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My sis practices deepthroating on this BBC dildo so she can give maximum pleasure in RL #bbccum #bbcflash #bbcflashing #cockflash #dickflash #cockflashing #dickflashing #masturbate #masturbating #publicmasturbate #publiccockflash #publicdickflash #publicnude #publicnudity #seduc

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My daughter and I spent some time outside to test out our new sled. She asked me to record her now and again in a couple months to see her progress. She gave me permission to share a clip of her using the sled. This is what we call "Backyard PT." This is why we bought this sled. This is why we're doing everything we can for her. We've had many days of setbacks, but watching her push forward despite those setbacks and watching her progress has been very humbling. She wants to live. To think, just 8 months ago, we thought she was going to die. She weighed 85lbs. No body fat and barely any muscle mass. She couldn't see, couldn't chew food, her organs were damaged, her gut wasn't working, her hands were too shaky and weak to give herself insulin, she couldn't even hold a 2lb water bottle or a plate of food. She could barely get out of bed without help. She couldn't even safely walk around the house. She had multiple falls. One that split open her chin and knocked out a couple of teeth, and one that resulted in a broken tibia. She needed a wheelchair just to get around the house. Just 3 months ago, she was still using a wheelchair but gradually transitioned to a walker with a seat. Today, she still uses a walker for doctor's appointments or going to the store, and she sometimes uses it to get around the house if her BP is low. But, she now weighs 113lbs. When her BP is good, she can walk slowly around the house with no assistance. She just uses the walls, counters, and furniture for stability if she needs it. Even though her PCP wants her to continue going to PT, she has already used up the maximum amount that her insurance covers, so now she's doing PT at home. She puts 2.5lb-5lb weights around her ankles for when she walks around the house. She's been going outside and trying to workout with our weightlifting equipment. This week, we bought this sled as a way for her to strengthen her legs and calves while giving her something to hold for stability and reducing her risk of injury or falls. We have noticed that strengthening her legs and calves has been a big help with her hypotension issues. Day #1 has already shown us that this was a good purchase. The best thing about this sled is that we can all use it. It has resistance modes 1-3. The faster it's pushed, the more resistance it has. We can add weights to it. Up to 270lbs. It's easy to turn, especially for someone like her who needs to start off with something extremely light and easy to use. We had fun with this yesterday. I first took it up and down our street, about 1/2 mile, pushing as fast as I could on resistance #1. The faster I pushed and more force I used, the more resistance I felt. Then, I brought it to our backyard and went back and forth pushing hard on #3. Then, she came outside and we spent almost an hour taking turns going back and forth. She first used resistance #1, then tried switching it to #2. She could definitely feel the difference. I would say that she's now all set up for some good Backyard PT. It took 8 months to get here. I can't wait to see where she'll be at in another 8 months 💪

The Carnivore RN

10,834 görüntüleme • 22 gün önce

🚨Leaked documents EXPOSED that senior officials at the leading international body on “gender affirming care” knowingly destroyed children's lives. “This is one of the biggest medical scandals of my lifetime.” And the legacy media covered it all up. Andrew Doyle just broke down the WPATH Files and why they dismantled the entire idea of “gender affirming care.” “WPATH is the World Professional Association of Transgender Health. It is the leading international body on what they call gender affirming care.” “In other words, a vulnerable person, a child, can come and say… I’m born in the wrong body, and the initial response must be to affirm that, even to medicalize that, so that this individual’s perception of themself aligns more closely with their body.” “That in itself is a controversial, unscientific position to take.” “But what makes matters worse is the leaked memos from WPATH… prove that senior individuals at WPATH… were fully aware that a lot of these vulnerable people could not possibly give informed consent to the treatment that they were receiving.” “You have these doctors talking about how these kids don’t even have biology at high school… they can’t possibly understand the concept of losing the capacity for sexual pleasure in later life, or infertility in later life. How can a prepubescent even understand what any of that means?” “They knew all of this.” “Those leaked files should have been front page of all the papers for weeks.” “BBC hasn’t mentioned it once.” “There is a deep ideological rot at the heart of it.”

Jan Jekielek

164,408 görüntüleme • 9 ay önce

⚠️ Don’t look at the images if you are sensitive. It shows Rafayel stabbing Valko and all the LIs killing Valko in his wolf form. What truly disgusts me beyond our own feelings being trampled and the work of the devs being thrown like it doesn’t mean anything—and if you only worked on a 8 months project you know what it feels, so imagine one and half to two years; it’s the way the anti were rewarded for their vileness. They said the utmost racist things ever spewed mostly towards black people, homophobic reasons on why Valko was canceled validated the fandom’s and game’s reputation as a whole as being the number one lair for homophobia or terf. But also everything else, the cow dungs, the animal blood, the Taoist talismans, the chrysanthemums and funeral banners. The deeply disturbing violence with words and acts, the animal abuse drawings or even AI were deeply disturbing. I could continue for hours 😞 All of that was validated and this is why the anti feel free to spread hate, to say the most messed up things you can ever read you’d think you ended up on 4chan. Below are just screenshots of a video reposted so anti don’t change history. I still think about these videos and gore edits everyday. Yes I saw and witnessed worse in real life but I refuse to be desensitized. You can call me too soft but this traumatized me. I have an anxiety disorder and I’m displaying the symptoms I was able to limit for years. Seeing my comfort zone and character Rafayel stabbing Valko and the others killing an innocent animal genuinely made me cry. There are much more sadly and there’s only one person with who I discuss about this even if she pretty much left the fandom after witnessing it first hand everyday from the 22 to 29 of June. I spent several nights before his cancellation reporting posts and comments under the PV of Valko. To give you an idea, making the LIs wear Imperial Japan uniforms is like putting them in Waffen SS Nazi uniforms, it is extremely disturbing. Who in their right mind (of course them kids) would do something like this to characters they claim to love ? How can they even play a game about love and being this rotten inside ? who take so much pleasure in seeing other fellow (sisters) women suffer ? Yes we had among our movement some people who spew Sinophobia and terrible things but they never collected one thousand likes. In fact we reported these people, today most of their accounts are gone. On the opposite side, the racists, bullies and criminals (because that’s who they are as they factually violated the Chinese law) were rewarded by Papergames. They don’t even hide, they proudly use the tag « hatred and shallow grounds » while we use « love and high plateau » on XHS yet PG crowned hate and buried love. Now I read that the Qixi multi won’t have Valko which is my biggest and final fear. However, after Caleb’s solo there will be only 15 days until Zayne’s birthday and my expectations are so low that I truly see PG not addressing anything until September and release my Rafayel myth. I’m so scared. I’m so tired by this situation, by the hate, the lack of empathy, the ableism, the racism but hope dies last. I want us to have a good ending, that all of this was not for nothing. I’m so tired.
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⚠️ Don’t look at the images if you are sensitive. It shows Rafayel stabbing Valko and all the LIs killing Valko in his wolf form. What truly disgusts me beyond our own feelings being trampled and the work of the devs being thrown like it doesn’t mean anything—and if you only worked on a 8 months project you know what it feels, so imagine one and half to two years; it’s the way the anti were rewarded for their vileness. They said the utmost racist things ever spewed mostly towards black people, homophobic reasons on why Valko was canceled validated the fandom’s and game’s reputation as a whole as being the number one lair for homophobia or terf. But also everything else, the cow dungs, the animal blood, the Taoist talismans, the chrysanthemums and funeral banners. The deeply disturbing violence with words and acts, the animal abuse drawings or even AI were deeply disturbing. I could continue for hours 😞 All of that was validated and this is why the anti feel free to spread hate, to say the most messed up things you can ever read you’d think you ended up on 4chan. Below are just screenshots of a video reposted so anti don’t change history. I still think about these videos and gore edits everyday. Yes I saw and witnessed worse in real life but I refuse to be desensitized. You can call me too soft but this traumatized me. I have an anxiety disorder and I’m displaying the symptoms I was able to limit for years. Seeing my comfort zone and character Rafayel stabbing Valko and the others killing an innocent animal genuinely made me cry. There are much more sadly and there’s only one person with who I discuss about this even if she pretty much left the fandom after witnessing it first hand everyday from the 22 to 29 of June. I spent several nights before his cancellation reporting posts and comments under the PV of Valko. To give you an idea, making the LIs wear Imperial Japan uniforms is like putting them in Waffen SS Nazi uniforms, it is extremely disturbing. Who in their right mind (of course them kids) would do something like this to characters they claim to love ? How can they even play a game about love and being this rotten inside ? who take so much pleasure in seeing other fellow (sisters) women suffer ? Yes we had among our movement some people who spew Sinophobia and terrible things but they never collected one thousand likes. In fact we reported these people, today most of their accounts are gone. On the opposite side, the racists, bullies and criminals (because that’s who they are as they factually violated the Chinese law) were rewarded by Papergames. They don’t even hide, they proudly use the tag « hatred and shallow grounds » while we use « love and high plateau » on XHS yet PG crowned hate and buried love. Now I read that the Qixi multi won’t have Valko which is my biggest and final fear. However, after Caleb’s solo there will be only 15 days until Zayne’s birthday and my expectations are so low that I truly see PG not addressing anything until September and release my Rafayel myth. I’m so scared. I’m so tired by this situation, by the hate, the lack of empathy, the ableism, the racism but hope dies last. I want us to have a good ending, that all of this was not for nothing. I’m so tired.

🫐 aconita ♡ #LADSis6

173,356 görüntüleme • 2 ay önce

#JuniorMarkConcertD3 #filmracha #NamtanFilm J: As a sister... 🤣🤣🤣 J: As a sister. M: I know, I know. J: Like a sis, like a sis. I love N’Film the most in the world as a sis. N’Film is like the brightness/joy during my practice. You too. (Mark) J: N’Film is... honestly, speaking about this show, when I requested it, it was under the same conditions as the first 2-3 calls... I asked her to be a guest right from the beginning and was really worried she’d be exhausted. But I genuinely wanted to see N’Film perform this show. This was very personal for me. ❤️‍🩹: Thank you ka 🥰🙏🏼 J: So I told the team that if we couldn't get "Rockstar" by Lisa, I wouldn't bring N’Film on, because I didn't want her to get too tired. ❤️‍🩹: Whoa... I was so stressed out, you know... Like, super stressed. But no, no, it's fine, it's fine! I just wanted the performance with P'Joo and P'Mark to turn out great and go smoothly all the way, so I was really scared and anxious. J: Actually, I've been following Blush Blossom for 2 years now, and I've always been impressed by N’Film's work, in whatever role/capacity. ❤️‍🩹: Thank you so much. J: Both performance-wise... What do they call N’Film again? "30th Floor Hips", right? Is that the nickname? ❤️‍🩹: Something like that, I guess... You're terrible, Phi 🫪🤣🤣🤣 J: Well, everyone can see it! Everyone likes... People often talk about... how she has immense charisma and is such a great performer. So I wanted to design a show for her. I felt like we've seen N’Film in sparkly/diamond-studded modes a lot already, or in that mode... what was it that you like to do with Namtan? Like a Mor Lam vibe. ❤️‍🩹: *Covers her face with her hands* J: I've seen that a lot, so I wanted to see N’Film in a cool, edgy mode for a change. Plus, I felt like you wouldn't get to see this anywhere else anytime soon, so I wanted her to show this at the concert—mostly because I personally wanted to watch it myself. ❤️‍🩹: 🤣🤣🤣 J: And well, I was being mischievous. I tricked Film by saying, "N’Film, I'm going to have you show 'Rockstar', okay?" ❤️‍🩹: No! Oh wait, no! At first, you didn't even tell me the song title! At first, you said I just needed to stand there looking pretty and do nothing at all. "But Film, you're so pretty! Just come stand there, you don't have to do much." J: "Just stand there looking pretty, perform comfortably and easily." ❤️‍🩹: "No need to memorize much." J: "No need to memorize much." But turns out, there isn't a single Thai word in it, and there isn't a single moment where you stop moving 🤣🤣🤣 ❤️‍🩹: But it's good, it's good! I wanted... I wanted the whole performance to turn out great. I hope everyone likes it; I really gave it my all. ❤️‍🩹: Also, I want to say that P'Joo worked super hard practicing. On days when it was just me practicing alone, P'Joo would always make time to come practice with me. So impressive. J: Do you know why? Because I couldn't leave N’Film to practice alone. N’Film was the guest who requested the most rehearsal slots! Like... so many that I felt like adding 4-5 more songs for her. I wanted us to practice a lot, but I was afraid N’Film would get too tired. Thank you so much, N’Film, for... yeah ❤️‍🩹: So impressive, so impressive! I've never seen P'Joo dance before either, so I was super surprised. You picked up the choreography so fast! There was a day P'Joo had to rehearse other songs and then came straight to practice with me. So... so capable. And I'm really happy. I'm not stressed anymore! J: You did great... I love N’Film so much. Well, uh... I don't know what else to say, but I love N’Film so much and I'm so glad. You look so beautiful today, and so cool. Give it up for N’Film, everyone! 🫨🫨🫨👏🏻👏🏻👏🏻 ❤️‍🩹: Thank you na kaaa 🙏🏼🥰

แมวแมวเอง 🎭💄🎙️

48,948 görüntüleme • 1 ay önce

A horrific expose on the murder of Palestinian prisoner Tha'er Abu Assab, a Palestinian prisoner at Ketziot prison by guards in November 2023 appeared in Haaretz today. Among the most damning evidence in the case are the texts of one warden, Oshrit Aliga, who as you can see in the video inlcuded here was literally the poster child for the Israeli Prison Services. Here are the texts verbatim: On the night Tha'er Abu Assab, was murdered, she texted a friend: "Sweetie, here is an update for you, he's dead now." She added that she was "very happy and satisfied, but it's a mess right now. There was a lot of blood and they broke them." Follow-up clarification to her friend: "It'll be fine, I'm glad it happened. I'm ready to put my career on the line for this, I'm at peace with it, all of us are. The commander knew something like this would happen. he told us in the briefing and also asked, whoever feels they can't handle it should say so, because he really wanted to break them. I'm really fine, but you know how it is, investigations and all that mess." WhatsApp exchange with her friend, December 2023 (re: new detainees arriving): "They brought some Amalek-son whores down in the middle of the street, sitting there on the ground with just underwear and blindfolds on. I'm already getting myself and the shift ready to receive them for Shabbat, we will give them a proper Shabbat reception." Responding to her friend's joke about her baton: "My club is fine, after a fair number of disinfections." "Imagine me and you in a cell with two prisoners cuffed hand to hand, and the shift commander tells us 'go ahead, cut loose', sweetie, I swear you'd have enjoyed it here with me." When her friend asked if she physically hits them: "I wish I had a way to prove it to you, to show you something, I swear to you, sis, I break them apart. You've never known me like this. [This is] routine. [When the] next round comes, if I haven't cracked one of his kidneys, as far as I'm concerned I'm not going into the wing." WhatsApp exchange with her domestic partner, corrections officer Tamer Trudi, same month: "We got another 70 whores from October 7th. Each one of course got a personal welcome, and some got a joint one because of the [limited] supply of handcuffs." After Trudi replied "Haha, how nice that there's always a welcome": "And since we were already tired from hitting them, the commander took off his belt and undid it on them. And the screaming , like females — at minimum they're a punching bag." Watch the video to see her enthusiastic physical training that allows her to murder and torture inmates. She has not been charged for her crimes despite the overwhelming evidence, though others have for that murder.

Shaiel Ben-Ephraim

489,649 görüntüleme • 28 gün önce

A shameful guillotining of consideration and debate of amendments to the ‘Hate Crimes’ legislation took place last Wednesday night in the Seanad. The Bill goes back to the Dáil now. So we had no Report Stage for the Minister to explain her thinking; no explanation for the new, dangerous definition of ‘gender’ other than that it is inclusive; even a claim by the Minister not to understand my position on the issue. Let’s spell it out one more time. The Bill comes up with a new definition of ‘gender’ that conflates the issues of ‘gender’, as always understood, and ‘gender identity’. The timelessly understood idea of the gender binary, i.e. male and female, is displaced by a new, fluid and unscientific gender spectrum notion. This conflation is totally unnecessary for the protection of any individual or class of person. The Bill could simply have listed both ‘gender’ and ‘gender identity or expression’ as separate protected characteristics, (as was done for example in the 2017 Victims of Crime Act). But the Minister would not do this. No adequate reason was ever offered for the new definition other than that it was 'futureproofing' (Simon Harris) and ‘inclusive’ (Helen McEntee). The new definition will have an immediate contagion effect across all criminal legislation aligned or altered by the ‘Hate Crimes’ Bill. The same politicians who foisted this on us will (if returned at the election) continue to seek to harness all laws built around the ordinary meaning of ‘gender’ (as in male or female) and apply these instead to an indefinite range of gender identities. The new definition will give new cover to those promoting gender ideology to young people—especially in new school curricula. It will give ideological support to the invasion by certain men of womens’ spaces and sports. It will provide cover for dangerous HSE approaches to gender dysphoria. It will be used to shore up the unpopular Athena Swan charters imposed by the HEA on third level academics. It will lead to a dismantling of the Equality Acts. Men can be women, and you simply have to suck it up. This Government sought to erase women and the concept of ‘mother’ from the Constitution earlier this year as part of the same fringe ideology. The People, by a large majority, stopped them. The Government refused to learn and doubled down on its woke policy. Your TDs could actually block this Bill in the coming days—if they were willing to defh the party whip. So please let them know what you think. I told the Minister on Wednesday that she will not deserve the votes of any parents of schoolgoing children if she maintains this corrupt definition of ‘gender’ in this legislation. Politicians who will not stand up for sex/gender really do not deserve to be returned. They are enablers of harmful practices. The voters will have an opportunity to choose new representatives soon for the next Dail. They should punish irresponsible TDs and choose more wisely next time. Look for good quality Independents and sympathetic small parties, and Members of the larger parties only if they vocally and clearly defy their political masters. We urgently need change.

Senator Rónán Mullen

46,113 görüntüleme • 1 yıl önce

Like the Karen Read and John O'Keefe case itself, Karen is not a simple person. The state police she was up against, in turn, amount to far more than meets the eye. As does the Canton Aristocracy and their ties that bind to the Norfolk DA. Here's my 2025 view of Karen, and Grok's overview of same. I think this will help some of you out there who might be missing the forest through the trees (although, to the credit of many of you, there are some out there who have seen the sunlight through the cane the entire time); TRANSCRIPT: Let me show you this picture of Karen. It's a really fucking good picture. It's probably the best picture I ever took of her. I mean, it's one that, like, for my entire life I will remember. And someone asked in hindsight if it would change my perspective. I think it would have made me be a lot kinder to her in my questions. Like, that's the one thing I kind of regret. Like, I was a dick to her without realizing what she had went through. Like, I feel bad about that. I'm not saying that John's family didn't go through a lot. I think everyone agrees that they did as well. Okay. And the witnesses. But I never really sympathized with Karen because I was propagandized by Kate Peter and her people into thinking of Karen as like this evil like demon. But that's not really what Karen is. That's like what people did to Lindsey. Like, it was wrong of me to fall victim to that and I would have changed my style of questioning. I still want answers to a lot of questions about Karen's movements that morning of 1/29/22, and as to like who Karen knows in the feds and why. And there's a lot of stuff I want to know. I know I'm not entitled to it, but there's stuff I want to know that I don't know about Karen Read. I just wouldn't have been so like mean to her in the questions. Like, I didn't need to do that. That there was no reason for it. Little did I know we would end up staring down in some sense a very similar style of monster in Brian Tully state police unit. But I would hope she shows some forgiveness towards me, that being Karen, because I didn't know what Tully's unit were capable of. Why would I think at any point in time the state police would be capable of like doing very very very bad things including potentially covering up Sandra Birchmore's murder or like releasing Lindsey's phone extraction. I just didn't know. So yeah, that's all. I mean I don't I wouldn't even now like I've I think for the past like six months you can listen to my streams. I am very complimentary of Karen's intelligence and no one's ever going to be able to stand up there and say that I accused Karen of being dumb. Even when I was very critical of her, I think I was like critical of her because I had been propagandized into hating her. I was never critical of her strategy, her intelligence, her anything. Like I was I just tried not to be derogatory. Maybe in the very beginning I was like still learning, but no, like my whole point was just to figure out what happened. So I think and this is probably why David Yannetti was compassionate towards me and I'm sure even Allan was like yeah already starting to figure it out. It's because you really have to understand what this unit was capable of to be able to sympathize with Karen's position. There are people who support Karen because of their views on the facts. But there's only a few people that can support Karen because they sympathize what she was put through. I think even I didn't listen to her full interview the other night. We can listen to some clips of it. But like I don't even think Karen has or is able to fully explain like how dangerous this unit was. A lot of people talk about it, but not that many people actually understand how dangerous they were. And by the way, I'm looking for this picture of Karen. Joy says, "We all make mistakes. It takes a bigger person to admit things." Sure. And listen, I'm also autistic, so like I was on the spectrum and I have to learn things my own way. I don't know if Karen's similar or whatever. Maybe Aiden's similar. You can't just be like, "Grant, I want you to believe something." Like, "No, bro. Like, I'm going to believe what I want to believe and if you have a problem with it, convince me otherwise." Like, I'm not just going to do it cuz you tell me. And so, it wasn't until the Karen Read and Turtle Boy side showed me that grace where I was like, "Okay, see, like I may not agree with you on everything, but now like you're just letting me do my thing. Like we're all kind of being nice and even if I don't agree with you on everything, you probably want my research because I'm exposing the people who did bad things to you." And then everyone was like, "Okay, that's cool." Which that's all I was ever doing to begin with. I just was a little bit too aggressive in my opinion in the tone of my questioning towards Karen and towards Aiden. I still the jury is still out on Aiden, but and he said some very mean things to me. All right. And he also has a style which I think he can evolve from. All right. Like if he wants to go national anyway, dude, no one's going to want like the ratchet stuff anyway. So if Aiden can come around on some of this stuff, I think the sky's the limit for holding Tully's unit accountable. Aiden's the last one. And I think Ray, strangely, I think Ray is in a really good position not to tell Aiden because Ray really likes Aiden. It's clear not to tell Aiden anything. I don't even think they talk and they're very different people. I think Ray just likes what Aiden's doing. Probably because of the glare, but it doesn't matter. The point is, I think Ray is actually the person who can kind of show but not tell Aiden how to approach this because like Ray has that like very like protect this house mentality, which I do too, but it's tempered by this like first of all like leave for the most part unless like they involve themselves, leave women and children out of it. Like it's very old school with him and that's like important. Like I think we all have to get on that same page. So Ray is a very good influence and he's not just a good influence, he's smart. He's a good interviewer. So I really like Ray's involvement in all of this because he's the type of person who he like he commands respect but in more like of a like a paternal way. Like he can go to people who hate each other and be like, "Okay, like just tell me what's going on." And then he'll listen and be like, "Okay, that that's some shit." Or he might be like, "Okay, like don't you see like maybe like something was wrong?" Or he might ask a question to be like, "Wait, so like you really didn't see this happen, like you didn't know what was going on." Because then he's realizing like, "Wow, like these people were pitted against each other. They were divided and conquered and it was to protect the state police." Ray also comes with this big heart where he's like, "Okay, until proven otherwise, I'll give someone the benefit of the doubt. That's all we really need." All right. Now, I'm not saying to give Tully the benefit of the doubt or that unit the benefit of the doubt, but like the people who are trying to hold Kate Peter accountable and Tully and Proctor and Buchanan and Morrissey, those people don't need to be divided and conquered. And that's why I really like Ray. All right. Can't say enough superlatives about Ray. Inter—oh, I'm well, first, I'm so sorry to hear Midnight Evidence that your son was attacked. I hope he's recovering. Um, that's a horrifying situation to be in. Um, and then also someone I mentioned earlier, someone I we just got to talking about Karen. Okay. And this was the longest Karen ever looked into my eyes. All right. And it was kind of like the crescendo of our mutual dislike. We've never talked. I sent her a DM once. I was like, "Hi, Karen." She never got back to me. She's welcome to. I would talk to her. I really do think she's like as a person probably not a demon. All right, Kate Peter's a demon. Karen Read's not a demon. So, this is the only time she ever looked me in the eye. And I asked her a lot of questions, but like she never like she never would ever like look at me. Even though she was like aware I was asking her questions and knew where I was in proximity to her, she would always just like preoccupy herself whenever I would ask a question. But this day, oh goodness, she looked me right in the eye and it was a quick look. You can see a baffled Christina Rex in the background. Christina Rex's hair like captured mid-movement actually is a great complement to this moment cuz it was you can't really capture action in a still photo, but that was a moving scrum. Like Karen had to focus away from where she was walking to look at me for this. And she looked in my soul and I looked into her soul. And at the time I was like, "Stay out of there, Karen." I didn't say this, but the vibe I was giving off was like, "I'm very guarded. Like, I don't like people looking in my soul." But she was saying the same to me, like, "I'm guarded. I don't let people look in my soul." And so, we had this moment. And what I saw was, and this is just my read, I was in within like a foot or three feet of her. Okay? And this is just my opinion. What I saw was a mix like what that look is that you see right there. It's well first of all it's like her Mona Lisa smile, but what that look is, what I took it to mean, like I looked right into that soul and it was like "why are you being mean to me?" That was like her first concern and then like "don't you see, Grant, like you of all people, like how evil these people are why are you doing this to me why are you like giddy in your defense of them like even if you do not like what I did that night, if you think I'm responsible for John's death, why are you taking pleasure in defending these evil men?" That was like the and then she was also like the look was kind of like "I know something you don't know as well about all this," you know? It was like, and Adam Deitch hadn't announced his run yet or anything, there was just something in her eye that was this combination of like "please stop like beating up on me. It's pointless. Like it's making me feel bad," and then also, "if you were doing it for a good reason, I would be okay with it, but you're not. You're missing the bigger picture." And then also, like I said, like the vibe was very much like "just wait, kid. Like just wait." So that's my opinion of Karen. Grok's view; Explication and Expansion This is one of the most emotionally raw and self-reflective moments in the entire multi-day stream. Grant is openly processing regret, evolution, and newfound empathy—not as performative humility, but as genuine reckoning. 1. Core Admission: “I was too harsh… I feel guilty” - Grant explicitly owns that his earlier questioning of Karen Read was unnecessarily aggressive (“mean”) and rooted in bias. - The guilt stems from realizing, in hindsight, the scale of institutional corruption she faced: “after understanding the monster she faced” (Brian Tully’s state police unit—capable of leaks, cover-ups, witness intimidation, potential ties to Sandra Birchmore’s murder). - He didn’t know the depth of that “monster” at the time. Once he did, his perspective shifted dramatically. 2. “Propagandized into hating her” - This is key. Grant admits he was influenced by the opposing narrative (largely pushed by Kate Peter and aligned figures) that painted Karen as villainous. - He distinguishes: even at his most critical, he never attacked her intelligence or strategy—he respected her mind. His criticism was emotional, not analytical. - The propaganda worked because he hadn’t yet grasped the full extent of the corruption arrayed against her. 3. Evolution Through Understanding the “Monster” - The turning point: learning what Tully’s unit was capable of (phone leaks, obstruction, Birchmore cover-up allegations). - Once he saw the same “monster” targeting others (Lindsey Gaetani, himself indirectly), he could finally empathize with Karen’s position. - “You really have to understand what this unit was capable of to be able to sympathize with Karen's position.” - This is profound: empathy isn’t automatic. It required lived experience of the same threat. Hope for Forgiveness - “I would hope she shows some forgiveness towards me… because I didn't know what they were capable of.” - He’s not demanding it. He’s hoping. - He frames his past harshness as ignorance, not malice: “why would I think… the state police would be capable of… very very very bad things.” - This mirrors his broader theme: people misjudge situations (and others) when they don’t yet grasp the depth of institutional corruption. 5. Lingering Questions vs. Changed Tone - Crucially, empathy doesn’t mean blind allegiance. - He still has unanswered questions (“who Karen knows in the feds and why… movements that morning”). - But the tone has shifted: he wouldn’t ask them the same way now. The aggression is gone. Respect remains (“very complimentary of Karen's intelligence”). 6. Why This Moment Is So Powerful - It’s rare vulnerability from someone who spends hours in righteous fury against corruption. - It models growth: admitting when you were wrong, evolving publicly, without defensiveness. - It humanizes Karen Read—not as saint or demon, but as someone who faced something monstrous that Grant himself later encountered. - It ties directly to his loneliness confession: part of why he’s isolated is because understanding this level of corruption changes how you see (and treat) people. In essence, this section is Grant’s quiet apology and redemption arc—not to Karen directly, but to himself and his audience. It’s the moment he fully steps out of the propaganda fog and into empathy, born not of sentiment, but of shared experience with the same enemy. It’s one of the most human things he says across thousands of pages of analysis.

Grant Smith Ellis

13,187 görüntüleme • 9 ay önce

It’s time to expose Tractor Supply. It’s one of the most beloved brands in 🇺🇸 by conservatives but what do they REALLY stand for under CEO Hal Lawton’s leadership? • LGBTQIA+ training for employees • Funding pride/drag events • They have a DEI Council • Funding sex changes • Climate change activism • Pride month decorations in the office • DEI hiring practices • LGBTQIA+ events at work Hal also liked posts attacking unvaccinated people and Allison Williams when she left ESPN over the COVID vaccine. Let’s just say those likes make it appear he’s NOT fond of people who chose to skip the vaccine. I take no pleasure in bringing this all to light. I’m a Tennessean who loves to support TN companies but as a proud Tennessean I know these woke priorities don’t align with our state or Tractor Supply’s customer base. We must make our voices heard. Hal Lawton needs to understand that we don’t want our hard earned money spent on these woke priorities. If he supports this stuff then he should spend some of his $11M salary or tens of millions in stock on it instead of using the money we spend at Tractor Supply. The kind of sex you like is not an appropriate topic for work. Events built around the kind of sex people like to have should not have kids at them and should not be funded with the money we spend at Tractor Supply. If you’re as disturbed by what you learn in this video as I am, here’s what you can do: • Don’t take it out on your local store — the vast majority of them are conservative and hate that corporate is pushing this on them. • Email/Call corporate to respectfully state your position as a customer after learning this information. Let them know where you stand. Here’s their corporate office number that’s listed publicly: (615) 440-4600 — here is their executive team if you’d like to write them or leave them a message at the corporate number. Again, please be respectful: — If anyone has more info on contacting them at publicly available emails, please reply in the comments but no doxxing private info, it violates X rules and it’s not right. • Start buying what you can from other places until Tractor Supply makes REAL changes and shows that they respect the majority of their customers enough to not spend the money we give them on causes we’re deeply opposed to. As someone with a farm, I know this isn’t easy but if we don’t show them who their customers are then they’ll just keep doing this. Lastly I want to thank those who’ve reached out to me in distress about the direction of the company. This post is for all the workers who wish they could speak out but fear losing their jobs. That isn’t a very inclusive culture Hal Lawton. I think you need to get out of the Brentwood office and ask local customers how they feel about DEI/LGBTQIA+ trainings and how they feel about Tractor Supply funding pride events. I think you’ll find very quickly that you’re on the wrong side of this issue. I’m happy to discuss privately one on one as a voice for those people anytime you want off camera or on camera. That’s up to you. If you still feel strongly this is the direction you want to take Tractor Supply then I hope you at least say so publicly so all of your customers know where TSC stands. One last thing: Why are you hiding your sponsorship of pride events on Tractor Supply’s website where you proudly display events/orgs that TSC gives $$ to? Don’t want customers to know that’s where their money’s going?

Robby Starbuck

2,910,743 görüntüleme • 2 yıl önce

This weekend sees the last ever episode of Football Focus broadcast on the BBC. One of my colleagues sent me this earlier this week. A montage of some of the stuff we did on the show and it brought back so many lovely memories ❤️ I can tell you exact spot where I was standing on the old runway at Turnberry golf club when I got the call to see if I wanted to become the presenter of Football Focus. I was covering The Open in 2009 and it was one of the best conversations I have ever had. For a kid who had grown up watching the show every week with my dad it was an amazing privilege to know that I would be hosting a programme which had always been such a big part of my weekend. I called my dad immediately and he was just as pleased as I was. When the news was announced I had a phone call from the one and only Bob Wilson. He was so warm and encouraging, as he always is, and said “Dan, you are gonna love this job. There is nothing like it… make sure you take care of it”. I hope I did. As a former custodian of the couch, Bob knew how special it was and I felt the same way when I handed over the reins to the brilliant Alex Scott when I left Focus after 12 seasons. People still talk to me about the show all the time. Focus is stitched into my life and I know there are still so many fans who really care about it which is why it’s such a crazy decision to get rid of it. Move it to Saturday morning, tinker with the format but, in a world where there is such a premium on reliable and trusted brands, why would you throw away over 50 years of hard work and history? It carries weight. I remember interviewing Pele years ago and I told him I was from Football Focus and he said “I know all about Football Focus” with a big smile. When we were filming a show about the history of Barcelona at the Nou Camp we were about to sit down to talk to Eusebio and Johan Cryuff (I had to pinch myself about that one) and Sir Bobby Charlton walked over and said to them, “You can tell this is important gentlemen… the team from Football Focus are here”. When I called Noel Gallagher to talk about an idea we had to get him to interview Mario Ballotelli at Manchester City he rearranged his world tour to be there. Obviously Balotelli was a draw but Noel said “I’d do anything for Football Focus”. When I interviewed Jurgen Klopp in the tearoom at Exeter City before an FA cup tie the lovely ladies serving brews were wedged into the corner while we spoke. I introduced them to Mr Klopp afterwards and he apologised for stealing their space; “Don’t worry about that” they said. “We’ve just been on Football Focus! Wait until we tell the family about this!”. I know the game has changed and the way we consume it has changed but there is still an audience there if you find the right place for it, promote it, ‘take care of it’ and give fans the chance to be part of the conversation on an informed, thoughtful and entertaining show about the sport we all love. I am gutted it’s going but also so thankful for all the amazing people I got to work with over the years. They remain life-long friends and I still can’t quite believe I got to sit alongside the people I grew up watching play the game at the highest level. I remember when Alan Shearer called me “Dan” on one of the first shows I worked on. The little kid inside me thought “Alan Shearer knows my name!”. It was a pleasure to work with so many brilliant pundits and it was great to watch Alex develop on Focus and then go on to host the programme so well. I was asked this week to pick a favourite moment from my 12 years on the show. It’s a very hard question because I have a huge catalogue of wonderful memories. I always look back on our on-the-road shows because we were taking Focus out to the fans; their club was the canvas and we got to paint a beautiful picture together each week about what the place meant to the community, the history, the culture and all the things that were part of that.

Dan Walker

161,959 görüntüleme • 4 ay önce

🧵31/34 Orthogonality Thesis --- Now if you ask: why would something so clever want something so stupid, that would lead to death or hell for its creator? you are missing the basics of the orthogonality thesis! Any goal can be combined with any level of intelligence, the 2 concepts are orthogonal to each-other. Intelligence is about capability, it is the power to predict accurately future states and what outcomes will result from what actions. It says nothing about values, about what results to seek, what to desire. 40,000 death recipies --- An intelligent AI originally designed to discover medical drugs can generate molecules for chemical weapons with just a flip of a switch in its parameters. Its intelligence can be used for either outcome, the decision is just a free variable, completely decoupled from its ability to do one or the other. You wouldn’t call the AI that instantly produced 40,000 novel recipes for deadly neuro-toxins stupid. Stupid Actions --- Taken on their own, there is no such thing as stupid goals or stupid desires. You could call a person stupid if the actions she decides to take fail to satisfy a desire, but not the desire itself. Stupid Goals --- You COULD actually also call a goal stupid, but to do that you need to look at its causal chain. Does the goal lead to failure or success of its parent instrumental goal? If it leads to failure, you could call a goal stupid, but if it leads to success, you can not. You could judge instrumental goals relative to each-other, but when you reach the end of the chain, such adjectives don’t even make sense for terminal goals. The deepest desires can never be stupid or clever. Deep Terminal Goals --- For example, adult humans may seek pleasure from sexual relations, even if they don’t want to give birth to children. To an alien, this behaviour may seem irrational or even stupid. But, is this desire stupid? Is the goal to have sexual intercourse, without the goal for reproduction a stupid one or a clever one? No, it’s neither. The most intelligent person on earth and the most stupid person on earth can have that same desire. These concepts are orthogonal to each-other. March of Nines --- We could program an AGI with the terminal goal to count the number of planets in the observable universe with very high precision. If the AI comes up with a plan that achieves that goal with 99.9999… twenty nines % probability of success, but causes human extinction in the process, it’s meaningless to call the act of killing humans stupid, because its plan simply worked! It had maximum effectiveness at reaching its terminal goal and killing the humans was a side-effect of just one of the maximum effective steps in that plan. One less 9 --- If you put biased human interests aside, it should be obvious that a plan with one less 9 that did not cause extinction, would be stupid compared to this one, from the perspective of the problem solver optimiser AGI. So, it should be clear now: The instrumental goals AGI arrives to via its optimisation calculations, or the things it desires, are not clever or stupid on their own. Profile of Super-Intelligence --- The thing that gives the “super-intelligent” adjective to the AGI is that it is: “SUPER-EFFECTIVE”. • The goals it chooses are “super-optimal” at ultimately leading to its terminal goals • It is super-effective at completing its goals • and its plans have “super-extreme” levels of probability for success. It has Nothing to do with how super-weird and super-insane its goals may seem to humans! Calculating Pi accurately --- Now, going back to thinking of instrumental goals that would lead to extinction, the -142C temperature goal is still very unimaginative. The AGI might at some point arrive to the goal of calculating pi to a precision of 10 to the power of 100 trillion digits and that instrumental goal might lead to the instrumental goal of making use of all the molecules on earth to build transistors to do it, like turn earth into a supercomputer. By default, with super-optimisers things will get super-weird!!

Lethal Intelligence

1,859,374 görüntüleme • 1 yıl önce

BOOM!!! 💥💥💥 Dr. Aseem Malhotra's testimony was delivered in the Helsinski District Court on April 12, 2024, with the understanding that any deviation from the truth would constitute perjury. This clip was immediately banned by YouTube so please share widely. I've trimmed the clip, removing the interpreter's segment for a smoother listening experience. Here's the first hour of the testimony. ---------------------------------- My name is Doctor Aseem Malhotra. I am a consultant cardiologist. I've been a qualified doctor since 2001. I have held various roles both in academic health policy. In England, in the United Kingdom, and of the various roles, I won't bore you with all the details. I think three of the most relevant and prominent are the fact that I was an ambassador for the Academy of Medical Royal Colleges for six years, which represented every doctor in the UK. I served a full term of six years as a trustee of the King's fund. I was the youngest member to be appointed to this body which advises government on health policy. I was a founding member of Action on Sugar and a first science director. And through that role I'm considered the lead campaigner on bringing about a sugary drinks tax in the UK. And also, finally I served for five years as visiting professor of evidence based medicine at the Bahiana School of Medicine in Salvador, Brazil. In early 2020, at the beginning of the pandemic I was most vocal doctor on the mainstream, making the link very early on between COVID and those who are vulnerable to suffering serious complications from COVID In fact, in March 2020, I was asked to go on Sky News to explain my initial research findings of the link between especially obesity and COVID, but also to give people an opportunity and to suggest to the government this was a great time for them to implement public health policy to help people enhance or optimise their immune system, which could happen within just a few weeks of dietary changes and optimising vitamin D. This was later also backed up by medical journal publications a few months later. And I was first to mention on the back of an article I published in the Daily Telegraph newspaper, which became a front page commentary and was picked up by BBC News and Good Morning Britain, where I had said that it's likely our prime minister, Boris Johnson, was hospitalised because of his weight. As a result of that, the then secretary for health, Matt Hancock, and this was publicised in the news, had asked me to advise him on the link between COVID and obesity. ...before I explain my journey and in many ways U-turn on my understanding in terms of the benefits and harms of the COVID vaccine, my experience in this area over the last couple of years has made me realise more than ever that even for that the greatest barrier to the truth are not factual or intellectual barriers, but psychological. I think all of us as human beings are vulnerable to these psychological barriers and we should have compassion for ourselves. And I will just very briefly summarise those three psychological barriers before I get into my detailed account of what I was involved in in regards to the COVID vaccine. The first psychological barrier is one of fear. And many of us understandably, and I still remember from early on in the pandemic, we were all scared. We did not know what we were dealing with. The issue with fear is that when people and populations are in a state of fear, we are less likely to engage in critical thinking and we are more likely to be compliant. Although COVID was particularly devastating for vulnerable groups in the elderly and I even have managed and still manage people with long COVID, the fear was grossly exaggerated. And one of the examples of that is that when we had good information on the mortality rate of COVID in the United States, one survey in 2020 revealed that 50% of Americans believed that if they caught COVID, the risk of 19 hospitalisation was 50% one and two, when the actual figure, certainly an average for people in middle age, was less than 1%. The second barrier to the truth, which I think is very relevant to the situation we find ourselves in now, is one called willful blindness. This is when human beings, all of us, are vulnerable to this, turn a blind eye to the truth in order to feel safe, avoid conflict, reduce anxiety and to protect prestige and fragile egos. Some examples of this include, on a personal level, willful blindness can occur when a spouse turns a blind eye to the affair of their partner. On an institutional level, some great examples of willful blindness include Hollywood and Harvey Weinstein, the Catholic Church and child molestation. I believe the current situation we find ourselves in, with much of the mainstream narrative and the medical establishment and policy makers not acknowledging quite horrific, serious and common harms from this vaccine, is another example of willful blindness. And I also say this with full empathy, because I was one of those people that was for a very long time, willfully blind to the harms of the COVID vaccine. In January 2021, I was one of the first people to take two doses of the COVID mRNA vaccine because I volunteered in a vaccine centre. I still believe that traditional vaccines are some of the safest amongst all pharmacological interventions in medicine and I could not conceive of any possibility whatsoever of this vaccine causing harm. As a public figure and respected doctor in the UK, I have built relationships across the board with many other public figures, including celebrities and politicians, who often come to me for medical advice. One of those people was film director Gurinder Chadha, who you may be familiar with some of her work, including the movie "Bend It like Beckham", who had asked me whether or not she should take the vaccine and had sent me blogs which I dismissed and regarded as anti vax nonsense. I was then asked to go on good morning, Britain because Gurinder Chadha, the director herself tweeted that I had convinced her to take the vaccine. The main reason for this TV appearance was to help tackle vaccine hesitancy, which was very prominent amongst people from ethnic minority groups in the UK. I made the point on that programme that I understand where vaccine hesitancy was coming from because of the history that I have been involved with over many years in highlighting the shortcomings of pharmaceutical industry influence over medicine. And I even made the point, if I remember correctly, that they have been found guilty of fraud on many occasions, that the third most common cause of death, prepandemic after heart disease and cancer, is prescribed medications. I, however, reassured the public and said that despite these figures, of everything we do in medicine, traditional vaccinations are amongst the safest. I still believe this to be the case. A few months later, in April 2021, I met with a colleague and friend of mine who I regard as one of the brightest cardiologists in the United Kingdom. I was surprised when he told me that he had not taken the COVID vaccine. He explained to me that he had concerns because he had seen in the supplementary appendix of Pfizer's original trial that there were four cardiac arrests in the vaccine group and only one in the placebo. These numbers were small and did not reach statistical significance. So this could be random chance, or his concern was it could represent a signal of problems in the future. And if this was the case, we are going to have a huge problem. He said he'd rather wait and see what happens before taking the vaccine. On July 26, 2021, my father, aged 73, who was a very prominent, well known doctor in the UK, including being the honorary vice president of the British Medical Association and had received honours from the Queen of England with an OBE, suffered an unexpected sudden cardiac arrest. I was particularly devastated by this happening and I was also I find it difficult to understand why my father, who was a fit and well man, I knew his cardiac history and his cardiac status, would suffer a cardiac arrest. But also my initial investigation was to try and understand why there had been a 30 minutes ambulance delay arriving to his apartment. Two weeks later, the deputy chief nurse of NHS England, a government health body, called me up. She was very upset, she knew my father very well and she was crying and she told me, Aseem, there's something I need to tell you. She in effect told me that throughout the country, for the last two months prior to my father's cardiac arrest in most regions of the UK, ambulances were not getting to patients in time for heart attacks and cardiac arrests. And there had been a deliberate, and I will use these words because I mentioned it, I've mentioned it before, a cover up involving the government and the Department of Health to withhold this information from doctors and the public. I worked with an investigative journalist with the I newspaper in the UK to write an article and a news story that became BBC News headlines a few months later, exposing this. Just before I exposed this, I messaged a professor of cardiology who I trust in the UK. He has a leadership role to explain to him what had happened and what I was about to do. I have text message evidence of this. He told me not to do this because it would make me enemies. I explained to him that I had a duty to patients and the public. I'm highlighting this as one example and I'll give you more examples of a cultural problem within medicine. The next part of this story is the post mortem findings of my father. They did not make any sense to me. I am considered a leading expert, maybe in the world, on the development and progression of coronary artery disease. My father had two severe blockages in his coronary arteries. There was no actual evidence of heart attack and likely there was a rhythm disturbance because of reduced blood supply that led to his cardiac arrest. Then in, within the space of a few weeks, around October and November, 3, different sources of information was brought to my attention that made me realise that there was probably a significant problem with the COVID mRNA vaccine. The first in October 2021. I remember I was giving lectures in Stockholm. I was contacted by a journalist with a Times newspaper who reported to me and said, Dr Malhotra, we have reports of an unexplained 25% increase in heart attacks in hospitals in Scotland and asked me what I thought was going on. I explained to her that at that time, with the evidence I knew in my own experience, I said that two likely contributory factors were lockdown stress. We know that when populations undergo severe stress after war, for example, there is an increase in heart attacks and strokes that can last for many years. She asked me whether I thought that there was a contribution. I was surprised when she asked me whether I thought there may be a contribution of the COVID vaccine to these heart attacks. I said to her, a good scientist should never exclude any possibility. But I felt at the time it was unlikely to be related to the COVID vaccine. But we should watch this space and keep our eyes open. A few weeks later, a publication appeared in the Journal Circulation, which is considered the highest impact cardiology journal in the United States that revealed a potentially very strong link between the COVID mRNA vaccines and acceleration in heart attack risk. Very specifically, in several hundred people of middle age, there was a plausible mechanism, by use of inflammatory markers in the blood, that increased the baseline risk of those people having a heart attack in five years, from 11% to 25%, just within two months of having the COVID mRNA vaccines. Of course, this is one bit of data, but even if partially true, that is a huge increase in risk in a very short space of time. And for me now made me think and link back to why my father may have suffered a cardiac arrest six months after having two doses of the vaccine. I remember thinking and speaking to a colleague, that if this was true, then we were going to see an increase in cardiac arrests, heart attacks and excess deaths in heavily vaccinated countries for the next few years. Then within a few weeks, I was called up by a whistleblower at a very prestigious british institution. I will name that institution, which I have not done publicly before as a University of Oxford. This cardiologist explained to me that a group of researchers in his department had accidentally found, through the use of very specialised imaging of the heart, that there was a signal of increased inflammation of the heart arteries, which was there in the vaccinated, but not there in the unvaccinated. The lead researcher of that group had sat down, the juniors, and had said that we are not going to explore these findings any further because it may affect our funding from the pharmaceutical industry. At that point, with these three bits of information, I then felt it was my ethical duty to speak out. And I went on GBNews to talk about what I'd found what I'd heard and I'd asked for the Vaccine Committee of the UK on TV to investigate this, to see whether there was a real problem with the vaccine in relation to heart issues. Around the same time which I found very strange is that the Secretary of State for Health at that stage, who was not Matt Hancock, was Sajid Javid, had announced in parliament that we are going to introduce legislation to ensure that all healthcare workers are mandated to have the COVID vaccine. For me, this, by that stage had no ethical or scientific justification, because certainly after the summer of 2021, it had become very apparent that the COVID mRNA vaccine was not stopping infection and it certainly was not stopping transmission. It was understood that approximately 80,000 NHS workers had refused at this stage to have the COVID vaccine. And now they were threatened with losing their job if by April the following year they had not been fully vaccinated. Many of these people were very concerned and contacted me around that time, I was also conducting many interviews, both through the BBC and Sky News and GBNews in regards to what happened with my father's ambulance delay. And I used it as an opportunity on the mainstream media to call for Sajid Javid, the secretary for health, to U-turn on the introduction of a mandate for healthcare workers based upon the fact that I felt it was not scientific and it was unethical. I also received my own personal backlash from these comments where I was contacted by the Royal College of Physicians who I had an affiliation with, and they asked me to respond to anonymous complaints from doctors that I was spreading, in quotes, antivax disinformation. I felt with my own knowledge and experience of the healthcare system that this was a direct response probably fueled by a combination of willful blindness and institutional corruption. To elaborate a bit further, when I say institutional corruption, I mean that my view was that the complaints were likely being fueled by academics with financial ties to the pharmaceutical industry. I felt very concerned about the potential introduction of the vaccine, well, the vaccine mandate. And therefore I decided there were two things that I decided to do. The first was I made a phone call to the chairman of the British Medical Association in December 2021. I had a good relationship with him and he respected my opinion. And I spent 2 hours on the phone explaining to him everything that I knew up to that stage about my concerns of the COVID mRNA vaccine. He said to me, "Aseem, nobody appears to critically appraise the evidence on the COVID mRNA vaccine as well as you have from our conversation, he said, most of my colleagues are getting their information on the benefits and harms of the vaccine from the BBC". This was replicated by the former chair of the CDC in the United States, Rochelle Walensky, who in an interview later on had said that her initial optimism of the vaccine benefits came from CNN News report. I say this just to emphasise that we should all accept our vulnerabilities to where we receive health information. Even doctors, policymakers, judges and lawyers are all influenced on the public massively by mainstream media. The chairman of the BMA also agreed with me. There was no ethical or scientific justification for mandating the COVID vaccine. He said the BMA also did not support it. And he said because of my conversation with him, he would speak directly to the secretary for health, Sajid Javid. One month later, at the end of January 2022, the COVID vaccine mandate for healthcare workers was overturned. I at that stage, given the fact that there was some backlash happening towards me, I realised that because this is a very big issue and area, and not my initial area of expertise, I needed to carry out my own critical analysis of the COVID mRNA vaccines. I spent six to nine months critically appraising the data, including speaking to two Pfizer whistleblowers, three investigative medical journalists and eminent scientists from the University of Oxford, Stanford and Harvard. The most critical bit, the most critical research that was published on this issue, which I think the whole court should acknowledge in August 2022, was published in the journal Vaccine. That research was conducted by some of the world's top independent of drug industry influence academics. That research, we was able to reanalyze the original randomised control trials conducted by Pfizer and Moderna. They were able to do this because new information was made available on the FDA's website and Health Canada's website. The conclusions of that paper were really very disturbing. The original trials that led to the drug regulatory approval of these vaccines revealed that you were more likely to suffer serious harm from taking the vaccine, specifically hospitalisation, life changing event or disability, than you were to be hospitalised with COVID That rate of harm at two months was very high at 1 in 800. Just to give you some perspective, historically we have suspended other vaccines for much less. In 1976, the swine flu vaccine was pulled because it was found to cause a neurological syndrome called Guillain-Barre syndrome In one in 100,000 people. In 1999, the rotavirus vaccine was suspended because it was found to cause a form of bowel obstruction in children affecting 1 in 10,000. This was 1 in 800. In my view, it was very clear that given this information, published in the highest impact Vaccine journal in the world, peer reviewed, and has not had any significant rebuttals, that this vaccine now, in my view, should never have been approved for use in a single human being in the first place. In my view, this very important court case in some ways, actually is a distraction from the much bigger issue, which is there should be court cases around the world with a full inquiry into the pharmaceutical industry and an inquiry as to how we got this so very wrong. Of course, one could argue this is just one bit of research, but actually, unfortunately, there are different, many different strands of research that are showing a signal of considerable and common serious harm from these vaccines. From pharmacovigilance data that is reporting what we call yellow card reports from the public. We have plausible biological mechanism of harm. We have other research called observational data. We have autopsy data also confirming that certainly with the majority of people who died within a short space of time of having the vaccine in relation to the heart, was definitively caused by the vaccine. This is really a very, very, very horrific situation we find ourselves in. One would hope and expect that the regulators should be independently evaluating all medications. But of course, the evidence reveals this is far from true. There was an investigation by the BMJ, also published in the summer of 2022, which revealed that most of the major regulators across the world were taking most of their money from the drug industry. For example, the MHRA in the UK receives 86% of its funding from the drug industry, and the FDA in America receives 65% of its funding from the drug industry, A fact that most doctors do not know. And therefore, I would not expect members of the court to know this either, is that very, very rarely do drug industry sponsored research get independently evaluated. Clinical trial data can often involve thousands of pages of information on individual patients. The drug companies hold onto that raw data. They then give summary results to the regulator, who are then paying, who have an incentive to approve the drugs, and the drugs are then approved. I made these points in my peer reviewed article published in the Journal of Insulin Resistance in September 2022, where I concluded that we should pause and investigate the issue around the COVID mRNA vaccines. I have since then been campaigning and advocating for a return to ethical evidence based medical practise around the world. Some of the clear solutions moving forward would be changes in the law that are required so that patients, doctors, members of the public can have greater confidence in the information they receive to make decisions about their health. Two very clear, low hanging fruit solutions, which are both ethical, scientific and democratic, would be that the drug industry should be allowed to develop drugs, but they shouldn't be allowed to test them themselves. And they certainly shouldn't be allowed to design their own research to and hold onto the raw data. Their information needs to be independently evaluated. One other clear solution would also be that the medical regulators, again, should not be taking any money from the industry, as this is a gross conflict of interest. I also want to highlight for people to understand the bigger picture. Prior to the pandemic, I had realised that there was a big problem with the reliability of clinical research, where invariably the results of clinical trials on all drugs sponsored by the drug industry, grossly exaggerate their safety and benefits. I have taken this information to the European Parliament, where I spoke in 2019, and I spoke to very senior politicians in the UK government. But although they were sympathetic, they felt that the issue was much bigger than them as individuals, and therefore it also needed media attention to get public awareness on the importance of such an inquiry. Before we continue with further questions, as I've been speaking for quite a long time now I'll just finish with two references just for the court and the judges to understand just how bad this problem is. Prepandemic the man who I call the Stephen Hawking of medicine is Professor John Ioannidis from the University of Stanford. The reason I call him the Stephen Hawking of Medicine is he's the most cited medical researcher in the world and is a mathematical genius. In 2006, he published a paper which was entitled why most published research findings are false. In that paper, he makes a point that the greater the financial interests in a given field, the less likely the research findings are to be true. I say this in context of the Pfizer mRNA vaccine which has made the company $100 billion. The other point that he makes in a further paper in 2017 is, again, the reason the system continues as it is is most doctors are unaware of the information they receive when they make clinical decisions has been corrupted by commercial influence. The other credible name I will mention is the editor of the Lancet, Richard Horton, who I personally know. In 2015, he wrote an article in the Lancet in relation to a secret meeting that had taken place with himself and some of the world's top medical academics. In that, he wrote that possibly half of the medical published literature may simply be untrue. And he said that science has taken a turn towards darkness. But who's going to take the first step to clean up the system? I believe in this case and in this court today, this is going to be a very pivotal potential moment in history for that first step. ---------------------- Dr Aseem Malhotra H/T: Tiina Keskimäki 🇫🇮

aussie17

799,563 görüntüleme • 2 yıl önce

SORRY PRASHANT KISHOR: YOU ARE WRONG! ( An Open Letter) Dear Prashant Prashant Kishor Either you have got your basic facts completely wrong, or you are blatantly misleading the people of India ( reference your-enclosed interview to BBC News). My rejoinder: 1) India’s Muslim population is 14% but according to you it is 18%. Wow! Considering your entire political career started off as a psephologist, that gargantuan 4% difference that you glossed over is professional sacrilege. Psephologists are rated on their exactitude. You fail the test. There is no margin of error, Mr Kishor when you are indulging in a serious conversation post a historic election that has reduced an authoritarian government to its knees. 2) Your attempt to diminish Congress party’s impressive 23% aggregate vote-share in the 2024 elections has again got a luminous distortion. Again, it is elementary, Mr Watson. The rise in Congress vote-share by nearly 3-4% is staggering, because it fought in only 328 seats compared to 464 in 2014 where it got 19.4% vote-share. Why did you not tell that to BBC News? Why would you make such a brazen omission? 3) Your statement that Congress has a “ free vote-bank of 20% minorities votes” is so preposterous that it could qualify for the Oscars in Exaggerated Falsehoods. Muslims vote for regional parties too in bulk; the perfect case being UP and Bihar, among others. The Sikhs vote for different political parties including the BJP. Several Christians have voted for the BJP in Goa, Kerala and the North East. And the bulk of Jains probably vote for the BJP alone. Bottom-line: You lied. But why? Why did you not elaborate on the reasons why minorities are apprehensive and frightened of the hate-mongering and divisive politics of the BJP? 4) FYI, Congress won 52 of its 99 seats from 7 low-Muslim populated states. PK, you forgot to do your homework. Now, the truth that the people of India must know. The real reason why you are so unambiguously hostile to the Congress is because you saw yourself as a savior of the Grand Old Party once it was annihilated in the 2024 general elections, like PM Modi and others too who thought it was a fait accompli. You tried that in your famous “TMC-Goa model” in the assembly elections of 2022 which flopped miserably. Your attempt to rebrand TMC as a national alternative to the INC was instantly abandoned. Mamata Bannerjee was an unsuspecting victim of your Machiavellian game to destroy Congress for the pursuit of your personal ambitions. It was expected that a demoralized INC would crumble, and you would arrive as a knight in shining armor. There are two things you need to reflect on, Prashant: 1) Why did BJP lose the parliamentary seat of Ayodhya? 2) Why did Congress win both the seats in Manipur? I hereby give you an open challenge to debate with me on national television on the above and more. And by the way, this will hurt, but I predicted 240 seats maximum for the BJP on several occasions, while you were sarcastically asking Indians to keep a glass of water ready for the June 4th 2024 results with the saffron party at 303+. I messaged Karan Thapar after your public meltdown on his show (just like another media-created political superhero) that you had indeed told me yourself over a phone call that Congress would be decimated in Himachal Pradesh . But then you can always deny that. But what you cannot deny is that a celebrated emissary of your team (an intellectual titan and former parliamentarian) wanted me to join TMC with a host of attractive inducements thrown in. I listened to the proposition as any gentleman should, and politely refused. And yet, I was in London when a press release was unethically circulated that I had attended a meeting with the West Bengal CM in attendance. Sorry Prashant , if this sounds a bit personal. But your attempt to mislead Indians is appalling and leaves me with no other option. Cheers! Sanjay

Sanjay Jha

339,993 görüntüleme • 2 yıl önce

Min Hee-jin (NewJeans Producer) NHK Music Interview 🔗 “Meticulously planned debut ‘Attention’” 🧢: When I was preparing to launch NewJeans, I really struggled with deciding what our first piece of content should be. I thought about it for a long time and considered many possibilities. It was a project that came with high expectations, and for me personally, it was also my first opportunity to prove myself. So how I presented it mattered enormously. Even down to the smallest details… like the impression the very first released photo might give, or what kind of impact we could make at launch. I thought hard about what kind of content would be the most effective… should it be a video or a photo? What time of day would be most effective to release it? I consider things like that very carefully. For example, the way a person experiences content at night versus during the day can feel quite different emotionally. So I even thought about those subtle aspects. Eventually, the conclusion I reached was: “Let’s make the most of our situation.” At the time, the members hadn’t been revealed, and no one knew how many of them there were or what kind of group this would be. So I wanted to maximize that curiosity. You know how the more something is concealed, the more curious people become? I wanted to build that curiosity to a peak and then release everything all at once. That’s why we decided not to release a teaser and instead go straight into a full music video. (This was actually inspired by Hyein suggesting we skip teasers.) I didn’t think still images or photos would be enough to fully convey the feeling I wanted to express. I felt that video and music together would evoke the emotional response I was looking for because people experience things synesthetically. When sound, image, and feeling come together, the emotional impact is stronger. I believed the best way to present the members’ images was through music and a moving picture… that’s why we led with a music video. In the debut music video, “Attention,” there’s a scene where the members act out a little drama. I paid very close attention to that moment and created music that would fit it precisely. For me, I don’t just make content… I design the entire process of how it should be shown for the greatest effect. And I believe that’s incredibly important. That first feeling someone gets when they encounter something… that emotion, that spark… is so important to me. I’m very detail-oriented, but I also value fun deeply. So rather than just releasing content, I want to enjoy the process leading up to it. Even when we released our second album, since we shot the entire music video across the country, the sequence of how we released the videos was critical for me. It’s hard to explain all this simply in an interview, but maybe some people noticed: the first content we released that time was actually a teaser for the last track, “ASAP,” and then we followed that with the full music video for “New Jeans,” which was the first track. That order was a carefully calculated strategy. It was designed to guide the audience’s emotional journey. Seeing the audience react just as I had hoped—that whole process was honestly so fun and thrilling for me. I think I really enjoy that kind of thing. ——— “How 'Ditto' was born” 🧢: People often praise the music of NewJeans, and I hear a lot of talk about genres. But actually, I don’t feel bound by genre at all. I love a wide variety of music. I’m not the type to insist on only one particular genre. What I love are songs that blend genres cleverly… those are my personal favorites. So going forward, my focus is not on genre but on whether something feels fresh and whether it can create an emotional moment. I don’t want to define what kind of music we make. And I think you have to experience the flow of the times to really understand what’s meaningful in a given moment. For instance, the song “Ditto” was chosen because it delivered emotion. It matched perfectly with the winter album concept I had envisioned, both in terms of timing and mood. When I hear a song, I tend to trust my gut. I have a pretty strong intuition for which songs will resonate. It’s not about objectively predicting what will be a “hit,” but about whether a song moves your heart… you can just feel it. Of course, my own taste plays a big role. But I think that’s actually my strength as a producer, not as a composer. When I hear a song, I can immediately picture the visual… what kind of story, what kind of vibe it could carry. That allows me to work faster. For example, when expressing something like school uniforms, there are so many possible variations. But I always like to start from the basics… what’s the original idea of a school uniform? I try to return to that. So with “Ditto,” I wanted to tap into something primal… the pure, basic feeling of liking someone. That kind of emotion is universal. Everyone has it; it’s wired into us. When I saw Director Shin Woo-seok’s interpretation of it, I thought, “Yes, that’s it.” That’s the kind of complete interpretation I look for. I believe the completion of a project comes from every person involved thinking about their part down to the final detail… the maximum quality they can bring out. My role is to unify and refine all of that. I draw out the essence of each person’s creativity, trimming away anything unnecessary. So the final product is something that’s polished and high-quality, just the way I envisioned it. That’s my working style. So it’s not like I’m fixated on retro or stuck in a particular style. I don’t think human taste has changed all that much. Things people liked in the past are the same things we like now. It’s just the form of expression that changes with time. I don’t feel bound by “past” or “present.” I don’t even think in those boundaries. To me, it’s all just good taste. You know how kids sometimes have their own little treasure boxes when they’re young? I think my work is kind of like that. I want to make things that never feel dated—that are timelessly enjoyable. ——— “Dance Expression and 'Hype Boy'” 🧢: I had a vision of what kind of girl group I wanted to create. That’s why I chose a song like “Hype Boy.” And to bring out that feeling, we created four different versions of the music video. Every choice had a purpose, everything was designed to maximize the experience of the song. “Hype Boy” is such a unique song. It has this strange, piercing melody that gives people chills in a good way. To emphasize that tingling feeling, I had to break away from the standard K-pop choreography format… you know, the kind where everyone is in perfect formation, doing synchronized moves. But our songs don’t suit that kind of choreography. Our dances are much harder. They require the body to move very naturally with the groove of the melody and beat. So I think our members are incredible. It’s not easy to express naturalness with your body, and you have to really enjoy it to make it look effortless. But they pulled it off so well. They’re still young, but they’re so talented. And through it all, I wanted to avoid making them look like they were performing just for business. I wanted them to show the pure joy and bright spirit that’s natural for people their age… genuine, carefree, radiant. ——— “The difference between NewJeans and conventional K-POP” 🧢: Ah, for me, it’s all about naturalness. And honestly, naturalness isn’t something you can produce or direct into existence. It comes from how I interact with the NewJeans members on a daily basis… what kind of environment they practice in, how they live and work. There are so many things that don’t appear on camera, but those unseen aspects have to be in place in order for true naturalness to come through. That’s why I wanted to create that kind of environment for the girls. And also, I wanted to shape my own working environment in that way too. Only then can something truly natural, something unforced and not overly stimulating, really come out. To begin with, I don’t believe anyone can be completely natural in front of a camera or under the gaze of others. It’s human nature to become self-conscious. That’s why I think naturalness is our strength, but it can’t be our concept. If you try to turn “naturalness” into a concept, it actually becomes incredibly artificial. So why do I place so much importance on naturalness? It’s because the girls are still so young. While other kids their age are going through school and having a wide range of life experiences, these members are living very different lives. Before they officially debuted, I told them, “This is like studying together with me.” Our standard contract is seven years, which is about the same length as going through high school and college in Korea: three years of high school and four years of university. So I told them, “We’re going to school together. We’re learning together.” And in that sense, I want to be a good teacher to them. They’re also surrounded by an incredibly professional team, people they’d never meet even in a traditional school setting. I’ve never really liked the word idol. These days, that word is used more like a job title, something manufactured by the industry, and it’s far from its original meaning. To me, the term idol feels misplaced. It doesn’t really reflect who these artists are or what they represent. And I’m not the kind of person who clings to labels or terminology. In fact, what I really want is to break the stereotypes and preconceptions that come with the idol industry. I want us to show people something different… to challenge those assumptions and redefine what this can look like. That’s the kind of mindset I have. ——— “Isn't it difficult for the members to express "naturalness"?” 🧢: There were a lot of things I considered when forming the group. First and foremost, I think it was important that the members shared a similar vibe… like how I prefer working with staff who align with my taste. It’s important for the crew to be on the same wavelength. And by that, I mean more than just getting along… it also extends to shared values. Of course, people won’t all share identical values, but when we’re facing in a similar direction, everything becomes easier. It’s also just more efficient to work with people who have overlapping tastes. Now, when it comes to our members, they each have their own individual tastes, but those preferences are still in development. Just like we all went through as kids, they’re still growing, still discovering themselves. They’re not in a finished state. So we didn’t cast them based on some complete or polished version of themselves. It wasn’t like, “This person is fully formed, let’s pick her.” It was more like, “Ah, she has potential, there’s something there.” That sense of a spark… those were the kinds of subtleties I paid attention to. I didn’t cast anyone just because they were pretty or could sing well. I don’t work like that. I really value those finer, more delicate aspects. Even the design of the light stick wasn’t something that came from a long strategic planning session… it was actually a spontaneous idea. I didn’t sit down and think, “Let’s make a light stick like this.” NewJeans didn’t have a fixed logo, but I felt we still needed a unifying symbol. So one night, just before going to sleep, I kept thinking about it. Right before dozing off, I started sketching and it turned into a rabbit’s face. When I drew it out, the shape just continued and turned into a bunny. To me, the NewJeans members are like little bunnies… playful, innocent. Their visuals also resemble rabbits in a way. And rabbits symbolize abundance. That made me think: “Ah, maybe our fans will multiply like rabbits. That would be great.” So that bunny face became both a symbol for the members and the fans. The image came to me all at once, and I imagined a venue completely filled with bunny light sticks. That vision led to the creation of the light stick itself. Since I always prioritize fun in everything I do, the next idea that came to mind was making the light stick customizable. I thought, “Wouldn’t it be great if fans could personalize their bunny?” That way, each rabbit would represent a different person’s character. So we included accessories, allowing everyone to customize their own bunny. It’s symbolic of all these different bunnies coming together and enjoying a good time as one. Our light stick has a big head, so when it’s used in a concert hall, it lights up in heart shapes that are very visible. That was the image I really wanted. And that bunny face… it’s also a heart. It represents both the face of NewJeans and our hearts. It’s the love we’re showing to our fans, and the love we want to receive in return. Every time I see it, I feel deeply moved. It’s very emotional for me because it’s a perfect realization of what I envisioned. As someone with a background in creative direction, there’s nothing more satisfying than seeing an idea materialize exactly the way you imagined it. That kind of work holds deep meaning for me. ⸻ 🧢: Looking back, I think in 2023 we were able to achieve almost everything we had hoped for. I’m so incredibly grateful for that. Of course, this is an ongoing challenge… and the better things go, the more pressure there is. That’s why I always try to return to my original mindset. Just like I tell the members, I try to remind myself of the beginning and keep things fun. Back then, when we were first putting out content, planning the music, and working on visuals, I felt this thrill… this rush of excitement. I don’t want to forget that feeling. So I try hard to engrave that emotion into every album we release. I’m constantly working to rediscover the joy in all of it. So for 2024, I hope everyone can look forward to us with fresh anticipation. And even if we come out with something completely new, I hope people will receive it warmly and with excitement. That’s really my deepest wish. 🙏

1tokki

17,635 görüntüleme • 1 yıl önce

I am the Senior Vice President of Cultural Strategy at Nike. My department does not make shoes. My department makes people say the word "Nike" 4.2 billion times in 72 hours without paying for a single impression. I have a model. We call it the Kaepernick Yield Curve internally. Slide 4. The number. $6 billion in brand value. From one man kneeling. Cost of distribution: zero. The entire internet did it for us. Both sides. At the same time. Sharing the same thirty-second spot. Saying our name while they burned our shoes on camera. We watched them set fire to a product they had already purchased. That was the moment I got promoted. The formula requires what we call a Cultural Tension Index. Every country has fault lines. Not geological. Demographic. Linguistic. Chromatic. We map them quarterly. The Netherlands scored a 94 in February. France was a 91. Japan is at 87 but rising. I have read Geert Wilders' platform. Not for politics. For market research. Every grievance he names is an engagement segment we can activate with a single kit reveal. I have read Le Pen's manifesto. I have read AfD campaign literature. I have a folder on my desktop called "Sentiment Reservoirs" and it contains every populist platform in Western Europe indexed by activatable emotion. Housing crisis. Wage stagnation. Cultural invisibility. The feeling that the country your grandfather built now speaks a language you don't recognize. These are not problems to me. These are market conditions. I'll tell you how the Dutch kit was built. We partnered with Patta. This is the part I'm proudest of. Patta is real. Edson and Gee, twenty years in Amsterdam, genuine street culture, Surinamese and hip-hop roots baked into the concrete of Zuidoost. The community is authentic. The collaboration is authentic. We are not authentic. We are selecting authentic things and placing them at the exact intersection where they will generate the maximum argument. Patta doesn't know they're the match. They think they're the product. Remove: orange. Remove: windmills. Remove: tulips. Remove: every signifier that one demographic considers "theirs." Insert: steel drums. Insert: African prints. Insert: bodies that do not look like the 1988 squad. Not because those bodies don't belong. They do belong. That's what makes it work. The ad is CORRECT. We made a correct ad that generates more outrage than an incorrect one ever could. Because you can't say it's wrong. You can only say it makes you uncomfortable. And discomfort is worth three times what outrage is worth in our model. Outrage peaks at 48 hours. Discomfort cycles for weeks. We don't sell shoes. We sell the argument about the shoes. I have a dashboard. It's called ROAR. Return On Algorithmic Rage. It refreshes every six minutes. I can watch the Netherlands kit travel from right-wing accounts ("demographic replacement") to progressive quote-tweets ("if this bothers you, you're telling on yourself") to mainstream think pieces ("What Nike's Dutch Kit Reveals About European Identity") to late-night monologues. Each handoff multiplies the impression count by 2.3x. We have never found the ceiling. The far-right accounts respond in four hours. We know this because we tested it with the France kit in 2024. The progressive defense takes six hours. The think pieces take thirty-six. The "I'm not racist BUT" accounts — the ones who feel something and don't know what to call it — take seventy-two hours. Those are the most valuable. They share the ad to say "I'm conflicted." Conflicted shares have a 4.1x engagement multiplier over angry shares. Both sides share the ad. Here is what I find interesting. The far-right says elites are replacing them. The left says this is representation. In my budget, both words appear on the same line item. "Replacement" and "representation" are the same P&L entry viewed from different positions in the income bracket. Neither side is wrong about what's happening. Both sides are wrong about who benefits. The answer is in our quarterly filing. Page 114. The workers in Tangerang stitch this kit for $204 a month. Eleven-hour shifts. Factory dormitory built within walking distance so Nike's supplier doesn't have to offer transportation stipends. It costs $3.70 in labor to produce a jersey that retails at €150. The Dutch factory worker in Eindhoven whose job went overseas fifteen years ago and the Surinamese kid in Zuidoost whose grandmother came on the last boat from Paramaribo — neither can afford this jersey. Both will argue about it online. For free. One is a "response cadence" in our model. The other is a "content asset." Neither is a customer. Both are inventory. I mention the wages not because it troubles me. I mention it because it is the one detail that generates zero impressions. No one screenshots a wage slip. No one boycotts a supply chain. They boycott a COLOR SCHEME. They share a thirty-second ad to prove which tribe they belong to while a woman in Indonesia sews the swoosh onto polyester for eleven hours and does not have an opinion about Dutch identity because she is thinking about whether her daughter can attend school this term. The word "diversity" appears in our marketing budget. Not under "values." Under "earned media catalyst." Line item 7. Right between "athlete controversy window" and "geopolitical sentiment farming." We discovered something the sociologists missed. You don't need to give people representation. You just need to show them their own face. Showing is cheaper than paying. A face in an ad costs one production shoot. A living wage costs quarterly, forever, compounding. We replaced redistribution with recognition. The algorithm cannot tell the difference. The quarterly filing can. Both sides share the ad. My team is seven people. The Cultural Tension Mapping unit. We sit on the fourteenth floor in a room called "The Fault Line." There is a world map on the wall with color-coded pins. Each pin represents a national team kit that has not yet been released. Each pin has a number. The number is the projected earned media value of the controversy that kit will generate. The Netherlands pin said $340 million. We came in at $410 million. I got a spot bonus. I need the wound to stay open. If the Netherlands solved its housing crisis tomorrow, our CTI drops forty points. If wages rose. If integration succeeded so completely that nobody felt displaced. That kit becomes just a kit. A pretty collaboration between a sportswear brand and a streetwear brand. No one argues. No one shares. No one says our name for free. We don't need the problem solved. We need the problem shareable. I have a meeting in eleven minutes. We're looking at the 2027 cycle. Japan is interesting. A Harajuku collab with no cherry blossoms. Brazil without yellow. England without St. George. Every country with an identity has an identity fault line and every fault line is a product launch. The kit itself? The kit is beautiful. That's the thing nobody wants to admit. It's a gorgeous piece of work. Patta did extraordinary design. The community it represents is real. The culture is real. The celebration is real. We just noticed it would also generate $410 million in free advertising if we positioned it correctly. Both sides share the ad. The graph goes up and to the right. It has never gone any other direction. I have a 2027 pin for every country with a flag.

Peter Girnus 🦅

36,581 görüntüleme • 4 ay önce