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My SCATBOOK 💩 fan content is jam-packed! 87 post count doesn't really mean shit when each post is unique with original captions, filled with multi-media images with different poses. Several full length videos are included - I'm always adding more! Subscribe today ❤️ Mycelium_Mother™ 🍄 Poop Princess 👑💩🤍 #Mycelium_Mother...

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Mycelium_Mother™ 🍄 Poop Princess 👑💩🤍

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130,084 просмотров • 1 год назад •via X (Twitter)

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Nɪᴄᴏ || Posting MyOshi Help! 💜 💀【VRawr】

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If I was trying to GROW an app or ecomm right now, I wouldn't waste money on influencers or ads. I'd hire creators nobody's heard of and use this strategy that's working right now and generating 100k+ app installs to companies like focustree Influencer with 100k followers: $2,000+ for one post. Gets maybe 30k views. Everyone knows it's an ad. Creator with 500 followers: $900 for an entire month. Posts 30 times. Gets 500k+ views total. Feels more organic. That's $1.80 per thousand views versus $6-12 on Facebook. And it doesn't look like an ad because it isn't one. It's just content. "oH bUt ThaT's NoT PoSsIbLE, GrEG" I agree, this shouldn't work. But it's happening more and more and here's why: *new episode of the pod is live and we give you the playbook* But TikTok's For You Page broke the entire game. The algorithm doesn't care about follower count anymore. It only cares if people watch. IG copied this. YT copied this. Everyone copied this. Now some kid with 300 followers can outperform a verified influencer because their content is better. Not their audience. Their content. Most brands haven't figured this out. They're still paying for follower count like it's 2019. So, the smart play is hiring 10 creators instead of 1. Example: Pay 10 creators $900/month each. That's $9k total. Each posts daily across TikTok, Reels, Shorts. That's 900 pieces of content per month. When one hits, you message the group: "Everyone copy this format." Now 10 creators are using the winning formula with their own spin. The algorithm sees ten different videos, not reposts. One viral format becomes ten viral videos. Those teach you what works. You find the next format. It compounds. How to find creators Search your category on TikTok. You don't want influencers with media kits. You want people already making content about your space for fun. DM them: "Want $900/month to keep doing what you're doing?" They're posting anyway. Now they're getting paid. Run it through Discord or WhatsApp. Share what's working daily. "This hook is crushing." "Try this sound." Track everything. When something explodes, everyone pivots to that format until it stops working. This only works for products that make sense in 10 seconds. Apps with one clear feature. Products under $50. Anything bought on impulse. If you need a sales deck to explain it, this isn't for you. The beauty is what happens beyond direct sales. Someone sees your app on TikTok. They don't buy immediately. But next week they Google "that app from TikTok." Your search traffic spikes. Your app store ranking climbs. The halo effect is massive. Right now this is pure arbitrage. In two years, agencies will package this, prices will 10x, and the window closes. But today you can hire a creator army for what one influencer post costs. You can test more in a week than most brands test in a year. You're building a content machine. All algortihms care about nowadays is if people stop scrolling. Find creators who make people stop scrolling. Pay them to never stop posting. Share what works. Scale what hits. People charge $10k for this sort of info. We give it away for free on The Startup Ideas Podcast (SIP) 🧃 2x week. Thanks to Cody Schneider for jumping on and sharing. We could keep this to ourselves but where is the fun in that? Fun is seeing you build a bootstrapped app to millions of users through this strategy And sending me a dm And saying "thanks for the tip, professor g" No worries, my friend No worries.
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100,052 просмотров • 10 месяцев назад

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LAUNCH 🚀🚀 I coulda been a fuck nobody who got screwed over and fired, struggling to find a job rn. Instead, I am about to make the generational MONEYMAXXING run that goes down in history. The only difference is the insights I have on hand. Insightmaxxing. Standard practice for corporations is investing in a truckload of numerical data, and hiring for roles such as “Data Analysts” to find these insights. That’s the way it’s always been done. Numbers SUCK at driving ACTIONABLE INSIGHTS though. Charts, dashboards, the most they can tell you is where to look, but they still need analysts to turn it into a format that drives key decisions. What if we were not limited to numbers? There is no way for a human to read enough to get coverage on large datasets without certain abstractions. Excel was invented for this very purpose. A human can’t. LLMs CAN. The very fact that we now have intelligence at the cost of nothing unlock new paradigms of data analysis. We are no longer bound by the limitations of having to work with numbers. We can work with data in their much more optimal, original forms. Texts. Images. Videos. For example, if you make a post on X, a high like count can tell you that it is successful. But you will not know WHY it’s successful. The WHY is information that you can get by looking at the non-numeric data. What exactly did you post about? How is it different from other posts? What did the comments say? If a business launches a new product, positive social media sentiment and an increase in revenue can tell you that you are doing something right. That information is valuable. What is infinitely more valuable is knowing EXACTLY what you did right, and any feedback on how it could have been even better. Today, I am launching my first, public product. It is the first Insights tool of its kind that follows this new paradigm I’ve described. Know exactly what your competitors are doing. What is working for them? Why is it working for them? How can it work for you? Know the exact issues with your offerings as they occur. Bugs, complaints, valuable user feedback. How can it be better? Know all the opportunity spaces you might not be aware of. You cannot possibly read everything. Insightmaxxing will do it for you. I truly believe it is a tool every single company can benefit from using.

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25,454 просмотров • 3 месяцев назад

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hanชน์พชรฐากูร 💫🐕🪽🍳🍮🌶

31,892 просмотров • 3 месяцев назад

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0:49

The media is finally paying attention to the obsession that Meg has with Prince William and his family. "Meghan Markle shares a rare video of daughter Lilibet playing with a Jellycat after William revealed the British toy is 'his children's currency'"🔥 The article reports how Meg "has shared a new video of herself gardening with her daughter, who was sporting a brand loved by the Wales children. [...]" "The popular British toy brand, which is famous for selling cuddly toys with smiling faces, is also a firm favourite among the Prince and Princess of Wales's children and Princess Charlotte posed with a toy from the brand in a 2015 portrait."👌 Indeed, the first time the Wales introduce the brand jellycat in their family, it was in 2015 with the first ever baby portrait of Charlotte. However, Meg was not in the RF yet, and it is very clear she had no idea of its significance for the Wales😏 It was last May 2025, during the BP garden party, that William and Catherine met with the late Liz Hatton's family. Her brother Matteo, gifted the Royal couple with Jellycat plushies: a 'Tarte au citron' for Catherine and William, a collector's item Pickled Onion❤️ It was then that William revealed that he wasn't the only one who'd be delighted by the unique gifts. 'My children will love these, They are children's currency,' he said."🔥 This is when it became widely reported. So right on the dot, a month later today, William's stalker decided to release a video of herself and her "daughter" sporting the british toy brand with her daughter as the Wales did for Charlotte😵‍💫 Why would children raised in America by an american mother and a girl who has never been nor lived in the UK, play with British brand toys instead of American brand toys?🤡 EVERYTHING about Meg's "children" is always cosplayed from the Wales children🤔 It is very clear that Meghan suffers gravely from imposters syndrome and is obsessed with Prince William's life and his family because they are the Royal standard. She wants to FORCE a 'Royal British identity' in her american born and raised "children" that simply does not exist🔥 It is almost as if, somehow in her donkey head, she thinks that if she cosplays the Wales and their family successfully, Then the world will see Her and her family as "Real Royals" instead of the "Temu celebrity wannabe" they are seen as..🤷🏽‍♀️ To do so, Meg has cast herself as "Catherine", she has cast her daughter as "Princess Charlotte" Her son, cosplays either of "Princes George or Louis" and she has cast Harry as "William"🤡 And you can see it over and over again: Everything William and Catherine are reportedly doing as a couple, Meg announce she is doing it with Harry; If the Wales children are losing teeth, her children are also losing theirs that same week😂 If they love gardening, baking and the outdoors, she announces her children do as well; William says he enjoys a movie, meg says she enjoys the same movie too; William plays mario go Kart, Meg reference Mario go Kart and paint herself as Princess peach😂 Catherine cooks bolognese for William, Meg says she enjoys cooking it for Harry; William sports a bracelet made by Charlotte; Meg post a video wearing a similar bracelet made from lili; Charlotte plays with jellycat toys, Meg post a video of lili with jellycat toys..🥴 More to the point, the only dates that matter to her are William's birthday, his mother Diana's birthday, Catherine's and their children's birthdays as well as their engagements dates; Meg plans all her releases around those dates obsessively🤡 This is Pure Psychotic mental illness on display👌 Well and so, Harry will continue to be a very resentful and bitter manchild because he knows full well that even in his marriage, he is "William's spare"..☕️

Canellecitadelle

128,851 просмотров • 1 год назад

Highguard impressions after 12+ hours on PS5 Pro. I've read the PC version is unoptimised, so exp there may differ. Included video of a 17 kill match with randoms where I was also explaining mechanics to a new player. + LOVE the integration of mounts. Morphing onto them and rushing through maps is thrilling, fast and fun; can feel like a medieval soldier charging into battle. + Mounted chases and combat is cool. + Weapons feel punchy and general controls are great. Once you get to grips with it, can be so fast and mobile, inc jumping with mounts straight onto zip lines etc. + As I don't have the attention span of a gnat, I enjoy the exploration and looting downtime between rounds/high intensity action heavy moments. Offers a calm before the storm vibe and allows you to enjoy the scale, environments, mounts and art. + Enjoy the fusion of looting, catching/chasing shield breakers and Counter Strike style bomb detonation or defusing. Things get crazier and crazier over a match, and the environment destruction adds strategy and approach variation, allowing you to mould choke points etc. + Solid skill ceiling with a lot of strategy in team play, abilities, map control etc. Those with higher play IQ and the ability to master multiple mechanics simultaneously, will be highly rewarded. + Most of the characters are well balanced, with differing abilities and strategy purpose. + Weapons are generally well balanced. Don't mind not having my weapons of choice. + Cool art direction and sense of scale. At times a bit like a more fantastical AAA Breath of the Wild. + Maps are well designed with great vistas, draw distances, huge towering structures, good choke points and lots of approach points. Also diverse in biome styles; lava, overgrown, desert, snow etc. + Sound design is strong. Foot and mount steps being exaggerated also brings tension and spacial caution. + Skins of weapons, characters etc are varied and high quality. Even free ones. Many aren't just different coloured variants but totally different outfits and weapon models. + With two good teams, the constant back and forth can make for some thrillingly tight, clutch or saved in the last second type moments. + Nice design details; keeping loot on death, each round loot rarity increasing, shield bearer being a beacon, being able to teleport back to base, mount health etc. + Progression so far seems fair, and cosmetics not too excessively priced. + Performance on Pro has been solid, and I've not had a single bug, glitch, matchmaking error etc. - Shielding up your base needs work. Often times not effective enough. - Image quality is pretty poor, especially in motion. - Most randoms don't have a clue what they're doing and many don't have mics, can make things much harder and less exciting, esp when team play is so effective. - Wish the free Battle Pass had more content, or there were more free unlocks. - On some maps loot is too spread out. - When enemy has shield breaker and you die, can sometimes take too long to get back into the thick of it. - Weapons are a bit uninspired. Basically just typical archetypes like revolver, AR, shotgun etc. - Would have liked more weapons and characters, but for launch it's decent. ___ Overall, so far I'm really enjoying it and have actually been quite hooked. I'm not a clairvoyant so can't tell if it'll hold my attention long term (that'll partly depend on post launch support), but initial impressions have been solid. I was highly critical of games like Concord, Redfall etc, but Highguard isn't that, it's far higher quality. Highguard ultimately has aspects from multiple different games I love, so while individually they're not so innovative or unique, having them all combined together with the mount riding, great gunplay, scale etc, to me is fun, engaging and pretty fresh. Still, this is a more methodically paced and playing FPS; those wanting constant shoot shoot bang bang, look elsewhere. #Highguard #PS5 #PS5Pro
9:23

Highguard impressions after 12+ hours on PS5 Pro. I've read the PC version is unoptimised, so exp there may differ. Included video of a 17 kill match with randoms where I was also explaining mechanics to a new player. + LOVE the integration of mounts. Morphing onto them and rushing through maps is thrilling, fast and fun; can feel like a medieval soldier charging into battle. + Mounted chases and combat is cool. + Weapons feel punchy and general controls are great. Once you get to grips with it, can be so fast and mobile, inc jumping with mounts straight onto zip lines etc. + As I don't have the attention span of a gnat, I enjoy the exploration and looting downtime between rounds/high intensity action heavy moments. Offers a calm before the storm vibe and allows you to enjoy the scale, environments, mounts and art. + Enjoy the fusion of looting, catching/chasing shield breakers and Counter Strike style bomb detonation or defusing. Things get crazier and crazier over a match, and the environment destruction adds strategy and approach variation, allowing you to mould choke points etc. + Solid skill ceiling with a lot of strategy in team play, abilities, map control etc. Those with higher play IQ and the ability to master multiple mechanics simultaneously, will be highly rewarded. + Most of the characters are well balanced, with differing abilities and strategy purpose. + Weapons are generally well balanced. Don't mind not having my weapons of choice. + Cool art direction and sense of scale. At times a bit like a more fantastical AAA Breath of the Wild. + Maps are well designed with great vistas, draw distances, huge towering structures, good choke points and lots of approach points. Also diverse in biome styles; lava, overgrown, desert, snow etc. + Sound design is strong. Foot and mount steps being exaggerated also brings tension and spacial caution. + Skins of weapons, characters etc are varied and high quality. Even free ones. Many aren't just different coloured variants but totally different outfits and weapon models. + With two good teams, the constant back and forth can make for some thrillingly tight, clutch or saved in the last second type moments. + Nice design details; keeping loot on death, each round loot rarity increasing, shield bearer being a beacon, being able to teleport back to base, mount health etc. + Progression so far seems fair, and cosmetics not too excessively priced. + Performance on Pro has been solid, and I've not had a single bug, glitch, matchmaking error etc. - Shielding up your base needs work. Often times not effective enough. - Image quality is pretty poor, especially in motion. - Most randoms don't have a clue what they're doing and many don't have mics, can make things much harder and less exciting, esp when team play is so effective. - Wish the free Battle Pass had more content, or there were more free unlocks. - On some maps loot is too spread out. - When enemy has shield breaker and you die, can sometimes take too long to get back into the thick of it. - Weapons are a bit uninspired. Basically just typical archetypes like revolver, AR, shotgun etc. - Would have liked more weapons and characters, but for launch it's decent. ___ Overall, so far I'm really enjoying it and have actually been quite hooked. I'm not a clairvoyant so can't tell if it'll hold my attention long term (that'll partly depend on post launch support), but initial impressions have been solid. I was highly critical of games like Concord, Redfall etc, but Highguard isn't that, it's far higher quality. Highguard ultimately has aspects from multiple different games I love, so while individually they're not so innovative or unique, having them all combined together with the mount riding, great gunplay, scale etc, to me is fun, engaging and pretty fresh. Still, this is a more methodically paced and playing FPS; those wanting constant shoot shoot bang bang, look elsewhere. #Highguard #PS5 #PS5Pro

NIB

32,888 просмотров • 5 месяцев назад

#WilliamEst #วิลเลี่ยมเอส ———— [2025 Year in Review] 🎸: Wow, that's a great question. Let me take my time with this... 🦈: This is going to be a long story—could probably talk about it for an hour. 🎸: If I had to summarize briefly, I feel like I've been constantly growing. More people know us now, and I feel like I've put more of myself into each project. The longer you're in this industry, the more you want to make your work better. 🦈: Honestly, this year has been like a roller coaster. Full of ups and downs, full of changes. But I think it's been an amazing year because we've really been through so much. This was also the year ThamePo aired, and seeing everything that's happened, I'm really happy. 🦈: I'm happy too. We often say we hope to keep growing together. From being paired up, auditioning together, being cast as the leads of ThamePo—back then we weren't even sure if we could work as a CP, if we'd get along, how the project would turn out, or if people would like us. But having come this far and been through so much, I think as long as you believe in yourself and believe in your partner... In the end, I'm just really happy to be where we are today, and I'm incredibly grateful for our fans' tremendous support. [Surprises of 2025] 🎸: Speaking of surprises, I'd say it's today. Because I never imagined I could win an acting award. This really exceeded my expectations. Receiving this award motivates me even more to act and to learn. I feel like I'm still lacking in this area—I've often asked P'Est or others for advice, just wanting to keep getting better. 🦈: There have been many memorable moments, but I also want to say today. I'm really happy to receive this award. I actually have a lot of trophies at home, but they're all from swimming competitions—from school to university, to national and international competitions. I never thought I could win an award outside of swimming. Today I received my first entertainment industry award, and my mom even texted saying she's proud of me. I'm happy to make the people around me proud, and I'm happy I chose this path. This award is also proof that I made the right choice. [Goals for 2026] 🎸: My goal for next year is to become a better actor. I want to keep improving my skills. 🎸: Also, I want to release solo single. I want to try and explore more different things, including various music styles. 🦈: I hope more people will pay attention to our work, and I hope more people will discover us. I also hope that both William's and my individual projects, as well as our collaborative work, can take us further. [Three Songs for 2025] 🦈: When it comes to three songs that represent 2025, everyone knows ระหว่างทาง (Along the Way) has to be one of them. 🦈: The lyrics of this song really fit us. We often say the road to success isn't easy, but because we have each other, it doesn't feel as hard. 🦈: There's also ยังคู่กัน (Still Together). We're still together, just like William said at the ThamePo Final EP—no matter what the future holds, we're still WilliamEst. 🦈: The last one is Nothing's Gonna Change My Love For You. Nothing can change our love for each other. Because I feel like we've already been through so many difficult things, and if something difficult happens again in the future, it won't be as hard as before. Even if it is hard, it can no longer change us. 🎸: Yes. My first choice is also ระหว่างทาง (Along the Way). I chose this song because getting to this point, standing here—it's been really hard. I never imagined what life would be like now, how many twists and drama we'd go through. But we faced problems together, learned together, and now everything is on track. This song is really touching. 🎸: Another one is คนสุดท้าย (The Last One). This song was also played at our fan meeting. We talked from the very beginning about how much we love this song, including because of the lyrics. I might have never said this before, but if I ever get to do another BL or something like that in the future, P'Est is my only partner. There won't be anyone else. 🎸: He's the first and the last. I don't want to get to know and adjust to a new person anymore because it's too exhausting. From getting to know each other, to truly understanding each other, to the chemistry we have now—this journey has been really difficult. So I've always thought this in my heart, and I've always believed it: I hope he's truly the last one. MC: How do you feel hearing this? 🦈: I'm very touched hearing this. Actually, I've always had this sense of security. When I feel uncertain, he's always the one who stays firm. Even though I know how he feels, having him say it in front of the media and everyone still surprises me. Because we really went through times when we never thought we'd be where we are today, so deep down I'd already prepared myself for all kinds of possibilities. But when those things didn't happen, I actually felt relieved, and in the end it made this relationship even stronger. 🎸: The last song is สิ่งที่มีกำลังเกิด (What's Happening). Every line, every part of this song really hits deep. It's like two people from different worlds meeting and then walking hand in hand—like some kind of destined fate. So I chose this one.
6:50

#WilliamEst #วิลเลี่ยมเอส ———— [2025 Year in Review] 🎸: Wow, that's a great question. Let me take my time with this... 🦈: This is going to be a long story—could probably talk about it for an hour. 🎸: If I had to summarize briefly, I feel like I've been constantly growing. More people know us now, and I feel like I've put more of myself into each project. The longer you're in this industry, the more you want to make your work better. 🦈: Honestly, this year has been like a roller coaster. Full of ups and downs, full of changes. But I think it's been an amazing year because we've really been through so much. This was also the year ThamePo aired, and seeing everything that's happened, I'm really happy. 🦈: I'm happy too. We often say we hope to keep growing together. From being paired up, auditioning together, being cast as the leads of ThamePo—back then we weren't even sure if we could work as a CP, if we'd get along, how the project would turn out, or if people would like us. But having come this far and been through so much, I think as long as you believe in yourself and believe in your partner... In the end, I'm just really happy to be where we are today, and I'm incredibly grateful for our fans' tremendous support. [Surprises of 2025] 🎸: Speaking of surprises, I'd say it's today. Because I never imagined I could win an acting award. This really exceeded my expectations. Receiving this award motivates me even more to act and to learn. I feel like I'm still lacking in this area—I've often asked P'Est or others for advice, just wanting to keep getting better. 🦈: There have been many memorable moments, but I also want to say today. I'm really happy to receive this award. I actually have a lot of trophies at home, but they're all from swimming competitions—from school to university, to national and international competitions. I never thought I could win an award outside of swimming. Today I received my first entertainment industry award, and my mom even texted saying she's proud of me. I'm happy to make the people around me proud, and I'm happy I chose this path. This award is also proof that I made the right choice. [Goals for 2026] 🎸: My goal for next year is to become a better actor. I want to keep improving my skills. 🎸: Also, I want to release solo single. I want to try and explore more different things, including various music styles. 🦈: I hope more people will pay attention to our work, and I hope more people will discover us. I also hope that both William's and my individual projects, as well as our collaborative work, can take us further. [Three Songs for 2025] 🦈: When it comes to three songs that represent 2025, everyone knows ระหว่างทาง (Along the Way) has to be one of them. 🦈: The lyrics of this song really fit us. We often say the road to success isn't easy, but because we have each other, it doesn't feel as hard. 🦈: There's also ยังคู่กัน (Still Together). We're still together, just like William said at the ThamePo Final EP—no matter what the future holds, we're still WilliamEst. 🦈: The last one is Nothing's Gonna Change My Love For You. Nothing can change our love for each other. Because I feel like we've already been through so many difficult things, and if something difficult happens again in the future, it won't be as hard as before. Even if it is hard, it can no longer change us. 🎸: Yes. My first choice is also ระหว่างทาง (Along the Way). I chose this song because getting to this point, standing here—it's been really hard. I never imagined what life would be like now, how many twists and drama we'd go through. But we faced problems together, learned together, and now everything is on track. This song is really touching. 🎸: Another one is คนสุดท้าย (The Last One). This song was also played at our fan meeting. We talked from the very beginning about how much we love this song, including because of the lyrics. I might have never said this before, but if I ever get to do another BL or something like that in the future, P'Est is my only partner. There won't be anyone else. 🎸: He's the first and the last. I don't want to get to know and adjust to a new person anymore because it's too exhausting. From getting to know each other, to truly understanding each other, to the chemistry we have now—this journey has been really difficult. So I've always thought this in my heart, and I've always believed it: I hope he's truly the last one. MC: How do you feel hearing this? 🦈: I'm very touched hearing this. Actually, I've always had this sense of security. When I feel uncertain, he's always the one who stays firm. Even though I know how he feels, having him say it in front of the media and everyone still surprises me. Because we really went through times when we never thought we'd be where we are today, so deep down I'd already prepared myself for all kinds of possibilities. But when those things didn't happen, I actually felt relieved, and in the end it made this relationship even stronger. 🎸: The last song is สิ่งที่มีกำลังเกิด (What's Happening). Every line, every part of this song really hits deep. It's like two people from different worlds meeting and then walking hand in hand—like some kind of destined fate. So I chose this one.

SUDA

58,468 просмотров • 6 месяцев назад

Attention , Data and Capital rule WEB3! Kaito AI 🌊 has primed itself as the ultimate distribution center of this three! Here’s how you can make the most of KAITO,a long form post! This guide is my personal strategy to earning yaps and building long term mindshare, ignoring follower count! Let’s get into it: ⸻ What Even Is Yapping? Yapping is posting and engaging on Crypto Twitter in a way that’s: •Web3 relevant •Genuine and thoughtful •Not spammy or low effort •Seen and engaged by high reputation users Yaps are the points you earn from posts and replies, but how you earn them is what I wanna talk about now. How do you Earn Yaps? As I read from the Kaito FAQ, applied, and gotten results from, there are three things that determine how many yaps you earn and when; 1.Reputation weighted engagement: the most important one! 2.Web3 relevance: your posts MUST be relevant in Web3! 3.Insightful and original content: focus on quality over quantity! What does that actually mean? If you post a great crypto thread and no one with a good reputation in CT interacts, you likely get 0 yaps. If you post a viral meme that’s unrelated to crypto, same thing, you get 0 yaps. You need both quality and engagement from strong accounts in the Kaito inner circle. Here’s where the idea of Smart followers comes in, these are accounts with the “Inner Circle Badge” on Twitter. Their interactions on your posts or replies earn you yaps! It’s also important for you to understand Mindshare. Mindshare is simply how much conversation and attention you are able to generate around a specific project. Yaps = fuel. Mindshare = dominance. To build mindshare,: •Focus on 1 to 2 projects MAX. •Post about them 1 to 2 times daily. •Reply often to other Yappers posting about the same project •Engage directly with the project account and their team. •Watch who’s leading the mindshare leaderboard on the KAITO website and learn from their style and content. Note: Early engagement gives you a higher chance to earn more yaps. That’s why I focus on fresh or recently added projects with active or pending leaderboards. Here’s how Pick Projects to Yap About: If you know me, I’m never chasing short term hype, and I focus on long term projects. Here’s how I pick: •Projects I understand or am testing/using myself •Ones that reward Yappers in meaningful ways (roles, cash, recognition) Here are some I’m looking at right now (do your own research too!): •Monad •Lombard •burner •Kaito AI 🌊 •Succinct •Infinex (massive rewards) •Allora •Humanity •OpenLedger (hot competition) What your daily KAITO schedule should look like: 1 to 2 solid tweets per project •No low effort “gm” posts, be intentional about every single post or reply you make! •Focus on your thoughts, project features, new updates 2.Reply to official project tweets, engage on founder and team member’s accounts too! 3.Engage other Yappers talking about the same project,be a good reply guy. 4.Retweet the project’s major posts. 5.Use project specific images. 6.Keep your posts insightful and project relevant! Also, clean up your profile (your bio, banner and pinned tweet must reflect clearly that you’re active in Web3. First impressions matter when people are deciding whether to interact with your profile or not! -Some tips to grow faster as a small account on KAITO. •Subscribe to X Premium (seriously helps with visibility) •Check the Discord of the projects you support for updates. •Track Kaito’s market page to see hot Inner Circle accounts. •Engage with leaderboard users in a genuine way -What Projects should you Yap about? There are 40+ Pre TGE projects you can yap about right now under different sectors AI & Data •Allora •OpenLedger 🔥 •Camp Network •Hyperbolic . Listen to KAITO founder 👇
2:50

Attention , Data and Capital rule WEB3! Kaito AI 🌊 has primed itself as the ultimate distribution center of this three! Here’s how you can make the most of KAITO,a long form post! This guide is my personal strategy to earning yaps and building long term mindshare, ignoring follower count! Let’s get into it: ⸻ What Even Is Yapping? Yapping is posting and engaging on Crypto Twitter in a way that’s: •Web3 relevant •Genuine and thoughtful •Not spammy or low effort •Seen and engaged by high reputation users Yaps are the points you earn from posts and replies, but how you earn them is what I wanna talk about now. How do you Earn Yaps? As I read from the Kaito FAQ, applied, and gotten results from, there are three things that determine how many yaps you earn and when; 1.Reputation weighted engagement: the most important one! 2.Web3 relevance: your posts MUST be relevant in Web3! 3.Insightful and original content: focus on quality over quantity! What does that actually mean? If you post a great crypto thread and no one with a good reputation in CT interacts, you likely get 0 yaps. If you post a viral meme that’s unrelated to crypto, same thing, you get 0 yaps. You need both quality and engagement from strong accounts in the Kaito inner circle. Here’s where the idea of Smart followers comes in, these are accounts with the “Inner Circle Badge” on Twitter. Their interactions on your posts or replies earn you yaps! It’s also important for you to understand Mindshare. Mindshare is simply how much conversation and attention you are able to generate around a specific project. Yaps = fuel. Mindshare = dominance. To build mindshare,: •Focus on 1 to 2 projects MAX. •Post about them 1 to 2 times daily. •Reply often to other Yappers posting about the same project •Engage directly with the project account and their team. •Watch who’s leading the mindshare leaderboard on the KAITO website and learn from their style and content. Note: Early engagement gives you a higher chance to earn more yaps. That’s why I focus on fresh or recently added projects with active or pending leaderboards. Here’s how Pick Projects to Yap About: If you know me, I’m never chasing short term hype, and I focus on long term projects. Here’s how I pick: •Projects I understand or am testing/using myself •Ones that reward Yappers in meaningful ways (roles, cash, recognition) Here are some I’m looking at right now (do your own research too!): •Monad •Lombard •burner •Kaito AI 🌊 •Succinct •Infinex (massive rewards) •Allora •Humanity •OpenLedger (hot competition) What your daily KAITO schedule should look like: 1 to 2 solid tweets per project •No low effort “gm” posts, be intentional about every single post or reply you make! •Focus on your thoughts, project features, new updates 2.Reply to official project tweets, engage on founder and team member’s accounts too! 3.Engage other Yappers talking about the same project,be a good reply guy. 4.Retweet the project’s major posts. 5.Use project specific images. 6.Keep your posts insightful and project relevant! Also, clean up your profile (your bio, banner and pinned tweet must reflect clearly that you’re active in Web3. First impressions matter when people are deciding whether to interact with your profile or not! -Some tips to grow faster as a small account on KAITO. •Subscribe to X Premium (seriously helps with visibility) •Check the Discord of the projects you support for updates. •Track Kaito’s market page to see hot Inner Circle accounts. •Engage with leaderboard users in a genuine way -What Projects should you Yap about? There are 40+ Pre TGE projects you can yap about right now under different sectors AI & Data •Allora •OpenLedger 🔥 •Camp Network •Hyperbolic . Listen to KAITO founder 👇

DUKE 🇲🇾

92,358 просмотров • 1 год назад

✨VIDEO CONTEST TIME ✨ 🕸️ $100 first place / $50 second place 🕸️ I usually do a giveaway, but I thought this way would be more fun. I love inspiring your creativity! Here’s the rules: 🥀video must be findom/femdom related in some way. 🥀video must be 20 seconds - 1 minute long. 🥀video may only contain you unless a second party’s face is completely obscured. No nudity — near nudity okay! If you're a faceless domme, your face can be obscured as long as I can tell it's you! 🥀I always have a theme. Last time I used my favorite band but this time I wanted something I know Findom Twitter appreciates so I went with ASHNIKKO! Lip sync to her song, have it playing in the background, say her lyrics, dress like her... get creative! As I don't know every B-side of hers though, please list the song you are referencing when you enter. Not following the theme is a DISQUALIFICATION! 🥀 BE CREATIVE! This is what I will be grading on. Don’t just copy the example that I put in this post — I want to see what you come up with! I’ll be choosing mainly on creativity, talent and effects, but that doesn’t mean you need million dollar software! (CapCut and InShot are two great app options!) Just make it stand out and BE DIFFERENT AND UNIQUE! That’s the whole point of findom! 🥀ultimately I will be deciding the winner, but I *WILL* take voting into account. If you decide to post the video in this post, others can comment and cast a vote for it! NO voting for yourself or on backup accounts — that’ll get you disqualified. Having your friends vote for you is fine but I’ll see that — I’m not looking for a popularity contest , I want people to vote for the videos they like! You can vote for up to three, even if you’re not participating. And if you’d rather just DM me your video, that’s perfectly fine and won’t count against you! 🥀no drama, cheating, or ugliness. We did this great last time and I promise to be as fair as I can. Let’s just have this be a fun thing, okay? If you lose, be a gracious loser. 🥀 consider watermarking your content. I do not plan to do ANYTHING with it except post it once if you are the winner, but be on the safe side. 🥀 must be following me to enter! Please RT this if your friends would like to try! ✨✨✨✨THIS CONTEST WILL BE OPEN UNTIL WEDNESDAY, APRIL 17TH at 11pm CST! DM me with any questions! Here’s my example (no I’m not entering): ✨✨✨✨
0:24

Sensitive content

✨VIDEO CONTEST TIME ✨ 🕸️ $100 first place / $50 second place 🕸️ I usually do a giveaway, but I thought this way would be more fun. I love inspiring your creativity! Here’s the rules: 🥀video must be findom/femdom related in some way. 🥀video must be 20 seconds - 1 minute long. 🥀video may only contain you unless a second party’s face is completely obscured. No nudity — near nudity okay! If you're a faceless domme, your face can be obscured as long as I can tell it's you! 🥀I always have a theme. Last time I used my favorite band but this time I wanted something I know Findom Twitter appreciates so I went with ASHNIKKO! Lip sync to her song, have it playing in the background, say her lyrics, dress like her... get creative! As I don't know every B-side of hers though, please list the song you are referencing when you enter. Not following the theme is a DISQUALIFICATION! 🥀 BE CREATIVE! This is what I will be grading on. Don’t just copy the example that I put in this post — I want to see what you come up with! I’ll be choosing mainly on creativity, talent and effects, but that doesn’t mean you need million dollar software! (CapCut and InShot are two great app options!) Just make it stand out and BE DIFFERENT AND UNIQUE! That’s the whole point of findom! 🥀ultimately I will be deciding the winner, but I *WILL* take voting into account. If you decide to post the video in this post, others can comment and cast a vote for it! NO voting for yourself or on backup accounts — that’ll get you disqualified. Having your friends vote for you is fine but I’ll see that — I’m not looking for a popularity contest , I want people to vote for the videos they like! You can vote for up to three, even if you’re not participating. And if you’d rather just DM me your video, that’s perfectly fine and won’t count against you! 🥀no drama, cheating, or ugliness. We did this great last time and I promise to be as fair as I can. Let’s just have this be a fun thing, okay? If you lose, be a gracious loser. 🥀 consider watermarking your content. I do not plan to do ANYTHING with it except post it once if you are the winner, but be on the safe side. 🥀 must be following me to enter! Please RT this if your friends would like to try! ✨✨✨✨THIS CONTEST WILL BE OPEN UNTIL WEDNESDAY, APRIL 17TH at 11pm CST! DM me with any questions! Here’s my example (no I’m not entering): ✨✨✨✨

Goddess Athena Bastet 🕸 findom 🎉🎈JUNE 26

18,594 просмотров • 2 лет назад

"I'm telling the administration...that if they don't release those [videos I've seen], then I have the capabilities of getting those videos and releasing them." ~Burlison (Transcript and comments by me on one of my fav segments in a long time.) ~ Will Cain: "Missouri Republican Congressman, Rep. Eric Burlison, joins me now. Congressman, thanks for being with us here today. You and I, Congressman, I think we've had a very candid conversation together. We have both talked about the fact that I am open and curious about this subject of UAPs, but I do feel like we're at a place where evidence needs to start meeting expectations. What we've seen today, what does this tell us? Does this meet any expectation?" Burlison: "I think that there's...we have to take a step back and recognize the historic nature of this. Every president prior to President Trump has really demurred any kind of questions on this. They dismissed them, they would not talk about it. People would, if anything, snicker or sneer anytime this kind of subject came up. So the fact that we have a president who is open and willing and trying to be transparent is something to celebrate. "That being said, I think that this is a teaser, this is a kind of a, you know, something to open up with. This was the low-hanging fruit kind of videos and content for this administration to release. A lot of this has been...some of this has been out there before. It's not been acknowledged, right? So, you're looking at Apollo 17 video..." Cain: "I've seen the same thing said by Rep. Tim Burchett Press Office. That this is sort of the beginning, and there will be other releases that could leave Americans with a holy crap moment. I believe that's a direct quote from Congressman Tim Burchett." (This is what Burchett tweeted today: Burchett: "The 1st drop will be big but in comparison to what is coming they will be a drop in the bucket. I would say 'Holy Crap' is coming." I hope so. Or people are going to be upset that the videos and evidence didn't meet the hype, and you may see a lot of people losing interest in this topic. Last month, he told Elizabeth Vargas: “I’ve seen pictures and video of things that defy any reason that we have." ~Burchett And also last month, he told NEWSMAX: “If they would release the things that I've seen, you would stay up. You'd be up at night worrying about or thinking about this stuff... And for the record, I'm not suicidal and I don't take risks.” ~Burchett (That's some major hype there and, again, I hope future videos live up to it. I'm gonna guess that Burlison is NOT a fan of getting people's expectation up like that.) Cain: "My question for you, or the congressman, would be: Why? Why slow roll this out like it's a season of 'Game of Thrones'? Like, why would Episode 1 be somewhat uninspiring - leave us with more questions than answered - if there's something coming after the teaser? What's the point in staging the release?" Burlison: "So, again, this...just from talking with the White House and this administration, this is not an easy thing to do. There's not one huge repository of all of these documents and videos and photos. Despite what most people believe, they're really...at least we haven't found that one, you know, big repository. So what the Agency is doing is going and finding, first and foremost, the items that are readily available to be released. And they wanna be quick...move quickly and release those." (Okay, so they haven't located the best videos yet? Then what was Burchett shown? And if what he was shown is really THAT amazing, why haven't those videos or photos been released? Drip, drip? The excuse that they haven't been able to locate them yet doesn't hold water IF Burchett's take is accurate and they showed him SOMETHING that blew his mind and will blow our minds. Or, did he just hype it up and whatever he saw is really not that impressive? As I've asked several times in the past: Do these amazing videos actually exist?) Burlison: "I would ask you, would you prefer to have them wait for, you know, years, what would probably take years if they were to do a comprehensive study and then release it all at once, in one big batch? I would prefer that they release it as they find it, and I think that that's...this administration wants to be transparent and do that." (Great! How about releasing what Burchett was referring to in his interviews?) Cain: "My criticism is not for the decisions of the administration." (Well, if the Trump administration isn't releasing the best of the best videos that they already have in their possession because they're afraid of how Americans (and the world) might react (fear and panic), then they DO deserve some criticism, right?) Cain: "My criticism is for the expectation built by many out there that have these conversations, that there will soon be a bomb to drop when it comes to revelations about aliens." (Burchett, and then Rep. Anna Paulina Luna with her repeated comments about interdimensional beings. Luna: "...this is something you can go back and watch with the Congressional hearings - but I was actually able to ask some of the witnesses, 'What are these things?' And they keep saying interdimensional. "I wouldn't call them aliens. I really like what Grusch calls it. He says that they're interdimensional beings and he's very specific about that." Grusch has NEVER said that, nor has any witness who testified in front of Congress, so I have no idea where she's getting that from.) Cain: "And, if that's true, are we trying to prepare the American people with a slow drip, drip, drip tease of this stuff? If not, then Congressman, I would say, if this is all we've got, then I'm not sure that there's anything the American government really has that tells us anything about the existence of aliens? I'm just beginning to feel like this entire story is teased out always just beyond our reach." (That's why we need just ONE (for starters) clear and close-up video of an object performing maneuvers that we thought were impossible. And as of right now, we don't have that. I've said this many times. Does that type of video exist?) Burlison: "I can sense your frustration. I've experienced it personally myself. I've seen videos that I think are in the process of being declassified, so I think that there is more to come. If they're not going to be declassified, I'll probably do an effort to release them myself under Speech and Debate." (In short, the Speech or Debate clause says that a Senator or Representative can speak freely about anything, or share anything, in either house of Congress and have absolute immunity from civil or criminal liability. I'll link to an example in the replies.) Burlison: "But again, a lot of the footage that I've seen is similar to what has been released today. There's some that are pretty interesting, and especially given the environment and the circumstances of the videos. Whether they are videos of UAP that are flying around Russian submarines or a video of our aircraft that are firing on some of these UAPs? I've seen those kind of videos. And so I'm teasing that because I know that...I'm telling the administration, through you (Will Cain) at this moment, that if they don't release those, then I have the capabilities of getting those videos and releasing them." (How much better are those videos than what we've seen today?) Cain: "Can I say one more thing about this, congressman? I expect you and I will have much longer conversations like we have in the past, where we have fewer time constraints. But what I'm seeing here, and we're sharing today, and what's been released, there are probably hundreds, perhaps 1000s, of explanations for what we see on these video screens. They don't lead us directly to extraterrestrial or out-of-this-world explanations. "Is there something else? Is there some other proof that you've seen? Is there a more compelling video that can't be described or explained as a drone or a light refraction or any other thing. Again, I'm not cynically dismissing these things, as I've always mentioned to you. I'm open and curious. I just don't think the evidence is meeting the moment." (I agree with Cain. The government-released or government-acquired footage just doesn't get us over the hump with the masses and skeptics.) Burlison: "I think you and I are at the exact same place. I continue to look for these things and try to follow the narrative that people are saying. Follow the historical narrative that we have a crash retrieval program, and this is the kind of information I keep getting presented. It doesn't mean that we don't stop looking." Cain: "Fair." (If we have recovered craft and bodies of non-humans, and it can be PROVEN, then these videos from today will be forgotten instantly.) Burlison: "And I have...and so the White House and the ODNI is looking for the next places to go investigate. And I think that...and they've actually been open in asking me where those next places should be, and so we're offering..we're gonna be working to offer those locations. A lot of this, Will, is gonna be in the hands of these agencies that are quasi-private or private companies, and that's gonna be a harder dig for this, for this administration to do, but that's where I think we're gonna get to the truth." (Let's start with the "holy crap" videos Burchett hyped and saw and see if they are as good as he's claiming.) Cain: "Well, to his defense, the President hasn't made big promises about what this would reveal. I don't think I can say that about everyone who purports to have seen something that there are big revelations, and so far, the evidence in the videos haven't met the promises. I do hope we continue to see more, congressman. I hope you do fight so we can see more. Obviously, transparency and answers is what we're seeking here on what would be a gigantic issue. Congressman Burlison, thanks, as always, for your time." Burlison: "Anytime."
9:08

"I'm telling the administration...that if they don't release those [videos I've seen], then I have the capabilities of getting those videos and releasing them." ~Burlison (Transcript and comments by me on one of my fav segments in a long time.) ~ Will Cain: "Missouri Republican Congressman, Rep. Eric Burlison, joins me now. Congressman, thanks for being with us here today. You and I, Congressman, I think we've had a very candid conversation together. We have both talked about the fact that I am open and curious about this subject of UAPs, but I do feel like we're at a place where evidence needs to start meeting expectations. What we've seen today, what does this tell us? Does this meet any expectation?" Burlison: "I think that there's...we have to take a step back and recognize the historic nature of this. Every president prior to President Trump has really demurred any kind of questions on this. They dismissed them, they would not talk about it. People would, if anything, snicker or sneer anytime this kind of subject came up. So the fact that we have a president who is open and willing and trying to be transparent is something to celebrate. "That being said, I think that this is a teaser, this is a kind of a, you know, something to open up with. This was the low-hanging fruit kind of videos and content for this administration to release. A lot of this has been...some of this has been out there before. It's not been acknowledged, right? So, you're looking at Apollo 17 video..." Cain: "I've seen the same thing said by Rep. Tim Burchett Press Office. That this is sort of the beginning, and there will be other releases that could leave Americans with a holy crap moment. I believe that's a direct quote from Congressman Tim Burchett." (This is what Burchett tweeted today: Burchett: "The 1st drop will be big but in comparison to what is coming they will be a drop in the bucket. I would say 'Holy Crap' is coming." I hope so. Or people are going to be upset that the videos and evidence didn't meet the hype, and you may see a lot of people losing interest in this topic. Last month, he told Elizabeth Vargas: “I’ve seen pictures and video of things that defy any reason that we have." ~Burchett And also last month, he told NEWSMAX: “If they would release the things that I've seen, you would stay up. You'd be up at night worrying about or thinking about this stuff... And for the record, I'm not suicidal and I don't take risks.” ~Burchett (That's some major hype there and, again, I hope future videos live up to it. I'm gonna guess that Burlison is NOT a fan of getting people's expectation up like that.) Cain: "My question for you, or the congressman, would be: Why? Why slow roll this out like it's a season of 'Game of Thrones'? Like, why would Episode 1 be somewhat uninspiring - leave us with more questions than answered - if there's something coming after the teaser? What's the point in staging the release?" Burlison: "So, again, this...just from talking with the White House and this administration, this is not an easy thing to do. There's not one huge repository of all of these documents and videos and photos. Despite what most people believe, they're really...at least we haven't found that one, you know, big repository. So what the Agency is doing is going and finding, first and foremost, the items that are readily available to be released. And they wanna be quick...move quickly and release those." (Okay, so they haven't located the best videos yet? Then what was Burchett shown? And if what he was shown is really THAT amazing, why haven't those videos or photos been released? Drip, drip? The excuse that they haven't been able to locate them yet doesn't hold water IF Burchett's take is accurate and they showed him SOMETHING that blew his mind and will blow our minds. Or, did he just hype it up and whatever he saw is really not that impressive? As I've asked several times in the past: Do these amazing videos actually exist?) Burlison: "I would ask you, would you prefer to have them wait for, you know, years, what would probably take years if they were to do a comprehensive study and then release it all at once, in one big batch? I would prefer that they release it as they find it, and I think that that's...this administration wants to be transparent and do that." (Great! How about releasing what Burchett was referring to in his interviews?) Cain: "My criticism is not for the decisions of the administration." (Well, if the Trump administration isn't releasing the best of the best videos that they already have in their possession because they're afraid of how Americans (and the world) might react (fear and panic), then they DO deserve some criticism, right?) Cain: "My criticism is for the expectation built by many out there that have these conversations, that there will soon be a bomb to drop when it comes to revelations about aliens." (Burchett, and then Rep. Anna Paulina Luna with her repeated comments about interdimensional beings. Luna: "...this is something you can go back and watch with the Congressional hearings - but I was actually able to ask some of the witnesses, 'What are these things?' And they keep saying interdimensional. "I wouldn't call them aliens. I really like what Grusch calls it. He says that they're interdimensional beings and he's very specific about that." Grusch has NEVER said that, nor has any witness who testified in front of Congress, so I have no idea where she's getting that from.) Cain: "And, if that's true, are we trying to prepare the American people with a slow drip, drip, drip tease of this stuff? If not, then Congressman, I would say, if this is all we've got, then I'm not sure that there's anything the American government really has that tells us anything about the existence of aliens? I'm just beginning to feel like this entire story is teased out always just beyond our reach." (That's why we need just ONE (for starters) clear and close-up video of an object performing maneuvers that we thought were impossible. And as of right now, we don't have that. I've said this many times. Does that type of video exist?) Burlison: "I can sense your frustration. I've experienced it personally myself. I've seen videos that I think are in the process of being declassified, so I think that there is more to come. If they're not going to be declassified, I'll probably do an effort to release them myself under Speech and Debate." (In short, the Speech or Debate clause says that a Senator or Representative can speak freely about anything, or share anything, in either house of Congress and have absolute immunity from civil or criminal liability. I'll link to an example in the replies.) Burlison: "But again, a lot of the footage that I've seen is similar to what has been released today. There's some that are pretty interesting, and especially given the environment and the circumstances of the videos. Whether they are videos of UAP that are flying around Russian submarines or a video of our aircraft that are firing on some of these UAPs? I've seen those kind of videos. And so I'm teasing that because I know that...I'm telling the administration, through you (Will Cain) at this moment, that if they don't release those, then I have the capabilities of getting those videos and releasing them." (How much better are those videos than what we've seen today?) Cain: "Can I say one more thing about this, congressman? I expect you and I will have much longer conversations like we have in the past, where we have fewer time constraints. But what I'm seeing here, and we're sharing today, and what's been released, there are probably hundreds, perhaps 1000s, of explanations for what we see on these video screens. They don't lead us directly to extraterrestrial or out-of-this-world explanations. "Is there something else? Is there some other proof that you've seen? Is there a more compelling video that can't be described or explained as a drone or a light refraction or any other thing. Again, I'm not cynically dismissing these things, as I've always mentioned to you. I'm open and curious. I just don't think the evidence is meeting the moment." (I agree with Cain. The government-released or government-acquired footage just doesn't get us over the hump with the masses and skeptics.) Burlison: "I think you and I are at the exact same place. I continue to look for these things and try to follow the narrative that people are saying. Follow the historical narrative that we have a crash retrieval program, and this is the kind of information I keep getting presented. It doesn't mean that we don't stop looking." Cain: "Fair." (If we have recovered craft and bodies of non-humans, and it can be PROVEN, then these videos from today will be forgotten instantly.) Burlison: "And I have...and so the White House and the ODNI is looking for the next places to go investigate. And I think that...and they've actually been open in asking me where those next places should be, and so we're offering..we're gonna be working to offer those locations. A lot of this, Will, is gonna be in the hands of these agencies that are quasi-private or private companies, and that's gonna be a harder dig for this, for this administration to do, but that's where I think we're gonna get to the truth." (Let's start with the "holy crap" videos Burchett hyped and saw and see if they are as good as he's claiming.) Cain: "Well, to his defense, the President hasn't made big promises about what this would reveal. I don't think I can say that about everyone who purports to have seen something that there are big revelations, and so far, the evidence in the videos haven't met the promises. I do hope we continue to see more, congressman. I hope you do fight so we can see more. Obviously, transparency and answers is what we're seeking here on what would be a gigantic issue. Congressman Burlison, thanks, as always, for your time." Burlison: "Anytime."

Joe Murgia

22,530 просмотров • 2 месяцев назад

Sorry to talk more about this, but I felt it was important to discuss. Also, I am sorry I also sound so garbage, the flu is hitting hard. Scripted Captions: Hey. I need to talk about what happened yesterday, and honestly what’s been happening for a bit now, because it’s not only inaccurate… it’s starting to affect my ability to create. Also, I caught the flu, so if I sound rough, that’s why. Bare with me. And yes, this is scripted, because my brain is running on fumes and I want to say this clearly. First, thank you, seriously. To everyone who reached out, commented, sent dms, and just… reminded me I’m not crazy for feeling stressed, thank you. I’ve been trying to keep it together behind the scenes, and your kindness genuinely helped. Here’s what’s going on, as plainly as I can put it, my newer posts on Twitter are being reported for sexual content. My profile pictures on IRIAM are being reported and my IRIAM account has been getting reported. And the reason people keep circling is basically, my vtuber model has boobs and cleavage, and there’s a wardrobe detail on the model that is showing underwear lines. I want to be really, really clear here, I am a seiso creator. I don’t post explicit content. I don’t make sexual content. My streams and posts are not sexual. And yes, I understand that IRIAM’s current review guidelines can flag things like visible underwear details and certain levels of chest exposure, and that profile icons get reviewed even more conservatively. My honest take is I don’t personally agree with how strict that is, especially when the model I’m using is one IRIAM provided me through their system, but I’m not here to wage war with platform rules. I’m here to create so I’m adapting. I’m changing how I crop images. I’m changing what I use for icons. And I’m already working on my 2.0 so it’s clearly safe under the current standards, even if that means my 2.0 ends up less showy than I originally wanted. That part is frustrating. But I’m doing it anyway. What this feels like on the back end is targeted harassment. It’s exhausting, it’s time consuming, and it creates this constant anxiety of “is my account going to get hit again today?” “Am I going to get suspended?” Etc. And on top of that, there’s been misinformation being spread about me as a creator, and that part has honestly been the most draining. I’m not going to name names. I’m not here to start a dogpile. That’s not who I am, and it’s not what I want my community to do. But I am going to say this, using report tools as a weapon to punish someone you don’t like is not “protecting the platform.” It’s bullying. So here’s my boundary and my ask, if you don’t like my design, my vibe, my content, that’s okay. You can mute, block, scroll, disengage. No hard feelings. But please stop trying to take away someone’s platform because you personally don’t approve of their body type or character design. If you genuinely believe something violates guidelines, report it once and let moderation do their job. Don’t turn it into a campaign. That’s not accountability. That’s not “keeping things safe.” That’s just trying to control other creators. I’m going to be honest: this has made me pull back. I had plans to connect people, collaborate more openly, and build more bridges, I’ve even paused any work I had planned to do for the Unofficial IRIAM zine… and I’ve been more cautious lately because I’ve needed to protect my mental health. So if I seem a bit more skittish to work openly with creators going forward, this is the reason why. I still want all of us to succeed. I still want creators to support creators. But I can’t keep putting myself in situations where I’m constantly being targeted. Right now, I’m handling things through the proper channels and documenting everything on my end. I’m going to keep creating, I’m going to keep being me, and I’m not going to let bad-faith reporting rewrite who I am as a creator. To everyone who’s been supportive, I appreciate you more than I can say. And I want to say this clearly one more time; you can disagree with a creator’s design and still behave like an adult. Bodies aren’t automatically sexual. And using reports as a weapon helps nobody, it just makes people afraid to exist. Please be kind to each other. Please don’t use TOS or report tools as a battering ram. It doesn’t make the community safer, it just makes people afraid to create. I’m going to rest, drink something hot, and try to kick this flu. Thank you for hearing me out. I love you guys. See you soon. And as always, Be Kind. p.s. Shoutout to my protect goat. Thank you for always having my back girly.
5:05

Sorry to talk more about this, but I felt it was important to discuss. Also, I am sorry I also sound so garbage, the flu is hitting hard. Scripted Captions: Hey. I need to talk about what happened yesterday, and honestly what’s been happening for a bit now, because it’s not only inaccurate… it’s starting to affect my ability to create. Also, I caught the flu, so if I sound rough, that’s why. Bare with me. And yes, this is scripted, because my brain is running on fumes and I want to say this clearly. First, thank you, seriously. To everyone who reached out, commented, sent dms, and just… reminded me I’m not crazy for feeling stressed, thank you. I’ve been trying to keep it together behind the scenes, and your kindness genuinely helped. Here’s what’s going on, as plainly as I can put it, my newer posts on Twitter are being reported for sexual content. My profile pictures on IRIAM are being reported and my IRIAM account has been getting reported. And the reason people keep circling is basically, my vtuber model has boobs and cleavage, and there’s a wardrobe detail on the model that is showing underwear lines. I want to be really, really clear here, I am a seiso creator. I don’t post explicit content. I don’t make sexual content. My streams and posts are not sexual. And yes, I understand that IRIAM’s current review guidelines can flag things like visible underwear details and certain levels of chest exposure, and that profile icons get reviewed even more conservatively. My honest take is I don’t personally agree with how strict that is, especially when the model I’m using is one IRIAM provided me through their system, but I’m not here to wage war with platform rules. I’m here to create so I’m adapting. I’m changing how I crop images. I’m changing what I use for icons. And I’m already working on my 2.0 so it’s clearly safe under the current standards, even if that means my 2.0 ends up less showy than I originally wanted. That part is frustrating. But I’m doing it anyway. What this feels like on the back end is targeted harassment. It’s exhausting, it’s time consuming, and it creates this constant anxiety of “is my account going to get hit again today?” “Am I going to get suspended?” Etc. And on top of that, there’s been misinformation being spread about me as a creator, and that part has honestly been the most draining. I’m not going to name names. I’m not here to start a dogpile. That’s not who I am, and it’s not what I want my community to do. But I am going to say this, using report tools as a weapon to punish someone you don’t like is not “protecting the platform.” It’s bullying. So here’s my boundary and my ask, if you don’t like my design, my vibe, my content, that’s okay. You can mute, block, scroll, disengage. No hard feelings. But please stop trying to take away someone’s platform because you personally don’t approve of their body type or character design. If you genuinely believe something violates guidelines, report it once and let moderation do their job. Don’t turn it into a campaign. That’s not accountability. That’s not “keeping things safe.” That’s just trying to control other creators. I’m going to be honest: this has made me pull back. I had plans to connect people, collaborate more openly, and build more bridges, I’ve even paused any work I had planned to do for the Unofficial IRIAM zine… and I’ve been more cautious lately because I’ve needed to protect my mental health. So if I seem a bit more skittish to work openly with creators going forward, this is the reason why. I still want all of us to succeed. I still want creators to support creators. But I can’t keep putting myself in situations where I’m constantly being targeted. Right now, I’m handling things through the proper channels and documenting everything on my end. I’m going to keep creating, I’m going to keep being me, and I’m not going to let bad-faith reporting rewrite who I am as a creator. To everyone who’s been supportive, I appreciate you more than I can say. And I want to say this clearly one more time; you can disagree with a creator’s design and still behave like an adult. Bodies aren’t automatically sexual. And using reports as a weapon helps nobody, it just makes people afraid to exist. Please be kind to each other. Please don’t use TOS or report tools as a battering ram. It doesn’t make the community safer, it just makes people afraid to create. I’m going to rest, drink something hot, and try to kick this flu. Thank you for hearing me out. I love you guys. See you soon. And as always, Be Kind. p.s. Shoutout to my protect goat. Thank you for always having my back girly.

Celes Aurion 🐾🎧

28,569 просмотров • 6 месяцев назад

There's been recent discussion on cloning methods and techniques, I figured I'd share mine, since I've done a clone or two at scale. Knowing what we all know about cloning different strains, and that they all root at different speeds, it's important to note that I grew 25 different strains in here. This was literally my job, I was their greenouse/mother genetics preservation/clone manager. X hostility has increased exponentially lately, so let's address it now. This post may hurt some people's feelings, may cause some anger and a little controversy(If that's you, search within), but I'm just relaying what I've found testing these things at scale, rather than going off of anecdotal instances and remembering what I did(or someone lese) with 10 clones in my 4x4 tent off the top of my head, like many do here. Whether you do these procedures, or not, or whether you have problems, or not -is entirely irrelevant to this post. That's not to say your results aren't real, just that you came to your conclusion unscientifically. This is about other cloning methods, best practices, and this is showing what I've done that works. This was also 4 years ago, and they profited millions that year with high quality flower, so save those comments as well, they're moot. I also no longer work for, or are affiliated with, this farm in any way. We ended our relationship in early 2022, and I wish them the best of success in the future, and they still exist today. They were given the rights to all media and promotional material I filmed and photographed during my 6 years living on the farm, and I likewise have permission and full rights to use whatever footage I recorded there. The only company I'm currently sponsored by, is HardyGro, and their products won't be discussed here. Now, let's get to it. Please be advised, if your ambient RH is below 50%, you will not be able to leave the domes off for long at all. Use a mister to recover them if they wilt on you, and adjust these following procedures accordingly: Use Root Riot or similar rooting medium, other peat based cheaper mediums work well, too, but I found these work the best. 1. Wipe out your domes. If this takes several times per day in a greenhouse of thousands of them, so be it-get it done. You essentially eliminate any fungal issues that may arise with 24/7 100% humidity stagnant air. Remember, the clones are also absorbing water through their stems. 2. Days 1-3, 3 times per day, take the domes off, and wave the plants with it(or place them near a fan for at least 30 seconds). This ensures a thorough air exchange, which also prevents fungal diseases, and proper N,o2 and co2. 3. Beginning days 3-4, remove your domes for several hours at a time. By day 7, remove the domes completely. 4. And this is important - allow the cubes(in this case) to dry down somewhat, they will root faster. 5. Cut your lights back, and never place them in direct sun, they can't handle it. 6. CloneX reigns supreme, period. I tested it against Foop Cloning Gel, Olivia's and Technaflora. Out of 500 clones to test each product, retention percentages were as follows: CloneX: 95+% Tech. : 80% Olivia's: 45% Foop: 0% success. The Fooped clones also grew an unidentified greenish/orange fungus at the base of every clone, and they were all culled. Again, these were my results, at scale, this isn't a debate on what's best or what's cheaper. Maybe two more videos, and I'm outside for the day, enjoy your Sunday.
0:54

There's been recent discussion on cloning methods and techniques, I figured I'd share mine, since I've done a clone or two at scale. Knowing what we all know about cloning different strains, and that they all root at different speeds, it's important to note that I grew 25 different strains in here. This was literally my job, I was their greenouse/mother genetics preservation/clone manager. X hostility has increased exponentially lately, so let's address it now. This post may hurt some people's feelings, may cause some anger and a little controversy(If that's you, search within), but I'm just relaying what I've found testing these things at scale, rather than going off of anecdotal instances and remembering what I did(or someone lese) with 10 clones in my 4x4 tent off the top of my head, like many do here. Whether you do these procedures, or not, or whether you have problems, or not -is entirely irrelevant to this post. That's not to say your results aren't real, just that you came to your conclusion unscientifically. This is about other cloning methods, best practices, and this is showing what I've done that works. This was also 4 years ago, and they profited millions that year with high quality flower, so save those comments as well, they're moot. I also no longer work for, or are affiliated with, this farm in any way. We ended our relationship in early 2022, and I wish them the best of success in the future, and they still exist today. They were given the rights to all media and promotional material I filmed and photographed during my 6 years living on the farm, and I likewise have permission and full rights to use whatever footage I recorded there. The only company I'm currently sponsored by, is HardyGro, and their products won't be discussed here. Now, let's get to it. Please be advised, if your ambient RH is below 50%, you will not be able to leave the domes off for long at all. Use a mister to recover them if they wilt on you, and adjust these following procedures accordingly: Use Root Riot or similar rooting medium, other peat based cheaper mediums work well, too, but I found these work the best. 1. Wipe out your domes. If this takes several times per day in a greenhouse of thousands of them, so be it-get it done. You essentially eliminate any fungal issues that may arise with 24/7 100% humidity stagnant air. Remember, the clones are also absorbing water through their stems. 2. Days 1-3, 3 times per day, take the domes off, and wave the plants with it(or place them near a fan for at least 30 seconds). This ensures a thorough air exchange, which also prevents fungal diseases, and proper N,o2 and co2. 3. Beginning days 3-4, remove your domes for several hours at a time. By day 7, remove the domes completely. 4. And this is important - allow the cubes(in this case) to dry down somewhat, they will root faster. 5. Cut your lights back, and never place them in direct sun, they can't handle it. 6. CloneX reigns supreme, period. I tested it against Foop Cloning Gel, Olivia's and Technaflora. Out of 500 clones to test each product, retention percentages were as follows: CloneX: 95+% Tech. : 80% Olivia's: 45% Foop: 0% success. The Fooped clones also grew an unidentified greenish/orange fungus at the base of every clone, and they were all culled. Again, these were my results, at scale, this isn't a debate on what's best or what's cheaper. Maybe two more videos, and I'm outside for the day, enjoy your Sunday.

One Nation Under Informed

18,822 просмотров • 1 год назад

Has been a while since I've given an update so here's a breakdown of where Sappy is at right now and what we're focusing on going into this year. Pre-amble: With altcoins & NFTs the market is definitely not the same as it was before. I think this is obvious to everyone but I've noticed there are still japanese soldiers that are convinced old tricks and mechanics work. They don't. Liquidity is thin; people want to bid assets that feel like "real companies" not vacuous memecoins. There's still room for memecoins, social currencies, and "utility tokens" (I would say without these functions, tokens are hard to justify versus equities). I'm not part of the camp that thinks there will never be hyperspeculation in crypto again, because there will be; we all love ponzis and PvPing each other onchain. Just not with solved games -- people need something new and fresh. So the overarching plan is to continue building for users, sustainable revenues that aren't tied to directly to crypto, and doubling down on the areas that we've already found PMF / Brand Market Fit. Then leaning into crypto during cyclical periods where liquidity is sloshing around at an accelerated rate. Where we've found early PMF / what we're leaning into: Roblox: we're going to continue to go hard and accelerate here. It's our main objective to ship more seal/brainrot focused games across most genres to cast as wide of a net as we can for the brand, and to also iterate and see what works and stays sticky. Our initial incursion into Roblox was very successful peaking at 2M+ MAU and still sustaining a large portion of that player base... for all of its success, that was a relatively amateur first attempt; we've been setting up better AI pipelines for Roblox development that makes it reasonable to ship many more games and 10x those player counts in totality. It's my belief that Roblox is the sandbox whose audience will be the most valuable on the internet once they are grown up. That intense feeling you get when you see a TikTok referencing an old game you enjoyed on the PS2 or the Gamecube, or when you see a Pokemon card is the exact same feeling the youth of today will get when reminiscing on the things they enjoyed engaging with when they were younger. Fortnite and Roblox are functional equivalents to the old school consoles and exactly where that is taking place. Which is why as much as I care about scaling revenues through Roblox, the long term brand equity gained purely through being popular on the platform is totally invaluable. It also can heavily convert to merchandise sales today if all touchpoints for the brand are dialed in (which is why brands get overcharged so much by Roblox dev shops for the same ROI that only cost us a few thousand $). We have the playbook, it's just about iterating new concepts and then aggressively scaling. Brand Expansion & Merchandising: I've started to create a content pipeline that is easily repeatable, cost efficient (costs next to nothing through either AI or smart reusable concepts), while still being very tasteful and meeting our quality standards for the brand. We are mostly focusing here on reaching people where they're at through nostalgic/emotional content, or just being visually stimulating through carefully curated aesthetics. Content that isn't superficial and touches people in a memorable way. I've attached some examples to the post so you can see what I mean rather than just read it. I don't think it's long until larger brands start doing this at scale, but it's always good to be ahead of the curve and most importantly winning on taste -- knowing what will resonate with people and what won't has always been our edge. The purpose for these accounts is not only to rack up attention but also to begin converting those into sales of both of physicals (plushies & gacha collectibles) and digital avenues like our games, and any other apps we produce. Because they're offshoot accounts it's also a lot easier to be aggressive/experimental with said conversion strategies. Sappy Studio: I'm wrapping everything like Omnia, and everything else into this category because they're all tangentially related. Beginning with Omnia, our current focus is gearing up for Season 0 which involves players competing in the ranked ladder for a prize pool that has rewards through Monad Momentum as well as a player-funded prize pool. This season will be fairly simple with us mostly logging retention, deck building habits, as well as qualitatively observing how aggressively players push the combat system. Deeper monetization wont exist yet outside of the player buy-in (to be eligible for P2E rewards). Beyond that our overarching principle this year is to focus heavily on risk-to-earn mechanics where a portion of that excess value is circular i.e. revenues flow back to prize pools or other parts of the economy, treating the game almost like a protocol where the objective is to amass TVL or player liquidity. Social is also a big focus, and that means implementing the Open World hub which from an infrastructure perspective has already been built out and tested by all of you previously. Right now we are scaffolding the environment in 3D and working through how that hub should look and feel, so players are excited to hang out & idle together while they're queuing. For sappydotlol, what I'm about to say is still early days from a design perspective so a lot can change, but I'm pushing the site in the direction of being a virtual game console. An intersection between Nintendo & Myspace where users can play, trade, and socially interact in a way that's deeply personalised; a breathe of fresh air from the hostility of the current internet. If you go back to my thesis on Roblox above and the game console references, you can kind of see how this will all sequentially tie together. In essence, the strategy is to acquire a critical mass of players through traditional platforms like Roblox, and use that attention and trust to provide an onboarding funnel for web2 users into our own sandbox filled with a mixture of our own browser-based experiences as well as an aggregation of others. The aim is to make the platform a breath of fresh air & bunker from the enshittified platforms like TikTok/IG/X where users are actually served in ways that delight rather than agitate, and where self-expression is incentivised. Closing: As always everything here is subject to change but I've never felt more conviction in our direction until now; I know exactly what we need to do and how, with everything aligning with our team's strengths. Very excited and grinding through things to the point where I'm getting headaches and can't sleep from being hyperfocused for long periods of time lol. There probably has never been a better time to join the ecosystem from a price to fuck around and find out perspective.
1:00

Has been a while since I've given an update so here's a breakdown of where Sappy is at right now and what we're focusing on going into this year. Pre-amble: With altcoins & NFTs the market is definitely not the same as it was before. I think this is obvious to everyone but I've noticed there are still japanese soldiers that are convinced old tricks and mechanics work. They don't. Liquidity is thin; people want to bid assets that feel like "real companies" not vacuous memecoins. There's still room for memecoins, social currencies, and "utility tokens" (I would say without these functions, tokens are hard to justify versus equities). I'm not part of the camp that thinks there will never be hyperspeculation in crypto again, because there will be; we all love ponzis and PvPing each other onchain. Just not with solved games -- people need something new and fresh. So the overarching plan is to continue building for users, sustainable revenues that aren't tied to directly to crypto, and doubling down on the areas that we've already found PMF / Brand Market Fit. Then leaning into crypto during cyclical periods where liquidity is sloshing around at an accelerated rate. Where we've found early PMF / what we're leaning into: Roblox: we're going to continue to go hard and accelerate here. It's our main objective to ship more seal/brainrot focused games across most genres to cast as wide of a net as we can for the brand, and to also iterate and see what works and stays sticky. Our initial incursion into Roblox was very successful peaking at 2M+ MAU and still sustaining a large portion of that player base... for all of its success, that was a relatively amateur first attempt; we've been setting up better AI pipelines for Roblox development that makes it reasonable to ship many more games and 10x those player counts in totality. It's my belief that Roblox is the sandbox whose audience will be the most valuable on the internet once they are grown up. That intense feeling you get when you see a TikTok referencing an old game you enjoyed on the PS2 or the Gamecube, or when you see a Pokemon card is the exact same feeling the youth of today will get when reminiscing on the things they enjoyed engaging with when they were younger. Fortnite and Roblox are functional equivalents to the old school consoles and exactly where that is taking place. Which is why as much as I care about scaling revenues through Roblox, the long term brand equity gained purely through being popular on the platform is totally invaluable. It also can heavily convert to merchandise sales today if all touchpoints for the brand are dialed in (which is why brands get overcharged so much by Roblox dev shops for the same ROI that only cost us a few thousand $). We have the playbook, it's just about iterating new concepts and then aggressively scaling. Brand Expansion & Merchandising: I've started to create a content pipeline that is easily repeatable, cost efficient (costs next to nothing through either AI or smart reusable concepts), while still being very tasteful and meeting our quality standards for the brand. We are mostly focusing here on reaching people where they're at through nostalgic/emotional content, or just being visually stimulating through carefully curated aesthetics. Content that isn't superficial and touches people in a memorable way. I've attached some examples to the post so you can see what I mean rather than just read it. I don't think it's long until larger brands start doing this at scale, but it's always good to be ahead of the curve and most importantly winning on taste -- knowing what will resonate with people and what won't has always been our edge. The purpose for these accounts is not only to rack up attention but also to begin converting those into sales of both of physicals (plushies & gacha collectibles) and digital avenues like our games, and any other apps we produce. Because they're offshoot accounts it's also a lot easier to be aggressive/experimental with said conversion strategies. Sappy Studio: I'm wrapping everything like Omnia, and everything else into this category because they're all tangentially related. Beginning with Omnia, our current focus is gearing up for Season 0 which involves players competing in the ranked ladder for a prize pool that has rewards through Monad Momentum as well as a player-funded prize pool. This season will be fairly simple with us mostly logging retention, deck building habits, as well as qualitatively observing how aggressively players push the combat system. Deeper monetization wont exist yet outside of the player buy-in (to be eligible for P2E rewards). Beyond that our overarching principle this year is to focus heavily on risk-to-earn mechanics where a portion of that excess value is circular i.e. revenues flow back to prize pools or other parts of the economy, treating the game almost like a protocol where the objective is to amass TVL or player liquidity. Social is also a big focus, and that means implementing the Open World hub which from an infrastructure perspective has already been built out and tested by all of you previously. Right now we are scaffolding the environment in 3D and working through how that hub should look and feel, so players are excited to hang out & idle together while they're queuing. For sappydotlol, what I'm about to say is still early days from a design perspective so a lot can change, but I'm pushing the site in the direction of being a virtual game console. An intersection between Nintendo & Myspace where users can play, trade, and socially interact in a way that's deeply personalised; a breathe of fresh air from the hostility of the current internet. If you go back to my thesis on Roblox above and the game console references, you can kind of see how this will all sequentially tie together. In essence, the strategy is to acquire a critical mass of players through traditional platforms like Roblox, and use that attention and trust to provide an onboarding funnel for web2 users into our own sandbox filled with a mixture of our own browser-based experiences as well as an aggregation of others. The aim is to make the platform a breath of fresh air & bunker from the enshittified platforms like TikTok/IG/X where users are actually served in ways that delight rather than agitate, and where self-expression is incentivised. Closing: As always everything here is subject to change but I've never felt more conviction in our direction until now; I know exactly what we need to do and how, with everything aligning with our team's strengths. Very excited and grinding through things to the point where I'm getting headaches and can't sleep from being hyperfocused for long periods of time lol. There probably has never been a better time to join the ecosystem from a price to fuck around and find out perspective.

wab.eth

18,052 просмотров • 6 месяцев назад

Made $530,000 with Ai Bot that started with $313. Didn't know how to code. Now this bots run 24/7 printing money while sleeping. I've made the exact step-by-step guide to build this Claude Code Polymarket trading bot. Prompts. Code. Risk settings. Paper trading checklist. Everything from zero to running bot. It's free. For 24 hours. After that I'm charging $499 for it. To grab it right now: 1. Comment "Claude Bot" 2. Like and Retweet this post 3. Follow me Himanshu Kumar ( I can't send DMs to non-followers ) I'm DMing everyone who Complete the 3 steps. I spent hundreds of thousands hiring developers because he was too scared to learn. Then learned Claude Code. Built algorithmic trading systems. $313 → $530,000. You have the same tools available right now. And you're using them to ask ChatGPT for Instagram captions. This attached video is a goldmine. Full live walkthrough. Claude Code building actual Polymarket trading bots. From zero. Every line of code. Every decision explained. Now let me break down why everything you're doing in trading is wrong and exactly how to fix it. Save this post. You'll hate yourself if you lose it. ↓ Let's start with why you keep losing money. You already know the answer. You just won't admit it. You overtrade. Every. Single. Day. You see a candle move. You feel something. You enter. No plan. No edge. No reason. Just feelings. Then it goes against you. You feel something else. Panic. Anger. Denial. You move your stop loss. Or you didn't set one at all. "It'll come back." It doesn't come back. So you take another trade. A revenge trade. Bigger size this time. Because you need to "make it back." That one fails too. Now you're emotional. Now you're tilted. Now you're using leverage you have no business touching. 40x. 50x. 100x. On a trade you entered because a candle looked "bullish" and some guy on Twitter said "send it." You get liquidated. Close the laptop. Punch something. Tell yourself you'll be "more disciplined" tomorrow. Tomorrow comes. Same cycle. Same result. Same liquidation. You've been doing this for months. Maybe years. And you still think the problem is your strategy. The problem isn't your strategy. The problem is you. Save this post right now. What I'm about to show you is the only way to remove yourself from the equation. Follow Himanshu Kumar so you don't miss any of this. ↓ Here's what's actually killing your account. It's not the market. The market doesn't care about you. It's not your indicators. RSI works fine. MACD works fine. They all "work." It's not your timeframe. It's not your broker. It's not the "manipulation." It's four things: 1. Emotions. You hold losers because hope feels better than loss. You cut winners because fear feels stronger than greed. You size up when angry. You skip trades when scared. Your emotional state determines your position size. That's insane. And you know it's insane. But you keep doing it. 2. Overtrading. You take 15 trades a day. Maybe 5 of them had actual setups. The other 10 were boredom. Boredom trades are the most expensive hobby in human history. 3. Leverage. You use 20x-50x on trades where you're not even sure about the direction. That's not trading. That's a casino with a nicer interface. 4. Fees. You're smashing market orders. Paying spread. Paying commission. On 15 trades a day. Your broker makes more money from your account than you do. Think about that. Your broker is profitable on your account. You're not. You're the product. Not the trader. These four things are why 90% of traders lose. Not bad luck. Not the market. You. Save this post and follow Himanshu Kumar because the solution is coming next. ↓ The solution is painfully obvious. Remove yourself from the equation. Not partially. Not "I'll be more disciplined." Not "I'll journal my trades." Not "I'll meditate before trading." Completely remove yourself. Build a bot. Let the bot trade. You go live your life. The bot doesn't feel emotions. The bot doesn't overtrade. The bot doesn't use reckless leverage. The bot doesn't smash market orders and bleed fees. The bot follows the rules. Every single time. Without exception. Without "just this once." Without "I have a feeling about this one." Rules in. Execution out. No human in the middle to mess everything up. That's algorithmic trading. And before your ego jumps in with "but I'm different, I have discipline" — No you don't. Your account balance proves you don't. If you had discipline, your account would be green. It's not. So you don't. Accept it. Automate it. Move on. This is the hardest truth in trading. Your discipline will always fail. A bot's won't. Save this post. Follow Himanshu Kumar for the exact bot setup that removes your emotions permanently. ↓ "But I don't know how to code." Neither did he. The guy in this video didn't know how to code for most of his life. Got held back in 7th grade. People counted him out early. Spent years building apps and SaaS businesses without writing a single line of code. Hired developers on Upwork instead. Spent hundreds of thousands of dollars paying other people to build what he could have built himself. Because he was scared to learn. That fear cost him years. And hundreds of thousands of dollars. Sound familiar? You're doing the same thing right now. Not with developers. But with your time. You're spending thousands of hours trading manually because you're scared to learn the thing that would make trading automatic. The fear of learning to code is costing you more than any bad trade ever did. Because every month you trade manually is a month of emotional decisions, overleveraged entries, and unnecessary losses that a bot would never make. And here's the thing that should really frustrate you: AI does the hard parts now. You don't need a computer science degree. You don't need to work at a hedge fund. You don't need to be "good at math." Claude Code writes the code for you. You just need to think clearly about trading ideas. That's it. If you can describe a strategy in English, Claude can build it in Python. "I don't know how to code" stopped being a valid excuse in 2024. It's 2026. You're 2 years late on that excuse. Find a new one. Or stop making excuses entirely. Save this post. Follow Himanshu Kumar because I'm showing you how people with zero coding experience are building profitable bots. ↓ The process that actually makes money. Three letters. R. B. I. Research. Backtest. Implement. That's it. That's the entire process. Every single day. Research: Find an idea. A pattern. A market inefficiency. Don't trade it yet. Don't even think about trading it yet. Just research it. Backtest: Test the idea against historical data. Does it work? Not "does it look good on one chart." Does it work across thousands of trades? Across different market conditions? Across in-sample AND out-of-sample data? If no, kill it. Find another idea. If yes, move to step 3. Implement: Build the bot. Deploy it. Paper trade first. Then live with small size. Scale only on evidence. Research. Backtest. Implement. Every day. No exceptions. You know what your current process is? Feel. Enter. Pray. F. E. P. Feel bullish. Enter a trade. Pray it works. That's not a process. That's gambling with a TradingView subscription. RBI is the only process that works. Save this post. Tattoo it on your forearm. Follow Himanshu Kumar for daily RBI breakdowns. ↓ What Claude Code actually does that your manual process can't. You can maybe test 3-5 strategy ideas per week. Manually adjusting parameters. Manually checking results. Manually writing code (badly). Claude Code tests 50-100 ideas per week. With parallel agents running simultaneously. Multiple strategies being built, tested, and validated at the same time. While you sleep. The guy in this video spends 4-8 hours a day building systems with Claude Code. Not trading. Building. Research. Backtest. Implement. Then iterate. Improve. Optimize. Every day the systems get better. Every day the edge compounds. Every day the bots get smarter. While you? You spend 4-8 hours a day staring at charts making the same mistakes you made last month. Same indicators. Same patterns. Same entries. Same losses. He's iterating forward. You're running in circles. Same 8 hours per day. Completely different outcomes. Because he's building systems. And you're feeding a casino. Stop feeding the casino. Start building the machine. Save this post and follow Himanshu Kumar for the Claude Code workflow that iterates strategies while you sleep. ↓ Jim Simons. That's the benchmark. You probably don't know who Jim Simons is. And that tells me everything about how seriously you take trading. Jim Simons. Mathematician. Founded Renaissance Technologies. Built a net worth of $31 billion. 100% from algorithmic trading. Not one single manual trade. Not one "gut feeling" entry. Not one RSI divergence. Not one "smart money concept." Algorithms. Bots. Systems. Data. $31 billion. His fund averaged 66% annual returns for over 30 years. While you're excited about making $200 on a trade that you'll give back tomorrow. The best trader in human history never placed a manual trade in his life. And you think your edge is staring at a 5-minute chart with bloodshot eyes at 2 AM? Your edge is building the system. Not being inside it. Jim Simons is the benchmark. Everything else is noise. Save this post. Follow Himanshu Kumar because I'm building toward the same goal and showing every step publicly. ↓ What you need to understand about patience. This is not get-rich-overnight. The guy in this video says it directly: "This channel is not for people looking to get rich overnight. It's not plug and play. There are no shortcuts. If you're impatient, this probably isn't for you." And that's exactly why most people will fail at this. Because you want results now. Today. This trade. You don't want to spend a week building a bot. You don't want to paper trade for 2 weeks. You don't want to test 50 ideas to find 1 that works. You want to copy someone's bot, run it live with your rent money, and be rich by Friday. That's why you'll be broke by Friday. The guy making $2.3M spent months iterating. Testing. Failing. Rebuilding. Testing again. He was patient when you would have quit. He was calm when you would have panicked. He was consistent when you would have given up. Patience isn't just a virtue in trading. It's the only virtue. Without it, everything else fails. Impatience is the most expensive personality trait in trading. Save this post. Follow Himanshu Kumar and learn to build systems with the patience that actually pays. ↓ The live streams where the real learning happens. The YouTube video is the trailer. The live streams are the movie. Real-time bot building. Real-time questions answered. Real code shown. Real mistakes made and fixed. Not polished highlight reels where everything works perfectly. Actual development. Where things break. Where strategies fail. Where code doesn't compile. Where the fix takes 2 hours. Because that's what real development looks like. And seeing the messy parts is more valuable than any polished tutorial. Because when your bot breaks at 3 AM, you need to know how to fix it. Not just how to celebrate when it works. The streams mix beginner and advanced. Start with how to automate trading. How to use AI for code generation. Then dive into the daily work. Claude Code. Parallel agents. Constant iteration. Live debugging. 4-8 hours of real algorithmic trading development. Live. Uncut. No filter. Most "trading education" shows you the wins. This shows you the work. Save this post. Follow Himanshu Kumar for the stream schedules and breakdowns. ↓ The belief that changes everything. Code is the greatest equalizer. Not money. Not connections. Not a degree. Not where you grew up. Not what school you went to. Code. Once you can build systems, you can build anything. For the rest of your life. A trading bot today. A SaaS product tomorrow. An automation business next month. A completely different life next year. The skill isn't "algorithmic trading." The skill is building systems. And that skill transfers to everything. The guy who can build a trading bot can also build a lead gen tool. Can also build a content pipeline. Can also build a SaaS product. Can also build literally anything that runs on logic and code. One skill. Infinite applications. And AI makes learning it 100x easier than it was 5 years ago. You don't need to be smart. You don't need talent. You need Claude Code and the willingness to sit down and build something instead of consuming content about building something. Building is the skill. Everything else is entertainment disguised as education. Save this post. Follow Himanshu Kumar because I'm showing you how to build, not just how to watch. ↓ If any of this applies to you, pay attention. If you've lost money from overtrading. If you've been liquidated. If you know trading is the vehicle but manual execution keeps crashing you. If you've tried "being more disciplined" and it never lasted more than a week. If you keep saying "next month I'll start automating." If you've spent more money on courses than you've made from trading. There is a better way. It's not a magic indicator. It's not a signal group. It's not a $997 mentorship from a guy who makes money teaching, not trading. It's building your own system. A system that trades without emotion. A system that follows rules without exception. A system that runs while you sleep. A system that compounds while you live your life. That's the answer. It's always been the answer. You've just been too scared to accept that the solution requires building something instead of buying something. ↓ What the next 30 days look like if you actually commit. Week 1: Watch the video. Learn Claude Code basics. Build your first simple strategy. Run your first backtest. Week 2: Iterate. Let Claude improve the strategy. Run Monte Carlo validation. Paper trade. Week 3: Go live with $50-100. Tiny positions. Watch every trade. Compare to paper results. Week 4: Scale based on evidence. Not based on excitement. Not based on one good day. Based on data. 30 days from now you either have a running bot that trades without your emotions destroying every position. Or you're exactly where you are right now. Reading another post. Making another promise. Breaking it by Tuesday. Same 30 days either way. Different actions. Different results. Different life. ↓ Full video tutorial attached. Live bot building with Claude Code. From zero to running Polymarket trading bot. Every line of code. Every decision explained. The video is free. Claude Code is available now. The market is open 24/7. The only thing standing between you and a profitable trading bot is the same thing that's been standing there for months. You. Get out of your own way. Follow Himanshu Kumar for daily AI trading bot breakdowns, live build sessions, and the full RBI process. Save this post. Watch the video. Build the bot. Or keep trading manually and keep losing. The choice has never been easier. And you've never been more stubborn about making the wrong one.
18:53

Made $530,000 with Ai Bot that started with $313. Didn't know how to code. Now this bots run 24/7 printing money while sleeping. I've made the exact step-by-step guide to build this Claude Code Polymarket trading bot. Prompts. Code. Risk settings. Paper trading checklist. Everything from zero to running bot. It's free. For 24 hours. After that I'm charging $499 for it. To grab it right now: 1. Comment "Claude Bot" 2. Like and Retweet this post 3. Follow me Himanshu Kumar ( I can't send DMs to non-followers ) I'm DMing everyone who Complete the 3 steps. I spent hundreds of thousands hiring developers because he was too scared to learn. Then learned Claude Code. Built algorithmic trading systems. $313 → $530,000. You have the same tools available right now. And you're using them to ask ChatGPT for Instagram captions. This attached video is a goldmine. Full live walkthrough. Claude Code building actual Polymarket trading bots. From zero. Every line of code. Every decision explained. Now let me break down why everything you're doing in trading is wrong and exactly how to fix it. Save this post. You'll hate yourself if you lose it. ↓ Let's start with why you keep losing money. You already know the answer. You just won't admit it. You overtrade. Every. Single. Day. You see a candle move. You feel something. You enter. No plan. No edge. No reason. Just feelings. Then it goes against you. You feel something else. Panic. Anger. Denial. You move your stop loss. Or you didn't set one at all. "It'll come back." It doesn't come back. So you take another trade. A revenge trade. Bigger size this time. Because you need to "make it back." That one fails too. Now you're emotional. Now you're tilted. Now you're using leverage you have no business touching. 40x. 50x. 100x. On a trade you entered because a candle looked "bullish" and some guy on Twitter said "send it." You get liquidated. Close the laptop. Punch something. Tell yourself you'll be "more disciplined" tomorrow. Tomorrow comes. Same cycle. Same result. Same liquidation. You've been doing this for months. Maybe years. And you still think the problem is your strategy. The problem isn't your strategy. The problem is you. Save this post right now. What I'm about to show you is the only way to remove yourself from the equation. Follow Himanshu Kumar so you don't miss any of this. ↓ Here's what's actually killing your account. It's not the market. The market doesn't care about you. It's not your indicators. RSI works fine. MACD works fine. They all "work." It's not your timeframe. It's not your broker. It's not the "manipulation." It's four things: 1. Emotions. You hold losers because hope feels better than loss. You cut winners because fear feels stronger than greed. You size up when angry. You skip trades when scared. Your emotional state determines your position size. That's insane. And you know it's insane. But you keep doing it. 2. Overtrading. You take 15 trades a day. Maybe 5 of them had actual setups. The other 10 were boredom. Boredom trades are the most expensive hobby in human history. 3. Leverage. You use 20x-50x on trades where you're not even sure about the direction. That's not trading. That's a casino with a nicer interface. 4. Fees. You're smashing market orders. Paying spread. Paying commission. On 15 trades a day. Your broker makes more money from your account than you do. Think about that. Your broker is profitable on your account. You're not. You're the product. Not the trader. These four things are why 90% of traders lose. Not bad luck. Not the market. You. Save this post and follow Himanshu Kumar because the solution is coming next. ↓ The solution is painfully obvious. Remove yourself from the equation. Not partially. Not "I'll be more disciplined." Not "I'll journal my trades." Not "I'll meditate before trading." Completely remove yourself. Build a bot. Let the bot trade. You go live your life. The bot doesn't feel emotions. The bot doesn't overtrade. The bot doesn't use reckless leverage. The bot doesn't smash market orders and bleed fees. The bot follows the rules. Every single time. Without exception. Without "just this once." Without "I have a feeling about this one." Rules in. Execution out. No human in the middle to mess everything up. That's algorithmic trading. And before your ego jumps in with "but I'm different, I have discipline" — No you don't. Your account balance proves you don't. If you had discipline, your account would be green. It's not. So you don't. Accept it. Automate it. Move on. This is the hardest truth in trading. Your discipline will always fail. A bot's won't. Save this post. Follow Himanshu Kumar for the exact bot setup that removes your emotions permanently. ↓ "But I don't know how to code." Neither did he. The guy in this video didn't know how to code for most of his life. Got held back in 7th grade. People counted him out early. Spent years building apps and SaaS businesses without writing a single line of code. Hired developers on Upwork instead. Spent hundreds of thousands of dollars paying other people to build what he could have built himself. Because he was scared to learn. That fear cost him years. And hundreds of thousands of dollars. Sound familiar? You're doing the same thing right now. Not with developers. But with your time. You're spending thousands of hours trading manually because you're scared to learn the thing that would make trading automatic. The fear of learning to code is costing you more than any bad trade ever did. Because every month you trade manually is a month of emotional decisions, overleveraged entries, and unnecessary losses that a bot would never make. And here's the thing that should really frustrate you: AI does the hard parts now. You don't need a computer science degree. You don't need to work at a hedge fund. You don't need to be "good at math." Claude Code writes the code for you. You just need to think clearly about trading ideas. That's it. If you can describe a strategy in English, Claude can build it in Python. "I don't know how to code" stopped being a valid excuse in 2024. It's 2026. You're 2 years late on that excuse. Find a new one. Or stop making excuses entirely. Save this post. Follow Himanshu Kumar because I'm showing you how people with zero coding experience are building profitable bots. ↓ The process that actually makes money. Three letters. R. B. I. Research. Backtest. Implement. That's it. That's the entire process. Every single day. Research: Find an idea. A pattern. A market inefficiency. Don't trade it yet. Don't even think about trading it yet. Just research it. Backtest: Test the idea against historical data. Does it work? Not "does it look good on one chart." Does it work across thousands of trades? Across different market conditions? Across in-sample AND out-of-sample data? If no, kill it. Find another idea. If yes, move to step 3. Implement: Build the bot. Deploy it. Paper trade first. Then live with small size. Scale only on evidence. Research. Backtest. Implement. Every day. No exceptions. You know what your current process is? Feel. Enter. Pray. F. E. P. Feel bullish. Enter a trade. Pray it works. That's not a process. That's gambling with a TradingView subscription. RBI is the only process that works. Save this post. Tattoo it on your forearm. Follow Himanshu Kumar for daily RBI breakdowns. ↓ What Claude Code actually does that your manual process can't. You can maybe test 3-5 strategy ideas per week. Manually adjusting parameters. Manually checking results. Manually writing code (badly). Claude Code tests 50-100 ideas per week. With parallel agents running simultaneously. Multiple strategies being built, tested, and validated at the same time. While you sleep. The guy in this video spends 4-8 hours a day building systems with Claude Code. Not trading. Building. Research. Backtest. Implement. Then iterate. Improve. Optimize. Every day the systems get better. Every day the edge compounds. Every day the bots get smarter. While you? You spend 4-8 hours a day staring at charts making the same mistakes you made last month. Same indicators. Same patterns. Same entries. Same losses. He's iterating forward. You're running in circles. Same 8 hours per day. Completely different outcomes. Because he's building systems. And you're feeding a casino. Stop feeding the casino. Start building the machine. Save this post and follow Himanshu Kumar for the Claude Code workflow that iterates strategies while you sleep. ↓ Jim Simons. That's the benchmark. You probably don't know who Jim Simons is. And that tells me everything about how seriously you take trading. Jim Simons. Mathematician. Founded Renaissance Technologies. Built a net worth of $31 billion. 100% from algorithmic trading. Not one single manual trade. Not one "gut feeling" entry. Not one RSI divergence. Not one "smart money concept." Algorithms. Bots. Systems. Data. $31 billion. His fund averaged 66% annual returns for over 30 years. While you're excited about making $200 on a trade that you'll give back tomorrow. The best trader in human history never placed a manual trade in his life. And you think your edge is staring at a 5-minute chart with bloodshot eyes at 2 AM? Your edge is building the system. Not being inside it. Jim Simons is the benchmark. Everything else is noise. Save this post. Follow Himanshu Kumar because I'm building toward the same goal and showing every step publicly. ↓ What you need to understand about patience. This is not get-rich-overnight. The guy in this video says it directly: "This channel is not for people looking to get rich overnight. It's not plug and play. There are no shortcuts. If you're impatient, this probably isn't for you." And that's exactly why most people will fail at this. Because you want results now. Today. This trade. You don't want to spend a week building a bot. You don't want to paper trade for 2 weeks. You don't want to test 50 ideas to find 1 that works. You want to copy someone's bot, run it live with your rent money, and be rich by Friday. That's why you'll be broke by Friday. The guy making $2.3M spent months iterating. Testing. Failing. Rebuilding. Testing again. He was patient when you would have quit. He was calm when you would have panicked. He was consistent when you would have given up. Patience isn't just a virtue in trading. It's the only virtue. Without it, everything else fails. Impatience is the most expensive personality trait in trading. Save this post. Follow Himanshu Kumar and learn to build systems with the patience that actually pays. ↓ The live streams where the real learning happens. The YouTube video is the trailer. The live streams are the movie. Real-time bot building. Real-time questions answered. Real code shown. Real mistakes made and fixed. Not polished highlight reels where everything works perfectly. Actual development. Where things break. Where strategies fail. Where code doesn't compile. Where the fix takes 2 hours. Because that's what real development looks like. And seeing the messy parts is more valuable than any polished tutorial. Because when your bot breaks at 3 AM, you need to know how to fix it. Not just how to celebrate when it works. The streams mix beginner and advanced. Start with how to automate trading. How to use AI for code generation. Then dive into the daily work. Claude Code. Parallel agents. Constant iteration. Live debugging. 4-8 hours of real algorithmic trading development. Live. Uncut. No filter. Most "trading education" shows you the wins. This shows you the work. Save this post. Follow Himanshu Kumar for the stream schedules and breakdowns. ↓ The belief that changes everything. Code is the greatest equalizer. Not money. Not connections. Not a degree. Not where you grew up. Not what school you went to. Code. Once you can build systems, you can build anything. For the rest of your life. A trading bot today. A SaaS product tomorrow. An automation business next month. A completely different life next year. The skill isn't "algorithmic trading." The skill is building systems. And that skill transfers to everything. The guy who can build a trading bot can also build a lead gen tool. Can also build a content pipeline. Can also build a SaaS product. Can also build literally anything that runs on logic and code. One skill. Infinite applications. And AI makes learning it 100x easier than it was 5 years ago. You don't need to be smart. You don't need talent. You need Claude Code and the willingness to sit down and build something instead of consuming content about building something. Building is the skill. Everything else is entertainment disguised as education. Save this post. Follow Himanshu Kumar because I'm showing you how to build, not just how to watch. ↓ If any of this applies to you, pay attention. If you've lost money from overtrading. If you've been liquidated. If you know trading is the vehicle but manual execution keeps crashing you. If you've tried "being more disciplined" and it never lasted more than a week. If you keep saying "next month I'll start automating." If you've spent more money on courses than you've made from trading. There is a better way. It's not a magic indicator. It's not a signal group. It's not a $997 mentorship from a guy who makes money teaching, not trading. It's building your own system. A system that trades without emotion. A system that follows rules without exception. A system that runs while you sleep. A system that compounds while you live your life. That's the answer. It's always been the answer. You've just been too scared to accept that the solution requires building something instead of buying something. ↓ What the next 30 days look like if you actually commit. Week 1: Watch the video. Learn Claude Code basics. Build your first simple strategy. Run your first backtest. Week 2: Iterate. Let Claude improve the strategy. Run Monte Carlo validation. Paper trade. Week 3: Go live with $50-100. Tiny positions. Watch every trade. Compare to paper results. Week 4: Scale based on evidence. Not based on excitement. Not based on one good day. Based on data. 30 days from now you either have a running bot that trades without your emotions destroying every position. Or you're exactly where you are right now. Reading another post. Making another promise. Breaking it by Tuesday. Same 30 days either way. Different actions. Different results. Different life. ↓ Full video tutorial attached. Live bot building with Claude Code. From zero to running Polymarket trading bot. Every line of code. Every decision explained. The video is free. Claude Code is available now. The market is open 24/7. The only thing standing between you and a profitable trading bot is the same thing that's been standing there for months. You. Get out of your own way. Follow Himanshu Kumar for daily AI trading bot breakdowns, live build sessions, and the full RBI process. Save this post. Watch the video. Build the bot. Or keep trading manually and keep losing. The choice has never been easier. And you've never been more stubborn about making the wrong one.

Himanshu Kumar

37,300 просмотров • 3 месяцев назад

Min Hee-jin (NewJeans Producer) NHK Music Interview 🔗 “Meticulously planned debut ‘Attention’” 🧢: When I was preparing to launch NewJeans, I really struggled with deciding what our first piece of content should be. I thought about it for a long time and considered many possibilities. It was a project that came with high expectations, and for me personally, it was also my first opportunity to prove myself. So how I presented it mattered enormously. Even down to the smallest details… like the impression the very first released photo might give, or what kind of impact we could make at launch. I thought hard about what kind of content would be the most effective… should it be a video or a photo? What time of day would be most effective to release it? I consider things like that very carefully. For example, the way a person experiences content at night versus during the day can feel quite different emotionally. So I even thought about those subtle aspects. Eventually, the conclusion I reached was: “Let’s make the most of our situation.” At the time, the members hadn’t been revealed, and no one knew how many of them there were or what kind of group this would be. So I wanted to maximize that curiosity. You know how the more something is concealed, the more curious people become? I wanted to build that curiosity to a peak and then release everything all at once. That’s why we decided not to release a teaser and instead go straight into a full music video. (This was actually inspired by Hyein suggesting we skip teasers.) I didn’t think still images or photos would be enough to fully convey the feeling I wanted to express. I felt that video and music together would evoke the emotional response I was looking for because people experience things synesthetically. When sound, image, and feeling come together, the emotional impact is stronger. I believed the best way to present the members’ images was through music and a moving picture… that’s why we led with a music video. In the debut music video, “Attention,” there’s a scene where the members act out a little drama. I paid very close attention to that moment and created music that would fit it precisely. For me, I don’t just make content… I design the entire process of how it should be shown for the greatest effect. And I believe that’s incredibly important. That first feeling someone gets when they encounter something… that emotion, that spark… is so important to me. I’m very detail-oriented, but I also value fun deeply. So rather than just releasing content, I want to enjoy the process leading up to it. Even when we released our second album, since we shot the entire music video across the country, the sequence of how we released the videos was critical for me. It’s hard to explain all this simply in an interview, but maybe some people noticed: the first content we released that time was actually a teaser for the last track, “ASAP,” and then we followed that with the full music video for “New Jeans,” which was the first track. That order was a carefully calculated strategy. It was designed to guide the audience’s emotional journey. Seeing the audience react just as I had hoped—that whole process was honestly so fun and thrilling for me. I think I really enjoy that kind of thing. ——— “How 'Ditto' was born” 🧢: People often praise the music of NewJeans, and I hear a lot of talk about genres. But actually, I don’t feel bound by genre at all. I love a wide variety of music. I’m not the type to insist on only one particular genre. What I love are songs that blend genres cleverly… those are my personal favorites. So going forward, my focus is not on genre but on whether something feels fresh and whether it can create an emotional moment. I don’t want to define what kind of music we make. And I think you have to experience the flow of the times to really understand what’s meaningful in a given moment. For instance, the song “Ditto” was chosen because it delivered emotion. It matched perfectly with the winter album concept I had envisioned, both in terms of timing and mood. When I hear a song, I tend to trust my gut. I have a pretty strong intuition for which songs will resonate. It’s not about objectively predicting what will be a “hit,” but about whether a song moves your heart… you can just feel it. Of course, my own taste plays a big role. But I think that’s actually my strength as a producer, not as a composer. When I hear a song, I can immediately picture the visual… what kind of story, what kind of vibe it could carry. That allows me to work faster. For example, when expressing something like school uniforms, there are so many possible variations. But I always like to start from the basics… what’s the original idea of a school uniform? I try to return to that. So with “Ditto,” I wanted to tap into something primal… the pure, basic feeling of liking someone. That kind of emotion is universal. Everyone has it; it’s wired into us. When I saw Director Shin Woo-seok’s interpretation of it, I thought, “Yes, that’s it.” That’s the kind of complete interpretation I look for. I believe the completion of a project comes from every person involved thinking about their part down to the final detail… the maximum quality they can bring out. My role is to unify and refine all of that. I draw out the essence of each person’s creativity, trimming away anything unnecessary. So the final product is something that’s polished and high-quality, just the way I envisioned it. That’s my working style. So it’s not like I’m fixated on retro or stuck in a particular style. I don’t think human taste has changed all that much. Things people liked in the past are the same things we like now. It’s just the form of expression that changes with time. I don’t feel bound by “past” or “present.” I don’t even think in those boundaries. To me, it’s all just good taste. You know how kids sometimes have their own little treasure boxes when they’re young? I think my work is kind of like that. I want to make things that never feel dated—that are timelessly enjoyable. ——— “Dance Expression and 'Hype Boy'” 🧢: I had a vision of what kind of girl group I wanted to create. That’s why I chose a song like “Hype Boy.” And to bring out that feeling, we created four different versions of the music video. Every choice had a purpose, everything was designed to maximize the experience of the song. “Hype Boy” is such a unique song. It has this strange, piercing melody that gives people chills in a good way. To emphasize that tingling feeling, I had to break away from the standard K-pop choreography format… you know, the kind where everyone is in perfect formation, doing synchronized moves. But our songs don’t suit that kind of choreography. Our dances are much harder. They require the body to move very naturally with the groove of the melody and beat. So I think our members are incredible. It’s not easy to express naturalness with your body, and you have to really enjoy it to make it look effortless. But they pulled it off so well. They’re still young, but they’re so talented. And through it all, I wanted to avoid making them look like they were performing just for business. I wanted them to show the pure joy and bright spirit that’s natural for people their age… genuine, carefree, radiant. ——— “The difference between NewJeans and conventional K-POP” 🧢: Ah, for me, it’s all about naturalness. And honestly, naturalness isn’t something you can produce or direct into existence. It comes from how I interact with the NewJeans members on a daily basis… what kind of environment they practice in, how they live and work. There are so many things that don’t appear on camera, but those unseen aspects have to be in place in order for true naturalness to come through. That’s why I wanted to create that kind of environment for the girls. And also, I wanted to shape my own working environment in that way too. Only then can something truly natural, something unforced and not overly stimulating, really come out. To begin with, I don’t believe anyone can be completely natural in front of a camera or under the gaze of others. It’s human nature to become self-conscious. That’s why I think naturalness is our strength, but it can’t be our concept. If you try to turn “naturalness” into a concept, it actually becomes incredibly artificial. So why do I place so much importance on naturalness? It’s because the girls are still so young. While other kids their age are going through school and having a wide range of life experiences, these members are living very different lives. Before they officially debuted, I told them, “This is like studying together with me.” Our standard contract is seven years, which is about the same length as going through high school and college in Korea: three years of high school and four years of university. So I told them, “We’re going to school together. We’re learning together.” And in that sense, I want to be a good teacher to them. They’re also surrounded by an incredibly professional team, people they’d never meet even in a traditional school setting. I’ve never really liked the word idol. These days, that word is used more like a job title, something manufactured by the industry, and it’s far from its original meaning. To me, the term idol feels misplaced. It doesn’t really reflect who these artists are or what they represent. And I’m not the kind of person who clings to labels or terminology. In fact, what I really want is to break the stereotypes and preconceptions that come with the idol industry. I want us to show people something different… to challenge those assumptions and redefine what this can look like. That’s the kind of mindset I have. ——— “Isn't it difficult for the members to express "naturalness"?” 🧢: There were a lot of things I considered when forming the group. First and foremost, I think it was important that the members shared a similar vibe… like how I prefer working with staff who align with my taste. It’s important for the crew to be on the same wavelength. And by that, I mean more than just getting along… it also extends to shared values. Of course, people won’t all share identical values, but when we’re facing in a similar direction, everything becomes easier. It’s also just more efficient to work with people who have overlapping tastes. Now, when it comes to our members, they each have their own individual tastes, but those preferences are still in development. Just like we all went through as kids, they’re still growing, still discovering themselves. They’re not in a finished state. So we didn’t cast them based on some complete or polished version of themselves. It wasn’t like, “This person is fully formed, let’s pick her.” It was more like, “Ah, she has potential, there’s something there.” That sense of a spark… those were the kinds of subtleties I paid attention to. I didn’t cast anyone just because they were pretty or could sing well. I don’t work like that. I really value those finer, more delicate aspects. Even the design of the light stick wasn’t something that came from a long strategic planning session… it was actually a spontaneous idea. I didn’t sit down and think, “Let’s make a light stick like this.” NewJeans didn’t have a fixed logo, but I felt we still needed a unifying symbol. So one night, just before going to sleep, I kept thinking about it. Right before dozing off, I started sketching and it turned into a rabbit’s face. When I drew it out, the shape just continued and turned into a bunny. To me, the NewJeans members are like little bunnies… playful, innocent. Their visuals also resemble rabbits in a way. And rabbits symbolize abundance. That made me think: “Ah, maybe our fans will multiply like rabbits. That would be great.” So that bunny face became both a symbol for the members and the fans. The image came to me all at once, and I imagined a venue completely filled with bunny light sticks. That vision led to the creation of the light stick itself. Since I always prioritize fun in everything I do, the next idea that came to mind was making the light stick customizable. I thought, “Wouldn’t it be great if fans could personalize their bunny?” That way, each rabbit would represent a different person’s character. So we included accessories, allowing everyone to customize their own bunny. It’s symbolic of all these different bunnies coming together and enjoying a good time as one. Our light stick has a big head, so when it’s used in a concert hall, it lights up in heart shapes that are very visible. That was the image I really wanted. And that bunny face… it’s also a heart. It represents both the face of NewJeans and our hearts. It’s the love we’re showing to our fans, and the love we want to receive in return. Every time I see it, I feel deeply moved. It’s very emotional for me because it’s a perfect realization of what I envisioned. As someone with a background in creative direction, there’s nothing more satisfying than seeing an idea materialize exactly the way you imagined it. That kind of work holds deep meaning for me. ⸻ 🧢: Looking back, I think in 2023 we were able to achieve almost everything we had hoped for. I’m so incredibly grateful for that. Of course, this is an ongoing challenge… and the better things go, the more pressure there is. That’s why I always try to return to my original mindset. Just like I tell the members, I try to remind myself of the beginning and keep things fun. Back then, when we were first putting out content, planning the music, and working on visuals, I felt this thrill… this rush of excitement. I don’t want to forget that feeling. So I try hard to engrave that emotion into every album we release. I’m constantly working to rediscover the joy in all of it. So for 2024, I hope everyone can look forward to us with fresh anticipation. And even if we come out with something completely new, I hope people will receive it warmly and with excitement. That’s really my deepest wish. 🙏
21:30

Min Hee-jin (NewJeans Producer) NHK Music Interview 🔗 “Meticulously planned debut ‘Attention’” 🧢: When I was preparing to launch NewJeans, I really struggled with deciding what our first piece of content should be. I thought about it for a long time and considered many possibilities. It was a project that came with high expectations, and for me personally, it was also my first opportunity to prove myself. So how I presented it mattered enormously. Even down to the smallest details… like the impression the very first released photo might give, or what kind of impact we could make at launch. I thought hard about what kind of content would be the most effective… should it be a video or a photo? What time of day would be most effective to release it? I consider things like that very carefully. For example, the way a person experiences content at night versus during the day can feel quite different emotionally. So I even thought about those subtle aspects. Eventually, the conclusion I reached was: “Let’s make the most of our situation.” At the time, the members hadn’t been revealed, and no one knew how many of them there were or what kind of group this would be. So I wanted to maximize that curiosity. You know how the more something is concealed, the more curious people become? I wanted to build that curiosity to a peak and then release everything all at once. That’s why we decided not to release a teaser and instead go straight into a full music video. (This was actually inspired by Hyein suggesting we skip teasers.) I didn’t think still images or photos would be enough to fully convey the feeling I wanted to express. I felt that video and music together would evoke the emotional response I was looking for because people experience things synesthetically. When sound, image, and feeling come together, the emotional impact is stronger. I believed the best way to present the members’ images was through music and a moving picture… that’s why we led with a music video. In the debut music video, “Attention,” there’s a scene where the members act out a little drama. I paid very close attention to that moment and created music that would fit it precisely. For me, I don’t just make content… I design the entire process of how it should be shown for the greatest effect. And I believe that’s incredibly important. That first feeling someone gets when they encounter something… that emotion, that spark… is so important to me. I’m very detail-oriented, but I also value fun deeply. So rather than just releasing content, I want to enjoy the process leading up to it. Even when we released our second album, since we shot the entire music video across the country, the sequence of how we released the videos was critical for me. It’s hard to explain all this simply in an interview, but maybe some people noticed: the first content we released that time was actually a teaser for the last track, “ASAP,” and then we followed that with the full music video for “New Jeans,” which was the first track. That order was a carefully calculated strategy. It was designed to guide the audience’s emotional journey. Seeing the audience react just as I had hoped—that whole process was honestly so fun and thrilling for me. I think I really enjoy that kind of thing. ——— “How 'Ditto' was born” 🧢: People often praise the music of NewJeans, and I hear a lot of talk about genres. But actually, I don’t feel bound by genre at all. I love a wide variety of music. I’m not the type to insist on only one particular genre. What I love are songs that blend genres cleverly… those are my personal favorites. So going forward, my focus is not on genre but on whether something feels fresh and whether it can create an emotional moment. I don’t want to define what kind of music we make. And I think you have to experience the flow of the times to really understand what’s meaningful in a given moment. For instance, the song “Ditto” was chosen because it delivered emotion. It matched perfectly with the winter album concept I had envisioned, both in terms of timing and mood. When I hear a song, I tend to trust my gut. I have a pretty strong intuition for which songs will resonate. It’s not about objectively predicting what will be a “hit,” but about whether a song moves your heart… you can just feel it. Of course, my own taste plays a big role. But I think that’s actually my strength as a producer, not as a composer. When I hear a song, I can immediately picture the visual… what kind of story, what kind of vibe it could carry. That allows me to work faster. For example, when expressing something like school uniforms, there are so many possible variations. But I always like to start from the basics… what’s the original idea of a school uniform? I try to return to that. So with “Ditto,” I wanted to tap into something primal… the pure, basic feeling of liking someone. That kind of emotion is universal. Everyone has it; it’s wired into us. When I saw Director Shin Woo-seok’s interpretation of it, I thought, “Yes, that’s it.” That’s the kind of complete interpretation I look for. I believe the completion of a project comes from every person involved thinking about their part down to the final detail… the maximum quality they can bring out. My role is to unify and refine all of that. I draw out the essence of each person’s creativity, trimming away anything unnecessary. So the final product is something that’s polished and high-quality, just the way I envisioned it. That’s my working style. So it’s not like I’m fixated on retro or stuck in a particular style. I don’t think human taste has changed all that much. Things people liked in the past are the same things we like now. It’s just the form of expression that changes with time. I don’t feel bound by “past” or “present.” I don’t even think in those boundaries. To me, it’s all just good taste. You know how kids sometimes have their own little treasure boxes when they’re young? I think my work is kind of like that. I want to make things that never feel dated—that are timelessly enjoyable. ——— “Dance Expression and 'Hype Boy'” 🧢: I had a vision of what kind of girl group I wanted to create. That’s why I chose a song like “Hype Boy.” And to bring out that feeling, we created four different versions of the music video. Every choice had a purpose, everything was designed to maximize the experience of the song. “Hype Boy” is such a unique song. It has this strange, piercing melody that gives people chills in a good way. To emphasize that tingling feeling, I had to break away from the standard K-pop choreography format… you know, the kind where everyone is in perfect formation, doing synchronized moves. But our songs don’t suit that kind of choreography. Our dances are much harder. They require the body to move very naturally with the groove of the melody and beat. So I think our members are incredible. It’s not easy to express naturalness with your body, and you have to really enjoy it to make it look effortless. But they pulled it off so well. They’re still young, but they’re so talented. And through it all, I wanted to avoid making them look like they were performing just for business. I wanted them to show the pure joy and bright spirit that’s natural for people their age… genuine, carefree, radiant. ——— “The difference between NewJeans and conventional K-POP” 🧢: Ah, for me, it’s all about naturalness. And honestly, naturalness isn’t something you can produce or direct into existence. It comes from how I interact with the NewJeans members on a daily basis… what kind of environment they practice in, how they live and work. There are so many things that don’t appear on camera, but those unseen aspects have to be in place in order for true naturalness to come through. That’s why I wanted to create that kind of environment for the girls. And also, I wanted to shape my own working environment in that way too. Only then can something truly natural, something unforced and not overly stimulating, really come out. To begin with, I don’t believe anyone can be completely natural in front of a camera or under the gaze of others. It’s human nature to become self-conscious. That’s why I think naturalness is our strength, but it can’t be our concept. If you try to turn “naturalness” into a concept, it actually becomes incredibly artificial. So why do I place so much importance on naturalness? It’s because the girls are still so young. While other kids their age are going through school and having a wide range of life experiences, these members are living very different lives. Before they officially debuted, I told them, “This is like studying together with me.” Our standard contract is seven years, which is about the same length as going through high school and college in Korea: three years of high school and four years of university. So I told them, “We’re going to school together. We’re learning together.” And in that sense, I want to be a good teacher to them. They’re also surrounded by an incredibly professional team, people they’d never meet even in a traditional school setting. I’ve never really liked the word idol. These days, that word is used more like a job title, something manufactured by the industry, and it’s far from its original meaning. To me, the term idol feels misplaced. It doesn’t really reflect who these artists are or what they represent. And I’m not the kind of person who clings to labels or terminology. In fact, what I really want is to break the stereotypes and preconceptions that come with the idol industry. I want us to show people something different… to challenge those assumptions and redefine what this can look like. That’s the kind of mindset I have. ——— “Isn't it difficult for the members to express "naturalness"?” 🧢: There were a lot of things I considered when forming the group. First and foremost, I think it was important that the members shared a similar vibe… like how I prefer working with staff who align with my taste. It’s important for the crew to be on the same wavelength. And by that, I mean more than just getting along… it also extends to shared values. Of course, people won’t all share identical values, but when we’re facing in a similar direction, everything becomes easier. It’s also just more efficient to work with people who have overlapping tastes. Now, when it comes to our members, they each have their own individual tastes, but those preferences are still in development. Just like we all went through as kids, they’re still growing, still discovering themselves. They’re not in a finished state. So we didn’t cast them based on some complete or polished version of themselves. It wasn’t like, “This person is fully formed, let’s pick her.” It was more like, “Ah, she has potential, there’s something there.” That sense of a spark… those were the kinds of subtleties I paid attention to. I didn’t cast anyone just because they were pretty or could sing well. I don’t work like that. I really value those finer, more delicate aspects. Even the design of the light stick wasn’t something that came from a long strategic planning session… it was actually a spontaneous idea. I didn’t sit down and think, “Let’s make a light stick like this.” NewJeans didn’t have a fixed logo, but I felt we still needed a unifying symbol. So one night, just before going to sleep, I kept thinking about it. Right before dozing off, I started sketching and it turned into a rabbit’s face. When I drew it out, the shape just continued and turned into a bunny. To me, the NewJeans members are like little bunnies… playful, innocent. Their visuals also resemble rabbits in a way. And rabbits symbolize abundance. That made me think: “Ah, maybe our fans will multiply like rabbits. That would be great.” So that bunny face became both a symbol for the members and the fans. The image came to me all at once, and I imagined a venue completely filled with bunny light sticks. That vision led to the creation of the light stick itself. Since I always prioritize fun in everything I do, the next idea that came to mind was making the light stick customizable. I thought, “Wouldn’t it be great if fans could personalize their bunny?” That way, each rabbit would represent a different person’s character. So we included accessories, allowing everyone to customize their own bunny. It’s symbolic of all these different bunnies coming together and enjoying a good time as one. Our light stick has a big head, so when it’s used in a concert hall, it lights up in heart shapes that are very visible. That was the image I really wanted. And that bunny face… it’s also a heart. It represents both the face of NewJeans and our hearts. It’s the love we’re showing to our fans, and the love we want to receive in return. Every time I see it, I feel deeply moved. It’s very emotional for me because it’s a perfect realization of what I envisioned. As someone with a background in creative direction, there’s nothing more satisfying than seeing an idea materialize exactly the way you imagined it. That kind of work holds deep meaning for me. ⸻ 🧢: Looking back, I think in 2023 we were able to achieve almost everything we had hoped for. I’m so incredibly grateful for that. Of course, this is an ongoing challenge… and the better things go, the more pressure there is. That’s why I always try to return to my original mindset. Just like I tell the members, I try to remind myself of the beginning and keep things fun. Back then, when we were first putting out content, planning the music, and working on visuals, I felt this thrill… this rush of excitement. I don’t want to forget that feeling. So I try hard to engrave that emotion into every album we release. I’m constantly working to rediscover the joy in all of it. So for 2024, I hope everyone can look forward to us with fresh anticipation. And even if we come out with something completely new, I hope people will receive it warmly and with excitement. That’s really my deepest wish. 🙏

1tokki

17,635 просмотров • 11 месяцев назад

Zionists Are Freaking Out About Losing Control Of The Narrative Former Obama speechwriter Sarah Hurwitz made some very revealing remarks during an appearance at the Jewish Federations of North America General Assembly on Sunday, expressing frustration with the way younger Jews are dismissing pro-Israel arguments because of the carnage they’ve seen in Gaza. “We are now wrestling with a new I think generational divide here, and I think that’s particularly true in that social media is now our source of media,” Hurwitz said. “It used to be that the news you got in America was American media, and it was pretty mainstream; you know it generally didn’t express extreme anti-Israel views. You had to go to a pretty weird bookstore to find global media and fringe media. But today we have social media, which is the global medium; its algorithms are shaped by billions of people worldwide who don’t really love Jews. So while in the 1990s a young person probably wasn’t going to find Al Jazeera or someone like Nick Fuentes, today those media outlets find them; they find them on their phones.” “It’s also this increasingly post-literate media; less and less text, more and more videos,” Hurwitz continued. “So you have TikTok just smashing our young people’s brains all day long with video of carnage in Gaza. And this is why so many of us cannot have a sane conversation with younger Jews, because anything that we try to say to them, they are hearing it through this wall of carnage. So I want to give data and information and facts and arguments, and they are just seeing in their minds: carnage. And I sound obscene.” Hurwitz went on to say that Holocaust education has begun backfiring, because it has been giving young people the wrong impression that genocide is always bad. “And you know I think unfortunately, the very smart bet that we made on Holocaust education to serve as anti-semitism education in this new media environment, I think that is beginning to break down a little bit because, you know, Holocaust education is absolutely essential, but I think it may be confusing some of our young people about antisemitism,” Hurwitz said. “Because they learn about big, strong Nazis hurting weak, emaciated Jews, and they think oh, antisemitism is like anti-black racism, right? Powerful white people against powerless black people. So, when on TikTok all day long, they see powerful Israelis hurting weak, skinny Palestinians, it’s not surprising that they think, Oh, I know the lesson of the Holocaust is you fight Israel. You fight the big powerful people hurting the weak people.” Hoo boy. Lots to unpack here. It’s just so fascinating to see a former White House speechwriter making so many of the points that anti-Zionists have been making for years, but taking the exact opposite meaning from them: - The mainstream legacy media has always hidden anti-Israel views from the public — and that was a good thing. - Social media has now given Palestinians the ability to expose the truth about Israel’s abuses — and that’s a bad thing. - People aren’t falling for the Zionist spin and narrative-diddling anymore because they’ve seen the carnage in Gaza with their own eyes — and that’s a problem. - People who learned from Holocaust education that genocide is wrong have been applying those same lessons to the genocide in Gaza — and this means they’re “confused”. Hurwitz isn’t denying Israel’s abuses or framing its genocidal atrocities as the problem, she’s just coming right out and saying that people obtaining information and moral clarity about those abuses is the problem. The atrocities aren’t wrong, what’s wrong is people seeing those atrocities and calling them what they are. I love the way she complains that she looks “obscene” for trying to lay out arguments and narratives justifying the Gaza holocaust for people who’ve seen the “wall of carnage” from the genocide. I mean, yes. Yes obviously you’re going to look obscene if you try to tell someone why raw video footage of massacres, mutilated children and emaciated bodies is actually showing something that is justifiable and acceptable. You can’t stand in front of a pile of child corpses justifying their murder and then whine when people ignore your spinmeistering and keep staring at the tiny bodies. That’s like murdering an entire family and then telling the cops, “But you’re not listening to my reasons for killing them!” They’re doing the normal thing while you are being obscene. There’s a viral clip of this tirade going around Twitter and I was curious if Hurwitz had said anything after the video segment ended which might have made what she said sound less horrible, so I went to check out the original video on the Jewish Federations of North America’s Youtube channel, and nope. It didn’t get any better. Hurwitz went on to say that people are wrong to carry the lessons of Holocaust education into opposition to Israel’s genocidal atrocities because the Holocaust was Nazi Germany blaming Jews for all their problems in the same way people think Israel is the source of all the world’s problems today. She then mourned the way western Jews “re-imagined Judaism as a Protestant-style religion” in order to integrate into western society rather than retaining a strong identity that is loyal to the state of Israel. “The problem is, we’re not just a religion,” Hurwitz said. “We’re a nation. Civilization. Tribe. Peoplehood. But most of all we’re a family. And so if you are a young person raised in America who thinks Judaism is a Protestant-style religion, then the seven million Jews in Israel are merely your co-religionists. So my co-religionists, if I look at them and they’re not practicing my religion of social justice and certain prophetic values then what do I have to do with them?” “But that’s a category error,” says Hurwitz. “The seven million people in Israel, they are not my co-religionists, they are my siblings. But I think if you think of them as merely your co-religionists, it’s easy to slide into anti-Zionism. You don’t necessarily have that connection to them.” Hurwitz is saying here that Jews around the world should be loyal to Israel no matter what Israel does, not because that’s the moral or truthful position but because Israel is where their loyalties belong. I don’t know about you, but if my siblings were murdering civilians I would immediately become their enemy. I wouldn’t defend my brother if he was going around shooting children in the head like IDF snipers have been doing in Gaza, in fact I would feel a special responsibility to stop him exactly because he is my brother. Genocide doesn’t magically become acceptable if the perpetrators are your “siblings”, unless you are a sociopath. It’s just incredible how hard Zionists have been freaking out about the way Israel has lost control of the narrative these last two years. More and more often we’re seeing them say the quiet parts out loud as they frantically scramble to manage perceptions and manipulate minds around the world. Many things which used to be hidden are finding their way into the light. Reading by Tim Foley:
7:47

Zionists Are Freaking Out About Losing Control Of The Narrative Former Obama speechwriter Sarah Hurwitz made some very revealing remarks during an appearance at the Jewish Federations of North America General Assembly on Sunday, expressing frustration with the way younger Jews are dismissing pro-Israel arguments because of the carnage they’ve seen in Gaza. “We are now wrestling with a new I think generational divide here, and I think that’s particularly true in that social media is now our source of media,” Hurwitz said. “It used to be that the news you got in America was American media, and it was pretty mainstream; you know it generally didn’t express extreme anti-Israel views. You had to go to a pretty weird bookstore to find global media and fringe media. But today we have social media, which is the global medium; its algorithms are shaped by billions of people worldwide who don’t really love Jews. So while in the 1990s a young person probably wasn’t going to find Al Jazeera or someone like Nick Fuentes, today those media outlets find them; they find them on their phones.” “It’s also this increasingly post-literate media; less and less text, more and more videos,” Hurwitz continued. “So you have TikTok just smashing our young people’s brains all day long with video of carnage in Gaza. And this is why so many of us cannot have a sane conversation with younger Jews, because anything that we try to say to them, they are hearing it through this wall of carnage. So I want to give data and information and facts and arguments, and they are just seeing in their minds: carnage. And I sound obscene.” Hurwitz went on to say that Holocaust education has begun backfiring, because it has been giving young people the wrong impression that genocide is always bad. “And you know I think unfortunately, the very smart bet that we made on Holocaust education to serve as anti-semitism education in this new media environment, I think that is beginning to break down a little bit because, you know, Holocaust education is absolutely essential, but I think it may be confusing some of our young people about antisemitism,” Hurwitz said. “Because they learn about big, strong Nazis hurting weak, emaciated Jews, and they think oh, antisemitism is like anti-black racism, right? Powerful white people against powerless black people. So, when on TikTok all day long, they see powerful Israelis hurting weak, skinny Palestinians, it’s not surprising that they think, Oh, I know the lesson of the Holocaust is you fight Israel. You fight the big powerful people hurting the weak people.” Hoo boy. Lots to unpack here. It’s just so fascinating to see a former White House speechwriter making so many of the points that anti-Zionists have been making for years, but taking the exact opposite meaning from them: - The mainstream legacy media has always hidden anti-Israel views from the public — and that was a good thing. - Social media has now given Palestinians the ability to expose the truth about Israel’s abuses — and that’s a bad thing. - People aren’t falling for the Zionist spin and narrative-diddling anymore because they’ve seen the carnage in Gaza with their own eyes — and that’s a problem. - People who learned from Holocaust education that genocide is wrong have been applying those same lessons to the genocide in Gaza — and this means they’re “confused”. Hurwitz isn’t denying Israel’s abuses or framing its genocidal atrocities as the problem, she’s just coming right out and saying that people obtaining information and moral clarity about those abuses is the problem. The atrocities aren’t wrong, what’s wrong is people seeing those atrocities and calling them what they are. I love the way she complains that she looks “obscene” for trying to lay out arguments and narratives justifying the Gaza holocaust for people who’ve seen the “wall of carnage” from the genocide. I mean, yes. Yes obviously you’re going to look obscene if you try to tell someone why raw video footage of massacres, mutilated children and emaciated bodies is actually showing something that is justifiable and acceptable. You can’t stand in front of a pile of child corpses justifying their murder and then whine when people ignore your spinmeistering and keep staring at the tiny bodies. That’s like murdering an entire family and then telling the cops, “But you’re not listening to my reasons for killing them!” They’re doing the normal thing while you are being obscene. There’s a viral clip of this tirade going around Twitter and I was curious if Hurwitz had said anything after the video segment ended which might have made what she said sound less horrible, so I went to check out the original video on the Jewish Federations of North America’s Youtube channel, and nope. It didn’t get any better. Hurwitz went on to say that people are wrong to carry the lessons of Holocaust education into opposition to Israel’s genocidal atrocities because the Holocaust was Nazi Germany blaming Jews for all their problems in the same way people think Israel is the source of all the world’s problems today. She then mourned the way western Jews “re-imagined Judaism as a Protestant-style religion” in order to integrate into western society rather than retaining a strong identity that is loyal to the state of Israel. “The problem is, we’re not just a religion,” Hurwitz said. “We’re a nation. Civilization. Tribe. Peoplehood. But most of all we’re a family. And so if you are a young person raised in America who thinks Judaism is a Protestant-style religion, then the seven million Jews in Israel are merely your co-religionists. So my co-religionists, if I look at them and they’re not practicing my religion of social justice and certain prophetic values then what do I have to do with them?” “But that’s a category error,” says Hurwitz. “The seven million people in Israel, they are not my co-religionists, they are my siblings. But I think if you think of them as merely your co-religionists, it’s easy to slide into anti-Zionism. You don’t necessarily have that connection to them.” Hurwitz is saying here that Jews around the world should be loyal to Israel no matter what Israel does, not because that’s the moral or truthful position but because Israel is where their loyalties belong. I don’t know about you, but if my siblings were murdering civilians I would immediately become their enemy. I wouldn’t defend my brother if he was going around shooting children in the head like IDF snipers have been doing in Gaza, in fact I would feel a special responsibility to stop him exactly because he is my brother. Genocide doesn’t magically become acceptable if the perpetrators are your “siblings”, unless you are a sociopath. It’s just incredible how hard Zionists have been freaking out about the way Israel has lost control of the narrative these last two years. More and more often we’re seeing them say the quiet parts out loud as they frantically scramble to manage perceptions and manipulate minds around the world. Many things which used to be hidden are finding their way into the light. Reading by Tim Foley:

Caitlin Johnstone

42,934 просмотров • 8 месяцев назад

I played 4 hours of The Blood of Dawnwalker - and it's damn good. My full thoughts below 👇 The version we played was in beta and running on some powerful PCs. It was from the beginning of the game so I wasn't able to explore the entire map. It felt pretty polished overall and I didn't experience any bugs or performance issues during my time. The game takes place in Vale Sangora - it's a beautiful valley near the Carpathian Mountains full of lush trees, bogs, mines, and all kinds of wildlife and villages and communities roughly comparable in size to The Witcher 3's Blood and Wine but packed with detail. There's a lot of neat history everywhere you look and explore, with references to Genghis Khan's hordes, the Tatars, and more. There are also little details that help make the setting a bit more real. Because Vale Sangora is run by the vampire leaders, silver is forbidden to have in your possession, and not every merchant will buy or sell them. It looks great visually, but I wouldn't say in a way that blew my socks off. Environments look good, trees, bushes etc all swaying in the wind, good lighting, character models are nicely detailed. It's not pushing things on a technical level but I found that perfectly ok. From the beginning of the game, a series of events introduces you to Coen's family - his parents and siblings. His father Pieter is a strong and stern caretaker who knows his way around a sword but deeply cares for his family. Coen's mother Esme is stricken by an illness that the whole family is trying to wrangle with, and his siblings are playful and endearing. As the vampires don't tolerate 'weakness', you start the feel the weight of the family's plight that gives off an aura of despair. At least in these initial hours, I found myself surprisingly growing attached pretty quickly. While there's an ominous metaphorical 'cloud' that hangs over the valley, there are bits of lightheartedness thrown in too. One charming quest saw me play tag with my siblings and go fishing in the old family hangout spot. Character performances and voice acting are excellent. There weren't really any characters that felt out place or miscast. I especially enjoyed the gravelly voices of Pieter and Brencis - the leader of the vampires. Brencis comes off formidable, and events in the game gave me a motivational drive for revenge, which I always like in games. The story is set up in a way that each of the vampire leaders needs to be taken down, with Brencis as the head honcho. You can attack them in any order, even going directly to Brencis from the outset, but you'll probably find you'll have a bit of trouble with that approach. While I've always been a little hesitant about plots that have open-ended structures, the team at Rebel Wolves told me that each vampire 'captain' is unique with many quests tailored to their specific stories, and there was a lot of effort and care put into each. They urge players to play through each storyline to get the most out of the game. There were lots of endearing characters in just the first few hours. Anca - a local herbalist and a witch, reminded me a lot of The Witcher 3's Keira. And she's a romance option. There are other sentient races as well, like the Uriash which I would say resemble something like the Qunari from Dragon Age. They're big, tough and brooding and are seen as monsters and somewhat shunned. There's a nice variety of monsters too, like kobolds who are basically ghouls that talk smack, and I came across the "Great Bog Wurm" in a swampy area which was it's own mini-boss fight. When I compare to something like The Witcher 3 (because many people understandably do with Dawnwalker given how the game looks and the makeup of the Rebel Wolves team), movement and navigation in the game felt fairly fluid overall. Walking, sprinting, vaulting ledges, etc were smooth. There's a bit of clunkiness when it comes to jumping, where I'd sometimes starting sliding jumping down a hill or onto rocks. There's also an ability that Coen automatically gets after he becomes a half-vampire called "Planeshift". It lets him teleport dash around the world so he can reach higher areas or across gaps. It felt a little clunky and imprecise when scaling things like towers and trying to land back on solid ground. There's a glossary/beastiary that's structured just like The Witcher 3, and the soundtrack is basically, you guessed it, The Witcher 3 in all the best ways. And like one of my favorite parts of The Witcher 3, there are plenty of points of interest that lead to unique little narrative beats or quests. One saw me come across a villager searching for his brother. Following that little quest line led me to a buried tomb which led to a boss fight with an ancient warrior and cool loot at the end. One abrupt encounter in the world saw me chase the village asshole talking shit about my family. When his drunkard father catches us arguing, he scolds him more and tells me I should teach him a lesson myself and beat him with a stick. I can choose to partake in it, stand by and watch, or stop the father in a physical altercation. There's been a lot of questions about combat and from what I played, I liked it, moreso than The Witcher 3's. There are two ways to play: directional and traditional. With directional combat, you hold down a shoulder button to block while aiming in whatever direction you see an enemy attacking from. That's either up, down, left or right. It's simpler than something like Kingdom Come and I got used to it real quick. It sometimes got a liiiittle overwhelming when multiple enemies are attacking at the same time - and they do that a lot. Enemies don't wait around for their turn, instead opting to gang up on you to take you down. There's also the traditional or 'standard' combat, which is basically pressing a button that blocks enemies no matter what direction (your standard action game). You can also expectedly parry enemies that open them up for more damage. There is a stamina meter that depletes with blocks, and it depletes faster if you're playing standard, though you can upgrade your stamina as you play too. There are active abilities you can put into quick slots for faster use during combat. As there's a day/night cycle and Coen is a 'dawnwalker' - meaning he's human during the day and a vampire at night, you can switch between your swords in daytime and bring out your claws at night, which are more powerful. There are many abilities, though because I was playing the first hours of the game, I didn't get to see them all. One that I got to use was a powerful charge attack, and another was a flurry of deadly slashes with my claws. You can drain enemies to regain health with 'voracious bite', though enemies won't wait around while you're doing it so you have to be mindful. There are shrines dotted around the map that you can use to fast travel and upgrade your skills. There are tons of resources and items in the world just like The Witcher that you can use to craft potions and the like. Some can only be done during the day or at night. In terms of time progression, there are 8 time 'segments' per day and certain quests and activities can push the time forward a set amount of segments. I thought I would hate it at first, but it actually makes for some compelling choices in how you choose to progress the game. You're always shown when an action will progress time by the way, so nothing will take you by surprise. Running around and exploring the world doesn't push time forward. When your vampiric health drops really low, you become hungry and start to really crave blood. You can even lose control during dialogue and drain the person you're talking to - including friends. I didn't encounter that myself but the devs said those can have lasting effects throughout the game. This has definitely jumped up my most anticipated list for the rest of the year. It's practically The Witcher 3: Medieval Vampire Edition with its own flavor and unique mechanics and honestly...that is something I'm quite happy about. #BloodofDawnwalker
5:09

I played 4 hours of The Blood of Dawnwalker - and it's damn good. My full thoughts below 👇 The version we played was in beta and running on some powerful PCs. It was from the beginning of the game so I wasn't able to explore the entire map. It felt pretty polished overall and I didn't experience any bugs or performance issues during my time. The game takes place in Vale Sangora - it's a beautiful valley near the Carpathian Mountains full of lush trees, bogs, mines, and all kinds of wildlife and villages and communities roughly comparable in size to The Witcher 3's Blood and Wine but packed with detail. There's a lot of neat history everywhere you look and explore, with references to Genghis Khan's hordes, the Tatars, and more. There are also little details that help make the setting a bit more real. Because Vale Sangora is run by the vampire leaders, silver is forbidden to have in your possession, and not every merchant will buy or sell them. It looks great visually, but I wouldn't say in a way that blew my socks off. Environments look good, trees, bushes etc all swaying in the wind, good lighting, character models are nicely detailed. It's not pushing things on a technical level but I found that perfectly ok. From the beginning of the game, a series of events introduces you to Coen's family - his parents and siblings. His father Pieter is a strong and stern caretaker who knows his way around a sword but deeply cares for his family. Coen's mother Esme is stricken by an illness that the whole family is trying to wrangle with, and his siblings are playful and endearing. As the vampires don't tolerate 'weakness', you start the feel the weight of the family's plight that gives off an aura of despair. At least in these initial hours, I found myself surprisingly growing attached pretty quickly. While there's an ominous metaphorical 'cloud' that hangs over the valley, there are bits of lightheartedness thrown in too. One charming quest saw me play tag with my siblings and go fishing in the old family hangout spot. Character performances and voice acting are excellent. There weren't really any characters that felt out place or miscast. I especially enjoyed the gravelly voices of Pieter and Brencis - the leader of the vampires. Brencis comes off formidable, and events in the game gave me a motivational drive for revenge, which I always like in games. The story is set up in a way that each of the vampire leaders needs to be taken down, with Brencis as the head honcho. You can attack them in any order, even going directly to Brencis from the outset, but you'll probably find you'll have a bit of trouble with that approach. While I've always been a little hesitant about plots that have open-ended structures, the team at Rebel Wolves told me that each vampire 'captain' is unique with many quests tailored to their specific stories, and there was a lot of effort and care put into each. They urge players to play through each storyline to get the most out of the game. There were lots of endearing characters in just the first few hours. Anca - a local herbalist and a witch, reminded me a lot of The Witcher 3's Keira. And she's a romance option. There are other sentient races as well, like the Uriash which I would say resemble something like the Qunari from Dragon Age. They're big, tough and brooding and are seen as monsters and somewhat shunned. There's a nice variety of monsters too, like kobolds who are basically ghouls that talk smack, and I came across the "Great Bog Wurm" in a swampy area which was it's own mini-boss fight. When I compare to something like The Witcher 3 (because many people understandably do with Dawnwalker given how the game looks and the makeup of the Rebel Wolves team), movement and navigation in the game felt fairly fluid overall. Walking, sprinting, vaulting ledges, etc were smooth. There's a bit of clunkiness when it comes to jumping, where I'd sometimes starting sliding jumping down a hill or onto rocks. There's also an ability that Coen automatically gets after he becomes a half-vampire called "Planeshift". It lets him teleport dash around the world so he can reach higher areas or across gaps. It felt a little clunky and imprecise when scaling things like towers and trying to land back on solid ground. There's a glossary/beastiary that's structured just like The Witcher 3, and the soundtrack is basically, you guessed it, The Witcher 3 in all the best ways. And like one of my favorite parts of The Witcher 3, there are plenty of points of interest that lead to unique little narrative beats or quests. One saw me come across a villager searching for his brother. Following that little quest line led me to a buried tomb which led to a boss fight with an ancient warrior and cool loot at the end. One abrupt encounter in the world saw me chase the village asshole talking shit about my family. When his drunkard father catches us arguing, he scolds him more and tells me I should teach him a lesson myself and beat him with a stick. I can choose to partake in it, stand by and watch, or stop the father in a physical altercation. There's been a lot of questions about combat and from what I played, I liked it, moreso than The Witcher 3's. There are two ways to play: directional and traditional. With directional combat, you hold down a shoulder button to block while aiming in whatever direction you see an enemy attacking from. That's either up, down, left or right. It's simpler than something like Kingdom Come and I got used to it real quick. It sometimes got a liiiittle overwhelming when multiple enemies are attacking at the same time - and they do that a lot. Enemies don't wait around for their turn, instead opting to gang up on you to take you down. There's also the traditional or 'standard' combat, which is basically pressing a button that blocks enemies no matter what direction (your standard action game). You can also expectedly parry enemies that open them up for more damage. There is a stamina meter that depletes with blocks, and it depletes faster if you're playing standard, though you can upgrade your stamina as you play too. There are active abilities you can put into quick slots for faster use during combat. As there's a day/night cycle and Coen is a 'dawnwalker' - meaning he's human during the day and a vampire at night, you can switch between your swords in daytime and bring out your claws at night, which are more powerful. There are many abilities, though because I was playing the first hours of the game, I didn't get to see them all. One that I got to use was a powerful charge attack, and another was a flurry of deadly slashes with my claws. You can drain enemies to regain health with 'voracious bite', though enemies won't wait around while you're doing it so you have to be mindful. There are shrines dotted around the map that you can use to fast travel and upgrade your skills. There are tons of resources and items in the world just like The Witcher that you can use to craft potions and the like. Some can only be done during the day or at night. In terms of time progression, there are 8 time 'segments' per day and certain quests and activities can push the time forward a set amount of segments. I thought I would hate it at first, but it actually makes for some compelling choices in how you choose to progress the game. You're always shown when an action will progress time by the way, so nothing will take you by surprise. Running around and exploring the world doesn't push time forward. When your vampiric health drops really low, you become hungry and start to really crave blood. You can even lose control during dialogue and drain the person you're talking to - including friends. I didn't encounter that myself but the devs said those can have lasting effects throughout the game. This has definitely jumped up my most anticipated list for the rest of the year. It's practically The Witcher 3: Medieval Vampire Edition with its own flavor and unique mechanics and honestly...that is something I'm quite happy about. #BloodofDawnwalker

Shinobi602

339,817 просмотров • 11 дней назад

[NINE HEART PICKS] Hyein's First Impression of Minji_ 😳 From pre-debut practice room memories to her current performances on stage, Hyein shares nine personally selected memories 🖤 🐹: Hello Dazed! This is Hyein from NewJeans. I just finished a Dazed photoshoot, and I can’t wait for you to see the collaboration between Louis Vuitton, Dazed, and myself. Please look forward to it! Today, I’ll be sharing my 9 Heart Picks—nine unforgettable memories, moments, or scenes from before my debut to my current activities. This has been such a meaningful day for me because when we released the Supernatural album, I had the amazing opportunity to collaborate with Takashi Murakami, which was such a happy experience. Now, with another incredible chance to collaborate with Louis Vuitton for this photoshoot, I feel truly happy and deeply honored. 💬 You attended the Louis Vuitton show yesterday—was there a moment that stood out to you? 🐹: I took pictures with Bae Doona-nim. I was so happy. And when she told me how much she supports us, it was such a heartwarming moment. 💬 What standard did you use to prepare today’s 9 memories? 🐹: I prepared this without a fixed standard, more like following a personal timeline. So, I’ll present it that way. First, I chose ‘trainee.’ I was the last one to join and become part of the team as a trainee. What still leaves the strongest impression on me is when I first saw the older members—how could there be such beautiful and angelic people? They were so kind, pure, and innocent. And, of course, they were incredibly beautiful, as expected. Back then, everyone had such youthful and delicate energy compared to now. They were all so cute, and it was really meaningful to live together, train together, and prepare for one goal as a group. 💬 Who made the strongest first impression on you? 🐹: Minji-unnie! During the trainee period, there was a particularly tough time for us called the ‘monthly evaluation’ period. It’s a time when we have to perform what we’ve prepared in front of an audience. It was just before one of those evaluations, and I remember Minji-unnie wearing a black hoodie, sitting in a spinning chair in front of her computer, and looking so serious and a bit intimidating. I actually mentioned this to her later, and she said that she was really stressed out during that time and might have seemed scary because of it. That moment left such a strong impression on me. The second memory I’ll choose is summer. The reason it’s summer is that we debuted on July 22. When we debuted, the members and I all gathered in the dorm to watch the “Attention” music video together. We didn’t release any teasers or previews beforehand, so we were just waiting for the music video to come out, and we all watched it together in the living room. There are moments in life where you don’t realize how precious they are at the time, right? But that particular moment really hit me. I felt, Ah, this is such a special time. It was one of those moments where you could truly feel its significance. That’s why I chose it. Since the first one was summer, I’ll go with winter for the second. When I think of winter, the first thing that comes to mind is “Ditto.” Despite being a winter activity, it felt incredibly warm. It was our second comeback, and the music video had a rich storyline featuring a character named Ban Hee-soo. That character represents Bunnies, our fans. It was our first comeback with a music video that directly included Bunnies, and the whole preparation process felt like we were doing it together with them, making it a meaningful activity. Also, the song “Ditto” itself is so special. Every time I listen to it, it has this way of making my heart feel full and warm. It’s a song that turns winter into something cozy, so I chose our “Ditto” and “OMG” promotions as a special winter memory. 💬 What song do you listen to the most? 🐹: As for the songs I frequently listen to, I mostly play tracks from our recent album. But aside from those, I listen to "Ditto" quite often. For the fourth one… I’ll choose Louis Vuitton. Louis Vuitton… Oh, I see our team giving me a look, ㅋㅋㅋ. But it’s not just because this is a Louis Vuitton shoot. There are just so many precious memories I’ve made with Louis Vuitton. From the very first moment I got involved with Louis Vuitton, I’ve had the opportunity to experience things I would never have dreamed of if not for this partnership. For example, I got to visit Paris to attend their fashion show and witness the incredible presentations of a brand with such a long and rich history. Those experiences were truly invaluable. Even the photoshoots were such exciting and happy moments for me. So, I’m incredibly grateful to Louis Vuitton for everything. For the fifth one… Ah, what should I choose for the fifth? I’ll go with people. Why? Well, looking back, I’ve realized just how many amazing adults and wonderful people I’ve had around me. Especially recently, I’ve really felt grateful for the good people in my life. And of course, that includes Bunnies. The relationship we have with Bunnies feels so unique to me. I’d love to meet them more often, have more conversations, and connect with them on a deeper level. But there are so many reasons and times when that’s not possible. Even so, it’s truly amazing how much they continue to support and love us. I’m so thankful for that. Thank you! So, I chose people. The sixth is the stage. We had our second fan meeting at Tokyo Dome, and what really struck me at that time was how much the five of us were genuinely enjoying the stage. Seeing so many people who came to watch the performance enjoying themselves and sharing in the effort we poured into preparing the stage made me feel so proud. It gave me the feeling of, "Wow, something I love and worked hard on is being loved by so many people." That’s why each moment on stage is etched deeply in my memory. The seventh is preciousness. During "How Sweet" and "Supernatural" promotions, we really gave it our all. The choreography was made incredibly challenging, and the songs were amazing as well. While preparing so hard, I ended up getting injured, maybe because I pushed myself too much. After the injury, I found myself spending a lot of time alone, which gave me a chance to look after the members more closely. They’re such a team that just watching them makes me smile. I didn’t realize it before, but watching them made me laugh, and I found myself wanting to see their performances in person. So, in a way, the time I spent injured and observing from a different perspective turned out to be a necessary moment for me. When you’re just running forward, you don’t always realize what you’re doing. But after the injury, I had time to reflect and remind myself why we’re doing all of this. The eighth is something very obvious: Bunnies. That’s because ever since our debut, Bunnies have been with us in every single moment. That’s why I chose Bunnies. Among the times I’ve shared with Bunnies, there have been so many moments filled with happiness, sadness, excitement, and a range of emotions, which is why I picked Bunnies. Lastly, Dazed! This was my first time working with Dazed, and wow! Today’s photoshoot was so much fun, and the Dazed team was so warm and kind. Thank you so much for treating me so well—it was such a happy time. Please look forward to the Dazed photoshoot featuring Louis Vuitton collections by Takashi Murakami. I hope you love it and check it out a lot. Thank you! Today, I shared 9 memorable moments from my time with NewJeans. What are your favorite Hyein moments? #jeanzforfree #혜인 #Hyein #ヘイン #HyeinxLouisVuitton #LVxMurakami
11:06

[NINE HEART PICKS] Hyein's First Impression of Minji_ 😳 From pre-debut practice room memories to her current performances on stage, Hyein shares nine personally selected memories 🖤 🐹: Hello Dazed! This is Hyein from NewJeans. I just finished a Dazed photoshoot, and I can’t wait for you to see the collaboration between Louis Vuitton, Dazed, and myself. Please look forward to it! Today, I’ll be sharing my 9 Heart Picks—nine unforgettable memories, moments, or scenes from before my debut to my current activities. This has been such a meaningful day for me because when we released the Supernatural album, I had the amazing opportunity to collaborate with Takashi Murakami, which was such a happy experience. Now, with another incredible chance to collaborate with Louis Vuitton for this photoshoot, I feel truly happy and deeply honored. 💬 You attended the Louis Vuitton show yesterday—was there a moment that stood out to you? 🐹: I took pictures with Bae Doona-nim. I was so happy. And when she told me how much she supports us, it was such a heartwarming moment. 💬 What standard did you use to prepare today’s 9 memories? 🐹: I prepared this without a fixed standard, more like following a personal timeline. So, I’ll present it that way. First, I chose ‘trainee.’ I was the last one to join and become part of the team as a trainee. What still leaves the strongest impression on me is when I first saw the older members—how could there be such beautiful and angelic people? They were so kind, pure, and innocent. And, of course, they were incredibly beautiful, as expected. Back then, everyone had such youthful and delicate energy compared to now. They were all so cute, and it was really meaningful to live together, train together, and prepare for one goal as a group. 💬 Who made the strongest first impression on you? 🐹: Minji-unnie! During the trainee period, there was a particularly tough time for us called the ‘monthly evaluation’ period. It’s a time when we have to perform what we’ve prepared in front of an audience. It was just before one of those evaluations, and I remember Minji-unnie wearing a black hoodie, sitting in a spinning chair in front of her computer, and looking so serious and a bit intimidating. I actually mentioned this to her later, and she said that she was really stressed out during that time and might have seemed scary because of it. That moment left such a strong impression on me. The second memory I’ll choose is summer. The reason it’s summer is that we debuted on July 22. When we debuted, the members and I all gathered in the dorm to watch the “Attention” music video together. We didn’t release any teasers or previews beforehand, so we were just waiting for the music video to come out, and we all watched it together in the living room. There are moments in life where you don’t realize how precious they are at the time, right? But that particular moment really hit me. I felt, Ah, this is such a special time. It was one of those moments where you could truly feel its significance. That’s why I chose it. Since the first one was summer, I’ll go with winter for the second. When I think of winter, the first thing that comes to mind is “Ditto.” Despite being a winter activity, it felt incredibly warm. It was our second comeback, and the music video had a rich storyline featuring a character named Ban Hee-soo. That character represents Bunnies, our fans. It was our first comeback with a music video that directly included Bunnies, and the whole preparation process felt like we were doing it together with them, making it a meaningful activity. Also, the song “Ditto” itself is so special. Every time I listen to it, it has this way of making my heart feel full and warm. It’s a song that turns winter into something cozy, so I chose our “Ditto” and “OMG” promotions as a special winter memory. 💬 What song do you listen to the most? 🐹: As for the songs I frequently listen to, I mostly play tracks from our recent album. But aside from those, I listen to "Ditto" quite often. For the fourth one… I’ll choose Louis Vuitton. Louis Vuitton… Oh, I see our team giving me a look, ㅋㅋㅋ. But it’s not just because this is a Louis Vuitton shoot. There are just so many precious memories I’ve made with Louis Vuitton. From the very first moment I got involved with Louis Vuitton, I’ve had the opportunity to experience things I would never have dreamed of if not for this partnership. For example, I got to visit Paris to attend their fashion show and witness the incredible presentations of a brand with such a long and rich history. Those experiences were truly invaluable. Even the photoshoots were such exciting and happy moments for me. So, I’m incredibly grateful to Louis Vuitton for everything. For the fifth one… Ah, what should I choose for the fifth? I’ll go with people. Why? Well, looking back, I’ve realized just how many amazing adults and wonderful people I’ve had around me. Especially recently, I’ve really felt grateful for the good people in my life. And of course, that includes Bunnies. The relationship we have with Bunnies feels so unique to me. I’d love to meet them more often, have more conversations, and connect with them on a deeper level. But there are so many reasons and times when that’s not possible. Even so, it’s truly amazing how much they continue to support and love us. I’m so thankful for that. Thank you! So, I chose people. The sixth is the stage. We had our second fan meeting at Tokyo Dome, and what really struck me at that time was how much the five of us were genuinely enjoying the stage. Seeing so many people who came to watch the performance enjoying themselves and sharing in the effort we poured into preparing the stage made me feel so proud. It gave me the feeling of, "Wow, something I love and worked hard on is being loved by so many people." That’s why each moment on stage is etched deeply in my memory. The seventh is preciousness. During "How Sweet" and "Supernatural" promotions, we really gave it our all. The choreography was made incredibly challenging, and the songs were amazing as well. While preparing so hard, I ended up getting injured, maybe because I pushed myself too much. After the injury, I found myself spending a lot of time alone, which gave me a chance to look after the members more closely. They’re such a team that just watching them makes me smile. I didn’t realize it before, but watching them made me laugh, and I found myself wanting to see their performances in person. So, in a way, the time I spent injured and observing from a different perspective turned out to be a necessary moment for me. When you’re just running forward, you don’t always realize what you’re doing. But after the injury, I had time to reflect and remind myself why we’re doing all of this. The eighth is something very obvious: Bunnies. That’s because ever since our debut, Bunnies have been with us in every single moment. That’s why I chose Bunnies. Among the times I’ve shared with Bunnies, there have been so many moments filled with happiness, sadness, excitement, and a range of emotions, which is why I picked Bunnies. Lastly, Dazed! This was my first time working with Dazed, and wow! Today’s photoshoot was so much fun, and the Dazed team was so warm and kind. Thank you so much for treating me so well—it was such a happy time. Please look forward to the Dazed photoshoot featuring Louis Vuitton collections by Takashi Murakami. I hope you love it and check it out a lot. Thank you! Today, I shared 9 memorable moments from my time with NewJeans. What are your favorite Hyein moments? #jeanzforfree #혜인 #Hyein #ヘイン #HyeinxLouisVuitton #LVxMurakami

1tokki

13,057 просмотров • 1 год назад