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Navratra Video Series ✨: 01 Relation between Chhatrapati Shivaji Maharaj-Samarth Ramdas and Aai Tuljabhavani? 🍀🙏🏻

Lokagatha

31,628 subscribers

13,087 次观看 • 1 年前 •via X (Twitter)

教育健康养生艺术

Anya Rossi• Live Now

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10 条评论

Lokagatha 的头像

Lokagatha1 年前

Video is also uploaded on Youtube -

Kalyani 的头像

Kalyani1 年前

कुलस्वामिनि 🌸

Lokagatha 的头像

Lokagatha1 年前

❤️✨🙏🏻

Jagdeep Mishra 的头像

Jagdeep Mishra1 年前

🥰🫂🕊️🪷🙏

Aparna 🇮🇳 的头像

Aparna 🇮🇳1 年前

Shubh Navaratri 🙏

Hitesh 的头像

Hitesh1 年前

Your way of explaining, is simply wow ✨🙌🏻 जय माता दी, जय श्री राम 🚩

Lokagatha 的头像

Lokagatha1 年前

Thank you so much! Jai Shree Ram ✨

Naraaz_Hindu 的头像

Naraaz_Hindu1 年前

Heyyyyy naam reh! Jai Tulaja Bhavani!

Lokagatha 的头像

Lokagatha1 年前

🍀✨

RamramWritingArt✍️ 的头像

RamramWritingArt✍️1 年前

जय भवानी जय शिवाजी जय जय रघुवीर समर्थ ‼️🚩‼️ RamRamArts रामलेखनकला #artfor #Everyone

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#WATCH | Jammu and Kashmir: A program was organized to celebrate the Shiv Jayanti at the Chhatrapati Shivaji Maharaj Statue in Kupwara, on the India-Pakistan Line of Control. The soldiers paid their respect to Chhatrapati Shivaji Maharaj amidst snowfall and white ground all around in the vicinity with temperature with the level of mercury under 0 degrees. (Video Source: DIO Pune)

#WATCH | Jammu and Kashmir: A program was organized to celebrate the Shiv Jayanti at the Chhatrapati Shivaji Maharaj Statue in Kupwara, on the India-Pakistan Line of Control. The soldiers paid their respect to Chhatrapati Shivaji Maharaj amidst snowfall and white ground all around in the vicinity with temperature with the level of mercury under 0 degrees. (Video Source: DIO Pune)

ANI

446,146 次观看 • 2 年前

A Series of Vandalism Incidents in Maharashtra - Conincidence or Conspiracy? Latest One: Mohd Imam and Zakir desecrated the banner of Chhatrapati Shivaji Maharaj by tearing it down and throwing it away in Kolhapur, Maharashtra. When asked to apologize, one refused and made a further insulting remark. But it doesn't end here. In the recent past, several such vandalisms have been reported, each more disgraceful than the previous one: > Stone pelting on Chhatrapati Shivaji Maharaj statue in Pune, Hadapsar. > Chh Shivaji maharaj Statue vandalised in Yavat. > Urinatation on Vitthal Bhagwan in Solapur. > Spitting on Ganpati in Solapur. > Urination on Annapurna Mata in Daund. > Urinatation on Ambedkar's poster in Chhatrapati Sambhaji Nagar. महाराष्ट्र पोलीस - Maharashtra Police

A Series of Vandalism Incidents in Maharashtra - Conincidence or Conspiracy? Latest One: Mohd Imam and Zakir desecrated the banner of Chhatrapati Shivaji Maharaj by tearing it down and throwing it away in Kolhapur, Maharashtra. When asked to apologize, one refused and made a further insulting remark. But it doesn't end here. In the recent past, several such vandalisms have been reported, each more disgraceful than the previous one: > Stone pelting on Chhatrapati Shivaji Maharaj statue in Pune, Hadapsar. > Chh Shivaji maharaj Statue vandalised in Yavat. > Urinatation on Vitthal Bhagwan in Solapur. > Spitting on Ganpati in Solapur. > Urination on Annapurna Mata in Daund. > Urinatation on Ambedkar's poster in Chhatrapati Sambhaji Nagar. महाराष्ट्र पोलीस - Maharashtra Police

Treeni

18,528 次观看 • 7 个月前

A heartwarming video circulating on social media shows a young schoolboy delivering an inspiring speech on Chhatrapati Shivaji Maharaj at a school in Africa. Introducing the legendary Maratha ruler’s valour, history, and enduring ideals to an international audience, the young speaker captivated his classmates and teachers. Netizens across the globe have praised the child for taking the heroic legacy and vision of Chhatrapati Shivaji Maharaj to an international platform. #ChhatrapatiShivajiMaharaj #ShivajiMaharaj #MaharashtraHistory #GlobalIndian #ViralVideo

A heartwarming video circulating on social media shows a young schoolboy delivering an inspiring speech on Chhatrapati Shivaji Maharaj at a school in Africa. Introducing the legendary Maratha ruler’s valour, history, and enduring ideals to an international audience, the young speaker captivated his classmates and teachers. Netizens across the globe have praised the child for taking the heroic legacy and vision of Chhatrapati Shivaji Maharaj to an international platform. #ChhatrapatiShivajiMaharaj #ShivajiMaharaj #MaharashtraHistory #GlobalIndian #ViralVideo

Pune Mirror

41,999 次观看 • 4 天前

BJP leader Brij Bhushan Singh- "I want to tell Raj Thackeray that relationship between Maharashtra and North Indians, is not going to break. When Aurangzeb imprisoned Chhatrapati Shivaji Maharaj, our traders of Agra undertook task of freeing him."

BJP leader Brij Bhushan Singh- "I want to tell Raj Thackeray that relationship between Maharashtra and North Indians, is not going to break. When Aurangzeb imprisoned Chhatrapati Shivaji Maharaj, our traders of Agra undertook task of freeing him."

News Arena India

230,955 次观看 • 1 年前

#WATCH | Nagpur | Maharashtra CM Devendra Fadnavis says, "We condemn the comparison Congress chief Harshvardhan Sapkal drew between Chhatrapati Shivaji Maharaj and Tipu Sultan. He should be ashamed. Chhatrapati established Swarajya and freed the common man from the yoke of the Mughals. While it was Tipu Sultan who killed thousands of Hindus... We will not tolerate this comparison at all..."

#WATCH | Nagpur | Maharashtra CM Devendra Fadnavis says, "We condemn the comparison Congress chief Harshvardhan Sapkal drew between Chhatrapati Shivaji Maharaj and Tipu Sultan. He should be ashamed. Chhatrapati established Swarajya and freed the common man from the yoke of the Mughals. While it was Tipu Sultan who killed thousands of Hindus... We will not tolerate this comparison at all..."

ANI

25,714 次观看 • 6 个月前

SHOCKING FROM MIRA BHAYANDAR, MAHARASHTRA! Youths in a series of videos claim they were attacked by converted people for keeping ‘Om’ and ‘Chhatrapati Shivaji Maharaj’ tattoos. The wounds are dangerously brutal. In another video, they claimed police also beat them. Unbelievable! MIRA BHAYANDAR VASAI VIRAR POLICE महाराष्ट्र पोलीस - Maharashtra Police CMO Maharashtra Devendra Fadnavis

SHOCKING FROM MIRA BHAYANDAR, MAHARASHTRA! Youths in a series of videos claim they were attacked by converted people for keeping ‘Om’ and ‘Chhatrapati Shivaji Maharaj’ tattoos. The wounds are dangerously brutal. In another video, they claimed police also beat them. Unbelievable! MIRA BHAYANDAR VASAI VIRAR POLICE महाराष्ट्र पोलीस - Maharashtra Police CMO Maharashtra Devendra Fadnavis

Treeni

20,501 次观看 • 4 天前

Dear Reitesh Deshmukh, Riteish Deshmukh When Dhirendra Shastri Maharaj said this: "Chhatrapati Shivaji Maharaj, after being fatigued from multiple battles towards the end of his life, wanted to give the administration of the Maratha kingdom to Sant Ramdas Swami." You became enraged and said, "When someone comes along and spews some distorted nonsense about our cherished deity, as a Shiv premi, Shiv bhakt, this is unacceptable and infuriating. Such futile attempts to belittle the legacy will not be tolerated at all." You suddenly became a great supporter of Chatrapati Shivaji Maharaj's valour and prominence. Even though your party, the Congress, has left no stone unturned to demean and insult our great Hindu King at every occasion. But why didn't you raise your voice against this maulana who insulted Chatrapati Shivaji Maharaj by calling him a "Normal Raja" and stating, "Shivaji ki koi jyada uplabdhiyan nahi hai." Where did your outrage and the same pride in Chatrapati Shivaji Maharaj go at this time ?? Here is the video.... Would you denounce this ????

Dear Reitesh Deshmukh, Riteish Deshmukh When Dhirendra Shastri Maharaj said this: "Chhatrapati Shivaji Maharaj, after being fatigued from multiple battles towards the end of his life, wanted to give the administration of the Maratha kingdom to Sant Ramdas Swami." You became enraged and said, "When someone comes along and spews some distorted nonsense about our cherished deity, as a Shiv premi, Shiv bhakt, this is unacceptable and infuriating. Such futile attempts to belittle the legacy will not be tolerated at all." You suddenly became a great supporter of Chatrapati Shivaji Maharaj's valour and prominence. Even though your party, the Congress, has left no stone unturned to demean and insult our great Hindu King at every occasion. But why didn't you raise your voice against this maulana who insulted Chatrapati Shivaji Maharaj by calling him a "Normal Raja" and stating, "Shivaji ki koi jyada uplabdhiyan nahi hai." Where did your outrage and the same pride in Chatrapati Shivaji Maharaj go at this time ?? Here is the video.... Would you denounce this ????

Dr Poornima 🇮🇳

38,986 次观看 • 3 个月前

#WATCH | Mumbai | On Samajwadi Party leader and Maharashtra MLA Abu Azmi's remarks about Aurangzeb, BJP leader Navneet Rana says, "... The state in which you are elected to sit in the Assembly for 5 years was ruled by Chhatrapati Shivaji Maharaj and Chhatrapati Sambhaji Maharaj... People like you should watch 'Chhava' movie to see what Aurangzeb did with our king... I want to request Maharashtra government that the way Aurangabad's name was changed and kept after our God Sambhaji Maharaj, Aurangzeb's grave should also be demolished..." (Video: self-made)

#WATCH | Mumbai | On Samajwadi Party leader and Maharashtra MLA Abu Azmi's remarks about Aurangzeb, BJP leader Navneet Rana says, "... The state in which you are elected to sit in the Assembly for 5 years was ruled by Chhatrapati Shivaji Maharaj and Chhatrapati Sambhaji Maharaj... People like you should watch 'Chhava' movie to see what Aurangzeb did with our king... I want to request Maharashtra government that the way Aurangabad's name was changed and kept after our God Sambhaji Maharaj, Aurangzeb's grave should also be demolished..." (Video: self-made)

ANI

25,801 次观看 • 1 年前

Hello मुंबई पोलीस Mumbai Police He is Suleman Shaikh from Mumbai, He is abusing our Chhatrapati Shivaji Maharaj & Bharat Mata, It can lead to riots in our society, he is fan of Aurangzeb and No one can do anything to him! Commissioner of Police, Greater Mumbai Sir please look into this matter on urgent basis 🙏🏻

Hello मुंबई पोलीस Mumbai Police He is Suleman Shaikh from Mumbai, He is abusing our Chhatrapati Shivaji Maharaj & Bharat Mata, It can lead to riots in our society, he is fan of Aurangzeb and No one can do anything to him! Commissioner of Police, Greater Mumbai Sir please look into this matter on urgent basis 🙏🏻

Voice of Hindus

22,367 次观看 • 1 年前

Statue of Chhatrapati Shivaji Maharaj to be inaugurated in Jammu and Kashmir’s Kupwara near LoC on November 7. Video- Josh of Indian Army soilders as they welcome the revered figure of the Maratha icon in Kashmir. The statue completed a journey of approximately 2200 km before reaching Kupwara. The Rashtriya Rifles and 41 Maratha Light Infantry Regiment based in Kupwara received the King’s statue.

Statue of Chhatrapati Shivaji Maharaj to be inaugurated in Jammu and Kashmir’s Kupwara near LoC on November 7. Video- Josh of Indian Army soilders as they welcome the revered figure of the Maratha icon in Kashmir. The statue completed a journey of approximately 2200 km before reaching Kupwara. The Rashtriya Rifles and 41 Maratha Light Infantry Regiment based in Kupwara received the King’s statue.

Megh Updates 🚨™

612,901 次观看 • 2 年前

No Toilets for Women at Raigad Fort? Woman Questions Authorities Over Lack of Basic Facilities A woman visitor has raised serious concerns over the lack of basic facilities for women at Raigad Fort, the historic capital of Chhatrapati Shivaji Maharaj. Despite crores being spent on the fort’s conservation and an entry fee being charged to every visitor, she questioned why proper public toilets for women are still unavailable. In a video that is now going viral on social media, she argued that denying such essential facilities not only inconveniences visitors but also affects the sanctity of the historic site. She further pointed out that Chhatrapati Shivaji Maharaj stood for the dignity and respect of women, making the issue even more concerning. The matter has gained attention ahead of the grand Shivrajyabhishek celebrations on June 6, when thousands of Shiv devotees are expected to visit Raigad Fort. @laukik_gole #Raigad #SaveRaigad #viral #जयशिवराय #ChhatrapatiShivajiMaharaj

No Toilets for Women at Raigad Fort? Woman Questions Authorities Over Lack of Basic Facilities A woman visitor has raised serious concerns over the lack of basic facilities for women at Raigad Fort, the historic capital of Chhatrapati Shivaji Maharaj. Despite crores being spent on the fort’s conservation and an entry fee being charged to every visitor, she questioned why proper public toilets for women are still unavailable. In a video that is now going viral on social media, she argued that denying such essential facilities not only inconveniences visitors but also affects the sanctity of the historic site. She further pointed out that Chhatrapati Shivaji Maharaj stood for the dignity and respect of women, making the issue even more concerning. The matter has gained attention ahead of the grand Shivrajyabhishek celebrations on June 6, when thousands of Shiv devotees are expected to visit Raigad Fort. @laukik_gole #Raigad #SaveRaigad #viral #जयशिवराय #ChhatrapatiShivajiMaharaj

Pune Mirror

18,223 次观看 • 2 个月前

A recent video from Paris has drawn backlash from users who questioned whether public displays of nationalism should take precedence over etiquette. The video, recorded near the crowded Montmartre area, shows a group of Indian men gathered beside a street performer. One of them is seen placing his arm around the performer and loudly chanting slogans including “Jai Maharashtra,” “Jai Shiv Sena,” and “Chhatrapati Shivaji Maharaj ki Jai.” Moments later, others in the group join in, amplifying the chants. As the shouting grows louder, the street performer appears uneasy and repeatedly gestures for the group to stop. Several viewers noted his discomfort in the now-viral video. Despite these signals, the chanting continues for several more seconds.

A recent video from Paris has drawn backlash from users who questioned whether public displays of nationalism should take precedence over etiquette. The video, recorded near the crowded Montmartre area, shows a group of Indian men gathered beside a street performer. One of them is seen placing his arm around the performer and loudly chanting slogans including “Jai Maharashtra,” “Jai Shiv Sena,” and “Chhatrapati Shivaji Maharaj ki Jai.” Moments later, others in the group join in, amplifying the chants. As the shouting grows louder, the street performer appears uneasy and repeatedly gestures for the group to stop. Several viewers noted his discomfort in the now-viral video. Despite these signals, the chanting continues for several more seconds.

The Indian Express

90,865 次观看 • 6 个月前

Watched Chhava last night. The last 20 minutes were extremely intense—so much so that I couldn't even watch beyond a certain limit and had to step out. I spent those 20 minutes pacing outside, but even then, one dialogue between Sambhaji Raje and Aurangzeb stayed with me: "Instead of calling me there, why don’t you come here? You will have everything, and you won’t even have to change your religion." What did I learn from this? As soon as I asked myself what I took away from this film, the answer was clear. What message did Chhatrapati Sambhaji Raje’s sacrifice leave behind? He shed the last drop of his blood, but he never betrayed his faith, his land, or Swarajya. And he never would—because such a betrayal was/is never an option. The dialogues between Kavi Kalash and Sambhaji Raje are worth noting down, every single one of them. One that stayed with me: "Main namak hoon, Raje. Jahan jitni zarurat ho, istemal kar lijiye ga." – Kavi Kalash "Toh tum dushman ke zakhamon par lag jaana, Chandogamatya." – Chhatrapati Sambhaji Raje Bravery, bravery, and boundless bravery—that is Swarajya Rakshak Dharmaveer Chhatrapati Sambhaji Maharaj. One aspect of the film that I truly appreciated was how, while showcasing the valor of Chhatrapati Sambhaji Raje, it also constantly depicted a lost child—symbolizing the deep wound left by his mother’s absence. This dual portrayal was imprinted on my mind, and the film successfully conveyed both emotions simultaneously. But after watching this film, one can’t help but feel disheartened by the way Chhatrapati Shivaji Maharaj and Chhatrapati Sambhaji Raje’s names, valor, and sacrifices are being excessively used in today’s time—and the mindset behind this exploitation. A Swarajya creator and a Swarajya protector—this father and son’s blood runs through Maharashtra’s veins. Let us remember this until our last breath. "Desh dharm par mitne wala, Sher Shiva ka Chhava tha. Maha Parakrami, Param Pratapi, ek hi Shambhu Raja tha." 🙏🙏 #ShivaniGokhale #Chhava

Watched Chhava last night. The last 20 minutes were extremely intense—so much so that I couldn't even watch beyond a certain limit and had to step out. I spent those 20 minutes pacing outside, but even then, one dialogue between Sambhaji Raje and Aurangzeb stayed with me: "Instead of calling me there, why don’t you come here? You will have everything, and you won’t even have to change your religion." What did I learn from this? As soon as I asked myself what I took away from this film, the answer was clear. What message did Chhatrapati Sambhaji Raje’s sacrifice leave behind? He shed the last drop of his blood, but he never betrayed his faith, his land, or Swarajya. And he never would—because such a betrayal was/is never an option. The dialogues between Kavi Kalash and Sambhaji Raje are worth noting down, every single one of them. One that stayed with me: "Main namak hoon, Raje. Jahan jitni zarurat ho, istemal kar lijiye ga." – Kavi Kalash "Toh tum dushman ke zakhamon par lag jaana, Chandogamatya." – Chhatrapati Sambhaji Raje Bravery, bravery, and boundless bravery—that is Swarajya Rakshak Dharmaveer Chhatrapati Sambhaji Maharaj. One aspect of the film that I truly appreciated was how, while showcasing the valor of Chhatrapati Sambhaji Raje, it also constantly depicted a lost child—symbolizing the deep wound left by his mother’s absence. This dual portrayal was imprinted on my mind, and the film successfully conveyed both emotions simultaneously. But after watching this film, one can’t help but feel disheartened by the way Chhatrapati Shivaji Maharaj and Chhatrapati Sambhaji Raje’s names, valor, and sacrifices are being excessively used in today’s time—and the mindset behind this exploitation. A Swarajya creator and a Swarajya protector—this father and son’s blood runs through Maharashtra’s veins. Let us remember this until our last breath. "Desh dharm par mitne wala, Sher Shiva ka Chhava tha. Maha Parakrami, Param Pratapi, ek hi Shambhu Raja tha." 🙏🙏 #ShivaniGokhale #Chhava

SHIVANI GOKHALE 🚩

22,139 次观看 • 1 年前

'Seva Pakhwada' Inspired by Hon PM Narendra Modi Ji’s Vision for 'Ease of Living' Inaugurated the State-level launch of ‘Seva Pakhwada’ under the Chhatrapati Shivaji Maharaj Maharajasva Abhiyan today, marking the auspicious occasion of Hon PM Narendra Modi Ji’s birthday. This Seva Pandharwada will continue till the birth anniversary of Rashtrapita Mahatma Gandhi and stands as a significant step towards realising the vision of 'Ease of Living'. Over the last 11 years, under the visionary leadership of Hon PM Modi Ji, India’s development journey has amazed the world. Today, India proudly stands as the 4th largest economy, a testament to Hon PM Modi ji’s leadership that has accelerated India’s growth on the global stage. Under the 'Right to Service Act', the government will deliver 1100 services digitally. Of these, 44 services, covering nearly 90% of citizen applications, will be available online and through WhatsApp within the next three months. This 'Seva Pakhwada' is not just an initiative but a mission to transform lives. With the inspiration of Hon PM Modi Ji and the collective support of citizens, this effort will stand as a cornerstone of 'Ease of Living'. Guided by his leadership, Maharashtra will continue its journey of inclusive growth and citizen-centric governance. DCM Ajitdada Pawar, Minister Chandrashekhar Bawankule, Minister Dattatraya Bharane, MoSYogesh Kadam, MoS Madhurtaii Misal, MP Dr Medhatai Kulkarni, veteran actor Nana Patekar ji, and other dignitaries were present. Narendra Modi Ajit Pawar Chandrashekhar Bawankule Dattatray Bharane Yogesh Ramdas Kadam Madhuri Misal Dr. Medha Kulkarni Nana Patekar #Maharashtra #SevaPakhwada2025 #HappyBdayPMModi

'Seva Pakhwada' Inspired by Hon PM Narendra Modi Ji’s Vision for 'Ease of Living' Inaugurated the State-level launch of ‘Seva Pakhwada’ under the Chhatrapati Shivaji Maharaj Maharajasva Abhiyan today, marking the auspicious occasion of Hon PM Narendra Modi Ji’s birthday. This Seva Pandharwada will continue till the birth anniversary of Rashtrapita Mahatma Gandhi and stands as a significant step towards realising the vision of 'Ease of Living'. Over the last 11 years, under the visionary leadership of Hon PM Modi Ji, India’s development journey has amazed the world. Today, India proudly stands as the 4th largest economy, a testament to Hon PM Modi ji’s leadership that has accelerated India’s growth on the global stage. Under the 'Right to Service Act', the government will deliver 1100 services digitally. Of these, 44 services, covering nearly 90% of citizen applications, will be available online and through WhatsApp within the next three months. This 'Seva Pakhwada' is not just an initiative but a mission to transform lives. With the inspiration of Hon PM Modi Ji and the collective support of citizens, this effort will stand as a cornerstone of 'Ease of Living'. Guided by his leadership, Maharashtra will continue its journey of inclusive growth and citizen-centric governance. DCM Ajitdada Pawar, Minister Chandrashekhar Bawankule, Minister Dattatraya Bharane, MoSYogesh Kadam, MoS Madhurtaii Misal, MP Dr Medhatai Kulkarni, veteran actor Nana Patekar ji, and other dignitaries were present. Narendra Modi Ajit Pawar Chandrashekhar Bawankule Dattatray Bharane Yogesh Ramdas Kadam Madhuri Misal Dr. Medha Kulkarni Nana Patekar #Maharashtra #SevaPakhwada2025 #HappyBdayPMModi

Devendra Fadnavis

15,370 次观看 • 10 个月前

British Museum director Dr Nicholas Cullinan is leasing 80 Greek and Egyptian artefacts to the Mumbai Chhatrapati Shivaji Maharaj Vastu Sangrahalaya museum in India for three years, to “decolonise” the British Museum’s collection and correct an apparent “colonial misinterpretation” of Indian history. Sabyasachi Mukherjee, director general of the recipient museum in Mumbai, said, “All cultures are great cultures and we need to respect all cultures. Through this exhibition, there is decolonisation, an attempt is made to decolonise the narrative.” But not all cultures are great. Britain left India far tidier than it found it. A bit of gratitude wouldn’t go amiss. Contrary to claims made by two Marxists, Utsa Patnaik and her husband Prabhat, that Britain extracted the contemporary equivalent of $64.82 trillion (£52.58 trillion) from India between 1765 and 1900 — “enough to carpet London with £50 notes” four times over — the Empire didn’t dig cash out of the ground. We gave the Subcontinent the industrial revolution, railways, the civil service, Greenwich Mean Time, common law, and so much more. We shouldn’t pay any attention to the historical grudges and ethnic chauvinism of other countries. India is only using the British Empire as a cudgel to beat whites with, to gain the upper hand in geopolitics. We have no collective guilt to atone for. And if they're going to be so rude about it, we should stop and reverse all migration from India, and stop all the remittances their economy relies on. You wanted independence from us? Have it. Today with Julia Hartley-Brewer

British Museum director Dr Nicholas Cullinan is leasing 80 Greek and Egyptian artefacts to the Mumbai Chhatrapati Shivaji Maharaj Vastu Sangrahalaya museum in India for three years, to “decolonise” the British Museum’s collection and correct an apparent “colonial misinterpretation” of Indian history. Sabyasachi Mukherjee, director general of the recipient museum in Mumbai, said, “All cultures are great cultures and we need to respect all cultures. Through this exhibition, there is decolonisation, an attempt is made to decolonise the narrative.” But not all cultures are great. Britain left India far tidier than it found it. A bit of gratitude wouldn’t go amiss. Contrary to claims made by two Marxists, Utsa Patnaik and her husband Prabhat, that Britain extracted the contemporary equivalent of $64.82 trillion (£52.58 trillion) from India between 1765 and 1900 — “enough to carpet London with £50 notes” four times over — the Empire didn’t dig cash out of the ground. We gave the Subcontinent the industrial revolution, railways, the civil service, Greenwich Mean Time, common law, and so much more. We shouldn’t pay any attention to the historical grudges and ethnic chauvinism of other countries. India is only using the British Empire as a cudgel to beat whites with, to gain the upper hand in geopolitics. We have no collective guilt to atone for. And if they're going to be so rude about it, we should stop and reverse all migration from India, and stop all the remittances their economy relies on. You wanted independence from us? Have it. Today with Julia Hartley-Brewer

Connor Tomlinson

45,233 次观看 • 7 个月前

23/01/2025 There was an alignment of the planets, the photo shows that the planets are practically aligned, Saturn, Mars, Venus, Jupiter and the crescent moon will be completely aligned from 24/01 2025, which will cause a profound change on planet Earth. I SWEAR I'VE SEEN THIS ALREADY In 1999 all the planets were aligned I went to the observatory then I was little .I still remember the words of the curator clearly since all visitors could look through a real telescope it was summer and a clear night I think it was June. He said This is how it happens every 5000 years. Even the famous Copernicus did not see this alignment during his lifetime. Now you have the honor and privilege to see this phenomenon during your lifetime. The only difference between 1999 and now is the number of planets that were aligned in 1999. I saw them all coming out one after the other like in this video just add more but the crescent moon was not talked about then which means we have very similar events 26 years apart feel free to check this part for 1999 I was personally present and looked through a telescope then I didn't even I knew about the flat earth, grew up watching sci-fi movies, and dreamed of one day sitting on the ENTERPRISE with the Captain ŻAN LUK PIKARAD and no, I'm not ashamed and to this day I love sci-fi movies and series, but only BLOCKBUSTERS, because since 2012 some completely different narratives have been filmed, now I know why✅️🌒🌛🪐👌 Part one text great resercher Adam Part 2 text nikola 3

23/01/2025 There was an alignment of the planets, the photo shows that the planets are practically aligned, Saturn, Mars, Venus, Jupiter and the crescent moon will be completely aligned from 24/01 2025, which will cause a profound change on planet Earth. I SWEAR I'VE SEEN THIS ALREADY In 1999 all the planets were aligned I went to the observatory then I was little .I still remember the words of the curator clearly since all visitors could look through a real telescope it was summer and a clear night I think it was June. He said This is how it happens every 5000 years. Even the famous Copernicus did not see this alignment during his lifetime. Now you have the honor and privilege to see this phenomenon during your lifetime. The only difference between 1999 and now is the number of planets that were aligned in 1999. I saw them all coming out one after the other like in this video just add more but the crescent moon was not talked about then which means we have very similar events 26 years apart feel free to check this part for 1999 I was personally present and looked through a telescope then I didn't even I knew about the flat earth, grew up watching sci-fi movies, and dreamed of one day sitting on the ENTERPRISE with the Captain ŻAN LUK PIKARAD and no, I'm not ashamed and to this day I love sci-fi movies and series, but only BLOCKBUSTERS, because since 2012 some completely different narratives have been filmed, now I know why✅️🌒🌛🪐👌 Part one text great resercher Adam Part 2 text nikola 3

nikola 3

446,762 次观看 • 1 年前

The video shows the trials of the VT-1-1, a turretless tank with 2 x 105 mm guns, firing on the move at the Putlos training ground in 1976. The casemate (turretless) tank, designed for combat while moving, was introduced in Germany in the mid-1970s as a twin-gun casemate tank (the Soviet term for a "turretless tank"). For practical firing tests in the "target pass" mode, two prototypes were built in the mid-1970s. The first prototype, VT 1-1, was armed with two 105 mm guns, while the second, VT 1-2, was equipped with two 120 mm smoothbore guns. Additionally, the VT 1-2 featured a functioning autoloader behind one of the guns, with a firing rate of 10 rounds per minute. The vehicles were developed as part of the KPz 3 or Leopard 3 project. In both prototypes, the main guns were semi-fixed (with aiming and stabilization only in elevation). The chassis solutions were derived from the KPz 70 (MBT 70) program, with the running gear shortened by one road wheel (five road wheels per side). The vehicles weighed 36.8 and 43.5 tons, respectively, with a chassis rotation speed of 60 degrees per second. To achieve high maneuverability on rough terrain, 12-cylinder diesel engines from the MB 873 series with enhanced power were used, equipped with four turbochargers: 2000 hp for VT 1-1 and 2200 hp for VT 1-2. This provided an impressive power-to-weight ratio of 54 and 50 hp/ton, respectively, with acceleration to 55 km/h in 11 seconds, though only in a temporary "turbo" mode, as the standard power was 1600 hp. The accuracy of firing with two guns was unmatched by single-gun tanks, as confirmed by the tests. However, due to the novel combat approach, this revolutionary tank concept was rejected by the customer after trials in favor of the conventionally designed Leopard 2. In essence, although the project was developed as the Leopard 3, a tank for the future, it was, in reality, a parallel project and a potential competitor to the Leopard 2. Achieving the firepower, protection, and mobility of the Leopard 3 within reasonable weight limits was impossible with a conventional layout. At the same time, a significant tactical drawback of the casemate concept (including twin-gun casemate vehicles) is the linkage between the direction of fire and the direction of movement, which in many cases could complicate unit and formation control (according to German experts in the 1970s). Moreover, the VT 1-1 and VT 1-2 can hardly be considered balanced vehicles—they could have been simpler. The vehicles' mobility was exaggerated, with the main engine, transmission, auxiliary engine, batteries, and other systems occupying two-thirds of the vehicle's length. Pros and Cons of VT 1-1 and VT 1-2: Considering the key challenges, the twin-gun casemate concept can be evaluated as follows: Pros: Compact design due to a small internal volume. Two guns provide high firepower and hit probability. Cons: The weight advantage of the casemate design is largely offset by the integration of a second gun. Fire control alone results in high complexity, leading to increased maintenance costs and overall expenses. In 1975/76, five Gefechtsfeldversuchträger (GVT, combat test platforms) were developed and built for further mobility and concept trials. These were smaller than the VT 1-1 and VT 1-2, weighing 30 tons. The GVT 01-05 were equipped only with mock-up guns and laser firing simulators (TALLISSI) and telemetry systems, built using chassis components from the Leopard 1. The GVTs were used at the IABG facility in Lichtenau and the tank training school in Munster to test the twin-gun turretless tank concept in realistic exercise conditions, which is why five vehicles were built. However, the Leopard 2 was already in production, and tank crews showed little enthusiasm for this unconventional vehicle requiring a new approach.

The video shows the trials of the VT-1-1, a turretless tank with 2 x 105 mm guns, firing on the move at the Putlos training ground in 1976. The casemate (turretless) tank, designed for combat while moving, was introduced in Germany in the mid-1970s as a twin-gun casemate tank (the Soviet term for a "turretless tank"). For practical firing tests in the "target pass" mode, two prototypes were built in the mid-1970s. The first prototype, VT 1-1, was armed with two 105 mm guns, while the second, VT 1-2, was equipped with two 120 mm smoothbore guns. Additionally, the VT 1-2 featured a functioning autoloader behind one of the guns, with a firing rate of 10 rounds per minute. The vehicles were developed as part of the KPz 3 or Leopard 3 project. In both prototypes, the main guns were semi-fixed (with aiming and stabilization only in elevation). The chassis solutions were derived from the KPz 70 (MBT 70) program, with the running gear shortened by one road wheel (five road wheels per side). The vehicles weighed 36.8 and 43.5 tons, respectively, with a chassis rotation speed of 60 degrees per second. To achieve high maneuverability on rough terrain, 12-cylinder diesel engines from the MB 873 series with enhanced power were used, equipped with four turbochargers: 2000 hp for VT 1-1 and 2200 hp for VT 1-2. This provided an impressive power-to-weight ratio of 54 and 50 hp/ton, respectively, with acceleration to 55 km/h in 11 seconds, though only in a temporary "turbo" mode, as the standard power was 1600 hp. The accuracy of firing with two guns was unmatched by single-gun tanks, as confirmed by the tests. However, due to the novel combat approach, this revolutionary tank concept was rejected by the customer after trials in favor of the conventionally designed Leopard 2. In essence, although the project was developed as the Leopard 3, a tank for the future, it was, in reality, a parallel project and a potential competitor to the Leopard 2. Achieving the firepower, protection, and mobility of the Leopard 3 within reasonable weight limits was impossible with a conventional layout. At the same time, a significant tactical drawback of the casemate concept (including twin-gun casemate vehicles) is the linkage between the direction of fire and the direction of movement, which in many cases could complicate unit and formation control (according to German experts in the 1970s). Moreover, the VT 1-1 and VT 1-2 can hardly be considered balanced vehicles—they could have been simpler. The vehicles' mobility was exaggerated, with the main engine, transmission, auxiliary engine, batteries, and other systems occupying two-thirds of the vehicle's length. Pros and Cons of VT 1-1 and VT 1-2: Considering the key challenges, the twin-gun casemate concept can be evaluated as follows: Pros: Compact design due to a small internal volume. Two guns provide high firepower and hit probability. Cons: The weight advantage of the casemate design is largely offset by the integration of a second gun. Fire control alone results in high complexity, leading to increased maintenance costs and overall expenses. In 1975/76, five Gefechtsfeldversuchträger (GVT, combat test platforms) were developed and built for further mobility and concept trials. These were smaller than the VT 1-1 and VT 1-2, weighing 30 tons. The GVT 01-05 were equipped only with mock-up guns and laser firing simulators (TALLISSI) and telemetry systems, built using chassis components from the Leopard 1. The GVTs were used at the IABG facility in Lichtenau and the tank training school in Munster to test the twin-gun turretless tank concept in realistic exercise conditions, which is why five vehicles were built. However, the Leopard 2 was already in production, and tank crews showed little enthusiasm for this unconventional vehicle requiring a new approach.

Andrei_bt

81,636 次观看 • 1 年前

Fast Company just published a great piece on World Labs , Fei-Fei Li , Marble, and the idea that spatial intelligence / world models may be one of the next big shifts in AI. I was happy to be quoted in the article, but I also wanted to share more context about my own experience with World Labs and Marble, and why this direction is especially interesting to me. My starting point: volumetric capture — For the past few years I’ve been exploring and using volumetric capture and reconstruction (photogrammetry, NeRFs, 3D Gaussian Splats) mostly capturing locations around Montreal. Alleys, museums, urban interiors. I love every step of it: the capture itself, the pipeline, and what can be done with the output. Turning real spaces into real-time explorable systems. I do this personally, sharing explorations here, and professionally as chief technologist, and co-founder of Dpt. Physical reality + generative manipulation — In my work I’m especially drawn to mixing physical reality with generative and digital manipulation: using physical interfaces (light, clay, ink, ... ) to drive generative AI pipelines, building mixed reality prototypes that reshape your surroundings, or starting from real captured spaces and transforming them using tools like Marble. Like many people, I saw the World Labs announcement on Twitter in September 2024, and Marble when it surfaced in early December. But by then, I already had a sense something was coming. The first conversation — As someone deep into volumetric capture and radiance fields, I obviously knew about Ben Mildenhall and his pioneering work on NeRF. To my surprise, Ben reached out to me in late June 2024. He’d been following some of my experiments and wanted to chat about my process and workflows and how I was using this “stuff” creatively. At that point he didn’t share what he was building, but we had a genuinely great conversation about radiance fields, AI, and my work. He was curious about the creative perspective, not just the technical one. When the World Labs announcement dropped a few months later, it all made sense. I understood what Ben had been working on, and why the creative angle mattered to them. Then in August 2025, he invited me to try the Marble beta, and I’ve been experimenting with it since. Experimenting with Marble — The first thing I used Marble for was materializing scene and world concepts during ideation at the studio, and seeing if and how it could fit into our production pipeline. In parallel, I dove into a series of experiments focused on world manipulation: starting from real captured spaces and transforming them using Marble. I’d already been exploring that idea using img2img diffusion with ControlNet on NeRF renders, real-time video streams, and even mixed reality using headset camera feeds. But Marble brings something different. It generates persistent, spatially cohesive 3D worlds that can be rendered in real time across a wide range of devices. That’s a real shift. Experiment 01: Parallel Realities — The first experiment, Parallel Realities, starts from a volumetric capture of a real location, reconstructed as 3D Gaussian Splats. Using Marble, I generate an alternate version of that same space, something informed by the original architecture: abandoned, nature-reclaimed, alternate era. Then, using Spark (World Labs’ 3D Gaussian Splatting renderer for THREE.js) I make both realities coexist in the same spatial coordinate system. From there, I use a portal UX mechanic to let the user step between the real reconstruction and the Marble-generated version. Experiment 02: Hidden Depth The second experiment, Hidden Depth, does not transform a space as much as expand it. A captured location has a visual boundary (a mural, a doorway, a dark corridor) and Marble generates what exists beyond it. For example: a Montreal alley has a painted mural; step through it and you’re inside a world informed by what is actually depicted there. World Labs showcased part of this work here: And in their Spark 2.0 post: The project page is here: Why this matters to me — Being able to start from a real 3D Gaussian Splat scene and manipulate it with Marble opens up a lot of ideas. The 3DGS pipeline is becoming an increasingly compelling foundation for exploration, experimentation, and storytelling. What matters most to me right now is more control. The more I can steer the generated scene or world, the more useful the tool becomes. I want more features like the already existing multiple input images and Chisel, the blockout-based approach. I would like better local control, the ability to expand a generated world more and more while preserving coherence, and the ability to directly import 3D Gaussian Splat scenes to be used as a starting point. I want more ways to shape the result, not just a “prompt and hope” approach. — It is exciting to see this field moving from research and demos toward actual creative workflows.

Fast Company just published a great piece on World Labs , Fei-Fei Li , Marble, and the idea that spatial intelligence / world models may be one of the next big shifts in AI. I was happy to be quoted in the article, but I also wanted to share more context about my own experience with World Labs and Marble, and why this direction is especially interesting to me. My starting point: volumetric capture — For the past few years I’ve been exploring and using volumetric capture and reconstruction (photogrammetry, NeRFs, 3D Gaussian Splats) mostly capturing locations around Montreal. Alleys, museums, urban interiors. I love every step of it: the capture itself, the pipeline, and what can be done with the output. Turning real spaces into real-time explorable systems. I do this personally, sharing explorations here, and professionally as chief technologist, and co-founder of Dpt. Physical reality + generative manipulation — In my work I’m especially drawn to mixing physical reality with generative and digital manipulation: using physical interfaces (light, clay, ink, ... ) to drive generative AI pipelines, building mixed reality prototypes that reshape your surroundings, or starting from real captured spaces and transforming them using tools like Marble. Like many people, I saw the World Labs announcement on Twitter in September 2024, and Marble when it surfaced in early December. But by then, I already had a sense something was coming. The first conversation — As someone deep into volumetric capture and radiance fields, I obviously knew about Ben Mildenhall and his pioneering work on NeRF. To my surprise, Ben reached out to me in late June 2024. He’d been following some of my experiments and wanted to chat about my process and workflows and how I was using this “stuff” creatively. At that point he didn’t share what he was building, but we had a genuinely great conversation about radiance fields, AI, and my work. He was curious about the creative perspective, not just the technical one. When the World Labs announcement dropped a few months later, it all made sense. I understood what Ben had been working on, and why the creative angle mattered to them. Then in August 2025, he invited me to try the Marble beta, and I’ve been experimenting with it since. Experimenting with Marble — The first thing I used Marble for was materializing scene and world concepts during ideation at the studio, and seeing if and how it could fit into our production pipeline. In parallel, I dove into a series of experiments focused on world manipulation: starting from real captured spaces and transforming them using Marble. I’d already been exploring that idea using img2img diffusion with ControlNet on NeRF renders, real-time video streams, and even mixed reality using headset camera feeds. But Marble brings something different. It generates persistent, spatially cohesive 3D worlds that can be rendered in real time across a wide range of devices. That’s a real shift. Experiment 01: Parallel Realities — The first experiment, Parallel Realities, starts from a volumetric capture of a real location, reconstructed as 3D Gaussian Splats. Using Marble, I generate an alternate version of that same space, something informed by the original architecture: abandoned, nature-reclaimed, alternate era. Then, using Spark (World Labs’ 3D Gaussian Splatting renderer for THREE.js) I make both realities coexist in the same spatial coordinate system. From there, I use a portal UX mechanic to let the user step between the real reconstruction and the Marble-generated version. Experiment 02: Hidden Depth The second experiment, Hidden Depth, does not transform a space as much as expand it. A captured location has a visual boundary (a mural, a doorway, a dark corridor) and Marble generates what exists beyond it. For example: a Montreal alley has a painted mural; step through it and you’re inside a world informed by what is actually depicted there. World Labs showcased part of this work here: And in their Spark 2.0 post: The project page is here: Why this matters to me — Being able to start from a real 3D Gaussian Splat scene and manipulate it with Marble opens up a lot of ideas. The 3DGS pipeline is becoming an increasingly compelling foundation for exploration, experimentation, and storytelling. What matters most to me right now is more control. The more I can steer the generated scene or world, the more useful the tool becomes. I want more features like the already existing multiple input images and Chisel, the blockout-based approach. I would like better local control, the ability to expand a generated world more and more while preserving coherence, and the ability to directly import 3D Gaussian Splat scenes to be used as a starting point. I want more ways to shape the result, not just a “prompt and hope” approach. — It is exciting to see this field moving from research and demos toward actual creative workflows.

Hugues Bruyère

69,960 次观看 • 1 个月前