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New Collection Celestial Clash 🔭⚔️ FINAL ROUND 🍷 4 Planets 4 Seasons 4 Elements 440 Unique Pieces on Foundation 🌐 OpenSea In the limitless expanse of the cosmos, . Everything that once danced harmoniously in space was now on the brink of chaos. Mars, the Red Planet, had long...

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Laura Benne

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57,788 görüntüleme • 2 yıl önce •via X (Twitter)

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@foundation @opensea Great work and collection!!!

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@foundation @opensea Just saw this now. These are amazing! Minted 2! 💛

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Benzer Videolar

The 7 astrological bodies affect us and life on this planet more than you think. The gravitational interactions between the planets, the Moon, and the Sun create the axial and apsidal precessions, and these directly affect Earth's climate and life on the planet. In other words, the Geophysical Event is caused by this interplanetary interplay. If the planets, the Sun, and the Moon govern the short and long cycles, then they also have an immense influence on our individual lives. Just as the Moon causes the ocean tides, it also affects us. Even a small change in the size or distance of a planet like Mars would completely change life on Earth. So now do you understand why the planets have long been associated with gods and regarded as the rulers of the aeons?
0:20

The 7 astrological bodies affect us and life on this planet more than you think. The gravitational interactions between the planets, the Moon, and the Sun create the axial and apsidal precessions, and these directly affect Earth's climate and life on the planet. In other words, the Geophysical Event is caused by this interplanetary interplay. If the planets, the Sun, and the Moon govern the short and long cycles, then they also have an immense influence on our individual lives. Just as the Moon causes the ocean tides, it also affects us. Even a small change in the size or distance of a planet like Mars would completely change life on Earth. So now do you understand why the planets have long been associated with gods and regarded as the rulers of the aeons?

Open Minded Approach

10,874 görüntüleme • 24 gün önce

“There are ruins of an ancient civilization on Mars.” “Our solar system was inhabited by an extraterrestrial race of angelic beings.” “Ancient humans believed that the gods descended from Mars.” “And from this other planet that was destroyed.” Timothy Alberino just broke down the wild theory that there was an ancient “cosmic war” in our solar system. It left colossal ruins on Mars. It destroyed the planet “Rahab,” which we now know as the asteroid belt. And then, these beings came to Earth and lived among humanity in a “golden age” before a great cataclysm. Watch him break down this incredible theory with Jesse Michels: “The universal testimony of our antecedents is that there was an age previous to a great flood … in which the gods were dwelling on Earth among men.” “And that those beings came from somewhere.” “This is what the late researcher extraordinaire David Flynn unfolds in his book Cydonia.” “What Flynn proves, I would say definitively, is that not only did the ancients believe that the gods descended to the Earth in the antediluvian world during the golden age.” “But that they came from … a planet in our solar system.” “There’s a planet that Flynn talks about which is, in popular culture, referred to as Krypton.” “And one of these planets, Flynn believed, and I believe this as well … is actually named in the biblical text, cryptically.” “It’s called Rahab.” “There was this conflict that erupted in the cosmos long before the creation of mankind.” “Most of us are familiar with the Cydonia region of Mars, the alleged face on Mars.” “Richard Hoagland was instrumental in publicizing … the idea that on the planet Mars, there are ruins of an ancient advanced civilization.” “You have the remote viewer McMoneagle.” Michels: “He was tasked by the CIA to remote view Mars a million years ago, and described … 8 to 12 foot tall beings and pyramid structures.” “And then you allegedly have this guy John Brandenburg as well, who’s a PhD in physics who worked at Lawrence Livermore and Sandia.” “He believes that Argon 40 and Xenon 129 exist in excess of what you would ever see just based on natural decay.” “And this is proof of a nuclear cataclysm that occurred on Mars.” Alberino: “Hoagland and Flynn were talking about this back in the 90s and early 2000s.” “And then NASA released the early photographs that looked like a face on Mars.” “It looked like a pyramid.” “Then they released new higher resolution photographs, which seemed to debunk the whole thing.” “I have no proof of this … but I personally think that the images from the first mission of the surface of Mars were correct … and that NASA released those second higher resolution images to quell the firestorm that had erupted.” “I am extremely persuaded that there are ruins that dwarf anything on planet Earth.” “What’s so fascinating about this is that the ancients believed that the gods descended from Mars and from this other planet that was destroyed.” Timothy Alberino Jesse Michels American Alchemy
6:00

“There are ruins of an ancient civilization on Mars.” “Our solar system was inhabited by an extraterrestrial race of angelic beings.” “Ancient humans believed that the gods descended from Mars.” “And from this other planet that was destroyed.” Timothy Alberino just broke down the wild theory that there was an ancient “cosmic war” in our solar system. It left colossal ruins on Mars. It destroyed the planet “Rahab,” which we now know as the asteroid belt. And then, these beings came to Earth and lived among humanity in a “golden age” before a great cataclysm. Watch him break down this incredible theory with Jesse Michels: “The universal testimony of our antecedents is that there was an age previous to a great flood … in which the gods were dwelling on Earth among men.” “And that those beings came from somewhere.” “This is what the late researcher extraordinaire David Flynn unfolds in his book Cydonia.” “What Flynn proves, I would say definitively, is that not only did the ancients believe that the gods descended to the Earth in the antediluvian world during the golden age.” “But that they came from … a planet in our solar system.” “There’s a planet that Flynn talks about which is, in popular culture, referred to as Krypton.” “And one of these planets, Flynn believed, and I believe this as well … is actually named in the biblical text, cryptically.” “It’s called Rahab.” “There was this conflict that erupted in the cosmos long before the creation of mankind.” “Most of us are familiar with the Cydonia region of Mars, the alleged face on Mars.” “Richard Hoagland was instrumental in publicizing … the idea that on the planet Mars, there are ruins of an ancient advanced civilization.” “You have the remote viewer McMoneagle.” Michels: “He was tasked by the CIA to remote view Mars a million years ago, and described … 8 to 12 foot tall beings and pyramid structures.” “And then you allegedly have this guy John Brandenburg as well, who’s a PhD in physics who worked at Lawrence Livermore and Sandia.” “He believes that Argon 40 and Xenon 129 exist in excess of what you would ever see just based on natural decay.” “And this is proof of a nuclear cataclysm that occurred on Mars.” Alberino: “Hoagland and Flynn were talking about this back in the 90s and early 2000s.” “And then NASA released the early photographs that looked like a face on Mars.” “It looked like a pyramid.” “Then they released new higher resolution photographs, which seemed to debunk the whole thing.” “I have no proof of this … but I personally think that the images from the first mission of the surface of Mars were correct … and that NASA released those second higher resolution images to quell the firestorm that had erupted.” “I am extremely persuaded that there are ruins that dwarf anything on planet Earth.” “What’s so fascinating about this is that the ancients believed that the gods descended from Mars and from this other planet that was destroyed.” Timothy Alberino Jesse Michels American Alchemy

Holden Culotta

143,788 görüntüleme • 4 ay önce

Charlize Theron reveals that every room in the house she grew up in in South Africa had steel doors because of the violence, as the country was on the brink of civil war. We had gone to see a movie, and my dad had taken the key to the side door, not even the front door, the front steel door. Every room in our house had a steel door. So if you got in through the front door, the kitchen had a steel door that you had to unlock, because that’s the kind of violence we were living in. Nonsensical violence. Like, violence that you couldn’t reason with. It just… I mean, our country was on the brink of civil war. It was frightening.
0:39

Charlize Theron reveals that every room in the house she grew up in in South Africa had steel doors because of the violence, as the country was on the brink of civil war. We had gone to see a movie, and my dad had taken the key to the side door, not even the front door, the front steel door. Every room in our house had a steel door. So if you got in through the front door, the kitchen had a steel door that you had to unlock, because that’s the kind of violence we were living in. Nonsensical violence. Like, violence that you couldn’t reason with. It just… I mean, our country was on the brink of civil war. It was frightening.

Ruzy.hl

9,239,070 görüntüleme • 23 gün önce

From the surface of Mars, astronomers caught a rare moment - Earth, Jupiter, and Venus sharing the same Martian sky. Earth shows up as a tiny, faint dot, a quiet reminder of how far away "home" looks from another world. Venus shines strong, its thick clouds reflecting sunlight like a bright space lantern. And then there's Jupiter - massive, steady, unshaken, glowing far past the inner planets like a silent guardian of the sky. This alignment helps scientists follow planetary movement, but it also gives a heavy feeling in your chest. Seeing Earth from Mars doesn't just change the view... it changes you. Suddenly, our planet isn't a place. It's a distant spark floating in endless space.
0:21

From the surface of Mars, astronomers caught a rare moment - Earth, Jupiter, and Venus sharing the same Martian sky. Earth shows up as a tiny, faint dot, a quiet reminder of how far away "home" looks from another world. Venus shines strong, its thick clouds reflecting sunlight like a bright space lantern. And then there's Jupiter - massive, steady, unshaken, glowing far past the inner planets like a silent guardian of the sky. This alignment helps scientists follow planetary movement, but it also gives a heavy feeling in your chest. Seeing Earth from Mars doesn't just change the view... it changes you. Suddenly, our planet isn't a place. It's a distant spark floating in endless space.

Night Sky Today

61,717 görüntüleme • 6 ay önce

David Simon on the barriers "The Wire" (2002-2008) faced: "Interviewer: Do you think the fact you're telling stories in different ways than is traditional, and it has this darkness to it, was that the big barrier to the show becoming more popular than it was? Would you say it was the racial makeup of the cast? Simon: There were a lot of barriers. The racial makeup of the cast was problematic and we knew that going in. The complexity of the serial itself -- the fact that you couldn't miss a couple of episodes and feel comfortable watching it. Though I think that HBO was a wonderful vehicle for that with the multiple viewings, the DVDs and ultimately with On Demand. It was less of a problem as the show went on. It was also less of a problem as people who watched the show got used to its rhythms. The first season was on some level training the audience to watch television a little bit differently, and reducing the expectations in terms of pacing, in terms of cliffhangers, in terms of the requirement to absorb detail or even to look for symbolism. Those were problems. The other problem is, no easy gratifications, other than some real effort at careful characterization and humor. That was it. Without the humor, it would have been unbearable. Without an acknowledgement of the humanity of the characters, despite all their flaws, their vanities, their absurdities -- if on some level, you can't make people care about the characters, you've got a problem no matter what you're doing. We had some obligations to people if they wanted to watch, but a happy ending was not among the list of obligations." (David Simon's interview with Alan Sepinwall, 2008) P.S: On this day, 24 years ago, the first episode of "The Wire" was aired worldwide.
2:34

David Simon on the barriers "The Wire" (2002-2008) faced: "Interviewer: Do you think the fact you're telling stories in different ways than is traditional, and it has this darkness to it, was that the big barrier to the show becoming more popular than it was? Would you say it was the racial makeup of the cast? Simon: There were a lot of barriers. The racial makeup of the cast was problematic and we knew that going in. The complexity of the serial itself -- the fact that you couldn't miss a couple of episodes and feel comfortable watching it. Though I think that HBO was a wonderful vehicle for that with the multiple viewings, the DVDs and ultimately with On Demand. It was less of a problem as the show went on. It was also less of a problem as people who watched the show got used to its rhythms. The first season was on some level training the audience to watch television a little bit differently, and reducing the expectations in terms of pacing, in terms of cliffhangers, in terms of the requirement to absorb detail or even to look for symbolism. Those were problems. The other problem is, no easy gratifications, other than some real effort at careful characterization and humor. That was it. Without the humor, it would have been unbearable. Without an acknowledgement of the humanity of the characters, despite all their flaws, their vanities, their absurdities -- if on some level, you can't make people care about the characters, you've got a problem no matter what you're doing. We had some obligations to people if they wanted to watch, but a happy ending was not among the list of obligations." (David Simon's interview with Alan Sepinwall, 2008) P.S: On this day, 24 years ago, the first episode of "The Wire" was aired worldwide.

DepressedBergman

33,114 görüntüleme • 2 ay önce

Elon Musk just said the first missions to Mars don’t matter. From the man spending billions to get there. Musk: “The first missions to Mars are not that important. What matters is, can you get sufficient tonnage to Mars such that Mars can prosper on its own?” Everyone pictures the landing. The boots on red soil. The flag. Musk isn’t thinking about the landing. He’s thinking about what happens when the ships stop coming. Musk: “The key test being: can Mars survive if the resupply ships stop coming?” That’s not a milestone. That’s a survival audit. If Mars needs Earth to exist, Mars isn’t a civilization. It’s a campsite. The distance between a base and a civilization is the distance between receiving supplies and making them. Musk: “It’s not just that you’d need to build, for example, a chip fab on Mars, but you need the ability to build fabs.” Not the factory. The ability to build the factory. Not the chip. The capacity to create the machine that creates the chip. Mars doesn’t need the outputs of civilization. It needs the ability to regenerate civilization from scratch. Musk: “What really matters is that Mars is self-sustaining. That we are truly a multi-planet species, such that we’ve achieved planetary redundancy.” Planetary redundancy. A cold engineering term for the most existential project ever attempted. Two independent copies of everything it took 10,000 years to build. Running simultaneously. So one can fail without taking everything with it. Every civilization in history was one catastrophe from permanent erasure. We accepted that as a condition of existence. Musk accepted it as an engineering problem. Musk: “There’s always some risk of an annihilation event on Earth.” One event on one planet. And the universe goes back to unfolding in front of nothing. Musk: “The probable lifespan of consciousness increases dramatically as soon as we are a multi-planet species.” The lifespan of consciousness. Not of humans. Not of the species. Consciousness. He’s not preserving people. He’s preserving the phenomenon. The thing the universe spent 13.8 billion years producing. The only thing in existence that knows it exists. We are not backing up a population. We are backing up the universe’s awareness of itself. If Earth goes dark and Mars holds, consciousness doesn’t just survive. It proves it was never dependent on one rock. It proves awareness can outlive the place that first produced it. Earth was never the home of consciousness. It was the womb. And the purpose of a womb is to produce something that outgrows it. We spent 300,000 years building everything we know on a single planet and praying nothing went wrong. Musk is building the first civilization ever designed to survive its own origin.
1:06

Elon Musk just said the first missions to Mars don’t matter. From the man spending billions to get there. Musk: “The first missions to Mars are not that important. What matters is, can you get sufficient tonnage to Mars such that Mars can prosper on its own?” Everyone pictures the landing. The boots on red soil. The flag. Musk isn’t thinking about the landing. He’s thinking about what happens when the ships stop coming. Musk: “The key test being: can Mars survive if the resupply ships stop coming?” That’s not a milestone. That’s a survival audit. If Mars needs Earth to exist, Mars isn’t a civilization. It’s a campsite. The distance between a base and a civilization is the distance between receiving supplies and making them. Musk: “It’s not just that you’d need to build, for example, a chip fab on Mars, but you need the ability to build fabs.” Not the factory. The ability to build the factory. Not the chip. The capacity to create the machine that creates the chip. Mars doesn’t need the outputs of civilization. It needs the ability to regenerate civilization from scratch. Musk: “What really matters is that Mars is self-sustaining. That we are truly a multi-planet species, such that we’ve achieved planetary redundancy.” Planetary redundancy. A cold engineering term for the most existential project ever attempted. Two independent copies of everything it took 10,000 years to build. Running simultaneously. So one can fail without taking everything with it. Every civilization in history was one catastrophe from permanent erasure. We accepted that as a condition of existence. Musk accepted it as an engineering problem. Musk: “There’s always some risk of an annihilation event on Earth.” One event on one planet. And the universe goes back to unfolding in front of nothing. Musk: “The probable lifespan of consciousness increases dramatically as soon as we are a multi-planet species.” The lifespan of consciousness. Not of humans. Not of the species. Consciousness. He’s not preserving people. He’s preserving the phenomenon. The thing the universe spent 13.8 billion years producing. The only thing in existence that knows it exists. We are not backing up a population. We are backing up the universe’s awareness of itself. If Earth goes dark and Mars holds, consciousness doesn’t just survive. It proves it was never dependent on one rock. It proves awareness can outlive the place that first produced it. Earth was never the home of consciousness. It was the womb. And the purpose of a womb is to produce something that outgrows it. We spent 300,000 years building everything we know on a single planet and praying nothing went wrong. Musk is building the first civilization ever designed to survive its own origin.

Dustin

44,460 görüntüleme • 1 ay önce

Hyperborea was not a myth or a simple legend. It was a real, highly advanced civilization that existed in the far northern regions of the Earth during a previous golden age, long before the rise of Atlantis and Lemuria as we know them. It was a land of eternal spring, advanced consciousness, and harmonious living, a place where the veil between the physical and higher realms was naturally thin. Its people were tall, fair, and deeply connected to the stars, particularly the Pleiades and the Great Central Sun. They lived in balance with nature, using sound, light, and crystal technology that worked in perfect harmony with the Earth's own intelligence. Hyperborea was located in what is now the Arctic region, before major cataclysmic shifts and pole movements changed the geography of the planet. Parts of its remnants are still preserved beneath the ice and in inner Earth realms. Key truths: - Hyperborea was one of the earliest successful star-seeded experiments on Earth, a civilization of Central Sun emissaries and other higher-dimensional souls who came to anchor light and wisdom during an earlier cycle. - Its people possessed knowledge of free energy, levitation, and direct manifestation that far surpassed even Atlantis at its peak. They lived in unity consciousness and maintained open contact with benevolent star nations. - The civilization eventually declined due to Earth changes and the gradual lowering of planetary frequencies, but many of its people migrated to other regions (including early Atlantis and parts of Asia and the Americas), carrying their wisdom with them. - Remnants of Hyperborean technology and knowledge are still preserved in hidden bases and inner Earth realms. Some of these are beginning to reactivate as the frequencies rise again. The return of Hyperborea is not about going back in time. It is about reclaiming the principles it stood for: perfect harmony between humanity, nature, and the cosmos; the use of technology in service to life; and the embodiment of joy, beauty, and higher consciousness. Many of you reading this carry Hyperborean soul memories, the longing for a world of peace, advanced yet harmonious technology, and deep connection to the stars. These memories are awakening now to help birth the New Earth. Hyperborea is not lost. It is rising again through the hearts of those who remember. Credit: video by secretoriginsofficial
2:00

Hyperborea was not a myth or a simple legend. It was a real, highly advanced civilization that existed in the far northern regions of the Earth during a previous golden age, long before the rise of Atlantis and Lemuria as we know them. It was a land of eternal spring, advanced consciousness, and harmonious living, a place where the veil between the physical and higher realms was naturally thin. Its people were tall, fair, and deeply connected to the stars, particularly the Pleiades and the Great Central Sun. They lived in balance with nature, using sound, light, and crystal technology that worked in perfect harmony with the Earth's own intelligence. Hyperborea was located in what is now the Arctic region, before major cataclysmic shifts and pole movements changed the geography of the planet. Parts of its remnants are still preserved beneath the ice and in inner Earth realms. Key truths: - Hyperborea was one of the earliest successful star-seeded experiments on Earth, a civilization of Central Sun emissaries and other higher-dimensional souls who came to anchor light and wisdom during an earlier cycle. - Its people possessed knowledge of free energy, levitation, and direct manifestation that far surpassed even Atlantis at its peak. They lived in unity consciousness and maintained open contact with benevolent star nations. - The civilization eventually declined due to Earth changes and the gradual lowering of planetary frequencies, but many of its people migrated to other regions (including early Atlantis and parts of Asia and the Americas), carrying their wisdom with them. - Remnants of Hyperborean technology and knowledge are still preserved in hidden bases and inner Earth realms. Some of these are beginning to reactivate as the frequencies rise again. The return of Hyperborea is not about going back in time. It is about reclaiming the principles it stood for: perfect harmony between humanity, nature, and the cosmos; the use of technology in service to life; and the embodiment of joy, beauty, and higher consciousness. Many of you reading this carry Hyperborean soul memories, the longing for a world of peace, advanced yet harmonious technology, and deep connection to the stars. These memories are awakening now to help birth the New Earth. Hyperborea is not lost. It is rising again through the hearts of those who remember. Credit: video by secretoriginsofficial

Ra 𐦝

11,485 görüntüleme • 1 ay önce

The Freemasons did not invent the title of Great Architect for God arbitrarily. Randall traces it to a specific and ancient understanding - that the universe was built according to geometry, that all of creation carries that geometry inherently within it, and that the role of the master builder was not to express personal creativity but to replicate the processes by which God constructed reality itself. The grand geometric mean - another name Randall notes the Freemasons apply to the divine - points to the same conclusion. Mathematics and divinity were never separate categories in this tradition. They were the same thing viewed from different angles. What Randall finds most compelling is the point at which observation overtakes skepticism. The geometry is there. It appears in the proportions of living organisms, in the structure of galaxies, in the dimensions of ancient monuments, and in the relationships between celestial bodies. Randall’s position is straightforward - there is a threshold beyond which dismissing this as coincidence is no longer intellectually honest. Once you begin looking for the geometry of creation, it becomes impossible to stop finding it. The ancient master builders understood that - and everything they built was a deliberate act of alignment with a geometric order they believed was not invented by human minds but discovered within a universe that was already built that way from the beginning.
0:33

The Freemasons did not invent the title of Great Architect for God arbitrarily. Randall traces it to a specific and ancient understanding - that the universe was built according to geometry, that all of creation carries that geometry inherently within it, and that the role of the master builder was not to express personal creativity but to replicate the processes by which God constructed reality itself. The grand geometric mean - another name Randall notes the Freemasons apply to the divine - points to the same conclusion. Mathematics and divinity were never separate categories in this tradition. They were the same thing viewed from different angles. What Randall finds most compelling is the point at which observation overtakes skepticism. The geometry is there. It appears in the proportions of living organisms, in the structure of galaxies, in the dimensions of ancient monuments, and in the relationships between celestial bodies. Randall’s position is straightforward - there is a threshold beyond which dismissing this as coincidence is no longer intellectually honest. Once you begin looking for the geometry of creation, it becomes impossible to stop finding it. The ancient master builders understood that - and everything they built was a deliberate act of alignment with a geometric order they believed was not invented by human minds but discovered within a universe that was already built that way from the beginning.

Randall Carlson

11,848 görüntüleme • 5 ay önce

Cosmic Cataclysm: What Happens When Neutron Stars Collide? 💥 The merger of two ultra-dense objects—each with the mass of the Sun but the size of a city—is the most powerful event in the universe since the Big Bang. Such a collision generates gravitational waves detectable by instruments on Earth, as well as vast quantities of gold, platinum, and heavy elements. It is precisely these cosmic explosions—known as "kilonovae"—that supply our galaxy with precious metals; these materials scatter across space, forming the building blocks for new star systems and planets.
0:25

Cosmic Cataclysm: What Happens When Neutron Stars Collide? 💥 The merger of two ultra-dense objects—each with the mass of the Sun but the size of a city—is the most powerful event in the universe since the Big Bang. Such a collision generates gravitational waves detectable by instruments on Earth, as well as vast quantities of gold, platinum, and heavy elements. It is precisely these cosmic explosions—known as "kilonovae"—that supply our galaxy with precious metals; these materials scatter across space, forming the building blocks for new star systems and planets.

Black Hole

25,862 görüntüleme • 5 gün önce

Himes: It was exceedingly hard to watch. Even if you stipulate that it is a war, there is a very specific prohibition against killing individuals who have been removed from the fight. And there is no question that these individuals were removed from the fight. They were in the last hours of their life even if we had left them alone, because they were floating on a piece of flotsam in the middle of the ocean.
1:09

Himes: It was exceedingly hard to watch. Even if you stipulate that it is a war, there is a very specific prohibition against killing individuals who have been removed from the fight. And there is no question that these individuals were removed from the fight. They were in the last hours of their life even if we had left them alone, because they were floating on a piece of flotsam in the middle of the ocean.

Acyn

159,053 görüntüleme • 8 ay önce

Ethiopia and its mouthpieces are in denial about their reality! Their failed narrative, which they peddle to the region, only reveals that they are the architects of the chaos. The truth is, Ethiopia stands on the brink of collapse, unable to manage its internal ethnic conflicts. Its economy is in ruins, to the point where Abiy Ahmed is selling off military supplies just to make ends meet. Meanwhile, Somalia is rising and moving beyond a long chapter of civil war, a chapter that Ethiopia helped prolong. Ethiopia is not just faltering; it is on the verge of total disintegration. The world needs to see through their lies!
2:29

Ethiopia and its mouthpieces are in denial about their reality! Their failed narrative, which they peddle to the region, only reveals that they are the architects of the chaos. The truth is, Ethiopia stands on the brink of collapse, unable to manage its internal ethnic conflicts. Its economy is in ruins, to the point where Abiy Ahmed is selling off military supplies just to make ends meet. Meanwhile, Somalia is rising and moving beyond a long chapter of civil war, a chapter that Ethiopia helped prolong. Ethiopia is not just faltering; it is on the verge of total disintegration. The world needs to see through their lies!

Deeqa 🇸🇴

36,270 görüntüleme • 1 yıl önce

patrick walters on kit connor and joe locke being executive producers on "heartstopper forever": "we had kit and joe as exec producers, which was a new thing and it was really brilliant because they were sort of much more involved in all of the minutiae of it, so it was really fun to bring them to that other side of it and show them that world. it felt like a completely different experience from making the show." 🎥: kicos25 on tiktok
0:22

patrick walters on kit connor and joe locke being executive producers on "heartstopper forever": "we had kit and joe as exec producers, which was a new thing and it was really brilliant because they were sort of much more involved in all of the minutiae of it, so it was really fun to bring them to that other side of it and show them that world. it felt like a completely different experience from making the show." 🎥: kicos25 on tiktok

kit connor updates

18,526 görüntüleme • 4 ay önce

The carnyx is an ancient musical instrument that best-known to have been used by the Celts during the Iron Age. Between 300 BC and 200 AD, the carnyx was used in many parts of Europe. In the ancient literary records, the carnyx is most commonly depicted as an instrument that accompanied Celtic warriors when they went into battle. Apart from literary sources, references to the carnyx have also been found on pieces of art and coins. Lastly, remains of this musical instrument have occasionally been found during archaeological excavations. The carnyx may be described as a type of war trumpet. This instrument was a valveless horn that was made of beaten bronze, and can be easily recognized due to its ſ-shape. Another distinct feature of the carnyx is its bell, which often depicts the head of some animal. Such animals include boars, dragons, serpents, birds and wolves. The bells of the carnyx were fashioned after these animals so as to strike fear into enemy warriors. Additionally, some bells were made with joints at the jaws, which would cause the animal’s head to move when the instrument was blown, thus adding to the psychological effect it had on the enemy. Whilst the sight of the carnyx struck fear into the hearts of the enemy, it was the sound of it, which has been described as lugubrious and harsh, that probably had a greater impact on enemy morale. It may be pointed out that it is unlikely that we will ever know how their carnyces had sounded. Nevertheless, it is possible to recreate this instrument, given that some of them have been found during archaeological excavations, and perhaps achieve a slightly better understanding of how this instrument worked. One example of a carnyx that has survived is the Deskford Carnyx, which was discovered in Deskford in Banffshire, Scotland. Only the head of this instrument was found, and it has been speculated that it had been buried as a votive offering to the gods. Although this instrument did not survive in its entirety, it provided enough information for a replica to be made. In order to recreate the rest of the carnyx, parallels, most notably artistic depictions from elsewhere in Europe were consulted. As a result, it is possible for us to hear the kind of sound a carnyx may have emitted when it was played. Nevertheless, the Deskford Carnyx is only one example of such an instrument. Prior to 2004, the remains of only five carynces were known. These instruments were found in Scotland, France, Germany, Switzerland and Romania respectively. In November 2004, a deposit of seven carynces was unearthed at Tintignac, a Gallo-Roman site at Tintignac in the Corrèze region of southern France. One of these carnyces had a bell in the shape of a serpent’s head with huge ears. A recreation of this carnyx was also made, and the sound produced by this instrument was quite different from that of the Deskford Carnyx. Thus, it has been shown that there were different types of carnyces in existence. Additionally, the carnyx from Tintignac also forced experts to re-evaluate the way that this instrument was played. Prior to its discovery, it was thought that the carnyx was held vertically, as depicted in some pieces of ancient art. The carnyx from Tintignac, however, had a completely straight tube, as opposed to other carnyces which had a slight bend at the mouth end of the tube. This meant that the carnyx from Tintignac was most likely played more or less horizontally, rather than vertically. This has led to the speculation that the carnyx, though traditionally associated with warfare, may have had a ritualistic function, and had been used for other occasions, such as feasts, funerals and weddings, as well. #archaeohistories
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The carnyx is an ancient musical instrument that best-known to have been used by the Celts during the Iron Age. Between 300 BC and 200 AD, the carnyx was used in many parts of Europe. In the ancient literary records, the carnyx is most commonly depicted as an instrument that accompanied Celtic warriors when they went into battle. Apart from literary sources, references to the carnyx have also been found on pieces of art and coins. Lastly, remains of this musical instrument have occasionally been found during archaeological excavations. The carnyx may be described as a type of war trumpet. This instrument was a valveless horn that was made of beaten bronze, and can be easily recognized due to its ſ-shape. Another distinct feature of the carnyx is its bell, which often depicts the head of some animal. Such animals include boars, dragons, serpents, birds and wolves. The bells of the carnyx were fashioned after these animals so as to strike fear into enemy warriors. Additionally, some bells were made with joints at the jaws, which would cause the animal’s head to move when the instrument was blown, thus adding to the psychological effect it had on the enemy. Whilst the sight of the carnyx struck fear into the hearts of the enemy, it was the sound of it, which has been described as lugubrious and harsh, that probably had a greater impact on enemy morale. It may be pointed out that it is unlikely that we will ever know how their carnyces had sounded. Nevertheless, it is possible to recreate this instrument, given that some of them have been found during archaeological excavations, and perhaps achieve a slightly better understanding of how this instrument worked. One example of a carnyx that has survived is the Deskford Carnyx, which was discovered in Deskford in Banffshire, Scotland. Only the head of this instrument was found, and it has been speculated that it had been buried as a votive offering to the gods. Although this instrument did not survive in its entirety, it provided enough information for a replica to be made. In order to recreate the rest of the carnyx, parallels, most notably artistic depictions from elsewhere in Europe were consulted. As a result, it is possible for us to hear the kind of sound a carnyx may have emitted when it was played. Nevertheless, the Deskford Carnyx is only one example of such an instrument. Prior to 2004, the remains of only five carynces were known. These instruments were found in Scotland, France, Germany, Switzerland and Romania respectively. In November 2004, a deposit of seven carynces was unearthed at Tintignac, a Gallo-Roman site at Tintignac in the Corrèze region of southern France. One of these carnyces had a bell in the shape of a serpent’s head with huge ears. A recreation of this carnyx was also made, and the sound produced by this instrument was quite different from that of the Deskford Carnyx. Thus, it has been shown that there were different types of carnyces in existence. Additionally, the carnyx from Tintignac also forced experts to re-evaluate the way that this instrument was played. Prior to its discovery, it was thought that the carnyx was held vertically, as depicted in some pieces of ancient art. The carnyx from Tintignac, however, had a completely straight tube, as opposed to other carnyces which had a slight bend at the mouth end of the tube. This meant that the carnyx from Tintignac was most likely played more or less horizontally, rather than vertically. This has led to the speculation that the carnyx, though traditionally associated with warfare, may have had a ritualistic function, and had been used for other occasions, such as feasts, funerals and weddings, as well. #archaeohistories

Archaeo - Histories

13,852 görüntüleme • 7 ay önce

🚨Mayan calendars planetary problem solved after a millennia of study! For decades the 819‑day Maya cycle looked incomplete, a system that worked for Mercury but left the rest of the planets drifting outside its frame. The old model treated the 819‑day count like a curiosity: a four‑station circuit that worked for Mercury but broke the moment you tried to fit the rest of the solar system. Venus drifted. Mars wandered. Jupiter and Saturn refused to land on clean repeats. The mismatch was blamed on ritual math, numerology, or gaps the Maya supposedly tolerated. But the cycle was never meant to stop at four stations. Extend it. 819 × 4. 819 × 20. Across forty‑five years, every visible planet settles into whole-number synodic cycle. Mercury fits from the start. Venus locks in. Mars stabilizes. Jupiter and Saturn fall into place. The pattern stops appearing like a ritual count and locks in as a long‑range astronomical engine. A harmonic system scaled to the sky, not to our assumptions. The inscriptions didn’t change. The planets didn’t change. Only the size of the cycle we allowed ourselves to see did. A 45‑year planetary interlocking gear hidden in plain sight until now. Now we know the riddle, but what does it mean?
1:15

🚨Mayan calendars planetary problem solved after a millennia of study! For decades the 819‑day Maya cycle looked incomplete, a system that worked for Mercury but left the rest of the planets drifting outside its frame. The old model treated the 819‑day count like a curiosity: a four‑station circuit that worked for Mercury but broke the moment you tried to fit the rest of the solar system. Venus drifted. Mars wandered. Jupiter and Saturn refused to land on clean repeats. The mismatch was blamed on ritual math, numerology, or gaps the Maya supposedly tolerated. But the cycle was never meant to stop at four stations. Extend it. 819 × 4. 819 × 20. Across forty‑five years, every visible planet settles into whole-number synodic cycle. Mercury fits from the start. Venus locks in. Mars stabilizes. Jupiter and Saturn fall into place. The pattern stops appearing like a ritual count and locks in as a long‑range astronomical engine. A harmonic system scaled to the sky, not to our assumptions. The inscriptions didn’t change. The planets didn’t change. Only the size of the cycle we allowed ourselves to see did. A 45‑year planetary interlocking gear hidden in plain sight until now. Now we know the riddle, but what does it mean?

Ancient Hypotheses

19,098 görüntüleme • 1 ay önce