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Murder Drones: Boozy Uzi, with voices! Part 28: 104-106 Original Comic by Toyslasher And now its Doll's turn Credits in pinned post #comic #comicdub #murderdrones #nuzi #nuzicanon #boozyuzi #nsfw #NSFWvoiceacting

💜⚡MurDubz Voices⚡💜 (NSFW)

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27,749 просмотров • 1 год назад •via X (Twitter)

NSFW #comic #comicdub #murderdrones #nuzi #nuzicanon #boozyuzi #nsfw #NSFWvoiceacting

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We’re thrilled to announce Hollywood legend MEL GIBSON is joining us for #LFCC, marking his first and only planned European comic con appearance! Mel is a legendary actor, director and producer, best known as Martin Riggs in Lethal Weapon, William Wallace in Braveheart and Max in the original Mad Max trilogy! He’s also appeared in Conspiracy Theory, the John Wick prequel show The Continental, What Women Want, We Were Soldiers and provided voices for Rocky in Chicken Run and John Smith in Disney’s Pocahontas to name just a few of his credits! From post-apocalyptic road warrior to revolutionary war hero, Mel Gibson has done it all—and now he’s doing London Film and Comic Con! Don’t miss this rare appearance! Tickets available NOW -

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A rumored scene from Avengers: Secret Wars imagines the long-awaited answer to one of the MCU's biggest mysteries—why Thor was seen crying. Inspired by Marvel's Deadpool's Secret Secret Wars #4 (2015), the concept recreates the emotional moment where Thor mourns Deadpool, a clever retcon that revisited the original Secret Wars (1984) comic decades later. With Deadpool now officially part of the MCU following Deadpool & Wolverine, many fans believe Marvel Studios could adapt this iconic comic twist in Avengers: Secret Wars, finally revealing the heartbreaking reason behind Thor's tears. While this scene is not officially confirmed and the circulating footage is fan-made, the comic storyline has fueled major speculation about how Marvel could pay off one of the

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“Pass That Peace Pipe” from Good News (1947) is still one of the most electrifying dance ensemble numbers ever put on film - and yet so few people today remember its striking soloist, Joan McCracken. McCracken was a phenomenal acrobatic dancer, trained to be a ballerina by George Balanchine in the 1930s. She became a Broadway sensation in Oklahoma! with her comic “fall” in the number, “Many a New Day.” She brought astonishing athleticism, musicality and wit to every performance. She also helped change Broadway history: McCracken encouraged a young Bob Fosse (as her lover and later second husband) and helped open the door for his choreographing career in New York. A brilliant talent, largely forgotten now (she has only two film credits) - gone far too soon, dying from complications of diabetes at only 43. #GoodNews #HollywoodMusical

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🎁Prize Event!🔃Retweet ( Share ) this post to participate in the random draw🎲 📱 👈Download the sandbox strategy game that has been downloaded by 40，000，000 people worldwide. Remember to ask your friends for their server and game-id! Friends to play with! 🎁Prize: 1、First Prize: Discord Nitro Basic Month*1 + 3000 CD*1 3 winner 2、Second Prize: 1500 CD*1 5 winner 3、Third Prize: 1000 CD*1 10 winner 🕟Time: Now - January 31,2024 (UTC) *1. Rewards will be sent within two weeks after the event ends! *2. If you win, the first prize nitro basic can also be converted into game props of equivalent value according to your wishes. #AgeofApes #Game #Sandbox #Strategy #Monkey #Animal #Game #Cute #MobileGame #Happy #Casual #Pet #MakeFriends #Friend #Social #Funny #Humor #Story #Novel #Literature #Original #Art #Android #Apple #IOS #Mobile #Electronic #Science #Animal #2D #Cartoon #Animation #Anime #Strong #Battle #Home #Habitat #Hero #Handsome #Comic #Trend #Trendy #Fashion #Reward #Retweet #Prize #benefits

🎁Prize Event!🔃Retweet ( Share ) this post to participate in the random draw🎲 📱 👈Download the sandbox strategy game that has been downloaded by 40，000，000 people worldwide. Remember to ask your friends for their server and game-id! Friends to play with! 🎁Prize: 1、First Prize: Discord Nitro Basic Month1 + 3000 CD1 3 winner 2、Second Prize: 1500 CD1 5 winner 3、Third Prize: 1000 CD1 10 winner 🕟Time: Now - January 31,2024 (UTC) 1. Rewards will be sent within two weeks after the event ends! 2. If you win, the first prize nitro basic can also be converted into game props of equivalent value according to your wishes. #AgeofApes #Game #Sandbox #Strategy #Monkey #Animal #Game #Cute #MobileGame #Happy #Casual #Pet #MakeFriends #Friend #Social #Funny #Humor #Story #Novel #Literature #Original #Art #Android #Apple #IOS #Mobile #Electronic #Science #Animal #2D #Cartoon #Animation #Anime #Strong #Battle #Home #Habitat #Hero #Handsome #Comic #Trend #Trendy #Fashion #Reward #Retweet #Prize #benefits

Age of Apes official

23,364 просмотров • 2 лет назад

$SPCX IS ABOUT TO TURN BUYERS INTO EXIT LIQUIDITY! SpaceX is currently up around 28% from its $135 IPO price Most people keep buying have no idea what that pump just triggered Here's why everyone who bought SpaceX right now will only lose money: Right now 95% of the shares are locked, so it all trades on a thin sliver of float with $2T valuation Also, there's a clause buried in the lockup, an extra 10% of insider shares Unlocks early if the stock holds ~30% above the $135 IPO price into the first earnings which is $175.5 And here's the worst part: Insiders unlock -> they sell into the hype -> price drops -> the next unlock hits an even weaker bid. And the calendar only gets heavier from there: After Q2 earnings the first 20% unlocks, then 7% drips out every couple of weeks Q3 earnings frees another 28%, and by mid-December the full lockup is gone Then in June 2027 Musk's 6.4 billion shares come online A wall of supply, on a fixed schedule, already counting down We've seen something similar before: Facebook IPO'd at $38 in 2012, the lockups expired, and months later it traded near $18 Half the value gone, not because the company failed, but because supply showed up and buyers ran out Now ask yourself one thing: Who's on the other side of your buy up here? It's people who got in at $40, $60, $90, sitting on years of gains and waiting for exactly this window They don't need price higher, they just need someone to sell into and right now that someone is you I've been here for 9+ years and seen dozens of such IPOs, not so big ofc but each used same system So I am here to warn you and tell you how you can really earn on this I'll post a full breakdown in a few days, so make sure to turn on notifs and follow me

$SPCX IS ABOUT TO TURN BUYERS INTO EXIT LIQUIDITY! SpaceX is currently up around 28% from its $135 IPO price Most people keep buying have no idea what that pump just triggered Here's why everyone who bought SpaceX right now will only lose money: Right now 95% of the shares are locked, so it all trades on a thin sliver of float with $2T valuation Also, there's a clause buried in the lockup, an extra 10% of insider shares Unlocks early if the stock holds ~30% above the $135 IPO price into the first earnings which is $175.5 And here's the worst part: Insiders unlock -> they sell into the hype -> price drops -> the next unlock hits an even weaker bid. And the calendar only gets heavier from there: After Q2 earnings the first 20% unlocks, then 7% drips out every couple of weeks Q3 earnings frees another 28%, and by mid-December the full lockup is gone Then in June 2027 Musk's 6.4 billion shares come online A wall of supply, on a fixed schedule, already counting down We've seen something similar before: Facebook IPO'd at $38 in 2012, the lockups expired, and months later it traded near $18 Half the value gone, not because the company failed, but because supply showed up and buyers ran out Now ask yourself one thing: Who's on the other side of your buy up here? It's people who got in at $40, $60, $90, sitting on years of gains and waiting for exactly this window They don't need price higher, they just need someone to sell into and right now that someone is you I've been here for 9+ years and seen dozens of such IPOs, not so big ofc but each used same system So I am here to warn you and tell you how you can really earn on this I'll post a full breakdown in a few days, so make sure to turn on notifs and follow me

𝗖𝗛𝗔𝗜𝗡 𝗠𝗜𝗡𝗗 ⛓🧠

177,103 просмотров • 2 месяцев назад

Where we are now and what can we expect in the coming months within the context of Russia's war in Ukraine: ◾️Ukraine and the world continue to await tensely for the results of the US elections. In the meantime, Ukraine and Russia continue active diplomatic actions to consolidate support for their allies. ◾️ Russia's primary focus is on discrediting Ukraine in the West, dividing our allies, and interfering in the US elections to divide Americans and increase instability. ◾️ During his visit to the US, President Zelensky met with President Biden and had meetings with presidential candidates Kamala Harris and Donald Trump. ◾️ Ukraine continues to destroy Russian military depots and military logistics; Ukraine produces its own drones and other weapons. ◾️ Russia increases its weapons and drones production as much as it can, despite sanctions. It uses weapons supplied by Russian allies - Iran and North Korea. There are reports that production of Russian Shahed drones has exceeded Russian original plans. ◾️ Russia is intensifying its strikes on Ukrainian cities, deliberately targeting apartment blocks, hospitals, and nursing homes. Its main purpose is to cause as much panic as possible, intimidate Ukrainians, and force them to leave their lands and homes. Strikes are unfortunately likely to continue, especially for Sumy and Kharkiv. Zaporizhzhia is now within the range of Russian KAB bombs, so it is likely to be under constant strikes as well. ◾️Despite the lack of "cannon fodder", Putin doesn't dare yet to announce open mobilization in Russia and increases hidden mobilization instead: increases payments for signing army contracts and recruits soldiers from other countries, including countries of Africa. Russia is increasing its presence there at an alarming rate which is very dangerous for this region. ◾️ In the coming month, the Russians will probably try to solve the "Kursk issue" at any cost. The "deadline" is likely set before the US elections at most but a desirable timeline for them is before the BRICS summit in Kazan (22-24 October) - to demonstrate to the BRICS guests that Russia is in control of the situation and is a serious partner. Otherwise, the situation when a part of Russia's territory is under Ukrainian control (when Putin had the intention to capture Ukraine "in three days" almost three years ago), is rather humiliating for Russia. During August and September, Russians have accumulated forces, have reformed and will now try to counterattack our troops. How the situation in Kursk region will develop depends on many factors and on the decisions that AFU leaders will make. ◾️ One of the key elements of these upcoming months are the elections in Moldova and Georgia at the end of October, where the influence of Russia and pro-Russian forces is enormous. ◾️We are likely to hear increased nuclear threats and other escalation rhetoric from Russia. ◾️Ukraine will face further problems due to electricity shortage. ◾️ Due to the escalation in the Middle East and the US elections, Ukraine is fading from the information field, which Russia is actively using, knowing that its crimes against Ukrainian civilians will not make the headlines in the Western media. Accordingly, many people outside Ukraine have the impression that the situation is getting better. But this is not the case at all: the situation is very tough and complicated. And it will continue to get worse. The largest war in Europe since the Second World War continues to rage on. The whole world is waiting for the US elections. The situation of strategic uncertainty will last at least until November. It is crucial to go through this period with a cool head, keeping the focus on Ukraine and showing Russia that the West does not withdraw its support. I'd like to end with a reminder of these Putin's words, which he said in June 2024. Nothing has changed for him: he intends to wage a war until the end. And it must become his own end.

Where we are now and what can we expect in the coming months within the context of Russia's war in Ukraine: ◾️Ukraine and the world continue to await tensely for the results of the US elections. In the meantime, Ukraine and Russia continue active diplomatic actions to consolidate support for their allies. ◾️ Russia's primary focus is on discrediting Ukraine in the West, dividing our allies, and interfering in the US elections to divide Americans and increase instability. ◾️ During his visit to the US, President Zelensky met with President Biden and had meetings with presidential candidates Kamala Harris and Donald Trump. ◾️ Ukraine continues to destroy Russian military depots and military logistics; Ukraine produces its own drones and other weapons. ◾️ Russia increases its weapons and drones production as much as it can, despite sanctions. It uses weapons supplied by Russian allies - Iran and North Korea. There are reports that production of Russian Shahed drones has exceeded Russian original plans. ◾️ Russia is intensifying its strikes on Ukrainian cities, deliberately targeting apartment blocks, hospitals, and nursing homes. Its main purpose is to cause as much panic as possible, intimidate Ukrainians, and force them to leave their lands and homes. Strikes are unfortunately likely to continue, especially for Sumy and Kharkiv. Zaporizhzhia is now within the range of Russian KAB bombs, so it is likely to be under constant strikes as well. ◾️Despite the lack of "cannon fodder", Putin doesn't dare yet to announce open mobilization in Russia and increases hidden mobilization instead: increases payments for signing army contracts and recruits soldiers from other countries, including countries of Africa. Russia is increasing its presence there at an alarming rate which is very dangerous for this region. ◾️ In the coming month, the Russians will probably try to solve the "Kursk issue" at any cost. The "deadline" is likely set before the US elections at most but a desirable timeline for them is before the BRICS summit in Kazan (22-24 October) - to demonstrate to the BRICS guests that Russia is in control of the situation and is a serious partner. Otherwise, the situation when a part of Russia's territory is under Ukrainian control (when Putin had the intention to capture Ukraine "in three days" almost three years ago), is rather humiliating for Russia. During August and September, Russians have accumulated forces, have reformed and will now try to counterattack our troops. How the situation in Kursk region will develop depends on many factors and on the decisions that AFU leaders will make. ◾️ One of the key elements of these upcoming months are the elections in Moldova and Georgia at the end of October, where the influence of Russia and pro-Russian forces is enormous. ◾️We are likely to hear increased nuclear threats and other escalation rhetoric from Russia. ◾️Ukraine will face further problems due to electricity shortage. ◾️ Due to the escalation in the Middle East and the US elections, Ukraine is fading from the information field, which Russia is actively using, knowing that its crimes against Ukrainian civilians will not make the headlines in the Western media. Accordingly, many people outside Ukraine have the impression that the situation is getting better. But this is not the case at all: the situation is very tough and complicated. And it will continue to get worse. The largest war in Europe since the Second World War continues to rage on. The whole world is waiting for the US elections. The situation of strategic uncertainty will last at least until November. It is crucial to go through this period with a cool head, keeping the focus on Ukraine and showing Russia that the West does not withdraw its support. I'd like to end with a reminder of these Putin's words, which he said in June 2024. Nothing has changed for him: he intends to wage a war until the end. And it must become his own end.

Anton Gerashchenko

166,479 просмотров • 1 год назад

Why Bach’s Violin Concerto No. 1, BWV 1041 Creates the Sense of a Harmonious and Ordered World Among the treasures of Western classical music, few works create such a profound sense of clarity, balance, and depth as Johann Sebastian Bach’s Violin Concerto No. 1 in A Minor, BWV 1041. Listeners are often captivated by the beauty of the violin’s singing tone, the agility of the orchestra, and the refined technique the concerto demands of its performers. Yet the enduring power of this work lies in something far deeper than elegance or virtuosity. Its deeper source lies in one of Bach’s most remarkable musical principles: From a single, modest idea, he builds an expansive musical world in which every part is connected within a unified whole. It is the beauty of growth without losing one's origin. A musical idea can be transformed in countless ways, multiple melodic lines can unfold simultaneously, and different emotions can emerge, yet all continue to grow from the same shared foundation. It is this principle that gives Bach’s music its distinctive sense of natural order: there is movement without chaos, freedom without instability, and richness within a firmly constructed architecture. From the opening measures of the first movement, Allegro moderato, Bach immediately reveals how he creates beauty. He does not begin with a long, memorable melody designed to make an immediate impression. Instead, he introduces short, clearly defined musical ideas, like seeds carefully planted into fertile ground. From these small seeds, the entire movement gradually unfolds. A motif first heard in the orchestra is taken up by the solo violin. A phrase that has just been introduced becomes the foundation for another. A subtle movement in one voice reshapes the entire musical texture. Bach does not construct his music by placing beautiful passages side by side. He allows each idea to grow naturally from what came before while preparing the way for what follows. As a result, listeners do not experience a collection of isolated sounds. Instead, they hear a continuous musical current that seems to develop organically from within. One of the defining features of Bach's musical language is his mastery of counterpoint. In many musical traditions, the principal melody occupies center stage while the accompanying parts exist primarily to support it. In Bach's world, however, every musical line possesses its own independent life. The violin does not merely stand before the orchestra to display technical brilliance. It enters into conversation with it. A phrase introduced by the violin may continue in the accompanying strings. A musical idea may reappear in different voices under new forms. Rather than competing for attention, the individual lines support and enrich one another within a larger structure. The remarkable achievement is this: Each voice preserves its own identity, yet none becomes separated from the whole. This reflects an important principle of classical Western aesthetics: harmony does not arise because everything becomes the same, but because differences discover their proper place within a greater order. The ritornello structure of the first movement illustrates this principle with particular clarity. The orchestra’s principal theme returns repeatedly after episodes of development by the solo violin. From a technical perspective, this is a characteristic Baroque compositional form. From the listener’s perspective, however, these returns create something much deeper. The music travels outward. It explores. It expands. Yet it never loses its relationship with its point of origin. Freedom never destroys the foundation. Development never abandons its source. Each return of the principal theme is not simply a repetition of what came before. By the time it reappears, both the music and the listener have passed through a new journey. The theme now carries greater richness and deeper meaning. If the first movement is defined by movement and dialogue, the second movement, Andante, opens an entirely different landscape. Here Bach creates a slower, more contemplative current. The violin sings above the orchestra’s steady harmonic foundation like an individual voice seeking balance within a vast and tranquil space. The strength of this movement does not lie in outward drama. It lies in its ability to give meaning to the smallest gestures. A slight change in the melody. A subtle shift in harmony. A sustained tone allowed to bloom. Each contributes to an emotional depth that grows quietly rather than dramatically. Bach shows that profundity does not necessarily emerge from external complexity. It can arise from exploring the simplest things with extraordinary care. By the third movement, Allegro assai, the concerto bursts once again into vibrant energy. Its lively rhythms, agile violin writing, and animated exchanges among the instrumental voices create the feeling of an elegant dance. Yet even in this brilliance, Bach never abandons his original principle. Joy does not arise from disorder. It arises from freedom existing within a clear and intelligible order. Just as a great dancer is not one who rejects every rule, but one who achieves naturalness through a profound understanding of those rules. The same principle appears in everyday life. An old family home passed down through generations offers a beautiful example. Such a house preserves its value not by refusing all change. Over time, its roof may be repaired, its rooms lovingly restored, and each new generation may leave its own mark. Yet its true spirit remains: the original foundation, the architecture shaped by those who came before, and the memories accumulated through the years. If each generation were to demolish everything and build something entirely unrelated, the connection with the past would disappear. Yet if nothing were ever renewed or cared for, the house would gradually lose its vitality. The beauty of continuity lies in balancing these two realities: preserving one's roots while allowing the original values to continue living in new circumstances. Bach's music embodies this same principle. The foundation is never replaced. It becomes the ground from which new possibilities emerge. A musical theme may evolve into countless forms, yet every transformation still carries traces of its origin. Growth does not come from rejecting what already exists. It comes from understanding it more deeply and allowing its original possibilities to unfold more fully. Perhaps it is because Bach expresses this principle with such remarkable clarity that Violin Concerto No. 1, BWV 1041 continues to speak to listeners after so many centuries. He did not simply compose a concerto for violin and orchestra. He created a musical image of harmony. Many voices exist together. Many movements unfold simultaneously. Yet all remain connected through a deeper and enduring order.

Why Bach’s Violin Concerto No. 1, BWV 1041 Creates the Sense of a Harmonious and Ordered World Among the treasures of Western classical music, few works create such a profound sense of clarity, balance, and depth as Johann Sebastian Bach’s Violin Concerto No. 1 in A Minor, BWV 1041. Listeners are often captivated by the beauty of the violin’s singing tone, the agility of the orchestra, and the refined technique the concerto demands of its performers. Yet the enduring power of this work lies in something far deeper than elegance or virtuosity. Its deeper source lies in one of Bach’s most remarkable musical principles: From a single, modest idea, he builds an expansive musical world in which every part is connected within a unified whole. It is the beauty of growth without losing one's origin. A musical idea can be transformed in countless ways, multiple melodic lines can unfold simultaneously, and different emotions can emerge, yet all continue to grow from the same shared foundation. It is this principle that gives Bach’s music its distinctive sense of natural order: there is movement without chaos, freedom without instability, and richness within a firmly constructed architecture. From the opening measures of the first movement, Allegro moderato, Bach immediately reveals how he creates beauty. He does not begin with a long, memorable melody designed to make an immediate impression. Instead, he introduces short, clearly defined musical ideas, like seeds carefully planted into fertile ground. From these small seeds, the entire movement gradually unfolds. A motif first heard in the orchestra is taken up by the solo violin. A phrase that has just been introduced becomes the foundation for another. A subtle movement in one voice reshapes the entire musical texture. Bach does not construct his music by placing beautiful passages side by side. He allows each idea to grow naturally from what came before while preparing the way for what follows. As a result, listeners do not experience a collection of isolated sounds. Instead, they hear a continuous musical current that seems to develop organically from within. One of the defining features of Bach's musical language is his mastery of counterpoint. In many musical traditions, the principal melody occupies center stage while the accompanying parts exist primarily to support it. In Bach's world, however, every musical line possesses its own independent life. The violin does not merely stand before the orchestra to display technical brilliance. It enters into conversation with it. A phrase introduced by the violin may continue in the accompanying strings. A musical idea may reappear in different voices under new forms. Rather than competing for attention, the individual lines support and enrich one another within a larger structure. The remarkable achievement is this: Each voice preserves its own identity, yet none becomes separated from the whole. This reflects an important principle of classical Western aesthetics: harmony does not arise because everything becomes the same, but because differences discover their proper place within a greater order. The ritornello structure of the first movement illustrates this principle with particular clarity. The orchestra’s principal theme returns repeatedly after episodes of development by the solo violin. From a technical perspective, this is a characteristic Baroque compositional form. From the listener’s perspective, however, these returns create something much deeper. The music travels outward. It explores. It expands. Yet it never loses its relationship with its point of origin. Freedom never destroys the foundation. Development never abandons its source. Each return of the principal theme is not simply a repetition of what came before. By the time it reappears, both the music and the listener have passed through a new journey. The theme now carries greater richness and deeper meaning. If the first movement is defined by movement and dialogue, the second movement, Andante, opens an entirely different landscape. Here Bach creates a slower, more contemplative current. The violin sings above the orchestra’s steady harmonic foundation like an individual voice seeking balance within a vast and tranquil space. The strength of this movement does not lie in outward drama. It lies in its ability to give meaning to the smallest gestures. A slight change in the melody. A subtle shift in harmony. A sustained tone allowed to bloom. Each contributes to an emotional depth that grows quietly rather than dramatically. Bach shows that profundity does not necessarily emerge from external complexity. It can arise from exploring the simplest things with extraordinary care. By the third movement, Allegro assai, the concerto bursts once again into vibrant energy. Its lively rhythms, agile violin writing, and animated exchanges among the instrumental voices create the feeling of an elegant dance. Yet even in this brilliance, Bach never abandons his original principle. Joy does not arise from disorder. It arises from freedom existing within a clear and intelligible order. Just as a great dancer is not one who rejects every rule, but one who achieves naturalness through a profound understanding of those rules. The same principle appears in everyday life. An old family home passed down through generations offers a beautiful example. Such a house preserves its value not by refusing all change. Over time, its roof may be repaired, its rooms lovingly restored, and each new generation may leave its own mark. Yet its true spirit remains: the original foundation, the architecture shaped by those who came before, and the memories accumulated through the years. If each generation were to demolish everything and build something entirely unrelated, the connection with the past would disappear. Yet if nothing were ever renewed or cared for, the house would gradually lose its vitality. The beauty of continuity lies in balancing these two realities: preserving one's roots while allowing the original values to continue living in new circumstances. Bach's music embodies this same principle. The foundation is never replaced. It becomes the ground from which new possibilities emerge. A musical theme may evolve into countless forms, yet every transformation still carries traces of its origin. Growth does not come from rejecting what already exists. It comes from understanding it more deeply and allowing its original possibilities to unfold more fully. Perhaps it is because Bach expresses this principle with such remarkable clarity that Violin Concerto No. 1, BWV 1041 continues to speak to listeners after so many centuries. He did not simply compose a concerto for violin and orchestra. He created a musical image of harmony. Many voices exist together. Many movements unfold simultaneously. Yet all remain connected through a deeper and enduring order.

🎼🌺Music Love♥️

16,508 просмотров • 1 месяц назад

The UN Security Council held a meeting on Russia's crimes against Ukrainian prisoners of war and civilians. Ukraine's Permanent Representative to the UN, Sergiy Kyslytsya said that Russia has fully adopted the practices of the ‘Third Reich’. “We have previously brought to the Council's attention how Russian recruits train to operate attacking drones by targeting and killing innocent civilians in the streets of the city of Kherson. In Russian schools, war criminals are holding lessons for Russian children, encouraging them to learn how to kill Ukrainians. It comes as no surprise that the Russian Foreign Ministry is following this trend, training its diplomats across the globe, including here – in New York, to disseminate lies and maintain smear campaigns. Producing fakes about Azov Brigade has been among the main tools of Russian propaganda since 2014. The full-scale war has ultimately revealed the truth. Soldiers of the Azov Brigade were among the courageous defenders of Mariupol in 2022, staying in the besieged city and protecting its residents, who Russia killed on an industrial scale, until the very end. Russia in turn, has fully adopted the practices of the Third Reich – ranging from the annexation of sovereign territories and the razing of Ukrainian cities to the ground, to the deliberate execution of Ukrainian POWs and civilians. That’s why, if Russian diplomats are truly eager to combat neo-Nazism, they might start by calling the Russian Ministry of Defense. They may ask, for instance, about the "Rusich" unit, which operates as part of the Russian army. Its members openly embrace their neo-Nazi views and their commander Milchakov openly declares, "I'm a Nazi, I speak about it directly. [I] can even raise a hand [in Nazi greeting.]" His subordinates are just like their commander. They could play with a severed head of a prisoner, boasting about it in interviews, or post ads on social media seeking a "Crimean Tatar for ritual sacrifice" and then brag about carrying out such a ritual. This is just one of many examples illustrating how war crimes and crimes against humanity have become standard practice for the Russian army. The responsibility for this is inevitable, and I urge the Russian mission, both its leadership and junior diplomats, to keep this in mind.”

The UN Security Council held a meeting on Russia's crimes against Ukrainian prisoners of war and civilians. Ukraine's Permanent Representative to the UN, Sergiy Kyslytsya said that Russia has fully adopted the practices of the ‘Third Reich’. “We have previously brought to the Council's attention how Russian recruits train to operate attacking drones by targeting and killing innocent civilians in the streets of the city of Kherson. In Russian schools, war criminals are holding lessons for Russian children, encouraging them to learn how to kill Ukrainians. It comes as no surprise that the Russian Foreign Ministry is following this trend, training its diplomats across the globe, including here – in New York, to disseminate lies and maintain smear campaigns. Producing fakes about Azov Brigade has been among the main tools of Russian propaganda since 2014. The full-scale war has ultimately revealed the truth. Soldiers of the Azov Brigade were among the courageous defenders of Mariupol in 2022, staying in the besieged city and protecting its residents, who Russia killed on an industrial scale, until the very end. Russia in turn, has fully adopted the practices of the Third Reich – ranging from the annexation of sovereign territories and the razing of Ukrainian cities to the ground, to the deliberate execution of Ukrainian POWs and civilians. That’s why, if Russian diplomats are truly eager to combat neo-Nazism, they might start by calling the Russian Ministry of Defense. They may ask, for instance, about the "Rusich" unit, which operates as part of the Russian army. Its members openly embrace their neo-Nazi views and their commander Milchakov openly declares, "I'm a Nazi, I speak about it directly. [I] can even raise a hand [in Nazi greeting.]" His subordinates are just like their commander. They could play with a severed head of a prisoner, boasting about it in interviews, or post ads on social media seeking a "Crimean Tatar for ritual sacrifice" and then brag about carrying out such a ritual. This is just one of many examples illustrating how war crimes and crimes against humanity have become standard practice for the Russian army. The responsibility for this is inevitable, and I urge the Russian mission, both its leadership and junior diplomats, to keep this in mind.”

Yasmina

26,188 просмотров • 1 год назад

US🇺🇸-RUSSIA🇷🇺 DEAL: THE END OF THE UKRAINE🇺🇦 PROXY WAR AND TIME’S UP FOR ZELENSKY? After more than 3 years of a failed proxy war designed to bring Russia to its knees, Washington recognises that that objective has failed. All of the European and American sanctions did not cause Russia’s economy to implode, the use of Ukrainians as cannon fodder by NATO did not bring Russia to its knees as predicted… We said this wouldn’t happen. Hundreds of thousands, perhaps millions of Ukrainian lives were used in this failed attempt by Washington to break Russia, and now Washington has finally given up and as part of the 28-point-plan, met a lot of Russia’s key demands to resolve the root causes of the conflict. The Russian Orthodox Church, banned previously, will be reinstated. The Russian language will be officially recognised again as an official language. No NATO membership, and a reduced Ukrainian Armed Forces. The Donbass and Crimea officially ceded to Russia, and frozen frontlines in Kherson and Zaporizhia. Russia’s battlefield advance and Ukraine’s collapsing defence has become too dire to ignore, and Washington has set a Thanksgiving deadline for Zelensky to accept the deal to end the war, otherwise he faces completely being cut off from US support. Zelensky wants to negotiate details, but it is likely that Washington has run out of patience. Zelensky and his corrupt entourage may be safe for now under this deal, but they will face the wrath of the Ukrainian people, who realise that lives could have been saved, and less land could have been lost, if Zelensky’s regime negotiated sooner and hadn’t listened to the demands of the Biden Administration and European vassals. Zelensky’s regime will no doubt also face the consequences for their corruption and mass looting. Ukraine’s far-right will no doubt be outraged, and perhaps their weapons will now turn on Zelensky. For Washington, Zelensky has clearly outlived his usefulness as a puppet figurehead, and is now facing the dangers that come with being discarded as so many other US ‘allies’ have been. As for the multipolar world’s Island of Irrelevancy, the European Union, it has been left out in the cold, not even consulted about this plan, because it is viewed as a delusional vassal by both Washington and Moscow. Constant pandering to Washington has rendered Europe as nothing but an afterthought, babbling and complaining, with no one caring to listen. Europe could have pursued its own interests, presented itself as a broker of peace, and ended the war on their own continent sooner. Instead it clicked its heels and obeyed Washington, pulverising their own economies by cutting themselves off from the cheap Russian energy they relied on, on the altar of destroying Russia…in the end, they destroyed themselves, with political establishments in Western Europe now reviled by their own populations. Russia has faced down NATO and Washington, and still stands. The plan to break Russia and then turn the imperial arsenal against China has failed. Russia remains standing, closer to China than ever, as China continues to advance as the 21st Century’s superpower while not firing a single shot. A winner in the West? The military-industrial complex, which milked another cash cow war for profits, the outcome of the war does not matter.

US🇺🇸-RUSSIA🇷🇺 DEAL: THE END OF THE UKRAINE🇺🇦 PROXY WAR AND TIME’S UP FOR ZELENSKY? After more than 3 years of a failed proxy war designed to bring Russia to its knees, Washington recognises that that objective has failed. All of the European and American sanctions did not cause Russia’s economy to implode, the use of Ukrainians as cannon fodder by NATO did not bring Russia to its knees as predicted… We said this wouldn’t happen. Hundreds of thousands, perhaps millions of Ukrainian lives were used in this failed attempt by Washington to break Russia, and now Washington has finally given up and as part of the 28-point-plan, met a lot of Russia’s key demands to resolve the root causes of the conflict. The Russian Orthodox Church, banned previously, will be reinstated. The Russian language will be officially recognised again as an official language. No NATO membership, and a reduced Ukrainian Armed Forces. The Donbass and Crimea officially ceded to Russia, and frozen frontlines in Kherson and Zaporizhia. Russia’s battlefield advance and Ukraine’s collapsing defence has become too dire to ignore, and Washington has set a Thanksgiving deadline for Zelensky to accept the deal to end the war, otherwise he faces completely being cut off from US support. Zelensky wants to negotiate details, but it is likely that Washington has run out of patience. Zelensky and his corrupt entourage may be safe for now under this deal, but they will face the wrath of the Ukrainian people, who realise that lives could have been saved, and less land could have been lost, if Zelensky’s regime negotiated sooner and hadn’t listened to the demands of the Biden Administration and European vassals. Zelensky’s regime will no doubt also face the consequences for their corruption and mass looting. Ukraine’s far-right will no doubt be outraged, and perhaps their weapons will now turn on Zelensky. For Washington, Zelensky has clearly outlived his usefulness as a puppet figurehead, and is now facing the dangers that come with being discarded as so many other US ‘allies’ have been. As for the multipolar world’s Island of Irrelevancy, the European Union, it has been left out in the cold, not even consulted about this plan, because it is viewed as a delusional vassal by both Washington and Moscow. Constant pandering to Washington has rendered Europe as nothing but an afterthought, babbling and complaining, with no one caring to listen. Europe could have pursued its own interests, presented itself as a broker of peace, and ended the war on their own continent sooner. Instead it clicked its heels and obeyed Washington, pulverising their own economies by cutting themselves off from the cheap Russian energy they relied on, on the altar of destroying Russia…in the end, they destroyed themselves, with political establishments in Western Europe now reviled by their own populations. Russia has faced down NATO and Washington, and still stands. The plan to break Russia and then turn the imperial arsenal against China has failed. Russia remains standing, closer to China than ever, as China continues to advance as the 21st Century’s superpower while not firing a single shot. A winner in the West? The military-industrial complex, which milked another cash cow war for profits, the outcome of the war does not matter.

Afshin Rattansi

105,990 просмотров • 9 месяцев назад

In a deleted scene from The Godfather, Vito and his sons visit Genco, the family’s original consigliere, as he is dying of cancer in the hospital. Genco also appears in Vito’s flashback sequences in The Godfather Part II, where he is identified as the son of the grocer Vito once worked for. He is a key figure bridging the gap between Vito’s early years in Part II and the events of the first film. After the murder of Don Fanucci, Genco became Vito’s right-hand man and helped establish the Genco Pura Olive Oil Company, which served as the family’s main front for its criminal operations. He also advised Vito during the major conflict with Salvatore Maranzano, Fanucci’s former boss and the most powerful crime figure in New York. This is the war Clemenza refers to in The Godfather when he prepares Michael to kill Sollozzo: “It’s been ten years since the last one.” Genco’s advice came from an instinctive understanding of Sicilian psychology and the realities of New York Mafia politics. In the novel, it's implied that Genco would have recognized the trap set by the Five Families in 1945. Tom Hagen read their quietness as peace and a willingness to negotiate, but Genco would have seen it as the silence that comes before an ambush. His death is therefore significant, as it reveals the Corleone's’ vulnerability: they have lost one of their most valuable assets, an experienced Sicilian strategist, and are now moving toward Tom Hagen, a capable lawyer but not a true wartime consigliere. This frustration is later voiced by Sonny when he says, “If I had a wartime consigliere, a Sicilian, I wouldn’t be in this shape. Pop had Genco, look what I got.” The scene was cut for pacing reasons. It would have taken place after Connie’s wedding, when Vito meets with Johnny Fontane (the character loosely based on Frank Sinatra) before the scene in which Tom Hagen visits the producer in Los Angeles.

In a deleted scene from The Godfather, Vito and his sons visit Genco, the family’s original consigliere, as he is dying of cancer in the hospital. Genco also appears in Vito’s flashback sequences in The Godfather Part II, where he is identified as the son of the grocer Vito once worked for. He is a key figure bridging the gap between Vito’s early years in Part II and the events of the first film. After the murder of Don Fanucci, Genco became Vito’s right-hand man and helped establish the Genco Pura Olive Oil Company, which served as the family’s main front for its criminal operations. He also advised Vito during the major conflict with Salvatore Maranzano, Fanucci’s former boss and the most powerful crime figure in New York. This is the war Clemenza refers to in The Godfather when he prepares Michael to kill Sollozzo: “It’s been ten years since the last one.” Genco’s advice came from an instinctive understanding of Sicilian psychology and the realities of New York Mafia politics. In the novel, it's implied that Genco would have recognized the trap set by the Five Families in 1945. Tom Hagen read their quietness as peace and a willingness to negotiate, but Genco would have seen it as the silence that comes before an ambush. His death is therefore significant, as it reveals the Corleone's’ vulnerability: they have lost one of their most valuable assets, an experienced Sicilian strategist, and are now moving toward Tom Hagen, a capable lawyer but not a true wartime consigliere. This frustration is later voiced by Sonny when he says, “If I had a wartime consigliere, a Sicilian, I wouldn’t be in this shape. Pop had Genco, look what I got.” The scene was cut for pacing reasons. It would have taken place after Connie’s wedding, when Vito meets with Johnny Fontane (the character loosely based on Frank Sinatra) before the scene in which Tom Hagen visits the producer in Los Angeles.

Gangster Cinema Central

268,845 просмотров • 4 месяцев назад