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MotionGen can now simulate Slow motion and fast motion in the same video clip. Full tutorial on the TAngraFX YouTube channel. You need at least V2.9.4 with engine v1.4.6 100% local, one-time payment. Lifetime use. No internet Auto animation enhancement. Auto foot lock

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TAngraFX

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22,173 görüntüleme • 2 ay önce •via X (Twitter)

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MotionGen face retarget one single click. beta version is free! To get beta Follow us on YouTube, X, Instagram. We give away 20 Pro license to our followers every month. #MotionGen #mocap #Animation #FaceGeneration #FreeBeta #Giveaway
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MotionGen face retarget one single click. beta version is free! To get beta Follow us on YouTube, X, Instagram. We give away 20 Pro license to our followers every month. #MotionGen #mocap #Animation #FaceGeneration #FreeBeta #Giveaway

TAngraFX

13,272 görüntüleme • 2 ay önce

We are pleased to present a new lateral-view animation of the leg in motion. As the limb moves through extension and flexion, the active muscle groups light up. Now the challenge: can you name every muscle active in each phase? Most people miss at least one. #anatomystandard
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We are pleased to present a new lateral-view animation of the leg in motion. As the limb moves through extension and flexion, the active muscle groups light up. Now the challenge: can you name every muscle active in each phase? Most people miss at least one. #anatomystandard

Anatomy Standard

22,759 görüntüleme • 10 ay önce

Just generated this face-swap video in under 60 seconds 1. record a simple vertical talking clip on your phone 2. upload it into kling 2.6 and choose face swap mode 3. add the face you want to use 4. kling auto-matches expressions, lips, and head movement same script same pacing different face no reshoots no creators no editing headache rt + comment “motion” and i’ll dm the workflow (follow for dm)
0:16

Just generated this face-swap video in under 60 seconds 1. record a simple vertical talking clip on your phone 2. upload it into kling 2.6 and choose face swap mode 3. add the face you want to use 4. kling auto-matches expressions, lips, and head movement same script same pacing different face no reshoots no creators no editing headache rt + comment “motion” and i’ll dm the workflow (follow for dm)

Florin

11,564 görüntüleme • 8 ay önce

Just generated this clip in 30 seconds 1. record a vertical video 2. use MakeUGC to generate an AI character 3. use Elevenlabs to convert my voice to match the girl's voice 4. replace the AI character with me on the video comment "Motion" and I'll send you the full workflow
0:16

Just generated this clip in 30 seconds 1. record a vertical video 2. use MakeUGC to generate an AI character 3. use Elevenlabs to convert my voice to match the girl's voice 4. replace the AI character with me on the video comment "Motion" and I'll send you the full workflow

Cas.Fyn

79,923 görüntüleme • 8 ay önce

The timeline isn't ready for this 🤯 Testing out Kling 2.6 motion control and the realism is the best I've seen. Perfect facial expressions in real-time... from Taylor to Ye instantly. we're entering a weird new era of content creation. (If you want a full video tutorial with all the prompts I used to build this comment "MOTION"👇 and I'll dm you the full doc) must be following so I can dm you
0:19

The timeline isn't ready for this 🤯 Testing out Kling 2.6 motion control and the realism is the best I've seen. Perfect facial expressions in real-time... from Taylor to Ye instantly. we're entering a weird new era of content creation. (If you want a full video tutorial with all the prompts I used to build this comment "MOTION"👇 and I'll dm you the full doc) must be following so I can dm you

David Roberts

89,430 görüntüleme • 8 ay önce

What used to take lights, props, and a full set can now be done inside an agent. This was created using a Glif agent with Kling 2.6 Motion Control and a Nano Banana reference image to lock the look. No physical setup needed. Glif has agents for different creative use cases, so you can pick what fits your workflow and move fast. Check the agents used for this below 👇
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What used to take lights, props, and a full set can now be done inside an agent. This was created using a Glif agent with Kling 2.6 Motion Control and a Nano Banana reference image to lock the look. No physical setup needed. Glif has agents for different creative use cases, so you can pick what fits your workflow and move fast. Check the agents used for this below 👇

GLIF

12,858 görüntüleme • 9 ay önce

🤯 Depth can now recreate complex climbing and parkour motion this cleanly! Turned a fast climbing clip into a Depth motion reference, then swapped in a 20-year-old twin-tail student with a backpack while keeping the same concrete structure. Wall contact, weight shifts, jumps, climbing paths, and full-body movement all stay surprisingly clean and consistent! 🌟 Workflow: 1. Pick a reference clip under 15 seconds 2. Convert it to Depth with Depth Anything V2 3. Generate a new character + scene 4. Feed everything into Seedance with the prompt below 🌟 Depth video conversion: You can build a local Depth converter with Codex — prompt in the comments. Dance, martial arts, climbing, parkour, and other complex movements can all be transferred cleanly with Depth! Workflow + Prompt below 👇
0:15

🤯 Depth can now recreate complex climbing and parkour motion this cleanly! Turned a fast climbing clip into a Depth motion reference, then swapped in a 20-year-old twin-tail student with a backpack while keeping the same concrete structure. Wall contact, weight shifts, jumps, climbing paths, and full-body movement all stay surprisingly clean and consistent! 🌟 Workflow: 1. Pick a reference clip under 15 seconds 2. Convert it to Depth with Depth Anything V2 3. Generate a new character + scene 4. Feed everything into Seedance with the prompt below 🌟 Depth video conversion: You can build a local Depth converter with Codex — prompt in the comments. Dance, martial arts, climbing, parkour, and other complex movements can all be transferred cleanly with Depth! Workflow + Prompt below 👇

Larus Canus

119,823 görüntüleme • 2 ay önce

Cooking meets cinematic AI. This stunning commercial was created with Seedance 2.0 in Lart AI Delivering realistic motion, rich food details, and premium visuals that look like a real production. Create yours here 👇 Prompt: THE FLAME CHEF - 15 second high-energy cinematic cooking film, 10 rapid scenes, fast rhythmic pacing, whip-pan and speed-ramp transitions between every scene, kinetic kitchen artistry from fresh ingredients to final plated dish. Shot on ARRI Alexa 35, 35mm lens, natural film grain, rich warm color grade with deep shadows and golden highlights, professional food cinematography, photorealistic, not CGI. Dark moody restaurant kitchen, dramatic overhead lighting, steam and warm glow. SCENE 1 (0-1.5s): Chef's hand places a cast iron pan onto a glowing gas burner with confident energy, blue flame rising around the edges, quick real time then micro slow motion on the flame glow, hard whip-pan into locked close-up. SCENE 2 (1.5-3s): Rapid skilled vegetable prep, knife rocking smoothly through fresh herbs and bell peppers in rhythmic motion, hyper-fast real time with hands in controlled motion, one pepper slice spinning in brief slow motion, top-down locked shot. SCENE 3 (3-4.5s): Butter cube tossed gracefully through the air landing in the warm pan, melting instantly into golden foam and swirl, slow motion flight with speed ramp to real time on the sizzle, side macro tracking the arc. SCENE 4 (4.5-6s): Chef flips the pan, vegetables rising upward in a golden arc, warm flame glow beneath, tiny seasoning embers drifting, speed ramp from real time flip into dramatic slow motion at the peak of the toss, low hero angle. SCENE 5 (6-7.5s): Extreme macro, garlic and chili meeting hot oil, lively golden bubbles, steam rising in a soft backlit plume, 120fps slow motion with every bubble crisp, probe lens push-in through the steam. SCENE 6 (7.5-9s): Chef seasoning from height with flowing hand movement, salt crystals raining down in slow motion through a shaft of overhead light catching like snow, slow motion rain against fast hand movement, side close-up with shallow focus on the crystals. SCENE 7 (9-10.5s): Sauce poured from a steel pan in a glossy ribbon coating the dish in one continuous silky wave, steam curling, silky hypnotic slow motion, orbiting macro around the pour. SCENE 8 (10.5-12s): Fresh herbs dropped from above, leaves tumbling in slow motion landing perfectly on the glistening dish, tiny sparkle of sauce, slow motion fall with real time landing, top-down locked shot. SCENE 9 (12-13.5s): Chef wipes the plate rim in one confident swift motion and spins the plate a quarter turn, steam rising through dramatic side light, fast confident real time, close-up tracking the hand with whip-pan on the spin. SCENE 10 (13.5-15s): Final hero shot, finished dish center frame under a single overhead spotlight, steam rising in elegant curls, background fading to darkness, chef's silhouette stepping back with satisfaction, calm slow motion after the energy, slow push-in settling to a loop-friendly hold. Movement: continuous kinetic energy throughout, hands moving with professional speed and precision, constant speed ramping between hyper-fast real time and crisp slow motion for rhythm, ingredients gracefully in flight, intensity building from scene 1 to 9 then sudden calm hero ending Camera: hard whip-pans between scenes, top-down locked shots, side macro tracking, low hero angle, probe lens push-in, orbiting pour shot, close-up hand tracking, slow push-in finale, all cuts punchy and landing on beat Effects: warm flame glow, backlit steam plumes, golden oil bubbles in extreme macro, salt crystals in overhead light shafts, glossy sauce reflections, shallow depth of field, natural film grain, dark moody kitchen atmosphere, no text no watermark.
0:15

Cooking meets cinematic AI. This stunning commercial was created with Seedance 2.0 in Lart AI Delivering realistic motion, rich food details, and premium visuals that look like a real production. Create yours here 👇 Prompt: THE FLAME CHEF - 15 second high-energy cinematic cooking film, 10 rapid scenes, fast rhythmic pacing, whip-pan and speed-ramp transitions between every scene, kinetic kitchen artistry from fresh ingredients to final plated dish. Shot on ARRI Alexa 35, 35mm lens, natural film grain, rich warm color grade with deep shadows and golden highlights, professional food cinematography, photorealistic, not CGI. Dark moody restaurant kitchen, dramatic overhead lighting, steam and warm glow. SCENE 1 (0-1.5s): Chef's hand places a cast iron pan onto a glowing gas burner with confident energy, blue flame rising around the edges, quick real time then micro slow motion on the flame glow, hard whip-pan into locked close-up. SCENE 2 (1.5-3s): Rapid skilled vegetable prep, knife rocking smoothly through fresh herbs and bell peppers in rhythmic motion, hyper-fast real time with hands in controlled motion, one pepper slice spinning in brief slow motion, top-down locked shot. SCENE 3 (3-4.5s): Butter cube tossed gracefully through the air landing in the warm pan, melting instantly into golden foam and swirl, slow motion flight with speed ramp to real time on the sizzle, side macro tracking the arc. SCENE 4 (4.5-6s): Chef flips the pan, vegetables rising upward in a golden arc, warm flame glow beneath, tiny seasoning embers drifting, speed ramp from real time flip into dramatic slow motion at the peak of the toss, low hero angle. SCENE 5 (6-7.5s): Extreme macro, garlic and chili meeting hot oil, lively golden bubbles, steam rising in a soft backlit plume, 120fps slow motion with every bubble crisp, probe lens push-in through the steam. SCENE 6 (7.5-9s): Chef seasoning from height with flowing hand movement, salt crystals raining down in slow motion through a shaft of overhead light catching like snow, slow motion rain against fast hand movement, side close-up with shallow focus on the crystals. SCENE 7 (9-10.5s): Sauce poured from a steel pan in a glossy ribbon coating the dish in one continuous silky wave, steam curling, silky hypnotic slow motion, orbiting macro around the pour. SCENE 8 (10.5-12s): Fresh herbs dropped from above, leaves tumbling in slow motion landing perfectly on the glistening dish, tiny sparkle of sauce, slow motion fall with real time landing, top-down locked shot. SCENE 9 (12-13.5s): Chef wipes the plate rim in one confident swift motion and spins the plate a quarter turn, steam rising through dramatic side light, fast confident real time, close-up tracking the hand with whip-pan on the spin. SCENE 10 (13.5-15s): Final hero shot, finished dish center frame under a single overhead spotlight, steam rising in elegant curls, background fading to darkness, chef's silhouette stepping back with satisfaction, calm slow motion after the energy, slow push-in settling to a loop-friendly hold. Movement: continuous kinetic energy throughout, hands moving with professional speed and precision, constant speed ramping between hyper-fast real time and crisp slow motion for rhythm, ingredients gracefully in flight, intensity building from scene 1 to 9 then sudden calm hero ending Camera: hard whip-pans between scenes, top-down locked shots, side macro tracking, low hero angle, probe lens push-in, orbiting pour shot, close-up hand tracking, slow push-in finale, all cuts punchy and landing on beat Effects: warm flame glow, backlit steam plumes, golden oil bubbles in extreme macro, salt crystals in overhead light shafts, glossy sauce reflections, shallow depth of field, natural film grain, dark moody kitchen atmosphere, no text no watermark.

Zar⭕on

32,241 görüntüleme • 3 ay önce

There is a "flash" bug in the One UI 7 Beta1 animation. In fact, there are at least three versions of this problem. Samsung seems to have not found it, so it has not been solved. You only need to open two apps in succession a little quickly (not particularly fast)，You will see a quick flicker in the picture. The first video is played at normal speed, and you can see a flash picture. The second video is a slow video, and you can see the moment when the soul of a page flashes in the ninth second. I call it the One UI 7 haunted event.
0:01

There is a "flash" bug in the One UI 7 Beta1 animation. In fact, there are at least three versions of this problem. Samsung seems to have not found it, so it has not been solved. You only need to open two apps in succession a little quickly (not particularly fast)，You will see a quick flicker in the picture. The first video is played at normal speed, and you can see a flash picture. The second video is a slow video, and you can see the moment when the soul of a page flashes in the ninth second. I call it the One UI 7 haunted event.

Ice Universe

120,758 görüntüleme • 1 yıl önce

NVIDIA’s ARDY is a glimpse of where AI animation is heading: real time, open source and you can play with it right now on Hugging Face Spaces Type what the character should do and generate a motion sequence in seconds. Give a sentence a body.
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NVIDIA’s ARDY is a glimpse of where AI animation is heading: real time, open source and you can play with it right now on Hugging Face Spaces Type what the character should do and generate a motion sequence in seconds. Give a sentence a body.

Hugging Apps

50,507 görüntüleme • 2 ay önce

GPT-5.6 Sol is unbelievably good at creating and editing videos. It can do motion design, product demos, and animations like this one I made by simply giving it a screen recording. GPT 5.6 has the best design taste and significantly outperforms Fable, which relies heavily on repetitive design patterns. To help you experiment with video editing on it, we just launched a collection of 100 ready-to-use skills that show what’s possible and help you get started with video editing using GPT-5.6. These skills can create anything from motion graphics launch videos for your product to a 3B1B-style science explainer video. You can also use them to edit existing videos: add captions, generate motion graphics, create voiceovers, redesign visual styles, translate into new languages, and much more. If you want access to the full library, comment “VIDEO SKILLS” and I’ll share it with you. (You'll have to follow me so I can DM you.)
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GPT-5.6 Sol is unbelievably good at creating and editing videos. It can do motion design, product demos, and animations like this one I made by simply giving it a screen recording. GPT 5.6 has the best design taste and significantly outperforms Fable, which relies heavily on repetitive design patterns. To help you experiment with video editing on it, we just launched a collection of 100 ready-to-use skills that show what’s possible and help you get started with video editing using GPT-5.6. These skills can create anything from motion graphics launch videos for your product to a 3B1B-style science explainer video. You can also use them to edit existing videos: add captions, generate motion graphics, create voiceovers, redesign visual styles, translate into new languages, and much more. If you want access to the full library, comment “VIDEO SKILLS” and I’ll share it with you. (You'll have to follow me so I can DM you.)

Akash Anand

518,900 görüntüleme • 3 ay önce

Gemini Omni's motion control is f*cking cracked i just figured out how to turn 1 reference video into 50+ AI videos with the exact same movements... you have a video of someone eating, dancing, using a product, doing whatever complex motion you need. you feed it to Gemini Omni and it recreates that exact motion with a completely new AI character in literally one prompt i've tested this against Kling motion control and it's not even close. Kling falls apart the moment you try anything complex. eating scenes look weird, hand movements get mangled, anything multi-step breaks down completely. Gemini Omni handles all of it if you're still using kling motion control or paying creators to split test your videos, this replaces that entire workflow here's the thing though. you can't just prompt this out of the box. if you try to do motion transfer with default prompting you're going to get errors or the motion won't transfer properly. there's a specific prompting method that makes it work every time so i packaged up the whole system.. here's what you're getting: > full step by step video breakdown > how to find the best reference videos to use > the exact prompting system that allows for motion control transfer so you never get errors > the workflow for batching this out at scale (1 video → 50+) RT + reply "MOTION" and i'll send it over (must follow so i can dm)
0:13

Gemini Omni's motion control is f*cking cracked i just figured out how to turn 1 reference video into 50+ AI videos with the exact same movements... you have a video of someone eating, dancing, using a product, doing whatever complex motion you need. you feed it to Gemini Omni and it recreates that exact motion with a completely new AI character in literally one prompt i've tested this against Kling motion control and it's not even close. Kling falls apart the moment you try anything complex. eating scenes look weird, hand movements get mangled, anything multi-step breaks down completely. Gemini Omni handles all of it if you're still using kling motion control or paying creators to split test your videos, this replaces that entire workflow here's the thing though. you can't just prompt this out of the box. if you try to do motion transfer with default prompting you're going to get errors or the motion won't transfer properly. there's a specific prompting method that makes it work every time so i packaged up the whole system.. here's what you're getting: > full step by step video breakdown > how to find the best reference videos to use > the exact prompting system that allows for motion control transfer so you never get errors > the workflow for batching this out at scale (1 video → 50+) RT + reply "MOTION" and i'll send it over (must follow so i can dm)

Miko

62,466 görüntüleme • 2 ay önce

wan 2.2 makes lighting feel programmable you start with one normal clip drop a single reference frame and the model rebuilds the scene same framing, same motion, same timing but now you can swap mood change light direction and create cinematic variants without reshooting brands are using this to turn one talking-head ad into multiple high-end looks from the same source video i broke down the exact workflow rt + comment “wan” and i’ll send it (follow for dm)
0:10

wan 2.2 makes lighting feel programmable you start with one normal clip drop a single reference frame and the model rebuilds the scene same framing, same motion, same timing but now you can swap mood change light direction and create cinematic variants without reshooting brands are using this to turn one talking-head ad into multiple high-end looks from the same source video i broke down the exact workflow rt + comment “wan” and i’ll send it (follow for dm)

Daffy

24,979 görüntüleme • 9 ay önce

kling 2.6 motion control is actually insane for AI ads you can swap any person in a video with a different person and it looks completely realistic, and its way better than wan 2.2 this unlocks massive testing potential for ads you can test the same ad concept across multiple different ICPs instantly here's the workflow: >generate your new character with nano banana pro >use kling 2.6 motion control to replace the person in your existing video generate a new voice with >elevenlabs to match the character you can take one winning ad and instantly create 10 variations targeting: -different age groups -different genders -different ethnicities -different aesthetics this is the future of ad testing at scale
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kling 2.6 motion control is actually insane for AI ads you can swap any person in a video with a different person and it looks completely realistic, and its way better than wan 2.2 this unlocks massive testing potential for ads you can test the same ad concept across multiple different ICPs instantly here's the workflow: >generate your new character with nano banana pro >use kling 2.6 motion control to replace the person in your existing video generate a new voice with >elevenlabs to match the character you can take one winning ad and instantly create 10 variations targeting: -different age groups -different genders -different ethnicities -different aesthetics this is the future of ad testing at scale

Miko

29,467 görüntüleme • 9 ay önce

If you watch the latest Optimus dancing video in slow motion, you’ll notice that it’s not just dancing, but it’s hopping and balancing on one foot. Also, the string in the back isn’t even holding Tesla Bot up! This level of dynamic balance and control is EXTREMELY difficult to achieve for a humanoid robot. What Tesla is doing right now with Optimus is years ahead of what people realize.
0:15

If you watch the latest Optimus dancing video in slow motion, you’ll notice that it’s not just dancing, but it’s hopping and balancing on one foot. Also, the string in the back isn’t even holding Tesla Bot up! This level of dynamic balance and control is EXTREMELY difficult to achieve for a humanoid robot. What Tesla is doing right now with Optimus is years ahead of what people realize.

Teslaconomics

117,068 görüntüleme • 1 yıl önce

omni motion control is f*cking cracked the left clip is the original. the right is 100% ai, same video, one prompt i grabbed a weight loss transformation off tiktok, gave omni a single image of a totally different girl, and it rebuilt the whole clip around her. she copies the original move for move, down to the dumbbells and the timing. and she doesnt exist and i barely lifted a finger. this was the entire prompt, word for word: "replace the person in the video attached with the person attached in the image, make sure the weight loss transformation is exactly the same from fat to fit" gpt image 2 made the character and omni did the rest. thats it brands pay creators to reshoot the same winning ad with different people just to split test. now you film it once and swap the face for cents. one video turns into 50 i wrote up the full setup: > the prompt method that transfers motion without breaking > how to find reference videos that work > how to batch this out at scale comment "MOTION" and ill send it over
0:10

omni motion control is f*cking cracked the left clip is the original. the right is 100% ai, same video, one prompt i grabbed a weight loss transformation off tiktok, gave omni a single image of a totally different girl, and it rebuilt the whole clip around her. she copies the original move for move, down to the dumbbells and the timing. and she doesnt exist and i barely lifted a finger. this was the entire prompt, word for word: "replace the person in the video attached with the person attached in the image, make sure the weight loss transformation is exactly the same from fat to fit" gpt image 2 made the character and omni did the rest. thats it brands pay creators to reshoot the same winning ad with different people just to split test. now you film it once and swap the face for cents. one video turns into 50 i wrote up the full setup: > the prompt method that transfers motion without breaking > how to find reference videos that work > how to batch this out at scale comment "MOTION" and ill send it over

jason

11,998 görüntüleme • 1 ay önce

🤯 I didn’t expect Depth to track rooftop parkour this cleanly! Used a fast climbing clip as the motion reference, then swapped in a student with twin tails and a backpack on a coastal school rooftop. The running path, wall contact, jumps, landings, and full-body continuity all hold together surprisingly well. 🌟 Workflow: 1. Pick a reference clip under 15 seconds 2. Convert it to Depth with Depth Anything V2 3. Generate a new character + scene 4. Feed everything into Seedance with the prompt below 🌟 Depth video conversion: You can build a local Depth converter with Codex — prompt in the comments. Depth opens up a lot more possibilities for parkour, climbing, martial arts, dance, and other complex full-body motion. Workflow + Prompt below 👇
0:13

🤯 I didn’t expect Depth to track rooftop parkour this cleanly! Used a fast climbing clip as the motion reference, then swapped in a student with twin tails and a backpack on a coastal school rooftop. The running path, wall contact, jumps, landings, and full-body continuity all hold together surprisingly well. 🌟 Workflow: 1. Pick a reference clip under 15 seconds 2. Convert it to Depth with Depth Anything V2 3. Generate a new character + scene 4. Feed everything into Seedance with the prompt below 🌟 Depth video conversion: You can build a local Depth converter with Codex — prompt in the comments. Depth opens up a lot more possibilities for parkour, climbing, martial arts, dance, and other complex full-body motion. Workflow + Prompt below 👇

Larus Canus

24,613 görüntüleme • 2 ay önce

🔥 We just shipped a full end-to-end character animation platform 🔥 Here's the full rundown: AI Auto-Rig your character meshes. Text-Generate new characters from your brain with our Luma Genie integration. Store your characters for easy access. Apply 1,000+ animations from our library to your characters. Upload and visualize your own motion data from any motion capture source Use your MoCap data on any character in any 3D program All on HEAT More below 👇
0:18

🔥 We just shipped a full end-to-end character animation platform 🔥 Here's the full rundown: AI Auto-Rig your character meshes. Text-Generate new characters from your brain with our Luma Genie integration. Store your characters for easy access. Apply 1,000+ animations from our library to your characters. Upload and visualize your own motion data from any motion capture source Use your MoCap data on any character in any 3D program All on HEAT More below 👇

HEAT

24,973 görüntüleme • 2 yıl önce

Just typed ONE sentence… and this came out 🤯🎬 I tested Seedance 2.0 on Ima Studio and it literally generated a full cinematic video with sound, motion & storytelling no editing needed. This is the next level of AI video creation. If you're into content creation, you NEED to try this. 👉 Join the challenge here: #ImaStudio #Seedance2
0:15

Just typed ONE sentence… and this came out 🤯🎬 I tested Seedance 2.0 on Ima Studio and it literally generated a full cinematic video with sound, motion & storytelling no editing needed. This is the next level of AI video creation. If you're into content creation, you NEED to try this. 👉 Join the challenge here: #ImaStudio #Seedance2

𝗦𝗮𝗻𝗶𝗮

21,869 görüntüleme • 6 ay önce