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My thick #ass whore loves spreading those nice cheeks for her master. Gotta have fun filling her asshole up with hot piss!! #anal #spreading #nfsw #chubby #bbw #curvy #stupid #whore #thick #chunky #pissinass #bitch #sexslave #abuse #braindead

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Drama update for wowtwt: ever since being doxxed by Drohgoh a new challenger has appeared! I guess this is a TWITLONGER! 😂🤠🤡 Meet 𝕔𝕪𝕣𝕣𝕚 ♡ ...a mentally ill chronically online alcoholic 32 yr old grown woman (she pretends to be younger to get male attention) who wants to "ruin my life" because I yelled at her on stream while she was drunk saying stupid shit! Cyrri is a sociopathic fatherless attention seeking former "drug dealer" (so quirky loool) egirl who manipulates her ex boyfriend into paying her rent while shit talking him to eboys online. She claims to not be like the other girls! Lots of those around these days huh? Anyway, at first she was threatening me in twitch chat and then started slandering me to mutual friends and viewers lying about me anyway she could to try to get people on her side and farm sympathy by calling me a "creepy stalker pedo" (she copied drohgoh's slander) and then saying that i tried to "dox" her and threaten her. She then started "crying" while laughing on her stream saying that i was doing stuff to her, it was pornhub tier acting. She also threatened to release edited recordings of me to make me look bad...ok dont care bitch LOL. My wow guild was also getting doxxed and harassed (to fuck with me) and Cyrri was encouraging the doxxers because she knew it would get me gkicked since no guild wants to deal with that. She has no proof of anything because I never did anything so I dont give a fuck at all about her slander. The reason I'm making this post is because she crossed a line. A crazy line. Since Drohgoh leaked my information, a lot of malicious individuals have been threatening me and my family. My elderly mother has been harassed on the phone by Cyrri's associates. Cyrri is so mad that I hurt her ego on stream that she has gone to insane lengths to try to "ruin my life" including having her friends (simps) threaten to send my mother ILLEGAL PHOTOS (yes that kind) and say that I'm involved with that stuff. Maybe she'll try to SWAT me next? Who knows what this psychotic bitch will do! Cyrri and her internet terrorist associates want to fuck with me "until he kills himself or stops streaming" but I won't be doing either of those things. Fuck you Cyrri and fuck your simp ass cringe dark web internet terrorist simps. Stay mad you fatherless degenerate alcoholic🤣 DO NOT CARE LOL U WANNA THREATEN ME U WANNA FUCK WITH MY FAMLY? U WANNA SEND MY MOTHER ILLEGAL SHIT? U WANNA SEND THE SWAT TEAM TO MY HOUSE? SEND ME SOME DOORDASH TOO PLEASE! I WILL JUST SHIT TALK U AND UR CRAZY FRIENDS apple "apple" "luvapple" on discord (INTERNET TERRORIST SENDING ILLEGAL SHIT TO MY FAMILY) KEEP SIMPING FOR A BRAINDEAD EGIRL THAT WILL NEVER TOUCH YOU LIL BRO! KEEP PLAYING ROBLOX ALL DAY CHEATING IN CS HVH WHILE THREATENING TO FRAME PEOPLE FOR CP U FUCKING DEGENERATE CUCK! FBI I DONT GIVE A FUCK I AM GOING LIVE IN A BIT TO DEEP DIVE INTO THIS DRAMA MORE AHAHAHAHA IS THIS SCHIZO ENOUGH FOR YOU ALL? IS THIS WHAT THEY CALL A CRASH OUT? FUCK YOU here are some twitch chat logs and a short clip from the night of the drama after I yelled at her on stream, she doesnt care how she "paints" me... *trigger warning* slurs in clip 🤡

Gromnak

73,034 Aufrufe • vor 1 Jahr

What would you do if this mirror pulled you underwater? Nano Banana 2 + Seedance 2.5 on TapNow prompt SCENE CONTEXT A girl Image flees something unseen through a glowing forest, trips, falls — and finds an antique mirror that yanks her through into an underwater city. There, mid-float before the great shell palace, she turns her head — a flash of POV shows a colossal mouth opening onto her — and back in the wide frame the whale is already closing its jaw and gliding calmly away. 24 seconds, full realism. ACTIVE REFERENCES — STRICT ROLE HIERARCHY Image HER EXACT FACE — sole source of her identity and features, 100% match, zero drift: a 20-year-old , 163 cm, slim and lightly built. Soft rounded oval face; warm light-beige skin with a golden undertone and real photographic texture — visible pores, small freckles and tiny beauty marks across the cheeks and nose bridge; dark blue almond eyes with a shallow partially hidden upper-lid crease and soft under-eye fullness; thick dark straight brows with individual hairs brushed upward; a small neat nose with narrow straight bridge and softly rounded tip; full lips with a defined cupid's bow, the lower lip fuller, natural rosy tone; softly rounded jaw tapering to a small chin; small silver hoop earrings. Ignore this reference's hair, clothing, car interior and lighting. Face identity comes from this reference in every single frame. Image : CHARACTER SHEET — controls everything: long voluminous wavy blonde hair past the shoulders; neat elven ears with slender pointed tips; a white billowy medieval linen shirt deep plunging scoop neckline that reveals significant cleavage., with puffed sleeves; a brown leather underbust corset; fitted sage-green trousers; tall brown leather boots; brown leather gloves; a forest-green wool hooded cloak clasped at the collar. Does NOT control the face. Image FOREST LOCATION — a misty magical forest: narrow dirt path, giant glowing red mushrooms casting warm orange light, pink flowers, mossy trunks, drifting fog. 100% matches the reference. Image : UNDERWATER CITY LOCATION — the plaza: a colossal ribbed nautilus-shell palace with glowing golden seams, pearl shell houses with warm windows, god rays from above, jellyfish and drifting sea life. 100% matches the reference. FORMAT MODE One continuous shot from 0:00 to 0:19, then TWO HARD CUTS in the finale: a fast POV insert and a return to the previous framing. No fades, no dissolves. Full realism. HER BACKWARD GLANCE — HOW IT MUST LOOK, STRICT Whenever she checks behind her, she does NOT turn toward the camera and does NOT look into the lens. She rotates her head roughly 45° to ONE SIDE and her EYES GO THE SAME WAY her head goes — looking off toward that side of frame, into the fog, then snapping forward again. BANS: no over-the-shoulder look at the lens, no eye contact with the camera, no 180° head turn. SHOT 1 — 0:00–0:01.5 — HER FEET, LOW AND CANTED LOW, near ground level, canted hard — Dutch tilt ~20–25° — framing her BOOTS and lower legs sprinting along the path: soil bursting, cloak hem cracking, mushroom stalks brushing aside, path streaking in motion blur. Handheld, jolting with her rhythm; the pursuer heard far behind in the fog. SHOT 2 — 0:01.5–0:03 — HER FACE, FRIGHTENED Unbroken move: the frame rises and pushes in to her FACE — a tight running close-up travelling with her, still canted, hair whipping. Raw fear: wide eyes, brows drawn, mouth gasping, dirt on her cheek. Twice she performs the 45° glance as specified, eyes going the same way as her head, searching the fog off to that side; then forward again. SHOT 3 — 0:03–0:05 — THE TRIP, WIDE Unbroken: the frame swings out to a WIDE shot of the path — full figure, mushrooms towering, fog closing the depth. Mid-glance her leading boot CATCHES a root — the foot stops dead, momentum throws her forward, and she goes down hard in full view: knees, then hands and shoulder into the dirt, dust and leaf litter bursting up, cloak flying over her. She lands sprawled, chest heaving. SHOT 4 — 0:05–0:09 — THE MIRROR SHE ALMOST IGNORES Unbroken: the camera drifts in from the front, then around to her side, settling into profile with her and the mirror in frame. Fear first, curiosity second: sprawled, she checks behind with the 45° head-and-eyes turn; the crashing is closer. She scrambles up, barely looking ahead — then registers an ornate antique MIRROR against a mossy trunk, filled with cold blue glow unlike the warm mushroom light. Brushing dirt off her sleeve with ONE hand, her eyes stay on the glass. THE MIRROR DOES NOT REFLECT: her reflection NEVER appears, no mirror image of her, no reflection of the forest — the glass is a window filled with its own inner light: fog thinning into deep watery blue, faint caustics, vague luminous silhouettes far in the depth, no sharp image. The blue washes her face. ACTING TASK — HER CHOICE (the work happens in her eyes): glass → a 45° glance into the fog behind → glass again; she registers that nothing of HER answers her movement in it; no time to solve it. She extends ONE FINGER toward the surface. (Safety: gaze always engaged; natural blink cadence.) SHOT 5 — 0:09–0:11 — THE YANK: UNDER A SECOND Her fingertip nears the glass. The light FLARES — the surface SNAPS outward like a whip and SEIZES her hand. INSTANT: she is RIPPED off her feet, jerked forward along her outstretched arm, body whipping horizontal in a single frame, head-first through the glass, boots torn off the ground last, cloak cracking behind her. No build-up, no float — limp as a ragdoll, the mirror doing ALL of it, vector purely FORWARD through the glass plane. Camera: caught off guard WITH her — it WHIPS sideways-and-forward, slings around behind her flying body and punches through the rippling surface on her heels; water and bubbles SLAM across the lens, forest colors ripped into deep blue. NOT her POV. SHOT 6 — 0:11–0:16 — ARRIVAL IN THE PLAZA Same shot, no cut — camera behind her. THE FIRST UNDERWATER FRAME IS THE ARRIVAL FRAME: the portal exits DIRECTLY INTO the plaza of >>; the colossal nautilus palace is ALREADY in frame, its ribbed pearl wall with glowing golden seams filling the background, sharp and close; shell houses with warm windows border both sides. NO TRAVEL, no approach — the water BRAKES her within a meter or two. HER BODY: horizontal, HEAD-FIRST, back toward the surface, fully passive — arms loose, LEGS STILL AND MOTIONLESS, no kicking, no strokes; thrown cargo, not a swimmer. UNDERWATER PHYSICS, HIGHEST PRIORITY: hair streaming backward in rippling seaweed-like strands, cloak dragging in a heavy water-loaded wave; on stopping, hair and cloak drift forward past her shoulders by inertia. She pivots from horizontal to upright — feet swinging down, legs hanging relaxed — settling into weightless float facing the palace wall. HER HAIR AT REST, STRICT: no parting, no combed order — a loose free-floating mass fanning outward and upward from her whole head, strands crossing over her crown in constant slow chaotic motion, never symmetrical, never still. The cloak billows wide, breathing with the water. SHE CANNOT BREATHE UNDERWATER: cheeks slightly puffed, lips pressed, holding her breath. Bubbles rise from her mouth in small silver clusters climbing upward past her face. ACTING TASK: to ORIENT beneath something impossibly huge — her attention pulls UPWARD: head climbing the glowing houses, up the palace wall, chin lifting, trying to find where the spiral ends. Jellyfish pulse between the houses. SHOT 7 — 0:16–0:19 — SETTLE INTO THE MEDIUM PROFILE FRAME Same shot, no cut. The camera drifts smoothly from behind her around to her side and settles into the framing that holds for the rest of the film: FRAMING LOCK — MEDIUM PROFILE: she is seen from her LEFT SIDE in a medium shot, CHEST-UP ONLY — never full-body, never small in frame; her head and shoulders occupy the lower-left third, elven ear tip clear, hair a floating dark halo, white puffed sleeve and green cloak reading in the frame's bottom, one gloved hand extended forward. Behind and above her, filling the whole background, the giant glowing spiral nautilus palace; pearl shell houses along the lower edge; god rays raking down from the surface; a jellyfish drifting at frame-left; her bubbles rising past her face. She hangs weightless with the faintest sway. SHOT 8 — 0:19–0:21 — SHE TURNS HER HEAD (SAME FRAME) No cut, camera locked in the FRAMING LOCK. She turns her head sharply to look off toward frame-LEFT — a fast, alarmed head turn, eyes going the same direction, brows snapping up, a startled burst of bubbles ripping from her mouth. Her shoulder tenses; nothing else of her moves. She is still only chest-up in frame; the whale is NOT visible yet. HARD CUT. SHOT 9 — 0:21–0:22.5 — POV: THE MOUTH OPENS ON US FIRST-PERSON POV FROM HER EYES — fast and brutal: filling the entire frame, the colossal whale's head rushes in from the left, and the vast baleen MOUTH OPENS WIDE — grooved pale throat pleats stretching, a dark glowing cavern spreading until it swallows the frame edge to edge; water and bubbles ripping past the lens; the scale absolute, the opening several times larger than a human body. Quick — a second and a half, no lingering. The frame goes to the mouth's darkness. HARD CUT. SHOT 10 — 0:22.5–0:24 — BACK TO THE SAME FRAME: THE WHALE MOVES ON Return to the EXACT FRAMING LOCK of Shot 7–8 — same camera position, same background: the glowing spiral palace, the shell houses, the god rays. The girl is no longer there; only her last scattered bubbles rising where she floated. The colossal whale is already in frame with its JAW CLOSED, gliding calmly from LEFT to RIGHT across the plaza — placid, unhurried, indifferent, as if it simply fed on the way past. Its enormous flank sweeps close past the lens: dark iridescent mother-of-pearl skin shifting purple-green-blue like oil on water, scattered glowing teal rings and dotted bioluminescent lines, a tall webbed translucent dorsal fin with visible veining, pectoral and tail fins extending into long flowing translucent ribbon-streamers rippling like silk. TRUE WHALE LOCOMOTION: all thrust from the TAIL — deep lateral sweeps bending the rear third of the body, an S-wave of muscle rolling down the flanks head-to-tail on every beat, mass shifting under the skin, head steady on course, ribbon-fins streaming back like wings. Living muscle, never a rigid sculpture on rails. Its wake rocks the jellyfish and scatters her bubbles. It exits frame-RIGHT. Final beat: the empty plaza, the palace glowing, bubbles dispersing, water settling. END. Exactly ONE creature in the finale, the same individual in the POV and in the return frame — no second creature, no duplicate. No grabbing, no chewing, no thrashing, no blood, no gore — the horror is entirely scale. PHYSICS Forest: real running biomechanics, the head-turns costing her balance, the trip stopping the foot dead while momentum carries her over, a genuine three-point fall, real bodyweight in the scramble up. The yank: whip-crack acceleration, body limp, purely forward. Underwater: everything obeys water — drag on limbs and fabric, slow rebound, no dry-hair or dry-cloth behavior in any frame; the whale moves with true mass and inertia, its bow wave visibly displacing water, bubbles and jellyfish; the jaw opens and closes with weight, not like a trap. LIGHTING Forest: warm orange mushroom glow against cool misty air; the mirror's cold blue the only competing source. Underwater: cool blue depth light with god rays, warm golden light from the shell houses and the palace's glowing seams; caustic ripples crawling over her skin, the white sleeve and the whale's flank; the open mouth in the POV reading as a deep shadowed cavern with faint light only on the throat pleats. Natural exposure, no stylization. MATERIALS Real skin with pores and freckles; individual hair strands, dry and flying in the forest, water-loaded and undulating below; real linen weave, leather grain, heavy wool cloak with true water weight; real soil, moss and mushroom flesh; pearl shell with subsurface glow; the whale's iridescent hide with subsurface shift, skin folds and grooved throat pleats, translucent fin membranes. No plastic skin, no CG sheen. AUDIO — SFX ONLY, NO MUSIC 0:00–0:05: pounding footsteps, ragged breathing, cloak snapping, DISTANT crashing branches and a low guttural monster call rolling through the fog; the trip — scuff, body impact, gasp. 0:05–0:09: panicked breathing, scrambling in dirt, forest ambience, a rising crystalline hum near the glass. 0:09–0:11: a sharp liquid CRACK, one violent water-rush WHOOSH, bubbles slamming the lens; forest sound cutting off dead. 0:11–0:19: muffled underwater ambience, soft bubble streams, distant whale-like calls, faint clicks, a deep resonant hum from the palace. 0:19–0:22.5: a startled bubble burst; a deep swelling RUMBLE from the left; in the POV a roaring water-rush and the wet groan of the opening jaw. 0:22.5–0:24: one soft heavy WHOMP settling, then calm rhythmic tail SWISH, the flank's water-rush passing the lens, fading right into churning wake and settling ambience. No score, no melody anywhere. POSITIVE CONSTRAINTS Continuous shot 0:00–0:19; then exactly TWO HARD CUTS: into the POV insert and back out to the identical framing. No other cuts anywhere. FRAMING LOCK: from 0:16 to the end (except the POV insert) the camera holds the same medium profile framing — she is CHEST-UP, seen from her left side, lower-left of frame, with the glowing spiral palace filling the background. She is never shown full-body in this section, never small in frame, and the camera never moves. The finale order is exact: she turns her head left (chest-up, whale not visible) → HARD CUT to her POV of the mouth opening wide, fast → HARD CUT back to the same framing where the jaw is already closed and the whale glides calmly left to right and exits. Her glances in the forest: ~45° head turns with eyes going the same direction; never toward the lens. The forest pursuer is NEVER shown — distant sound only. The mirror NEVER reflects her or the forest — a lit window, not a reflective surface. Underwater she never swims — legs still and motionless throughout; the palace fills the background from the first underwater frame, no travel. Her hair underwater is a chaotic free-floating mass — never parted, never neat, never still. Face 100% >> every frame, zero drift; hair, elven ears, wardrobe 100% >>; forest 100% >>; plaza and palace 100% >>. No grabbing, chewing, blood or gore; exactly ONE creature; she is not visible after the POV cut, only her bubbles. Full realism — no animated look, no illustration, no CG gloss, no plastic surfaces. Clean image: no grain, no vignette. She is the only person. No text, no logos, no watermarks. OPTICS STRONG anamorphic lens character: horizontal squeeze and compression, oval elliptical bokeh, horizontally stretched highlights, curved barrel edge distortion, chromatic aberration toward the edges. NO lens flares, NO light streaks, NO floating bokeh circles. Shot 1: canted 20–25°, low on boots. Shot 2: focus locked on her face. Shot 3: wide, deep focus. Shots 4–5: her face and the mirror's glow. Shots 6–8: her in medium profile against the palace, caustics softening the depth. Shot 9 (POV): ultra-wide immersive perspective, the mouth filling the frame. Shot 10: the flank sharp as it sweeps past the lens.

Sharon Riley

28,464 Aufrufe • vor 8 Tagen

Analyzing Episode 33. Season 3 aka Of Breaking Out, Waking Up and Fighting Together Evvvveeeettttt. Feels good to be back at analyzing Far City. And, it feels especially good to analyze ep 33 because it was a whopper of an episode. The flow of events, the dialogues, and the acting were all top-notch. Brilliant work. Now, let's get down to business. The episode kicks off with Sadotor (an amalgamation of Sadakat and dementor because fcuk if this woman doesn't suck all the happiness from any room she's in) kicking up a fuss and demanding Ciho and Alya get divorced. Now, I don't know if you've read my analysis of the Far City title song, but in it, I said from the lyrics and picturization of 'de mardin', it seems like Uzak Sehir is a tale of a land lost within its own oppressive history, crying out for a change. And the catalyst for that change is none other than Alya Albora. In the opening scene of ep 33, I was reminded yet again of why Alya is such an important character for this story - not just for Cihan, but also for Albora. Because Alya doesn't stand silent in the face of injustice or wrongdoing. She speaks out. Fearlessly. And each of her words helps lighten some of the burden of systematic abuse, both in the Albora family and the land. Some folks were calling out Alya for not loving Cihan enough or feeling something for Boran in ep32. I hope y'all have been satisfied. Because the only thing Alya feels for Frankenboran is disdain and anger. Rightly so. When Sadakat tries to pin the blame of 'shameless' on Alya and Cihan, Alya reads her the riot act and reminds her exactly of all the things Sadator has done that she should be ashamed of. She reminds her of the will imposed on her and Cihan. Something that Boran should be ashamed of. And then she points out that the only victims in this sorry tale are her, Cihan, and Deniz, because it's their lives that Boran and Sadator almost destroy. Lives that Sadotor is still trying to destroy. And let me tell you - THANK GOD. Because it was about time someone started speaking the truth in that household. That what Boran did wasn't some kind of supreme sacrifice - it was extreme selfishness. Like Alya says, when Boran sends her to Albora, to Sadotor, he knows exactly the kind of hell his mother is capable of unleashing. But instead of being truthful to his wife, Frankenboran gives Cihan one set of instructions, Vurgun another set of instructions, and tells Alya nothing at all. A more assholish move I've yet to see from a husband. Suffice it to say, Alya Albora wipes the floor with Sadotor with the truth. Because the truth can be a weapon in the hands of the oppressed, as long as they have the courage to speak. Something that's highly necessary for the Albora clan. My queen, that's all I can say for Alya. Now, let's switch to Ciho. Just like people were calling Alya ungrateful last week, folks are lynching Ciho for being a 'coward.' Le sigh. I mean, if that's the way you wanna go, no one's gonna stop you. But Cihan Albora is no coward. He's just a man, catching up to his learning curve. When Cihan tells Sadotor 'I wish you weren't my mom' I felt heartbroken for him. I was also incredibly, incredibly proud. Because just like Alya is breaking out of the circle of abuse, Cihan is waking up to his mother's constant, vile manipulation. The next scene that most stood out was Alya and Cihan's heart-to-heart along the banks of the Tigris. And, once again, let me say, I LOVE Alya Albora. She does love fearlessly, this woman. Which is why she tells Cihan outright that when Boran wakes up, she will divorce his ass. So, why does Cihan not come up with an equally kick-ass declaration? Because he's like the Eupharates, remember? Silent waters run deep, and Cihan's character isn't one to rush. Does that mean he's having second thoughts about Alya? HELL NO. The reason he's hesitant is because 1. he's not sure about Alya's feelings (until she tells him in that moment), and 2. he's the one who'll be burning bridges when this showdown happens. He doesn't regret falling in love with Alya, but when you're standing at the edge of a precipice, about to take a leap of faith, you can't help but think about what you're about to do. I know a lot of you had problems with him calling Alya Boran's wife legally, but he's trying to give her room and gauge her reaction. Remember, this is the guy who forces Alya to marry him in the beginning, and he still regrets that. He doesn't want a repeat. Then there's the fact that whether Alya wants to stay with him or go back to Boran is her decision. He knows that. He's shit scared of it, but he knows, if either Deniz or Alya wants to 'go back' to the status quo, they'd be well within their rights. He even says as much. So he keeps asking what if Boran wants you, because saying what if you want Boran is beyond horror. It's a death sentence for Cihan, and he knows it. His efforts finally bear fruit when Alya tells him straight up, she doesn't want Boran and that she wants to stay with the man she loves. The relief on Cihan's face is palpable then. Cihan once tells Sahin that when making a decision, it's best to focus on what you'll be giving up to help make up your mind. Alya is his very life; he makes that clear when he says, 'Sen bana nefes oldu.' So, giving her up is not an option. What that also means is that the brotherhood he's prized all his life (whether rightly or wrongly) will fall under fire, and he won't be able to stop it. And, how that will affect other parts of their lives is up in the air, so you can't blame the man for taking a moment to process. Neither he nor Alya have it easy, but in this case, Alya feels easier to break away. Cihan needs to shed a lifetime of memories he's burdened with. But, despite all that, I'm glad Alya tells him that if he doesn't have the courage to stand with her, she won't go back to Boran. As jarring as her words are, they act as a sort of wake-up call. Reminding Cihan what's at stake. That's needed, and you can see the effect they have almost a few scenes later. When Cihan is talking to Sadotor to ask her to leave Deniz alone, he finally drops his nice-guy act and threatens her exactly the way she operates. Tit for tat. And that made me really happy, because both he and Alya will need to be unrepentant and perhaps even ruthless to save their relationship from what's coming. What sets CihAl apart is their ability to read each other and to communicate. That comes through very clearly in this episode. Another thing that's made obvious is that these two not only belong together (Dicla and Firat) but also that they're never going to give up on each other. To wrap things up, ep 33 marks another turning point in CihAl's lives. This episode seemed to give me 'emancipation' vibes. Alya tears down the walls of guilt and silence that surround Albora ailesi. Meanwhile, Cihan starts taking apart the shackles his past and Sadotor's manipulation have forged around him since childhood. Both Cihan and Alya stop being just survivors and start becoming active fighters in their story, and I loved each minute of it. Till next time, happy reading y'all. #CihAl #UzakŞehir

CocoLoco

19,602 Aufrufe • vor 10 Monaten

WATCH: Jennifer Welch doubles down on her attacks against homeschooling, calling it “patriarchal step of the fascist project” made by those “dumber than a box of hot rocks” and “dead-ass broke” women refusing to divorce “piece of shit, closet-case husbands”.... “And I stand by it. The homeschooling that I was referring to is the crazy Christian homeschooling. It is trickle-down stupidity. You have to be dumber than a box of hot rocks to sit down with your kids and teach them that dinosaurs and man lived on the planet at the same time, that the Earth is 5,000 years old, and on and on. But more than anything, the reason they’re melting down so much about this is because homeschooling is inherently patriarchal, and it is a huge push of the fascist project because it keeps women at home. And over 90 percent of all homeschooling parents are the mother. You know they don’t want women to be out in the workforce to make their own money and have independence so they can divorce their piece of shit, closet-case husbands when they find out. No, they want the women at home, dead-ass broke, homeschooling the kids. This is a patriarchal step of the fascist project. And I will just say to Brian Brian Kilmeade and Tomi Lahren, do you homeschool your kids? Do you do that with a full-time job? What do you do? Do you do it at night? Do you start at 8 p.m. and end at 1, 2 a.m.? Is that how your family values go? So, if you don’t homeschool your kids, shut the fuck up, you two. And to the Fox News producers, have fun watching my show; it’s pathetic. You should be covering this fascist regime in this fascist takeover and not some podcaster, as per Tomi, that people just watch for entertainment.”

Curtis Houck

1,141,207 Aufrufe • vor 1 Monat

8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20… um “It just looks like only your face is floating there…” Yay! 11 viewers, 12, 13 19, 56, 140, 262, 420, 602, 817, 1070, 1351, 1651, 1951, 2248, 2540, 2830, 3152, 3400… 4098 4406, 4731, 5060, 5390, 5708, 6006, 6340, 6690, 7021, 7410, 7776, 8061… Yay! Oh finally, Reading comments now Yayyy~ Yay! Aww~ Chan’s working so hard! You’re doing amazing! Chan-ah, keep it up, fighting! Hyung’s rooting for you I was debating whether to take my makeup off But since I already have it on, I decided to hop on live anyway Hahaha Good evening Yay It’s morning over there for you guys Ahh~ good morning~ Mmmhmm~ Yeah that’s right It’s samgyetang for sure, didn’t they say today’s the first day of the hot summer? But we’ve got Yongbok here today, so it’s fine Hmph~ I genuinely feel my stamina’s gotten way better (whistles) Whoa Wanna hear a fun little spoiler? Something’s dropping in exactly nine minutes from now a teaser image So I’ll end the stream before that comes out We went to daechumyon last time, right? Why’d we go there again…? Oh right, was it the spot we visited before? Did we get fish soup noodles? The sofa here is that exact place This is where I took photos for you guys a while back when I said I didn’t wanna work out my lower body Mmmhmm~ “If that STAY from earlier had Leebit hanging off their bag, would you act all buddy buddy with them?” Ehh, I gotta treat everyone equally Though I should’ve at least said hi, lol I just walked down the stairs to the first floor heading toward the convenience store And she zoomed past me out of nowhere, I caught sight of her She definitely saw me, no doubt about it But when I glanced back, she had tons of Bbokari keychains hanging all over her bag So I thought… “Huh, did she recognize me? Did she figure out it’s me?” But it seemed like she didn’t pick up on it at all “I bet she never imagined LeeKnow would be right there” That’s the tea Concert spoilers? Hmmmmm there’s a bit of everything, we’ve prepared loads And after running through the whole set and rehearsing everything today, I’m unbelievably exhausted lmao, like record breaking tired! (whistles ~) Mmm… Rehearsing actually felt really satisfying though It’s just way too hot I swear my shirt was soaked through with sweat after just one run through But the crowd’s energy’ll warm everyone up during the concert, haha Mmmhmm~ Someone asked if the concert’s gonna run around six hours? 😼 Then I’ll dance and sing every hour… Each song’s roughly three minutes, so I’ll chat for the other 57 minutes Sounds fun to me They said the concert dress code’s running core If you don’t wanna wear that… There’s also orange as an option If neither floats your boat Just go for a run and build up your core strength That’s literally what running core means anyway It’s 10:54 PM now Someone asked if we’re gonna spray water during the concert? (pauses to think) I’m pretty sure I’ll be soaked in sweat by then I’m gonna load up way more hairspray than usual to lock everything down tight You guys excited for Stray Kids Festival? So hyped ~~ Festivals just hit different from regular concerts y’know The most exciting spoiler from SKZ’s hints so far… “Extremely tiring” Whoa! But there’s gonna be tons of highlights Lots to look forward to, loads of fun segments too “Oppa, we have a birthday café event right? Since we’re the birthday kid’s fans, can we eat and drink there for free?” Ahh go ahead, eat all you want, send the bill to JYP 😼 hehe I heard after promotions wrap up… wait no, we’ve got another comeback right after the concert tour ends, so it’s gonna be chaotic in the best way We’re gonna be running nonstop jumping from one schedule to the next Time flies so fast, it’s already 10:56 PM I’ve been checking my watch nonstop I gotta wrap up before 11 PM I’m gonna crash straight after I shower Someone asked if I’ve thought about dyeing my hair… hair dye? I’ll consider it, just thinking about it for now Mmmhmm~ I’ll mull it over I think I heard what you were listening to earlier Fruit flies have been driving me crazy lately Not like swarms of them, just the random one popping up every now and then So I bought a fly trap to catch them I still dream every night when I sleep Mhm But up until a few weeks ago I kept waking up in the middle of the night nonstop Nowadays I sleep straight through till my alarm goes off “Has Mr. Cockroach shown up lately?” If that cockroach makes an appearance… ugh It’s 10:58 PM everyone I’m gonna be extra nice today Say a proper goodbye to all of you before signing off Like I said, something’s dropping at 11 PM “How do you catch cockroaches?” Hmph If you wanna live comfortably in that house… Mmmhmm~ I’m actually really good at catching cockroaches “Can I call you LeeKnow?”(Korean informal) Go for it, feels like everyone already does anyway (stream ends)

LEE KNOW 리노 GLOBAL ★

31,910 Aufrufe • vor 1 Monat

It's not uncommon for teens to develop an interest in politics/philosophy/religion/cultural issues. You know this because your son is on the server, you fucking idiot. You've been on the server at least 4-5 times to debate some of those teens during AMAs about a wide variety of issues. You absolutely knew many of them were minors at the time you debated them in the server while streaming to your audience. You've debated other content creators - who were minors - on your stream countless times over the last decade. They all had their own communities - full of minors. Don't you feel at least a little weird about trying these attacks? You were just outed by one of your closest friends for doing ageplay -- AGAIN. You received CSAM as jerkoff material and when the minor was later located you pulled up her kiwifarms thread with her dox and underage photos ON YOUR STREAM. You've gone on in detail about how you found and scrolled through countless images and videos of minors engaged in sexual acts on twitter - THEN POSTED THE HASHTAG YOU FOUND IT ON IN YOUR CHAT. You giggled like a bitch while talking about the good old days when you and your other adult friends trolled a child into pulling out his dick on camera for you while his brother, who you knew so well you had a nickname for him, was on stream shirtless for you. You hang out with a proud pedophile, who has groaned on and on about wanting to wrap herself around a 12 year old and jerking off to cartoon kids, and call that pedophile your only true defender. Are you starting to understand the difference? When we find minors being groomed by predators in our community, we immediately involve the parents, the platform, and the authorities. Then we publicly name and shame them so everyone knows what they are. When you found a minor being groomed by a predator, you helped kiwifarms dox her because you couldn't. I turn CSAM over to the authorities so they can arrest the perpetrators and protect the minors. You recorded yourself blowing hot loads to it. We are not the same. I don't think it's reasonable to punish teens with an interest in learning about these topics because the internet is full of people like you. Also -- Yes, my father had an extremely outdated sense of masculinity and machismo. I grew up very rough. I was not a sheltered suburban boy like you. When I was a child, my friend's older brother and his friend were murdered in a drive by while I was near the car they were parked in. One was killed instantly. I watched the other bleed out and die. Many of my family members and friends were killed by gang violence when I was young. My father thought the best way to help me absorb this was a crude form of exposure therapy. Why is this relevant? Do you think it has impacted my ability to process emotion? I mean -- Probably. Very likely. I think I do just fine though. Would it be relevant for me to bring up your dementia-addled grandmother strangling puppies you'd grown to love after blaming them when she'd piss on the floor? Would it be relevant to bring up the fact you were raped as a child? Have those and other traumas probably impacted your ability to process emotion? Probably. Clearly, you are not doing just fine. Was this just a lazy attempt at a dig or did you intend to go somewhere with the childhood thing?
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It's not uncommon for teens to develop an interest in politics/philosophy/religion/cultural issues. You know this because your son is on the server, you fucking idiot. You've been on the server at least 4-5 times to debate some of those teens during AMAs about a wide variety of issues. You absolutely knew many of them were minors at the time you debated them in the server while streaming to your audience. You've debated other content creators - who were minors - on your stream countless times over the last decade. They all had their own communities - full of minors. Don't you feel at least a little weird about trying these attacks? You were just outed by one of your closest friends for doing ageplay -- AGAIN. You received CSAM as jerkoff material and when the minor was later located you pulled up her kiwifarms thread with her dox and underage photos ON YOUR STREAM. You've gone on in detail about how you found and scrolled through countless images and videos of minors engaged in sexual acts on twitter - THEN POSTED THE HASHTAG YOU FOUND IT ON IN YOUR CHAT. You giggled like a bitch while talking about the good old days when you and your other adult friends trolled a child into pulling out his dick on camera for you while his brother, who you knew so well you had a nickname for him, was on stream shirtless for you. You hang out with a proud pedophile, who has groaned on and on about wanting to wrap herself around a 12 year old and jerking off to cartoon kids, and call that pedophile your only true defender. Are you starting to understand the difference? When we find minors being groomed by predators in our community, we immediately involve the parents, the platform, and the authorities. Then we publicly name and shame them so everyone knows what they are. When you found a minor being groomed by a predator, you helped kiwifarms dox her because you couldn't. I turn CSAM over to the authorities so they can arrest the perpetrators and protect the minors. You recorded yourself blowing hot loads to it. We are not the same. I don't think it's reasonable to punish teens with an interest in learning about these topics because the internet is full of people like you. Also -- Yes, my father had an extremely outdated sense of masculinity and machismo. I grew up very rough. I was not a sheltered suburban boy like you. When I was a child, my friend's older brother and his friend were murdered in a drive by while I was near the car they were parked in. One was killed instantly. I watched the other bleed out and die. Many of my family members and friends were killed by gang violence when I was young. My father thought the best way to help me absorb this was a crude form of exposure therapy. Why is this relevant? Do you think it has impacted my ability to process emotion? I mean -- Probably. Very likely. I think I do just fine though. Would it be relevant for me to bring up your dementia-addled grandmother strangling puppies you'd grown to love after blaming them when she'd piss on the floor? Would it be relevant to bring up the fact you were raped as a child? Have those and other traumas probably impacted your ability to process emotion? Probably. Clearly, you are not doing just fine. Was this just a lazy attempt at a dig or did you intend to go somewhere with the childhood thing?

Dooby

84,383 Aufrufe • vor 3 Monaten

The “I never wanted any of this to be public or content” Myth I never wanted any of this to come out. Except I actually mean that. It’s embarrassing, it’s trashy, and it’s the opposite of how I want to present myself publicly. I stayed silent for months while lie after lie was spun about me behind the scenes because I didn’t want to air private, messy moments from a relationship I genuinely cared about. I stayed silent out of fear, because I was told no one would believe me because he would be blindly believed on his large platform. In one of our very last conversations before I blocked him everywhere mid-October, he threatened to do a show on me, contact my employer, and “turn me into the next Lindsey”. Why? Because I didn’t want to continue apologizing to him for the 300th time about venting to someone I thought was a friend. I stayed silent because of these threats. But after Wednesday, after Chelsea posted the private video Aidan gave her, (the same one he threatened me with directly back on 10/2), and after the gaslighting posts yesterday, I don’t have a choice anymore. So here is the timeline. Here are the receipts. Here is what actually happened. September-October 2025- I Stayed Silent Through Months of Smear Campaigns For months, several creators repeated the same false narrative that “Aidan never said a bad word about Meredith.” Jess. Glarer. Auntie Deb. Kim. Ray from Dallas. Others. Meanwhile, Aidan was: • Badmouthing me privately and encouraging others to do so publicly, • Texting Joe “Flipperhead” entire paragraphs trashing me, • Aidan knew Joe would leak them (and even bragged on a stream that he did exactly that so he’d leak them), • Sending Jess Machado after me for months on her large platform, • Directing people behind the scenes to paint me as a villain. • Sending random people who supported me DMs to change their mind (yes Aidan, not everyone is fooled by your bullshit and they came right to me). I ignored all of it. I said nothing. I stayed silent through daily lies because I didn’t want to call more attention to it or face Aidan’s wrath. November 2025 -The Rumors About “March 4”, Joe Flipperhead Flips to Team Aidan Aidan texted Joe his entire made-up version weeks ago. Joe circulated those texts on purpose. Joe threatened me with posting a video montage of mine and Aidan’s private texts. Joe is a pussy so he eventually had Kristy post it for him. Creators discussed it publicly without me ever responding. I STILL didn’t defend myself. November 26-27, 2025- Ratchet Chelsea: The Full 48 Hour Meltdown 11/26/25- The Unprovoked Attack & The March 4 Video On Tuesday night, Chelsea came out of nowhere and launched herself straight at me, accusing me of all kinds of conspiracies from harassment to the horrific crime of sending a friend request, which is explained in vivid detail in the below post (she’s since gone somewhat viral, love this for her!) She spent the next 24 hours thoroughly embarrassing herself and the moment anyone challenged her story even slightly, she did what she always does: she imploded. Her accusations spiraled into her posting the March 4 video. On 11/26/25 at 11:08 PM, Chelsea posted the first clip–a blanket, context-less snippet of me drunk saying something I immediately apologized for the next morning. At 11:50 PM, I responded because at that point, I had no choice. 11/27/25-The Gaslighting & 9-Minute Backpedal Then yesterday, Aidan tried to save face by posting that he “didn’t want the video to be public.” And like clockwork, nine minutes later, Chelsea came charging into the comments like a Temu-sponsored bat out of hell, scrambling to apologize, trying to rewrite reality so it looked like he didn’t send her to do it. It was panicked, sloppy damage control. An amateur quality cover-up attempt that only made it more obvious how coordinated this all was. She wasn’t apologizing because she grew a conscience. She was apologizing because she got caught doing exactly what she’d been primed to do. I wonder if Aidan called her “you should’ve waited at least 20 minutes, dumbass!!!”. Not too bright that Chelsea. I can only imagine the regrets he must have for utilizing someone with the IQ of a pencil to do his dirty work. The Coordination Between Aidan & Chelsea Is Obvious Chelsea had virtually NO followers Wednesday morning. Aidan was one of the first. We’re supposed to believe someone with 150k followers just stumbled on an account that starts posting HIS private messages and HIS private videos? Kk. Aidan commented on her posts that same day, clearly encouraging it. She confirmed in my DMs back on 11/6 that she and Aidan were aligned. And she literally wrote at 4:04 AM that she had “proof,” videos & screenshots she would release if I didn’t “stop calling” her, calls she still hasn’t produced a single shred of proof of. Then yesterday within 9 minutes of his post, she writes: “Sorry for going rogue, Aidan, I hope you don’t hate my guts.” Going rogue? From WHAT? Who gave you the material in the first place? The coordination is obvious to anyone with functioning brain cells. The “I never wanted this public” lie Aidan’s post yesterday claimed he “never wanted this to be public.” If this were true, why did he instruct Chelsea to post it? Why did he share it with Jess Machado to threaten me with for the last month? Why did he share it with Joe Flipperhead, and God knows who else? If he didn’t want it public, he wouldn’t have shared it with anyone, let alone the girl I caught him cheating with. The timeline is clear– Chelsea posted a video at 11:08 pm on Thanksgiving Eve, I responded at 11:50 out of self defense. He leaked first. He escalated first. He weaponized it first. Trying to rewrite that now is gaslighting, pure and simple. He's been lighting matches behind the scenes for months, praying for this to go public. The “Meredith accused him of abuse” narrative is FALSE My actions tell the truth: • I never went to police. • I never filed anything. • I never told anyone he hit me. • I never repeated it. • I apologized the next day. • We stayed together for FOUR more months after that night. • He called me 100+ times some days, even indicating he’d end his life if we broke up. If he believed I was “dangerous,” his actions would have said that. They didn’t. The only reason this is public now is because HE leaked it. Actions > drunk slurred words said because a camera was shoved in my face when I asked him repeatedly to stop filming and to leave. The Wilbur Theatre Rumors—Let’s get petty for a second. This is another topic I’m cringing at discussing but we can thank Aidan for since he shared our sexual messages with Joe Flipperhead. And since some people (Auntie Deb, sweetie, this means you) insist on pushing their Dollar Store fan-fiction about the Wilbur Theatre night, let’s actually walk through what happened, using facts instead of whatever drug-induced hallucinations you’ve been spinning this week. The rumor goes like this- I was “mad at Aidan because we didn’t hook up,” and to “prove” it, they trot out a cherry-picked text where I said I wanted to hook up, he didn’t answer, and the next morning I said I was drunk and sorry. And somehow this has been spun into me being desperate, obsessed, or pining like a background character in a teenage soap opera. Adorable. Wrong, but adorable. Here’s the real plot twist-Aidan and I had already been together literally two days earlier, and shocker-that was initiated by him, not me. I didn’t just “show up at the Wilbur”. He invited me to come to the after party at Encore knowing I had a wedding earlier in the night. I wanted to see my friends there who I actually met to go with. This wasn’t a surprise, it was planned ahead of time. The “I was drunk, sorry” message wasn’t heartbreak. It wasn’t longing. It was me politely tapping the brakes because I didn’t even want to entertain whatever bad path it could lead us back down. And then? He texted me asking about my brother’s wedding, how I am, etc. I ignored him for a full week. Until I had no choice but to speak to him about MereNeill. That silence, from me, is what triggered his latest meltdown. Not mine. His. So no, Auntie Deb, your version isn’t “a different perspective.” It’s just wrong. Like wildly, hilariously, not-even-in-the-ballpark wrong. But sure, keep spinning fanfic if it makes your livestreams feel more exciting. I realize it’s probably been awhile since you’ve had any action since you’ve let yourself go so badly, so you live vicariously through others. Recap For MONTHS I ignored: • the texts he sent Joe to leak • the smear campaign • the creators parroting lies • the behind-the-scenes messages • the insinuations I hacked him and even shared revenge porn • the constant coordinated attacks • the threats of “turning me into the next Lindsey” • his warning that everyone would believe him because of his platform • the threats to contact my employer I didn’t clap back, didn’t retaliate, didn’t respond. But Wednesday, when Chelsea dumped the video he gave her, the same video she threatened weeks ago to drop, AND he posted pretending he didn’t want this all out? That was the line. They chose the nuclear option. Now I’m responding with facts in pure self-defense. Conclusion/Message for Temu Storm This entire mess could have stayed private. I wanted it to stay private. But when someone leaks your private moments, lies about your intentions, weaponizes your past, and coordinates an online attack, you either let the false narrative stand or you defend yourself. I’m choosing to defend myself with receipts, not gossip. With timelines, not “he said.” With evidence, not weaponized drunk clips. And then there’s Aidan’s favorite delusion. The claim that I was ‘working with Karen behind the scenes’ or ‘conspiring with her to get him in trouble for the recording.’ That could not be further from the truth. I didn’t even know he had recorded her until after she already knew about it herself. I wasn’t working with her, plotting with her, or communicating with her about it. She and I have always been friendly, but we didn’t even discuss the recording until it started leaking and Joe Flipperhead went feral on Twitter. Meanwhile, Aidan spent weeks screaming at me, accusing me of being some kind of secret double agent, like he was trying to create the betrayal he was terrified of. Almost a self-fulfilling prophecy. And here’s the reality: in the last few weeks, after he’s gone fully scorched earth on me, I have talked to her, and I support her 100%. The things he’s done to her over the past couple years, and the way he twisted it all for his followers, is the exact same manipulation I lived through. I’m not going into her details because that’s her story to tell… but let’s just say I have a feeling you’ll be hearing it sooner rather than later. And since this week has apparently become “Let’s All Fixate on Meredith Week,” let me address the content-creator sideshow, too. Some of you are strangers, while some I actually considered my friends. It’s shocking but not shocking how quickly you all flip a switch and follow your captain’s orders. Ray from Dallas spent his Sunday foaming at the mouth in a hostile little video about me, all bark, no substance. I saw it. I’m not intimidated. Mostly, I’m embarrassed for you. And your family(ies) will feel the same when your ass is doxxed next week. Can’t wait to tAkE tHaT WaLk with you! Then there’s Will, who’s gone on multiple streams calling me “crazy” and pretending he’s scared of me, despite me being nothing but nice to him. Why? Because he thinks I was the first one to tell Karen he heard the recording, which he absolutely did (unless Aidan is lying about who he played it for, but we know he’s actually telling the truth on this for once). She was informed of it the very next day, which is why she called you and you know this. This was two full days before I was even aware of a call at all. Will, for someone with your track record, maybe sit the “women are dangerous” narrative out. You’re not fooling anyone. I’m staring at 15 pages of police reports and no, it’s not all “things you’ve owned up for in the past”. You know this. Again, I’d take a very large seat here. And then my personal favorite-ex-fake friend Auntie Deb, who decided to spice up his Spaces on Thanksgiving by accusing me of distributing revenge porn with zero evidence, zero screenshots, zero anything. A completely fabricated felony tossed around like it’s gossip hour at the bingo hall. Considering your own professional history, James, I’d hope you of all people would understand how catastrophic false accusations can be, but apparently not. It would be a shame if I were to share the real reason around your separation at the middle school and how you wanted to bring Turtlenoy into it. This is all based on the several witnesses I’ve spoken to. See how that works? You announce things as fact based on something someone told you. I wonder if you’ll have that same enthusiasm when the topic is you. TBD. I’ll wait for that retraction about revenge porn. Ball’s in your court hun. And of course, there’s Jessica Machado, who’s been grinding this axe for months like it’s her full-time personality. Hos long did you cry when Chelsea beat you to the punch with that video? Don’t worry hun, there’s more but she didn’t post it because it’s not great for your fairytale. If you thought the fall-out of Kate’s video was bad, Jessica…stay tuned. I may have been momentarily distracted dealing with the chaos from Temu Chelsea, but there’s an army of your victims out there that are eager and ready for your downfall. The false claim that I shared “revenge porn,” the conspiracy theories, the wild accusations you present as fact, all of it. The 10+ streams you’ve now defamed me on. You’ve been so obsessed with me for so long that you can’t even keep your own narratives straight anymore. I love this so much for you. Let me be crystal clear–I am done being all of your punching bag. You love to spin this narrative that I’m this dangerous person. You’d think you’d lay off from constantly f*cking with me if you truly believed that. I would genuinely love for this nonsense to stop. But that requires ALL of you to stop manufacturing drama, stop lying, and stop weaponizing made-up crimes for clicks. And if they want to keep going? I’ve got plenty of content for many seasons to come.

Meredith O

16,962 Aufrufe • vor 8 Monaten

Well, friends, the interview the John O'Keefe and Karen Read trial world didn't know they wanted has finally occurred. I appreciate The Glarer for having me on his program. We discussed Kate Peter, I defended Lindsey Gaetani's honor, both sides agreed as to the importance of civil debate and leaving people's families out of the fray and then Will helped Olivia and I move towards amicable discussion. Overall, a 10/10 way to celebrate the day towel become a YouTube partner. Here are my two favorite quotes from Will and myself; [Grant] "If any of you took 10 minutes --not on camera-- to talk to Lindsey Gaetani, you would find someone who believes in God, who cares about her children, who's a good mother, and who's not any of the things you made her out to be. And by God I will defend that 'till my last day." [Grant] "I realized that there was just this toxic atmosphere surrounding this case, and I couldn't just say I thought it needed to change — I had to reflect that change in my actions." [The Glarer] "If you believe so much in Karen Read’s guilt, then the facts should speak for themselves. You shouldn’t have to bring people’s family members into it. [The Glarer] "But you know what I think, Grant? I think that you're a really smart guy. And I think you know you're a really smart guy. And I think what you do is, you convince yourself — because of how smart you are — that if you came up with it, it must be gospel. And that's where I think you get cloudy between the truth and your opinion." Here's the full transcript: [Grant] Well, good afternoon towel friends. My name is Grant Smith Ellis and in addition to becoming a YouTube partner today I also decided to call into The Glarer's show. It was the collaboration that the world didn't know they needed but now they have. And if you'd like to listen to this fascinating conversation, related to new allegations as to Kate MafiaMasshole Peter being a PI in the orbit of the Aidan Turtleboy Kearney prosecution, as well as somehow both Will and I eventually coming to a discussion where I defended Lindsey Gaetani's honor, along with a closing segment about the importance on both sides of the Karen Read and John O’Keefe case of being mutually respectful, even if we have differences of opinion on those facts, you can do so right now. Will and I shared a belief that positive changes in the Karen Read and John O'Keefe trial world, at least in terms of that improving dynamic as to disagreeing without being disagreeable, are evident. So enjoy the conversation, folks. It was certainly an interesting one. [The Glarer] You're on — who am I speaking with? [Grant] Hey, Will, it's me. I'm Grant... [The Glarer] — hold on, I gotta give you applause, buddy. You made it. [Grant] Well, we certainly may have different views on the case, but I think we share respect for Jesus and we can talk bad about Kate Peter for sure. [The Glarer] Yeah, that we can do. Sure. Sure. So what's up, bud? What do you got to say? [Grant] Well, I think if people have been following me on X, they will know I've been yelling about Kate Peter taking an envelope of cash in the Chick-fil-A parking lot in front of me for months. And I feel vindicated as of the news of this weekend. [The Glarer] Okay. Okay, so wait a minute. That tracks. So the person who is in this sworn affidavit who claims to have seen Kate Peter with the manila envelope — you're claiming to have seen her with the same envelope. Is that what you're saying? [Grant] It wasn't a manila envelope. Well, there's two pertinent facts. So Kate Peter and I met up for the first time — I would say it was in the winter of 2024 — in a Chick-fil-A parking lot somewhere on the South Coast, maybe near Raynham or something. Anyway, she came and got in my car and she was like, "Well, I'm waiting for someone in a white Toyota Corolla to drop me off money. We try to do it with cash so it doesn't leave a record." And I was like, "Well, this seems a little weird." And then the car pulled up. I didn't actually see the car. She got out, went over to it, came back into my car. It was a white envelope with a green thank-you card. She opened it. There were probably four or five hundred — four or five fifties and a bunch of twenties. [The Glarer] Wow.... Okay, now Grant, I gotta ask you a tough question, buddy. I would be remiss if I didn't do that, all right? Now, a lot of people are thinking the same thing I'm thinking right now, which is: how can we believe you? Where's your credibility? Because you've lied about so many other things so easily. [Grant] Well, I would challenge that and say maybe you have different perspectives on me, but that should reinforce what I'm saying here. The Melanie Little and Alan Jackson Aruba thing — I apologized for that on stream and in a post (because Melanie Little told people not to go after Lindsey's kids, and I found that honorable). [The Glarer] Fair enough. [The Glarer] You did apologize. Okay, so you apologized for that. Okay. [Grant] But I'm critiquing someone [Kate Peter] who would ostensibly be aligned with what I believe about the case, and I still believe what I believe about Karen being responsible for John's death— we don't have to get into it — but I'm critiquing someone who supports that view. That should reinforce my credibility here. [The Glarer] Yeah, and MicroDots backs you up at least on this thing, you know, he says he believes you on this thing. I'm just saying — dude, I've read what you've written. You're a talented writer, clearly. But I can honestly say I've got a whole community of people here — a shit ton of people in this chat right now — that I know would agree with me that if you made a habit of reporting the truth, you'd have support, you'd have readers, you'd have a whole audience. I'd be a fan! But your credibility is fucked with me right now, dude. You know, and I hate that, because I actually enjoy reading what you write. [Grant] I appreciate what you're saying. I think I would just say maybe it's smaller than your community, but I just got made a YouTube partner today. I'm actually celebrating that. I have a small community, people do support me — maybe not as many as support your channel, but it's just people with different views consuming different content. [The Glarer] Yeah, but the thing is — like, I'm content with my audience. My audience could be bigger, but I cuss a lot and I use words that offend people and I just don't kind of play by the normal YouTube game that most creators play when they grow, you know? And I'm okay with the rate at which my channel grows because I get to be myself. But I don't hold back and I don't play by these rules. So I get all that. But I mean, I'm not ethically doing anything wrong. If I were spreading misinformation or contributing to any spread of misinformation, I would have a problem with myself and what I'm doing. You see what I'm saying? Like, it's a little bit different. You're telling me that you're content with your audience being small because you like to make shit up? You know what I mean? [Grant] No, no. Because it's a new channel. That's why the audience is growing. Anyway, the reason I shake your hand is I do think you're authentic in your beliefs, even if we disagree. And well — before I forget, one more thing about that Chick-fil-A parking lot cash that's actually important: when Kate got that money handed over, she told me it was for a donation drive to help other people offset babysitting costs or whatever nonsense. Someone sent a text message — a family member of the person who paid her that cash — and they put in writing that they sent the money for Kate's own expenses. So she lied to me in the car about what the money was for. Something’s up with that. [The Glarer] So she told you in the car that the money was for... [Grant] She said it was to pay for babysitters for people who need help and to donate to other people, which I don't believe. Like, of course not. Nobody believes that. [The Glarer] And then you found out — through what — that this money was actually for her personal expenses? [Grant] Eventually a text message got released from someone in the orbit of whoever paid Kate. It was a family member — I don't know who it was. I've only seen the text message. I'm happy to reshare it on my X later. In that text message, it says — quoting the person — "I sent that envelope with my sister over to Kate. It was for her expenses" or something like that. So even that is evidence. [The Glarer] Wow. Okay, so you are strictly of the opinion, based on things you've seen yourself, that Kate Peter is absolutely being paid by the Commonwealth to spin narratives? [Grant] I'll give you one more piece of information, Will, and maybe you or your audience can track this down: I don't think Kate was involved in the Karen Read investigation directly, but I think starting in the fall of 2023 she worked for a private investigator named Marty Kraft. And I believe by proxy she was then retained to work on Aidan's case through that PI firm. [The Glarer] Okay, and then she just became the mouthpiece between the PI firm and the Commonwealth is what you're saying. [Grant] I will say a few things: I reasonably believe she does have direct contact with the DA and agents of the Commonwealth — I've said that before — and I also believe that she has favoritism towards specific witnesses in the orbit of this case. Not all of them — specific witnesses. [The Glarer] Okay, well, I mean, we know who they are, but okay. [Grant] I will also say — I think — that your caller was prescient earlier, and they mentioned there might be some mutual blackmail. Well, we know that Lindsey Gaetani’s phone extraction was manipulated to remove messages from Brian Tully to Lindsey and from Kate Peter to Lindsey. [The Glarer] ...what's your deal with Lindsey? [Grant] Hold, on let's pull it back first. First of all, I think there was a bifurcation: there's charges from October 2023 against Aidan and December 2023 against Aidan. One set of charges, from October of 2023, involved the Karen Read witnesses; the other set, from December of 2023, involved Lindsey. I don't think anyone set Aidan up in December 2023. I think he was just in love with Lindsey and it kind of got out of control. [The Glarer] Bro... [Grant] Well, but hold on, Will... [The Glarer] I'm listening... [Grant] I think that cell phone extraction goes right to the mutual blackmail point your friend talked about earlier. Someone, during the course of the Aidan Kearney investigation involving Lindsey, manipulated that cell phone extraction, and it could have only happened while it was in State Police custody. That is the whole — that's everything right there because of Kate Peter is the only person who could have gotten Brian Tully to get Nick Guarino to manipulate that extraction while it was in State Police custody before Tully leaked it, by hand, to Aidan's lawyer. [The Glarer] Okay, so listen, Grant. Like, we know that Kate Peter and Lindsey were colluding. Now, I think Lindsey was used. But come on, we know that Kate Peter and Lindsey were colluding to try to set Aidan up. Like, you know this. [Grant] No, I disagree, because I've looked at the timeline closely. Aidan begged to go over there when his indictments got handed down in December. [The Glarer] Well, listen — why? [Grant] Because he got charged in October, but the indictments for the October thing came down December 20th. [Grant] Then when did he beg to go over to Lindsey's? [Grant] I'm about to explain. December 21st, Lindsey tells him, "Hey Aidan, I just got a subpoena for a grand jury." Aidan's mind has gotta' start racing. "Why would there be another grand jury? Is it about me and Karen Read? What is this about?" So he begged her to go over there so he could find out. And that's — like — he looked at her phone that night to see the messages between her and Kate to try to find out about what this new grand jury was about. So no one set him up. He begged to go over there. [The Glarer] So you're just assuming that he begged to go over there based on...? [Grant] I know he begged to go over there. He was pleading because he wanted to find out what the new grand jury was. [The Glarer] The difference between you and Aidan is Aidan posts receipts, dude. But you don't. You get the difference? That's why Aidan has as much of a following as he has. [Grant] If you're asking for receipts of him begging to go over there on that day, I'm happy to provide those. I'll post them. [The Glarer] Then why didn't you do that already? [Grant] Well, I think because what I understand to be the evidentiary record from going to all the hearings is different than what people consume, because not everyone goes to every hearing. But I'm happy to do that. I have it all archived. [The Glarer] Okay, but the point is — like MicroDots is saying — that he was baited to go over there. So even if he begged to go over there under whatever circumstance, we have proof — we've seen proof — that he was baited to go over there based on false information that she was pregnant. [Grant] No. No. She was pregnant. [The Glarer] Oh my, Grant, bro... [Grant] Okay. I will swear on my God about that. [The Glarer] Hold on... [Grant] Well, to move on, I was going to give you some credit. I was going to say you might have been right that the subpoena issued to Lindsey, without her knowledge, could have been to bait Aidan. [The Glarer] But she wouldn't — how do you explain the metadata on the pictures that she sent him of the sonogram, dude? [Grant] First of all, if you're talking about someone's pregnancy — that's a medical issue, and to bring it up on air disgraces Jesus. [The Glarer] Oh, come on, Grant. [Grant] Let's not. [The Glarer] Alright, fine. We won't talk about that anymore. But let's face it, dude — you're making excuses for this girl. And why? Like, do you have a crush on her? Is that what's going on here? And it's okay. [Grant] Oh, oh, please. When I first came into this case, I saw a woman walk into a courtroom, and I started listening to her story. And even in this conversation, there are multiple things I corrected where you were willing to say, "Okay, Grant, maybe that is what happened." And Lindsey doesn't have anyone out there who is voicing that for her, so I'm taking the opportunity to do it. [The Glarer] And do you wonder why she doesn't have anyone voicing things out for her, dude? [The Glarer] Because Aidan isolates people! [The Glarer] Get out of here with that. Stop. Again with the whole "it's Aidan's fault" shit, man. That's between you and Lindsey, dude. I'm asking — like, I asked you why you think that. Nobody is going to bat for Lindsey. And I saw receipts. I heard a recording of her — you're talking about somebody who I heard a recording of [that night with Aidan in December of 2023]. This is... Come on, Grant. [Grant] I was in the courtroom. I saw the people crying when that tape was played. And you know what I also heard, Will? I heard the original version of that tape that didn't have her consent to record, which is why Aidan got charged with felony wiretapping. [The Glarer] Okay, but you're not denying that she said that, right? [Grant] Listen, I have never been awake at 12:30 in the morning. I'm not a woman. I've never been confronted with that situation. I would never pass judgment on someone in that situation. [The Glarer] Every woman that I've ever heard express their opinion on it — pretty negative, dude. Just saying. Pretty negative. Especially the moms. Especially the moms. [Grant] So I don't think any people talking in that way — I don't think you've even met this woman. [The Glarer] You're right. I have not. I have not met her. [Grant] And if — I don't know if she will ever do this — but if any of you took 10 minutes, not on camera, to talk to this woman, you would find someone who believes in God, who cares about her children, who's a good mother, and who's not any of the things you made her out to be. And by God, I will defend that 'till my last day. [The Glarer] Alright. Declared. Got it. I gotta' ask you one more question though. Why are you saying stuff about Olivia Nile — Olivia Nile and her mom — being paid agents for the defense? Come on. [Grant] Okay. Hold on. Hold on. Let me just explain that. I know that's Olivia Lamb. Okay? [The Glarer] Right, yeah, same person. Yeah, yeah. [Grant] Okay, so we all know Christina Lamb does boutique PR consulting for lawyers. She's good at it. Olivia’s good at it. They should own it. I want to interview her. [The Glarer] What — how is that proof, though? That Olivia Lamb is being paid by the defense in some way? You see the problem? [Grant] Hold on. That is an extrapolation some people may make. My argument is only that what she does looks like PR for the defense. I think Olivia hasn't been paid since last year. [The Glarer] But she's saying that's not even what she does, dude. [Grant] Okay, maybe it's not. But I think Olivia's contract ran up at the end of the first trial, if you want me to be very blunt with you. [The Glarer] Contract? [Grant] Mm-hmm. [The Glarer] But her mom doesn't even do that either — what the fuck’s her mom got to do with it? [Grant] Well, why would her mom run some random boutique PR consulting firm for lawyers, and then Olivia just shows up with this extremely high-level acumen, rivaling lawyers? [The Glarer] But that’s not what she does. She's saying that's not even what her mom does or what she does. [Grant] Okay, well, I looked at her mom's website. I archived it going back a few years, so I can post the screenshots again. And I know what she advertised herself as doing. [The Glarer] But you know what I think, Grant? I think that you're a really smart guy. And I think you know you're a really smart guy. And I think what you do is, you convince yourself — because of how smart you are — that if you came up with it, it must be gospel. That's what I think. And that's where I think you get cloudy between the truth and your opinion. Because you state your opinions as though they're fact. And I think that's an ego thing. I don't even think it's malice. It’s just ego. That's what it comes off as, anyway, dude. Because everything you say — every time I ask you, "Where's your proof?" — you explain how you came to your opinion. You give me a laid-out story. Go back and listen to this later on — you'll see what I mean. [Grant] Well, I don't even doubt you, actually, that I'm firm in my convictions. If I'm not there to experience something, I do not know the truth. But I've seen the screenshots. I only found out Olivia Lamb was Olivia Lamb because I found an archived X post where she shared something very sentimental about her grandfather. I didn't like that. I didn't appreciate having to talk about that. But it became relevant because I wanted to know why she was involved in the case. I will listen to her tell me I'm wrong. I want to interview her. [The Glarer] Yeah, but you can't just, like, trap people into interviews by threatening to spread lies about them if they don't, bro. What kind of shit is that? [Grant] Nothing that I said about her grandfather, her acumen or her mother's work was incorrect... [The Glarer] But why are you even talking about her family, dude? Like, that's really low, man. Like — that's... It's low, man. It's low. Her family didn't have nothing to do with this, man. She's doing this because she cares about it. And then people start talking about people's family members and shit. And it's like — it comes off as a not-so-subtle form of intimidation, frankly, Grant. You know, trying to get somebody to shut up. [Grant] No, I don't want to do that. I want to learn about why she's interested in the case. [The Glarer] But you could see how somebody could see it that way, right? Because what if her family starts telling her, "Hey, stop talking about this. Why are we being brought into your shit because you're passionate about something?" What if her family does that and puts her in an awkward position? And then people are cheated out of some really good insight because of that. [Grant] My brother — my brother who at four years old had a colectomy, three-stage, and is developmentally disabled as a result — has a profile someone made mocking him on X. That's a profile that people I respect engage with. Usually I overlook that stuff because I don't believe the people engaging in it are trying to do that. And I hope people realize I'm not doing that to her. I authentically want to know why Olivia's covering this case. [The Glarer] That's all right. So — but that's my point, Grant. I'm just saying, like, if you believe Karen Read is guilty, why not just stick to the facts? Because you don't see me going after anybody's family. You don't see Olivia going after anybody's family, talking about people's family and exposing their family and what they do. You know what I mean? That's not cool. I don't do that. And Olivia’s saying that she will happily talk to you anytime about why she's interested in the case. You see what? That's my point. That's my point — if you believe so much in Karen Read's guilt, then the facts should speak. Everything that you put out there — the facts, the details of the case, and the way you interpret those facts — that should be enough. You shouldn't have to bring people's family members into it. Come on. I feel like you're better than that. That's all. I still have faith that you're better than that. [Grant] Yeah. And I think that's the perfect place to end, because you've given me a lot of time and I share your sentiments. I think that is crucially important. You don't see me out there in the past six months or twelve months talking about Melanie Little, or Olivia or her parents anymore. [The Glarer] I have seen improvement, yes. I have seen it. [Grant] And let me just say why: because I came to believe that there was this toxic atmosphere surrounding this case, and that I couldn't just say I thought it needed to change — I had to reflect that change in my actions. And that's why that happened. So that's it. That's how I feel. [The Glarer] Okay. Yeah, I mean, everybody’s entitled to their feelings and opinions, man. We all are. But yeah, I’m glad that we got this talk. I got to express some things I wanted to express to you. You were very receptive, and I appreciate you coming on and being respectful and being cool. And you’re welcome here anytime, Grant. I can see that we could talk about pretty much anything, and it's fine. That will always be welcome here — no matter what we disagree on. So I appreciate you, Grant. [Grant] God bless, Will, enjoy the rest of your Saturday. [The Glarer] Have a good one. Alright, Grant, y'all. Alright, I'm gonna take another call. Let's do that.

Grant Smith Ellis

27,665 Aufrufe • vor 1 Jahr

Highguard impressions after 12+ hours on PS5 Pro. I've read the PC version is unoptimised, so exp there may differ. Included video of a 17 kill match with randoms where I was also explaining mechanics to a new player. + LOVE the integration of mounts. Morphing onto them and rushing through maps is thrilling, fast and fun; can feel like a medieval soldier charging into battle. + Mounted chases and combat is cool. + Weapons feel punchy and general controls are great. Once you get to grips with it, can be so fast and mobile, inc jumping with mounts straight onto zip lines etc. + As I don't have the attention span of a gnat, I enjoy the exploration and looting downtime between rounds/high intensity action heavy moments. Offers a calm before the storm vibe and allows you to enjoy the scale, environments, mounts and art. + Enjoy the fusion of looting, catching/chasing shield breakers and Counter Strike style bomb detonation or defusing. Things get crazier and crazier over a match, and the environment destruction adds strategy and approach variation, allowing you to mould choke points etc. + Solid skill ceiling with a lot of strategy in team play, abilities, map control etc. Those with higher play IQ and the ability to master multiple mechanics simultaneously, will be highly rewarded. + Most of the characters are well balanced, with differing abilities and strategy purpose. + Weapons are generally well balanced. Don't mind not having my weapons of choice. + Cool art direction and sense of scale. At times a bit like a more fantastical AAA Breath of the Wild. + Maps are well designed with great vistas, draw distances, huge towering structures, good choke points and lots of approach points. Also diverse in biome styles; lava, overgrown, desert, snow etc. + Sound design is strong. Foot and mount steps being exaggerated also brings tension and spacial caution. + Skins of weapons, characters etc are varied and high quality. Even free ones. Many aren't just different coloured variants but totally different outfits and weapon models. + With two good teams, the constant back and forth can make for some thrillingly tight, clutch or saved in the last second type moments. + Nice design details; keeping loot on death, each round loot rarity increasing, shield bearer being a beacon, being able to teleport back to base, mount health etc. + Progression so far seems fair, and cosmetics not too excessively priced. + Performance on Pro has been solid, and I've not had a single bug, glitch, matchmaking error etc. - Shielding up your base needs work. Often times not effective enough. - Image quality is pretty poor, especially in motion. - Most randoms don't have a clue what they're doing and many don't have mics, can make things much harder and less exciting, esp when team play is so effective. - Wish the free Battle Pass had more content, or there were more free unlocks. - On some maps loot is too spread out. - When enemy has shield breaker and you die, can sometimes take too long to get back into the thick of it. - Weapons are a bit uninspired. Basically just typical archetypes like revolver, AR, shotgun etc. - Would have liked more weapons and characters, but for launch it's decent. ___ Overall, so far I'm really enjoying it and have actually been quite hooked. I'm not a clairvoyant so can't tell if it'll hold my attention long term (that'll partly depend on post launch support), but initial impressions have been solid. I was highly critical of games like Concord, Redfall etc, but Highguard isn't that, it's far higher quality. Highguard ultimately has aspects from multiple different games I love, so while individually they're not so innovative or unique, having them all combined together with the mount riding, great gunplay, scale etc, to me is fun, engaging and pretty fresh. Still, this is a more methodically paced and playing FPS; those wanting constant shoot shoot bang bang, look elsewhere. #Highguard #PS5 #PS5Pro

NIB

32,888 Aufrufe • vor 6 Monaten

Raquel Welch on the terrible experience she had while filming 'One Million Years B.C' (1966) & the "Political agenda" of the feminists towards sex symbols like her: "Since the ’60s, sexy girls always seem to end up in sci-fi features; and they’re still doing it. Look at Jessica Alba and Megan Fox. Since I was still unproven at the time, I was hoping that Fox would groom me for more challenging roles. But as fate would have it, the studio had a completely different plan for me. My first starring role was to be in a dinosaur epic called 'One Million Years B.C' (1966). Fox’s studio head, Dick Zanuck, called to tell me that I would be playing the part of Loana in this remake of the 1940 caveman classic. Although I thanked him for my “big break,” all I could think was, A dinosaur movie? You've got to be kidding me! I figured my performance would disappear without a trace. (...) When that famous photo [poster of the movie] was snapped on location, my little ones were miles away, playing by the hotel pool with their nanny at the bottom of a mountain, while Mom was atop a smoking volcano . . . and it was snowing! In fact, it was soooo cold that the entire crew was bundled up in nice cozy parkas. Even the cameras froze. So they hung pots of hot coals underneath the camera boxes, to keep the motors warm. But nobody seemed to care about my motor. Why didn’t I have a parka? “Cave girls don’t have parkas,” I was told. Not surprisingly, I came down with a severe case of tonsillitis. It was so not how I had pictured it. On the first day of shooting, I went straight up to the director, Don Chaffey, and said quite seriously, “Listen Don, I’ve been studying the script, and I was thinking .. .” He turned to me in amazement and said, “You were thinking? Don’t.” Then he said, “You see that rock over there?” I was all ears. “That’s Rock A. When I call action, you start running all the way over to Rock B, which is over there. When you get about midway between the two, pretend you see a giant turtle coming over that hill. You scream... and we break for lunch. Got it?” I got it all right. He was just the first in a long line of producers and directors who didn’t give a rat's ass what I thought. For years I felt like the Rodney Dangerfield of sex symbols. I got no respect. I'm glad those days are over. But I was wrong about the dinosaur movie; it wasn't a leap into obscurity. By the time we wrapped and I boarded a flight for London, unbeknownst to me, my life was already changing. When I stepped off the plane in Heathrow Airport, I was greeted by a swarm of press and paparazzi. What was the deal? No one could be more surprised by this than I was! Suddenly, I had become famous! I had to pinch myself. Was it really happening? It was a once- in-a-lifetime break for me and my kids. So Mommy became the reigning sex symbol of the swingin’ ’60s and ’70s, at the height of the sexual revolution—with one hitch." A sex symbol in the Age of Flower Children didn’t sit very well with the hardline feminists of the time. They dismissed me as nothing more than a sex object. They didn’t look beyond the poster image to see what I was made of. It felt like a slap, until I realized that official feminism had a political agenda that is not inclusive of all women. It’s only for those who fit a criterion, which does not include a bikini. So be it."" ('Raquel-Beyond the Cleavage', 2010)

DepressedBergman

35,851 Aufrufe • vor 6 Monaten

Analyzing Episode 56. Season 2 aka Processing the Past Despite all the prophecies of doom, episode 56 was a delightful watch. The episode begins with Alya walking into prison, only to discover Meryem holding hands with Ciho. And, the way that entire scene is depicted, it's designed to make the audience see things from Alya's pov. Because we know not a few moments earlier, Cihan tells Meryem she should leave Mardin because there's nothing left for her there. However, from Alya's viewpoint, it seems like the past is repeating itself in the way she finds out about Mine and even Boran. Though this time, there's a slight difference because instead of following Cihan and discovering the truth herself, it's Boran who frames reality in the worst possible way. Still, Cihan and Alya's reactions differ slightly at this instance. For example, Alya's anger, while boiling at that moment, diffuses much quicker. And, while she doubts the reason Cihan keeps Meryem's presence from her, she doesn't start doubting their love. That fortress remains strong. Likewise, any time Cihan is discovered by Alya lying to her, he displays this vibe of embarrassment. You know, like wearing the expression of a kid caught doing something he shouldn't have been doing. But this time, when he rushes after Alya, there's a certain assurance in his gait. It's not overt, mind you, because Cihan knows he's in hot water. But it's almost like this time, he's sure of himself because his feelings in the matter are clear. He hides the truth for two reasons: he's protecting himself and Alya. The former because he doesn't want Alya pulling back from him at a time when she's already forced to leave the konak, and the latter because he doesn't want the spectre of Meryem to hurt her in any way. But the part I really liked in this while sequence? Alya's car breaking down. There are always moments in CihAl's story where you see some external force intervening to move their story forward. For example, the way the roads are blocked in ep42. In this episode, fate intervenes yet again, and the message is clear. Don't run from the past; face it. That message is compounded when Boran shows up on the same road to see the fruits of his labor. In the last few episodes, Alya's reactions to Boran seem to have intensified. I don't know why that is, but it seems like Alya's anger seems to be taking over her despair. To the point where Cihan becomes the one to hold Alya back, which, in my opinion, is a good thing. Anger can be cleansing, unlike passivity. And it seems the days of Alya quietly listening to Boran's BS are finally ending. Anyway, the scene moves on to Cihan driving Alya to a remote location to talk things over, which I kind of liked. I prefer when these two go far away from the maddening crowd to iron out their differences. And note, whenever that happens, they happen to be in a location that has a bird's-eye view of the scene below. Kind of like how you try to take in the bigger picture - another nice subliminal message. Cihan kicks off the conversation by saying Boran is trying to cloud Alya's mind, to which Alya responds adequately by saying the only thing messing with her mind is Cihan's attempts to lie because Boran no longer holds any importance for her. Is that true? I think so. Because even though Alya and Cihan are talking about a highly volatile topic, they're relatively calm. Accusations don't fly about either. And, I liked the fact that Alya openly tells Cihan that his trying to keep her in the dark, even to protect her, is what ends up hurting her the most. Because that is the truth. Cihan's reasoning as to why he keeps Meryem's presence from her in this scene is incomplete. He does want to protect Alya from the pain his past includes, but that's only half the reason. The bigger reason is he's trying to do his damnedest to keep Alya with him. He's already failed to try to keep her with him at the konak, but an emotional distance would likely finish him off. Which is why the talk CihAl have at Alya's apartment is so important. When Meryem calls, Cihan stops Alya from leaving the room - which sets the tone of the conversation. When Cihan relates the story of what Meryem has gone through, Alya's reaction is just what's to be expected. She's empathetic towards her plight, of being forced, of facing violence, because while Alya's lucky enough to find love with Cihan, she understands only too well how women are made to feel helpless and powerless. There's this expression on Cihan's face that can only be described as astonishment. Because, despite Alya's past, what she's gone through in Mardin, and despite Cihan's own stupidities, she finds it in her heart to feel for another woman she wouldn't be wrong to feel threatened by. And that's one of the things he is so in love with about Alya. Her compassion. When Cihan says he feels responsible for all that's gone wrong in Meryem's life since that fateful day, Alya asks him why he felt the need to hide things yet again. But this time, the whole truth comes out. Cihan admits he was afraid of her pulling back from him even more. Another thing to note, Alya refers to Meryem as Cihan's first love, not only love. So, she's not doubtful of his feelings for her. What's scary to Alya is how much of a hold those old feelings still have over Cihan. The good news from that point on is that Cihan doesn't keep anything from Alya regarding Meryem again. That includes him trying to send her to Istanbul to set up a new life for her. The scene ends on a relatively happier note of disaster averted. And Cihan and Alya both look better after talking it out. Still, as the viewers, we know that Alya's fear hasn't been defeated, just delayed. And until Cihan gives Alya the kind of resolution she gives him with Boran, it will keep pushing her away from him, like a self-fulfilling prophecy. Now, the next scene I want to talk about is the scene where Cihan and Kaya talk at the tavern/bar. I loved that entire sequence because we keep transitioning between Cihan's focus on Alya (his future) and Alya's focus on Cihan's past. When Kaya asks Cihan how he could fall for Alya after claiming to love Meryem, when Kaya and Sahin kept waiting/fighting for their respective loves, Cihan's answer reveals one of the reasons his past has sprung up on him, because he still doesn't get it. He says he loved Meryem, was tested by that love, gained experience from it, which prepared him to fight tooth and nail for Alya. He's partially right. Yes, the past and its challenges prepared him and chiseled his determination to fight for Alya. But, he's confused about loving someone and being in love with someone. He is so in love with Alya, he's overcome when he's trying to explain the emotion. True love, the deep, enduring, transformational kind, doesn't ever fade. Almost like it's a state of permanent being, because it survives time, distance, and yes, even death. If what you think love is weakens, is downgraded, moves from the heart to merely the realm of responsibility, it's not the 'love' that mankind has written sonnets about, that people dream about, that lovers die for. Because true love doesn't change, doesn't disappear, or relocate itself into something smaller. If it does, it was never that to begin with. Yes, people can love multiple times. But that feeling of being in love, that one love that trumps everything else, is another kettle of fish entirely. And, according to Cihan's own words, his love for Alya is the kind of thing he's never experienced before. Its weighty and rooted so deeply inside him, it's impossible to escape or forget. So, yes, Ciho is partially right to say that what he experienced with Meryem helped ready the man who'd love and fight for Alya like never before, but he's wrong to think that those feelings can be categorized under the heading 'love.' Since Cihan and Alya's story deals with balance, equality, and symmetry, it's unlikely that Alya's past would reveal she never loved Boran, whereas Cihan's past would be something like oh she prepared me for the future. In fact, I suspect it's a little of both for Cihan and Alya. As in, both Boran and Meryem paved the way to their actual true love, and yes, neither of them truly loved their exes. Not to mention, Boran has exposed himself completely, and Meryem's giving off bad vibes already. Alya understood that early on because of what Boran does to her. Cihan is about to learn. Which is why stories ever truly drag the past into the present anyway, because there's a truth, a lesson, a resolution hidden within, after which, the past can finally be buried and be left behind. So, to me, the vibe of ep56 is - processing the past. Looking at it, dealing with it, but most of all, facing it head-on. Essentially, we're seeing Alya and Cihan inch towards clarity now that both pasts are back in their lives at the same time. There’s still a final understanding waiting to click into place, for CihAl, about what love truly is and what it never was. And once that realization lands, the past won’t just be faced… it will lose its hold altogether. #CihAl #UzakŞehir

CocoLoco

21,239 Aufrufe • vor 4 Monaten

(1/2) Last night's Aidan Kearney meltdown over his falling out with Karen Read on an X Space is the peak of catharsis and real-time online toxicity: It starts with the the bombshell claim about Aidan recorded Karen Read, moves to Karen's newly-released texts about being "done" with Aidan after "someone" sent a recording of that conversation to David Yannetti and Alan Jackson, then spirals into ad hominems, and ends with Kearney storming off to counter-publish. The flood of primary source documents posted on online overnight, thus, acts as the host's (Chris) victory lap over Kearney. FULL TRANSCRIPT; *(Cleaned for grammar/spelling, punctuated for flow, and line-broken for readability. Some errors are expected.)* **Aidan:** Am I on? **Host/Other:** You're on. **Aidan:** So who are you? Who is this? **Chris:** Don't worry about it. It doesn't matter who I am. **Aidan:** Well, it does. You're some fucking kangaroo court motherfucker talking about her. What the fuck do you know about anything? **Chris:** Well, I don't know exactly what you've been doing. **Aidan:** So what are your sources? What are your sources? What are your sources you're talking about? Huh? You don't know your sources? What do you talk about? No, your sources. Shut up. Let's see 'em. Let's see your sources. **Lily:** Hang on, Aidan. I'm the host. I'm Lily. **Aidan:** Yes, Lily. Hi, Lily. How are you? **Lily:** I'm good. I'm just going to wait. I know you may not know it, Chris, but you know me. And so I just wanted to say hi. **Aidan:** Yeah, I know, but this Koala motherfucker is up here making shit up, running his mouth nonsense. Let's see the receipts. I mean, what were you talking to Karen Read about? What are you talking about? Who the fuck are you? **Chris:** I'm asking you flat out: Did you or did you not record her phone calls between yourself and Karen? **Aidan:** I did not. I did not. **Chris:** Okay, so Karen is lying? **Aidan:** You talked to Karen Read? Karen isn't talking to anyone in the media, but she's talking to this call-the-motherfucker. That's what you're telling me right now. **Chris:** Like I said, If you want to go down this hill, stand ten toes down." **Aidan:** I'm calling you out because you're making shit up. **Chris:** Who? I'm not making anything up. I'm not making anything up. I'm not making anything up. **Aidan:** So let's see it. Let's see the fucking evidence. Let's see your communications with Karen Read where she says that. Let's see it. **Lily:** Hang on. Chris, you're going to have to provide the receipts. **Chris:** I'm going to tell you, the guy who's doing this—you know, he's going to put them out. **Chris:** Do you really want to prove it? You want to prove it to me? I've got all the mistakes that come out. I can't. Literally. Yeah. Yeah. Sure. What's that? Let's see it. Let's see it. Produce it. Tweet it out right now. **Aidan:** So I'm denying it—like, hardcore, 100%. I'm the guy you have to deny it to. I don't, because you've become a bit of a fuck-up. It's about as fucking legitimate as Lindsey trying to be a rake. Let's fucking see it, motherfucker. You got it, right? 'Cause I—accusations—I always bring fucking receipts. Where's your receipt, bitch? **Aidan:** You got 'em? **Chris:** I've got 'em now. I think you want me to be saying—to be honest—hang a room on the fucker with no receipt. **Aidan:** You got 'em? Yes or no? **Chris:** I've got a receipt. Where's your fuck? **Chris:** You just need, bro—you just need to like chill, because you're gonna have a lot of fucking neck on your face, because I don't really care. **Chris:** I said to the people who bought this story: If I end up having egg on my face, I'll put everyone's name in it, and I'm given—I have a... Just shut your fucking mouth for one fucking minute. **Aidan:** Right. Let's see it. **Chris:** I've just messaged the person. **Aidan:** Joe Flipp, you want to talk about a fucking psychopath? That motherfucker is—just, Joe Flipp. Really want to fucking go there?" 'Cause it's Joe. You can just say it's Nick from Philadelphia, isn't it? Yeah, I know all about Nick from Philadelphia. If you fucking want to go there and the fucking hell—that psychopath—what Olivia Lambo went through. You just don't want to come out. Does he want to talk about all that? Does he want to launch? **Chris:** Okay? You know what? How was your lunch with Meredith the other week. Fuck it. I don't care. How was your lunch with Meredith? How's your lunch with Meredith? **Aidan:**What the fuck? **Chris:** Chat, what, what am I talking about? How is your lunch with Meredith here? We got—you know what you want to do? You want to carry on and be a fuck with me here? I like you—always up. **Chris:** How was your lunch with Meredith a couple weeks ago, and what did you play for her? What the fuck are you talking about? Yeah, what the fuck am I talking about? You know exactly what I'm talking about. And I'm trying to do this respectfully, but you come in hot like you always do. So now I'm just gonna fucking do it. How was your lunch with Meredith the other week? **Aidan:** I didn't have one with Meredith. Yeah, bullshit. Okay, so that's it. So someone else is lying now. **Chris:** So you're gonna call Meredith a liar? Why? Meredith's a liar? **Aidan:** Are you talking to Meredith? **Chris:**I'm not talking to Meredith. **Aidan:** What are you talking about? **Chris:** Okay, well, so you have great Meredith in an Oscar. If you said that to Meredith, you just spread rumors. That's what you do—you don't spread any rumors. I want to laugh tonight about this. **Erika Walsh:** I warned you, Chris, about this last night. **Aidan:** You got no—Joe Flipp—fucking feeding you nonsense. That slimy psychopath, fucking nut job who called in Olivia's entire family to harass them—to the point where she had the fucking... Nothing to do with Olivia. And Joe's Flipp— **Chris:* this is to do with you. Stop deflecting, that motherfucker. **Aidan:** I'm telling you this—he's the one telling you this. **Chris:** I've been told by three different people. Three different people. There's people in this chat who know about this. There's people in chat—they won't stand up and say anything, but I know the people who know about this. **Aidan:** Bring all these lame cons up one by one so I can slam 'em down one by one, because none of you motherfuckers got a receipt to back up any of this shit. None of you do. Bring it. By adding them. **Chris:** Stand by. Stand by. Stand by. **Joe Flipperhead:** You have the text, bro. You know I saw the screenshot. **Aidan:** So we gonna talk about what you did to Olivia Lambo? We have a lot of things, dude. **Joe:** You're deflecting. When you... **Aidan:** You want to go there? Mark Bedderow? Oh, of being in on a fucking conspiracy against you? To tell us—if when we told you Olivia Lambo... You made us fucking get on a FaceTime with her because you thought she was dead. You thought you were being catfished by her, fucking... I was, and so we agreed to do a Zoom call with her. And when I called you and I told you Olivia Lambo is real—I just saw her face. What did you do? You accused me and Mark Bedderow of lying to you, of being in on it, because you are a fucking psychopathic motherfucker. And I didn't put it there because I don't want to fuck... **Joe:** Yeah, you did put it out there, though. If you want to get into the Olivia thing, that's fine, and I'll go down that road. But you're calling me a psychopath You fucking recorded Karen Read's fucking calls and sent them to people. **Chris:** I'm just gonna keep muting him because he's yelling. You can say it. **Aidan:** Is this Lily's space or yours? **Joe:** I have the text, dude. I'll put it on one of our... Your—She told me she's fucking done with you, dude. **Aidan:** All right. I'm going on my own right now. I'm calling out fucking Joe Flipp-ed life. If I get muted one more fucking time. I'm gonna do a whole fucking... Thank you. I'm publishing all your fucking texts—the whole world can see what a fucking sadistic psychopath you are. You controlling predator piece of shit. You fucking go there. **Chris:** This is completely the actions of a normal innocent person. **Aidan:* You're a pyscho freak. **Joe:** Yeah, says the guy that recorded Karen. **Aidan:** Oh, yeah, let's hear it. See the fucking recording. Can I hear it? **Joe:** I got the text saying you recorded. But the text says there's a recording, so where's the fucking recording? *Aidan:** Hey, let's hear Joe. Why? I just got asked if I'm—what would you say if I'm a massage in this? Like, go— **Joe:** Why does Liv still text me to this day? **Aidan:** You text her. Oh, you want to see the receipts, dude? I've seen the receipts—all of them. Okay, I got all the receipts. **Joe:** You got the August ones, the September ones where she misses me and hates how things ended? You got those? Fuck, I see 'em. Publish 'em. I will do it. I don't plan—I talk about you. Go for it. **Chris:** You're doing everything back. **Joe:** When I told you how she wouldn't FaceTime me for three months, how she puts up month-old pictures if you wouldn't fucking... **Aidan:** Yeah, you know why? You know why she wouldn't do that? She's just not into you. Ever have you do this with every girl you fucking talk to? **Joe:**You said to me, after reading the text from her sister— **Chris:** Says the guy who is swining on a 19-year old. **Joe:** You said Aidan, that she said to you, "she's love with you," bro. That's what you said. She's in love with you. That's what you said. Yeah, when her sister—and then he can get you caught by somebody. Let's just get back to you. Deflection from Aidan, who doesn't want to be on the line. **Joe:** As you wish—she wouldn't FaceTime me. She wouldn't meet up with me, and she lied to me constantly. Yeah, why would she meet up? **Aidan:** Maybe she's just not that into you. Ever think about that? Maybe she's just not that into you. Maybe you saw the text. I know, I know—it's hard for you to accept that the girl just doesn't want you. You have to accept the person doesn't want nothing to do with you, isn't it? I did, and you got clingy and possessive. And so she fucking stopped talking to you, so you called her mother and you talked—you don't even know because you're psychotic, bro. I'm fucking... you. *Joe:** You're just deflecting, bro. This is fucking pathetic. I'm not your one. She's talking about this. **Aidan:** I got no fucking thing—you—you are a fucking psychopath. **Joe:** You're first of all—she doesn't want you to fucking be talking about this because why? **Aidan:** You're the one fucking airing it out now, motherfucker. **Chris:** You're the one airing it because you got caught recording Karen. **Aidan:** So let's hear the recording. Let's play the recording. You got a recording of me, right? **Joe:** I know you did it, dude. **Aidan:** What? **Joe:** I know you recorded. Are you lying? Karen Read's a liar? All right, am I...? **Aidan:** You are the fucking coward. Where's the recording? What recording you talking about? You're—you're— **Joe:** You're accusing Karen Read of lying about this? **Aidan:** Yes. **Joe:** You're really—are you really serious? How many fucking—serious? **Aidan:** Let's hear the fucking recording. **Lily** Chris or Joe? Please play it. Did it? You didn't have... for people. Can you please provide a receipt? Just like I think it's fair. **Joe:** Aidan has it. **Aidan:: I thought you had it. I thought you had it. Let's hear it. Let's hear the recording. **Joe:** All right, you sent me the text that I sent. You haven't... **Aidan:** Yeah, let's—so let's hear the actual recording. Does it exist, though? **Joe:** So Karen is lying. **Aidan:: Karen Read would never lie (sarcastic tone). Oh, yeah. **Chris:** True color. *Joe:** So yeah, let me just run this: You recorded it. You recorded the conversation. You showed it to people, and then the very next day she randomly accused you of fucking doing it. That's what happened. That's what your story is, right? **Aidan:** There's no fucking recording. **Joe:** There is, dude. Where is it? **Aidan:** So let me hear it. Play it. **Joe:** I don't fucking have it. **Aidan:** Oh, you don't know if there's a recording, do you? Thank you. Because you're full of shit. I know—I just fucking caught you. That's what you just said. Those—bring it up here. I talked to somebody—bring her up here. Bring Karen Read up here, bro. You talked to her? Bring her on up here. **Joe:** I spoke to somebody that you played the recording for. Okay, oh—you know, just—I just say I've already said it, so just say it. Okay, I said I wanted to not say her name, but you know who—you played it for. **Aidan:** I haven't played it for anyone just— there's no recording. **Joe:** Stop fucking lying. Let's hear it from the point. *Aidan:** Let's hear it. Let's hear it. **Joe:** Aidan, this is fucking crazy, dude. **Aidan:** I'm not the one that fucking caught it—got blocked by Olivia's mother, and fucking brother... **Joe** Here we go. This is deflecting, and dude—that's admitting how fucking guilty you are right here. **Aidan:** Let's hear a fucking recording. You said you got a fucking recording, right? **Joe:** Nobody said that. We said—oh, Karen Read doesn't want to talk to you anymore because you recorded her calls, set them to people, and it got back to her. **Chris:** I got a question for you, Aidan, I didn't know—so sure. When you went on your little pity party and then you— **Joe:** The worst part is you lied to everybody acting on it. You had no idea what was wrong and why she she fucking set you straight—trying to get sympathy. That, my friend, is fucking psychotic. **Aidan:** Okay, okay, sure thing. Yeah, you said I sent the recording out. Where's the recording? *Joe:** Dude? It's not—I'm not obligated to fucking get the recording. **Aidan:** Oh, yeah, you wouldn't want to back it up, right? **Joe:** You're so—you're going to go on record that Karen is lying? Say it. You're caling Karen Read a liar about this. **Aidan:** There is no fucking recording. **Joe:** You're lying, dude. It's fucking crazy. This is what's here. It—play the note. You played it for somebody. You got it. I don't got it. **Aidan:** Let's hear you play it. You're the one that says there's a fucking record. **Chris:** I mean, that's—you have a history of recording people. **Lily:** Wait, we have—well, I feel like we have a responsibility as me as a host to Chris and... You're both—you're actually both not providing a receipt, and I'm—Aidan is actually asking for a receipt. I have to—for the recording. **Joe and Chris** He has—asking for the recording. **Lily:** You guys—she has which he sent to—we know I said. So who has it? One of the receipts. I know you're not gonna have— **Aidan:: you don't have the recording because— **Lily:** Just fucking say it. Karen doesn't want the recording out there. **Aidan:** What recording? There's no recording. **Joe:** Never even asked her for it, to be honest with you. **Aidan:** And so you wait—yeah, you never asked. Thank you—you never asked. **Joe:** Karen is fucking so done with you, bro. She sent—she told me about this completely unsolicited. **Lily:**That's beside the point, and I'm not the first—(Joe) Karen's done with him, ..but what the fuck—just post the fucking receipt for him. **Chris:** You can't come on here saying he has it, Lily. He's seen the same thing you've seen. He's even seen the same thing that I showed you. **Lily:** I know. You don't come on here and say I've got this, and then Aidan demands a receipt—you deserve. Okay... **Joe:** He's deflecting, asking for a recording he knows about the text. **Lily:** Yeah, I know, Joe. I get what you're saying, and I respect every—like what you're saying, but he's denying it. **Joe:** Fine, I'll post the fuck—I'll post them right now. I really don't give a fuck. **Lily:** Thank you. And that's immense—he can—he can then riff like whatever he can. I can't—I'm so like nervous. I've got dry mouth because... Then Aidan can like look at those, and he at least has—you know exactly what's been spoken about. He's just denying it. I can't say that, and I get it, but he is asking for the receipt, which is fair. And **Joe:** I'll even add the text message when he came on here initially. He said it was all alive, right? He said he sent me—fucking text message on Monday morning. **Lily:** I see it. We've established that now. We established that Aidan's denying it, so just post the receipt that you have, and then he can actually reflect on that and—and do you see what I mean? He's not gonna turn around now and say actually it is true. But if you've got the receipt, he can then say, "I will—this is x, y and z there." I just think it's fair—like... **Aidan:** Now, yeah, what he has is a screenshot that he claims is from Karen Read. It was— **Joe:** You're saying it's not from Karen Read. **Aidan:** I don't—there's no fucking name on the top. **Joe:** Yeah, I have it. Do you want me to read? **Aidan:** Okay, so there was an allegation? I'm reading. **Joe:** Do I have a text from you saying I was sent the same thing the morning after the verdict? Did you not say that to me? **Aidan:** Yes, you sent me the same thing the morning after the verdict. **Joe:** Okay, so then she sent it to me too. **Aidan:** Yeah, she knows—she said to me the morning after the Wilbur—she after the morning after the show, she said that she was sent a 30-minute fucking tape. Where's the fuck? What tape? Okay, she's not fucking accusing me. I have no—there's no fucking tape. There's no tape. She thinks I recorded her because I fucking told people about the conversation. That's it. **Joe:** You're telling me you didn't? **Aidan:: And I'm telling you I fucking didn't. You're wrong. **Joe:** 100% You're lying, dude. **Aidan:** Okay, so prove it. Let's see it. You got evidence, right? You like evidence? You got Any? **Joe**: I mean—I—a screenshot of—how many people did you send it to? **Aidan:** Zero, because there's no recording. **Joe:** There is. **Aidan:** Let's hear it. Play it. Let's play it. Let's go. **Joe:** Let's hold on. Let's hold on. Can I go real quick? So you come in here calling it—you were making fun of Chris because he's an Australian motherfucker. He doesn't have nothing, right? You said there was no text, no proof. And then now we're transitioning to the recording because I don't have the recording. Okay, so you think Karen Read is just fucking lying about this? How would she know? How would she know what about the recording? **Aidan:** There is no recording. **Joe:** You're telling me you didn't show it to anybody? Is that really what you're gonna tell people? **Aidan:**There's no recording to share with anyone. Okay, okay. Well, I mean, you got evidence, right? To back this up. **Joe:** Yeah, right. **Aidan:: You got something, right? Yeah, yeah. Did you been right? I mean, you have that, right? You have that right because you wouldn't say something—because if you know I had it, right? **Joe:** I have—why Karen Read won't speak to you. **Aidan:** You have a screenshot of a conversation with Karen Read. You don't have an actual fucking audio, though. **Joe:** I have—in Karen Read's words. Why do you think she would lie about this? **Aidan:** Do I think she would lie about having a recording? **Joe:** She wouldn't lie about this. Explain that one—about having a recording. **Aidan:** Yes, I know she's lying about that. **Joe:** Why, though? **Aidan:** I don't know why Karen is acting the way she is. It's unfortunate. Yeah, and honestly, I'm not the one—you're a fucking airing it all out right now. That's odd that Karen would green-light you coming on here and fucking doing this. That's kind of odd. Because I love you—notice, but like—kind of yeah, we raised 1.1 million fucking dollars for a little... Here I know—here, I'm here. I'm here. There's still a— **Chris;** there's no because you—still a fucking snake. Yeah, I know. He records people's phone calls. **Aidan:: Let's hear the tape. Let's hear the tape. You're the one making—you guys got nothing. Nothing. Nothing. I just sent the fucking text out. Just say—there you go, buddy. **Aidan:** Okay, so Karen Read is green-lighting this sort of drama? That's what you're saying? **Joe:** I asked her. I said—you asked her? She said yes, go ahead. I said, do you want your side out there? She said, 'sure. You're gonna read it? Sure. I told many people my side. This is my last straw. I would never and have never betrayed him. Meanwhile, he has put me in harm's way in a huge way multiple times.' **Aidan:** I put her—fucking words, okay? Not mine. Yep. Okay. I put Karen Read in harm's way? I went to jail for Karen Read. I don't know if you're familiar. **Chris:** You didn't go to jail for Karen Read, you fuck. **Aidan:** Oh, really? Then what am I on bail for? What is—the full—what's the full? **Chris:** You went to jail for Karen Read? You went to jail because of Lindsey. You went to jail because you're a fucking dick. **Aidan:** Why was I on bail? I think you're a fuck—while you're on bail. I'm saying because—why would I care? Maybe someone in the night— **Chris:** hey, you're full of shit. You're a fucking hell. **Aidan:** What the fuck was I on bail for? **Joe** Because they may know that—if you didn't record it, why are you being so hush-hush about it with everybody? Why would he just tell the people what she was saying since she's lying? What do you mean hush-hush about it? **Aidan** You think I won't talk about what she texted me? But you were hinting at it because I don't want to hear the fucking drama, but apparently she does because she's—you fucking do this because you're recording. Thank you. You're telling me no recording of any fucking phone calls? What's the—what's the fight? So you weren't mocking her the past however long—every time you went on the show saying you owe everything to Karen, all that shit? How is that little white lie? **Aidan:** I owe everything to Karen? What? Why is that little sub-story? You went on two weeks—how is that mocking her? That wasn't in the recording. What recording? There's no fucking recording. **Joe:** I heard it was a 10-minute recording. Does that make sense? **Aidan:** No recording, bro. Let's hear it. You heard it. Let's hear it. **Joe:** Dude, I'm not putting that part out here. **Aidan:** She's talking about her shit. What she's texting you right now—obviously. Who egging this on, isn't she? **Joe:** Who? Okay? Okay, who? Keep playing dumb. Hey—who? **Aidan:** Mm-hmm? Believe it or not—you guys got nothing, right? **Chris;** We got good—from the horse's mouth, mate. I mean, it's not over the horse. Yeah, that's enough for me. I don't need... **Aidan:** Karen's not talking to anyone in the media. **Joe:** If you read the text message, I just reached out to her as a friend—just to reach out and say hope you're doing well. She went into this whole thing about you. **Aidan:** So you reached out—let me get this right—you reached out to her just to say hope you're doing well, and the first thing she did was complain about me? **Joe:** Yes, okay. That says it all. There we go. Where is she? Tired of me? Maybe she's fucking tired of you telling the people bullshit. **Aidan:** What—what—what—what—what bullshit have I told people? That you have no idea why she won't fucking come on your whatever it is. **Aidan:** What do you mean I have no idea why? **Joe:** That's what you've been saying—you don't know what's going on, like you feel a bit sorry for—like the thing with the fucking Howie Carr, dude. That was ridiculous. **Aidan:** What was ridiculous? You're the entire way you handled—I didn't say a word about that. **Chris:** Yes, you did. You deleted the receipt, but let's see—where did I complain about her appearance on Howie Carr? You made a lot of all quiet. Oh, this fuck it. Oh... **Joe:** Wait, but you think we're fucking dumb? Do people are fucking dumb? So where did I—after you deleted it, and then you made a post about deleting it. **Aidan:** What did I say about it? I don't remember. **Chris:** But you don't remember? Yeah, you deleted it, bro. You deleted it. Yeah, remember? You deleted it. And then you made a post about the deleting of the post. Part 2 coming later.

Grant Smith Ellis

85,913 Aufrufe • vor 11 Monaten

Man In Jail With Jeffery Epstein Says Jeffery Epstein DID NOT KILL HIMSELF “Jeffery Epstein did not kill himself that's a hundred and ten percent okay so then what happened now what happened is our Attorney General Barr completely lied to every citizen in this country when he said that he was going to look into the investigation and I believe he was in Texas when he said somebody asked him, one of the media outlets asked him, Bar, did you look into this? And he said, yes, I did. And there was nothing there to look into, so I dropped it. And then the follow-up question was, what do you mean there was nothing there for you to look into? And he says, well, I watched the video and no one entered the tier. Stop right there. So what Attorney General Barr said is, all you people are too fucking stupid, so I can really abuse yous, abuse you all. I don't want to sound like my cousin Vinnie abused yous. I don't want, and I'm gonna insult everybody's intelligence, but he forgets that a lot of those dummies that were in jail know the system. And here's the system for the people who don't know if account is not cleared because he said two guards fell asleep and did not do the count so they did not find Epstein dead until the next morning. That's so fucking insulting and laughable because if that occurs then they would they call they hit the deuces in the jail. They try to contact the guards upstairs and it can't be one, it's gotta be two. Have to walk and do counts. So I'll walk you through that when they do account they go into each cell and if somebody's not moving they kick the door bang the door if it's a if it's a dorm like cell the iraq you you you're a bunk with this thick or the light and they make you move your foot or your hand because in the past it was dead bodies and they had to make sure while you sleep in you you're really alive not dead Locked down cells, there's cameras in a lot of the cells and there's cameras on the tier. So when Barr said that nobody went on the tier, it's impossible because you need two guards. If they fall asleep, they can't because control downstairs calls up and they cannot clear the count in the building. And if that's what occurs, they don't clear the count. They hit the deuces because they think there's a hostage situation upstairs in that tier if nobody answers or they think the guards were killed so they cannot nobody moves they lock down the whole facility whether there's any movement at all in that facility by anybody it's completely stopped they bring their what they call different depends on the jail itself what they call their unit special units and they'll call outside SWAT to come to the building with armed enforcement because they're worried about hostages, prison breaks, and murder of the guards. Okay, so. So in your best opinion, what do you think took place?” Please watch video to hear the rest. X’s text limits forces me to end the transcription here

Wall Street Apes

482,125 Aufrufe • vor 3 Jahren

#KimJaeYoung #김재영 #HappyJaeyoungDay #TheJudgeFromHell Since it's his big day, thought I show you a short edit of his beauty & emotions in his most controversial role . 🙃 Below is a somewhat long 🤭 post about him & drama recommendations. My sweetie here is a late bloomer but I have always kept faith that people will see his potential. I liked what this kblogger said that when you see him in TJFH , he feels familiar but yet you might think he's a newcomer. Seems like a rookie but surprised that he's good in acting. If you check his filmography you'd realise he's been acting for more than a decade. JY mentioned that he wasn't sure what to do while in school but he did have a dream of being a chef especially because he helped mum out at home. His father suggested modeling after he was done with military service . He mentioned in an interview he had to shed off 30kg through diet & exercise as he weighed over 100kg .Esteem Academy signed him & he debut as a model in 2010. He got casted in a TVN survival program "Flower Boy Casting". From there, he was inspired to act and landed his 1st supporting role in the movie "No Breathing". (starring SeoInGuk & LeeJongSuk.) If you want to see a young JY in swimwear 😁, you can check him out there. The movie didn't quite make a splash (pun unintended 😁) , and JY who had actually left Esteem to pursue acting, found himself jobless for at least over a year. He auditioned for BladeMan (LeeDongWook & Shin SeKyung's drama) and got casted for a small role. Esteem reached out to him again & he signed with them again to model. He later also joined HB Entertainment for acting jobs, and was with them for a long time. Last year (2023) he left HB and joined his long time manager who had established a new agency, Management S. After Blademan , JY had several supporting roles but his 1st main cast role was in OCN's My Secret Romance. He was the 2nd lead & that was also my first JY drama. While I didn't have SLS, he was such a sweetheart there and caught my attention. My massive crush began when he acted as MooYeon in #100DaysMyPrince as an assassin and the FL's brother. He also had a forbidden love line with the 2ndFL's char played by HanSoHee , and they had great chemie despite limited scenes. I cried my eyes out watching their tragic love story. This is the year (2018) I decided I'll stan this man ☺️😂 His role there opened many doors. He had a short TV series called Dear My Room ( was on the now defunct Olive TV) where he played the romantic ML against Ryoo Hye Young's character. It was one of those friends to lovers trope and I recommend this for a sweet fluffy watch. He also sang the OST with RHY. The big year came in 2019 when he was casted as the ML , Sun Woo in #SecretBoutique, a female centric drama starring KimSunA and GoMinSi . He had a meaty role here as a prosecutor - a bit of a grey character and was somewhat like a brother to the FL (KimSunA) and he had some nice fight scenes. His body was the best here 🔥😋😁. If you don't mind a heavy melodrama, this wasn't bad. And oh boy, was I shipping him hard with GoMinSi's character. I still hope they can reunite for another show & give me closure. 2019-2020 was when I watched a KBS weekender #BeautifulLoveWonderfulLife from start to finish ( raw and with subs - yes my level of dedication surprised me) because JY got casted as Jun Hwi, the ML against another actress I love , Seol In Ah. Gosh, this drama was an emotional roller coaster and was another heavy character. The premise of the story was so sad and the leads went through so much together but I love this show though. He had good chemie with SIA. He also won a KBS acting award here. I recommend this if you can do 50eps and love angst like I do 😂 The role took its toll on JY. He mentioned he needed to take a break but then found himself without work for at least 6-7 months ( if I remember correctly) . Boy, did I miss him. It was really only in an Elle pictorial with his good friend -actor, model and famous youtuber Joo WooJae that I found out he had been having a hard time. He has appeared on WooJae's YT channel several times - they even travel together. JY's come back drama was in #ReflectionOfYou (2021), another heavy melo as the ML who was caught in an emotional tug of war between 2 women played by GoHyunJung and ShinHyunBeen. As WooJae, KJY gave some of his best acting. I know he got a lot of hate 😵‍💫🤣because WooJae was just so obssessed / in love with GHJ's character that he was willing to throw it all for her. This drama is not for the faint hearted but the acting was superb all round - even if the plot would make you uncomfortable. He was so hot here too. JY with longish hair was a dream. In 2022, he was the 2ndML , as KangHaeJin in #LoveInContract. It was so nice to see him play a diva actor and do rom-com for the 1st time. This is a fun watch. While I don't think viewers would have SLS, JY's character wasn't one dimensional either and he had his own storyline despite not being the ML. In 2022 - 2023 he voiced an audio drama , "For Sale - I Broke Up" with Yoon So Hee - but I don't know how we can listen to it internationally (though I do have some vids I would post one day). He also filmed a drama called "We Will Replace The Trip" with Gong SeungYeon, but so far no news of it airing yet. JaeYoung here is shy and unassuming. He's MBTI is INFP. You can see from his interviews he's quite easygoing and humorous. On my highlights- I have subbed some of his videos for TJFH. JY says he still dreams of being a chef and has gone to a 6-month cooking course last year. He also hopes to be able to take on warmer roles going forward.

abs-oluteM

86,307 Aufrufe • vor 1 Jahr

BREAKING.🚨 Chuck Schumer Blasts Trump's Cabinet Nominees in Senate Floor Diatribe: "How Low Can This Party Go?" Senate Minority Leader Chuck Schumer issued a vehement tirade on the Senate floor in opposition to Trump's Cabinet nominees. Schumer stated that he would be voting "no" on Pete Hegseth for Pentagon chief, Tulsi Gabbard 🌺 for Director of National Intelligence, and John Ratcliffe for CIA Director. Here is a transcript of Schumer's factually challenged and mendacious smears on Trump's nominees: Today the Senate will hold votes on two pivotal cabinet nominees. First, we will vote to advance the nomination of John Ratcliffe to serve as CIA Director, I will respectfully vote no, not because of our political difference, which of course exists, but because I'm deeply worried that Mr. Ratcliffe will be unable to stand up to people like Donald Trump and Tulsi Gabbard who are known to falsify intelligence. As CIA Director ,Mr. Ratcliffe will have to make decisions based on intelligence and fact. There may be no agency more important than the CIA, that has to be fact-based. Sometimes these facts will lead to inconvenient conclusions for his superiors and the President. It's in those cases where truth, not fiction, not ideology, must prevail. And I have my doubts that Mr. Radcliffe will be able to hold firm. Most troubling about Mr. Radcliffe were the answers I got from him about Tulsi Gabbard, president Trump's nominee to serve as Director of National Intelligence. If confirmed, Ms. Gabbard would oversee the CIA in our entire intelligence community, and I think she'd be colossally disruptive for American security. If there's anyone who hasn't been fact-based as you've listened to her statements over the years, it's Tulsi Gabbard. She seems to make things up out of thin air. No one could be worse in a position of DNI than someone who doesn't believe in fact. So I told Mr. Ratcliffe he should urge President Trump to drop her nomination if he really cares about the CIA and its integrity. He couldn't report to somebody like Tulsi Gabbard good conscience. She's simply too risky. Ms. Gabbard has a whole history of spreading falsities cheering America's adversaries, and if confirmed, I'm worried she'll push false intelligence for political ends. Those are precisely the moments Mr. Radcliffe will have to hold firm, reject what she says, and go to the President and speak truth to power. His answers to my questions about that were unsatisfying, and so I'm voting no because it's such an important position. Now in the Heif vote. Today the Senate will vote to advance one of the most unqualified, erratic nominees for a major position we have ever seen in America. No position in the cabinet carries the weight, the responsibility of Secretary of Defense. The Secretary of Defense, is in charge of keeping us safe and keeping the men and women in our armed forces and the civilians safe. So you need someone who's a steady hand. You need someone who's had experience in this kind of stuff. You need someone when he shows up to a meeting, you're sure that he knows all the facts and is going to be able to conduct himself properly. If there's any cabinet that should be universally trusted and uncontroversial, it's the Secretary of Defense. Unfortunately, Mr. Hegseth is neither. He's neither trusted nor free of controversy, and I will strongly vote no. I want my colleagues to think about how absurd it is that this nominee has even made it to the floor. It's a shame that that has happened. We are being cast to trust our armed forces to a man with a history of erratic behavior. One of the kindest words that might be used to describe Mr. Seth is erratic, and that's a quality you don't want is head of DOD. He has a history of excessive drinking, of alleged domestic abuse and zero experience leading a large organization of any kind. The new allegations that came out yesterday are even more troubling, and people say, well, how do we know they're true? Well, first, the person who did it has no strike against her. But second, it just corroborates in an even worse way of what we've known about XF in the past. He has a heart. He has a clear problem of judgment as you've seen by his statements, is like saying, your heart surgeon has twitchy hands, but I'll let him do surgery on me. No one would do that. How on earth can America entrust our safety and security to a man who has allegedly shown up to work and other events in Abri? What if he shows up inebriated during a crisis? What's going to happen? This is dangerous. If confirmed, he'd be in charge of a workforce of over 3 million people, a budget of 850 billion, where in his history that shows he's capable of doing that. And what if his erratic behavior spills over to his job at the Pentagon, a high pressure job? And when people are having this behavior off, usually high pressure jobs make them more, not less erratic. What mystifies me so much about Mr. He says nomination is that there are so many other conservative defense leaders that President Trump could have nominated people. I wouldn't agree with maybe ideologically and on some of the issues that affect Secretary of Defense, but people who'd be capable of running the department. I think of, I know there are plenty of Republican senators who would instantly make a better option than Mr. Hegseth. Is Pete Hegseth really the best the Republicans have to offer? How low has this party come in making him the nominee? I don't believe he's the best. I don't believe he's close to the best. I will be voting with complete conviction 'No.' The Democratic Party's leadership is clearly defying Donald Trump's mandate. It apparently has not learned its lesson from the 2024 election.

Kyle Becker

165,701 Aufrufe • vor 1 Jahr

Everything you've heard people like Marc Lamont Hill say Pac didn't do is false. The man has the deepest literary device bag ever and he employed each of them well. These breakdowns only show a glimpse of how deep his literary device bag was. Sidenote: Joe Budden isn't a true Pac fan. *We clock figures "If I had a bigger dick or a dime for every time Muthafuckas took a bit of the lines from in my rhymes, I'd be richer than a bitch with a trick with big pockets, (Simile, hyperbole) equipped with a dick that's so thick, it fits sockets". (Hyperbole, metaphor) 2Pac loved implied metaphors. Here, he metaphorically compared his phallus to something large enough to fit into a socket, such as a large impact socket, exaggerating size for comedic and rhetorical effect. "If I had a dime for every time", is an idiom (Used to indicate a very frequent occurrence of something happening. Usually used in conjunction with some expression that one would be rich as a result of receiving money for all such instances -Farlex Dictionary of Idioms) You can follow the idiom with a multitude of different things, and he chose to follow it up with the number of times others have took a bit of the lines from his rhymes. He is obviously referring to other emcees biting his rhymes here. He layered an additional hypothetical onto the idiom, creating two parallel, alternative hypotheticals. Each hypothetical leads to a different exaggerated outcome; one financial and one physical (penis growth). He pairs the idiom with a second, independent hyperbolic premise, stacking the hypotheticals and juxtaposing their exaggerations. This parallel hyperbolic scenario intensifies both the exaggeration and the comedic effect. It also makes the hypothetical scenario even more non-literal and impossible. This is why he made sure the following lines did not just include a hyperbolic simile about the amount of money he would receive from every instance. He made sure the lines also included a "vulgar" hyperbolic metaphor about how large his penis would grow from every instance as well. It's figurative and impossible. The hyperbolic simile and metaphor helped drive his point home. The lines are placed right next to each other for a reason. Great word selection and placement. "Please don't misinterpret what I say to be dirty." The lines before this one could easily be considered dirty," and he is sarcastically pleading for the listeners to not view the lines in that way. This is his way of letting listeners know the previous lines were figurative and were not meant to be taken literally. Basically, he is saying to think beyond the surface and do not have your mind completely in the gutter. It is also a disclaimer for the sexual innuendos that come next. "Muthafuckas want to jerk me, so they irk me how they work me". Multiple things he mentioned here could all have sexual meanings. The disclaimer is there to let listeners know to not interpret it as him saying that, "muthafuckas" want to literally jerk and work him in a sexual way. It is very clever and humorous wordplay. Listen to his adlib right after he says "work me". He chuckled because of the puns he used; specifically the one he had just finished using. Everything here is connected, and it was all by design. He set the scheme up at the very beginning of the verse and ended it after the work me line. The whole third verse is pretty much figurative. With Pac, you always have to pay attention to how he worded things and the placement of those words. He simultaneously sandwiched his rhymes in the lyrics included in my breakdown. He did this by rhyming internally and externally. He rhymed internally multiple times here, and even more so if you count the near and partial rhymes. He even added a multi in there (pockets, sockets). The assonance and consonance can't be ignored either. Pay close attention to what Makaveli said after: "My history so thoroughly involves destruction, niggaz left with their ass bleeding, lyrical fucking". "Open up first to bust, let me see your heart, turn the lights down, cause I might clown in the dark" Is a play off the lyrical fucking bar. Peep his choice of words. They're all sex related. He's speaking figuratively. He used puns. Hence, "open up, first to bust and "Turn the lights down, 'cause I might clown in the dark" are part of it as well. He's referring to sex in the dark but figuratively. It's all figurative, clever wordplay. Word Class Wreckin Cru also has a song called Turn Off the lights. Hence turn the lights down. Dre was apart of that group. He dissed Dre by name in this song. Also, peep his choice of words here. There's an obvious correlation between see, light, and dark. Makaveli juxtaposed those words, using 'light' and 'dark' specifically to create an antithesis. 'Makaveli rise, all you niggaz die when I come I do some fly shit and be done'. The words rise and fly are both related to flight. Very subtle. Lastly, he used internal and external rhymes, both with and without using multisyllabic rhymes. "Murdered my friends, built a new posse, we taking shots at paparazzi go and fly now, nigga like Rocky". "Murdered my friends, built a new posse", is not directed at Stretch. The friends he's referring to are the members in the Thug Life group. (Macadoshis, The Rated R). The Outlawz are the new posse he's referring to. He's also alluding to what his character Bishop did in Juice. Xzibit has a song called paparazzi. "We taking shots at paparazzi" was directed at him. Makaveli referred to him as paparazzi instead of his name. Although Makaveli didn't explicitly say his name, he sent a clear subliminal shot at Xzibit. Makaveli felt that Xzibit took subliminal shots at him in his song, 'Paparazzi'. "Forgive me, I'm a rider, still I'm just a simple man All I want is money, plus the fame, I'm a simple man. - Makaveli (Radio Edit of How Do U Want it) Here's what Xzibit said in his song Paparazzi. "I don’t believe the hype or buy wolf tickets Nigga, you make a gang of noise and never seen, like a cricket I guess that’s why we never kick it A lot of niggas is soft and get tossed, tryna fuck with the Likwit How many niggas do you know like this? Always claimin' that they ridin', but they really turned bitch It don’t make sense, either you’re a soldier from the start Or an actor with a record deal tryna play the part—like that! It’s a shame, niggas in the rap game Only for the money and the fame Edi dissed Xzibit in Bomb First (My Second Reply) but Makaveli dissed him himself this time. This is also directed at the actual paparazzi. 2Pac wasn't fond of them. The Paparazzi are freelance photographers who pursue celebrities to take photographs (shots) of them. Hence, taking shots at paparazzi. Get it? "Go and fly now, nigga like Rocky", is a reference to the "Gonna Fly Now" theme song (performed by DeEtta Little, Nelson Pigford, and Shelby Conti) from the movie Rocky. ""It’s like he’s standing up there jumping around; it's like he's gonna fly." - John Avildsen (Rocky Director) He was also referring to Rocky from the TV show, "Rocky and His Friends". This is why he said "Murdered my friends". Rocky was a flying squirrel in the TV show and this is why he said, "Go and fly now, nigga like Rocky". Makaveli was able to do all of this in just three lines. He got his point across without any wasted lyrics. The lyrics have purpose. He's lyrically efficient here. The way he set up the Rocky simile allowed him to kill two birds with one stone. The wording ('murdered my friends, go and fly now') provided listeners and readers with just enough hints to connect the dots between the lyrics and the TV show, Rocky and His Friends, while still referencing the theme song from the Rocky movie. "Baby .45 but she's still live, one shot make a nigga'z heartbeat stop.” He’s metaphorically talking about a .45 caliber gun being his girlfriend; this is obviously wordplay. That's just not the only layer to it. This is a part of the time motif he employed because anything that happens in real-time is “live.” He also juxtaposed “baby” and “.45” to create an oxymoron. An oxymoron is a combination of contradictory or incongruous words, and that’s exactly what “baby” and “.45” are here. A literal baby cannot be 45 years old. This isn’t just figurative because he’s metaphorically talking about a .45 caliber gun; it’s also figurative because of the oxymoron. He also juxtaposed “live” and “make a nigga'z heartbeat stop” to create an antithesis. The word “live” means to have life, while “make a nigga'z heartbeat stop” refers to death. He said “she’s still live” to also create a paradox. 45-year-old women aren’t generally associated with vitality, but despite her being 45, she’s still full of life. All of this is placed in a single line by design. “One shot, make a nigga'z heartbeat stop.” He’s not just talking about his .45 caliber gun (metaphorical girlfriend) being able to end someone’s life with one shot. He’s also saying she has the power to leave a man figuratively breathless. One opportunity or chance (“one shot”) with this woman could figuratively take a man’s breath away and leave him in shock. She has the power to make a man’s heart figuratively stop because of the “caliber” of woman she is. One shot with her can have this effect because she’s that mind-blowing and breathtaking, pun intended.

9-FO Tha Negus

34,168 Aufrufe • vor 8 Monaten