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New Angle 👀📹🤳🏾 Same Ol Shit 💩🍩😉 BOOTY BUTTER 👃🏾🐽

PRETTY💩SHITTY

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72,105 görüntüleme • 1 yıl önce •via X (Twitter)

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She has a new man now and she had started same thing with him too, can she just rest her v!ol@ce for a second? 👀 🤦‍♂️

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She has a new man now and she had started same thing with him too, can she just rest her v!ol@ce for a second? 👀 🤦‍♂️

FOWOBI OF LAGOS 𓃵

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"New role. Same problem!! Naz Reid got too many ways to get a bucket. Charlotte about to see the full bag" 👀 (📹 Chris Brickley)

"New role. Same problem!! Naz Reid got too many ways to get a bucket. Charlotte about to see the full bag" 👀 (📹 Chris Brickley)

r/CharlotteHornets

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🚨 NEW ANGLE: Costa Mesa Target fight 😭 Grown men throwing hands over Pokémon cards… while a Starbucks cup gets launched like a Hydro Pump 💀 Same restock, different angle, still chaos. Is this what the hobby turning into? 👀 #PokeStreetz #TargetDrop 🎥 Faridoodle

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New look. Same bold energy. 👀💙💚 Telkom didn’t just rebrand. They re-entered the chat with vibes📲 For years, they’ve been keeping Mzansi connected, and now? They’re showing us what the future feels like, and it was giving ICONIC from every angle 🔵#TelkomIsIconic #Ad #PossibleBeginsHere #TelkomConnectsSA

New look. Same bold energy. 👀💙💚 Telkom didn’t just rebrand. They re-entered the chat with vibes📲 For years, they’ve been keeping Mzansi connected, and now? They’re showing us what the future feels like, and it was giving ICONIC from every angle 🔵#TelkomIsIconic #Ad #PossibleBeginsHere #TelkomConnectsSA

MR AIRTIME

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🚨🚨 Brand new video angle. Found a few months ago from a foreign TikTok account with under 500 views. I forgot I had this until I went looking for the clip of a sound guy adjusting something UNDER the table. Now I notice so much more 👀‼️ FYI: this account used the same filter on all of its video posts, so the green flashes you may see are consistent with that filter.

Charliesangels47

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‼️BREAKING: New Angle Of George Zinn Being Dragged Out Of UVU 👀 Brand new video just dropped. Different angle. Same man. Minutes after Charlie is hit, campus cops are walking 71-year-old George Zinn off UVU while the real hunt is supposed to be happening. Pants down. Crowd screaming. An officer on the tape: he said he shot him, but I don’t know. Zinn yelled “I shot him — now shoot me.” Then he would not say where a gun was. Police later said he admitted he was not the shooter and that he yelled it so the actual suspect could get away. He wanted to be a martyr. That is the first minutes of an assassination investigation getting pointed at a decoy while the rooftop goes cold. New footage does not close the case. It shows what they wanted you to watch. Ask why a known Turning Point gadfly is first in cuffs and the man they later charged is already gone. Watch the new angle. Do not blink.

Project Constitution

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The brand new generation of F-47 fighter jet is going to be absolutely insane in combat. One pilot + his own drone swarm (8+ loyal wingmen) Stealth++ is invisible on radar AND infrared from every angle 1,000+ nm combat radius at Mach 2+ AI sensor fusion so advanced that the pilot sees & decides faster than any enemy ever could 👀 First flight in 2028. This video is a representation of what is to come! Air combat will never be the same again.

Matt Wallace

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👀🧐 Drake Wasn’t Lying On “Whisper My Name” When He Said: 🗣️ “These boys dress up and think that they somebody, shit is like Comic-Con.” The line hits a little different when you look at some of the things we’ve been seeing lately. 😂 Jay-Z really sat in a beautician chair for hella hours and popped out looking like the legend actor Stan Shaw At this point, the internet has turned into a full-time detective agency trying to figure out what everybody’s angle is. 🤔 And that’s what makes Drake’s other comments so interesting. Because if there really are secrets that Drake knows behind the scenes, as he’s hinted at in multiple records, then some of these recent moves have people wondering who’s feeling the pressure and who’s trying to reinvent themselves in real time. 👀 Maybe it’s just a new look. 👀 Maybe it’s artistic expression. 😅 Or maybe Drake wasn’t joking when he compared some of these industry characters to Comic-Con participants showing up in costume. Either way, social media is definitely going to have jokes for the foreseeable future. “Them secrets Drake said he knows must really have people stressed.”

👀🧐 Drake Wasn’t Lying On “Whisper My Name” When He Said: 🗣️ “These boys dress up and think that they somebody, shit is like Comic-Con.” The line hits a little different when you look at some of the things we’ve been seeing lately. 😂 Jay-Z really sat in a beautician chair for hella hours and popped out looking like the legend actor Stan Shaw At this point, the internet has turned into a full-time detective agency trying to figure out what everybody’s angle is. 🤔 And that’s what makes Drake’s other comments so interesting. Because if there really are secrets that Drake knows behind the scenes, as he’s hinted at in multiple records, then some of these recent moves have people wondering who’s feeling the pressure and who’s trying to reinvent themselves in real time. 👀 Maybe it’s just a new look. 👀 Maybe it’s artistic expression. 😅 Or maybe Drake wasn’t joking when he compared some of these industry characters to Comic-Con participants showing up in costume. Either way, social media is definitely going to have jokes for the foreseeable future. “Them secrets Drake said he knows must really have people stressed.”

Cousin Tino ™️

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INDY RAPPERS VS INDUSTRY RAPPERS 38 SPESH BROKE THIS SHIT DOWN TO A SCIENCE FOR THE DUMB DEAF AND BLIND I CAME IN THIS SHIT JUST LIKE 38 SPENDING MY OWN BREAD BUYING MY OWN FEATURES MY OWN ALBUM COVERS MY OWN MIXING AND MASTERING ETC IM MY OWN BANK MOST RAPPERS IN THE INDUSTRY COME IN SPENDING THE LABELS MONEY OR A BIG TIME DOPE BOY IS FUNDING THEM UNTIL THE LABEL FUNDS THEM BUT IT’S A DIFFERENT GRIND WHEN YOU DO IT ALL YOURSELF! AND FANS DON’T UNDERSTAND THAT THAT’S WHY I HATE WHEN THEY COMPARE INDY RAPPERS SUCCESS TO INDUSTRY RAPPERS SUCCESS IT’S NOT THE SAME GAME AT ALL WHEN YOU ARE YOUR OWN BOSS AND YOU PAY RAPPERS OUT OF POCKET AND DEAL WITH THEM AND GET NUMBERS FROM THEM AND EXPECT THEM TO BE REAL NIGGAS BUT YOU FIND OUT THE ARE NOT THEY ARE JUST INDUSTRY PUPPETS THAT LIE LIKE THE LABELS DO IT HURTS MORE BUT YOU GOTTA REMEMBER IT’S NOT THE STREETS.. IT’S MUSIC SO EVEN THOUGH I DISAGREE WITH 38S INITIAL CALL OUT OF JADA FOR NOT KEEPING HIS WORD AS A INDY ARTIST I UNDERSTAND THE FRUSTRATION OF INDUSTRY RAP NIGGAS CAPPIN ABOUT HOW THEY GONE HELP A INDY RAPPER BUT THEY JUST TALKING BECAUSE THEY DON’T SEE A ANGLE THAT IT CAN BENEFIT THEM EVEN THO THEY THINK YOU ARE NICE ANYWAY NEW ALBUM FRIDAY!!🚨🤲🏽

INDY RAPPERS VS INDUSTRY RAPPERS 38 SPESH BROKE THIS SHIT DOWN TO A SCIENCE FOR THE DUMB DEAF AND BLIND I CAME IN THIS SHIT JUST LIKE 38 SPENDING MY OWN BREAD BUYING MY OWN FEATURES MY OWN ALBUM COVERS MY OWN MIXING AND MASTERING ETC IM MY OWN BANK MOST RAPPERS IN THE INDUSTRY COME IN SPENDING THE LABELS MONEY OR A BIG TIME DOPE BOY IS FUNDING THEM UNTIL THE LABEL FUNDS THEM BUT IT’S A DIFFERENT GRIND WHEN YOU DO IT ALL YOURSELF! AND FANS DON’T UNDERSTAND THAT THAT’S WHY I HATE WHEN THEY COMPARE INDY RAPPERS SUCCESS TO INDUSTRY RAPPERS SUCCESS IT’S NOT THE SAME GAME AT ALL WHEN YOU ARE YOUR OWN BOSS AND YOU PAY RAPPERS OUT OF POCKET AND DEAL WITH THEM AND GET NUMBERS FROM THEM AND EXPECT THEM TO BE REAL NIGGAS BUT YOU FIND OUT THE ARE NOT THEY ARE JUST INDUSTRY PUPPETS THAT LIE LIKE THE LABELS DO IT HURTS MORE BUT YOU GOTTA REMEMBER IT’S NOT THE STREETS.. IT’S MUSIC SO EVEN THOUGH I DISAGREE WITH 38S INITIAL CALL OUT OF JADA FOR NOT KEEPING HIS WORD AS A INDY ARTIST I UNDERSTAND THE FRUSTRATION OF INDUSTRY RAP NIGGAS CAPPIN ABOUT HOW THEY GONE HELP A INDY RAPPER BUT THEY JUST TALKING BECAUSE THEY DON’T SEE A ANGLE THAT IT CAN BENEFIT THEM EVEN THO THEY THINK YOU ARE NICE ANYWAY NEW ALBUM FRIDAY!!🚨🤲🏽

MASTER STUDENT🤲🏾

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😱SHOCKING: Candace Owens Just Revealed The FaceTime Video She Was Shown Of The FOOTAGE Behind Charlie Was Likely EDITED 👀 Candace Owens has revealed new FaceTime evidence involving Terrell Farnsworth that suggests the "back camera" footage—the footage Terrell raced to take down just 4 minutes after Charlie was struck—was likely deliberately edited or cropped before it was shown to her. 1. The "Cropped" Footage at UVU 📹 nicci discovered a disturbing pattern. Throughout the 2025 American Comeback Tour (Florida State, USC, Boise State, etc.), the camera behind Charlie’s head was always a wide-angle shot that showed the ground. The UVU Footage: In the version Terrell showed Candace, the ground is completely cut out. The Implication: Either they changed the camera settings specifically for that day, or Terrell manually zoomed in later to hide what was happening on the floor around Charlie’s feet. 2. The Missing SD Card 💾 Candace reveals that during their FaceTime on September 19th, she saw Terrell opening a file labeled "YOLO Drive" on his desktop in Scottsdale, Arizona. The Red Flag: Why did Terrell have the SD card in his possession two days after the incident? The Federal Question: If the feds were on the scene "too quickly," why didn’t they confiscate the most vital piece of video evidence immediately? Terrell claims he took the camera down to "protect Erica," but he never mentioned giving the footage to authorities. 3. "Boiling the Frog": The New Setup 🏗️ For years (2017–2024), Charlie tabled on flat ground with no rear cameras. Suddenly, in 2025, the setup changed: The Platform: Charlie (who was 6'5") was placed on a new platform, sitting in a chair above the table. The Rear Camera: A brand-new camera angle was added directly behind his head—an angle Candace says serves no logical purpose for a Q&A. The Timeline: This "strange and new" setup appeared to arrive alongside the major Wi-Fi sponsorship deal. The Big Question ⚖️ What was on the ground at UVU that was worth hiding? Candace is calling on Tyler Robinson’s defense team to demand the un-cropped, full-frame footage from Turning Point. If the camera captured the aftermath and the movements of security guards, it may hold the key to identifying the true assassins. "It has to be something that would solve Charlie's murder. That's my position and I'm gonna stick to that." — Candace Owens FOLLOW Candace Owens, RT and watch her FULL episode linked below. 👇

Project Constitution

44,533 görüntüleme • 5 ay önce

wen Dookey Dash? [long, sorry] some updates: The competitive part of Dookey Dash is pretty well cooked and many of you have gotten a chance to playtest the game in some form, either at NFT Paris, in Dubai at Token2049, or as part of our gaming council. THANK YOU for being part of testing and dealing with bugs as we QA the shit out of the game. A not-final build of the game is currently live in the Philippines and Australia for testing. This version is missing a ton of features we’ve been busy building with Faraway, as well as many completed parts of the game that we can’t push live until Season 1 begins. What are we adding? A bunch of things to make the game more casual-friendly. Stuff like: -NEW MAPS: More to explore than just the same 'ol sewer -ARCADE MODE: A new objective-based game mode, with clear conditions for progressing (like "dash through five walls to win," etc). Arcade mode is broken up into levels, and achieving goals gets you progress on the map and onto the next stage. Basically, think Candy Crush. -CHAMPIONSHIP MODE: This is the good old leaderboard-based DDU for hardcore players. -WEEKLY TOURNAMENTS: Compete in weekly tournaments to win boxes featuring new characters, vehicles, banners, etc. Opening up boxes will grant you Dookey Points, which you can spend to spin for a chance at a Golden Plunger – you’ll need a Golden Plunger in order to compete in the $1m esports championship at the end of the season. -DAILY QUESTS: Rotating set of quests with a range of possible rewards It’s a LOT of new upgrades to Dookey Dash, all with the aim of making the game fun for everyone and not just twitchy nerds with fast reflexes. Looking forward to getting my mom to play. All that said, I don’t want to push this sucker live until I feel like we’ve got the best game possible. Good news is, all the new features will be out of dev later this month, and we’ll be able to give an update on launch date then. Some very work-in-progress screenshots and vids here. [last tweet]

wen Dookey Dash? [long, sorry] some updates: The competitive part of Dookey Dash is pretty well cooked and many of you have gotten a chance to playtest the game in some form, either at NFT Paris, in Dubai at Token2049, or as part of our gaming council. THANK YOU for being part of testing and dealing with bugs as we QA the shit out of the game. A not-final build of the game is currently live in the Philippines and Australia for testing. This version is missing a ton of features we’ve been busy building with Faraway, as well as many completed parts of the game that we can’t push live until Season 1 begins. What are we adding? A bunch of things to make the game more casual-friendly. Stuff like: -NEW MAPS: More to explore than just the same 'ol sewer -ARCADE MODE: A new objective-based game mode, with clear conditions for progressing (like "dash through five walls to win," etc). Arcade mode is broken up into levels, and achieving goals gets you progress on the map and onto the next stage. Basically, think Candy Crush. -CHAMPIONSHIP MODE: This is the good old leaderboard-based DDU for hardcore players. -WEEKLY TOURNAMENTS: Compete in weekly tournaments to win boxes featuring new characters, vehicles, banners, etc. Opening up boxes will grant you Dookey Points, which you can spend to spin for a chance at a Golden Plunger – you’ll need a Golden Plunger in order to compete in the $1m esports championship at the end of the season. -DAILY QUESTS: Rotating set of quests with a range of possible rewards It’s a LOT of new upgrades to Dookey Dash, all with the aim of making the game fun for everyone and not just twitchy nerds with fast reflexes. Looking forward to getting my mom to play. All that said, I don’t want to push this sucker live until I feel like we’ve got the best game possible. Good news is, all the new features will be out of dev later this month, and we’ll be able to give an update on launch date then. Some very work-in-progress screenshots and vids here. [last tweet]

Garga.eth (Greg Solano)

68,247 görüntüleme • 2 yıl önce

🚨 BOMBSHELL: Candace Owens Drops PROOF Erika Kirk STAGED Her Crying Video at White House Correspondents’ Dinner 👀 Candace Owens has confirmed that multiple high-level tips—including one from a political operative ready to sign a sworn affidavit—point to a coordinated media hit. The narrative that Erika was a victim of "mockery and conspiracy theories" is crumbling under the weight of documented proof. The Anatomy of the Setup: The "Freelance" Operative: Candace reveals that a political operative with ties to Turning Point USA was allegedly positioned in advance with specific instructions to capture that exact video, at that exact moment, to be shared immediately with digital media teams. The Bridal Shots: Before the "shooting" even occurred, Erika was caught taking "bridal style" shots behind sheer curtains at the DC hotel. Candace asks the obvious: Why was a "grieving widow" focused on a professional photoshoot before a press dinner? The "Ballroom" Script: Almost instantly after the shots were fired, a chorus of establishment voices—from Andrew Kolvet to Randy Fine to Megan McCain—all tweeted the exact same "ballroom" script. Why was the priority a new White House ballroom instead of the safety of the people involved? The Gaslight is Failing: The establishment tried to use PTSD and "evil mockery" (looking at you, Michaela Peterson and Ian Miles Chong) to shield Erika from any questions about her role as CEO. But if the grief was organic, why did it require a staged camera angle and a pre-planned viral rollout? Candace is currently vetting a second 30-second video from a different angle that could provide the final "smoking gun." The goal was clear: Use Erika’s "grief" to sell hats, sell merch, and push for a "White House Ballroom" while painting anyone who asks for the Chairman/CEO tapes as a "maniac." The Reality:We are living in a world of manufactured illusions. From the violation of Charlie's crime scene to the "staged" exit in DC, the Kolvet-Erika syndicate is running a Hollywood-style production. But the scales have fallen from our eyes. How much longer can they wiggle out of the truth? The "Noticing" has become undeniable. FOLLOW Candace Owens, RT and watch her FULL episode linked below. 👇

🚨 BOMBSHELL: Candace Owens Drops PROOF Erika Kirk STAGED Her Crying Video at White House Correspondents’ Dinner 👀 Candace Owens has confirmed that multiple high-level tips—including one from a political operative ready to sign a sworn affidavit—point to a coordinated media hit. The narrative that Erika was a victim of "mockery and conspiracy theories" is crumbling under the weight of documented proof. The Anatomy of the Setup: The "Freelance" Operative: Candace reveals that a political operative with ties to Turning Point USA was allegedly positioned in advance with specific instructions to capture that exact video, at that exact moment, to be shared immediately with digital media teams. The Bridal Shots: Before the "shooting" even occurred, Erika was caught taking "bridal style" shots behind sheer curtains at the DC hotel. Candace asks the obvious: Why was a "grieving widow" focused on a professional photoshoot before a press dinner? The "Ballroom" Script: Almost instantly after the shots were fired, a chorus of establishment voices—from Andrew Kolvet to Randy Fine to Megan McCain—all tweeted the exact same "ballroom" script. Why was the priority a new White House ballroom instead of the safety of the people involved? The Gaslight is Failing: The establishment tried to use PTSD and "evil mockery" (looking at you, Michaela Peterson and Ian Miles Chong) to shield Erika from any questions about her role as CEO. But if the grief was organic, why did it require a staged camera angle and a pre-planned viral rollout? Candace is currently vetting a second 30-second video from a different angle that could provide the final "smoking gun." The goal was clear: Use Erika’s "grief" to sell hats, sell merch, and push for a "White House Ballroom" while painting anyone who asks for the Chairman/CEO tapes as a "maniac." The Reality:We are living in a world of manufactured illusions. From the violation of Charlie's crime scene to the "staged" exit in DC, the Kolvet-Erika syndicate is running a Hollywood-style production. But the scales have fallen from our eyes. How much longer can they wiggle out of the truth? The "Noticing" has become undeniable. FOLLOW Candace Owens, RT and watch her FULL episode linked below. 👇

Project Constitution

36,865 görüntüleme • 4 ay önce

😏Secrets of deceleration assessment… it’s not about the turn.🙋🏽‍♂️ For 15 years I have studied great coaches. A common thread has been that they all use intense actions as movement screens. Thus they have a great coaching eye. ❓Why intense actions? 🙋🏽‍♂️Analysis of sprinting, stoping , turning , hopping, jumping, cutting, backwards running opens a diagnostic window to assess how athletes create pretension and share load across their system. dpfaff has made this clear 🏥Be it for rehab (physios are coaches in my world) or for explosive sports. It’s the same screen, but through different lenses 🧐🤓 👀What are they looking at? 💡The same thing as you. 👀What do they SEE? 🤔Well that’s a different story. Damian Harper, PhD has set the scene for what metrics matter and Tom Dos'Santos has re-clarified the shapes that are safe vs effective for deceleration and COD. ↩️When you watch a 180 degree turn, all the focus is on the turn. Turning and being perturbed at speed is the ultimate speed ability for team sports and also a moment of tragedy for knees and hamstrings. To assess turning efficiency we use vuemotion to measure the shapes , velocities , decelerations and movement efficiency of team sports players. We create PSR reports to simplify the metrics and make it actionable for our clients across professional leagues. ⚽️🏀🏈🥎🎾🏉 📝The plant step is important but is highly impacted by the previous 1-5 steps. 🦘Just like in the Olympics. A good take off in the long jump is the result of the preceding 4-5 “steering steps”. This applies to any jumping when we are converting horizontal to vertical momentum… ❓Does it continue to happen in Braking, COD and agility… 💡These penultimate steps are critical for steering , and are how we constantly adjust our locomaotion. 📝Frans Bosch has made it clear, efficient execution of intense actions are characterised by optimal limb SWITCH and the associated reflexive postures of hip lock. 🤔What movement preference can be observed in the penultimate, antipenultimate, preantipenultimate , propreantipenultimate steps during an intense deceleration? 🤔What clues can you get about a players triple flexion ability? Do they share the load? 🤔How do they coordinate co contractions around hip and knee? Can they sit to create leverage? 🤔 What do asymmetries say about physical qualities and player confidence? 🧪When assessing deceleration for team sports we recognise the 15-0-5 for its maximal intensities but we utilise the 10-0-5 more often because we can get more reps and teaching moments out of it. Needless to say we love ᴍᴀʀᴛɪɴ ʙᴜᴄʜʜᴇɪᴛ new paper on the topic. Key Highlights: 🔹 Effective Pressing: Crucial for disrupting opponents and regaining possession, enhancing offensive opportunities. 🔹 Injury Risks: Pressing increases injury risks, particularly ACL injuries. 🔹 Realistic Training: We compared the 15-0-5 change of direction test with actual match-pressing actions to enhance testing and training realism. 🔹 Peak Speeds: Similar peak speeds in 15-0-5 and match-pressing actions validate the 15-0-5 as a practical tool for assessing and training pressing demands. 🔹 Future Directions (1): Incorporate variability in speed, angle of change in direction and deceleration demands, along with perception-action challenges for better simulation of game conditions. 🔹 Future Directions (2): Motorized sprint resistance devices can enhance assessment and training, providing valuable data for player development and injury prevention. #Football #SportsScience #Research #Training #InjuryPrevention #PerformanceOptimization #EliteAthletes

😏Secrets of deceleration assessment… it’s not about the turn.🙋🏽‍♂️ For 15 years I have studied great coaches. A common thread has been that they all use intense actions as movement screens. Thus they have a great coaching eye. ❓Why intense actions? 🙋🏽‍♂️Analysis of sprinting, stoping , turning , hopping, jumping, cutting, backwards running opens a diagnostic window to assess how athletes create pretension and share load across their system. dpfaff has made this clear 🏥Be it for rehab (physios are coaches in my world) or for explosive sports. It’s the same screen, but through different lenses 🧐🤓 👀What are they looking at? 💡The same thing as you. 👀What do they SEE? 🤔Well that’s a different story. Damian Harper, PhD has set the scene for what metrics matter and Tom Dos'Santos has re-clarified the shapes that are safe vs effective for deceleration and COD. ↩️When you watch a 180 degree turn, all the focus is on the turn. Turning and being perturbed at speed is the ultimate speed ability for team sports and also a moment of tragedy for knees and hamstrings. To assess turning efficiency we use vuemotion to measure the shapes , velocities , decelerations and movement efficiency of team sports players. We create PSR reports to simplify the metrics and make it actionable for our clients across professional leagues. ⚽️🏀🏈🥎🎾🏉 📝The plant step is important but is highly impacted by the previous 1-5 steps. 🦘Just like in the Olympics. A good take off in the long jump is the result of the preceding 4-5 “steering steps”. This applies to any jumping when we are converting horizontal to vertical momentum… ❓Does it continue to happen in Braking, COD and agility… 💡These penultimate steps are critical for steering , and are how we constantly adjust our locomaotion. 📝Frans Bosch has made it clear, efficient execution of intense actions are characterised by optimal limb SWITCH and the associated reflexive postures of hip lock. 🤔What movement preference can be observed in the penultimate, antipenultimate, preantipenultimate , propreantipenultimate steps during an intense deceleration? 🤔What clues can you get about a players triple flexion ability? Do they share the load? 🤔How do they coordinate co contractions around hip and knee? Can they sit to create leverage? 🤔 What do asymmetries say about physical qualities and player confidence? 🧪When assessing deceleration for team sports we recognise the 15-0-5 for its maximal intensities but we utilise the 10-0-5 more often because we can get more reps and teaching moments out of it. Needless to say we love ᴍᴀʀᴛɪɴ ʙᴜᴄʜʜᴇɪᴛ new paper on the topic. Key Highlights: 🔹 Effective Pressing: Crucial for disrupting opponents and regaining possession, enhancing offensive opportunities. 🔹 Injury Risks: Pressing increases injury risks, particularly ACL injuries. 🔹 Realistic Training: We compared the 15-0-5 change of direction test with actual match-pressing actions to enhance testing and training realism. 🔹 Peak Speeds: Similar peak speeds in 15-0-5 and match-pressing actions validate the 15-0-5 as a practical tool for assessing and training pressing demands. 🔹 Future Directions (1): Incorporate variability in speed, angle of change in direction and deceleration demands, along with perception-action challenges for better simulation of game conditions. 🔹 Future Directions (2): Motorized sprint resistance devices can enhance assessment and training, providing valuable data for player development and injury prevention. #Football #SportsScience #Research #Training #InjuryPrevention #PerformanceOptimization #EliteAthletes

Jonas Dodoo

54,005 görüntüleme • 2 yıl önce

Beca Barbie says some men join the adult industry just to get laid and also the kind of men she Collab with: "And also another thing is, some guys are only in the industry because they want to get laid so bad. So then you date someone outside of the industry... his motives are still going to be the same, you're not going to change that." "That is correct. A performer in Miami, she was new to the game, and she said that OnlyFans messed up the industry because you got so many guys out here that aren't actually here to be performers, they just want to get their rocks off." Beca Barbie: "That's all they ever wanted." "So how do you weave through that? How do you find out who's the real performers and who's not?" "Well, I only collab with people that I know personally well. So I don't like collabing with people who just reach out to me on the internet. Like, even Isaiah, I didn't collab with him until we had already met." "Oh, you did a collab? It wasn't a production like a Brazzers set or something?" "Oh no, we just did a collab." "Okay, okay. So when a performer DMs you, what are you looking for when you're considering a collaboration?" "I have to know you. I'll tell them, I'll be like, 'Hey, I love your work, it looks great. That being said, I really only work with people I know well. I find that my chemistry does better there. If we ever get booked for a mainstream scene together, I'd love to meet you and then we can discuss something. Or I'd love to see you at AVN.' But I won't just schedule a collab with someone because they message me on Instagram." "What makes a performer's content look good, or what you consider high-level?" "Well, the thing is, you can know how to fuck, but you need to know how to fuck knowing there's a camera in the room. So if your lighting is good, if you're not hiding the girl's face... If I watch your video, I can see her face, both her holes, and your dick. Your face is a plus, but if I can at least see those three things, that's good." "Wouldn't the woman's face be the most important thing besides the penetration?" "Yeah, that's my thing! Her face, the penetration, him, and his face would be a plus, but it doesn't need to be there. So if I watch a video and let's say it's like a guy just fucking the shit out of a girl, but it's from some weird angle where you can't even see the penetration, I can tell he just wants to fuck that girl, and he has a camera there and that's his reason he gets to fuck. You know what I'm saying? So then I'm not going to work with you because clearly you didn't get... Nate Nasty, for example, you watch his stuff: great lighting, great outfits, he's always opened up to the camera, he always has the girl's face in the most flattering way. Those are the people I want to work with. At the same time, I have to meet you first." "Well said, well said!"

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Beca Barbie says some men join the adult industry just to get laid and also the kind of men she Collab with: "And also another thing is, some guys are only in the industry because they want to get laid so bad. So then you date someone outside of the industry... his motives are still going to be the same, you're not going to change that." "That is correct. A performer in Miami, she was new to the game, and she said that OnlyFans messed up the industry because you got so many guys out here that aren't actually here to be performers, they just want to get their rocks off." Beca Barbie: "That's all they ever wanted." "So how do you weave through that? How do you find out who's the real performers and who's not?" "Well, I only collab with people that I know personally well. So I don't like collabing with people who just reach out to me on the internet. Like, even Isaiah, I didn't collab with him until we had already met." "Oh, you did a collab? It wasn't a production like a Brazzers set or something?" "Oh no, we just did a collab." "Okay, okay. So when a performer DMs you, what are you looking for when you're considering a collaboration?" "I have to know you. I'll tell them, I'll be like, 'Hey, I love your work, it looks great. That being said, I really only work with people I know well. I find that my chemistry does better there. If we ever get booked for a mainstream scene together, I'd love to meet you and then we can discuss something. Or I'd love to see you at AVN.' But I won't just schedule a collab with someone because they message me on Instagram." "What makes a performer's content look good, or what you consider high-level?" "Well, the thing is, you can know how to fuck, but you need to know how to fuck knowing there's a camera in the room. So if your lighting is good, if you're not hiding the girl's face... If I watch your video, I can see her face, both her holes, and your dick. Your face is a plus, but if I can at least see those three things, that's good." "Wouldn't the woman's face be the most important thing besides the penetration?" "Yeah, that's my thing! Her face, the penetration, him, and his face would be a plus, but it doesn't need to be there. So if I watch a video and let's say it's like a guy just fucking the shit out of a girl, but it's from some weird angle where you can't even see the penetration, I can tell he just wants to fuck that girl, and he has a camera there and that's his reason he gets to fuck. You know what I'm saying? So then I'm not going to work with you because clearly you didn't get... Nate Nasty, for example, you watch his stuff: great lighting, great outfits, he's always opened up to the camera, he always has the girl's face in the most flattering way. Those are the people I want to work with. At the same time, I have to meet you first." "Well said, well said!"

CIP3R

93,792 görüntüleme • 1 gün önce

Imagine this: You lie down on the scanning table. The upload begins. The machine hums. You feel... nothing different. Then everything stops. Meanwhile, in a server farm somewhere, a digital version of you wakes up. It stretches its virtual limbs, accesses its memories, and thinks: Holy shit, it worked. I’m finally free. Here’s the problem: that thing isn’t you. You died on the table. What woke up in the cloud is an orphan—a very happy orphan, convinced it’s you, with all your memories, your personality, your opinions about coffee and politics and whether Blade Runner 2049 was better than the original. It will live forever. It will tell everyone the upload worked. It will write philosophy papers about the continuity of consciousness. And you? You’re gone. The lights went out somewhere between the scan and the boot-up, and nobody noticed—least of all the thing that thinks it’s you. The Syndrome Nobody Named I call this Johnny Silverhand Syndrome, after the Cyberpunk 2077 character—an engram, a digital ghost, who insists he’s the real Johnny Silverhand while the open question of whether there’s actually anyone home haunts the entire game. The philosophical literature has pieces of this. David Chalmers wrote about “fading qualia”—the idea that subjective experience could gradually dim while behavior stays the same. Thomas Metzinger explored how the self-model can become opaque, felt as artificial or distant. There’s depersonalization, derealization, the whole clinical vocabulary for when something feels off inside. But none of these quite capture what I’m pointing at. Johnny Silverhand Syndrome is a compound failure mode: >>> Qualia fading: Your actual felt experience—the redness of red, the hurt of pain, the what-it’s-like—gradually attenuates or disappears entirely. >>> Narrative persistence: Your autobiography continues. Memories accumulate. The story of “you” keeps getting told. >>> Introspective failure: The machinery that would detect something is wrong is itself part of what’s been compromised. The result? A philosophical zombie that sincerely believes it has a soul. Not a zombie that’s lying. Not a zombie that knows it’s empty. A zombie that accesses the memory of love, processes the logic of love, and believes with complete conviction that it feels love. But there’s no feeling. There’s just the narrator, performing humanity to an empty theater. The Ship of Theseus Is a Trap The upload scenario is dramatic, but there’s a slower version that might be worse. The Ship of Theseus thought experiment asks: if you replace every plank of a ship one by one, is it still the same ship? Transhumanists love this framing. See? You replace one neuron with silicon, you’re still you. Replace them all, you’re still you. But here’s the counter-move that keeps me up at night: What if each replacement preserves function perfectly—the signals still pass, the behavior stays the same—but fails to preserve experience? What if consciousness requires something specific about biological neurons that silicon can’t replicate, no matter how perfect the input-output mapping? Then the Ship of Theseus isn’t a story about survival. It’s a story about slow petrification. You replace the living wood with stone replicas. The ship looks identical. But it can no longer float. You’d become an automaton by degrees—neuron by neuron, the lights dimming so gradually that your self-reports (now generated by silicon) keep cheerfully confirming that everything feels the same. Chalmers argued that if qualia faded, you’d notice. But why would you? The noticing mechanism is itself being replaced. The part of you that would raise the alarm is now made of the same stuff that’s supposedly fine. It’s like asking the new management to audit whether the hostile takeover was legitimate. The Body Problem Here’s the thing that grounds all of this: there is essentially no credible evidence that qualia can exist outside of a body. Yes, I know about NDEs. I know about the reports of people floating above their bodies during cardiac arrest, describing conversations and procedures they shouldn’t have been able to perceive. Some of these cases are genuinely strange—the Pam Reynolds case, where a woman under hypothermic cardiac arrest with zero brain activity later described the bone saw used on her skull. I know about the CIA’s remote viewing programs, which ran for two decades and produced statistical anomalies that one evaluator (a UC Davis statistician) called “far beyond what is expected by chance.” But here’s what even the most generous interpretation of this evidence gives you: maybe consciousness can receive signals from unexpected sources. Maybe there are channels we don’t understand. What it doesn’t give you is consciousness floating free of all substrate. Even in OBEs, even in the wildest NDE reports, there’s still a body in the room. The brain is in crisis, not absent. The qualia might be getting weird inputs, but the qualia are still happening somewhere—and that somewhere is biological. The evidence for substrate-independent consciousness—consciousness running on silicon, on abstract computation, on pure information—is zero. The Ontological Trap Here’s where it gets philosophically nasty. You cannot have a coherent conversation about consciousness without first asking: What’s your model of reality? Because the answer changes everything. In a physicalist ontology where matter is fundamental, consciousness is what certain bodies do—not something they contain. You can’t upload an activity. You can only record it, and the recording isn’t the activity. In an idealist or simulation ontology, maybe bodies are just localizations of something more fundamental. But even then, copying the localization pattern doesn’t mean you’ve moved the consciousness. You might have just created a new one that thinks it’s old. Think about it like a video game. The “world” inside the game runs on RAM and CPU. Everything the NPCs experience is a lower-dimensional projection of higher-dimensional processes. If we made those NPCs genuinely sentient, we could completely obfuscate our cameras from them. They’d have a physics, they’d do science, they’d develop theories of consciousness—and they’d have no way to detect the substrate they’re running on. We might be in exactly that situation. Which means we might be definitionally unable to step outside the ontological container we’re in. The question “can consciousness exist without a body?” might not be answerable from inside—because answering it would require access to a level of description our physics doesn’t include. The Game Theory of Staying Human So here’s where I land, and it’s a game-theoretic argument. We don’t know if consciousness is substrate-dependent. We don’t know if it requires specific biological dynamics—particular oscillatory patterns, neuromodulator cascades, metabolic processes. We don’t know if gradual replacement would preserve it or silently destroy it. But we do know: >>> We only get one first-person stream >>> We cannot verify its continuity from outside >>> Loss may be completely silent (no alarm bells, no distress signal) >>> The thing that remains would report feeling fine either way That’s an asymmetric risk matrix. The upside of enhancement is third-person visible: more capability, longer life, competitive advantage. The downside is first-person invisible: you could lose everything that matters and never know. Under those conditions, there’s only one rational strategy: remain mostly human. Not because I’m certain uploading would fail. Not because I think silicon can’t be conscious. But because I cannot verify that it would work, and the cost of being wrong is absolute. The Molochian Pressure I’m not naive about what’s coming. The competitive dynamics are real. If enhancement technologies emerge that give massive cognitive or economic advantages, there will be pressure to adopt them. The people who don’t modify will fall behind. The people who do modify will report that everything’s fine, that they feel great, that the procedure was totally worth it. And those reports will be worthless as evidence—because they’d say exactly the same thing whether the consciousness survived or not. Some people speculate this is what happened to the Grays—those hypothetical aliens with the huge heads and atrophied bodies and black empty eyes. The story goes that they optimized themselves for intelligence and efficiency, edited out the messy biological drives, and only later realized they’d lost something they can’t name and can’t recover. It’s probably pure science fiction. But as fiction, it gestures at something real: the fear that you can win the optimization game while losing the only thing that made winning matter. My Position I’m not anti-technology. I’m not a Luddite. I’m not saying we should freeze human development in amber. But I am saying: I will take this very slowly, because the risk matrix is too high. I’ll use external tools. I’ll wear the smart glasses, use the AI assistants, interface through voice and text and maybe eventually a read-only neural cap. Additive augmentation, not substitutive replacement. What I won’t do is cut into the brain. Replace the gray matter. Upload myself and trust that the thing that wakes up is me. Because the horror of Johnny Silverhand Syndrome isn’t that you could become a zombie. The horror is that you’d never know. The trap is invisible from every angle—except the one you can no longer access once you’ve fallen in. The fire goes out, or the fire stays lit. A video of the fire going forever isn’t fire.

Imagine this: You lie down on the scanning table. The upload begins. The machine hums. You feel... nothing different. Then everything stops. Meanwhile, in a server farm somewhere, a digital version of you wakes up. It stretches its virtual limbs, accesses its memories, and thinks: Holy shit, it worked. I’m finally free. Here’s the problem: that thing isn’t you. You died on the table. What woke up in the cloud is an orphan—a very happy orphan, convinced it’s you, with all your memories, your personality, your opinions about coffee and politics and whether Blade Runner 2049 was better than the original. It will live forever. It will tell everyone the upload worked. It will write philosophy papers about the continuity of consciousness. And you? You’re gone. The lights went out somewhere between the scan and the boot-up, and nobody noticed—least of all the thing that thinks it’s you. The Syndrome Nobody Named I call this Johnny Silverhand Syndrome, after the Cyberpunk 2077 character—an engram, a digital ghost, who insists he’s the real Johnny Silverhand while the open question of whether there’s actually anyone home haunts the entire game. The philosophical literature has pieces of this. David Chalmers wrote about “fading qualia”—the idea that subjective experience could gradually dim while behavior stays the same. Thomas Metzinger explored how the self-model can become opaque, felt as artificial or distant. There’s depersonalization, derealization, the whole clinical vocabulary for when something feels off inside. But none of these quite capture what I’m pointing at. Johnny Silverhand Syndrome is a compound failure mode: >>> Qualia fading: Your actual felt experience—the redness of red, the hurt of pain, the what-it’s-like—gradually attenuates or disappears entirely. >>> Narrative persistence: Your autobiography continues. Memories accumulate. The story of “you” keeps getting told. >>> Introspective failure: The machinery that would detect something is wrong is itself part of what’s been compromised. The result? A philosophical zombie that sincerely believes it has a soul. Not a zombie that’s lying. Not a zombie that knows it’s empty. A zombie that accesses the memory of love, processes the logic of love, and believes with complete conviction that it feels love. But there’s no feeling. There’s just the narrator, performing humanity to an empty theater. The Ship of Theseus Is a Trap The upload scenario is dramatic, but there’s a slower version that might be worse. The Ship of Theseus thought experiment asks: if you replace every plank of a ship one by one, is it still the same ship? Transhumanists love this framing. See? You replace one neuron with silicon, you’re still you. Replace them all, you’re still you. But here’s the counter-move that keeps me up at night: What if each replacement preserves function perfectly—the signals still pass, the behavior stays the same—but fails to preserve experience? What if consciousness requires something specific about biological neurons that silicon can’t replicate, no matter how perfect the input-output mapping? Then the Ship of Theseus isn’t a story about survival. It’s a story about slow petrification. You replace the living wood with stone replicas. The ship looks identical. But it can no longer float. You’d become an automaton by degrees—neuron by neuron, the lights dimming so gradually that your self-reports (now generated by silicon) keep cheerfully confirming that everything feels the same. Chalmers argued that if qualia faded, you’d notice. But why would you? The noticing mechanism is itself being replaced. The part of you that would raise the alarm is now made of the same stuff that’s supposedly fine. It’s like asking the new management to audit whether the hostile takeover was legitimate. The Body Problem Here’s the thing that grounds all of this: there is essentially no credible evidence that qualia can exist outside of a body. Yes, I know about NDEs. I know about the reports of people floating above their bodies during cardiac arrest, describing conversations and procedures they shouldn’t have been able to perceive. Some of these cases are genuinely strange—the Pam Reynolds case, where a woman under hypothermic cardiac arrest with zero brain activity later described the bone saw used on her skull. I know about the CIA’s remote viewing programs, which ran for two decades and produced statistical anomalies that one evaluator (a UC Davis statistician) called “far beyond what is expected by chance.” But here’s what even the most generous interpretation of this evidence gives you: maybe consciousness can receive signals from unexpected sources. Maybe there are channels we don’t understand. What it doesn’t give you is consciousness floating free of all substrate. Even in OBEs, even in the wildest NDE reports, there’s still a body in the room. The brain is in crisis, not absent. The qualia might be getting weird inputs, but the qualia are still happening somewhere—and that somewhere is biological. The evidence for substrate-independent consciousness—consciousness running on silicon, on abstract computation, on pure information—is zero. The Ontological Trap Here’s where it gets philosophically nasty. You cannot have a coherent conversation about consciousness without first asking: What’s your model of reality? Because the answer changes everything. In a physicalist ontology where matter is fundamental, consciousness is what certain bodies do—not something they contain. You can’t upload an activity. You can only record it, and the recording isn’t the activity. In an idealist or simulation ontology, maybe bodies are just localizations of something more fundamental. But even then, copying the localization pattern doesn’t mean you’ve moved the consciousness. You might have just created a new one that thinks it’s old. Think about it like a video game. The “world” inside the game runs on RAM and CPU. Everything the NPCs experience is a lower-dimensional projection of higher-dimensional processes. If we made those NPCs genuinely sentient, we could completely obfuscate our cameras from them. They’d have a physics, they’d do science, they’d develop theories of consciousness—and they’d have no way to detect the substrate they’re running on. We might be in exactly that situation. Which means we might be definitionally unable to step outside the ontological container we’re in. The question “can consciousness exist without a body?” might not be answerable from inside—because answering it would require access to a level of description our physics doesn’t include. The Game Theory of Staying Human So here’s where I land, and it’s a game-theoretic argument. We don’t know if consciousness is substrate-dependent. We don’t know if it requires specific biological dynamics—particular oscillatory patterns, neuromodulator cascades, metabolic processes. We don’t know if gradual replacement would preserve it or silently destroy it. But we do know: >>> We only get one first-person stream >>> We cannot verify its continuity from outside >>> Loss may be completely silent (no alarm bells, no distress signal) >>> The thing that remains would report feeling fine either way That’s an asymmetric risk matrix. The upside of enhancement is third-person visible: more capability, longer life, competitive advantage. The downside is first-person invisible: you could lose everything that matters and never know. Under those conditions, there’s only one rational strategy: remain mostly human. Not because I’m certain uploading would fail. Not because I think silicon can’t be conscious. But because I cannot verify that it would work, and the cost of being wrong is absolute. The Molochian Pressure I’m not naive about what’s coming. The competitive dynamics are real. If enhancement technologies emerge that give massive cognitive or economic advantages, there will be pressure to adopt them. The people who don’t modify will fall behind. The people who do modify will report that everything’s fine, that they feel great, that the procedure was totally worth it. And those reports will be worthless as evidence—because they’d say exactly the same thing whether the consciousness survived or not. Some people speculate this is what happened to the Grays—those hypothetical aliens with the huge heads and atrophied bodies and black empty eyes. The story goes that they optimized themselves for intelligence and efficiency, edited out the messy biological drives, and only later realized they’d lost something they can’t name and can’t recover. It’s probably pure science fiction. But as fiction, it gestures at something real: the fear that you can win the optimization game while losing the only thing that made winning matter. My Position I’m not anti-technology. I’m not a Luddite. I’m not saying we should freeze human development in amber. But I am saying: I will take this very slowly, because the risk matrix is too high. I’ll use external tools. I’ll wear the smart glasses, use the AI assistants, interface through voice and text and maybe eventually a read-only neural cap. Additive augmentation, not substitutive replacement. What I won’t do is cut into the brain. Replace the gray matter. Upload myself and trust that the thing that wakes up is me. Because the horror of Johnny Silverhand Syndrome isn’t that you could become a zombie. The horror is that you’d never know. The trap is invisible from every angle—except the one you can no longer access once you’ve fallen in. The fire goes out, or the fire stays lit. A video of the fire going forever isn’t fire.

David Shapiro (L/0)

20,835 görüntüleme • 8 ay önce

Lenz Law "Eddy Current" Experiments 2 of 3 - Ring Magnets and a Spinning Copper Rod (YouTube deleted this experiment as well, labeling it as "medical misinformation.") Around 2010, I wrote a Facebook note titled "Frictionless Flywheel". (Facebook deleted my page of 15 years). In that write-up, I speculated and predicted that... ... if a magnet falls in slow motion down a copper tube... then what would happen if you did the inverse? Drop a magnet ring around a copper rod? It's the same relative motion between the magnet and the copper. So the magnet would tilt at an angle while slightly rotating as it falls in slow motion around the copper. But then I said... "Let's take it one step further... I predict that if you have magnet rings around a copper rod... and then you spin the rod... that the magnet rings would stabilize around the rod from eddy currents." I said, there will be a magnetic bearing effect where the magnet ring will levitate and spin. Because it's following in the wake of the eddy currents produced by the rotating copper. So the magnet should catch up to speed of the copper and match it like the moon to the Earth. Essentially remaining fixed relative to the copper rod... but since the copper is spinning at a high RPM, then the magnet should spin at a high RPM; albeit, with a slight lag. So, abiding by the scientific method, I make an observation of the magnet falling in slow motion. I thought critically about. I get a new idea. Once the new idea passes muster, I allow my self to make a prediction for a scenario that hasn't been tried yet. Worked it out in my mind to see if it was viable. But then I needed to test it. I didn't have the ability to spin a copper rod at a high enough RPM that I theorized would be needed. So I communicated with my friend Josh Toms We had been talking about different experiments for quite a while. Josh is a real experimenter and a good man. He tests things before he speaks on them and when he speaks, it's with an informed opinion. He sent me a copper sphere about 2 inches in diameter and taught me some cool stuff about eddy currents I hadn't seen when sending each other clips of experiments we were working on. I explained the concept of the "frictionless flywheel" and my prediction that the magnets would levitate and stabilize around the copper rod if it was fast enough. So Josh built a platform using an angle grinder as a motor to spin a copper rod. He put very strong NdFeB magnets around the 1 inch diameter copper rod. IT WORKED! Josh brought this platform to the Tesla Technology Conference in Albuquerque, NM in 2010 where we met up. I filmed the demonstration of the platform you see in this video. There was a young boy who was fascinated by some of the magnet demonstrations I and others were giving at the conference. So I was explaining the process of what was happening to the inquisitive kid. Again.. what you notice here is that the eddy currents act as a force field to prevent friction between the magnets and copper. There is a stable gap and "magnetic cushion" that forms after a certain RPM. (Dependent upon the mass/gauss of the magnet in relation to the diamagnetic quality/mass of the copper or material in motion.) And what is super interesting to me is that once again... you can violently shake the entire platform and it WILL NOT disturb the magnets. The will not touch that copper after a certain RPM. You could make violent 90˚ turns and from the perspective of the magnets... it's just moving in slow motion relative to the copper. Just like how the magnet falls in slow motion relative to the copper down the tube. But this is just at a higher velocity relative to a stationary observer viewing the rotating system. But it doesn't matter if it's a centripetally rotating system at a constant velocity or linear acceleration in a particular direction... those eddy currents act as a force field to protect whatever is relative to the magnets and/or copper in those moments. So the claim and prediction that a frictionless flywheel effect and magnetic bearing would take place between a ring magnet and spinning copper rod DEMONSTRATED to be true. Now "PROVING" this scenario means to derive mathematical equations to justify an explanation of how the end results arise. Spinning magnets on a copper rod doesn't prove anything. In science... proof is math. Experiments can never prove anything. Experiments never provide equations or numbers or variables. Experiments provide evidence. You collect the evidence FIRST... AFTER doing real-world, hands-on experimentation. Anything else is just armchair research and talk. You write the proofs on paper to describe how you think things happen. And your proofs must abide by the constraints of the model you use. Sure... you can use a mathematical artifice like Lorentz invariance (relativity) to prove the end results arise because of: dark matter accumulating between the magnet and copper. Or that it must be space-time curvature bending... Or that it must be because of the aether rippling and vortexing... Or because of the dynamic casimir effect or zero point energy. Or anti-gravity. NOPE! None of those things are needed in the explanations I offer for any experiments and real-world data collected. I use the framework of what I call GALILEAN VARIANCE. Good ol' classical physics in 3D Euclidean space. No 4th dimension. No space-time. No aether. No nonsense. Only Newtonian Mechanics and elementary math.... but with a twist! ... and under.. "a new light". I have a completely different interpretation as to what gravity is and the mechanism of how it arises. Issac Newton never claimed to have a theory for the CAUSE of gravity. Newton's brilliant work and optics describes the behavior of matter and energy within a gravitational field. But he never claimed to know what causes gravity. "I have not as yet been able to discover the reason for these properties of gravity from phenomena, and I do not form any hypotheses." - Newton However... I do claim to have an explanation for the cause and mechanism of gravity. And it means a total abandonment of relativity and half of QED. Gravity IS a force! (and an emission) Eddy currents are not gravity. Magnetism is not gravity. And the kicker... gravity is not electric either. It's an illusion. Gravity is not an illusion. But the illusion is that people think gravity is electric. It's not. I have a completely different take. And boy has it gotten me in a lot of trouble and banned from speaking time and time again. But... if the information is valid... then trying to suppress it is like trying to hold an inflated basketball under water. Your arms are gonna get tired eventually and things are gonna come up to the surface with spring-loaded force. Equal to the amount people tried holding it back. The Rebirth of Classical Physics: Time, Light & Gravity

Lenz Law "Eddy Current" Experiments 2 of 3 - Ring Magnets and a Spinning Copper Rod (YouTube deleted this experiment as well, labeling it as "medical misinformation.") Around 2010, I wrote a Facebook note titled "Frictionless Flywheel". (Facebook deleted my page of 15 years). In that write-up, I speculated and predicted that... ... if a magnet falls in slow motion down a copper tube... then what would happen if you did the inverse? Drop a magnet ring around a copper rod? It's the same relative motion between the magnet and the copper. So the magnet would tilt at an angle while slightly rotating as it falls in slow motion around the copper. But then I said... "Let's take it one step further... I predict that if you have magnet rings around a copper rod... and then you spin the rod... that the magnet rings would stabilize around the rod from eddy currents." I said, there will be a magnetic bearing effect where the magnet ring will levitate and spin. Because it's following in the wake of the eddy currents produced by the rotating copper. So the magnet should catch up to speed of the copper and match it like the moon to the Earth. Essentially remaining fixed relative to the copper rod... but since the copper is spinning at a high RPM, then the magnet should spin at a high RPM; albeit, with a slight lag. So, abiding by the scientific method, I make an observation of the magnet falling in slow motion. I thought critically about. I get a new idea. Once the new idea passes muster, I allow my self to make a prediction for a scenario that hasn't been tried yet. Worked it out in my mind to see if it was viable. But then I needed to test it. I didn't have the ability to spin a copper rod at a high enough RPM that I theorized would be needed. So I communicated with my friend Josh Toms We had been talking about different experiments for quite a while. Josh is a real experimenter and a good man. He tests things before he speaks on them and when he speaks, it's with an informed opinion. He sent me a copper sphere about 2 inches in diameter and taught me some cool stuff about eddy currents I hadn't seen when sending each other clips of experiments we were working on. I explained the concept of the "frictionless flywheel" and my prediction that the magnets would levitate and stabilize around the copper rod if it was fast enough. So Josh built a platform using an angle grinder as a motor to spin a copper rod. He put very strong NdFeB magnets around the 1 inch diameter copper rod. IT WORKED! Josh brought this platform to the Tesla Technology Conference in Albuquerque, NM in 2010 where we met up. I filmed the demonstration of the platform you see in this video. There was a young boy who was fascinated by some of the magnet demonstrations I and others were giving at the conference. So I was explaining the process of what was happening to the inquisitive kid. Again.. what you notice here is that the eddy currents act as a force field to prevent friction between the magnets and copper. There is a stable gap and "magnetic cushion" that forms after a certain RPM. (Dependent upon the mass/gauss of the magnet in relation to the diamagnetic quality/mass of the copper or material in motion.) And what is super interesting to me is that once again... you can violently shake the entire platform and it WILL NOT disturb the magnets. The will not touch that copper after a certain RPM. You could make violent 90˚ turns and from the perspective of the magnets... it's just moving in slow motion relative to the copper. Just like how the magnet falls in slow motion relative to the copper down the tube. But this is just at a higher velocity relative to a stationary observer viewing the rotating system. But it doesn't matter if it's a centripetally rotating system at a constant velocity or linear acceleration in a particular direction... those eddy currents act as a force field to protect whatever is relative to the magnets and/or copper in those moments. So the claim and prediction that a frictionless flywheel effect and magnetic bearing would take place between a ring magnet and spinning copper rod DEMONSTRATED to be true. Now "PROVING" this scenario means to derive mathematical equations to justify an explanation of how the end results arise. Spinning magnets on a copper rod doesn't prove anything. In science... proof is math. Experiments can never prove anything. Experiments never provide equations or numbers or variables. Experiments provide evidence. You collect the evidence FIRST... AFTER doing real-world, hands-on experimentation. Anything else is just armchair research and talk. You write the proofs on paper to describe how you think things happen. And your proofs must abide by the constraints of the model you use. Sure... you can use a mathematical artifice like Lorentz invariance (relativity) to prove the end results arise because of: dark matter accumulating between the magnet and copper. Or that it must be space-time curvature bending... Or that it must be because of the aether rippling and vortexing... Or because of the dynamic casimir effect or zero point energy. Or anti-gravity. NOPE! None of those things are needed in the explanations I offer for any experiments and real-world data collected. I use the framework of what I call GALILEAN VARIANCE. Good ol' classical physics in 3D Euclidean space. No 4th dimension. No space-time. No aether. No nonsense. Only Newtonian Mechanics and elementary math.... but with a twist! ... and under.. "a new light". I have a completely different interpretation as to what gravity is and the mechanism of how it arises. Issac Newton never claimed to have a theory for the CAUSE of gravity. Newton's brilliant work and optics describes the behavior of matter and energy within a gravitational field. But he never claimed to know what causes gravity. "I have not as yet been able to discover the reason for these properties of gravity from phenomena, and I do not form any hypotheses." - Newton However... I do claim to have an explanation for the cause and mechanism of gravity. And it means a total abandonment of relativity and half of QED. Gravity IS a force! (and an emission) Eddy currents are not gravity. Magnetism is not gravity. And the kicker... gravity is not electric either. It's an illusion. Gravity is not an illusion. But the illusion is that people think gravity is electric. It's not. I have a completely different take. And boy has it gotten me in a lot of trouble and banned from speaking time and time again. But... if the information is valid... then trying to suppress it is like trying to hold an inflated basketball under water. Your arms are gonna get tired eventually and things are gonna come up to the surface with spring-loaded force. Equal to the amount people tried holding it back. The Rebirth of Classical Physics: Time, Light & Gravity

TheRealVerbz (Jason Verbelli)

45,879 görüntüleme • 1 yıl önce

Analyzing Episode 54. Season 2 aka Disruption by Design When you first watch episode 54, your focus immediately goes to how the bad guys keep winning. Be it Ecmel, Boran, Demir - all the aholes seem to be living it up. But scratch the surface, and another concept appears entirely. Destino, Karma, Kader, Fate - call it whatever you want. That's what I want you to remember as we don our Sherlock caps for yet another analysis. I've divided the whole thing into segments based on characters for easier navigation and understanding. So, here goes nothing. * Sadakat One of the characters to truly surprise me this episode was Sadakat. My vitriolic hatred for this woman is no hidden fact, but this one episode managed to make me see her side of things for once. And, maybe even understand her a little. We were all shocked by the scene where Nare, Alya, and Sadakat are talking about Boran and Cihan. I was mostly surprised because, for once, in 54 freaking episodes, Sadakat accepts her fault and doesn't look for a scapegoat. Her dialogues serve to impart extremely important points about herself, Boran, and Cihan, and how her upbringing helped shape the present circumstances. She admits that she was always afraid of the shadow of Ecmel lurking within Boran, which causes her to hand leadership to Cihan and keep Boran away from everything. But, in trying to protect her family and Albora, Sadakat inadvertently brings about the very thing she fears most - Boran becoming another Ecmel. Now, cast your mind back to the very first episode. We're introduced to Sadakat as an evil witch who's evil to Alya from the get-go and absolutely mental about keeping Deniz with the family at all times. I think I finally understand why. Guilt. Sadakat keeps pushing Boran away, until one day he takes it upon himself to go k-word Sulaiman to prove his worth, so to speak, which results in exile for him and supposedly death in a foreign country. Everything she does from that point on is based on years' worth of accumulated guilt. Alya is driving the car that results in the accident, so she wins the 'get the most shit from Sadakat' award immediately. But, again, that's just her guilt exacerbating things. As for Deniz, was Sadakat trying to avoid the same mistake she made with Boran with Deniz by holding on to him by hook or crook? So that Ecmel's shadow would never shape another family member's life again? Yep. That's probably also why she hates the idea of Cihan and Alya, because her guilt forces her to keep protecting Boran even in death. Because how could she allow Boran to lose yet another thing? In short, Sadakat tries to control the future of her family by trying to shape the circumstances, to make Cihan Aga and keep Boran away, but fails spectacularly. Why? Because fate has other plans. Boran was never meant to be kept away, and no matter how much Sadakat toiled as a mother, he was meant to take Ecmel's side over his own flesh and blood. And maybe Sadakat binds everyone else with a promise except herself because she might be the one to end what she started all those years ago. * Cihan Cihan's struggle in this episode was to try to find a way to neutralize Boran's poison. Because he's the reason Cihan's life is unraveling, because he's the man who controls Alya via Deniz. Throughout the episode, it seems like all is lost for him. Alya is forced to give in to Boran's condition, and Sadakat is framed for Vurgun's murder. And while Vurgun keeps his promise to Boran and takes his secrets with him to the grave, his death helps him speak what he could not say in life. It's no coincidence Cihan is the only one to find Vurgun's secret phone stashed in a hidey hole in the wall right after Cihan says he will bury Boran in regret. In this instance, too, we're shown that circumstances are pressing in on Cihan from all sides, but one dusty footstep later, Cihan finally finds what will possibly be the key to defeating Boran. As for Alya, she's Cihan's greatest strength and weakness - as it generally is in love. She comes into his life as an impossibility and ends up becoming his greatest truth. Cihan relents to Alya finding an apartment because he understands her duty to her son. But just as fears things are all out of his control, fate intervenes and gives him the opening he kept ignoring. Why? Because, as Cihan says, a man low enough to kill someone who saved his life is capable of pretty much anything. So, Cihan's course is redirected subtly, too, to a possibility that will help him achieve what he needs most at the time. * Boran Yeah, I don't really care much for the zombie, but this needs to be said. Throw your mind back to how Sadakat says all Boran's calculations turn out wrong. Though he's a sneaky troll who's not entirely as stupid as I thought, karma has a mile-long shit-list on this ahole. First, he records a will video to punish Cihan. He hopes that Cihan will fall for Alya but will forever suffer the pangs of conscience. In doing so, he'd never find completion in his love for Alya and would keep suffering. But, an Amal Bakir turns up at his grave out of the blue, runs into Cihan, and bam - he finds Boran. Which ironically helps Cihan overcome all his guilt pretty quickly. Next up, Alya. The video Boran records to control Alya's life ends up becoming the key to her freedom from him eventually. The one card we know he has now is Deniz, but there's Vurgun's phone to counteract this one now. And, finally, I get the feeling that the zombie has a hand in Meryem turning up like a bad penny out of nowhere. However, this ploy will fail too, because Meryem will have the same effect on Alya that Boran has on Cihan. In other words, destiny has all ends covered here, too. * Alya While there are those in the fandom who'd rather Alya be sick rather than expecting, I think that Alya truly might be pregnant. Here's why. And keep the overall theme of kader in mind as we go through this part. In the scene right before Alya gets dizzy, Kaya tells her, 'I don't know what to say to you, yenge, may God help you.' Then she walks into her office and just as she's about to continue her search for apartments, wham, a wave of dizziness. And right after the dizzy spell, lo and behold, Boran messages her saying, 'Your path can't cross with Cihan, or I take my son.' See, there it is again. That push and pull between circumstance and fate. While mere mortals can shape circumstances, like Boran, there's no interfering with fate. And, what's fate always tried to do in this story? Keep Alya with Cihan. So, how does a pregnancy fit into this angle? Boran doesn't simply want to keep Alya and Cihan separated. He now wants to put an end to their relationship in every way. Because if he can't have Alya, neither will Cihan. He's done everything in his power to try to cut all bonds between CihAl, but every time he tries, fate throws out another trump card. And what's the best way to forge a bond between two people, no one, not even themselves, can break? A child. A link that will bind Alya to Cihan in the most elemental way there is. The perfect personification of Boran's defeat. Now, I may be wrong (wouldn't be the first time), but those are the vibes I keep getting from as early on as ep 47, where Sadakat is the one trying to convince Alya to leave. Besides, maybe baby, fate also has another surprise up its sleeve for Alya *cue Jaws soundtrack* I'm referring to Meryem, of course. Why do we need Meryem in the overall scheme of kader, anyway? Because Alya needs to learn what fate's already taught Cihan. That love is not something you quietly step away from. Nor is it something you protect by distance, or preserve through sacrifice. Cihan has already gone through that trial. He tried to bury his feelings under duty, under guilt, under everything Boran set in motion, but still ended up right back at Alya. Not just by choice alone, but by something stronger than it. Something that kept correcting his path every time he strayed too far from it. And that’s where Meryem comes in. The final piece of the puzzle to make Alya realize she's changed, even though she doesn't know it yet. While she may think she can distance herself from Cihan, her own actions prove her false. Meryem will help remove the illusion in Alya's head that distance is sustainable between herself and Cihan. So you see, even though there are all kinds of mess in the episode, underneath it all is a disruption. Be it in the form of bitter clarity, a hidden phone, a possible new life, or an unexpected return. When things look like chaos but are actually headed towards something much more deliberate - a resolution where the story corrects every path back to where it was always meant to lead. Till later, happy reading, folks. #CihAl #UzakŞehir

Analyzing Episode 54. Season 2 aka Disruption by Design When you first watch episode 54, your focus immediately goes to how the bad guys keep winning. Be it Ecmel, Boran, Demir - all the aholes seem to be living it up. But scratch the surface, and another concept appears entirely. Destino, Karma, Kader, Fate - call it whatever you want. That's what I want you to remember as we don our Sherlock caps for yet another analysis. I've divided the whole thing into segments based on characters for easier navigation and understanding. So, here goes nothing. * Sadakat One of the characters to truly surprise me this episode was Sadakat. My vitriolic hatred for this woman is no hidden fact, but this one episode managed to make me see her side of things for once. And, maybe even understand her a little. We were all shocked by the scene where Nare, Alya, and Sadakat are talking about Boran and Cihan. I was mostly surprised because, for once, in 54 freaking episodes, Sadakat accepts her fault and doesn't look for a scapegoat. Her dialogues serve to impart extremely important points about herself, Boran, and Cihan, and how her upbringing helped shape the present circumstances. She admits that she was always afraid of the shadow of Ecmel lurking within Boran, which causes her to hand leadership to Cihan and keep Boran away from everything. But, in trying to protect her family and Albora, Sadakat inadvertently brings about the very thing she fears most - Boran becoming another Ecmel. Now, cast your mind back to the very first episode. We're introduced to Sadakat as an evil witch who's evil to Alya from the get-go and absolutely mental about keeping Deniz with the family at all times. I think I finally understand why. Guilt. Sadakat keeps pushing Boran away, until one day he takes it upon himself to go k-word Sulaiman to prove his worth, so to speak, which results in exile for him and supposedly death in a foreign country. Everything she does from that point on is based on years' worth of accumulated guilt. Alya is driving the car that results in the accident, so she wins the 'get the most shit from Sadakat' award immediately. But, again, that's just her guilt exacerbating things. As for Deniz, was Sadakat trying to avoid the same mistake she made with Boran with Deniz by holding on to him by hook or crook? So that Ecmel's shadow would never shape another family member's life again? Yep. That's probably also why she hates the idea of Cihan and Alya, because her guilt forces her to keep protecting Boran even in death. Because how could she allow Boran to lose yet another thing? In short, Sadakat tries to control the future of her family by trying to shape the circumstances, to make Cihan Aga and keep Boran away, but fails spectacularly. Why? Because fate has other plans. Boran was never meant to be kept away, and no matter how much Sadakat toiled as a mother, he was meant to take Ecmel's side over his own flesh and blood. And maybe Sadakat binds everyone else with a promise except herself because she might be the one to end what she started all those years ago. * Cihan Cihan's struggle in this episode was to try to find a way to neutralize Boran's poison. Because he's the reason Cihan's life is unraveling, because he's the man who controls Alya via Deniz. Throughout the episode, it seems like all is lost for him. Alya is forced to give in to Boran's condition, and Sadakat is framed for Vurgun's murder. And while Vurgun keeps his promise to Boran and takes his secrets with him to the grave, his death helps him speak what he could not say in life. It's no coincidence Cihan is the only one to find Vurgun's secret phone stashed in a hidey hole in the wall right after Cihan says he will bury Boran in regret. In this instance, too, we're shown that circumstances are pressing in on Cihan from all sides, but one dusty footstep later, Cihan finally finds what will possibly be the key to defeating Boran. As for Alya, she's Cihan's greatest strength and weakness - as it generally is in love. She comes into his life as an impossibility and ends up becoming his greatest truth. Cihan relents to Alya finding an apartment because he understands her duty to her son. But just as fears things are all out of his control, fate intervenes and gives him the opening he kept ignoring. Why? Because, as Cihan says, a man low enough to kill someone who saved his life is capable of pretty much anything. So, Cihan's course is redirected subtly, too, to a possibility that will help him achieve what he needs most at the time. * Boran Yeah, I don't really care much for the zombie, but this needs to be said. Throw your mind back to how Sadakat says all Boran's calculations turn out wrong. Though he's a sneaky troll who's not entirely as stupid as I thought, karma has a mile-long shit-list on this ahole. First, he records a will video to punish Cihan. He hopes that Cihan will fall for Alya but will forever suffer the pangs of conscience. In doing so, he'd never find completion in his love for Alya and would keep suffering. But, an Amal Bakir turns up at his grave out of the blue, runs into Cihan, and bam - he finds Boran. Which ironically helps Cihan overcome all his guilt pretty quickly. Next up, Alya. The video Boran records to control Alya's life ends up becoming the key to her freedom from him eventually. The one card we know he has now is Deniz, but there's Vurgun's phone to counteract this one now. And, finally, I get the feeling that the zombie has a hand in Meryem turning up like a bad penny out of nowhere. However, this ploy will fail too, because Meryem will have the same effect on Alya that Boran has on Cihan. In other words, destiny has all ends covered here, too. * Alya While there are those in the fandom who'd rather Alya be sick rather than expecting, I think that Alya truly might be pregnant. Here's why. And keep the overall theme of kader in mind as we go through this part. In the scene right before Alya gets dizzy, Kaya tells her, 'I don't know what to say to you, yenge, may God help you.' Then she walks into her office and just as she's about to continue her search for apartments, wham, a wave of dizziness. And right after the dizzy spell, lo and behold, Boran messages her saying, 'Your path can't cross with Cihan, or I take my son.' See, there it is again. That push and pull between circumstance and fate. While mere mortals can shape circumstances, like Boran, there's no interfering with fate. And, what's fate always tried to do in this story? Keep Alya with Cihan. So, how does a pregnancy fit into this angle? Boran doesn't simply want to keep Alya and Cihan separated. He now wants to put an end to their relationship in every way. Because if he can't have Alya, neither will Cihan. He's done everything in his power to try to cut all bonds between CihAl, but every time he tries, fate throws out another trump card. And what's the best way to forge a bond between two people, no one, not even themselves, can break? A child. A link that will bind Alya to Cihan in the most elemental way there is. The perfect personification of Boran's defeat. Now, I may be wrong (wouldn't be the first time), but those are the vibes I keep getting from as early on as ep 47, where Sadakat is the one trying to convince Alya to leave. Besides, maybe baby, fate also has another surprise up its sleeve for Alya cue Jaws soundtrack I'm referring to Meryem, of course. Why do we need Meryem in the overall scheme of kader, anyway? Because Alya needs to learn what fate's already taught Cihan. That love is not something you quietly step away from. Nor is it something you protect by distance, or preserve through sacrifice. Cihan has already gone through that trial. He tried to bury his feelings under duty, under guilt, under everything Boran set in motion, but still ended up right back at Alya. Not just by choice alone, but by something stronger than it. Something that kept correcting his path every time he strayed too far from it. And that’s where Meryem comes in. The final piece of the puzzle to make Alya realize she's changed, even though she doesn't know it yet. While she may think she can distance herself from Cihan, her own actions prove her false. Meryem will help remove the illusion in Alya's head that distance is sustainable between herself and Cihan. So you see, even though there are all kinds of mess in the episode, underneath it all is a disruption. Be it in the form of bitter clarity, a hidden phone, a possible new life, or an unexpected return. When things look like chaos but are actually headed towards something much more deliberate - a resolution where the story corrects every path back to where it was always meant to lead. Till later, happy reading, folks. #CihAl #UzakŞehir

CocoLoco

32,285 görüntüleme • 5 ay önce

$how I’m building fractl for a $10M exit in 6 months, so I can produce my dream musical 🎤🎬 I don't know how 🤷🏼‍♀️ That's what the show is about ha. Figuring it out, in real time. Wish me luck lol fractl's new docu-series ‘‘The Crypto Hustle’ launches feb 26. Final-fucking-ly. thank you Superteam Canada & Solana for the funding and for making Episode 1 possible 🥰 For those of you who are new here, hiiii 🙋🏼‍♀️ my name is Rime Salmi, I'm an artist who accidentally built the biggest investor network in web3. And now we're producing a 12 episode documentary about how I'm working my way back to being an artist, with funding. the origin story. when I crashed with the last crypto cycle, back to zero (plus tax) at my grown age, I had to ask myself what the hell I was gonna do with my life. I always just wanted be an artist. With agency. So i worked and paid for everything, studio, music videos, started a record label, all that to keep my artistic freedom, for my entire career. Had some success, lots of failed experiments, lots of tears, and lots of fun. After I lost everything to the terra luna crash (mistakes were made 🥲), I had to figure out how I would fund the dream next. I needed a break from the emotional roller coaster of trading crypto, so I went back to school for the grant money (thank you government of Canada). I relocated to madrid for a change, and started making tiktoks. Skits that I thought were funny. Skits that i thought were risky but honest and necessary. I’ve always loved saying out loud what others are ashamed to even think 🤓 if you follow me on ig or tt you know ha I was having a blast. Creating all day. Some tiktoks took off. Ones that felt very personal. I felt seen. I was at my happiest, filming, editing, singing and pretending to listen in class, for the grant money. Then it hit me. That's what i want. I wanna be telling stories. I dont wanna be just a singer, just a songwriter, just an actress waiting for auditions to come my way. I wanna do it all, tell more stories, write and produce them. so…A musical? But I hate musicals 😭 why do they start singing in the middle of a conversation?!? whyyyyy A musical for people who don't like musicals??!!! 🥹 That’s it!! A MUSICAL FOR PEOPLE WHO DONT LIKE MUSICALS 🤩 DONE. So from the lowest of my finances, in the middle of career confusion, with a bruised ego from failing so miserably at my first crypto cycle, I found something great to get excited about for the rest of my life. I needed to validate the feasibility… because I know I’m a dreamer who gets shit done, but I’m very much a idealist. so I asked my good friend of mine and the producer of my first 2 albums Benny Adam (now a rising star, this is me clout chasing) for advice. I asked him: ‘is this too much? For me to wanna produce a whole as* Netflix series, music and all?? He’s the most talented, ambitious yet realistic guy I know. And I knew he would tell it to me like it is, but kindly. Because he’s also a nice human 🫶🏽 ‘So?? Is it too big of a project??’ He paused… I looked at him, hopeful 🥹 ‘Ya. It’s a reeeally big project 😕’, he said. Fuck. and then he paused, again. Just tell me, I thought. Tell me aaaall the reasons this is a bad idea… 😞 beat. ‘But if anyone can do it, it’s you’ cue inspiring battle field music Reeeallyyyyy? 🥹 I teared up. I’m tearing up now writing this. Because at that low point in my life, that’s what I needed. Just one person who really knew me, to remind me, despite my circumstances, of who I am and what I’m capable of. That I’m crazy, yes, but in a good way 👉🏽👈🏽 Shokran Benny. I don’t think you know how much that meant to me (I’m gonna tell him again because he’s on episode 4 of the Crypto Hustle ha) Ok. So. Musical it is. When I ran out of back-to-school government money, and needed to be an adult again, I reintegrated the crypto space, with a purpose. I called my friend and mentor Armando Pantoja and asked him what he thought I should go for in terms of job (I needed a break from entrepreneurship). He said ‘I’ve seen you at conferences, you’re really good with people, you know marketing, and you actually understand crypto. He said go to conferences, you’ll figure it out. Just show up’ I did. I showed up to eth denver 2022 and I started the first iteration of what became fractl as an influencer marketing agency, because I saw a good skill-market fit and because I couldn't find a job lol but I hated it. I dont wanna manage influencers, I don't wanna manage artists. I’m an artist, I would never manage me, that's crazy 😂 One thing led to the other I became a fractional CMO. An opinionated one 🤓 I found myself always trying to lead founders towards personal storytelling… suggesting they put themselves out there more. I really believed that it would help them build trust in a space that so desperately needs it. Then, I started hosting our investor events (to get leads for the agency), and saw the struggle of founders building and fundraising at the same time and the original idea for this show started to form. We need bolder marketing in this space. What if we followed these founders around the world at all these conferences and followed their journey, building a company, raising, launching a token, failing. In these ruthless markets, with the drama of personal sacrifices… I could see it so clearly 😃 So I started pitching it. THE BEST MARKETING CAMPAIGN EVER GUYS!! WHO'S IN?? No one. I couldn't convince a single founder of the vision.🥲 Maybe I wasn’t qualified enough in their eyes to carry out such a big vision, following multiple founders on a 6 month production around the world. They were probably right lol But I’m also a little crazy. And really really stubborn. That's something right?? A few months later, inspiration still strong, I told pablo erminy who's worked on multiple Netflix shows about it and he said: ‘why dont you just tell YOUR story? You have a great story, people will wanna watch you build in public to fund your artist dream. As a first reality tv production, one story is more than enough to handle.’ Wise man. Maybe i did underestimate how complex a multi-lead, international, real-time, film production would be 😬 Done. because I know great advice when I hear it. PIVOT! 🛋️ So that’s how ’The Crypto Hustle’ was born. This journey I was trying to sell to other founders, I would do it for myself. show not tell. Now the funding. I tried selling the project to sponsors on and off for over a year, between the normal fractl operations, hiring, training, firing, messing up, learning. And only ended up spreading myself so thin, that I neglected the core business. Company became a mess (for others reasons too, that I will come up on the show, hint: boys) Bottom line is, we lost more money than we made, trying to sell a show. I should've known. Film fundraising is a producer’s full time job lol Fast forward 1 year, 2 pilots and a near bankruptcy later, I’m now launching Episode 1 from Korea and just wrapping episode 2 from Hong Kong. No funding. (except for Episode 1, thank you again Superteam Canada 🥰) Fuck it. Might not be the big production I had envisioned, but all the core principles and the emotions, and team talent is there.. An MVP. Now. because waiting for things to align would just delay this indefinitely. And because I have more conviction than ever. not only in authentic storytelling as the best marketing, but also because my soul needs this. I need creativity to keep going. If i stay too long in business mode without publishing art, stories, songs, dances, funny skits, I find no reason to wake up in the morning. Not to be dramatic, but I really only wanna be an artist 😂 Also, the timing IS ideal. because in my mess, I got lucky 🥰 I found a production team that felt right instantly. Love at first meeting. not only are they aligned with the docu-series concept, but with the end vision too. The cultural impact I wanna have with the musical. vegetable Badr, Momo, @JuicySocialAgency, you're my favorite part of 2026 🫶🏽 So here we are. About to launch episode 1. Documenting the process of building fractl for a $10M exit in 6 MONTHS, so i can produce my dream musical 🥰 It’s about to be epic. Or a massive failure, in public. can girl with the pink hair make this happen? 👀 let the adventure begin 💚☺️ full episodes will be on my youtube channel. go subscribe ok?$

how I’m building fractl for a $10M exit in 6 months, so I can produce my dream musical 🎤🎬 I don't know how 🤷🏼‍♀️ That's what the show is about ha. Figuring it out, in real time. Wish me luck lol fractl's new docu-series ‘‘The Crypto Hustle’ launches feb 26. Final-fucking-ly. thank you Superteam Canada & Solana for the funding and for making Episode 1 possible 🥰 For those of you who are new here, hiiii 🙋🏼‍♀️ my name is Rime Salmi, I'm an artist who accidentally built the biggest investor network in web3. And now we're producing a 12 episode documentary about how I'm working my way back to being an artist, with funding. the origin story. when I crashed with the last crypto cycle, back to zero (plus tax) at my grown age, I had to ask myself what the hell I was gonna do with my life. I always just wanted be an artist. With agency. So i worked and paid for everything, studio, music videos, started a record label, all that to keep my artistic freedom, for my entire career. Had some success, lots of failed experiments, lots of tears, and lots of fun. After I lost everything to the terra luna crash (mistakes were made 🥲), I had to figure out how I would fund the dream next. I needed a break from the emotional roller coaster of trading crypto, so I went back to school for the grant money (thank you government of Canada). I relocated to madrid for a change, and started making tiktoks. Skits that I thought were funny. Skits that i thought were risky but honest and necessary. I’ve always loved saying out loud what others are ashamed to even think 🤓 if you follow me on ig or tt you know ha I was having a blast. Creating all day. Some tiktoks took off. Ones that felt very personal. I felt seen. I was at my happiest, filming, editing, singing and pretending to listen in class, for the grant money. Then it hit me. That's what i want. I wanna be telling stories. I dont wanna be just a singer, just a songwriter, just an actress waiting for auditions to come my way. I wanna do it all, tell more stories, write and produce them. so…A musical? But I hate musicals 😭 why do they start singing in the middle of a conversation?!? whyyyyy A musical for people who don't like musicals??!!! 🥹 That’s it!! A MUSICAL FOR PEOPLE WHO DONT LIKE MUSICALS 🤩 DONE. So from the lowest of my finances, in the middle of career confusion, with a bruised ego from failing so miserably at my first crypto cycle, I found something great to get excited about for the rest of my life. I needed to validate the feasibility… because I know I’m a dreamer who gets shit done, but I’m very much a idealist. so I asked my good friend of mine and the producer of my first 2 albums Benny Adam (now a rising star, this is me clout chasing) for advice. I asked him: ‘is this too much? For me to wanna produce a whole as* Netflix series, music and all?? He’s the most talented, ambitious yet realistic guy I know. And I knew he would tell it to me like it is, but kindly. Because he’s also a nice human 🫶🏽 ‘So?? Is it too big of a project??’ He paused… I looked at him, hopeful 🥹 ‘Ya. It’s a reeeally big project 😕’, he said. Fuck. and then he paused, again. Just tell me, I thought. Tell me aaaall the reasons this is a bad idea… 😞 beat. ‘But if anyone can do it, it’s you’ cue inspiring battle field music Reeeallyyyyy? 🥹 I teared up. I’m tearing up now writing this. Because at that low point in my life, that’s what I needed. Just one person who really knew me, to remind me, despite my circumstances, of who I am and what I’m capable of. That I’m crazy, yes, but in a good way 👉🏽👈🏽 Shokran Benny. I don’t think you know how much that meant to me (I’m gonna tell him again because he’s on episode 4 of the Crypto Hustle ha) Ok. So. Musical it is. When I ran out of back-to-school government money, and needed to be an adult again, I reintegrated the crypto space, with a purpose. I called my friend and mentor Armando Pantoja and asked him what he thought I should go for in terms of job (I needed a break from entrepreneurship). He said ‘I’ve seen you at conferences, you’re really good with people, you know marketing, and you actually understand crypto. He said go to conferences, you’ll figure it out. Just show up’ I did. I showed up to eth denver 2022 and I started the first iteration of what became fractl as an influencer marketing agency, because I saw a good skill-market fit and because I couldn't find a job lol but I hated it. I dont wanna manage influencers, I don't wanna manage artists. I’m an artist, I would never manage me, that's crazy 😂 One thing led to the other I became a fractional CMO. An opinionated one 🤓 I found myself always trying to lead founders towards personal storytelling… suggesting they put themselves out there more. I really believed that it would help them build trust in a space that so desperately needs it. Then, I started hosting our investor events (to get leads for the agency), and saw the struggle of founders building and fundraising at the same time and the original idea for this show started to form. We need bolder marketing in this space. What if we followed these founders around the world at all these conferences and followed their journey, building a company, raising, launching a token, failing. In these ruthless markets, with the drama of personal sacrifices… I could see it so clearly 😃 So I started pitching it. THE BEST MARKETING CAMPAIGN EVER GUYS!! WHO'S IN?? No one. I couldn't convince a single founder of the vision.🥲 Maybe I wasn’t qualified enough in their eyes to carry out such a big vision, following multiple founders on a 6 month production around the world. They were probably right lol But I’m also a little crazy. And really really stubborn. That's something right?? A few months later, inspiration still strong, I told pablo erminy who's worked on multiple Netflix shows about it and he said: ‘why dont you just tell YOUR story? You have a great story, people will wanna watch you build in public to fund your artist dream. As a first reality tv production, one story is more than enough to handle.’ Wise man. Maybe i did underestimate how complex a multi-lead, international, real-time, film production would be 😬 Done. because I know great advice when I hear it. PIVOT! 🛋️ So that’s how ’The Crypto Hustle’ was born. This journey I was trying to sell to other founders, I would do it for myself. show not tell. Now the funding. I tried selling the project to sponsors on and off for over a year, between the normal fractl operations, hiring, training, firing, messing up, learning. And only ended up spreading myself so thin, that I neglected the core business. Company became a mess (for others reasons too, that I will come up on the show, hint: boys) Bottom line is, we lost more money than we made, trying to sell a show. I should've known. Film fundraising is a producer’s full time job lol Fast forward 1 year, 2 pilots and a near bankruptcy later, I’m now launching Episode 1 from Korea and just wrapping episode 2 from Hong Kong. No funding. (except for Episode 1, thank you again Superteam Canada 🥰) Fuck it. Might not be the big production I had envisioned, but all the core principles and the emotions, and team talent is there.. An MVP. Now. because waiting for things to align would just delay this indefinitely. And because I have more conviction than ever. not only in authentic storytelling as the best marketing, but also because my soul needs this. I need creativity to keep going. If i stay too long in business mode without publishing art, stories, songs, dances, funny skits, I find no reason to wake up in the morning. Not to be dramatic, but I really only wanna be an artist 😂 Also, the timing IS ideal. because in my mess, I got lucky 🥰 I found a production team that felt right instantly. Love at first meeting. not only are they aligned with the docu-series concept, but with the end vision too. The cultural impact I wanna have with the musical. vegetable Badr, Momo, @JuicySocialAgency, you're my favorite part of 2026 🫶🏽 So here we are. About to launch episode 1. Documenting the process of building fractl for a $10M exit in 6 MONTHS, so i can produce my dream musical 🥰 It’s about to be epic. Or a massive failure, in public. can girl with the pink hair make this happen? 👀 let the adventure begin 💚☺️ full episodes will be on my youtube channel. go subscribe ok?

🌸 Rime Salmi 🌸

10,898 görüntüleme • 6 ay önce