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Destroyed Heaven

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My Latest AI short was made with Seedance 2.0 the model that has been firing up the internet over the past couple of days. I made this in two and half days and it's an original short that is based on HP Lovecraft's work which is now Public Domain (No Copyright infringement here!). If you are not into period romances then bare with it as it gets a more little action packed in the second half! The model is brilliant at both performance and action, you can now make convincing dialogue and action sequences for AI cinema. With this model we have now reached the stage where we can tell any story we want with AI, the tools are capable. This is only 720p at the moment but I suspect it will be upgraded to 1080p very soon. We stand at the threshold of having broadcast quality tools capable of creating anything we can imagine available to everyone, so lets do new an interesting things with it. Thank you to CapCut for whitelisting me and to Dreamina AI AI for giving me access as part of their CPP. Thanks for watching! 👀
3:29

My Latest AI short was made with Seedance 2.0 the model that has been firing up the internet over the past couple of days. I made this in two and half days and it's an original short that is based on HP Lovecraft's work which is now Public Domain (No Copyright infringement here!). If you are not into period romances then bare with it as it gets a more little action packed in the second half! The model is brilliant at both performance and action, you can now make convincing dialogue and action sequences for AI cinema. With this model we have now reached the stage where we can tell any story we want with AI, the tools are capable. This is only 720p at the moment but I suspect it will be upgraded to 1080p very soon. We stand at the threshold of having broadcast quality tools capable of creating anything we can imagine available to everyone, so lets do new an interesting things with it. Thank you to CapCut for whitelisting me and to Dreamina AI AI for giving me access as part of their CPP. Thanks for watching! 👀

Uncanny Harry AI

76,760 görüntüleme • 5 ay önce

Keeping Up With Star Rail — Saber "This is a Sword Only the Wise Can See" | Honkai: Star Rail Watch Now: "...These are what I consider to be the fundamental qualities of becoming a 'king,'" the young girl explained eloquently. "Everything you said is way too hard!" her Master grumbled, "Isn't there something easier, some 'kingly quality' that even I could achieve without breaking a sweat?" The girl pondered for a moment, touching her chin, and replied: "I remember one ruler who spent their life expanding territories, establishing laws, and reforming the church, but later died from eating too much eel. Then there was another ruler, skilled at both fighting and lying low, who eventually unified the whole country, but later died from eating too much tempura." Her Master gave a puzzled look: "I don't quite get it. What 'qualities of a ruler' do these two stories demonstrate?" "It includes a pretty important quality." The girl patted her Master's shoulder and answered with a smile, "Having a good appetite." Stay tuned for Interastral Peace Entertainment's special program, Keeping Up With Star Rail — Saber: This is a Sword Only the Wise Can See English Voice: Carmella — Ryan Bartley Mr. Reca — Todd Haberkorn Skott — Kyle Hebert #HonkaiStarRail #StarRail #Saber #HSRxFate_UBW
8:21

Keeping Up With Star Rail — Saber "This is a Sword Only the Wise Can See" | Honkai: Star Rail Watch Now: "...These are what I consider to be the fundamental qualities of becoming a 'king,'" the young girl explained eloquently. "Everything you said is way too hard!" her Master grumbled, "Isn't there something easier, some 'kingly quality' that even I could achieve without breaking a sweat?" The girl pondered for a moment, touching her chin, and replied: "I remember one ruler who spent their life expanding territories, establishing laws, and reforming the church, but later died from eating too much eel. Then there was another ruler, skilled at both fighting and lying low, who eventually unified the whole country, but later died from eating too much tempura." Her Master gave a puzzled look: "I don't quite get it. What 'qualities of a ruler' do these two stories demonstrate?" "It includes a pretty important quality." The girl patted her Master's shoulder and answered with a smile, "Having a good appetite." Stay tuned for Interastral Peace Entertainment's special program, Keeping Up With Star Rail — Saber: This is a Sword Only the Wise Can See English Voice: Carmella — Ryan Bartley Mr. Reca — Todd Haberkorn Skott — Kyle Hebert #HonkaiStarRail #StarRail #Saber #HSRxFate_UBW

Honkai: Star Rail

529,935 görüntüleme • 1 yıl önce

Why should Republicans vote for a Democrat? Six terms? Just. Say. No. Senator Susan Collins just announced her run for a sixth term. She refused to VOTE FOR TRUMP, TWICE. Here’s why Susan Collins has forfeited GOP support: • Broke her own term-limits promise — 30 years ago, she swore she’d only serve two terms. Now she’s greedy for a sixth while lecturing others on principles. • Again and again, she votes against Trump’s nominees, his agenda, and priorities—from budget fights to key confirmations like Hegseth, proving her loyalty to Schumer rather than her own party’s president. • Dismal conservative scorecard — Heritage Action gave her 33% in the last Congress — one of the lowest “Republican” scores in the Senate. • Helps Democrats pass massive spending and weak policies — routinely gifts them the deciding vote for bloated bills, inflation-fueling packages, and “bipartisan” deals that make Democrats happy—betraying GOP promises. • On issues from the border wall, to judges, to spending cuts, she hands wins to the left. Maine deserves a real fighter, not a chameleon in a red tie who caucuses with Republicans but votes like a Democrat. #PrimaryCollins #NoSixthTerm #RINOAlert #MAGA
0:52

Why should Republicans vote for a Democrat? Six terms? Just. Say. No. Senator Susan Collins just announced her run for a sixth term. She refused to VOTE FOR TRUMP, TWICE. Here’s why Susan Collins has forfeited GOP support: • Broke her own term-limits promise — 30 years ago, she swore she’d only serve two terms. Now she’s greedy for a sixth while lecturing others on principles. • Again and again, she votes against Trump’s nominees, his agenda, and priorities—from budget fights to key confirmations like Hegseth, proving her loyalty to Schumer rather than her own party’s president. • Dismal conservative scorecard — Heritage Action gave her 33% in the last Congress — one of the lowest “Republican” scores in the Senate. • Helps Democrats pass massive spending and weak policies — routinely gifts them the deciding vote for bloated bills, inflation-fueling packages, and “bipartisan” deals that make Democrats happy—betraying GOP promises. • On issues from the border wall, to judges, to spending cuts, she hands wins to the left. Maine deserves a real fighter, not a chameleon in a red tie who caucuses with Republicans but votes like a Democrat. #PrimaryCollins #NoSixthTerm #RINOAlert #MAGA

Tosca Austen

232,074 görüntüleme • 5 ay önce

Memphis Zoo announces that Sumatran tiger "Suci" will now be moving to another zoological facility. This important step supports the continued conservation of Sumatran tigers and helps ensure future breeding success. If you have questions about Suci’s move, we encourage you to read our latest blog post, which explains why this transition is essential not only for Suci, but for her species. On May 5, 2023, history was made at Memphis Zoo when Sumatran tiger “Dari” gave birth to two cubs: “Nakal,” who is now at Cameron Park Zoo with their father, “Gusti,” and Suci. These cubs were the first tigers born at Memphis Zoo in over 24 years. The last cubs were born in 1998 to Dari’s grandmother, making Suci’s birth a meaningful full-circle moment. Suci quickly showed her brave and curious nature. During her very first time on exhibit, she stepped right out behind mom, ready to explore. She won hearts immediately. Guests and staff loved watching her playful energy, her time splashing in the pool, and the sweet snuggles she shared with Dari. Like her mom, she enjoyed a good balance of play and rest. Watching her grow from a tiny cub into the confident and beautiful tiger she is today has been an incredible journey. As she begins her next chapter, we know Suci will continue to inspire and raise awareness for her species. We are proud to have been part of her story and will always remember the impact she made here in Memphis. #memphiszoo
2:26

Memphis Zoo announces that Sumatran tiger "Suci" will now be moving to another zoological facility. This important step supports the continued conservation of Sumatran tigers and helps ensure future breeding success. If you have questions about Suci’s move, we encourage you to read our latest blog post, which explains why this transition is essential not only for Suci, but for her species. On May 5, 2023, history was made at Memphis Zoo when Sumatran tiger “Dari” gave birth to two cubs: “Nakal,” who is now at Cameron Park Zoo with their father, “Gusti,” and Suci. These cubs were the first tigers born at Memphis Zoo in over 24 years. The last cubs were born in 1998 to Dari’s grandmother, making Suci’s birth a meaningful full-circle moment. Suci quickly showed her brave and curious nature. During her very first time on exhibit, she stepped right out behind mom, ready to explore. She won hearts immediately. Guests and staff loved watching her playful energy, her time splashing in the pool, and the sweet snuggles she shared with Dari. Like her mom, she enjoyed a good balance of play and rest. Watching her grow from a tiny cub into the confident and beautiful tiger she is today has been an incredible journey. As she begins her next chapter, we know Suci will continue to inspire and raise awareness for her species. We are proud to have been part of her story and will always remember the impact she made here in Memphis. #memphiszoo

Memphis Zoo

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YES! 🚨 BOMBSHELL: Trans OnlyFans Creator Just Dropped Receipts — Claims Charlie Kirk Was One of His BIGGEST PAYING SUBSCRIBERS 🔥 A transgender OnlyFans model is now going public: “Charlie Kirk was subscribed to my spicy site… I know this may come as a shock because he was so adamant speaking out against my community… but here’s the photo from my site with the legal name from the credit card and how much he spent.” The creator says no amount of cease-and-desist letters or hush money will make the truth go away. Snopes rushed in to “debunk” it… and immediately embarrassed themselves. They claim OnlyFans doesn't creators the subscriber’s credit card details, but to nitpick, it came from “MySpicySite” instead. Classic Snopes — another total fail. Candace Owens called it perfectly: “A Snopes-level debunking” 😂 So let me get this straight… The same Charlie Kirk whose inner circle is now calling Candace Owens “demonic” for simply asking questions about Erika Kirk… …was allegedly dropping serious cash on a trans creator’s “spicy site”? The hypocrisy is off the charts. This is exactly why Candace’s “The Bride of Charlie” series is so dangerous to them. The more they attack her, the more skeletons keep falling out of the closet. Watch the full clip. The receipts are there. Drop 🔥 if you’re not surprised anymore RT this everywhere — the public deserves the full truth Tag Candace Owens — she’s the only one actually investigating They wanted a cover-up. They’re getting a full exposure. The truth always wins. Credit to my boy Ali Zreik for the scoop. FOLLOW Him!!!
1:03

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YES! 🚨 BOMBSHELL: Trans OnlyFans Creator Just Dropped Receipts — Claims Charlie Kirk Was One of His BIGGEST PAYING SUBSCRIBERS 🔥 A transgender OnlyFans model is now going public: “Charlie Kirk was subscribed to my spicy site… I know this may come as a shock because he was so adamant speaking out against my community… but here’s the photo from my site with the legal name from the credit card and how much he spent.” The creator says no amount of cease-and-desist letters or hush money will make the truth go away. Snopes rushed in to “debunk” it… and immediately embarrassed themselves. They claim OnlyFans doesn't creators the subscriber’s credit card details, but to nitpick, it came from “MySpicySite” instead. Classic Snopes — another total fail. Candace Owens called it perfectly: “A Snopes-level debunking” 😂 So let me get this straight… The same Charlie Kirk whose inner circle is now calling Candace Owens “demonic” for simply asking questions about Erika Kirk… …was allegedly dropping serious cash on a trans creator’s “spicy site”? The hypocrisy is off the charts. This is exactly why Candace’s “The Bride of Charlie” series is so dangerous to them. The more they attack her, the more skeletons keep falling out of the closet. Watch the full clip. The receipts are there. Drop 🔥 if you’re not surprised anymore RT this everywhere — the public deserves the full truth Tag Candace Owens — she’s the only one actually investigating They wanted a cover-up. They’re getting a full exposure. The truth always wins. Credit to my boy Ali Zreik for the scoop. FOLLOW Him!!!

Project Constitution

46,390 görüntüleme • 4 ay önce

DRUGGED. STRIPPED and she says RAPED in a police cell. By the very officers meant to protect her. The doctors found her symptoms matched a date-rape drug. She was locked in that cell. So who gave it to her. The CCTV that could prove it? Four and a half hours, VANISHED. In the hands of the force she's accusing. Three and a half years on. Not one officer charged. No justice and it all happened in Andy Burnham's Manchester. His police. His watch. The man who says he should be your next PRIME MINISTER. Can't fix one cell in his own city. Wants to run the whole country. This is Zayna Iman and this is hard to watch. First, what she took, and what she didn't, because someone always tries that first. That evening she'd taken cocaine. A friend rang 999, worried. The police came to her home. That's all she did. At the door she knocked the glasses off a female officer's face, was arrested for it, and taken to a cell. Here's what matters. Cocaine doesn't do what happened to her next. The doctors were clear. Her symptoms matched a date-rape drug. GHB, or something like it. A completely different substance. She didn't walk in with that in her. She was behind a locked cell door. She couldn't have taken it herself. Someone inside that station gave it to her. Then the police said she'd had a psychotic episode. Except her medical records show no history of mental illness. The doctors said her belief she'd been drugged and raped was NOT delusional. It fit exactly what she described. A former Greater Manchester Police chief superintendent has said, out loud, that he believes her. She isn't the only one. Since she spoke, more than a dozen other women have come forward about this same force. Then there's the footage. On camera, you see her carried in and strip-searched. Then, for the hours that matter most, the screen goes black. The story kept changing. It existed. It was corrupted. It can't be recovered. She says four and a half hours are gone. They admit two. Either way, the proof vanished in the hands of the accused. And Burnham? She contacted him in 2021, two months after she got out. Silence, she says, until 2023, when she waived her anonymity and public outcry forced his hand. Only then did he move. An inquiry into how police treat women in custody. Except the woman at the centre of it says nobody from that inquiry properly spoke to her. Stonewalled. Gaslit. Her words. Nobody's been charged. The investigation still crawls on. Say that plainly. But strip it back. A woman took cocaine and needed help. She ended up drugged with something else entirely, in a cell, in the care of the state and the cameras went dark exactly when it mattered. If it can happen to her, and the proof can just disappear, it can happen to anyone the police put in a cell. Your daughter. Your sister. You. Three and a half years. Still no answers. And the man who moved only when the country was watching wants the keys to the whole country. Ask yourself what he does when nobody's filming.
6:23

DRUGGED. STRIPPED and she says RAPED in a police cell. By the very officers meant to protect her. The doctors found her symptoms matched a date-rape drug. She was locked in that cell. So who gave it to her. The CCTV that could prove it? Four and a half hours, VANISHED. In the hands of the force she's accusing. Three and a half years on. Not one officer charged. No justice and it all happened in Andy Burnham's Manchester. His police. His watch. The man who says he should be your next PRIME MINISTER. Can't fix one cell in his own city. Wants to run the whole country. This is Zayna Iman and this is hard to watch. First, what she took, and what she didn't, because someone always tries that first. That evening she'd taken cocaine. A friend rang 999, worried. The police came to her home. That's all she did. At the door she knocked the glasses off a female officer's face, was arrested for it, and taken to a cell. Here's what matters. Cocaine doesn't do what happened to her next. The doctors were clear. Her symptoms matched a date-rape drug. GHB, or something like it. A completely different substance. She didn't walk in with that in her. She was behind a locked cell door. She couldn't have taken it herself. Someone inside that station gave it to her. Then the police said she'd had a psychotic episode. Except her medical records show no history of mental illness. The doctors said her belief she'd been drugged and raped was NOT delusional. It fit exactly what she described. A former Greater Manchester Police chief superintendent has said, out loud, that he believes her. She isn't the only one. Since she spoke, more than a dozen other women have come forward about this same force. Then there's the footage. On camera, you see her carried in and strip-searched. Then, for the hours that matter most, the screen goes black. The story kept changing. It existed. It was corrupted. It can't be recovered. She says four and a half hours are gone. They admit two. Either way, the proof vanished in the hands of the accused. And Burnham? She contacted him in 2021, two months after she got out. Silence, she says, until 2023, when she waived her anonymity and public outcry forced his hand. Only then did he move. An inquiry into how police treat women in custody. Except the woman at the centre of it says nobody from that inquiry properly spoke to her. Stonewalled. Gaslit. Her words. Nobody's been charged. The investigation still crawls on. Say that plainly. But strip it back. A woman took cocaine and needed help. She ended up drugged with something else entirely, in a cell, in the care of the state and the cameras went dark exactly when it mattered. If it can happen to her, and the proof can just disappear, it can happen to anyone the police put in a cell. Your daughter. Your sister. You. Three and a half years. Still no answers. And the man who moved only when the country was watching wants the keys to the whole country. Ask yourself what he does when nobody's filming.

BanksyCat

2,269,070 görüntüleme • 13 gün önce

#ZhaoLusi has filmed 《不好笑 就露宿街头》 (literal english translation of the title is 'If It's Not Funny, You Sleep on the Street') as a special guest 不好笑 就露宿街头 is a comedy reality variety show produced by the same Production Team for Youku's Mars Intelligence Agency (variety show that zhao lusi debuted in 2016) The programme has invited the "joke-making machine" 𝗗𝗮 𝗭𝗵𝗮𝗻𝗴𝘄𝗲𝗶 to team up with three top stand-up comedians to establish China's first city-inn–style comedy theater, aimed at supporting rising (yet-to-be-discovered) talents in the industry. They welcome celebrity friends, popular actors, and promising newcomers who must use every possible means to make the audience laugh. REPO of Zhao Lusi's Appearance by a Ckeluli The theme for that day is Childhood. Lusi's outfit today was way too adorable. She even recreated her 3-year-old’s outfit and pose too. It's really so sweet and cute (She puffed up her cheeks and said jokingly that she was the only one who dressed like this, because all the other guests were dressed very “properly” and mature haha) Lusi opened the show with Da Zhangwei, singing dancing to his song, 万物盛开法则 The “naughty PD” asked them to re-record it again, and Lusi had a look on her face that shows, “Hmph, I knew it.” When she heard Da Laoshi say she had to jump into the water, she hid behind the wall, puffed up her cheeks, pouted, and made a fierce little villain face 😈 With this makeup and styling, it was just too cute. After watching the contestants' performances, she already knows how to give “harsh comments.” She joked that she can’t come to this show anymore because she's becoming even more "sharp-tongued" hahaha (She's no longer the “everything is especially good and amazing” fairness queen from yesterday) She’s only been here two days but her reactions are getting quicker and quicker. She knows when to laugh at the right moments hahaha They even brought up what she said yesterday, and she was still laughing about yesterday’s contestants’ jokes in the morning. The Youku SVIP section is only about one meter away from Lusi. She even shook hands with them, chatted with them, and kept interacting the whole time! Lusi performed her song English 《Don't Wanna Know》 two times This show is rumoured to broadcast in Early March！The overall sponsor for this programme is Xianyu- largest consumer to consumer community by Alibaba
0:37

#ZhaoLusi has filmed 《不好笑 就露宿街头》 (literal english translation of the title is 'If It's Not Funny, You Sleep on the Street') as a special guest 不好笑 就露宿街头 is a comedy reality variety show produced by the same Production Team for Youku's Mars Intelligence Agency (variety show that zhao lusi debuted in 2016) The programme has invited the "joke-making machine" 𝗗𝗮 𝗭𝗵𝗮𝗻𝗴𝘄𝗲𝗶 to team up with three top stand-up comedians to establish China's first city-inn–style comedy theater, aimed at supporting rising (yet-to-be-discovered) talents in the industry. They welcome celebrity friends, popular actors, and promising newcomers who must use every possible means to make the audience laugh. REPO of Zhao Lusi's Appearance by a Ckeluli The theme for that day is Childhood. Lusi's outfit today was way too adorable. She even recreated her 3-year-old’s outfit and pose too. It's really so sweet and cute (She puffed up her cheeks and said jokingly that she was the only one who dressed like this, because all the other guests were dressed very “properly” and mature haha) Lusi opened the show with Da Zhangwei, singing dancing to his song, 万物盛开法则 The “naughty PD” asked them to re-record it again, and Lusi had a look on her face that shows, “Hmph, I knew it.” When she heard Da Laoshi say she had to jump into the water, she hid behind the wall, puffed up her cheeks, pouted, and made a fierce little villain face 😈 With this makeup and styling, it was just too cute. After watching the contestants' performances, she already knows how to give “harsh comments.” She joked that she can’t come to this show anymore because she's becoming even more "sharp-tongued" hahaha (She's no longer the “everything is especially good and amazing” fairness queen from yesterday) She’s only been here two days but her reactions are getting quicker and quicker. She knows when to laugh at the right moments hahaha They even brought up what she said yesterday, and she was still laughing about yesterday’s contestants’ jokes in the morning. The Youku SVIP section is only about one meter away from Lusi. She even shook hands with them, chatted with them, and kept interacting the whole time! Lusi performed her song English 《Don't Wanna Know》 two times This show is rumoured to broadcast in Early March！The overall sponsor for this programme is Xianyu- largest consumer to consumer community by Alibaba

jov

30,779 görüntüleme • 5 ay önce

Do you really know who Candace Amber Owens is? Or do you only know the version the media and limelight present? Candace has risen to her current position through a mix of luck, grit, and what many see as outright shadiness. She's climbed by biting every hand that feeds her, constantly playing the victim from her soapbox while monetizing the drama along the way. It started back in high school. As a teenager, she received a $37,500 settlement from the Stamford Board of Education after suing over alleged racial bullying and threats from classmates (including voicemails with racist slurs). No emails or further evidence ever fully surfaced publicly, but the case settled anyway. Before that, by her own accounts, she grew up in tough circumstances. Living in the projects, with her mother working long hours as an internet-of-things specialist (or similar), and being raised largely by her grandmother after her parents' divorce. This pattern repeats throughout her career. After high school, she tried to sue her apartment complex in Stamford for $15,000+, claiming dangerous mold and health issues. She stopped paying rent (around $3,550/month) for months, continued living there, lost the case, and ended up owing the landlord over $20,000 in damages and fees. She moved to New York City, dabbling in acting and modeling. There are persistent reports (though I've yet to verify photos) of her appearing on an Israeli-owned talent agency's site tied to adult or exploitative content—something that's circulated in conservative circles. Then came her conservative pivot: first with Blexit where financial records show massive shortfalls. Her budget was constantly in the red, especially on social media and events, while she reportedly overpaid herself by hundreds of thousands annually, jet-setting on the organization's dime and leaving it in debt. Whistleblowers from Blexit have confirmed these issues. Charlie Kirk has been linked closely—some claim he effectively started or backed Blexit behind the scenes, using Candace as the face since a white man couldn't launch it credibly. Blexit later merged with TPUSA. From there, she burned bridges everywhere: fact-checkers and Facebook labeled her content misleading, and a judge reportedly told her the problem was her material itself. At The Daily Wire, she got her own show, a big audience, and a team treating her like Oprah—yet she still wasn't satisfied. She's done the same at PragerU, Alex Jones circles, and beyond: blowing up every platform that gave her a graceful opportunity. In my video, I break this down in detail & why Candace is the way she is, and who she truly seems to be at her core. We need to spread the truth about this woman. I have nothing personal against her, except that she can't win this fight. As conservative Christians in America, we won't let her attack Charlie Kirk's legacy, his family, his work with orphans and widows. I'm The Coldblooded Christian, and I hope you'll watch the video. Drop comments, likes, dislikes, dunks, curses—bring it all. Want to debate? Let's hop on X Spaces. I'm ready. Outta here. ✝️
16:43

Do you really know who Candace Amber Owens is? Or do you only know the version the media and limelight present? Candace has risen to her current position through a mix of luck, grit, and what many see as outright shadiness. She's climbed by biting every hand that feeds her, constantly playing the victim from her soapbox while monetizing the drama along the way. It started back in high school. As a teenager, she received a $37,500 settlement from the Stamford Board of Education after suing over alleged racial bullying and threats from classmates (including voicemails with racist slurs). No emails or further evidence ever fully surfaced publicly, but the case settled anyway. Before that, by her own accounts, she grew up in tough circumstances. Living in the projects, with her mother working long hours as an internet-of-things specialist (or similar), and being raised largely by her grandmother after her parents' divorce. This pattern repeats throughout her career. After high school, she tried to sue her apartment complex in Stamford for $15,000+, claiming dangerous mold and health issues. She stopped paying rent (around $3,550/month) for months, continued living there, lost the case, and ended up owing the landlord over $20,000 in damages and fees. She moved to New York City, dabbling in acting and modeling. There are persistent reports (though I've yet to verify photos) of her appearing on an Israeli-owned talent agency's site tied to adult or exploitative content—something that's circulated in conservative circles. Then came her conservative pivot: first with Blexit where financial records show massive shortfalls. Her budget was constantly in the red, especially on social media and events, while she reportedly overpaid herself by hundreds of thousands annually, jet-setting on the organization's dime and leaving it in debt. Whistleblowers from Blexit have confirmed these issues. Charlie Kirk has been linked closely—some claim he effectively started or backed Blexit behind the scenes, using Candace as the face since a white man couldn't launch it credibly. Blexit later merged with TPUSA. From there, she burned bridges everywhere: fact-checkers and Facebook labeled her content misleading, and a judge reportedly told her the problem was her material itself. At The Daily Wire, she got her own show, a big audience, and a team treating her like Oprah—yet she still wasn't satisfied. She's done the same at PragerU, Alex Jones circles, and beyond: blowing up every platform that gave her a graceful opportunity. In my video, I break this down in detail & why Candace is the way she is, and who she truly seems to be at her core. We need to spread the truth about this woman. I have nothing personal against her, except that she can't win this fight. As conservative Christians in America, we won't let her attack Charlie Kirk's legacy, his family, his work with orphans and widows. I'm The Coldblooded Christian, and I hope you'll watch the video. Drop comments, likes, dislikes, dunks, curses—bring it all. Want to debate? Let's hop on X Spaces. I'm ready. Outta here. ✝️

The Coldblooded Christian

24,736 görüntüleme • 4 ay önce

An interesting Article by Hannah Furness for the Telegraph giving a bit of background story about today’s last day of events. During his last day in Saudi Arabia , Prince William toured the Sharaan Nature Reserve in the east of the country and was asked to perform the classic royal duty of planting a tree. When offered Gardening gloves to plant the acacia tree, Prince William politely declined saying: “I like to get my hands dirty.”👌🏽☺️ Something that he indeed shares with his wife Catherine who, last July 2025, took part in planting the first of the "Catherine’s Rose" plants, the rose dedicated to her, during a visit to the RHS Wellbeing Garden at Colchester Hospital. When offered golves, she declined as well and happily got her bare hands in the sand to plant the rose❤️ Hannah further reported that “After three stops in different parts of the nature reserve, Prince William had lunch with Prince Badr bin Abdullah bin Farhan Al Saud, the minister for culture, one of Crown Prince Mohammed bin Salman’s inner circle, and described as one of the most powerful men in the Kingdom. Apparently, Prince Badr enjoyed his lunch with the Prince of Wales so much so, that he asked that their lunch time be extended. So the Prince of Wales ended up running 40 minutes behind schedule🔥 The schedule had to be further reorganised when Prince Badr decided he wanted to personally accompany Prince William and give him a tour of his “favorite areas” of the old town of AlUla. Hannah writes: “By the time they eventually arrived, the royal schedule had been torn up and redrawn.” “The afternoon in the Old Town was hastily rearranged. Aides and protection officers marched quickly across town, weaving through a rabbit-warren of mud-brick houses with heavy wooden doors and shaded walkways, to find two princes dropped off on the long Incense Road and already happily in conversation.”🤭 This warm hospitality by the Saudi royals is not so surprising when the Ties between the two royal families are almost 100 years old and way more enduring than any political leader could achieve. So the impromptu tour saw both princes walk through the town, visit a library and the marketplace before Prince William rushed to catch up on the schedule and departed for to catch a RAF get home. Well and so, Prince William was tasked with “a charm offensive” of the leaders of Saudi Arabia in order to secure the diplomatic relations and help bring an economic deal worth billions to the UK government to completion🔥 Well, Prince William reportedly spent 3 hours in private talk with Crown Prince Mohammed bin Salman, Prime Minister of the Kingdom of Saudi Arabia who gave him a private tour of the historical UNESCO World Heritage Site, At-Turaif. And he then spent an extended lunch with Prince Badr bin Abdullah bin Farhan Al Saud – the minister for culture Who gave him a personal tour of AlUla👌🏽 So how successful was he in sealing the deal? The next few months will tell, however, the article reports that: “As Prince William left Saudi Arabia, the governments announced a new partnership to make 2029 the Saudi-UK Year of Culture.” “And there is now a house named after him, The “Prince of Wales House” in AlUla☺️ #PrinceofWales
1:06

An interesting Article by Hannah Furness for the Telegraph giving a bit of background story about today’s last day of events. During his last day in Saudi Arabia , Prince William toured the Sharaan Nature Reserve in the east of the country and was asked to perform the classic royal duty of planting a tree. When offered Gardening gloves to plant the acacia tree, Prince William politely declined saying: “I like to get my hands dirty.”👌🏽☺️ Something that he indeed shares with his wife Catherine who, last July 2025, took part in planting the first of the "Catherine’s Rose" plants, the rose dedicated to her, during a visit to the RHS Wellbeing Garden at Colchester Hospital. When offered golves, she declined as well and happily got her bare hands in the sand to plant the rose❤️ Hannah further reported that “After three stops in different parts of the nature reserve, Prince William had lunch with Prince Badr bin Abdullah bin Farhan Al Saud, the minister for culture, one of Crown Prince Mohammed bin Salman’s inner circle, and described as one of the most powerful men in the Kingdom. Apparently, Prince Badr enjoyed his lunch with the Prince of Wales so much so, that he asked that their lunch time be extended. So the Prince of Wales ended up running 40 minutes behind schedule🔥 The schedule had to be further reorganised when Prince Badr decided he wanted to personally accompany Prince William and give him a tour of his “favorite areas” of the old town of AlUla. Hannah writes: “By the time they eventually arrived, the royal schedule had been torn up and redrawn.” “The afternoon in the Old Town was hastily rearranged. Aides and protection officers marched quickly across town, weaving through a rabbit-warren of mud-brick houses with heavy wooden doors and shaded walkways, to find two princes dropped off on the long Incense Road and already happily in conversation.”🤭 This warm hospitality by the Saudi royals is not so surprising when the Ties between the two royal families are almost 100 years old and way more enduring than any political leader could achieve. So the impromptu tour saw both princes walk through the town, visit a library and the marketplace before Prince William rushed to catch up on the schedule and departed for to catch a RAF get home. Well and so, Prince William was tasked with “a charm offensive” of the leaders of Saudi Arabia in order to secure the diplomatic relations and help bring an economic deal worth billions to the UK government to completion🔥 Well, Prince William reportedly spent 3 hours in private talk with Crown Prince Mohammed bin Salman, Prime Minister of the Kingdom of Saudi Arabia who gave him a private tour of the historical UNESCO World Heritage Site, At-Turaif. And he then spent an extended lunch with Prince Badr bin Abdullah bin Farhan Al Saud – the minister for culture Who gave him a personal tour of AlUla👌🏽 So how successful was he in sealing the deal? The next few months will tell, however, the article reports that: “As Prince William left Saudi Arabia, the governments announced a new partnership to make 2029 the Saudi-UK Year of Culture.” “And there is now a house named after him, The “Prince of Wales House” in AlUla☺️ #PrinceofWales

Canellecitadelle

49,401 görüntüleme • 5 ay önce

I love this scene so much because after all the fire between them, they finally chose calmness. No yelling, no pride, just honesty and the willingness to truly listen. I think this is one of Princess Blew’s deepest battles. Not the kidnappings, not the danger, but the slow collapse of trust itself. Imagine growing up believing certain people were your safe place, only to discover that the hands you trusted most were the same ones pulling the strings behind your pain. That kind of betrayal doesn’t just break trust, it rearranges your entire understanding of love, loyalty, and safety. The cruelest part is that the traitor wasn’t a stranger, but someone she treated like family, someone she welcomed into her heart as a friend who’s been with her for a very long time. Now every act of kindness probably feels like a locked door with a hidden knife behind it. 🥀 And then Lt. Lom enters her life like an unexpected detour. A complete stranger. Someone she initially resisted, doubted, maybe even feared. Maybe from the very beginning she already felt drawn to her bodyguard in ways she couldn’t explain, but fondness and trust are two completely different storms. Yet fate keeps throwing them into moments where survival depends on each other. Between near-death situations and quiet acts of protection, the Princess slowly finds herself doing the very thing she swore she couldn’t anymore: opening her heart again. And that’s terrifying. Because trusting someone with your life after being betrayed once already feels like walking barefoot across shattered glass, hoping this time the ground won’t cut you open. ❤️‍🩹 That’s why Lom’s approach feels so meaningful. She never demanded trust like it was owed to her. She never pushed the Princess to suddenly believe in her just because she saved her life. Instead, Lom quietly gave her space, time, and patience. She allowed the Princess to watch her actions, to assess the kind of person she truly is. And sometimes, that’s the purest form of care, not forcing someone to open the door, but sitting outside long enough for them to unlock it on their own. #FreenBecky #ฟรีนเบค #เสน่หาวาโยตอนที่2 #เสน่หาวาโย
1:02

I love this scene so much because after all the fire between them, they finally chose calmness. No yelling, no pride, just honesty and the willingness to truly listen. I think this is one of Princess Blew’s deepest battles. Not the kidnappings, not the danger, but the slow collapse of trust itself. Imagine growing up believing certain people were your safe place, only to discover that the hands you trusted most were the same ones pulling the strings behind your pain. That kind of betrayal doesn’t just break trust, it rearranges your entire understanding of love, loyalty, and safety. The cruelest part is that the traitor wasn’t a stranger, but someone she treated like family, someone she welcomed into her heart as a friend who’s been with her for a very long time. Now every act of kindness probably feels like a locked door with a hidden knife behind it. 🥀 And then Lt. Lom enters her life like an unexpected detour. A complete stranger. Someone she initially resisted, doubted, maybe even feared. Maybe from the very beginning she already felt drawn to her bodyguard in ways she couldn’t explain, but fondness and trust are two completely different storms. Yet fate keeps throwing them into moments where survival depends on each other. Between near-death situations and quiet acts of protection, the Princess slowly finds herself doing the very thing she swore she couldn’t anymore: opening her heart again. And that’s terrifying. Because trusting someone with your life after being betrayed once already feels like walking barefoot across shattered glass, hoping this time the ground won’t cut you open. ❤️‍🩹 That’s why Lom’s approach feels so meaningful. She never demanded trust like it was owed to her. She never pushed the Princess to suddenly believe in her just because she saved her life. Instead, Lom quietly gave her space, time, and patience. She allowed the Princess to watch her actions, to assess the kind of person she truly is. And sometimes, that’s the purest form of care, not forcing someone to open the door, but sitting outside long enough for them to unlock it on their own. #FreenBecky #ฟรีนเบค #เสน่หาวาโยตอนที่2 #เสน่หาวาโย

Nikki 🚫🗝️

12,701 görüntüleme • 1 ay önce

So Runway Gen 4.5 finally adds image-to-video, the workflow most pros rely on for consistency. We put it head to head with Kling AI and Flow by Google VEO using the same reference images and prompts (below) to evaluate motion quality, stability, and cinematic realism. 1. Action/WaterPhysics Test Prompt: Cinematic, wide-shot of a man running in a shallow river. The camera is tracking the man from behind as he runs up the river. Handheld camera shake as the camera follows the man. 2. Fire Physics Test Prompt: Cinematic, wide-shot of terrified woman running towards her burning barn. She abruptly stops, and puts in hands on her head as she watches her barn burn down. 3. VFX test prompt: Cinematic, wide-shot of a hooded figure. Flashes of purple magic and smoke whirl around the figure. The figure lifts its arms as the purple magic and smoke intensifies. 4. 2D Animation Test Prompt: 2D animated shot of a waiting at a bus stop in a thunderstorm. The man turns, walks to the bench, and sits down. 5. 3D Animation Test Prompt: 3D animated shot of an octopus. The octopus reaches into a coral and picks up a glowing white gem. 6. Conversation Test Prompt: slow camera push-in as two friends are having a conversation at a coffee shop Overall verdict: Despite the “world’s best” claim, Runway Gen 4.5 is not there yet. Prompt adherence is solid, but motion, physics, and cinematic realism still lag behind tools like Kling and VEO. Great platform, mid-tier model for now.
0:47

So Runway Gen 4.5 finally adds image-to-video, the workflow most pros rely on for consistency. We put it head to head with Kling AI and Flow by Google VEO using the same reference images and prompts (below) to evaluate motion quality, stability, and cinematic realism. 1. Action/WaterPhysics Test Prompt: Cinematic, wide-shot of a man running in a shallow river. The camera is tracking the man from behind as he runs up the river. Handheld camera shake as the camera follows the man. 2. Fire Physics Test Prompt: Cinematic, wide-shot of terrified woman running towards her burning barn. She abruptly stops, and puts in hands on her head as she watches her barn burn down. 3. VFX test prompt: Cinematic, wide-shot of a hooded figure. Flashes of purple magic and smoke whirl around the figure. The figure lifts its arms as the purple magic and smoke intensifies. 4. 2D Animation Test Prompt: 2D animated shot of a waiting at a bus stop in a thunderstorm. The man turns, walks to the bench, and sits down. 5. 3D Animation Test Prompt: 3D animated shot of an octopus. The octopus reaches into a coral and picks up a glowing white gem. 6. Conversation Test Prompt: slow camera push-in as two friends are having a conversation at a coffee shop Overall verdict: Despite the “world’s best” claim, Runway Gen 4.5 is not there yet. Prompt adherence is solid, but motion, physics, and cinematic realism still lag behind tools like Kling and VEO. Great platform, mid-tier model for now.

Curious Refuge

25,538 görüntüleme • 5 ay önce

Reinforcement Learning from Human Feedback (RLHF) is gaining traction. This field aims to make AI more responsible by including human values and preferences. In this video, Nathan Lambert, a research scientist and RLHF team lead at Hugging Face explores its inner workings, applications and industry impact. RLHF has gained the spotlight in recent years. The growth of language models like Anthropic’s Claude and OpenAI's ChatGPT have increased interest in human-feedback integration. "There are some rumors that Open AI had two teams; one was doing RLHF and the other instruction fine-tuning. And the RLHF team kept getting more and more performance." Understanding RLHF The RLHF process has three main steps: Pre-training: Much like with GPT models, the journey starts with pre-training on a large corpus of data. This can range from text data, web scrapes, to specialized datasets. Reward Modeling: This is the RLHF counterpart of supervised fine-tuning in large language models. This stage involves creating a reward model that resonates with human values and preferences. RL Optimization: This stage parallels reward modeling and reinforcement learning in traditional AI models. The AI system fine-tunes itself based on the reward model, employing reinforcement learning algorithms for that extra layer of optimization. The Data Challenge Data collection and curation in RLHF closely resemble the challenges you'd encounter in large language model training. Datasets from organizations like OpenAI can serve as a useful foundation. However, the need for high-quality, task-specific data cannot be overstated. Implementing RLHF: A Practical Guide If you’re someone who loves getting hands-on with AI libraries like Hugging Face, implementing RLHF is right way to do. It’s essential to understand its limitations. Think about model stability, over-optimization, and exploration strategies, much like you would when prompt engineering. Ongoing Research and Next Steps While he suggests that some basics figured out, there are layers of complexity that still need to be unraveled: 1. New Benchmarks: How do we measure the effectiveness of RLHF? 2. Preference Modeling: How can the model be made to understand human preferences better? 3. Interpreting RLHF: Much like explainability in traditional models, how do we make RLHF more interpretable? 4. System-Wide Evaluation: Going beyond individual performance, how does RLHF affect an entire system? The Transformative Power of RLHF Whether you're an AI developer, a business analyst, or a marketer, RLHF promises to revolutionize your domain. Imagine customer service chatbots that understand human emotions better, or content generators that align more closely with human values. RLHF is an emerging field that focuses on enhancing machine learning models through human feedback. While it tackles important issues like bias and ethics, its broader goal is to improve system performance across various applications. Whether you're deeply invested in the ethics of AI or simply curious about advancements in machine learning, RLHF offers valuable insights. If you're interested in the next wave of AI development, this area is definitely one to watch.
2:00

Reinforcement Learning from Human Feedback (RLHF) is gaining traction. This field aims to make AI more responsible by including human values and preferences. In this video, Nathan Lambert, a research scientist and RLHF team lead at Hugging Face explores its inner workings, applications and industry impact. RLHF has gained the spotlight in recent years. The growth of language models like Anthropic’s Claude and OpenAI's ChatGPT have increased interest in human-feedback integration. "There are some rumors that Open AI had two teams; one was doing RLHF and the other instruction fine-tuning. And the RLHF team kept getting more and more performance." Understanding RLHF The RLHF process has three main steps: Pre-training: Much like with GPT models, the journey starts with pre-training on a large corpus of data. This can range from text data, web scrapes, to specialized datasets. Reward Modeling: This is the RLHF counterpart of supervised fine-tuning in large language models. This stage involves creating a reward model that resonates with human values and preferences. RL Optimization: This stage parallels reward modeling and reinforcement learning in traditional AI models. The AI system fine-tunes itself based on the reward model, employing reinforcement learning algorithms for that extra layer of optimization. The Data Challenge Data collection and curation in RLHF closely resemble the challenges you'd encounter in large language model training. Datasets from organizations like OpenAI can serve as a useful foundation. However, the need for high-quality, task-specific data cannot be overstated. Implementing RLHF: A Practical Guide If you’re someone who loves getting hands-on with AI libraries like Hugging Face, implementing RLHF is right way to do. It’s essential to understand its limitations. Think about model stability, over-optimization, and exploration strategies, much like you would when prompt engineering. Ongoing Research and Next Steps While he suggests that some basics figured out, there are layers of complexity that still need to be unraveled: 1. New Benchmarks: How do we measure the effectiveness of RLHF? 2. Preference Modeling: How can the model be made to understand human preferences better? 3. Interpreting RLHF: Much like explainability in traditional models, how do we make RLHF more interpretable? 4. System-Wide Evaluation: Going beyond individual performance, how does RLHF affect an entire system? The Transformative Power of RLHF Whether you're an AI developer, a business analyst, or a marketer, RLHF promises to revolutionize your domain. Imagine customer service chatbots that understand human emotions better, or content generators that align more closely with human values. RLHF is an emerging field that focuses on enhancing machine learning models through human feedback. While it tackles important issues like bias and ethics, its broader goal is to improve system performance across various applications. Whether you're deeply invested in the ethics of AI or simply curious about advancements in machine learning, RLHF offers valuable insights. If you're interested in the next wave of AI development, this area is definitely one to watch.

Muratcan Koylan

27,005 görüntüleme • 2 yıl önce

From a hidden garden awakening to butterfly-inspired high jewelry. Every frame moves like a fashion editorial brought to life. Crafted with GPT Image 2 and animated with Seedance 2.0 on Creatify AI , built using AdFlow. Created as a complete brand journey: hook, build, and emotional reveal, designed for modern luxury storytelling. Prompt: TITLE: TIFFANY BLUE BOOK 2026 — BUTTERFLY CHAPTER STYLE: Luxury fashion film, high jewelry campaign, cinematic realism, ultra-premium production quality, soft natural light, dreamy atmosphere, shallow depth of field, delicate camera movement, elegant transitions, museum-gallery aesthetic, refined color grading, timeless sophistication. VOICE: Warm, melodious female narrator with a graceful, airy tone. Slow pacing with natural pauses. Every line delivered with elegance and wonder. PART 1 (0:00–0:15) — Hidden Garden Awakens Extreme close-ups of a platinum blonde model in soft morning light, diamonds shimmering subtly. A hidden garden awakens with butterflies, dew-covered flowers, and golden sunlight. She raises her head as a Tiffany-inspired necklace catches the light. VOICE: “Introducing… the Butterfly Chapter… from Blue Book 2026.” (pause) “Hidden Garden…” (pause) “The designs are an homage… to a nineteenth-century Tiffany & Co. motif.” PART 2 (0:15–0:30) — Art Becomes Flight A refined gallery of butterfly sketches, vintage illustrations, and living butterflies in motion. Jewels rotate under light, revealing vivid yellow diamonds inspired by iconic heritage designs. VOICE: “The modern evolution…” (pause) “…is inspired by Jean Schlumberger’s iconic butterfly bracelet…” (pause) “Designed for philanthropist Bunny Mellon…” (pause) “…and featuring rare vivid yellow diamonds…” PART 3 (0:30–0:40) — Wings of Legacy Suspended diamond butterfly in darkness, shimmering like starlight. A gallery reveal with butterflies crossing frame, dissolving into Tiffany blue. VOICE: “Designed to mimic butterfly wings…” (pause) “…suspended in flight.” (pause) “The chapter continues…” (pause) “…nearly two centuries…” (pause) “…of Tiffany High Jewelry excellence.” ━━━━━━━━━━━━━━━━━━━━━━ END FRAME: Elegant logo reveal. Soft sparkle. Orchestral fade-out. #creatifyadschallenge #creatify
0:51

From a hidden garden awakening to butterfly-inspired high jewelry. Every frame moves like a fashion editorial brought to life. Crafted with GPT Image 2 and animated with Seedance 2.0 on Creatify AI , built using AdFlow. Created as a complete brand journey: hook, build, and emotional reveal, designed for modern luxury storytelling. Prompt: TITLE: TIFFANY BLUE BOOK 2026 — BUTTERFLY CHAPTER STYLE: Luxury fashion film, high jewelry campaign, cinematic realism, ultra-premium production quality, soft natural light, dreamy atmosphere, shallow depth of field, delicate camera movement, elegant transitions, museum-gallery aesthetic, refined color grading, timeless sophistication. VOICE: Warm, melodious female narrator with a graceful, airy tone. Slow pacing with natural pauses. Every line delivered with elegance and wonder. PART 1 (0:00–0:15) — Hidden Garden Awakens Extreme close-ups of a platinum blonde model in soft morning light, diamonds shimmering subtly. A hidden garden awakens with butterflies, dew-covered flowers, and golden sunlight. She raises her head as a Tiffany-inspired necklace catches the light. VOICE: “Introducing… the Butterfly Chapter… from Blue Book 2026.” (pause) “Hidden Garden…” (pause) “The designs are an homage… to a nineteenth-century Tiffany & Co. motif.” PART 2 (0:15–0:30) — Art Becomes Flight A refined gallery of butterfly sketches, vintage illustrations, and living butterflies in motion. Jewels rotate under light, revealing vivid yellow diamonds inspired by iconic heritage designs. VOICE: “The modern evolution…” (pause) “…is inspired by Jean Schlumberger’s iconic butterfly bracelet…” (pause) “Designed for philanthropist Bunny Mellon…” (pause) “…and featuring rare vivid yellow diamonds…” PART 3 (0:30–0:40) — Wings of Legacy Suspended diamond butterfly in darkness, shimmering like starlight. A gallery reveal with butterflies crossing frame, dissolving into Tiffany blue. VOICE: “Designed to mimic butterfly wings…” (pause) “…suspended in flight.” (pause) “The chapter continues…” (pause) “…nearly two centuries…” (pause) “…of Tiffany High Jewelry excellence.” ━━━━━━━━━━━━━━━━━━━━━━ END FRAME: Elegant logo reveal. Soft sparkle. Orchestral fade-out. #creatifyadschallenge #creatify

Shami

57,810 görüntüleme • 21 gün önce

From a hidden garden awakening to butterfly-inspired high jewelry. Every frame moves like a fashion editorial brought to life. Crafted with GPT Image 2 and animated with Seedance 2.0 on Creatify AI , built using AdFlow. Created as a complete brand journey: hook, build, and emotional reveal, designed for modern luxury storytelling. Prompt: TITLE: TIFFANY BLUE BOOK 2026 — BUTTERFLY CHAPTER STYLE: Luxury fashion film, high jewelry campaign, cinematic realism, ultra-premium production quality, soft natural light, dreamy atmosphere, shallow depth of field, delicate camera movement, elegant transitions, museum-gallery aesthetic, refined color grading, timeless sophistication. VOICE: Warm, melodious female narrator with a graceful, airy tone. Slow pacing with natural pauses. Every line delivered with elegance and wonder. PART 1 (0:00–0:15) — Hidden Garden Awakens Extreme close-ups of a platinum blonde model in soft morning light, diamonds shimmering subtly. A hidden garden awakens with butterflies, dew-covered flowers, and golden sunlight. She raises her head as a Tiffany-inspired necklace catches the light. VOICE: “Introducing… the Butterfly Chapter… from Blue Book 2026.” (pause) “Hidden Garden…” (pause) “The designs are an homage… to a nineteenth-century Tiffany & Co. motif.” PART 2 (0:15–0:30) — Art Becomes Flight A refined gallery of butterfly sketches, vintage illustrations, and living butterflies in motion. Jewels rotate under light, revealing vivid yellow diamonds inspired by iconic heritage designs. VOICE: “The modern evolution…” (pause) “…is inspired by Jean Schlumberger’s iconic butterfly bracelet…” (pause) “Designed for philanthropist Bunny Mellon…” (pause) “…and featuring rare vivid yellow diamonds…” PART 3 (0:30–0:40) — Wings of Legacy Suspended diamond butterfly in darkness, shimmering like starlight. A gallery reveal with butterflies crossing frame, dissolving into Tiffany blue. VOICE: “Designed to mimic butterfly wings…” (pause) “…suspended in flight.” (pause) “The chapter continues…” (pause) “…nearly two centuries…” (pause) “…of Tiffany High Jewelry excellence.” ━━━━━━━━━━━━━━━━━━━━━━ END FRAME: Elegant logo reveal. Soft sparkle. Orchestral fade-out. #creatifyadschallenge #creatify
0:51

From a hidden garden awakening to butterfly-inspired high jewelry. Every frame moves like a fashion editorial brought to life. Crafted with GPT Image 2 and animated with Seedance 2.0 on Creatify AI , built using AdFlow. Created as a complete brand journey: hook, build, and emotional reveal, designed for modern luxury storytelling. Prompt: TITLE: TIFFANY BLUE BOOK 2026 — BUTTERFLY CHAPTER STYLE: Luxury fashion film, high jewelry campaign, cinematic realism, ultra-premium production quality, soft natural light, dreamy atmosphere, shallow depth of field, delicate camera movement, elegant transitions, museum-gallery aesthetic, refined color grading, timeless sophistication. VOICE: Warm, melodious female narrator with a graceful, airy tone. Slow pacing with natural pauses. Every line delivered with elegance and wonder. PART 1 (0:00–0:15) — Hidden Garden Awakens Extreme close-ups of a platinum blonde model in soft morning light, diamonds shimmering subtly. A hidden garden awakens with butterflies, dew-covered flowers, and golden sunlight. She raises her head as a Tiffany-inspired necklace catches the light. VOICE: “Introducing… the Butterfly Chapter… from Blue Book 2026.” (pause) “Hidden Garden…” (pause) “The designs are an homage… to a nineteenth-century Tiffany & Co. motif.” PART 2 (0:15–0:30) — Art Becomes Flight A refined gallery of butterfly sketches, vintage illustrations, and living butterflies in motion. Jewels rotate under light, revealing vivid yellow diamonds inspired by iconic heritage designs. VOICE: “The modern evolution…” (pause) “…is inspired by Jean Schlumberger’s iconic butterfly bracelet…” (pause) “Designed for philanthropist Bunny Mellon…” (pause) “…and featuring rare vivid yellow diamonds…” PART 3 (0:30–0:40) — Wings of Legacy Suspended diamond butterfly in darkness, shimmering like starlight. A gallery reveal with butterflies crossing frame, dissolving into Tiffany blue. VOICE: “Designed to mimic butterfly wings…” (pause) “…suspended in flight.” (pause) “The chapter continues…” (pause) “…nearly two centuries…” (pause) “…of Tiffany High Jewelry excellence.” ━━━━━━━━━━━━━━━━━━━━━━ END FRAME: Elegant logo reveal. Soft sparkle. Orchestral fade-out. #creatifyadschallenge #creatify

Shami

108,483 görüntüleme • 1 ay önce

In Remembrance of Marilyn Monroe on her 100th Birthday Born | June 1, 1926 in Los Angeles, California, USA Probably the most celebrated of all actresses, Marilyn Monroe was born Norma Jeane Mortenson on June 1, 1926, in the charity ward of the Los Angeles General Hospital. Her mother, Gladys Pearl (Monroe), was born in Piedras Negras, Coahuila, Mexico, to American parents from Indiana and Missouri, and was a film-cutter at Consolidated Film Industries. Marilyn's biological father has been established through DNA testing as Charles Stanley Gifford, who had been born in Newport, Rhode Island, to a family with deep roots in the state. Marilyn grew up not knowing for sure who her father really was. Gladys gave Norma Jeane the name of Baker. Poverty was a constant companion to Gladys and Norma. Gladys, who was extremely attractive and later worked for R.K.O. Studios, suffered from mental illness and was in and out of mental institutions for the rest of her life, and because of that Norma Jeane spent time in foster homes. When she was nine, she was placed in an orphanage where she was to stay for the next two years. Upon being released from the orphanage, she went to yet another foster home. In 1942, at sixteen years old, Norma Jeane married twenty-one-year-old aircraft plant worker James Dougherty. The marriage lasted only four years, and they divorced in 1946. By this time, Marilyn began to model swimsuits and bleached her hair blonde. Various shots made their way into the public eye, where some were eventually seen by R.K.O. Pictures head Howard Hughes. He offered Marilyn a screen test, but an agent suggested that 20th Century-Fox would be the better choice for her, since it was a much bigger and more prestigious studio. She was signed to a contract at $125 per week for a six-month period and that was increased by $25 per week at the end of that time when her contract was lengthened. Her first film was in 1947 with a bit part in The Shocking Miss Pilgrim (1947). Her next production was not much better, a bit in the forgettable Scudda Hoo! Scudda Hay! (1948). Two of the three brief scenes in which she appeared wound up on the cutting room floor. Later that same year, she was given a somewhat better role as Evie in Dangerous Years (1947). However, Fox declined to renew her contract, so she went back to modeling and acting school. Columbia Pictures then picked her up to play Peggy Martin in Ladies of the Chorus (1948), where she sang three numbers. Notices from the critics were favorable for her, if not the film, but Columbia dropped her. Once again Marilyn returned to modeling. In 1949, she appeared in United Artists' Love Happy (1949). It was also that same year she posed nude for the now famous calendar shot which was later to appear in Playboy magazine in 1953 and further boost her career. She would be the first centerfold in that magazine's long and illustrious history. The next year proved to be a good year for Marilyn. She appeared in five films, but the good news was that she received very good notices for her roles in two of them, The Asphalt Jungle (1950) from MGM and All About Eve (1950) from Fox. Even though both roles were basically not much more than bit parts, movie fans remembered her dizzy but very sexy blonde performance. In 1951, Marilyn got a fairly sizable role in Love Nest (1951). The public was now getting to know her and liked what it saw. She had an intoxicating quality of volcanic sexuality wrapped in an aura of almost childlike innocence. In 1952, Marilyn appeared in Don't Bother to Knock (1952), in which she played a somewhat mentally unbalanced babysitter. Critics didn't particularly care for her work in this picture, but she made a much more favorable impression later in the year in Monkey Business (1952), where she was seen for the first time as a platinum blonde, a look that became her trademark. The next year, she appeared in Gentlemen Prefer Blondes (1953) as Lorelei Lee. It was also the same year she began dating the baseball great Joe DiMaggio. Marilyn was now a genuine box-office drawing card. Later, she appeared with Betty Grable, Lauren Bacall, and Rory Calhoun in How to Marry a Millionaire (1953). Although her co-stars got the rave reviews, it was the sight of Marilyn that really excited the audience, especially the male members. On Thursday, January 14th, 1954, Marilyn wed DiMaggio, then proceeded to film There's No Business Like Show Business (1954). That was quickly followed by The Seven Year Itch (1955), which showcased her considerable comedic talent and contained what is arguably one of the most memorable moments in cinema history: Marilyn standing above a subway grating and the wind from a passing subway blowing her white dress up. By October 1954, Marilyn announced her divorce from DiMaggio (though the divorce was not finalised until October 31, 1955). In 1955, she was suspended by Fox for not reporting for work on How to Be Very, Very Popular (1955). It was her second suspension, the first being for not reporting for the production of The Girl in the Red Velvet Swing (1955). Both roles went to others. Her work was slowing down, due to her habit of being continually late to the set, her illnesses (whether real or imagined) and generally being unwilling to cooperate with her producers, directors, and fellow actors. However in Bus Stop (1956), Marilyn finally showed critics that she could play a straight dramatic role. It was also the same year she married playwright Arthur Miller. (They divorced January 20, 1961.) In 1957, Marilyn flew to Britain to film The Prince and the Showgirl (1957), which proved less than impressive critically and financially. It made money, but many critics panned it for being slow-moving. After a year off in 1958, Marilyn returned to the screen the next year for the delightful comedy, Some Like It Hot (1959) with Tony Curtis and Jack Lemmon. The film was an absolute smash hit, with Curtis and Lemmon pretending to be females in an all-girl band, so they can get work. This was to be Marilyn's only film for the year. In 1960, Marilyn appeared in George Cukor's Let's Make Love (1960) with Tony Randall and Yves Montand. Again, while it made money, it was critically panned as stodgy and slow-moving. The following year, Marilyn made what was to be her final film, The Misfits (1961), which also proved to be the final film for the legendary Clark Gable, who died later that year of a heart attack. The film was popular with critics and the public alike. In 1962, Marilyn was chosen to star in Fox's Something's Got to Give (1962). Again, her absenteeism caused delay after delay in production, resulting in her being fired from the production in June of that year. It looked as though her career was finished. Studios just didn't want to take a chance on her because it would cost them thousands of dollars in delays. She was only 36 years old. Marilyn remains a pop culture icon, with the American Film Institute ranking her as the sixth-greatest female screen legend from the Golden Age of Hollywood. Marilyn acted in only thirty films, but her legendary status and mysticism will remain with film history for ever.
4:15

In Remembrance of Marilyn Monroe on her 100th Birthday Born | June 1, 1926 in Los Angeles, California, USA Probably the most celebrated of all actresses, Marilyn Monroe was born Norma Jeane Mortenson on June 1, 1926, in the charity ward of the Los Angeles General Hospital. Her mother, Gladys Pearl (Monroe), was born in Piedras Negras, Coahuila, Mexico, to American parents from Indiana and Missouri, and was a film-cutter at Consolidated Film Industries. Marilyn's biological father has been established through DNA testing as Charles Stanley Gifford, who had been born in Newport, Rhode Island, to a family with deep roots in the state. Marilyn grew up not knowing for sure who her father really was. Gladys gave Norma Jeane the name of Baker. Poverty was a constant companion to Gladys and Norma. Gladys, who was extremely attractive and later worked for R.K.O. Studios, suffered from mental illness and was in and out of mental institutions for the rest of her life, and because of that Norma Jeane spent time in foster homes. When she was nine, she was placed in an orphanage where she was to stay for the next two years. Upon being released from the orphanage, she went to yet another foster home. In 1942, at sixteen years old, Norma Jeane married twenty-one-year-old aircraft plant worker James Dougherty. The marriage lasted only four years, and they divorced in 1946. By this time, Marilyn began to model swimsuits and bleached her hair blonde. Various shots made their way into the public eye, where some were eventually seen by R.K.O. Pictures head Howard Hughes. He offered Marilyn a screen test, but an agent suggested that 20th Century-Fox would be the better choice for her, since it was a much bigger and more prestigious studio. She was signed to a contract at $125 per week for a six-month period and that was increased by $25 per week at the end of that time when her contract was lengthened. Her first film was in 1947 with a bit part in The Shocking Miss Pilgrim (1947). Her next production was not much better, a bit in the forgettable Scudda Hoo! Scudda Hay! (1948). Two of the three brief scenes in which she appeared wound up on the cutting room floor. Later that same year, she was given a somewhat better role as Evie in Dangerous Years (1947). However, Fox declined to renew her contract, so she went back to modeling and acting school. Columbia Pictures then picked her up to play Peggy Martin in Ladies of the Chorus (1948), where she sang three numbers. Notices from the critics were favorable for her, if not the film, but Columbia dropped her. Once again Marilyn returned to modeling. In 1949, she appeared in United Artists' Love Happy (1949). It was also that same year she posed nude for the now famous calendar shot which was later to appear in Playboy magazine in 1953 and further boost her career. She would be the first centerfold in that magazine's long and illustrious history. The next year proved to be a good year for Marilyn. She appeared in five films, but the good news was that she received very good notices for her roles in two of them, The Asphalt Jungle (1950) from MGM and All About Eve (1950) from Fox. Even though both roles were basically not much more than bit parts, movie fans remembered her dizzy but very sexy blonde performance. In 1951, Marilyn got a fairly sizable role in Love Nest (1951). The public was now getting to know her and liked what it saw. She had an intoxicating quality of volcanic sexuality wrapped in an aura of almost childlike innocence. In 1952, Marilyn appeared in Don't Bother to Knock (1952), in which she played a somewhat mentally unbalanced babysitter. Critics didn't particularly care for her work in this picture, but she made a much more favorable impression later in the year in Monkey Business (1952), where she was seen for the first time as a platinum blonde, a look that became her trademark. The next year, she appeared in Gentlemen Prefer Blondes (1953) as Lorelei Lee. It was also the same year she began dating the baseball great Joe DiMaggio. Marilyn was now a genuine box-office drawing card. Later, she appeared with Betty Grable, Lauren Bacall, and Rory Calhoun in How to Marry a Millionaire (1953). Although her co-stars got the rave reviews, it was the sight of Marilyn that really excited the audience, especially the male members. On Thursday, January 14th, 1954, Marilyn wed DiMaggio, then proceeded to film There's No Business Like Show Business (1954). That was quickly followed by The Seven Year Itch (1955), which showcased her considerable comedic talent and contained what is arguably one of the most memorable moments in cinema history: Marilyn standing above a subway grating and the wind from a passing subway blowing her white dress up. By October 1954, Marilyn announced her divorce from DiMaggio (though the divorce was not finalised until October 31, 1955). In 1955, she was suspended by Fox for not reporting for work on How to Be Very, Very Popular (1955). It was her second suspension, the first being for not reporting for the production of The Girl in the Red Velvet Swing (1955). Both roles went to others. Her work was slowing down, due to her habit of being continually late to the set, her illnesses (whether real or imagined) and generally being unwilling to cooperate with her producers, directors, and fellow actors. However in Bus Stop (1956), Marilyn finally showed critics that she could play a straight dramatic role. It was also the same year she married playwright Arthur Miller. (They divorced January 20, 1961.) In 1957, Marilyn flew to Britain to film The Prince and the Showgirl (1957), which proved less than impressive critically and financially. It made money, but many critics panned it for being slow-moving. After a year off in 1958, Marilyn returned to the screen the next year for the delightful comedy, Some Like It Hot (1959) with Tony Curtis and Jack Lemmon. The film was an absolute smash hit, with Curtis and Lemmon pretending to be females in an all-girl band, so they can get work. This was to be Marilyn's only film for the year. In 1960, Marilyn appeared in George Cukor's Let's Make Love (1960) with Tony Randall and Yves Montand. Again, while it made money, it was critically panned as stodgy and slow-moving. The following year, Marilyn made what was to be her final film, The Misfits (1961), which also proved to be the final film for the legendary Clark Gable, who died later that year of a heart attack. The film was popular with critics and the public alike. In 1962, Marilyn was chosen to star in Fox's Something's Got to Give (1962). Again, her absenteeism caused delay after delay in production, resulting in her being fired from the production in June of that year. It looked as though her career was finished. Studios just didn't want to take a chance on her because it would cost them thousands of dollars in delays. She was only 36 years old. Marilyn remains a pop culture icon, with the American Film Institute ranking her as the sixth-greatest female screen legend from the Golden Age of Hollywood. Marilyn acted in only thirty films, but her legendary status and mysticism will remain with film history for ever.

Hollywood Golden Age of cinema

35,552 görüntüleme • 1 ay önce

Remembering Shane MacGowan who was born on Christmas Day via this poignant tribute from Irish singers Glen Hansard and Lisa O'Neill at his funeral. For decades, Fairytale of New York has been a defining sound of Christmas. Performed by The Pogues’ Shane MacGowan and Kirsty MacColl, this beloved anthem combines gritty realism with haunting beauty, telling a story of shattered dreams and fleeting hope. Unlike conventional holiday tunes, it embraces the imperfections of life, standing out as a raw yet enduring festive classic. The Pogues, known for their roots in folk traditions, created the song in the mid-1980s as an antidote to sugary Christmas fare. From the opening cry, “It was Christmas Eve, babe,” to its poignant narrative, the track defies clichés, centering on a struggling couple’s journey through despair and longing. Their duet captures both the bitterness and the fragile hope of redemption. The song’s origins began with the band rejecting their manager’s idea to cover Christmas Must Be Tonight by The Band. Jem Finer first drafted a story about a sailor missing his wife, but after input from his partner, the focus shifted to a couple falling on hard times. MacGowan, inspired by New York’s grit and films like Once Upon a Time in America, infused the lyrics with cinematic depth. Writing most of the song while recovering from pneumonia in late 1985, MacGowan described drawing on his own struggles, saying, “I identified with the man because I was a hustler, and the woman because I was a heavy drinker.” Named after J.P. Donleavy’s novel A Fairy Tale of New York, the song underwent two years of fine-tuning. Its evocative title and mix of Irish folk and balladry gave it a timeless quality. Accordionist James Fearnley remarked, “It’s like it inhabited its own planet.” The song’s open-ended conclusion leaves listeners pondering the couple’s fate, adding to its enduring appeal. With its blend of melancholy and redemption, Fairytale of New York transcends the season, offering a narrative that evolves with every listen, ensuring its place as a treasured Christmas staple.
4:38

Remembering Shane MacGowan who was born on Christmas Day via this poignant tribute from Irish singers Glen Hansard and Lisa O'Neill at his funeral. For decades, Fairytale of New York has been a defining sound of Christmas. Performed by The Pogues’ Shane MacGowan and Kirsty MacColl, this beloved anthem combines gritty realism with haunting beauty, telling a story of shattered dreams and fleeting hope. Unlike conventional holiday tunes, it embraces the imperfections of life, standing out as a raw yet enduring festive classic. The Pogues, known for their roots in folk traditions, created the song in the mid-1980s as an antidote to sugary Christmas fare. From the opening cry, “It was Christmas Eve, babe,” to its poignant narrative, the track defies clichés, centering on a struggling couple’s journey through despair and longing. Their duet captures both the bitterness and the fragile hope of redemption. The song’s origins began with the band rejecting their manager’s idea to cover Christmas Must Be Tonight by The Band. Jem Finer first drafted a story about a sailor missing his wife, but after input from his partner, the focus shifted to a couple falling on hard times. MacGowan, inspired by New York’s grit and films like Once Upon a Time in America, infused the lyrics with cinematic depth. Writing most of the song while recovering from pneumonia in late 1985, MacGowan described drawing on his own struggles, saying, “I identified with the man because I was a hustler, and the woman because I was a heavy drinker.” Named after J.P. Donleavy’s novel A Fairy Tale of New York, the song underwent two years of fine-tuning. Its evocative title and mix of Irish folk and balladry gave it a timeless quality. Accordionist James Fearnley remarked, “It’s like it inhabited its own planet.” The song’s open-ended conclusion leaves listeners pondering the couple’s fate, adding to its enduring appeal. With its blend of melancholy and redemption, Fairytale of New York transcends the season, offering a narrative that evolves with every listen, ensuring its place as a treasured Christmas staple.

Far Out Magazine

18,729 görüntüleme • 1 yıl önce

📢 Tamara Lich is under house arrest — so how did we just hire her at Rebel News? Just a few days ago, Tamara Lich 🇨🇦 took her first trip to our Rebel News office as our newest employee! I was there in an Ottawa courtroom when Tamara Lich, the leader of the trucker convoy, was sentenced to a year under house arrest. She’s only allowed to leave her home for medical appointments and church, and a few hours a week to buy groceries. She’s not allowed to go out for dinner or visit friends or even go for a walk. It’s atrocious. But there is another exception: she can leave her home for work. That got me thinking. Tamara has worked with Rebel News before — speaking at our events across Canada, coming on our TV shows and even going on a multi-city book tour to promote her best-selling autobiography. So, with the guidance of Tamara's lawyer, I offered her a formal job. And I sent the job offer to her probation officer, and phoned the probation officer and walked her through it, line by line — including the parts about Tamara travelling. And to my relief, she approved it! So just a few days ago, Tamara took her first trip to our Rebel News office as our newest employee! Obviously it’s a pain in the neck to have to check in with the probation officer every time Tamara travels, and have each trip approved. But if we carefully follow the rules, we will be able to make this work. To me, the most important part of Tamara's job will be our upcoming campus tour, where Tamara will go town by town, like Charlie Kirk did, talking to young people about freedom and hope. She is such a good role model and such a positive person, I truly think she’ll help us win the battle of ideas with young people. But I mentioned Charlie Kirk. And we know about the horrific attack on him that claimed his life. Unfortunately, Canada has seen increasing violence, too, including from Antifa thugs and pro-Hamas extremists. Just last week, a conservative professor, Frances Widdowson, was mobbed by left-wing extremists at the University of Victoria, and police did nothing to protect her. We simply can’t have that happen to our Tamara. So I’ve promised Tamara that we will protect her. We will have professional security guards with her when she goes out in public to do journalism. And when she goes on campus, we’ll have at least four guards assigned just to protect her personally, and more to secure the larger venue. It’s outrageous that police and campus security won’t protect conservatives. No other journalists or activists in Canada have to hire private security guards to keep them safe. At Rebel News, it’s actually one of our largest expenses. It’s unfair, but that’s the world we live in. Will you help me keep Tamara safe on her speaking tour? We’ve set up a website where we’re going to put all of Tamara’s work. Her books, her videos, her podcasts, her news reports. We’ll put her speaking schedule there when it’s firmed up. I get the feeling it’s going to be a very popular website. And at that same place, we have a donation button, dedicated to Tamara’s safety and security. Rebel News crowdfunded her security for her trial, and it cost tens of thousands of dollars. If we put her on a ten-city campus speaking tour, it could well be much higher. But we’re going to do it, because we don’t back down to bullies on the left. I spoke with Tamara and we’re going to have a special plaque made with the names of anyone who donates $250 or more to protect her. We’ll present that plaque to Tamara, and we’ll hang it in our boardroom at Rebel News. And Tamara has offered to personally telephone anyone who chips in $1,000 or more to her security budget. That is so amazing, and it shows her true nature — grateful, humble, and not afraid of hard work. Tamara Lich is one of the finest people I've ever met in my life. It has been an honour to crowdfund her legal fees and her security costs these past two years. And when I heard her atrocious sentence I thought, “we’ve got to find a way to keep her active in the world.” By carefully following the law and reporting to the probation officer, we can make this work. Tamara wins, and Canada wins — and in the meantime, we’ll let the lawyers appeal her conviction. If you’re as excited as I am about Tamara’s new role with us, please help me keep her safe. Go to and chip in for her security detail. And remember: any contributor of $250 or more gets your name on the plaque permanently hung on our office wall. And a contribution of $1,000 or more gets a personal phone call from Tamara herself! I don’t know about you, but I’m pretty excited about all this. Maybe 2026 won’t be so bad after all! Tamara has worked with us before — her book tour was an amazing experience. She truly loves to meet with supporters. Let’s do that again, on Canadian campuses! I would never forgive myself if I let someone harm her. That’s why we crowdfunded a security guard to walk with her each day to her trial in Ottawa. And that’s why we need to crowdfund security for this campus trip. Please click here to help, if you can. If you’re in a position to give $250 or $1,000 please do. For $250 we’ll put your name on a special plaque, and for $1,000 we’ll have Tamara personally call you! (She’s great.)
34:13

📢 Tamara Lich is under house arrest — so how did we just hire her at Rebel News? Just a few days ago, Tamara Lich 🇨🇦 took her first trip to our Rebel News office as our newest employee! I was there in an Ottawa courtroom when Tamara Lich, the leader of the trucker convoy, was sentenced to a year under house arrest. She’s only allowed to leave her home for medical appointments and church, and a few hours a week to buy groceries. She’s not allowed to go out for dinner or visit friends or even go for a walk. It’s atrocious. But there is another exception: she can leave her home for work. That got me thinking. Tamara has worked with Rebel News before — speaking at our events across Canada, coming on our TV shows and even going on a multi-city book tour to promote her best-selling autobiography. So, with the guidance of Tamara's lawyer, I offered her a formal job. And I sent the job offer to her probation officer, and phoned the probation officer and walked her through it, line by line — including the parts about Tamara travelling. And to my relief, she approved it! So just a few days ago, Tamara took her first trip to our Rebel News office as our newest employee! Obviously it’s a pain in the neck to have to check in with the probation officer every time Tamara travels, and have each trip approved. But if we carefully follow the rules, we will be able to make this work. To me, the most important part of Tamara's job will be our upcoming campus tour, where Tamara will go town by town, like Charlie Kirk did, talking to young people about freedom and hope. She is such a good role model and such a positive person, I truly think she’ll help us win the battle of ideas with young people. But I mentioned Charlie Kirk. And we know about the horrific attack on him that claimed his life. Unfortunately, Canada has seen increasing violence, too, including from Antifa thugs and pro-Hamas extremists. Just last week, a conservative professor, Frances Widdowson, was mobbed by left-wing extremists at the University of Victoria, and police did nothing to protect her. We simply can’t have that happen to our Tamara. So I’ve promised Tamara that we will protect her. We will have professional security guards with her when she goes out in public to do journalism. And when she goes on campus, we’ll have at least four guards assigned just to protect her personally, and more to secure the larger venue. It’s outrageous that police and campus security won’t protect conservatives. No other journalists or activists in Canada have to hire private security guards to keep them safe. At Rebel News, it’s actually one of our largest expenses. It’s unfair, but that’s the world we live in. Will you help me keep Tamara safe on her speaking tour? We’ve set up a website where we’re going to put all of Tamara’s work. Her books, her videos, her podcasts, her news reports. We’ll put her speaking schedule there when it’s firmed up. I get the feeling it’s going to be a very popular website. And at that same place, we have a donation button, dedicated to Tamara’s safety and security. Rebel News crowdfunded her security for her trial, and it cost tens of thousands of dollars. If we put her on a ten-city campus speaking tour, it could well be much higher. But we’re going to do it, because we don’t back down to bullies on the left. I spoke with Tamara and we’re going to have a special plaque made with the names of anyone who donates $250 or more to protect her. We’ll present that plaque to Tamara, and we’ll hang it in our boardroom at Rebel News. And Tamara has offered to personally telephone anyone who chips in $1,000 or more to her security budget. That is so amazing, and it shows her true nature — grateful, humble, and not afraid of hard work. Tamara Lich is one of the finest people I've ever met in my life. It has been an honour to crowdfund her legal fees and her security costs these past two years. And when I heard her atrocious sentence I thought, “we’ve got to find a way to keep her active in the world.” By carefully following the law and reporting to the probation officer, we can make this work. Tamara wins, and Canada wins — and in the meantime, we’ll let the lawyers appeal her conviction. If you’re as excited as I am about Tamara’s new role with us, please help me keep her safe. Go to and chip in for her security detail. And remember: any contributor of $250 or more gets your name on the plaque permanently hung on our office wall. And a contribution of $1,000 or more gets a personal phone call from Tamara herself! I don’t know about you, but I’m pretty excited about all this. Maybe 2026 won’t be so bad after all! Tamara has worked with us before — her book tour was an amazing experience. She truly loves to meet with supporters. Let’s do that again, on Canadian campuses! I would never forgive myself if I let someone harm her. That’s why we crowdfunded a security guard to walk with her each day to her trial in Ottawa. And that’s why we need to crowdfund security for this campus trip. Please click here to help, if you can. If you’re in a position to give $250 or $1,000 please do. For $250 we’ll put your name on a special plaque, and for $1,000 we’ll have Tamara personally call you! (She’s great.)

Rebel News

83,144 görüntüleme • 7 ay önce

Once upon a time, two cousins saved the world before their iced coffee got warm. Seedance 2.0 on DomoAI official prompt PART 1 — "A GOLDEN MORNING" (0–15 seconds) Visual Style: Soft watercolor illustration, warm pastel palette, gentle painted textures, thick storybook outlines, Pixar-meets-picture-book warmth. Every frame should look like it could be lifted from a printed children's book page. Music: Gentle music box melody, soft and dreamy. ✂️ CUT 1 — The Town Wakes Up (0–3s) Prompt: Storybook illustrated wide shot of a tiny golden town at sunrise. Cobblestone streets, pastel shop fronts, flowers in window boxes. Soft watercolor sky in peach and lavender. A warm narrator title card fades in like a book page turning. Camera gently pushes forward. No characters yet — just the world breathing awake. Painterly, soft, magical. Children's picture book aesthetic. ✂️ CUT 2 — They Appear (3–6s) Illustrated medium shot. Two heroic girls stroll into frame side by side down the golden street. The blonde girl has long wavy golden hair catching the morning light, bright blue eyes, wearing a blue superhero shirt with a red-and-gold crest, a flowing tan coat and red skirt. Beside her, a tall dark-haired girl in a full navy blue superhero suit with a flowing red cape. Both hold iced drinks with green straws. They walk in easy, comfortable silence. Warm amber light. Storybook illustration style — soft outlines, gentle cel-shading, children's book warmth. ✂️ CUT 3 — The Little Girl Watches (6–9s) Storybook close-up at child's eye level. A tiny girl with pigtails presses her nose against a bakery window, eyes wide with wonder as the two superhero cousins pass outside. Illustrated golden reflections on the glass. Warm, tender, magical. The moment feels frozen — like a painting inside a book. No dialogue. Just wonder. 🗣️ Only Dialogue in Part 1: KARA: (kneeling gently to the little girl, soft smile) "The real kind. Just like you'll be someday." ✂️ CUT 4 — The Cloud Arrives (9–12s) Illustrated wide shot. The warm golden sky above the town slowly shifts. A single large storybook storm cloud — illustrated with soft curling edges, not scary, like a cloud from a picture book — drifts in from the horizon. The cousins look up slowly. Their expressions go calm and ready. Camera tilts upward toward the cloud. The warm light dims slightly to cool lilac. Still painterly and safe — this is a children's story. ✂️ CUT 5 — Drinks Down. Capes Up. (12–15s) Slow illustrated close-up. Two iced drinks placed gently side by side on a low stone wall. Camera pulls back in slow motion. The cousins stand tall, side by side, capes beginning to lift in the rising wind. Their silhouettes are bold and warm against the shifting sky. The frame freezes — like the last illustration before a chapter turn. Storybook page texture overlays softly. Painterly. Heroic. Tender. #DomoAI #DomoAICPP
0:30

Once upon a time, two cousins saved the world before their iced coffee got warm. Seedance 2.0 on DomoAI official prompt PART 1 — "A GOLDEN MORNING" (0–15 seconds) Visual Style: Soft watercolor illustration, warm pastel palette, gentle painted textures, thick storybook outlines, Pixar-meets-picture-book warmth. Every frame should look like it could be lifted from a printed children's book page. Music: Gentle music box melody, soft and dreamy. ✂️ CUT 1 — The Town Wakes Up (0–3s) Prompt: Storybook illustrated wide shot of a tiny golden town at sunrise. Cobblestone streets, pastel shop fronts, flowers in window boxes. Soft watercolor sky in peach and lavender. A warm narrator title card fades in like a book page turning. Camera gently pushes forward. No characters yet — just the world breathing awake. Painterly, soft, magical. Children's picture book aesthetic. ✂️ CUT 2 — They Appear (3–6s) Illustrated medium shot. Two heroic girls stroll into frame side by side down the golden street. The blonde girl has long wavy golden hair catching the morning light, bright blue eyes, wearing a blue superhero shirt with a red-and-gold crest, a flowing tan coat and red skirt. Beside her, a tall dark-haired girl in a full navy blue superhero suit with a flowing red cape. Both hold iced drinks with green straws. They walk in easy, comfortable silence. Warm amber light. Storybook illustration style — soft outlines, gentle cel-shading, children's book warmth. ✂️ CUT 3 — The Little Girl Watches (6–9s) Storybook close-up at child's eye level. A tiny girl with pigtails presses her nose against a bakery window, eyes wide with wonder as the two superhero cousins pass outside. Illustrated golden reflections on the glass. Warm, tender, magical. The moment feels frozen — like a painting inside a book. No dialogue. Just wonder. 🗣️ Only Dialogue in Part 1: KARA: (kneeling gently to the little girl, soft smile) "The real kind. Just like you'll be someday." ✂️ CUT 4 — The Cloud Arrives (9–12s) Illustrated wide shot. The warm golden sky above the town slowly shifts. A single large storybook storm cloud — illustrated with soft curling edges, not scary, like a cloud from a picture book — drifts in from the horizon. The cousins look up slowly. Their expressions go calm and ready. Camera tilts upward toward the cloud. The warm light dims slightly to cool lilac. Still painterly and safe — this is a children's story. ✂️ CUT 5 — Drinks Down. Capes Up. (12–15s) Slow illustrated close-up. Two iced drinks placed gently side by side on a low stone wall. Camera pulls back in slow motion. The cousins stand tall, side by side, capes beginning to lift in the rising wind. Their silhouettes are bold and warm against the shifting sky. The frame freezes — like the last illustration before a chapter turn. Storybook page texture overlays softly. Painterly. Heroic. Tender. #DomoAI #DomoAICPP

Sharon Riley

31,389 görüntüleme • 21 gün önce