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#murderdrones #murdedronesnsfw #UziDoorman #murderdronesuzi #rule34 #rule35 #rule36 art by Eock 🔞 Sound by: DDESS 🔞 | MAIN SFX Pack by: OpenNSFW 🟣 Available Now 🎙My voice of uzi doorman uzi doesn't like human still 😐

Raythehedgehog1

5,943 subscribers

17,208 views • 7 days ago •via X (Twitter)

NSFW #murderdrones #murdedronesnsfw #UziDoorman #murderdronesuzi #rule34 #rule35 #rule36

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ves 🔞

45,493 views • 1 year ago

✨ Progress on my drone sim 🚁 Drone of War: Removed my old giant city FBX, because 1) it wasn't made by AI, 2) it was way too big Made the scenery a sandy war land now and just generating my own 3d assets now with Cursor and Tripo (sponsors of #vibejam) Also removed the drone sound, I thought a drone operator probably doesn't hear the drone sound anyway (only if it's near them) and I was inspired by Denis Bondarev to add some sine wave sounds and it made some buddhist type dings that I really like The paradox of war + buddhist sounds is kinda interesting combo, there's something disturbing about drone warfare where it's just people remotely controlling it I wanted to capture that in a game Also added real soldiers models (also generated), they're static though, but they do move, but I need to make them move somehow, not sure how yet, soldiers shoot at you and try take you down Also need to add tanks and other military vehicles that drive around And then I need to add more of a gameplay element, I still think about multiplayer where you choose to be either a drone or a soldier/tank/etc so it's drone vs everyone else! P.S. I can't participate in the #vibejam as the organizer of course but I still like to make some fun games just for fun and to show the tools!

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I've been building on #threejs since 2015. Back then there was no InstancedMesh, no BatchedMesh. Most of the tools we take for granted today didn't exist. In 2017, while developing Jamir, I started building my own game engine on top of it. I've spent the years since profiling and optimizing that engine, often chasing performance problems line by line. That engine became X3JS. After all this time, the hardest part is still how deeply everything is connected. Even the best AI models today can make a change that looks completely correct, and quietly break something three systems away. An engine like this doesn't forgive that. So for this test I didn't want a synthetic benchmark. I wanted a real, AAA-looking game scene: cinematics, dialogue, characters, terrain, weather, a boss fight. The gameplay, the cinematics, the MIDI music, the music and sound selections, the animation choices: all of it was produced by AI through X3JS's MCP tools. Camera work, dialogue, voice casting, triggers, enemy behavior. Everything in the scene comes from the X3JS asset library and when X3JS releases, users will be able to use all of these assets freely in their own games. The video shows the exact same scene, side by side: - GTX 960M, a 2015 laptop GPU - RTX 4070, a desktop GPU Two separate gameplay runs never line up perfectly, so I made a few cuts to keep the cinematics in sync between the two sides. The scene, the settings, and the cinematics themselves are identical. The GTX 960M is still one of my favorite machines to test on and i am lucky to have that. If a heavy scene runs well there, the optimization work is real, not a number on a slide. And X3JS contributors; Terrain materials: Poly Haven Sound archive and AI meta: Selekt Audio

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mert

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today is a HUGE day... my first project as a director is out now!! "kid for life" by lulu la (full music video) shot, produced & edited by myself & Xavier Jimenez featuring performances by lulu la & Avi Julia Brown with assistance from Jackie Kay & Dan Stadnicki title graphics by FishyPond _________________________ almost a year ago, my roommate Xavier & i were tired of doing nothing but auditioning & had so many stories we wanted to tell. we realized that the only thing stopping us from just doing it was knowing that we had to commit 100% of our time and energy - so i decided to quit streaming & we formed a production company. since then we've been building out sets of high quality cameras, amazing lights, beautiful lenses (some being vintage lenses from the 40s and 50s, rehousing them ourselves to fit modern cameras) & other awesome film equipment and learning how to edit, color grade & sound engineer to make an all-encompassing production company that does pre-production, production, & post production. we've played just about every film crew role on our projects so far (to the point where on our upcoming short film i was running sound while operating our b-cam while pulling focus while also directing) & it's been such a fulfilling learning experience. since my exit from the walking dead over 5 years ago i keep hearing the question "so what are you doing now?" and for the longest time all i could say is that i was auditioning for new stuff - and i wasn't proud that i didn't have a better answer. i was fortunate enough to do some amazing projects here & there over the years, but none of them lasted longer than a couple months. now i do have an answer i'm proud of! i'm constantly creating my own projects and telling stories i want to tell, and i get to do it with some of my best friends. so being able to visually tell a story like this music video - wanting to be a kid again, when everything was easier, feels full circle to how i constantly felt when i was in that limbo-stage. and don't worry, i'm still acting. this is just another way for me to be able to create meaningful art that you can watch, feel for & relate to. enjoy!

chandler riggs

312,043 views • 3 years ago

A monumental moment in medical history: the first gene therapy for genetic hearing loss is now FDA approved. As a former Regeneron scientist, I feel very proud. I had the opportunity to hear about this programme while it was still in development. It’s one of the few programmes that, every time you came across it, you felt the medical breakthrough in your bones and privileged just to be there while it was happening. At this moment, it’s important that we look 30 years back when researchers mapped a locus on chromosome 2 to congenital deafness in a Lebanese family ( They named it DFNB6 (later DFNB9) with no clue about the responsible gene. Three years later, the causal gene came to light: OTOF, encoding a protein called otoferlin ( Seven years after that, in 2006, pioneering work by Christine Petit revealed that otoferlin is a calcium sensor in the inner hair cell membrane, acting as a molecular trigger that converts sound into electric signals that the brain can read ( Twenty years fast forward, we now have a successful treatment. Thirty years from discovery to medicine. OTOF-related deafness is congenital, caused by complete deficiency of otoferlin. In these children, the cochlea is structurally intact, hair cells are there, the mechanics of sound transmission work. It’s just that final step, where hair cells hand off the signal to the auditory nerve through neurotransmitter release, that doesn’t happen. Sound arrives and dies at the synapse. It’s deafness due to a defect in the synapse caused by the absence of a single protein, which is what made this a beautiful, clean target for gene therapy. The treatment itself is a feat of molecular engineering. OTOF is too large to fit in a single AAV capsid. The team solved this elegantly by delivering the gene in two halves separately, which then get spliced to produce the full functional protein. A single surgical injection into the cochlea, a molecular miracle unfolds. Results from the CHORD trial were striking: of 20 evaluable patients, including children as young as 10 months, 80% showed meaningful hearing improvement, and by 48 weeks, 42% had achieved normal hearing including the ability to hear whispers. Otarmeni is not only the first gene therapy for deafness, it’s also the first dual-AAV therapy to be approved by the FDA. There are very few things in medicine that come close to giving back a sense like vision, hearing, or touch that a human never had from birth. It’s almost God’s work. A parent witnessing their child who was born deaf hearing their voice for the first time, it’s a joy that no words can describe. Multiply that by the fact that it came from a single injection, a repaired gene, and 30 years of science. We are truly in the golden era of medicine. Regeneron press release: Below video is from the NEJM publication of CHORD trial (Valayannopoulos et al. NEJM 2025)

A monumental moment in medical history: the first gene therapy for genetic hearing loss is now FDA approved. As a former Regeneron scientist, I feel very proud. I had the opportunity to hear about this programme while it was still in development. It’s one of the few programmes that, every time you came across it, you felt the medical breakthrough in your bones and privileged just to be there while it was happening. At this moment, it’s important that we look 30 years back when researchers mapped a locus on chromosome 2 to congenital deafness in a Lebanese family ( They named it DFNB6 (later DFNB9) with no clue about the responsible gene. Three years later, the causal gene came to light: OTOF, encoding a protein called otoferlin ( Seven years after that, in 2006, pioneering work by Christine Petit revealed that otoferlin is a calcium sensor in the inner hair cell membrane, acting as a molecular trigger that converts sound into electric signals that the brain can read ( Twenty years fast forward, we now have a successful treatment. Thirty years from discovery to medicine. OTOF-related deafness is congenital, caused by complete deficiency of otoferlin. In these children, the cochlea is structurally intact, hair cells are there, the mechanics of sound transmission work. It’s just that final step, where hair cells hand off the signal to the auditory nerve through neurotransmitter release, that doesn’t happen. Sound arrives and dies at the synapse. It’s deafness due to a defect in the synapse caused by the absence of a single protein, which is what made this a beautiful, clean target for gene therapy. The treatment itself is a feat of molecular engineering. OTOF is too large to fit in a single AAV capsid. The team solved this elegantly by delivering the gene in two halves separately, which then get spliced to produce the full functional protein. A single surgical injection into the cochlea, a molecular miracle unfolds. Results from the CHORD trial were striking: of 20 evaluable patients, including children as young as 10 months, 80% showed meaningful hearing improvement, and by 48 weeks, 42% had achieved normal hearing including the ability to hear whispers. Otarmeni is not only the first gene therapy for deafness, it’s also the first dual-AAV therapy to be approved by the FDA. There are very few things in medicine that come close to giving back a sense like vision, hearing, or touch that a human never had from birth. It’s almost God’s work. A parent witnessing their child who was born deaf hearing their voice for the first time, it’s a joy that no words can describe. Multiply that by the fact that it came from a single injection, a repaired gene, and 30 years of science. We are truly in the golden era of medicine. Regeneron press release: Below video is from the NEJM publication of CHORD trial (Valayannopoulos et al. NEJM 2025)

Veera Rajagopal 

59,886 views • 4 months ago

🚨 The Next Evolution of AI Music is Here 🚨 We haven’t been standing still. We’ve been building at an incredible pace, with laser-sharp focus, pushing the boundaries of AI-powered music creation like never before. Our latest upgrade isn’t just more powerful—it’s more versatile, precise, and deeply creative than anything before. 🎶 Proof is in the sound: This song was generated from a simple prompt—“Blues with slight Arabian influence about a man lost in the desert searching for his bride.” Listen to the end and hear how $SUEDE AI captures emotion, style, and storytelling like never before. But this is just the beginning. Our new features are built for artists who want total creative control. Get extremely granular with how you craft and shape your sound: 🎛️ Full Production Control – Download an entire pack of every isolated instrument. 🎤 Use Your Own Voice – Or someone else’s. 📝 Exact Lyrics, Your Way – Have your words set to music seamlessly. 🎶 Reference Songs – Upload one for style analysis, extraction, and modeling—or simply note a publicly available track. 🔊 Text-to-Speech & AI Vocalists – Shape voices like never before. 🎼 Melody Collaboration – Upload a melody idea and let others build around it—or vice versa. However, due to cost considerations, we’ve capped it at 3 free songs per trial until subscription payments roll out in the next day or two. We’ll be launching a new payment gateway soon, so stay tuned for more details. And remember, all of this is powered by the $SUEDE token. It fuels the entire ecosystem, allowing artists to generate, own, and monetize their work like never before. We’re still working out a few kinks—like image generation—but prepare to be impressed. A major post is coming soon, breaking down these game-changing features and the revenue model behind them. Thread dropping soon. Turn notifications on. $SUEDE powers the future of culture. #SuedeAI #Web3Music

🚨 The Next Evolution of AI Music is Here 🚨 We haven’t been standing still. We’ve been building at an incredible pace, with laser-sharp focus, pushing the boundaries of AI-powered music creation like never before. Our latest upgrade isn’t just more powerful—it’s more versatile, precise, and deeply creative than anything before. 🎶 Proof is in the sound: This song was generated from a simple prompt—“Blues with slight Arabian influence about a man lost in the desert searching for his bride.” Listen to the end and hear how $SUEDE AI captures emotion, style, and storytelling like never before. But this is just the beginning. Our new features are built for artists who want total creative control. Get extremely granular with how you craft and shape your sound: 🎛️ Full Production Control – Download an entire pack of every isolated instrument. 🎤 Use Your Own Voice – Or someone else’s. 📝 Exact Lyrics, Your Way – Have your words set to music seamlessly. 🎶 Reference Songs – Upload one for style analysis, extraction, and modeling—or simply note a publicly available track. 🔊 Text-to-Speech & AI Vocalists – Shape voices like never before. 🎼 Melody Collaboration – Upload a melody idea and let others build around it—or vice versa. However, due to cost considerations, we’ve capped it at 3 free songs per trial until subscription payments roll out in the next day or two. We’ll be launching a new payment gateway soon, so stay tuned for more details. And remember, all of this is powered by the $SUEDE token. It fuels the entire ecosystem, allowing artists to generate, own, and monetize their work like never before. We’re still working out a few kinks—like image generation—but prepare to be impressed. A major post is coming soon, breaking down these game-changing features and the revenue model behind them. Thread dropping soon. Turn notifications on. $SUEDE powers the future of culture. #SuedeAI #Web3Music

Suede Labs

17,425 views • 1 year ago

I got the true ending in Saros and here is my review: -Incredibly addictive gameplay, makes you think “just one more run,” you really don’t want to stop -Visuals are amazing, runs great on PS5 Pro -Awesome DualSense features -Art direction is something special, mix of HR Giger and Dune with overwhelming, striking imagery -Brilliant sound design and a soundtrack that constantly drives you forward -Great level design, exactly the right mix of exploration, combat, and platforming sections -Facial animations are a clear step forward -Fantastic voice acting -Rewarding upgrade system, every run actually makes you stronger -Unbelievable boss fights, not only visually impressive but extremely demanding, beating them feels like pure dopamine -Shield mechanic to deflect enemy projectiles is great -I wouldn’t say it’s easier than Returnal, but rather more accessible, with difficulty that can be adjusted up or down through modifiers -WTF story moments -Great accessibility features (colour blindness, controller remapping and more) -The game works great for short play sessions -Playtime of around 15–20 hours -Interesting narrative, but Returnal’s story had a stronger impact on me -Enemy and weapon variety could be better -Not a fan of 30 FPS cutscenes -Conversations could be much more dynamic, with characters often just standing completely still SAROS is a true PS5 gem, driven by incredibly well-crafted and highly addictive gameplay. Its visual style and sound design rank among the very best the industry has to offer. While it may not be perfect in every aspect, the overall experience is so compelling that it hardly matters. If you’re looking for a game that completely pulls you in and doesn’t let go until after the credits roll, this is exactly what you’re looking for. My verdict: 9/10 #SAROS Code provided by PlayStation

I got the true ending in Saros and here is my review: -Incredibly addictive gameplay, makes you think “just one more run,” you really don’t want to stop -Visuals are amazing, runs great on PS5 Pro -Awesome DualSense features -Art direction is something special, mix of HR Giger and Dune with overwhelming, striking imagery -Brilliant sound design and a soundtrack that constantly drives you forward -Great level design, exactly the right mix of exploration, combat, and platforming sections -Facial animations are a clear step forward -Fantastic voice acting -Rewarding upgrade system, every run actually makes you stronger -Unbelievable boss fights, not only visually impressive but extremely demanding, beating them feels like pure dopamine -Shield mechanic to deflect enemy projectiles is great -I wouldn’t say it’s easier than Returnal, but rather more accessible, with difficulty that can be adjusted up or down through modifiers -WTF story moments -Great accessibility features (colour blindness, controller remapping and more) -The game works great for short play sessions -Playtime of around 15–20 hours -Interesting narrative, but Returnal’s story had a stronger impact on me -Enemy and weapon variety could be better -Not a fan of 30 FPS cutscenes -Conversations could be much more dynamic, with characters often just standing completely still SAROS is a true PS5 gem, driven by incredibly well-crafted and highly addictive gameplay. Its visual style and sound design rank among the very best the industry has to offer. While it may not be perfect in every aspect, the overall experience is so compelling that it hardly matters. If you’re looking for a game that completely pulls you in and doesn’t let go until after the credits roll, this is exactly what you’re looking for. My verdict: 9/10 #SAROS Code provided by PlayStation

GermanStrands

26,183 views • 4 months ago

Lady Gaga Lends Her Voice condemning ICE's Mistreatment and Wastage of Human Lives during her show in Tokyo ❤️ "In a couple of days I'm gonna be heading home and, my heart is aching thinking about the people, the children, the families all over America who are being merciless targeted by ICE. I'm thinking about all of their pain and how their lives are being destroyed right in front of us. I'm also thinking about Minnesota, and everyone back at home, who is living in so much fear... and searching for answers of what we all should do. When entire communities, loose their sense of safety and belonging, it breaks something in all of us. I hope that you'll all stand with us tonight. I know we are not in America right now, but we are with our community, and we love you. I'd like to dedicate this song to everyone who is suffering, to everyone who is feeling alone and helpless, anyone who's lost their loved one. And is having a difficult time, an impossible time, seeing when end will be near. We need to get back to a place of safety and peace and accountability. Good people shouldn't fight so hard and risk their life for well being and respect. And I hope, our leaders are listening, I hope you are listening to us, asking you to change the course of action swiftly, and have mercy on everyone in our country. And in a time where it doesn't feel like it's easy to have hope, it is my community and my friends, my family that hold me up. So, I would like to sing a song that does have some hope in it, to try to give us a little bit tonight."

Lady Gaga Lends Her Voice condemning ICE's Mistreatment and Wastage of Human Lives during her show in Tokyo ❤️ "In a couple of days I'm gonna be heading home and, my heart is aching thinking about the people, the children, the families all over America who are being merciless targeted by ICE. I'm thinking about all of their pain and how their lives are being destroyed right in front of us. I'm also thinking about Minnesota, and everyone back at home, who is living in so much fear... and searching for answers of what we all should do. When entire communities, loose their sense of safety and belonging, it breaks something in all of us. I hope that you'll all stand with us tonight. I know we are not in America right now, but we are with our community, and we love you. I'd like to dedicate this song to everyone who is suffering, to everyone who is feeling alone and helpless, anyone who's lost their loved one. And is having a difficult time, an impossible time, seeing when end will be near. We need to get back to a place of safety and peace and accountability. Good people shouldn't fight so hard and risk their life for well being and respect. And I hope, our leaders are listening, I hope you are listening to us, asking you to change the course of action swiftly, and have mercy on everyone in our country. And in a time where it doesn't feel like it's easy to have hope, it is my community and my friends, my family that hold me up. So, I would like to sing a song that does have some hope in it, to try to give us a little bit tonight."

Red Media

10,878 views • 7 months ago

Olori Atuwatsé III, Queen Consort of the Warri Kingdom posted on her official IG page; At the Nigerian Pavilion of the London Design Biennale, we stepped into a future anchored in memory, where heritage spoke through design, and technology carried the rhythm of tradition. It was a privilege to share this moment with His Majesty Ògíamẹ̀ Atuwatsé III CFR, The Olú Of Warri Kingdom. Within Somerset House, among the world's leading designers and thinkers, Nigerian creativity stood with confidence, layered, intentional, and deeply expressive. Titled Hopes and Impediments, the pavilion drew from Lejja's ancient iron-working legacy in Enugu State and reimagined Nigeria's cultural identity through sound, material, and mapping. The Itsekiri story ran through the centre, present with dignity, purpose, and clarity. Allegra Ayida's Paddling into the Past brought soul to form. Her work with the Itsekiri cast iron paddle offered a compelling reflection on memory and place, showing how language, names, and cultural rhythm continue to shape identity. The experience was fully immersive, brought to life through artificial intelligence, augmented reality, and data visualisation. Art met code. Culture meets interface. And from that meeting, something unmistakably African emerged: intelligent, modern, and deeply human. This vision was led by Myles Igwebuike as curator and creator, and produced by Itohan Barlow, founder of Culture Lab Africa. Together, they shaped a powerful cultural statement that resonated far beyond the walls of the exhibition. I'd like to express my gratitude to Victoria Broackes, Angela Bourderye-Munoz, Fiyin Adesanya, Dr. Anino Emuwa, Alero Ogbemi-Barlow, and the Itsekiri guests whose presence gave the moment its weight. Africa stands at the frontier. With memory, voice, and vision, we are shaping the future.

Olori Atuwatsé III, Queen Consort of the Warri Kingdom posted on her official IG page; At the Nigerian Pavilion of the London Design Biennale, we stepped into a future anchored in memory, where heritage spoke through design, and technology carried the rhythm of tradition. It was a privilege to share this moment with His Majesty Ògíamẹ̀ Atuwatsé III CFR, The Olú Of Warri Kingdom. Within Somerset House, among the world's leading designers and thinkers, Nigerian creativity stood with confidence, layered, intentional, and deeply expressive. Titled Hopes and Impediments, the pavilion drew from Lejja's ancient iron-working legacy in Enugu State and reimagined Nigeria's cultural identity through sound, material, and mapping. The Itsekiri story ran through the centre, present with dignity, purpose, and clarity. Allegra Ayida's Paddling into the Past brought soul to form. Her work with the Itsekiri cast iron paddle offered a compelling reflection on memory and place, showing how language, names, and cultural rhythm continue to shape identity. The experience was fully immersive, brought to life through artificial intelligence, augmented reality, and data visualisation. Art met code. Culture meets interface. And from that meeting, something unmistakably African emerged: intelligent, modern, and deeply human. This vision was led by Myles Igwebuike as curator and creator, and produced by Itohan Barlow, founder of Culture Lab Africa. Together, they shaped a powerful cultural statement that resonated far beyond the walls of the exhibition. I'd like to express my gratitude to Victoria Broackes, Angela Bourderye-Munoz, Fiyin Adesanya, Dr. Anino Emuwa, Alero Ogbemi-Barlow, and the Itsekiri guests whose presence gave the moment its weight. Africa stands at the frontier. With memory, voice, and vision, we are shaping the future.

Lord Of Warri

280,369 views • 1 year ago

🚨🚨🚨🚨🚨🚨 A Message from Japan to the world! Please share and distribute! Thank you very much for giving me this valuable opportunity to send my message about human rights abuse in the time of COVID-19. My name is Masayasu Inoue, Professor Emeritus of Osaka City University Medical School. My specialty is Molecular Pathology and Medicine. The pandemic was used as a false pretext by the WHO to drive vaccinations of all peoples in the world. A plan was set up to shorten the time to develop vaccines, which usually takes longer than ten years to less than one year. Operation Warp Speed. This operation was used to cover up the misconceptions of the genetic vaccines. Under the pretext of saving time, an extremely dangerous method was selected. That is, intramuscular injection of viral genes to produce toxic spike proteins directly in human tissues to stimulate immune system. Because this is a completely new method and misconceived method that has never applied before in human history, it is impossible, therefore, for most of doctors to give proper informed consent. However, due to irresponsible government and media campaigns to promote vaccines, 80% of the Japanese has been vaccinated. Unfortunately, seven shots have been done so far. This is the most and worst in the world. And the result was the induction of the terrible drug induced injury that has never seen in human history. I believe that the fraudulent use of experimental gene therapy to healthy people, particularly to healthy children, is an extreme violation of human rights. However, Keizo Takemi, Japanese Minister of Health, Labor and Welfare, has been insisting that there is no serious concern about the injury caused by genetic vaccines. And without learning from the current situation of injured patients, they plan to construct a new vaccine production system in preparation for the next pandemic. This is an unbelievable, crazy situation. The Japanese government is first in the world to approve a new type of vaccine called self replication replicon vaccine, and plans to start to supply it in this fall and winter. The Ministry of Economy, Trade and Industry is providing a huge amount of subsidies for this project. And factories to produce new vaccines are being built one after another in Japan. I visited these factories directly. Furthermore, the Japanese government is currently soliciting large scale clinical trials worth $900 million from pharmaceutical companies that are taking on the challenge of developing vaccines to prepare for the next pandemic by Disease X proposed during the Davos conference this year. It is speculated that the movement by the Japanese government is part of CEPI Coalition for Epidemic Preparedness Innovation's 100 days mission, which aims to shorten the time to one third of Operation Warp Speed. Namely, they are trying to shorten the vaccine business cycle by developing a vaccine in hundreds of days. This is possible only by ignoring the human rights perspective. Amendments to the WHO, International Health Regulation (IHR), and the so called Pandemic Treaty, which are about to be adopted at the 77th World Health assembly this year, are attempting to give rationality and legal binding force to such unscientific and dangerous crazy plans. If such things continue, there is high risk that Japan made vaccines will be exported under the guise for false trust. If Japan were to become a vaccine perpetrator, it would leave irreparable harm to future generations. Therefore, the actions of Japanese government MUST BE STOPPED by international collaborations. Although it has already been three years since I started to give lectures to educate Japanese people about the dangers of vaccines, it is still difficult to penetrate through the sound barriers of mainstream media. If we tell the truth about vaccines on YouTube, it is deleted within a day. The reality is that we are facing censorship and speech suppression almost every day. Therefore, I put my hope in the publication of a book with the last version of speech and published a book with a title "Withdraw From WHO" It is difficult to stop this movement because it is now politically hopeless to change the situation of the Japanese government. The message I would like to cover convey to the world is that when Disease X occurs in the future, you should never trust the Japan made vaccine that was developed in a short period of time in order to protect human rights in cases of control that transcend national boundaries. I believe that sharing the truth and countries is so important and that this is a step towards unity and solidarity. Only through the process of information exchange between all countries in the world, we can find hope in the midst of despair. I do hope that my statement will help all of you to protect your healthy life and your family. Thank you very much for your attention.

🚨🚨🚨🚨🚨🚨 A Message from Japan to the world! Please share and distribute! Thank you very much for giving me this valuable opportunity to send my message about human rights abuse in the time of COVID-19. My name is Masayasu Inoue, Professor Emeritus of Osaka City University Medical School. My specialty is Molecular Pathology and Medicine. The pandemic was used as a false pretext by the WHO to drive vaccinations of all peoples in the world. A plan was set up to shorten the time to develop vaccines, which usually takes longer than ten years to less than one year. Operation Warp Speed. This operation was used to cover up the misconceptions of the genetic vaccines. Under the pretext of saving time, an extremely dangerous method was selected. That is, intramuscular injection of viral genes to produce toxic spike proteins directly in human tissues to stimulate immune system. Because this is a completely new method and misconceived method that has never applied before in human history, it is impossible, therefore, for most of doctors to give proper informed consent. However, due to irresponsible government and media campaigns to promote vaccines, 80% of the Japanese has been vaccinated. Unfortunately, seven shots have been done so far. This is the most and worst in the world. And the result was the induction of the terrible drug induced injury that has never seen in human history. I believe that the fraudulent use of experimental gene therapy to healthy people, particularly to healthy children, is an extreme violation of human rights. However, Keizo Takemi, Japanese Minister of Health, Labor and Welfare, has been insisting that there is no serious concern about the injury caused by genetic vaccines. And without learning from the current situation of injured patients, they plan to construct a new vaccine production system in preparation for the next pandemic. This is an unbelievable, crazy situation. The Japanese government is first in the world to approve a new type of vaccine called self replication replicon vaccine, and plans to start to supply it in this fall and winter. The Ministry of Economy, Trade and Industry is providing a huge amount of subsidies for this project. And factories to produce new vaccines are being built one after another in Japan. I visited these factories directly. Furthermore, the Japanese government is currently soliciting large scale clinical trials worth $900 million from pharmaceutical companies that are taking on the challenge of developing vaccines to prepare for the next pandemic by Disease X proposed during the Davos conference this year. It is speculated that the movement by the Japanese government is part of CEPI Coalition for Epidemic Preparedness Innovation's 100 days mission, which aims to shorten the time to one third of Operation Warp Speed. Namely, they are trying to shorten the vaccine business cycle by developing a vaccine in hundreds of days. This is possible only by ignoring the human rights perspective. Amendments to the WHO, International Health Regulation (IHR), and the so called Pandemic Treaty, which are about to be adopted at the 77th World Health assembly this year, are attempting to give rationality and legal binding force to such unscientific and dangerous crazy plans. If such things continue, there is high risk that Japan made vaccines will be exported under the guise for false trust. If Japan were to become a vaccine perpetrator, it would leave irreparable harm to future generations. Therefore, the actions of Japanese government MUST BE STOPPED by international collaborations. Although it has already been three years since I started to give lectures to educate Japanese people about the dangers of vaccines, it is still difficult to penetrate through the sound barriers of mainstream media. If we tell the truth about vaccines on YouTube, it is deleted within a day. The reality is that we are facing censorship and speech suppression almost every day. Therefore, I put my hope in the publication of a book with the last version of speech and published a book with a title "Withdraw From WHO" It is difficult to stop this movement because it is now politically hopeless to change the situation of the Japanese government. The message I would like to cover convey to the world is that when Disease X occurs in the future, you should never trust the Japan made vaccine that was developed in a short period of time in order to protect human rights in cases of control that transcend national boundaries. I believe that sharing the truth and countries is so important and that this is a step towards unity and solidarity. Only through the process of information exchange between all countries in the world, we can find hope in the midst of despair. I do hope that my statement will help all of you to protect your healthy life and your family. Thank you very much for your attention.

aussie17

515,758 views • 2 years ago

Here's my first series of Anime created by Generative AI. Vidu 2.0 is a groundbreaking advancement for storytelling in the Anime style. #vidu @Viduforhuman Hi everyone 😊 😉 Here's my first AI-created Anime series. The name of my anime is Kuro & Yuki. I won't spoil the story for you, but it begins with these two boys locked up in what appears to be a highly secure institute/prison. Yuki has reached the age where he has awakened his power. While wandering the corridors of the institute, he meets Kuro, a boy with autism. It's a fleeting encounter as they end up being separated. As the story unfolds, you'll understand who they really are and why they are locked up. I don't plan on making episode 2 yet, even though I've grown attached to my characters' story. I'll continue the story only if a lot of people are interested and want to know what happens next. Otherwise, I'll explore other universes and styles of Anime 😉 Tools: - Epidemic Sound (For sound effects) - Vidu AI (to transform frames into animation) - ElevenLabs (for certain expressions) When I say Vidu 2.0 is a game-changer, I mean it. I had already made my animation with the previous version of Vidu, but when they gave me access to the beta, I urgently changed my plans and recreated all the animations. Let me tell you, it's a whole new level. My first animation was ultra frustrating to bring my ideas to life! Really! And since Vidu couldn't handle many image styles, I clearly couldn't bring my ideas to life. But with Vidu 2.0, I enjoy it much more! For the first time, I really get to bring my ideas to life! Until now, I always had to make compromises. Of course, Vidu is still not perfect, and there are still many obstacles, but it is a truly magnificent advancement! (and it surpasses all the Anime-style AIs I've tested recently) Moreover, Vidu 2.0 is fantastic for special effects, but also for embedding elements into the video (like a hand that appears and interacts with the character, or another character; and the best part is that they perfectly match the style of the original images!) * The animations/images and voices are AI-generated * The SoundDesign is traditional and done by me * The story was entirely written by me (I don't use AI to create my stories, it's important to me to write them myself) The voices were generated thanks to Nijivoice (for secondary characters) and Hailuo Audio (for main characters). I thank Yachimat (yachimat - AI Short Anime) for introducing me to Nijivoice, it's very generous of him! During the beta, we didn't consume credits, otherwise, this animation would have cost me around 20,000 credits, ha ha. Vidu 2.0, with its superb stability and fidelity to the style of images, offers brand new horizons for storytelling! One problem with Vidu 2.0 is that for now, you have to manually extend videos (by exporting the last frame). As you can see, this allowed me to create long scenes with different actions, and everything fits together perfectly! There are still many obstacles to storytelling, such as character consistency (I use the image to video function; I produce my images with Nijijourney) and it's always laborious to have a consistent character! The same goes for backgrounds. Here are the points I've identified that would facilitate storytelling: For Vidu: - Function to extend videos (you can already do this manually by exporting the last frame) - Function to invent the beginning or end of a video using a single frame (you can already do this manually by putting a completely white or completely black image as the first or last frame; this technique also allows you to have very dynamic results with Vidu 2.0! ) - It's difficult to obtain facial expressions for certain image styles (the same image style that the previous version couldn't handle at all). - More dynamism There's always room for improvement, but Vidu 2.0 has truly opened up exciting new possibilities for creative storytelling. ai aiart aianimation aianime ainews anime animenews aitools aitool

Naegiko

67,062 views • 1 year ago

Dear Liam, A full year. 52 weeks, 365 days, 8,760 hours… Somehow it still doesn't feel real. I keep counting time, as if somehow the numbers will make it make sense... but they never do. You've been gone a year, and yet it still feels like you could show up back online at any moment, smile that soft smile, and make everything feel lighter again. I miss you, Liam. God, I miss you. The world feels so different without you in it. Quieter. Colder. You had this rare warmth that made people feel safe. You made strangers feel seen, you made broken hearts feel a little less alone. And you never even realized how much you mattered. You always gave so much of yourself to others, even when you had nothing left to give. There hasn't been a single day I haven't thought of you. I still talk about you, defend you, remind people of who you really were. The world got it wrong so many times, but we didn't. We saw you. The real you... the kind, gentle, funny, complicated, beautiful soul behind it all. I wish you could see how loved you still are. I wish you knew how deeply you're missed. I hope you finally found peace. I hope the noise is gone now. I hope you’re surrounded by the calm you always deserved. You’ll always be part of me... your voice, your music, your light. You're still here in ways words can’t explain. I'll love you for the rest of my life. Always and forever sweet Angel. 💜🪽

Dear Liam, A full year. 52 weeks, 365 days, 8,760 hours… Somehow it still doesn't feel real. I keep counting time, as if somehow the numbers will make it make sense... but they never do. You've been gone a year, and yet it still feels like you could show up back online at any moment, smile that soft smile, and make everything feel lighter again. I miss you, Liam. God, I miss you. The world feels so different without you in it. Quieter. Colder. You had this rare warmth that made people feel safe. You made strangers feel seen, you made broken hearts feel a little less alone. And you never even realized how much you mattered. You always gave so much of yourself to others, even when you had nothing left to give. There hasn't been a single day I haven't thought of you. I still talk about you, defend you, remind people of who you really were. The world got it wrong so many times, but we didn't. We saw you. The real you... the kind, gentle, funny, complicated, beautiful soul behind it all. I wish you could see how loved you still are. I wish you knew how deeply you're missed. I hope you finally found peace. I hope the noise is gone now. I hope you’re surrounded by the calm you always deserved. You’ll always be part of me... your voice, your music, your light. You're still here in ways words can’t explain. I'll love you for the rest of my life. Always and forever sweet Angel. 💜🪽

Iris

21,526 views • 11 months ago

Claude Code + Nano Banana 2.0 just killed the $15K/month web agency That’s a mid-tier retainer Now done by one solo with a laptop and 6 prompts This guy just dropped the 6-step workflow Here’s the breakdown 👇 Set up the stack like this: > Firecrawl - scrape competitor / brand refs, extract assets > Claude Code - generate 3 visual directions inside the project > Nano Banana 2.0 - render hero visuals + transition videos > Claude Code - auto-build the full site structure > Claude Code - polish + tighten existing HTML layouts > GitHub + Vercel - deploy in one push First prompt to Claude Code: > Use the Firecrawl output in /assets > Generate 3 visual directions (typography, palette, motion) > Pick the one matching the brand voice in /brief.md > Scaffold a Next.js site, hero + 4 sections > Wire up Vercel deploy on main After it works, tune: > hero motion timing > font pairing > palette contrast > section spacing > transition video length > mobile breakpoints > CTA placement The numbers: → 6 steps instead of 60 → 1 afternoon instead of 6 weeks → $0 tooling vs $15K/month to an agency → Production output - if the brief is strong Taste still wins Weak brief = generic site Strong brief = client thinks you have a 5-person team behind you Reply “SITE” + RT and I’ll send you my Firecrawl → Claude Code prompt pack Full 50-sec walkthrough 👇

ZEUS⚡️

21,910 views • 3 months ago

✨WORLD WIDE WONDER✨ - Starlight & Wonder - VeXpo! 2026 theme song Now available on Bandcamp! Streaming soon 👇🔗 I want to tell you guys a bit about why this song came to be A song with so many featured singers that the title of the song got initially rejected from streaming platforms for being too long lol I've been so lucky in my career in VTubing that so many of my dreams have already come true. But there were some that, this year, I was determined to make a reality 1 - I wanted to do a live show as WUNDER RiKU 2 - I wanted to release a traditional group idol song 3 - I wanted to appear at VeXpo, Europe's biggest VTuber con that happens right in my home town Somehow, all of these things managed to come true all in one go Next Sunday, I'll be performing onstage at VeXpo as WUNDER RiKU, having written the group idol theme song for the event The theme for VeXpo this year was a Y2K aesthetic, so I wanted to write something that felt both classic and timeless in it's composition, but aesthetically leaning into the R&B/Pop group sound from all the music I grew up listening to The title "World Wide Wonder" came from the "World Wide Web", the explosion of the internet that happened around the year 2000s. I thought about what the internet meant to people then, and what it means to us now. Many of us wouldn't have these beautiful passions, friends, communities and livelihoods without it, and I really wanted to capture the earnest hopefulness and connection to others that the internet can bring at it's best. And with the word 'Wonder' in the title, I had to sneak 'Starlight' in there too hehe~ There's a line in the chorus about "we'll shine wider still" that is a subtle nod to British patriotic anthem 'Land of Hope and Glory'. As VeXpo is a British VTuber event, I wanted to sneak in a lyric that was a nod to something from our culture, but also has an important meaning for me. A lot of British anthems were born in the colonial era, and the lyric "wider still, and wider" refers to spreading Britains empire across the world. These words always angered me, as they position concepts of globalisation purely from the perspective of imperial expansion and conquering, instead of connection, broadening our minds and learning about the wider world we live in outside of our tiny bubbles. But the concept of 'wider still' can mean so much more than that. We can spread VTubing wider still. We can share our passions wider still. We can open our hearts wider still. We'll shine wider still. I wanted to take something from our culture that upsets me (the division, the legacy of empire) and create something new, hopeful and inspiring. In the verses, I wanted to tell the story that so many VTubers share- one of going from loneliness and having no sense of purpose, to finding a home, a community, and a love for life once thought lost. I have felt this too. Thank you, every single friend, colleague, WUNDERLiNG and fellow human I've met along this 6 year journey. I wouldn't be here doing this without any of you. Whilst so many dreams have come true this year, it's also been by far one of the most awful years of my life. Even today, I've been crying, feeling betrayed by people who I trusted. But in spite of that, I'll hold on to the message I wrote in this song: "For every broken soul upon the earth Till every lonely voice is heard We won't stop now We'll shine brighter still Till this world wide wonder Of starlight comes our way"

✨WORLD WIDE WONDER✨ - Starlight & Wonder - VeXpo! 2026 theme song Now available on Bandcamp! Streaming soon 👇🔗 I want to tell you guys a bit about why this song came to be A song with so many featured singers that the title of the song got initially rejected from streaming platforms for being too long lol I've been so lucky in my career in VTubing that so many of my dreams have already come true. But there were some that, this year, I was determined to make a reality 1 - I wanted to do a live show as WUNDER RiKU 2 - I wanted to release a traditional group idol song 3 - I wanted to appear at VeXpo, Europe's biggest VTuber con that happens right in my home town Somehow, all of these things managed to come true all in one go Next Sunday, I'll be performing onstage at VeXpo as WUNDER RiKU, having written the group idol theme song for the event The theme for VeXpo this year was a Y2K aesthetic, so I wanted to write something that felt both classic and timeless in it's composition, but aesthetically leaning into the R&B/Pop group sound from all the music I grew up listening to The title "World Wide Wonder" came from the "World Wide Web", the explosion of the internet that happened around the year 2000s. I thought about what the internet meant to people then, and what it means to us now. Many of us wouldn't have these beautiful passions, friends, communities and livelihoods without it, and I really wanted to capture the earnest hopefulness and connection to others that the internet can bring at it's best. And with the word 'Wonder' in the title, I had to sneak 'Starlight' in there too hehe~ There's a line in the chorus about "we'll shine wider still" that is a subtle nod to British patriotic anthem 'Land of Hope and Glory'. As VeXpo is a British VTuber event, I wanted to sneak in a lyric that was a nod to something from our culture, but also has an important meaning for me. A lot of British anthems were born in the colonial era, and the lyric "wider still, and wider" refers to spreading Britains empire across the world. These words always angered me, as they position concepts of globalisation purely from the perspective of imperial expansion and conquering, instead of connection, broadening our minds and learning about the wider world we live in outside of our tiny bubbles. But the concept of 'wider still' can mean so much more than that. We can spread VTubing wider still. We can share our passions wider still. We can open our hearts wider still. We'll shine wider still. I wanted to take something from our culture that upsets me (the division, the legacy of empire) and create something new, hopeful and inspiring. In the verses, I wanted to tell the story that so many VTubers share- one of going from loneliness and having no sense of purpose, to finding a home, a community, and a love for life once thought lost. I have felt this too. Thank you, every single friend, colleague, WUNDERLiNG and fellow human I've met along this 6 year journey. I wouldn't be here doing this without any of you. Whilst so many dreams have come true this year, it's also been by far one of the most awful years of my life. Even today, I've been crying, feeling betrayed by people who I trusted. But in spite of that, I'll hold on to the message I wrote in this song: "For every broken soul upon the earth Till every lonely voice is heard We won't stop now We'll shine brighter still Till this world wide wonder Of starlight comes our way"

WUNDER RiKU 🎵🪽 Songwriter | ➡️ VEXPO 26

19,530 views • 3 days ago