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Ms Sethi BIGGEST butt clapping part-6 and JOI #viral #trending #viralvídeo #viralshorts #trendingshorts #entertainment #funny #viralreels

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hi! we just launched SF + LA Tech Week and it’s crazy to say (I know I say this every time) but it really is true - it’s the biggest one yet. we’ve broken more records and now have 1,500+ events, over 2x last year’s launch! SF Tech Week: Oct 6-12 LA Tech Week: Oct 13-19 Register for events here: SF is on fire, on track to be home to the biggest Tech Week. When we first started Tech Week, it was right after COVID, and we saw so many founders relocating outside the Bay Area to cities all over the US. That first year, SF Tech Week was actually the smallest. This year, it’s set to be the largest. We’ve doubled the number of SF events at launch year over year, a clear signal showing just how much the AI wave is fueling the city’s growth. And this is shaping up to be *the* week for tech in the city. LA was home to the very first Tech Week, and it’s special for me to see how much it’s grown. What makes LA unique is the mix of industries here. We’re seeing two in particular take off - AI in entertainment and deep tech. The best part is how the ecosystem really comes together around Tech Week to champion the city, with so many LA investors and GPs hosting. One of the biggest pieces of feedback we’ve heard from attendees is that now that Tech Week has gotten so big, we need more ways to discover events most relevant to you. So, this year we’ve put together curated tracks: future of work in SF, entertainment in LA, investor-focused events, hard tech, fintech, hackathons, and more.

Katia Ameri

3,598,022 次观看 • 11 个月前

Wednesday February 11, 2026, 5:50 AM: Ferocious Siberian storm and deep central Pacific moisture axis arrive in Northern California on Sunday 6AM - Wednesday 9PM. Impactful widespread heavy rainfall 2.8 to 6.7 inches of rain for all SoCal, from San Luis Obispo to San Diego counties and that includes Northern California and Central California we all have impactful storm issues.  Bullseye heaviest severe impact is from Santa Barbara to Los Angeles Counties up to 3.7 to 8.5 inches of rainfall. This includes the Eaton fire burn scar zone and the Pacific Palisades burn scar zone. For the potential for higher confidence in mudslides. Accompanied by the storm are gusty powerful winds up to 65 MPH. Due to the cold nature of the system low elevation snowfall is projected at 2,500 feet least 2 - 6 inches expected this includes Antelope, Apple, and Lucerne valleys. Possible northernmost foothills of the Simi Valley, Santa Clarita, and San Fernando Valley. Still watching the details on the snow level for the northern valleys that’s still being looked at closely as a storm approaches in the next 24 to 36 hours so that part is not set in stone yet. Central and Northern California will have a 30% chance of sea level snowfall between Sunday afternoon and Sunday night. Higher confidence snowfall at 4,500 feet is projected to range from 6 to 12 inches of fresh powder. Higher accumulations of at 18 - 46 inches of snowfall in the local mountains of San Gabriel and San Bernardino starting at 5,500 feet Lake Arrowhead, Crestline, Big Bear may have a déjà vu moment of potential significant snow issues are trending be aware of this. This is just for cautionary purposes. Northern California Sierra Mountains: Truckee, Lake, Tahoe, Mount Shasta, and the Central Sierra’s of Yosemite and Mammoth Mountain will end up with 4 - 8 feet of snowfall if not isolated higher amounts are not out of the question. Strong winds gusting above 6,000 feet of 45 to 70 mph could cause whiteout conditions and deplorable travel conditions. The storm will have impacts on the five corridor Grapevine and Cajon Pass interstate 15 to Las Vegas please prepare for winter travel if you must travel expect closures and lengthy delays. Flooding will severely impact all freeways and highways and urban flooding is high confidence across much of Southern California, Central California, and Northern California, and is certain during this period. Please give yourself at least 2 to 3 hours before your travel time to work or school especially on Monday 6AM - 11AM This is critically important for the state of California. Trending confidence this is the biggest storm at this point to February 1 - 4, 2024, and February 24 - March 1, 2023, are the most recent trending similar storm impacts with this upcoming storm. Be safe everyone more detailed updates will continue over the next several days on this high-profile storm event. #CAwx #Califorinastorms J. Mesh, AMS 🇺🇸 SoCalWeather.net Rick Dickert L.A. in a Minute Ginger Zee Cece Woods SnowPals.org SF, CA 🌨️⛷️🏂 Drone Daddy News, OC Western Mogollon Rim Weather Josh Morgerman Rob Mayeda Edgar McGregor

Jason D Farhang

16,565 次观看 • 6 个月前

traditional marketing is dying and Obsession (the 2026 movie) is one of the biggest examples of it the movie has made $225 million in 2 weeks of launching and it only costed $750,000 to make thats a 300x return on production budget while a Star Wars movie came out a week after and it costed $166,000,000, more than 220x than obsession and it's struggling to make a 1x return on production budget the difference between these 2 movies is that obsession was incredibly clippable the clips of that movie are literally trending TikTok audios people clipped obsession and made it go viral all over social media they didn't need a $50 million marketing budget or interviews, or a press release just teenagers on their phone with capcut and tiktok made this movie $225 million in 2 weeks that's what happens when you're culturally relevant people's social media feeds are the culture when you run an ad or pay for a partnership it's not a part of the culture, it's an interruption and people despise that when you do clipping for your brand, product, or movie, it blends into the feed it's one with the culture people move with the culture, they share it, they react to it, and they build trends around it the reason people are rushing to go and watch Obsession is because they keep seeing it on their fyp 20 times a day it naturally builds curiosity and fomo and they don't want to miss out clipping blends you into the culture and when you become one with the trends that's when your costs will literally go down 300x and your ROI will go up 1000x this is what we see on Content Rewards every single day with our campaigns where our CPMs get as low as $0.30 to even $0.09 and we see numbers like 400 million views w/ only $100,000 in spend if you also want to see results like that, DM me and I'll help you

Alex

11,671 次观看 • 2 个月前

Games marketing is broken. After raising over $50M to support and work with hundreds of studios over the last 6 years, I find that the biggest problem is studios’ lack of direct connection with their players. Over the last six years, I’ve watched talented teams struggle because they never had a clear way to reach, learn from, and grow with players over time. Without that connection, everything becomes harder - validation, iteration, community growth, and retention all turn into guesswork. For most of the games industry’s history, platforms have controlled identity, communication, and distribution, which are invaluable to a game’s success. Apple limited how studios could collect and use player contact information outside the App Store, and Steam still doesn’t give studios access to the contact details of players who wishlist or sign up for playtests. Studios are left without a direct relationship with the audience they’re trying to serve. As a result, studios rely on fragmented tools and spreadsheets to manage players across different stages of development and live operations, with no continuity from first contact through long-term engagement. Today, that changes with the launch of FirstLook 1.0. FirstLook is the first Player Relationship Platform built specifically for games. It gives studios everything they need to connect with players across the full lifecycle, including playtests and feedback, community and communications, analytics, rewards, and creator programs, all in one place. We’ve been building under the radar, but FirstLook already powers hundreds of studios, from indies to publishers like Krafton, ArenaNet, and Skybound Entertainment, connecting millions of players with the developers who make the games they love. As part of the launch, we’re introducing a brand new limited time free plan, with access to all our features for up to 500 players. You can set this up now in under 10 minutes. If you want to learn more, book a demo and we guarantee that you will save you time and money and help you grow. Links in comments!

Eden Chen

95,122 次观看 • 6 个月前

I asked my bot to read 20 Polymarket quant articles and build me a trading system. One week later: $600 → $20,400. The crazy part? It didn’t just copy the strategies from the articles. It found the edges the authors never mentioned. I gave Claude Opus a simple prompt: “Read these 20 quant articles. Extract every strategy. Then figure out what they’re not saying.” 48 hours later, the bot was live. The articles talked about the usual things: • basic arbitrage • weather markets • simple spreads But the bot looked deeper. It analyzed 847 trades from top wallets, cross-referenced them with article timestamps, and found something interesting: The gap between what quants publish and what they actually trade. Examples: Articles say: wait for 5% mispricing. Top wallets enter at 2.3%. Articles say: avoid volatile markets. Top wallets make 80% of their profits during volatility spikes. Articles say: start small with $100. Successful bots compound 3–6% per trade. So the system ignored the advice. And copied the behavior. Week 1 results • 127 trades executed • 71% win rate • $600 → $20,400 Biggest trade: $4,100 profit on a 15-minute BTC market Funny thing? The articles called those markets “too risky.” The bot saw 18 top wallets entering at the same time. Copytrade → What the bot actually does → scans quant articles for strategy mentions → tracks wallets belonging to the authors → compares what they write vs what they trade → trades the difference The edge isn’t reading quant articles. The edge is watching what happens after they publish them. Most people learn from what traders say. The bot learned from what they hide.

Discover

54,245 次观看 • 5 个月前

Medicaid fraud, TrumpRx, minor trans surgeries, and the key to a successful marriage. Nothing is off the table with Dr. Mehmet Oz and Lisa Oz in my latest episode. 0:00 - Introduction 1:19 - Career in Entertainment 3:23 - MAHA Before MAHA Existed 5:18 - Favorite Part of Career 6:32 - Greatest CMS Success 7:17 - Weaponization of Fraud 9:13 - Total Amount of Medicaid Fraud 9:44 - Home Healthcare Fraud 11:13 - Message to Gavin Newsom 12:15 - Cutting Off Benefits for Illegal Aliens 13:10 - Will Minnesota Fraudsters Be Charged? 15:42 - The Origins of TrumpRx 17:44 - Cure for Cancer 19:05 - Insurance Covering TrumpRx Drugs 19:51 - Onshoring Drug Manufacturing 20:41 - Being Strict Parents 21:34 - Updated Vaccine Schedule 24:57 - Barring Sex-Rejecting Procedures on Kids 29:59 - Why People Keep Fainting in Dr. Mehmet OzCMS's Presence 34:28 - Secret to a Successful 40-Year Marriage 37:29 - Handling Media Scrutiny 40:20 - Greatest Public Health Concern 42:06 - America’s Fertility Rate Crisis 44:07 - Would You Rather Questions 48:09 - Typical Daily Diet 48:44 - Vegetarian vs. Omnivore 50:46 - Overhyped Health Trend 51:53 - Best Health Trend 51:55 - Most Ridiculous Health Trend 52:47 - Green Coffee Bean and Weight Loss 53:53 - Holistic Approach to Weight Loss 54:18 - Practicing What You Preach 55:36 - Consequences of Cannabis Use 55:58 - Go-To Comfort Food 56:49 - Worst Food at Grocery Store 57:36 - Workout Routine 57:57 - Pursuing a PhD 59:38 - Believable Conspiracy Theory 1:01:10 - Biggest Pet Peeve 1:02:11 - Relationship with Oprah Winfrey 1:02:59 - Is a Hotdog a Sandwich? 1:03:20 - Does Pineapple Belong on Pizza? 1:03:32 - Dream Dinner Party Guests

The Katie Miller Podcast

92,527 次观看 • 6 个月前

I asked a top 0.1% YouTube Strategist (Vexian - Algorithm Alchemist) to take me from 0 to 10m subscribers. This is every level of YouTube growth. 0:00 Education vs Entertainment 1:51 The Biggest Mistake New Creators Make 2:45 You Don't Need Gear You Need Reps 3:53 The One Thing That Guarantees 1K Subs 4:58 What Is the Impression Snowball 5:54 Consistency as Compound Interest 6:57 How to Come Up With Content Ideas 7:28 Track the Top 20% in Your Niche 8:18 Reverse Engineering Titles That Work 9:06 How to Remix Without Copying 10:00 Why People Actually Watch 11:30 90 Ideas in 30 Minutes 17:29 Level 2 (1K to 10K Subscribers) 21:00 How to Hook in 3 Seconds 24:40 YouTube Is a Zero Sum Game 25:11 Collabs and the Anchor Effect 26:48 Using Bigger Creators to Grow 28:21 What Separates Creators After 100K Videos 29:41 Consistency in Amount Type and Focus 30:05 How to Know When to Quit Your Niche 31:37 What Gaming YouTube Teaches Everyone 33:31 Storytelling From Minecraft YouTubers 34:22 Mini Stories and Escalating Stakes 37:47 Level 3 (10K to 100K Subscribers) 42:00 Package Your Video Like a Movie Poster 44:00 The Pre-Post Checklist 49:00 Seven Levels of Rapper and Viral Permutations 51:05 CTAs Where to Put Them and Where Not To 53:26 Subscribers Are a Vanity Metric 55:46 Replace Ad Reads With Your Own Content 58:49 Level 4 (100K to 1M Subscribers) 59:08 What Is Impact 1:00:01 Pattern Breaking and Absurdism 1:01:15 How to Title a Podcast for Absurdism 1:02:27 Melding Interest Topics Together 1:04:36 Parasocial Reciprocity 1:05:57 The Third Thing Nobody Talks About 1:06:05 What Is Sauce 1:08:20 How Long Does 100K Actually Take 1:09:31 When to Start Outsourcing 1:12:00 Your Niche Has a Ceiling 1:21:42 The Invisible Katana and 25M Views 1:23:27 One Word Across 5 Niches and 13 Years 1:25:38 What Channels Will Hit 1M 1:29:00 Level 5 (1M to 10M Subscribers) 1:29:34 Outlier vs Presence of Mind Ideation 1:30:50 Oppenheimer Barbie and the Minecraft Movie 1:38:00 Why the Best Channels Stop Growing 1:44:41 What Happens When You Beat YouTube 1:46:18 When You Become an Idea Not a Person 1:49:48 The Two Things That Actually Matter

Grant

19,207 次观看 • 3 个月前

Today I met our Hon'ble Governor of Manipur, Ms Anusuiya Uikey regarding the current crisis in Manipur. The Union Home Minister, Shri Amit Shah Ji in his statement in the parliament, said that the present crisis in Manipur is due to external aggression. The NIA in their statement have said that, four Kuki Militant groups under SoO agreement are behind the current unrest in Manipur. Hon’ble Governor yourself have also stated that, the crisis is because of external aggression. Recently an SDPO of Manipur Police was killed at Moreh by a Sniper. The identity of the assassin is now known to all. Previously, Moreh Town was announced as a disturbed area. So, why adequate measures are not taken up till date. So, if even the securities’ lives are at stake, how will the innocent people of Manipur be safe. And who is going to give orders to stop this aggression of the Militants? In a recent combing operation at Moreh, out of 44 persons 32 were from Myanmar. It clearly indicates that lots of illegal immigrants are already present in this area. It is the duty of the Indian Government to stop external aggression according to Article 355. So, for whom is the Government waiting for to stop this aggression. Anand, SDPO moreh was killed by a sniper. A village defender won’t have any sniper rifle. It is also a clear indication of involvement of external aggression. The Government should take up concrete steps to stop this. She said that, the Government is taking up necessary steps to stop this and there are lots of confidential information which the Government cannot reveal right now. The Intelligence Bureau and lots of intelligence departments are here to investigate. So, she requested to give some time. I stated that, the violence has been going on for the past 6 months and to speed up the action by the Government. I also said that it is not between two communities but is is the Meiteis versus the external aggression. The Security Advisor, Government of Manipur has also said that, at the Khamenlok Incident, only 2(Two) cadres of the SoO militant group are found in their camp. And it is a clear indication of the involvement of the SoO Kuki Militants in the attack. In the recent incident while performing a search operation in the designated camps, no cadres of UKLF and KNA are found at their camps. The NIA in their statement have also said that, four Kuki Militant groups under SoO agreement are behind the current unrest in Manipur. So, the Militant Groups under SoO agreements are continuously violating the ground rule. Why no steps are taken up yet to end the agreement? She said that it is a long process and the Government is working on it. I told her that the SoO agreement with the Kuki Militants is playing a vital role in worsening the current crisis so the agreement need to be abrogated as soon as possible. The people in the relief camps have been suffering for the past 6 Months. So, please take up strict necessary steps to make them able to go to their respective homes and also provide adequate security so as to enable them to lead a normal life as before. Even half of the people of Torbung have entered their home. Torbung is far away from Churachandpur town. So, I requested to take up necessary steps to let the people of Torbung enter their respective residences and provide adequate security. I stated that, in a viral video and a viral photo, Ngaleiba and Chingkheinganba were brutally killed by the Kukis. The killers are also shown in the photo and the videos. Two Meitei students namely Hijam Linthoingambi and Phijam Hemanjit were also brutally killed by the Kuki Militants. Please make an arrangement to give their bodies or even a part of them to perform their last rituals, at the earliest. Photos of them just before and after their murder were also surfaced on Social Media. I demand to arrest those involved in the brutal murders and also give capital punishment to those involved in these incidents.

Maheshwar Thounaojam

14,781 次观看 • 2 年前

Made with Seedance 2.5 using 2 prompts (15s each) + manual stitching. PROMPT 1: ⬇️ 15 seconds, 16:9 horizontal, one continuous photorealistic viral smartphone shot. Absurd surreal comedy scene in a small indoor hotel pool. Realistic environment: tiled walls, fluorescent ceiling lights, metal pool ladders at the sides, pool depth markers, white plastic chairs, vending machines, and 6–8 normal-size spectators in swimwear standing around the pool, laughing, cheering, and filming on smartphones. A giant young sexy blonde woman in her early 20s is floating flat on her back in the pool. Her enormous head, neck, and upper shoulders float naturally on the water surface. Her face is almost horizontal, looking upward toward the ceiling. Wet slicked-back blonde hair spreads slightly in the water. She is exceptionally beautiful, youthful, glamorous, and highly photogenic, with blue eyes, glossy wet skin, and realistic pores. At the very first frame, a full-size normal middle-aged man in plaid swim trunks is already standing barefoot with BOTH FEET planted directly on the center of the giant woman’s forehead above her eyebrows. He is holding a white cup. The man is approximately 180 cm tall in the world of the scene. He is NOT miniature, NOT toy-sized, NOT dwarf-sized, NOT shrunken. His size, height, head size, and body proportions must match the men standing around the pool. He must also match the human scale of the pool ladders, chairs, and vending machines. Only the woman is gigantic. The man is NOT standing on a ladder, NOT standing on the pool edge, and NOT climbing down from anywhere. The pool ladders exist only in the background and never interact with him. The giant woman remains lying flat on her back throughout the scene. Her enormous face floats on the water while the full-size normal man stands clearly on top of her forehead. Do not make him grab her nose. ACTION: 0–3s: Wide poolside smartphone shot. The giant blonde woman floats flat on her back. The full-size normal 180 cm man is already balancing on her forehead with both feet. The crowd behind them laughs and films. She looks upward at him with amused, slightly confused eyes. 3–6s: The man moves quickly and awkwardly across her forehead, taking faster unsteady steps and windmilling his arms while trying not to fall. He should not move carefully or slowly. The crowd reacts louder. The phone camera does a slight shaky push-in. 6–9s: He slips suddenly and slides faster down the slope of her giant face toward her nose and mouth. His white cup flies out of his hand. Her eyes track him and her expression changes from amused confusion to surprised disbelief. 9–12s: She opens her mouth very wide in sudden surprise. He slides directly into the open mouth much faster, feet-first, with a more dramatic loss of balance. 12–15s: He falls completely into her open mouth and disappears fully inside. No part of him remains outside. She closes her mouth, blinks in shock, and the people around the pool erupt in cheers, laughter, raised hands, and excited phone filming. CAMERA / REALISM: One continuous viral smartphone shot from poolside, slightly handheld, natural framing, mild compression, realistic fluorescent indoor lighting, convincing wet skin, water reflections, and splashes. No cinematic grading. The impossible scale should still look weirdly believable: giant woman floating on the water + full-size normal 180 cm man standing on her face + normal-size crowd behind them. TONE: Funny, surreal, visually shocking, and energetic, but not horror. No gore, no blood, no violence, no body horror. CRITICAL NEGATIVES: NO man on ladder. NO man on pool edge. NO man climbing into frame. NO nose grabbing. NO miniature man. NO toy-sized man. NO dwarf-sized man. NO shrunken man. NO woman upright in the water. NO giant head standing vertically. NO scale changes. NO broken anatomy. NO extra limbs. NO glitchy transitions. ---- PROMPT 2 (with a screenshot of the man as a reference): ⬇️ 15 seconds, 16:9 horizontal Use the provided man as the reference identity. Keep his face, hairstyle, age, body type, and plaid swim trunks recognizable. He is the same man from the previous scene. Photorealistic absurd surreal comedy continuation. The man is rushing through a huge surreal internal tunnel inspired by a human colon/rectum, but presented like a bizarre water slide. The tunnel is fleshy, pinkish, wet, and organic-looking, with curved tubular walls, but it stays clean and surreal — no gore, no blood, no fecal content. Water rushes around him as if he is riding an impossible fleshy water slide. The man is visible in the frame for most of the sequence, sliding, spinning, yelling, and trying to hold on as he gets carried forward by the rushing water. The tunnel gradually opens into daylight. He shoots out of the end of the surreal organic slide into a bright real outdoor waterpark splash pool. Realistic sunny waterpark setting: colorful slides, shallow pool, splashing water, and a crowd of people cheering and clapping as he bursts out and lands in the water. He pops up from the splash, shocked but unharmed, while everyone applauds. CAMERA STYLE: cinematic but still realistic, smooth motion as if the camera follows him inside the tunnel, then a clean wide exterior shot for the final exit. Strong realism, good water physics, clear continuity, exciting but playful tone. Tone: surreal, hilarious, high-energy, impossible but convincing. Not disgusting, not gory, not sexual. More like a bizarre theme-park sequence. ACTION TIMING: - 0–4s: Inside the surreal organic tunnel, the man slides feet-first through the wet curved passage while splashing water rushes around him. - 4–8s: He tumbles and spins through the fleshy water-slide tunnel, still clearly visible, yelling and flailing. - 8–11s: The tunnel brightens ahead as daylight appears. He accelerates toward the opening. - 11–15s: He blasts out into a real outdoor waterpark pool in a huge splash, the crowd cheers and claps, and he surfaces looking stunned but okay. Important: preserve the man’s identity from the reference. Keep him visible for most of the interior ride. Make the internal tunnel feel like a surreal organic water slide, not graphic anatomy. No gore, no fecal imagery, no body horror, no broken limbs, no glitching. #AIVideo

Alpha Mom

86,474 次观看 • 7 天前

This video has been extremely painful to watch for any sane Zimbabwean. It has made Zimbabweans the butt of jokes across the region, especially in Southern Africa and other African countries on social media. I have written extensively about the father of this child, Paul Tungwarara, who is President Emmerson Mnangagwa’s so-called Presidential Investment Adviser. You see, this is what shows just how detached President Emmerson Mnangagwa has become from the realities of the lives Zimbabweans are living and how ordinary citizens actually feel about him. I do not know whether his intelligence services are failing to give him the correct information, whether he receives the correct information and simply ignores it, or whether this is now a reflection of a deeply dysfunctional system in which people around him are too afraid to tell him the truth. What is clear is that a cartel of opportunists like Paul Tungwarara has formed around him, abusing proximity to power while lacking the emotional intelligence to understand what should and should not be done in public. They think these comical stunts are pleasing him, when in reality they are humiliating him, destroying his image, and ensuring that no meaningful legacy remains behind him. You cannot go to one of the biggest hospitals in Zimbabwe and humiliate nurses by asking them to dance for US$100 as if they are beggars. It is degrading and insulting in a country where healthcare workers are already suffering because of economic collapse and poor governance. It does not end there. Paul Tungwarara’s daughter, Tinotenda Tungwarara, went to the Mbudzi Interchange in Harare, threw around US$500, and asked desperate Zimbabweans to scramble for the money. People went because they are suffering. They have been pushed into abject poverty, humiliation, and economic desperation by years of economic failure under President Emmerson Mnangagwa’s government. This is precisely why many Zimbabweans are rejecting any attempt to extend the Constitution to give him an extra two years in office. If Zimbabwe had a functioning economy, if citizens had jobs, dignity, decent salaries, and functioning public services, people would not care much about political manoeuvres. Across Africa, citizens tolerate many things from politicians as long as their quality of life is improving or at least stable. But this is different. This is public humiliation of citizens by people connected to power. And if somebody close to the President is reading this, please whisper this into his ear that the people around him are damaging him politically every single day with these idiotic and comical antics. If there is ever an attempt to remove him from office, these actions are creating the emotional atmosphere that would make citizens support such a move. It is almost as if the people around him are deliberately creating a body of evidence to justify his political downfall. Nothing destroys a leader faster than surrounding himself with arrogant people who mistake public suffering for entertainment, and who are detached from public opinion. As for these nurses, journalists cannot continue writing about these things forever. We do not have an opposition or a political opposition leader, so we have reached a point where Zimbabweans need to use their own heads and decide what kind of society they want to live in. If nurses are prepared to be abused and humiliated like that, then they have become part of the problem. A society that normalises the humiliation of professionals, especially healthcare workers who are already working under terrible conditions, has much deeper problems than it is prepared to admit. At some point, you also have to reflect on what some South Africans have been saying, that Zimbabweans have chosen a timid path of enduring abuse and humiliation. I do not think that in any normal society people would be made to dance like that for crumbs, it is deeply dehumanising. There comes a point where people must ask themselves difficult questions about what they are prepared to tolerate and why they continue tolerating it. The excruciating level of unsophisticated behaviour is shocking. Chibharanzi chaicho. I cannot believe that a state with intelligence services would allow something like this to happen publicly. The level at which President Emmerson Mnangagwa’s rule has sunk is absolutely staggering. I know there are people inside that government who fully understand exactly what I am saying, that this has now reached a point where the entire country is being embarrassed and humiliated by these antics. Zimbabwe is being laughed at across the region, on the continent, and beyond. And the frightening part is that a President who is supposed to be the first citizen of the country, either cannot understand, is failing to understand, or has completely lost the capacity to understand that this is wrong. That is what makes this situation so alarming. I want to speak directly to President Mnangagwa. If any one of your soldiers were to decide to go into the streets and move against you because of this behaviour, which you have failed to curtail and stop, I want to assure you, sir, that the majority of Zimbabweans would support such a person. I do not know whether that is what you want, or whether you understand that things have now sunk that low, from the gutter into the sewer. And to all the people who are behaving like this, humiliating Zimbabweans, making them dance for trinkets, putting money under the interchange and asking people to go and look for it, preying on their poverty, the abject poverty that has been induced by your actions, I want to assure you that when the day comes that the President is no longer there, you will be dragged into the streets. Some of you will face brutal consequences, and unfortunately, many Zimbabweans will celebrate because of your behaviour and the humiliation you have subjected people to. You are not the first people to have access to state money, and you will not be the last. Across the continent, there are many people with access to state resources, but they are far more sophisticated than you are. They understand how to behave, how to carry themselves, and how not to embarrass their principal and dehumanise suffering citizens. When elites begin turning citizens’ suffering into entertainment, they should never forget that history has a brutal way of eventually humiliating those who humiliate others.

Hopewell Chin’ono

77,430 次观看 • 3 个月前

This is one of the dumbest business decisions ever. A $250 billion company just invested in the startup that's going to put it out of business. On PURPOSE. The company is Accenture. 786,000 employees. The largest IT consulting firm on Earth. Their entire business is renting out human consultants by the hour to build software for Fortune 500 companies. The startup is Replit. A platform that lets ANYONE build software using natural language. No coders. No consultants. Just type what you want and the AI builds it. On Wednesday, Accenture announced they invested in Replit and signed a strategic partnership to bring "vibecoding" to enterprises globally. Isn't this funny? The biggest seller of human coders on Earth just funded the company whose entire mission is making human coders obsolete. The part that breaks my brain: Replit's valuation jumped to $9 billion after the deal. Up 3X in 6 months. Accenture's stock? Down 42% in the last 12 months. From $389 to $186. The market figured out what was coming before Accenture did. In February, Anthropic released a tool called Claude Code. Accenture stock crashed 9.6% in a single day. JPMorgan analyst Toby Ogg said the entire consulting sector "is now being sentenced before trial." That's a Wall Street analyst saying the death sentence has already been delivered. And Accenture's response? They started laying people off. 11,000 employees gone in late 2025. CEO Julie Sweet said it directly on the earnings call: "We are exiting on a compressed timeline people where reskilling is not a viable path." What this really means: We're firing humans because AI can do their jobs. Then she announced an $865 million "restructuring program" to make it official. Now zoom out and look at what just happened... Accenture's clients already include Atlassian, Adobe, Databricks, and Zillow. Replit's clients? Atlassian, Adobe, Databricks, and Zillow. Same logos. Same projects. Different vendor. Every billable hour Accenture saves a client by switching them to Replit is a billable hour Accenture doesn't get to charge for. They're cannibalizing their core revenue and calling it a partnership. They're literally paying for their OWN funeral. Why they did it anyway: Wall Street has been hammering Accenture for months. The narrative is clear: AI is killing consulting and Accenture is the slowest to adapt. Stock down 42%. 11,000 layoffs. Analysts cutting price targets every week. The Replit investment isn't a strategy. They just needed to look "AI-native" to investors before the next earnings call. So they wrote a check to the company building their replacement. And now every Fortune 500 CEO who reads this announcement is going to ask the same question: If Accenture themselves is investing in vibecoding, why are we still paying Accenture $300 an hour to do what Replit does for $20 a month? That question has only one answer... We're NOT. Because this is literally the same playbook every dying industry follows: Newspapers buying digital-first startups in 2008. Taxi companies launching apps in 2013. Hotel chains "partnering" with Airbnb-style platforms in 2016. Every single one ended the same way. The new tool wins. The old company shrinks. The employees get laid off in batches with words like "restructuring" and "rotation" and "reinvention." Accenture isn't building the future. They're funding the people doing it because they can't. This is more proof that AI will replace even more jobs.

Ricardo

240,708 次观看 • 4 个月前

here's what most app founders don't tell you about scaling your app on tiktok here's the actual playbook, not the generic level "just post consistently" advice: accounts use personal/creator accounts, not business. business locks you out of trending sounds entirely, you get stuck with a library of 40 generic royalty-free tracks nobody's ear recognizes as "tiktok sound," and sound is half the algo's read on your content don't buy an aged account unless you can post from the exact location it was created in. mismatch the vpn/location and you'll watch views crater to single digits within days, tiktok resets your trust score fast pick one avatar, one template, one visual style. lock it in for at least 15-20 posts before you touch it. switching every few videos tells the algo you're a different account every time, you never build a consistent signal views aren't what you think they are 30-200 views is not a shadowban. shadowbanned means 0 views, full stop, nothing gets pushed. 30-200 means the hook, pacing, or format just isn't landing yet "i copied that viral video frame for frame" — you didn't. the millisecond pause before the reveal, the exact caption position (top third vs center), font size relative to screen, all of it is doing more work than the concept itself. people copy the idea and skip the 200 micro-decisions that made it work good content still won't always go viral. a 5:1 view-to-like ratio is genuinely strong signal, it just doesn't guarantee reach. the algo rewards volume of good attempts, not one perfect video cal ai didn't get one viral hit and coast. they ran hundreds of videos in the same format on repeat, and kept posting through videos that flopped at 1000 views. the winners paid for the losers views ≠ downloads, and this trips up everyone 1M views with almost no installs is extremely common. prank format, funny skit format, anything built for pure entertainment gets massive reach and contributes basically nothing to your install numbers because nobody's thinking about your product, they're thinking about the joke tutorial format does a fraction of the views and converts 10x better. screen recording of the actual app, green screen walkthrough, finger literally tracing where to tap. it's less entertaining and it's the format that pays your bills if you only chase views you'll optimize yourself into a wall of engagement with no revenue behind it content that doesn't scream "ad" don't slide the app into every single post, most of what you post should just be good standalone content bad: "here's why my app has 15 features your current app doesn't" good: "i saved $500 last month and used it to buy my kid a ps5" walks into walmart, grabs a ps5 off the shelf "had no idea i was burning $500/mo on subs i forgot to cancel" the app name/logo shows up after the value hit lands, never before. the viewer needs to feel the outcome first, the brand is just the explanation for how they get it too zero ideas? screenshot your competitors' top 20 tiktoks and study exactly what they're doing in the caption text, the hook, the pacing. copy the format, not the literal video. nobody's reinventing organic distribution from scratch, everyone's remixing what already works working with creators without torching your budget skip influencers at the start unless you've got real spend to burn. you'll pay a few hundred bucks, get 10k views, feel nothing happened, and quit the whole channel cheap ugc reaction clips ($2-5 for a 3-5 second reaction) stitched onto your own tutorial footage gets you dozens of usable videos in a day, this is the highest leverage move for a small budget pay per view if you can get creators to agree to it. rpm between $0.5-$2 depending on how "tutorial-ish" the content is, cap payout at $200-500 per video so you're not exposed. hard to find creators who'll take this deal but they exist, worth asking posting without tripping the flags skip the phone farm, skip the expensive 4g/5g proxy setup. you'll burn a month building infrastructure and still end up throttled a vpn is fine if you're targeting a country you're not in. tiktok can see the vpn, that alone doesn't flag you what actually gets you flagged: → reposting pinterest images hoping tiktok won't recognize them → posting 4+ times within an hour → random disconnected content with no pattern between posts → switching phones or vpn servers constantly → running more than 3 accounts from one setup → posting immediately on a brand new account with zero warmup batch a full month of content in one or two sessions. you already know you won't "post again tomorrow" once life gets in the way connect the vpn first, then open tiktok, so the algo resets to your target country before you touch anything. schedule max 2-3 posts a day with something like hootsuite, set it to drafts instead of auto-publish, review each one before it actually goes live link in bio is quietly killing your conversions tiktok's in-app browser doesn't carry the user's saved logins or cookies. they tap your link, hit "sign in with google," nothing autofills, nothing's remembered, they bail in 3 seconds fix: detect when your link is opened inside tiktok's in-app browser and show a quick prompt telling them to tap the three dots → open in browser. gets them into safari or chrome where their session actually persists, this single fix recovers conversions most people don't even know they're losing

Mufasa

17,518 次观看 • 15 天前

[Behavioral Scientist's Analysis] NewJeans, Now Even Stronger, HYBE in Trouble I’ll listen again. Danielle: “Naturally, we all want to continue working with Daepyonim. Even before debuting as NewJeans and through all of the time that we spent together with Min Hee-jin Daepyonim, all of us felt that the music we wanted to make and the kind of world we wanted to build together, our vision, was similar in so many ways. With Min Hee-jin Daepyonim, we were able to prepare each and every task with sincere hearts, and I believe it shows in our work. Putting our sincere effort into something is only possible because the people that we're working with have trust in each other and have that same vision. Min Hee-jin Daepyonim is not only the person that produces our music, but someone who makes NewJeans who we are. She discusses even the smallest details with us and explains them in ways that we can understand clearly. NewJeans has a distinct colour and tone, and this was created with Min Hee-jin Daepyonim. She is integral to NewJeans’ identity, and we all feel that she is irreplaceable.” Danielle clearly stated this and also expressed it in English. So, in terms of the NewJeans issue, international fans who don’t have much information may not have had a clear perception of Ms. Min Hee-jin or how to view this issue. If you look at the comments, it was very poorly organized. In Korea, we now have clear information, so NewJeans fans, Bunnies, are cheering for NewJeans and supporting Ms. Min Hee-jin. It has become clearly sorted out like this. However, internationally, it hasn’t been clearly explained. But with Danielle explaining it so well in English, I expect that from now on, the international atmosphere will shift towards attacking HYBE, criticizing Bang Si-hyuk, and supporting Ms. Min Hee-jin and NewJeans worldwide. So, now that the artist has clearly stated their position and made it clear that the identity and assets of the NewJeans brand come from Ms. Min Hee-jin, regardless of any legal disputes or lawsuits, in the minds of the fans, NewJeans equals Min Hee-jin. And as for the current management of ADOR and HYBE, they will be seen as the ones attacking NewJeans and the mysterious people with no clear motive, such as Bang Si-hyuk. I think this will now be clear. Considering the nature of the entertainment industry, like many creative industries and the cultural industry, this is not manufacturing. Many things can’t be determined through legal processes like patents for ideas or lawsuits. The B2C market, or the market for services and consumption of an artist's brand, is driven by sensitivity. People consume it because of the emotional connection and enjoy it because of that sensitivity. So, what’s the point of winning a legal case? Even if HYBE were to win any legal case, do you think consumers wouldn’t boycott NewJeans’ music or other products afterward? I believe HYBE will be punished in some way for its actions towards ADOR and its current management. The way they are handling risk management is shortsighted, as they fail to understand people’s emotions. They seem to only rely on the advice of legal professionals and accountants, and their entire approach to this issue is so narrow-minded and misguided. It feels incredibly foolish to me. So, to summarize: NewJeans’ branding was done by Ms. Min Hee-jin. The identity and assets of the NewJeans brand were created by her, and we did it together because of her. Haerin: “However, even after our debut, there have been many unfair and incomprehensible incidents that you might not know about, and these incidents have only increased over time. As some of you may know, recently, videos from our trainee days and private records, such as medical information, were leaked. When I first saw that, I was really shocked. It was hard to understand how our company, which is supposed to protect us, failed to manage and allowed such information to be leaked. Naturally, this situation has made us worry that other strange or false information about us might spread in the future. Although we, along with our parents and Min Hee-jin Daepyonim, have raised concerns about this to HYBE, they haven’t resolved the issue, nor have they taken any proactive measures. Then, in the midst of all this, our CEO was dismissed, and we’re left wondering whom we can trust and rely on. We’ve come to the conclusion that if we don’t speak out about this now, no one will know what we’re going through. After much discussion among ourselves, we finally decided to take this step.” The current situation is shocking, but this is not just about this one incident; they’ve been continuously receiving unfair treatment from HYBE. The fact that they are saying this publicly now is truly shocking. They’ve been discussing these unfair treatments with their parents and Ms. Min Hee-jin while continuing their activities as NewJeans. They are saying that the unfair treatment from HYBE has been ongoing. It’s hard to understand as an outsider, but now the artists themselves have confirmed that there have been instances where the company has mistreated them. This is no longer a matter of speculation or exaggeration. NewJeans has officially admitted that HYBE has been continuously mistreating them. Moving forward, this changes the entire perspective on the issue. It’s no longer just NewJeans vs. HYBE or Min Hee-jin vs. Bang Si-hyuk. It’s hard to even imagine the reality of this situation. Now that the NewJeans artists have come out and said that HYBE has mistreated them, regardless of how HYBE tries to communicate going forward, they will now be framed as the ones mistreating NewJeans. How can they possibly shake off this perception now? I don’t think they can. Hanni: “Something happened to me recently. The 4th floor of the HYBE building is where we get our hair and makeup done, so a lot of other artists and staff come and go there. One day, I was waiting alone in the hallway, and some staff from another team passed by. We greeted each other, but when they came back out a bit later, I heard one of their managers say, “Ignore her,” right in front of me. I could hear and see everything clearly. Even now, I still don’t understand why I had to go through that.” I still don’t understand why that happened, even now. When I think about it, I feel like it was really ridiculous. This story from Hanni was so frustrating and absurd. Wow, what Hanni just shared is really shocking. She mentioned meeting an artist, and that artist's manager told them to ignore her. If this happened in middle or high school, people would probably dismiss it as childish fighting, but this happened among adults, and it's becoming a huge issue. Honestly, the NewJeans members aren’t sharing these stories to stir things up. They’re probably just speaking truthfully about their experiences and trying to be genuine with their fans, saying, “It’s time we express our stance honestly.” The timing and approach they’ve taken are actually perfect. They started by clearly explaining their motivations and why they’re speaking out, then moved on to using English to express what NewJeans’ identity is and the members' feelings, as well as their history with their manager. They made it clear how they feel about these situations. Now, they've started sharing more detailed stories. The way they’ve structured everything is so good because people remember stories more than abstract thoughts or philosophies. When you say, “This happened to me,” people are much more likely to remember that than vague statements. Hanni shared her unfair experience in such an honest way, and I think it’s going to spread widely. I can already imagine netizens trying to figure out which manager it was, which artist, and so on. This story will likely go viral. People remember stories like this because they stick in their minds. For example, remember when Bang Si-hyuk didn’t return NewJeans’ greeting, and it became a huge thing about face blindness? People don’t remember the details, but they remember that someone important didn’t greet them. It became a memorable story. Minji: “When I heard about what Hanni experienced, I was really shocked. How could a manager from another team tell their members to ignore one of us, and say it so loudly that Hanni could hear it? Such unimaginable words and behavior were directed at us, yet there was no apology, nor did they even acknowledge their wrongdoing. Of course, I’m worried about how many more similar incidents might occur in the future and whether we’ll be subtly ostracized without anyone there to protect us.” Hanni: “I hope no one else has to go through something like that, but since it’s already happened once, I can’t help but feel scared that other members might experience the same thing. I spoke to the new CEO about it, but since I didn’t have evidence and it was considered too late, they seemed to brush it off, making me feel like there’s no one left to protect us. It really felt like the concern for us was gone, and even though I was being honest, it made me feel like I was suddenly being treated as a liar. Before, Min Heejin, our previous CEO, used to take care of us a lot. But now, while the new people say they’ll help, it’s just been months of excuses... excuses... excuses... They keep saying that it’s something they can’t resolve. But this is something that I personally went through and experienced, yet they are trying to dismiss it as if it’s my fault. I’m worried and scared about what might happen next.” I want to make two points here. First, this is clearly “invisibility.” It’s not physical violence, but it’s about not acknowledging someone’s greeting, deliberately ignoring them, and so on. While it may not seem like a big deal, it still deeply hurts someone’s feelings. There’s been a lot of research on how these kinds of actions negatively affect an organization, spreading like poison and making people feel bad. It’s something we should really work against. The second point is about third-party justice. Hanni raised a legitimate concern, and it wasn’t handled properly within the company. This made Hanni, Minji, and others realize that the new management isn’t on their side. When others witness this, they’ll also realize that this company doesn’t have their best interests at heart. This realization leads to a loss of trust. People will remember these events, and once this perception sticks, it’s hard to change. It affects not just NewJeans, but also other artists who will think, “Oh, this is how HYBE treats people.” And it even affects the employees who work there. Minji: “Of course, I’m worried about our future, but what’s most frightening is that the work we’ve already created is being compromised. Seeing the people who have poured their lives into creating our work being treated this way makes it hard to understand how this could be happening. The new management said they would separate producing and management, but we’ve always worked differently from other labels, and we thought that our way was a good one. Now, Daepyonim can no longer approve all matters, and we’re left wondering how we’re supposed to continue working as we did before. The recent statement from the new management also didn’t make sense to me. If they really didn’t intend to interfere with our production, then the recent incident with Director Shin Woo-seok should never have happened, and it should have been handled differently. We are the ones directly involved with the copyrights and likeness rights of our content, yet they’re making decisions without our consent. In their statement, they kept saying they were acting to protect us and prevent our anxiety, but why do they keep insisting on this when they haven’t considered our wishes? We don’t want any more unnecessary issues to arise, and we want them to show respect and consideration for Daepyonim and all the directors who have worked with us. The things they’re doing right now are not in our best interest at all.” What’s worth discussing here is the perception of hypocrisy. People really dislike hypocrisy, and when you think about it, it makes sense. When humans are surviving, if there’s an enemy or a difficult environment, they overcome it as part of life. But the most dangerous situation is when you think someone is an ally, but they turn out to be an enemy. When you thought they were on your side but they stab you in the back — that’s when people are really upset. That’s why people hate it when there’s a discrepancy between outward appearances and inward intentions. It creates a near-hatred, especially when someone claims to be acting for your benefit but it’s clear that they’re not. This is what Minji is clearly pointing out — these people are hypocrites. New Jeans has already reached a conclusion internally: this new management team, in less than a month, has revealed themselves to be hypocrites. And they’ve shared this with the fans and everyone else. This isn’t just some interesting topic on a live broadcast; this will cause a huge impact, and I am certain of that. New Jeans has come to a solid realization — these people are not working for us. They are liars and hypocrites. Therefore, the new management can no longer properly lead the company. They will not be able to continue, and this system cannot be maintained. Why? Because the artist has called them out as hypocrites. The only way they can recover is by proving they aren’t hypocrites, but even then, that’s not effective — New Jeans would have to say it. But the chance of that happening is zero. In short, these people have been socially branded as hypocrites. The new management’s time is up. Less than a month, and their time is over. In the creative industry, especially in culture and the arts, content production — such as creating songs or music videos — cannot be separated from management. That’s how we’ve always worked, and it was good for us. Min Hee-jin was a remarkable creator and artist who understood all of this. The harmony between management and artistic decision-making brought about the incredible phenomenon of New Jeans. But now, they’ve created a system where that harmony can’t exist anymore. Moreover, the new management is culturally ignorant. They don’t understand art, music, or creativity. They have shown this clearly, especially with their mishandling of Director Shin Woo-seok’s music video and the associated fan content, like those on the Dolphiners YouTube channel. They’ve demanded to delete content without protecting the artists, or respecting the work of those who collaborated on it. Their management decisions show a complete lack of sensitivity or empathy. So once again, I say: "the new management’s time is over." Danielle: “As I mentioned earlier, our dream was to perform the music we want to make with Daepyonim, and we were working very hard toward that goal. But now, we can’t do that, and the plans we’ve made might not come to fruition. As Hanni unnie said earlier, just like that, the content that we released solely for our fans, for our bunnies, was instantly erased. And I truly can't understand why anyone would do this to a group, or just anyone in general. We were just working hard for the present, so what did we do wrong? A week after Daepyonim was dismissed, we found out that we could no longer work with the director we’ve been working with all this time, and we’re extremely anxious because we don’t know what will happen to the staff who have always worked hard for us. If they really care about us, they should stop saying that they prioritize the artists and instead let us do the music we love in an environment where we can be genuinely happy. Is that really so hard to do? It’s hard to fully express what’s in my heart, but in the end, the five of us just want to continue our activities with Min Hee-jin Daepyonim, as we have done so far.” Personally, they just want to be left alone—just "Leave us alone. Don't interfere; just leave us alone.” This is what they’re saying to both ADOR and HYBE. It's become clear now that HYBE and ADOR can no longer meddle with NewJeans, and I think things will flow that way from now on. The fans won’t stand still either. In entertainment, it’s not about titles like "I’m the CEO," or "I own shares." These are shallow understandings of what makes the entertainment business work. The real value created in this industry is the love and recognition from the fans. No amount of shares or CEO titles matter when that love disappears in an instant. NewJeans is asking to be left alone, and because of this, the new management of HYBE and ADOR can no longer act. I believe the future will unfold accordingly. One important thing I want to emphasize is that NewJeans is a unique group. They’re not just factory-produced idols. The distinctive nature of NewJeans’ music is felt by everyone who listens to them. For example, producer 250, who played a significant role in shaping the NewJeans sound, alongside other talented producers like those from the Banana Culture label, was brought in by CEO Min Hee-jin. This collaboration birthed the unique musical style of NewJeans, which many have come to appreciate. Their latest album, which incorporated elements like New Jack Swing, wasn’t just NewJeans making this music—it was 250's creative vision, drawing inspiration from 70s and 80s funk, R&B, and American black music, and reinterpreting them. If 250 no longer works with NewJeans, their music might become indistinguishable from other idol groups. The choreography, another element that set NewJeans apart, also contributed to their success. However, with the recent tensions, it's obvious that working with key figures like director Shin Woo-seok, who directed many of NewJeans' music videos, will become difficult moving forward. Director Shin wasn’t even interested in music videos before but was inspired to work with NewJeans after a conversation with Min Hee-jin. If Min Hee-jin and people like director Shin are ousted from ADOR, it’s inevitable that the core assets of NewJeans, including their distinctive musical and visual style, will vanish. This is not just a simple matter of one person being ousted—it’s about losing the core elements that made NewJeans what they are. WE STAND WITH NEWJEANS #버니즈_뉴진스와함께_준비갈완료 #방시혁_2주준다_민희진_복귀시켜라

1tokki

39,222 次观看 • 1 年前