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My current controller settings. #BlackOps6 1.60-1.60 0-0 Deadzone 120FOV Dynamic response curve Right stick max threshold 99 Left stick max threshold 75 Hyrbid input
145,063 görüntüleme • 1 yıl önce •via X (Twitter)
10 Yorum
Frankie1 yıl önce
forgot to add: Green enemies (easier to see) people I'm partied up with: Dark blue Random players on my team: Purple
Richard 🇺🇸 🎮1 yıl önce
dont forget to mention "Aim Assist Activated"
blu1 yıl önce
We are still 2boxxing get a life nigga
HB1 yıl önce
Why 99max and not 100? 👊💜
Frankie1 yıl önce
It might be placebo but it feels better for some reason
☾ XX1 yıl önce
you forgot to add in unemployment
ap1 yıl önce
wtf is hybrid input
Frankie1 yıl önce
Right stick clicked in makes you slide Left stick clicked in and then clicking the right stick will make you dive
𝐋𝐮𝐤𝐞1 yıl önce
Hybrid is king
Frankie1 yıl önce
Only thing I would say is, it's a pain in the ass to learn
![STOP PAYING FOR MOTION DESIGN SOFTWARE opus 5.5 one shot every frame of this in code, no after effects im open sourcing the whole template for free plug in your product and it recreates this steal the prompt ↓ Ask me for: the one question a user asks my product and its one-line answer, two album covers, a royalty-free song around 110 BPM with a quiet intro and a hard drop (Mixkit, free for commercial use), and my logo for the ending. If I skip any, use the defaults: "is this all code?" / "yes. every frame.", two atmospheric photos, Mixkit "Head Bang". A 22 second square loop, 1440x1440 at 60fps, 2D only, one continuous take. Nothing ever cuts: every scene grows out of the last, and every gesture physically carries the camera into the next world. Every morph glides for 0.8s on cubic-bezier(.45,0,.15,1) and the camera zoom rides the same curve, so shapes change so smoothly you barely notice. Content dissolves in the back half of each glide. One gesture per scene. Look: a warm light stage (#f3f3f0 to #e3e3de), black UI, the app world dark (#121212) tinted from the current album cover, one green accent (#1ed760). Geist for UI, the real macOS pointer, soft layered shadows that grow with the shape's height. Banned: hard cuts, bouncy springs, particles, glows, zooming in and straight back out, holds longer than 1s, anything that looks like a template. Beats are the song's, and the press lands on its drop. Generate: the cursor clicks, the pill glides into a spinner, then a check. Chat: the check splits into three typing dots (goo). The left dot flies up into the question bubble and types it, the right one flies down into the reply. Both contract back into dots while gliding in and pour into the middle one. Play: the middle dot bends into a play triangle, point by point. The cursor presses it on the drop: a white button pops in under the click and the dark app floods out around it, so the leftover white becomes the play button. The camera pulls back to reveal the full now-playing screen: big cover, title, heart (liked, fills green), progress, controls, volume. Swipe: the cursor drags the cover sideways, the next track slides in, and the whole app retints from the new cover. Drag: the camera glides to the volume. The cursor drags it to max and keeps pulling: the bar rubber-bands and drags the camera sideways out of the app, tracking the knob across a dark dotted canvas. Chart: the line lands and bends up into a green chart while the number counts up. The volume knob becomes its last point. Dive: the cursor clicks that point and the camera dives into it until the light stage fills the frame. Ending: an "Ask [my product]" button grows out of the light, thins into a line, and the line fans out into my logo (default: the Claude spark, six copies rotating into twelve rays in Claude orange). It folds back into the line, which thickens into Generate. Last frame = first frame. 1. One HTML canvas. Everything is a pure function of time inside seek(t): no timers, no state between frames. 2. A camera with position and log-space zoom. Scenes live side by side in one world, so a pan really travels. 3. Goo: blur + alpha threshold on an offscreen layer for the split and the merges. 4. Floods are circles that grow from whatever caused them to the farthest corner in about 0.4s, and the colour switch happens underneath them. 5. Sound: before the press the song plays through a low-pass filter, like it's in the next room, and opens up to full on the drop. A downloaded Mixkit SFX for every event, each placed by its measured peak. Loudnorm to -14 LUFS. 6. Render with Playwright at 60fps with 4 motion-blur subframes, 12 on the fast pan. Then scan every frame for single-frame jumps and fix each one. A handoff between two drawings only works once the first one has fully landed, or it pops. The cursor must stay on whatever it drags, even while it stretches. A counter or tooltip that changes every frame smears under motion blur, so swap whole values. Ask me for the inputs, then show me the beat map and 6 stills (chat, play, app, drag, chart, logo) before you render.](https://image.24vids.com/tw-2104674464868762046/amplify_video_thumb/2104672991703433216/img/bH3z6pQ-9dOuDQ-E.jpg)
![opus 5.5 is f*cking insane at motion design every frame is code with 0 external tools im open sourcing the template for all these morph transitions steal it ↓ Ask me for: my product's name (one lowercase word, it becomes a black wordmark with a period), the one job a user hands it before bed, the three results it reports by morning, two photos of the same place at night and by day (aligned, so a crossfade reads as a real sunrise), one sunny daytime photo for outside the logo, and a song with a big hit near its start. If I skip any, use the defaults: "nightshift", "book 10 sales calls this week", 200 leads found / 200 emails sent / 10 calls booked. A 24 second square product launch video, 1440x1440 at 60fps, 2D only, one continuous take that loops. The whole video happens inside the period of the wordmark. Outside it's daytime (the sunny photo behind a black wordmark). Inside it's the night photo under iOS-style glass panels (the blurred photo behind each panel, a tint, a rim light). Nothing cuts: every scene grows out of the last, shapes morph, dots fly, colours change under floods. Every morph glides 0.8s on cubic-bezier(.45,0,.15,1) and the camera zoom rides the same curve. Geist, the real macOS pointer, soft shadows that grow with each shape's height. Banned: flat or gradient backgrounds made in code, camera zooms into tiny points, hard cuts, crossfades between scenes, bouncy springs, particles, glows, holds longer than 1s, cropped type. Beats are the song's. The song enters on its big hit as the first pill appears. Open: the letters slide into the period and vanish into it while it glides to the middle. The period opens like an iris onto the night inside it, and "you log off at 6", then "[product] doesn't", roll through one mask line over the night photo. Ask: a glass "Ask [product]" pill springs in. The cursor clicks it, it glides into an input and the job types out. Find: send shrinks the input to a dot that ripples into a 23x15 grid. A scan line sweeps it, 200 dots light up and a counter counts them. Write: the lit dots pour into a glass email composer. A second, purple cursor labelled "[product]" types a personal opener and presses Send, and the counter runs to 200/200. Night: the composer becomes a glass orb with a progress ring. A clock chip swaps 11:42 PM, 3:17 AM, 5:02 AM, 6:59 AM while the sky relights from night to dawn and "while you sleep" rolls in. Results (beat 20): the orb turns black and goo-splits into the three result pills. The checks pop green. Morning: the pills merge into a Dynamic Island that grows into a phone lock screen: the day photo, the date, a big 7:00, the bezel growing out of the screen edge. Three glass notifications stack in, and the cursor taps the first, which opens like iOS. Proof: a week calendar (10 meetings pop in, a hover shows one's time), then a pipeline chart ($48,200 counts up, the line draws, a hover follows it). A black flood from the line's end becomes "Start your night shift →" and the cursor clicks it. Out: the button shrinks into a dot, the whole scene closes down into it like an iris, and the letters slide back out of the period. The tagline rises. Last frame = first frame. 1. One HTML canvas. Everything is a pure function of time inside seek(t): no timers, no state between frames. 2. One element morphs through every state (size, radius, colour, material) from a table of beat times, so retiming is one edit. 3. Render the inside world into an offscreen canvas and reveal it through the period with a circular mask. Never zoom the camera into the dot. 4. Glass: a pre-blurred copy of the photo clipped to the shape, then a tint and a gradient rim. 5. Goo: blur + alpha threshold on an offscreen layer for the split and the merge. 6. Sound: a downloaded SFX for every event, each placed by its measured peak. The song enters on its hit. Loudnorm to -14 LUFS. 7. Render with Playwright at 60fps with 4 motion-blur subframes. Scan every frame for single-frame jumps and fix each one. A camera zoom into an off-centre dot swings sideways and spikes, so open the dot instead. Ease a closing iris by area, not radius, or its first frames jump. A helper that sets globalAlpha must restore the caller's, or fading cards pop. Counters read the frame's time, not the subframe's, or the digits smear. Ask me for the inputs, then show me the beat map and 6 stills (open, find, write, results, phone, out) before you render.](https://image.24vids.com/tw-2105927781678747965/amplify_video_thumb/2105927334729502720/img/yZZvvWv1sOfR0LdS.jpg)
