one walking a path covered in stones and gravel. Knowing I have friends sharing the joys and sorrows makes me feel like I’m not alone. Even if those lonely thoughts creep in sometimes, I guess that’s just human nature. Most importantly, I have to thank P’Aoftion and the entire team for looking after us, no matter which gen we belong to. Whenever we have a problem, the Domundi behind-the-scenes team is always there, calling us directly to check in. Thank you for teaching us what real life is like, until we became who we are today. Thank you so much.

𝒋𝒅𝒔 ❄️

15,974 görüntüleme • 3 ay önce

sungjin sharing his story on day6 10th anniversary documentary 🐻 "for about three years, i didn't talk. i literally didn't say anything except for the things necessary for work. it was pretty much a cycle of only speaking when we were working. there was definitely a period when i resented the members a bit, thinking, "if i were them and i had a member like me, i would have done things this way." up until my 20s, i lived with so much passion. i was always trying to find something to keep my emotions from sinking. i kind of took that role. but after that, i think i became a bit more, calm? should i say? i realized that the kids were definitely filling in the other aspects i couldn't. i had been caring for them in certain aspects, and they, in turn, were caring for me in other ways. realizing this made me so grateful to them. and at the same time it also made me realize "ah, i really am sincere about day6," that's what i thought."
1:15

sungjin sharing his story on day6 10th anniversary documentary 🐻 "for about three years, i didn't talk. i literally didn't say anything except for the things necessary for work. it was pretty much a cycle of only speaking when we were working. there was definitely a period when i resented the members a bit, thinking, "if i were them and i had a member like me, i would have done things this way." up until my 20s, i lived with so much passion. i was always trying to find something to keep my emotions from sinking. i kind of took that role. but after that, i think i became a bit more, calm? should i say? i realized that the kids were definitely filling in the other aspects i couldn't. i had been caring for them in certain aspects, and they, in turn, were caring for me in other ways. realizing this made me so grateful to them. and at the same time it also made me realize "ah, i really am sincere about day6," that's what i thought."

dea❀ꕤ

88,498 görüntüleme • 11 ay önce

Qullamaggie shows First Episodic Pivot Trade “One of the first like earnings gappers - not earnings gappers, but one of the first gapper trades - I pretty much trade only three setups, and one of them is a gapper on some news. Usually earnings, but it could be other stuff too. So I’m gonna show you one of the first ones where I actually saw the potential of these types of trades. This is from my database: SolarCity back in 2013. They pretty much guided their deployment — how much they were gonna deploy — and it beat analyst estimates by a big margin. So let’s see… here - this candle right here. That’s when I bought it. Pretty much at opening range highs. I didn’t really know the concept of opening range highs back then, but that’s what I did. It gapped up at big volume after going sideways for many months, gapped on this big news - a big surprise to the market. And that’s exactly what we wanna see in those gapper trades. I don’t remember exactly, but this was around October 2013. I had no idea what I was doing, but I remember this trade distinctively because it went up 50% in like 7 trading sessions. That’s when I realized, “Holy shit, there is something here.” I knew I had seen these types of moves before, but I really couldn’t put my finger on it — like, what the hell is going on here? This is how I developed, or really learned the setup from Stockbee. That’s where I learned the set up. When you have a big surprise and the stock gaps up on big volume — those things can make enormous moves. We’ve seen some of them this year, we’ve traded a lot of them, stuff like Livongo. This thing gapped up here on earnings guidance. I bought it at 33, and it more than tripled. There’s been a lot of these fast movers — FSLY is one we bought like 29s, this thing it went up 250%. So that’s where I really started developing awareness of that setup. But obviously it took me many years before I learned how to trade it. Yeah, episodic pivots exactly.”
2:24

Qullamaggie shows First Episodic Pivot Trade “One of the first like earnings gappers - not earnings gappers, but one of the first gapper trades - I pretty much trade only three setups, and one of them is a gapper on some news. Usually earnings, but it could be other stuff too. So I’m gonna show you one of the first ones where I actually saw the potential of these types of trades. This is from my database: SolarCity back in 2013. They pretty much guided their deployment — how much they were gonna deploy — and it beat analyst estimates by a big margin. So let’s see… here - this candle right here. That’s when I bought it. Pretty much at opening range highs. I didn’t really know the concept of opening range highs back then, but that’s what I did. It gapped up at big volume after going sideways for many months, gapped on this big news - a big surprise to the market. And that’s exactly what we wanna see in those gapper trades. I don’t remember exactly, but this was around October 2013. I had no idea what I was doing, but I remember this trade distinctively because it went up 50% in like 7 trading sessions. That’s when I realized, “Holy shit, there is something here.” I knew I had seen these types of moves before, but I really couldn’t put my finger on it — like, what the hell is going on here? This is how I developed, or really learned the setup from Stockbee. That’s where I learned the set up. When you have a big surprise and the stock gaps up on big volume — those things can make enormous moves. We’ve seen some of them this year, we’ve traded a lot of them, stuff like Livongo. This thing gapped up here on earnings guidance. I bought it at 33, and it more than tripled. There’s been a lot of these fast movers — FSLY is one we bought like 29s, this thing it went up 250%. So that’s where I really started developing awareness of that setup. But obviously it took me many years before I learned how to trade it. Yeah, episodic pivots exactly.”

Lone

14,041 görüntüleme • 1 ay önce

PONDPHUWIN DEAR MYSELF #DearMyselfxPondPhuwin 🐼: One of my flaws is that I tend not to think about the people closest to me. I often neglect them because I feel comfortable, so I might not say thank you as much as I should. But I want you to know — thank you so much for staying together for this long. There were many times, with the things we went through, that if it had been someone else, they probably would have walked away from working as a pair already. Thank you for not walking away, because you truly understand that everyone’s patience and authenticity are different. I’m incredibly lucky that you had the patience to stay with me up until today. Thank you for fighting through things and adjusting our understanding of each other until we became as close as we are now. It wasn’t easy, and there were strange situations we’d never encountered before that made us unsure how to act. But we’ve gone through every version of ourselves together. The good thing is that, at the very least, no matter what happens, the next day we can still meet each other again.
2:39

PONDPHUWIN DEAR MYSELF #DearMyselfxPondPhuwin 🐼: One of my flaws is that I tend not to think about the people closest to me. I often neglect them because I feel comfortable, so I might not say thank you as much as I should. But I want you to know — thank you so much for staying together for this long. There were many times, with the things we went through, that if it had been someone else, they probably would have walked away from working as a pair already. Thank you for not walking away, because you truly understand that everyone’s patience and authenticity are different. I’m incredibly lucky that you had the patience to stay with me up until today. Thank you for fighting through things and adjusting our understanding of each other until we became as close as we are now. It wasn’t easy, and there were strange situations we’d never encountered before that made us unsure how to act. But we’ve gone through every version of ourselves together. The good thing is that, at the very least, no matter what happens, the next day we can still meet each other again.

boo

77,602 görüntüleme • 8 ay önce

👤 For a while, SVT was very busy, and first of all, they were not in Korea. But they still had to make an album and communicate with each other in a hurry, so in a slightly rougher way, there was no time for "arguing." 👤 So at one one time, a few years ago when they were in Southeast Asia, I specially flew to Southeast Asia to argue with them. 👤 If you watch SVT's documentary, there will be a scene where we are sitting in a hotel, surrounded by a circle, looking like we are seriously discussing, but in fact, I was the one who ran to argue with them. That is, we had to talk about many topics like "what are we thinking now? What do we want?" But at a certain stage, because there was really no time to argue properly, I directly ran to find them. I think this is really very important. Because in the end, the people who understand the album, the song, the lyrics, and everything else the most must be the artists themselves. 👤 To achieve this, one must get involved in their sweat and traces. This is extremely important at any time... I have always thought this way. Forever thankful we have Bumzu hyung to grow up with them and being there with them through the different phase in their journey as an idol🥺🥺
0:51

👤 For a while, SVT was very busy, and first of all, they were not in Korea. But they still had to make an album and communicate with each other in a hurry, so in a slightly rougher way, there was no time for "arguing." 👤 So at one one time, a few years ago when they were in Southeast Asia, I specially flew to Southeast Asia to argue with them. 👤 If you watch SVT's documentary, there will be a scene where we are sitting in a hotel, surrounded by a circle, looking like we are seriously discussing, but in fact, I was the one who ran to argue with them. That is, we had to talk about many topics like "what are we thinking now? What do we want?" But at a certain stage, because there was really no time to argue properly, I directly ran to find them. I think this is really very important. Because in the end, the people who understand the album, the song, the lyrics, and everything else the most must be the artists themselves. 👤 To achieve this, one must get involved in their sweat and traces. This is extremely important at any time... I have always thought this way. Forever thankful we have Bumzu hyung to grow up with them and being there with them through the different phase in their journey as an idol🥺🥺

Hannieloveyou1004 | MY JIHAN UNIT IS COMING😇🦌

329,749 görüntüleme • 27 gün önce

"I hope they become even more successful. I’m always cheering for them." #YUNHYEONG #iKON #TREASURE #송윤형 #아이콘 #트레저 🍒: This contrast is nice. "IF I" & "ZOOM ZOOM" have completely different styles. One feels more like it’s aimed at a global audience, while "ZOOM ZOOM" is totally the kind of K-pop that TREASURE does. Actually, at first, I was expecting a song like this ("ZOOM ZOOM") when I played "IF I." But it wasn’t the kind of TREASURE vibe I had imagined, so I was really surprised. It really has a strong YG vibe. But they made a good decision. Choosing to film a MV for a song like "IF I" was a really smart choice. Because showing "we can do this kind of thing too" is cool. But both songs are good. They must have put in a lot of preparation. I hope they become even more successful. I’m always cheering for them. Since they’re friends from the same company I used to be part of, I really want them to do even better… They’re doing well.
1:16

"I hope they become even more successful. I’m always cheering for them." #YUNHYEONG #iKON #TREASURE #송윤형 #아이콘 #트레저 🍒: This contrast is nice. "IF I" & "ZOOM ZOOM" have completely different styles. One feels more like it’s aimed at a global audience, while "ZOOM ZOOM" is totally the kind of K-pop that TREASURE does. Actually, at first, I was expecting a song like this ("ZOOM ZOOM") when I played "IF I." But it wasn’t the kind of TREASURE vibe I had imagined, so I was really surprised. It really has a strong YG vibe. But they made a good decision. Choosing to film a MV for a song like "IF I" was a really smart choice. Because showing "we can do this kind of thing too" is cool. But both songs are good. They must have put in a lot of preparation. I hope they become even more successful. I’m always cheering for them. Since they’re friends from the same company I used to be part of, I really want them to do even better… They’re doing well.

🆔 𝐭𝐭𝐭𝐨𝐩𝟏𝟑𝟏 🌕

144,155 görüntüleme • 2 ay önce

My cousins and my brother and I were exploring Coney Island, we saw the sights, hung out at the arcades and before we went back to the apartment we decided to go and get something to eat, we had some money on us but not much so we decided to see what we could get at one of the vendors. This was back in the early 90’s when most of them had dollar slices of pizza wherever we went. So we got 4 pieces of pizza, should have been $4 because that’s the price we were used to. The guy wanted to charge us $24 at $6 a slice. We argues with him because one of my cousins already took a bite being so hungry. But at the least we owed $4. We gave the other slices back and refused them but had to pay for the partially eaten one, it was embarrassing that an adult would try that on a bunch of kids. We told our uncle what happened and he went back and yelled at the vendor. He was familiar with them because he used to get slices all the time from the same guy and he never charged my uncle that price. I couldn’t imagine paying that exurban amount, like this guy who was being charged $54 for a hotdog by one of the vendors. At first he thought it was a typo and it was $5.40 but the vendor. Learned it up when he said no it was $54. Would you have paid that amount? I would have walked away, clearly he was trying to possibly scam a the man for looking like a tourist. Part of the experience when visiting a new area is the street food but it’s becoming more and more a chore avoiding places like this.
0:34

My cousins and my brother and I were exploring Coney Island, we saw the sights, hung out at the arcades and before we went back to the apartment we decided to go and get something to eat, we had some money on us but not much so we decided to see what we could get at one of the vendors. This was back in the early 90’s when most of them had dollar slices of pizza wherever we went. So we got 4 pieces of pizza, should have been $4 because that’s the price we were used to. The guy wanted to charge us $24 at $6 a slice. We argues with him because one of my cousins already took a bite being so hungry. But at the least we owed $4. We gave the other slices back and refused them but had to pay for the partially eaten one, it was embarrassing that an adult would try that on a bunch of kids. We told our uncle what happened and he went back and yelled at the vendor. He was familiar with them because he used to get slices all the time from the same guy and he never charged my uncle that price. I couldn’t imagine paying that exurban amount, like this guy who was being charged $54 for a hotdog by one of the vendors. At first he thought it was a typo and it was $5.40 but the vendor. Learned it up when he said no it was $54. Would you have paid that amount? I would have walked away, clearly he was trying to possibly scam a the man for looking like a tourist. Part of the experience when visiting a new area is the street food but it’s becoming more and more a chore avoiding places like this.

SonnyBoy🇺🇸

362,822 görüntüleme • 1 ay önce

Full interview by Yuki Ishikawa for tbs before leaving for the Philippines: (His words 🥹) "I think we're a team that gets a lot of support, so I hope we can use that support to achieve good results. "I think we are a team that gets a lot of support, so I hope we can use this support to get good results. I think there will be a lot of people there; we'll be in the Philippines, so the atmosphere will be in our favor. I'm not particularly worried about that. We had a very disappointing result in the VNL, and if we manage to advance well in this WCH, we'll face Poland in the quarterfinals. I think it's another big challenge, but first we want to win one game at a time in the qualifiers. Of course, our goal is to reach the podium, but first, we have to compete in the qualifiers, so I think the first match is the most important, so I want to be especially aware of that." fighting 💪🏻
1:02

Full interview by Yuki Ishikawa for tbs before leaving for the Philippines: (His words 🥹) "I think we're a team that gets a lot of support, so I hope we can use that support to achieve good results. "I think we are a team that gets a lot of support, so I hope we can use this support to get good results. I think there will be a lot of people there; we'll be in the Philippines, so the atmosphere will be in our favor. I'm not particularly worried about that. We had a very disappointing result in the VNL, and if we manage to advance well in this WCH, we'll face Poland in the quarterfinals. I think it's another big challenge, but first we want to win one game at a time in the qualifiers. Of course, our goal is to reach the podium, but first, we have to compete in the qualifiers, so I think the first match is the most important, so I want to be especially aware of that." fighting 💪🏻

joey, and flower 🌼

94,088 görüntüleme • 11 ay önce

🐇: “Ever since BL series first came into existence, people in society have always kind of held a certain perception toward BL actors or BL series. They’ll be like, ‘oh, it’s a BL series,’ ‘the acting is so stiff,’ ‘the storylines are so empty, there’s nothing to them.’ They’d say, ‘watching it doesn’t make you any smarter or give you anything meaningful.’ Or even about the lives of BL actors, people would say, ‘oh, everything they do is just fan service.’ 🐇: “So there’s always been this kind of stereotype attached to the BL industry from the very beginning. And for me, as someone who came in later, as part of a newer generation of BL actors, I’ve always been aware of these issues. Because I used to be that outsider who saw how people looked at it this way. So when I finally stepped into this field, I knew I had to take on that pressure. But what I do, it’s not about proving anything to society. It’s about proving something to myself, that all those things I’d heard before, they’re not entirely true. They’re not 100% true.” NAMPING WITH CPDINSIDE #ClubPrideDayInsidexNamping
1:26

🐇: “Ever since BL series first came into existence, people in society have always kind of held a certain perception toward BL actors or BL series. They’ll be like, ‘oh, it’s a BL series,’ ‘the acting is so stiff,’ ‘the storylines are so empty, there’s nothing to them.’ They’d say, ‘watching it doesn’t make you any smarter or give you anything meaningful.’ Or even about the lives of BL actors, people would say, ‘oh, everything they do is just fan service.’ 🐇: “So there’s always been this kind of stereotype attached to the BL industry from the very beginning. And for me, as someone who came in later, as part of a newer generation of BL actors, I’ve always been aware of these issues. Because I used to be that outsider who saw how people looked at it this way. So when I finally stepped into this field, I knew I had to take on that pressure. But what I do, it’s not about proving anything to society. It’s about proving something to myself, that all those things I’d heard before, they’re not entirely true. They’re not 100% true.” NAMPING WITH CPDINSIDE #ClubPrideDayInsidexNamping

💭

77,982 görüntüleme • 10 ay önce

Charlie Kirk on Robert Mueller and the Russia Hoax: “In the first Trump term, they took a lot of it away from him. At this moment during Trump 1, we had Bob Mueller lurking around because of all this fake Russia information. So I think we need more than apologies here. I hope we exhaust every possible judicial tool. They say that we are a threat to democracy — but what they did to Donald Trump, what they did to our country, is the greatest threat to democracy that we have seen in the last 50 years.”
1:10

Charlie Kirk on Robert Mueller and the Russia Hoax: “In the first Trump term, they took a lot of it away from him. At this moment during Trump 1, we had Bob Mueller lurking around because of all this fake Russia information. So I think we need more than apologies here. I hope we exhaust every possible judicial tool. They say that we are a threat to democracy — but what they did to Donald Trump, what they did to our country, is the greatest threat to democracy that we have seen in the last 50 years.”

Gina Milan

771,946 görüntüleme • 4 ay önce

This hack actually works, if you go near the end of the store hours before close and ask the shop if they have any mistakes you can have or buy, most of the time they will give them to you. The only thing I would keep in mind is that allot of the time, the less fortunate people usually do this. Back in high school, when I worked at a pizza shop, we always had some people down on their luck people hoping to get a cheap pizza or a free one, many of the times I wouldn’t actually give it to them. I didn’t care, the money didn’t come out of my pocket so I just made them a fresh one, was I wrong for this or would you do that too?
0:26

This hack actually works, if you go near the end of the store hours before close and ask the shop if they have any mistakes you can have or buy, most of the time they will give them to you. The only thing I would keep in mind is that allot of the time, the less fortunate people usually do this. Back in high school, when I worked at a pizza shop, we always had some people down on their luck people hoping to get a cheap pizza or a free one, many of the times I wouldn’t actually give it to them. I didn’t care, the money didn’t come out of my pocket so I just made them a fresh one, was I wrong for this or would you do that too?

SonnyBoy🇺🇸

2,293,158 görüntüleme • 7 ay önce

Michelangelo Antonioni on his experience working in America, the tendency of Americans to waste things & the difficulties he faced while working with American Cameramen: "My autonomy, I would say, is complete. They leave me free to do what I want. The only thing now is that they are starting to be worried about the budget. They ask me why the film is so expensive, but that's what I'm going to ask them. I don't know why it's so expensive, I really don't know. I have a crew that is only half the size of what is usual in America because I don't want a big crew. It seems to me I'm seeing such a waste of money. It seems to be almost immoral. I feel bad sometimes. For instance, they threw away a piece of gelatin that we used and the piece was still new. There is also a waste of film. If I am shooting with two or three cameras and I need this camera only in the middle of the scene, in Italy I would start with that camera just at that moment. Not here. They start from the beginning. It is a waste of film! They are consumers. They are used to wasting something — goods, materials, food, everything. And I'm not used to this. I have some elements of this crew who are not so young — some older people who worked, for instance, on the first film of Greta Garbo, the first 'Ben-Hur' (1925), on Stroheim's 'Greed' (1924). It is very amusing to talk to them about these things. I had a lot of problems with unions, and in Hollywood this is much more difficult than in New York. The unions are so strong. There are lots of old people. You can't find what you are looking for. I needed some cameramen and some assistant cameramen —some young people used to shooting in the modern way, people who can zoom without your having to tell them the exact distance from the actors to the camera, people who can make changes on their own and who can sometimes do what they want. I want them to do that, to do something different from the script, maybe. At that critical moment, the assistant cameraman has to make the decision, but the American cameraman can't do this. That's why I was forced to bring some people from Italy. I don't know why, but English people are much more familiar to me. At the time I was making 'Blow-Up' (1966), at least, they were so mad —in a positive and very pleasant way —that they were almost Neapolitan (that's a joke). I like them, I like English people much more than Americans. I mean I find myself closer to them. The Americans are so cool sometimes. They need to know exactly what they are doing. Sometimes they are like Germans —fastidious, precise. This makes me upset because I like to have people around me who are more spontaneous." (Michelangelo Antonioni's interview with Marsha Kinder, 1968) On this day, 56 years ago, 'Zabriskie Point' (1970) premiered in New York City, USA.
2:10

Michelangelo Antonioni on his experience working in America, the tendency of Americans to waste things & the difficulties he faced while working with American Cameramen: "My autonomy, I would say, is complete. They leave me free to do what I want. The only thing now is that they are starting to be worried about the budget. They ask me why the film is so expensive, but that's what I'm going to ask them. I don't know why it's so expensive, I really don't know. I have a crew that is only half the size of what is usual in America because I don't want a big crew. It seems to me I'm seeing such a waste of money. It seems to be almost immoral. I feel bad sometimes. For instance, they threw away a piece of gelatin that we used and the piece was still new. There is also a waste of film. If I am shooting with two or three cameras and I need this camera only in the middle of the scene, in Italy I would start with that camera just at that moment. Not here. They start from the beginning. It is a waste of film! They are consumers. They are used to wasting something — goods, materials, food, everything. And I'm not used to this. I have some elements of this crew who are not so young — some older people who worked, for instance, on the first film of Greta Garbo, the first 'Ben-Hur' (1925), on Stroheim's 'Greed' (1924). It is very amusing to talk to them about these things. I had a lot of problems with unions, and in Hollywood this is much more difficult than in New York. The unions are so strong. There are lots of old people. You can't find what you are looking for. I needed some cameramen and some assistant cameramen —some young people used to shooting in the modern way, people who can zoom without your having to tell them the exact distance from the actors to the camera, people who can make changes on their own and who can sometimes do what they want. I want them to do that, to do something different from the script, maybe. At that critical moment, the assistant cameraman has to make the decision, but the American cameraman can't do this. That's why I was forced to bring some people from Italy. I don't know why, but English people are much more familiar to me. At the time I was making 'Blow-Up' (1966), at least, they were so mad —in a positive and very pleasant way —that they were almost Neapolitan (that's a joke). I like them, I like English people much more than Americans. I mean I find myself closer to them. The Americans are so cool sometimes. They need to know exactly what they are doing. Sometimes they are like Germans —fastidious, precise. This makes me upset because I like to have people around me who are more spontaneous." (Michelangelo Antonioni's interview with Marsha Kinder, 1968) On this day, 56 years ago, 'Zabriskie Point' (1970) premiered in New York City, USA.

DepressedBergman

39,982 görüntüleme • 6 ay önce