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Model: Mih Studio: Mambo Perv Director: BIGG BABY ( Oscar Batty ) Mr. SAFADINHO Distributor: AnalVids.com URL: I'm loving this scene with the stunning 😍Mih😍 prancing around the beach before the real fun begins. Such a great body and beautiful smile, more please🤤

dpconnoisseur

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160,712 views • 3 years ago •via X (Twitter)

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24 hours with you ❣️ Such a gorgeous fun filled time with the wonderful Mr M ✨ A day of rugby, brunch, beautiful gifts including Italian Christmas cakes and a brand new Apple Watch he took me shopping for 😍 true princess treatment! Followed by dinner at the potted pig and the rest is for our memories only ❤️‍🔥 It was so fun showing you around Cardiff and I didn’t mind too much about the record defeat from wales against the springboks 😅 Can’t wait for our next date, 48 hours next time 🥰

Chelsey Peach | London + Worldwide 💌

18,476 views • 8 months ago

💌OP REPO abt #ShenYue: This is my third consecutive year working on Hunan TV's New Year's Eve Gala, and the sentence I most want to say is... — My goodness! Shen Yue was the most stunning female celebrity I saw the entire time, without a doubt! Who said she was plain-looking? She's absolutely gorgeous! She has such a small head, such a small face, and such delicate, perfectly proportioned features! She's a pure and beautiful woman, and she has such great style. That preppy outfit suited her perfectly; she looked like a college student! She's incredibly beautiful, truly incredibly beautiful, so much more beautiful than I imagined! — I want to say it again: Shen Yue herself is absolutely, absolutely, absolutely gorgeous! — I don't know how to describe it, but she is really, really, really beautiful, I'm not kidding, she's really, really beautiful, much more beautiful than everyone's impression of her. I'm really shocked, I can't believe she looks like this! — Can you believe it? Shen Yue is actually a stunning beauty with striking features! I would never have believed it if I hadn't seen it with my own eyes. #ShenYue #沈月 #เสิ่นเยว่ #심월

💌OP REPO abt #ShenYue: This is my third consecutive year working on Hunan TV's New Year's Eve Gala, and the sentence I most want to say is... — My goodness! Shen Yue was the most stunning female celebrity I saw the entire time, without a doubt! Who said she was plain-looking? She's absolutely gorgeous! She has such a small head, such a small face, and such delicate, perfectly proportioned features! She's a pure and beautiful woman, and she has such great style. That preppy outfit suited her perfectly; she looked like a college student! She's incredibly beautiful, truly incredibly beautiful, so much more beautiful than I imagined! — I want to say it again: Shen Yue herself is absolutely, absolutely, absolutely gorgeous! — I don't know how to describe it, but she is really, really, really beautiful, I'm not kidding, she's really, really beautiful, much more beautiful than everyone's impression of her. I'm really shocked, I can't believe she looks like this! — Can you believe it? Shen Yue is actually a stunning beauty with striking features! I would never have believed it if I hadn't seen it with my own eyes. #ShenYue #沈月 #เสิ่นเยว่ #심월

shen yue archive 📁

18,444 views • 7 months ago

Producer Jerry Weintraub & an editor in "The Karate Kid" (1984) were against the scene where Miyagi [Pat Morita] gets drunk & talks about his dead wife. However, writer Robert Mark Kamen & Director John G. Avildsen thought it was a pivotal scene & was "The heart of the movie". Kamen advised Avildsen to fight for the scene and show it to a test audience. He said to him, "Frank, please, I'm begging you. Test it with this. If it doesn't work, you can take it out." The scene worked & according to Kamen, it pissed off everyone who were against it. Avildsen thought that this was the scene that caught the Academy's attention & clinched the nomination for Pat Morita. Avildsen said, "He was just perfect in that scene. It’s probably the most touching scene in the movie." ("Karate Kid Writer Says Studio Wanted to Cut Mr. Miyagi's Most Important Scene", Neeraj Chand, Movieweb, 2021 & "‘Karate Kid’ Director Avildsen Dies at 81", Rafu Shimpo, 2017) P.S: On this day, 42 years ago, "Karate Kid" (1984) was released in the USA & Canada.

Producer Jerry Weintraub & an editor in "The Karate Kid" (1984) were against the scene where Miyagi [Pat Morita] gets drunk & talks about his dead wife. However, writer Robert Mark Kamen & Director John G. Avildsen thought it was a pivotal scene & was "The heart of the movie". Kamen advised Avildsen to fight for the scene and show it to a test audience. He said to him, "Frank, please, I'm begging you. Test it with this. If it doesn't work, you can take it out." The scene worked & according to Kamen, it pissed off everyone who were against it. Avildsen thought that this was the scene that caught the Academy's attention & clinched the nomination for Pat Morita. Avildsen said, "He was just perfect in that scene. It’s probably the most touching scene in the movie." ("Karate Kid Writer Says Studio Wanted to Cut Mr. Miyagi's Most Important Scene", Neeraj Chand, Movieweb, 2021 & "‘Karate Kid’ Director Avildsen Dies at 81", Rafu Shimpo, 2017) P.S: On this day, 42 years ago, "Karate Kid" (1984) was released in the USA & Canada.

DepressedBergman

15,538 views • 2 months ago

Dear Mukesh Rishi Ji, Your phone call yesterday in a choked voice about TANVI THE GREAT touched me deeply! Some words don’t just praise a film! They stay with you. That is why when I watched the video you sent after seeing Tanvi The Great, your line moved me deeply. You said, “I watched the film with my eyes, but it touched my heart straight away.”🥹 What a beautiful and heartfelt way to describe the experience of cinema. As actors, we always hope that our work travels beyond the screen and reaches the heart of the audience. When a fellow actor like you—whose work and sincerity I have admired for years—expresses it in such a touching way, it means a great deal to me and to the entire team of #TanviTheGreat. ❤️ Thank you for your warmth, your generosity, and for understanding the soul of this film.❤️❤️‍🩹❤️ With love and gratitude. Tanvi The Great is now streaming on Amazon Prime. I hope more and more people watch it… with their eyes and their hearts. Warmly, Anupam🙏🌺😍 #TanviTheGreatOnAmazonPrime prime video IN

Dear Mukesh Rishi Ji, Your phone call yesterday in a choked voice about TANVI THE GREAT touched me deeply! Some words don’t just praise a film! They stay with you. That is why when I watched the video you sent after seeing Tanvi The Great, your line moved me deeply. You said, “I watched the film with my eyes, but it touched my heart straight away.”🥹 What a beautiful and heartfelt way to describe the experience of cinema. As actors, we always hope that our work travels beyond the screen and reaches the heart of the audience. When a fellow actor like you—whose work and sincerity I have admired for years—expresses it in such a touching way, it means a great deal to me and to the entire team of #TanviTheGreat. ❤️ Thank you for your warmth, your generosity, and for understanding the soul of this film.❤️❤️‍🩹❤️ With love and gratitude. Tanvi The Great is now streaming on Amazon Prime. I hope more and more people watch it… with their eyes and their hearts. Warmly, Anupam🙏🌺😍 #TanviTheGreatOnAmazonPrime prime video IN

Anupam Kher

128,238 views • 5 months ago

About 12 seconds into this video, something unusual happens. The Earth begins to rise. Never seen by humans before, the rise of the Earth over the limb of the Moon occurred about 55.5 years ago and surprised and amazed the crew of Apollo 8. The crew immediately scrambled to take still images of the stunning vista caused by Apollo 8's orbit around the Moon. The featured video is a modern reconstruction of the event as it would have looked were it recorded with a modern movie camera. The colorful orb of our Earth stood out as a familiar icon rising above a distant and unfamiliar moonscape, the whole scene the conceptual reverse of a more familiar moonrise as seen from Earth. To many, the scene also spoke about the unity of humanity: that big blue marble -- that's us -- we all live there. The two-minute video is not time-lapse -- this is the real speed of the Earth rising through the windows of Apollo 8. Seven months and three missions later, Apollo 11 astronauts would not only circle Earth's moon, but land on it. Lead Animator: Ernie Wright; (USRA); Music: C Major Prelude by Johann Sebastian Bach

About 12 seconds into this video, something unusual happens. The Earth begins to rise. Never seen by humans before, the rise of the Earth over the limb of the Moon occurred about 55.5 years ago and surprised and amazed the crew of Apollo 8. The crew immediately scrambled to take still images of the stunning vista caused by Apollo 8's orbit around the Moon. The featured video is a modern reconstruction of the event as it would have looked were it recorded with a modern movie camera. The colorful orb of our Earth stood out as a familiar icon rising above a distant and unfamiliar moonscape, the whole scene the conceptual reverse of a more familiar moonrise as seen from Earth. To many, the scene also spoke about the unity of humanity: that big blue marble -- that's us -- we all live there. The two-minute video is not time-lapse -- this is the real speed of the Earth rising through the windows of Apollo 8. Seven months and three missions later, Apollo 11 astronauts would not only circle Earth's moon, but land on it. Lead Animator: Ernie Wright; (USRA); Music: C Major Prelude by Johann Sebastian Bach

NASA Astronomy Picture of the Day

347,979 views • 2 years ago

A woman shows Gen Z how to enjoy time with their partner without spending much. In the video, she recorded herself and her husband having fun at a local river. She was seen smiling brightly, while her husband who was swimming in the river, recorded with so much joy on his face. It proves that happiness in marriage doesn’t only come from fancy restaurants or expensive trips before a woman and man can feel genuine joy. Simple moments like this make love even more beautiful 😍

A woman shows Gen Z how to enjoy time with their partner without spending much. In the video, she recorded herself and her husband having fun at a local river. She was seen smiling brightly, while her husband who was swimming in the river, recorded with so much joy on his face. It proves that happiness in marriage doesn’t only come from fancy restaurants or expensive trips before a woman and man can feel genuine joy. Simple moments like this make love even more beautiful 😍

TENIOLA

15,579 views • 6 months ago

If you’re someone who is interested in some extra $$$$ this summer - watch this video - not only is it fun for many to have the “thrill of the hunt” but it’s viable as a side hustle for so many more … ☀️… Enjoy this holiday weekend but get your ass to the flea market next week, or garage sales or get to some thrift stores or browse Facebook marketplace right now … Now please everyone leave a comment with your best “find and flip” so the cynics in here can see this is real life for many :):):): ❤️❤️❤️😍 hope this helps someone

If you’re someone who is interested in some extra $$$$ this summer - watch this video - not only is it fun for many to have the “thrill of the hunt” but it’s viable as a side hustle for so many more … ☀️… Enjoy this holiday weekend but get your ass to the flea market next week, or garage sales or get to some thrift stores or browse Facebook marketplace right now … Now please everyone leave a comment with your best “find and flip” so the cynics in here can see this is real life for many :):):): ❤️❤️❤️😍 hope this helps someone

Gary Vaynerchuk

46,402 views • 1 month ago

The first day of my 2024 starts with some beautiful vulnerability and emotions! :) Poora #22qadam ek taraf aur ye sequence ek taraf! My hands tremble and eyes weep as i write. This was the most emotional and difficult scene to do! I love my father beyond words and in his own genuinely loving caring manner Shahnawaz Zaidi sir constantly reminded me of my own father (love you sir♥️) From reading it on paper to performing it with him, it literally took a peice of my heart! For any daughter her father is her Hero forever and to lose him( in any way alive or not) is to lose a part of herself. Fari and her baba’s relationship is my tribute to all the loving supportive fathers around the globe! To all the men out there, please remember the day you become a daughter’s father you become a superhero, dont take that lightly, with great power comes great responsibility :) and every girl/woman you meet is another super hero’s pride, she deserves great respect. To all the fathers out there who sadly see their daughters as a burden or someone to hide from the society Khuda ke wastay yaad rakhen woh RABB KI SAB SE BARI NEHMAT HAI ZEHMAT NAHIN!!! :) Lastly @ayesha_lovez_hareem thank you for this beautiful edit, you made me cry :) #happynewyear #fathersareagirlsfirstlove

The first day of my 2024 starts with some beautiful vulnerability and emotions! :) Poora #22qadam ek taraf aur ye sequence ek taraf! My hands tremble and eyes weep as i write. This was the most emotional and difficult scene to do! I love my father beyond words and in his own genuinely loving caring manner Shahnawaz Zaidi sir constantly reminded me of my own father (love you sir♥️) From reading it on paper to performing it with him, it literally took a peice of my heart! For any daughter her father is her Hero forever and to lose him( in any way alive or not) is to lose a part of herself. Fari and her baba’s relationship is my tribute to all the loving supportive fathers around the globe! To all the men out there, please remember the day you become a daughter’s father you become a superhero, dont take that lightly, with great power comes great responsibility :) and every girl/woman you meet is another super hero’s pride, she deserves great respect. To all the fathers out there who sadly see their daughters as a burden or someone to hide from the society Khuda ke wastay yaad rakhen woh RABB KI SAB SE BARI NEHMAT HAI ZEHMAT NAHIN!!! :) Lastly @ayesha_lovez_hareem thank you for this beautiful edit, you made me cry :) #happynewyear #fathersareagirlsfirstlove

Hareem Farooq

40,712 views • 2 years ago

⭐ PRISCILLA THE PARTY! IMPORTANT INFORMATION ⭐ Here's some rehearsal footage of the upcoming London premiere of Priscilla the Party! ✨ There seems to have been a bit of confusion around this new production but to clear things up... ⭐ THIS IS THE STAGE MUSICAL! ! ! ⭐ BUT restaged in a new immersive venue (HERE at Outernet) ⭐ Think Priscilla mixed with Mamma Mia - The Party and the Bridge Theatre revival of Guys and Dolls ⭐ Guests can choose between an exclusive premium dining experience, featuring a sumptuous three-course meal, or opt to sit or stand on the dance floor ⭐ The show features pre-show entertainment and a post-show party ⭐ Featuring the award-winning costumes and head-dresses from Priscilla Queen of the Desert - The Musical, re-directed by original director Simon Phillips and choreographed by Andrew Hallsworth Now I don't know about you but I'm very excited to see this now! ! ! 😍 Priscilla The Party! begins performances at HERE at Outernet, from 3rd March 2024 ✨ Tickets & more info -

⭐ PRISCILLA THE PARTY! IMPORTANT INFORMATION ⭐ Here's some rehearsal footage of the upcoming London premiere of Priscilla the Party! ✨ There seems to have been a bit of confusion around this new production but to clear things up... ⭐ THIS IS THE STAGE MUSICAL! ! ! ⭐ BUT restaged in a new immersive venue (HERE at Outernet) ⭐ Think Priscilla mixed with Mamma Mia - The Party and the Bridge Theatre revival of Guys and Dolls ⭐ Guests can choose between an exclusive premium dining experience, featuring a sumptuous three-course meal, or opt to sit or stand on the dance floor ⭐ The show features pre-show entertainment and a post-show party ⭐ Featuring the award-winning costumes and head-dresses from Priscilla Queen of the Desert - The Musical, re-directed by original director Simon Phillips and choreographed by Andrew Hallsworth Now I don't know about you but I'm very excited to see this now! ! ! 😍 Priscilla The Party! begins performances at HERE at Outernet, from 3rd March 2024 ✨ Tickets & more info -

Theatre Fan

25,614 views • 2 years ago

Hey Legends 💎🙌 It’s been a pretty productive weekend! Before I call it a night 😴, let's wrap things up with some Everreach Labs x Smok3 Week 2 action 🔥 I gotta be real, this game is straight fire! I'm super stoked to dive in. The team behind Far Cry 3, Rainbow Six Siege, and Fortnite is bringing the heat with @_GETREVENGE_, a co-op PvE extraction shooter where spectators get to influence the game in real-time! We're talkin' next-level interactive gaming, all thanks to $EVER. It's all about the community, from making decisions to scoring exclusive perks. And with the Founder's Pass, you get some awesome goodies like: $EVER airdrops, Rare in-game items, XP boosts for loyal players & more! What do you think? Ready to join the fun? 😍 #AGDAO #ArbCreator Remember to always #DYOR / #NFA 🤝

Hey Legends 💎🙌 It’s been a pretty productive weekend! Before I call it a night 😴, let's wrap things up with some Everreach Labs x Smok3 Week 2 action 🔥 I gotta be real, this game is straight fire! I'm super stoked to dive in. The team behind Far Cry 3, Rainbow Six Siege, and Fortnite is bringing the heat with @_GETREVENGE_, a co-op PvE extraction shooter where spectators get to influence the game in real-time! We're talkin' next-level interactive gaming, all thanks to $EVER. It's all about the community, from making decisions to scoring exclusive perks. And with the Founder's Pass, you get some awesome goodies like: $EVER airdrops, Rare in-game items, XP boosts for loyal players & more! What do you think? Ready to join the fun? 😍 #AGDAO #ArbCreator Remember to always #DYOR / #NFA 🤝

Alpha

31,849 views • 1 year ago

I must confess that i have been having some fun here in the US, for the better part of, close to two weeks -now in the city so good they named it twice. Guess where is that? Here is a Behind-the-Scene clip with my great friend and brother (Ademola Bello-not in clip but see old photo as well) who was helping me with the Teleprompter as we spent time rehearsing My Take for yesterday's edition of @InsideSource01 on Channels Television I also add here the photograph of me receiving the "Voice of Truth Award" last week in Washington DC at the SAVE NIGERIA COALITION Gala. Presenting me the award there is Mr. Douglas Burton, a US journalist and editor of And the answer to the question above is New York, New York! I love this city & state so much, which explains why I spent 15 of the 17 years -in America-here with my wife & children. Expect more of such biographical stories in my forthcoming book, MY PASSION FOR NIGERIA & THE BUHARI CABAL, hopefully before the 2027 polls.

I must confess that i have been having some fun here in the US, for the better part of, close to two weeks -now in the city so good they named it twice. Guess where is that? Here is a Behind-the-Scene clip with my great friend and brother (Ademola Bello-not in clip but see old photo as well) who was helping me with the Teleprompter as we spent time rehearsing My Take for yesterday's edition of @InsideSource01 on Channels Television I also add here the photograph of me receiving the "Voice of Truth Award" last week in Washington DC at the SAVE NIGERIA COALITION Gala. Presenting me the award there is Mr. Douglas Burton, a US journalist and editor of And the answer to the question above is New York, New York! I love this city & state so much, which explains why I spent 15 of the 17 years -in America-here with my wife & children. Expect more of such biographical stories in my forthcoming book, MY PASSION FOR NIGERIA & THE BUHARI CABAL, hopefully before the 2027 polls.

Laolu Akande

15,347 views • 1 month ago

100 years. 10 iconic looks. One seamless journey through the evolution of men's fashion. Which decade would you wear? 👔✨ Created with GPT image 2.0 and Seedance 2.0 on Thank You AI PROMPT: Style: Ultra-realistic cinematic fashion reel, luxury editorial, premium Instagram creator aesthetic, smooth camera movement, natural lighting, 4K, highly detailed fabrics, realistic clothing physics. Scene Overview A stylish male model showcases five iconic fashion eras from the 1920s to the 1960s. The video takes place in the same modern studio with soft daylight and a clean architectural background. The same model appears throughout the video while only the clothing changes between decades. Every outfit change happens naturally during camera movement, creating a smooth and satisfying visual flow. The only on-screen text is the decade name. Music is a modern electronic fashion track that builds continuously without vocals. Character Use the reference image as the model. Young adult male. Confident but relaxed. Friendly expression. Natural walking pace. The same model appears in every scene. Environment Minimalist fashion studio. Large windows. Warm daylight. Neutral beige walls. Polished concrete floor. Luxury editorial atmosphere. Keep the background consistent throughout the video. 0:00–0:03 — 1920s The video opens with the model standing confidently in the center of the studio. The camera slowly moves closer. He adjusts his cufflinks before looking toward the camera. Outfit Charcoal pinstripe three-piece suit White dress shirt Dark tie Waistcoat Pocket watch chain Oxford shoes Grey newsboy cap On-screen text: 1920s As the camera quickly pans to the right, the clothing smoothly changes into the next decade. 0:03–0:06 — 1930s The camera finishes the movement. The model now wears a cream double-breasted suit with wide lapels, pleated trousers, spectator shoes, and a fedora. He places one hand in his pocket and takes a confident step forward. On-screen text: 1930s The camera gently circles around him, and during the movement the outfit changes into the next style. 0:06–0:09 — 1940s The camera completes the circle. The model now wears an olive green utility jacket with tailored trousers, brown leather boots, and a classic wristwatch. He buttons the jacket while walking slowly toward the camera. On-screen text: 1940s A warm light sweep crosses the frame, leading naturally into the next outfit. 0:09–0:12 — 1950s The model now wears a fitted white T-shirt, dark blue cuffed jeans, a brown leather belt, leather boots, and classic sunglasses. He casually adjusts the sunglasses before taking two relaxed steps forward. On-screen text: 1950s The camera briefly moves closer, then pulls back, allowing the clothing to change smoothly. 0:12–0:15 — 1960s The model now wears a black turtleneck, camel overcoat, slim trousers, Chelsea boots, and a simple wristwatch. He walks confidently toward the camera with both hands in his coat pockets. On-screen text: 1960s During the final second, the camera begins a slow clockwise circle around him. His coat moves naturally as he lightly adjusts the collar. The music continues to build instead of ending. 0:15–0:18 — 1970s The video begins exactly where Part 1 ended. The camera continues its slow clockwise movement around the model before settling into a smooth front-facing angle. The music hits the next beat naturally. Outfit Brown suede jacket Patterned open-collar shirt Flared trousers Brown leather belt Platform shoes Gold wristwatch Aviator sunglasses The model adjusts his sunglasses before removing them with a confident smile. On-screen text: 1970s As the camera moves slightly closer, the outfit changes naturally into the next decade. 0:18–0:21 — 1980s The camera continues tracking forward. The model now wears a charcoal oversized business suit with a patterned tie, pleated trousers, polished loafers, and a classic dress watch. He straightens his tie while walking confidently toward the camera. On-screen text: 1980s The camera briefly passes beside him, creating a smooth transition into the next outfit. 0:21–0:24 — 1990s The camera emerges on the opposite side. The model now wears an oversized light-wash denim jacket over a graphic T-shirt, relaxed jeans, chunky white sneakers, and a simple silver chain. He smiles naturally while walking across the frame with both hands in his jacket pockets. On-screen text: 1990s The camera follows his movement before quickly swinging to reveal the next decade. 0:24–0:27 — 2000s The camera settles into a smooth tracking shot. The model now wears a black leather jacket over a fitted white T-shirt, slim dark jeans, white high-top sneakers, and aviator sunglasses. He casually removes the jacket from one shoulder while continuing to walk. The movement of the jacket naturally fills part of the frame as the clothing changes into the final look. On-screen text: 2000s 0:27–0:30 — 2020s The jacket clears the frame. The camera slowly pushes toward the model. He now wears a modern quiet luxury outfit. Outfit Beige overshirt Premium white T-shirt Relaxed tailored trousers White minimalist sneakers Luxury stainless steel watch Simple silver ring The model walks toward the camera before stopping naturally. He smiles confidently while looking directly into the lens. On-screen text: 2020s The decade text gently fades into: 100 YEARS OF MEN'S FASHION Then below it: 1920 → 2020 The music reaches its final peak before fading smoothly. The camera holds on the model for a brief moment before fading to black. Camera Style Smooth cinematic movement Gentle dolly shots Slow orbit around the model Occasional push-in Natural handheld feel Soft depth of field Luxury fashion commercial look Visual Style Premium editorial photography Warm natural colors Soft contrast Highly detailed fabrics Clean tailoring Realistic lighting Crisp facial details Natural movement Elegant pacing

100 years. 10 iconic looks. One seamless journey through the evolution of men's fashion. Which decade would you wear? 👔✨ Created with GPT image 2.0 and Seedance 2.0 on Thank You AI PROMPT: Style: Ultra-realistic cinematic fashion reel, luxury editorial, premium Instagram creator aesthetic, smooth camera movement, natural lighting, 4K, highly detailed fabrics, realistic clothing physics. Scene Overview A stylish male model showcases five iconic fashion eras from the 1920s to the 1960s. The video takes place in the same modern studio with soft daylight and a clean architectural background. The same model appears throughout the video while only the clothing changes between decades. Every outfit change happens naturally during camera movement, creating a smooth and satisfying visual flow. The only on-screen text is the decade name. Music is a modern electronic fashion track that builds continuously without vocals. Character Use the reference image as the model. Young adult male. Confident but relaxed. Friendly expression. Natural walking pace. The same model appears in every scene. Environment Minimalist fashion studio. Large windows. Warm daylight. Neutral beige walls. Polished concrete floor. Luxury editorial atmosphere. Keep the background consistent throughout the video. 0:00–0:03 — 1920s The video opens with the model standing confidently in the center of the studio. The camera slowly moves closer. He adjusts his cufflinks before looking toward the camera. Outfit Charcoal pinstripe three-piece suit White dress shirt Dark tie Waistcoat Pocket watch chain Oxford shoes Grey newsboy cap On-screen text: 1920s As the camera quickly pans to the right, the clothing smoothly changes into the next decade. 0:03–0:06 — 1930s The camera finishes the movement. The model now wears a cream double-breasted suit with wide lapels, pleated trousers, spectator shoes, and a fedora. He places one hand in his pocket and takes a confident step forward. On-screen text: 1930s The camera gently circles around him, and during the movement the outfit changes into the next style. 0:06–0:09 — 1940s The camera completes the circle. The model now wears an olive green utility jacket with tailored trousers, brown leather boots, and a classic wristwatch. He buttons the jacket while walking slowly toward the camera. On-screen text: 1940s A warm light sweep crosses the frame, leading naturally into the next outfit. 0:09–0:12 — 1950s The model now wears a fitted white T-shirt, dark blue cuffed jeans, a brown leather belt, leather boots, and classic sunglasses. He casually adjusts the sunglasses before taking two relaxed steps forward. On-screen text: 1950s The camera briefly moves closer, then pulls back, allowing the clothing to change smoothly. 0:12–0:15 — 1960s The model now wears a black turtleneck, camel overcoat, slim trousers, Chelsea boots, and a simple wristwatch. He walks confidently toward the camera with both hands in his coat pockets. On-screen text: 1960s During the final second, the camera begins a slow clockwise circle around him. His coat moves naturally as he lightly adjusts the collar. The music continues to build instead of ending. 0:15–0:18 — 1970s The video begins exactly where Part 1 ended. The camera continues its slow clockwise movement around the model before settling into a smooth front-facing angle. The music hits the next beat naturally. Outfit Brown suede jacket Patterned open-collar shirt Flared trousers Brown leather belt Platform shoes Gold wristwatch Aviator sunglasses The model adjusts his sunglasses before removing them with a confident smile. On-screen text: 1970s As the camera moves slightly closer, the outfit changes naturally into the next decade. 0:18–0:21 — 1980s The camera continues tracking forward. The model now wears a charcoal oversized business suit with a patterned tie, pleated trousers, polished loafers, and a classic dress watch. He straightens his tie while walking confidently toward the camera. On-screen text: 1980s The camera briefly passes beside him, creating a smooth transition into the next outfit. 0:21–0:24 — 1990s The camera emerges on the opposite side. The model now wears an oversized light-wash denim jacket over a graphic T-shirt, relaxed jeans, chunky white sneakers, and a simple silver chain. He smiles naturally while walking across the frame with both hands in his jacket pockets. On-screen text: 1990s The camera follows his movement before quickly swinging to reveal the next decade. 0:24–0:27 — 2000s The camera settles into a smooth tracking shot. The model now wears a black leather jacket over a fitted white T-shirt, slim dark jeans, white high-top sneakers, and aviator sunglasses. He casually removes the jacket from one shoulder while continuing to walk. The movement of the jacket naturally fills part of the frame as the clothing changes into the final look. On-screen text: 2000s 0:27–0:30 — 2020s The jacket clears the frame. The camera slowly pushes toward the model. He now wears a modern quiet luxury outfit. Outfit Beige overshirt Premium white T-shirt Relaxed tailored trousers White minimalist sneakers Luxury stainless steel watch Simple silver ring The model walks toward the camera before stopping naturally. He smiles confidently while looking directly into the lens. On-screen text: 2020s The decade text gently fades into: 100 YEARS OF MEN'S FASHION Then below it: 1920 → 2020 The music reaches its final peak before fading smoothly. The camera holds on the model for a brief moment before fading to black. Camera Style Smooth cinematic movement Gentle dolly shots Slow orbit around the model Occasional push-in Natural handheld feel Soft depth of field Luxury fashion commercial look Visual Style Premium editorial photography Warm natural colors Soft contrast Highly detailed fabrics Clean tailoring Realistic lighting Crisp facial details Natural movement Elegant pacing

Caden Flux

30,445 views • 29 days ago

Announcing Innovative Dreams, a new production company by Luma and Wonder Project built by filmmakers for filmmakers, and our first production — Moses starring Sir Ben Kingsley, coming this Spring on Prime Video. AI is a fundamental change to the craft and business of filmmaking, and through ID, we are building a new production process for this era — one that brings Humans and AI together to enable great storytelling. We call it Hybrid Production — actors, artists, and generative AI working together in Luma. In real time. Innovative Dreams is a production services company where seasoned filmmakers from Director Jon Erwin's team and Luma's creative technologists work with great studios and filmmakers to help them realize ambitious ideas. It's a liberating force. Hybrid Production enables actors, directors, and artists to work together in real time. Creative teams collaborate with Luma Agents live and make changes to sets, props, lighting, and bring in performance capture from human actors. This is a significant improvement over the current virtual production and performance capture processes where things come together only in post. This is the leverage of AI — not just faster or cheaper, but better than what came before. We have built the first Hybrid Filmmaking studio at Manhattan Beach Studios where Moses is being shot. ID is significantly oversubscribed with demand and is actively growing the team to extend its services to more studios and filmmakers. Read more:

Announcing Innovative Dreams, a new production company by Luma and Wonder Project built by filmmakers for filmmakers, and our first production — Moses starring Sir Ben Kingsley, coming this Spring on Prime Video. AI is a fundamental change to the craft and business of filmmaking, and through ID, we are building a new production process for this era — one that brings Humans and AI together to enable great storytelling. We call it Hybrid Production — actors, artists, and generative AI working together in Luma. In real time. Innovative Dreams is a production services company where seasoned filmmakers from Director Jon Erwin's team and Luma's creative technologists work with great studios and filmmakers to help them realize ambitious ideas. It's a liberating force. Hybrid Production enables actors, directors, and artists to work together in real time. Creative teams collaborate with Luma Agents live and make changes to sets, props, lighting, and bring in performance capture from human actors. This is a significant improvement over the current virtual production and performance capture processes where things come together only in post. This is the leverage of AI — not just faster or cheaper, but better than what came before. We have built the first Hybrid Filmmaking studio at Manhattan Beach Studios where Moses is being shot. ID is significantly oversubscribed with demand and is actively growing the team to extend its services to more studios and filmmakers. Read more:

Luma

95,747 views • 4 months ago

⭐ BEFORE AFTER - SOUTHWARK PLAYHOUSE BOROUGH ⭐ I was lucky enough to catch the final performance of Before After UK and I'm so glad I did! ! ! 😍 What a beautiful "new" musical by Stuart Matthew Price, a wonderfully romantic two-hander, with an interesting mystery at its heart 🤫 I say "new" because this musical is nearly a decade old, after multiple productions in many different countries and languages, this was the first, fully-staged UK premiere of the show, which did have a pandemic live-stream production back in 2020 😱 Starring the incredibly talented Grace Mouat and Jacob Fowler, who had great chemistry and humour between them, both showcasing some gorgeous vocals, it was an absolute pleasure to watch them 💖 I hope this isn't the last we've seen of this musical after FINALLY getting it staged in the UK, fingers crossed for a future life ✨ X x x

⭐ BEFORE AFTER - SOUTHWARK PLAYHOUSE BOROUGH ⭐ I was lucky enough to catch the final performance of Before After UK and I'm so glad I did! ! ! 😍 What a beautiful "new" musical by Stuart Matthew Price, a wonderfully romantic two-hander, with an interesting mystery at its heart 🤫 I say "new" because this musical is nearly a decade old, after multiple productions in many different countries and languages, this was the first, fully-staged UK premiere of the show, which did have a pandemic live-stream production back in 2020 😱 Starring the incredibly talented Grace Mouat and Jacob Fowler, who had great chemistry and humour between them, both showcasing some gorgeous vocals, it was an absolute pleasure to watch them 💖 I hope this isn't the last we've seen of this musical after FINALLY getting it staged in the UK, fingers crossed for a future life ✨ X x x

Theatre Fan

10,202 views • 2 years ago

I modelled the head, face, and battle mask for Optimus Prime for #Transformers ROTB. I also designed his new "centurion" open battle mask look along with it's animation. The director wanted the face to resemble the face from the 2007 Transformers film as ROTB was a soft-prequel to it but also wanted it to be tweaked to fit the new design and for us to give it some new unique features. This is where we came up with the new mask design which doesn't get entirely hidden when open. Instead, it gets stored on the side of his cheeks, like a Roman centurions helmet. The head design is derived from his model from the 2018 Bumblebee film to keep some consistency with that film too as ROTB was also a soft-sequel to Bumblebee. There are new pieces, adjusted proportions, and reworks to detailing in ROTBs version. The face proportions are modified from the 2007 face to be a lot wider and beefier, matching his new head shape and look. I redesigned and built the eyes from scratch using our kitbash pieces like I did for all the Maximals and Mirage. The studio decided against going for the holographic eyes look from the 2018 Bumblebee film but rather wanted a more simple look in between the 2007 and the 2018 eyes. I added a lot of small mechanical details to his battle mask animation which we unfortunately never get to see in the film. For example, I designed a fully functional mechanism which pushes his chin piece back when his mask closes. This was very cool when it was visible, our Animation Director and VFX Supervisors were super excited about it, but unfortunately no shot showed it off in the final film. It was a lot of fun to help model and design Optimus Prime for this film. I'm happy I got to contribute to such an iconic character. CREDITS: Video: Paramount, MPC, WetaFX Ruairidh MacNeill modelled the body for Optimus

I modelled the head, face, and battle mask for Optimus Prime for #Transformers ROTB. I also designed his new "centurion" open battle mask look along with it's animation. The director wanted the face to resemble the face from the 2007 Transformers film as ROTB was a soft-prequel to it but also wanted it to be tweaked to fit the new design and for us to give it some new unique features. This is where we came up with the new mask design which doesn't get entirely hidden when open. Instead, it gets stored on the side of his cheeks, like a Roman centurions helmet. The head design is derived from his model from the 2018 Bumblebee film to keep some consistency with that film too as ROTB was also a soft-sequel to Bumblebee. There are new pieces, adjusted proportions, and reworks to detailing in ROTBs version. The face proportions are modified from the 2007 face to be a lot wider and beefier, matching his new head shape and look. I redesigned and built the eyes from scratch using our kitbash pieces like I did for all the Maximals and Mirage. The studio decided against going for the holographic eyes look from the 2018 Bumblebee film but rather wanted a more simple look in between the 2007 and the 2018 eyes. I added a lot of small mechanical details to his battle mask animation which we unfortunately never get to see in the film. For example, I designed a fully functional mechanism which pushes his chin piece back when his mask closes. This was very cool when it was visible, our Animation Director and VFX Supervisors were super excited about it, but unfortunately no shot showed it off in the final film. It was a lot of fun to help model and design Optimus Prime for this film. I'm happy I got to contribute to such an iconic character. CREDITS: Video: Paramount, MPC, WetaFX Ruairidh MacNeill modelled the body for Optimus

Rassoul Edji

388,573 views • 1 year ago

What happens when an AI model starts understanding not only images, but the subtext of a dialogue, the meaning of a silence, or the small hesitation before saying something painful? For the global launch of Kling 3.0 Kling AI, the Labyrinth Studio team and I wanted to build a small film. That’s how Looking for Bianca was born. A short film set in Hong Kong that follows a young woman searching for Bianca, her missing husky. Behind these five minutes there was a great deal of writing, staging, and experimentation with the new model. Even when a film is fully AI, the process remains surprisingly close to traditional filmmaking. And that is exactly where this language will need to grow, in the writing of characters and stories. It took two weeks and a team of four people to make Looking for Bianca. Once again, Giacomo Cannelli This Frame Doesn't Exist, Alessandro Risuleo , Aurora Cecchini and I adapted our workflow. With Kling 3, spatial control inside a scene has become much more precise, and we often chose to start from a wide shot and generate the coverage from there, as we did in the three-character dialogue scene between Sophie and the truck drivers. A thank you to the entire Kling AI team, and especially to Tony Pu , who has a rare sensitivity when it comes to supporting projects like this. Watch Looking for Bianca here:

What happens when an AI model starts understanding not only images, but the subtext of a dialogue, the meaning of a silence, or the small hesitation before saying something painful? For the global launch of Kling 3.0 Kling AI, the Labyrinth Studio team and I wanted to build a small film. That’s how Looking for Bianca was born. A short film set in Hong Kong that follows a young woman searching for Bianca, her missing husky. Behind these five minutes there was a great deal of writing, staging, and experimentation with the new model. Even when a film is fully AI, the process remains surprisingly close to traditional filmmaking. And that is exactly where this language will need to grow, in the writing of characters and stories. It took two weeks and a team of four people to make Looking for Bianca. Once again, Giacomo Cannelli This Frame Doesn't Exist, Alessandro Risuleo , Aurora Cecchini and I adapted our workflow. With Kling 3, spatial control inside a scene has become much more precise, and we often chose to start from a wide shot and generate the coverage from there, as we did in the three-character dialogue scene between Sophie and the truck drivers. A thank you to the entire Kling AI team, and especially to Tony Pu , who has a rare sensitivity when it comes to supporting projects like this. Watch Looking for Bianca here:

Jacopo Reale

44,813 views • 5 months ago

Seokjin's moving ending ment: He said even if he is too tired that he is about to pass out(or dead tired), he will work hard for our joy 😭 🐹 First of all, I really had a great time today because you are the source of my strength. The more you enjoy and the more you jump together, I get more energized and have more fun too. Because you gave me so much energy, I was able to fully enjoy as well to the point, i'm a little bit worried about tomorrow cos I used up all my energy today. Will you be okay tomorrow? Then even if I become dead tired, I will work hard. I received such good energy from Tampa today. The scenery outside of my hotel is really beautiful. And the view I see with you at this concert venue is also really beautiful. And I should be the one who bring the hearts here to u, but you did! Thank you very much. Tampa Day 1 #RUNSEOKJIN_epTOUR_US #RUNSEOKJIN_epTOUR_TAMPA #Jin #방탄소년단진 #진

Seokjin's moving ending ment: He said even if he is too tired that he is about to pass out(or dead tired), he will work hard for our joy 😭 🐹 First of all, I really had a great time today because you are the source of my strength. The more you enjoy and the more you jump together, I get more energized and have more fun too. Because you gave me so much energy, I was able to fully enjoy as well to the point, i'm a little bit worried about tomorrow cos I used up all my energy today. Will you be okay tomorrow? Then even if I become dead tired, I will work hard. I received such good energy from Tampa today. The scenery outside of my hotel is really beautiful. And the view I see with you at this concert venue is also really beautiful. And I should be the one who bring the hearts here to u, but you did! Thank you very much. Tampa Day 1 #RUNSEOKJIN_epTOUR_US #RUNSEOKJIN_epTOUR_TAMPA #Jin #방탄소년단진 #진

Jiniya지니야_RunSeokjin

30,345 views • 1 year ago

RIP Glen Hansard, one of the leading figures in an unusually rich generation of Dublin-based musicians who seemed, in the late 1990s and early 2000s, to have established an informal republic of song between Wexford Street and the Rathmines Road. They included Gemma Hayes, Paddy Casey, David Kitt, Damien Rice, Lisa Hannigan, Dave Odlum and the late Mic Christopher, along with many others who possessed the talent but never received the luck, or chose the wrong themes. Such as the guy who once handed me a demo tape filled with strangely sympathetic songs about the Dublin crime boss Martin “The General” Cahill. A great many emerged from the city’s busking tradition, learning their craft in public, and making the city sound better than it smelled or looked. Dublin was different then, it was poorer, rougher around the edges, but with room for young people to be ambitious and half-broke while they discovered whether they had a song or a story in them, and it was also much more fun. Today’s eye-watering rents and prices would scatter such a scene before it had time to form. Cities often boast about the culture they produce while their officials set about destroying the conditions that made its production possible and Hansard and his contemporaries belonged to a Dublin that has largely vanished, and mores the pity.

RIP Glen Hansard, one of the leading figures in an unusually rich generation of Dublin-based musicians who seemed, in the late 1990s and early 2000s, to have established an informal republic of song between Wexford Street and the Rathmines Road. They included Gemma Hayes, Paddy Casey, David Kitt, Damien Rice, Lisa Hannigan, Dave Odlum and the late Mic Christopher, along with many others who possessed the talent but never received the luck, or chose the wrong themes. Such as the guy who once handed me a demo tape filled with strangely sympathetic songs about the Dublin crime boss Martin “The General” Cahill. A great many emerged from the city’s busking tradition, learning their craft in public, and making the city sound better than it smelled or looked. Dublin was different then, it was poorer, rougher around the edges, but with room for young people to be ambitious and half-broke while they discovered whether they had a song or a story in them, and it was also much more fun. Today’s eye-watering rents and prices would scatter such a scene before it had time to form. Cities often boast about the culture they produce while their officials set about destroying the conditions that made its production possible and Hansard and his contemporaries belonged to a Dublin that has largely vanished, and mores the pity.

Brian McDonald

52,096 views • 24 days ago