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Most AI video work is just "generate and hope." This is different. Creator seungho__yeo ( IG ) rebuilt a live drum performance from the ground up. Using the drummer's actual motion data to redesign background mood, lighting, and spatial depth frame by frame. The pipeline: → Motion Tracking →...

31,057 Aufrufe • vor 2 Monaten •via X (Twitter)

13 Kommentare

Profilbild von Flenzy24
Flenzy24vor 2 Monaten

My eyesssss

Profilbild von Andrew Tay
Andrew Tayvor 2 Monaten

Direct the scene then generate! Made with @Pretzel3D

Profilbild von ちゃんK🌸日本を旅する女の子🎀AI美女
ちゃんK🌸日本を旅する女の子🎀AI美女vor 2 Monaten

すごい、私のダンスも見て

Profilbild von Sourcecoder.ai
Sourcecoder.aivor 2 Monaten

all the flash cuts with the fire scenes were edited in comfy?

Profilbild von Brian Noir
Brian Noirvor 2 Monaten

It's cool, but it's basically like rotoscoping.

Profilbild von KINA@キナ
KINA@キナvor 2 Monaten

すごい

Profilbild von Keshaw Singh
Keshaw Singhvor 2 Monaten

Great man

Profilbild von ComfyUI
ComfyUIvor 2 Monaten

Creators IG:

Profilbild von 日日野
日日野vor 2 Monaten

The motion-to-depth split is the valuable part here. I’d still keep a frame-accurate contact sheet for hands, sticks, and foot placement, because relighting can make a continuity break look polished without actually fixing it.

Profilbild von Karya Bang Jumawa
Karya Bang Jumawavor 2 Monaten

this is the difference between generative polish and direction: the real performance stays the source of truth.

Profilbild von Slobbering Selene
Slobbering Selenevor 2 Monaten

That's so badass!

Profilbild von Vincentcrack
Vincentcrackvor 2 Monaten

Nice

Profilbild von AI Mastery Guide
AI Mastery Guidevor 2 Monaten

Rebuilding the whole scene from real motion data is next level.

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