Sensitive content

This media may contain sensitive content.

Loading video...

Video Failed to Load

There was a problem loading this video. This could be due to a temporary network issue or the video might be unavailable.

NEW SCENE ALERT ❌ The Smooth Experience® ❌ × @VenusValencia_ Scene - Venus and Jay Studio - Bellesa Bellesa Plus Director - Jacky St. James #PayForYourFantasy #Bellesa #JaySmooth #VenusValencia

Jay Smooth Fan Club

6,160 subscribers

45,071 views • 1 year ago •via X (Twitter)

NSFW #PayForYourFantasy #Bellesa #JaySmooth #VenusValencia

Anya Rossi• Live Now

Private livecam show

0 Comments

No comments available

Comments from the original post will appear here

Related Videos

🙌 The scene outside St James’ Park and the temporary club shop 30 minutes before the new home shirt is released 😱 📹 Including Chief Commercial Officer Peter Silverstone #NUFC

🙌 The scene outside St James’ Park and the temporary club shop 30 minutes before the new home shirt is released 😱 📹 Including Chief Commercial Officer Peter Silverstone #NUFC

Newcastle United - Shields Gazette

75,358 views • 2 years ago

😈NEW SHOW ALERT😈 Get an uncensored behind-the-scene look at Hot Haus on HOT HAUS: UNCUT! When the hall of flame elimination ends…the drama turns UP! Follow the producers, cast, and crew for a raw documentary experience.

Sensitive content

😈NEW SHOW ALERT😈 Get an uncensored behind-the-scene look at Hot Haus on HOT HAUS: UNCUT! When the hall of flame elimination ends…the drama turns UP! Follow the producers, cast, and crew for a raw documentary experience.

Hot Haus

25,592 views • 3 years ago

JAY WILL NEVER BE YOUR FRIEND #MoonshadowSeriesEP6 #filmracha #NamtanFilm 🗣️: Which scene did you like? ❤️‍🩹: I actually liked the scene with P'Namtan. To be honest, it was really hard to act and a very new experience for me. Because when reading the script on paper, it felt super comedic—like "Slap me! Come on, slap me! Slap me!" kind of vibe. But when actually acting it out, we had to make it real and not funny at all. I really liked that one too. But hold on, for the scene where Nong Key scores points—the scene where Nong Key controls the game—I'm definitely going to check that out!

JAY WILL NEVER BE YOUR FRIEND #MoonshadowSeriesEP6 #filmracha #NamtanFilm 🗣️: Which scene did you like? ❤️‍🩹: I actually liked the scene with P'Namtan. To be honest, it was really hard to act and a very new experience for me. Because when reading the script on paper, it felt super comedic—like "Slap me! Come on, slap me! Slap me!" kind of vibe. But when actually acting it out, we had to make it real and not funny at all. I really liked that one too. But hold on, for the scene where Nong Key scores points—the scene where Nong Key controls the game—I'm definitely going to check that out!

แมวแมวเอง 🎭💄🎙️

49,804 views • 11 days ago

We launch Project 39 again with Henry V, Act 4, Scene 3 — the St Crispin’s Day speech. We hope you enjoy this series. Please engage with us in the comments and follow our work if you’d like to see more. We believe that William Shakespeare must be at the heart of our culture. Henry V - Morgan Watkins Director of Photography - Mike Simpson Assistant to DOP - James Hedley Directed by Oliver Bennett and Morgan Watkins Produced by Oliver Bennett, Carolina Toczyka and Morgan Watkins Social Media Strategy - Bonnie Poynder and Carolina Toczyka Editor - James Hedley

We launch Project 39 again with Henry V, Act 4, Scene 3 — the St Crispin’s Day speech. We hope you enjoy this series. Please engage with us in the comments and follow our work if you’d like to see more. We believe that William Shakespeare must be at the heart of our culture. Henry V - Morgan Watkins Director of Photography - Mike Simpson Assistant to DOP - James Hedley Directed by Oliver Bennett and Morgan Watkins Produced by Oliver Bennett, Carolina Toczyka and Morgan Watkins Social Media Strategy - Bonnie Poynder and Carolina Toczyka Editor - James Hedley

The Base

74,933 views • 5 months ago

Daniel Craig and Mads Mikkelsen had a blast filming the torture scene in Casino Royale. They kept brainstorming new ways to make Bond suffer, getting carried away. The director had to stop them. "Guys it's a James Bond movie!" he said. The chair had a fiberglass shield for protection, but Mikkelsen's rope swings were so hard he broke right through the plywood.

Daniel Craig and Mads Mikkelsen had a blast filming the torture scene in Casino Royale. They kept brainstorming new ways to make Bond suffer, getting carried away. The director had to stop them. "Guys it's a James Bond movie!" he said. The chair had a fiberglass shield for protection, but Mikkelsen's rope swings were so hard he broke right through the plywood.

Best Movie Moments 🍿

1,517,961 views • 1 month ago

Pre-market trading is too hard for newbies??? WRONG!❌ In reality, this is just an outdated perspective! With game-changing advancements from platforms like #Unich, pre-market has been fully transformed, providing profit opportunities for everyone, whether seasoned pros or first-time newbies.🥳 New to the scene and ready to unlock benefits of trading with us?👉Watch this video and discover now! #CryptoOTC #Trading

Pre-market trading is too hard for newbies??? WRONG!❌ In reality, this is just an outdated perspective! With game-changing advancements from platforms like #Unich, pre-market has been fully transformed, providing profit opportunities for everyone, whether seasoned pros or first-time newbies.🥳 New to the scene and ready to unlock benefits of trading with us?👉Watch this video and discover now! #CryptoOTC #Trading

Unich.com 🆓

27,596 views • 1 year ago

NEW: Saturday afternoon, horrified parishioners outside St. James Cathedral in Seattle say a homeless man who appeared to be "demon possessed" caused a massive disturbance outside the church steps. Cops were called to the scene and tried to encourage this fella to leave on his own. Witnesses say the man yelled "Jesus Christ" then left the church property. Otherwise, Happy Easter eve to all those who believe in the resurrection of Jesus Christ. In case you are wondering how the Bible ends, God wins.

NEW: Saturday afternoon, horrified parishioners outside St. James Cathedral in Seattle say a homeless man who appeared to be "demon possessed" caused a massive disturbance outside the church steps. Cops were called to the scene and tried to encourage this fella to leave on his own. Witnesses say the man yelled "Jesus Christ" then left the church property. Otherwise, Happy Easter eve to all those who believe in the resurrection of Jesus Christ. In case you are wondering how the Bible ends, God wins.

Jonathan Choe

61,295 views • 5 months ago

I thought this was a real commercial at first… Then I found out the entire video was created with AI. No filming studio, no camera crew, no physical set — just an idea turned into a cinematic scene. What impressed me the most is the level of creative control. With features like Director Stage, creators can adjust camera placement, lighting, and composition instead of just generating random clips. AI video is moving beyond simple generation. It’s becoming a new way to direct and build stories. Excited to see what creators will make with Newtake_KR. #DreaminaSeedance25 #Seedance25 #AIVideo #Newtake

I thought this was a real commercial at first… Then I found out the entire video was created with AI. No filming studio, no camera crew, no physical set — just an idea turned into a cinematic scene. What impressed me the most is the level of creative control. With features like Director Stage, creators can adjust camera placement, lighting, and composition instead of just generating random clips. AI video is moving beyond simple generation. It’s becoming a new way to direct and build stories. Excited to see what creators will make with Newtake_KR. #DreaminaSeedance25 #Seedance25 #AIVideo #Newtake

JOY JULIET

58,683 views • 1 month ago

🥁 Exciting Update: Enhanced Graphics in Eternal Decay! We’re thrilled to announce that we’ve made significant improvements to the graphics of Eternal Decay! Our team has worked hard to elevate the visual experience, making the game more immersive and engaging than ever before. 🎨 What’s New? Improved Textures: We’ve upgraded our textures to provide more detail and realism, bringing the world of Eternal Decay to life. Dynamic Lighting: Enhanced lighting effects now create a more atmospheric environment, making every scene feel vibrant and alive. Optimized Performance: Our graphics optimization ensures smooth gameplay on all supported platforms, especially for Mac users! 📽️ Check out our latest video! Watch as we showcase the new graphics while engaging in resource farming from the garden! Experience the beauty of the enhanced visuals in action and see how it enriches your gameplay. Join us in this exciting journey and dive back into the world of Eternal Decay with our latest updates! Let us know your thoughts in the comments! 🌱💎

🥁 Exciting Update: Enhanced Graphics in Eternal Decay! We’re thrilled to announce that we’ve made significant improvements to the graphics of Eternal Decay! Our team has worked hard to elevate the visual experience, making the game more immersive and engaging than ever before. 🎨 What’s New? Improved Textures: We’ve upgraded our textures to provide more detail and realism, bringing the world of Eternal Decay to life. Dynamic Lighting: Enhanced lighting effects now create a more atmospheric environment, making every scene feel vibrant and alive. Optimized Performance: Our graphics optimization ensures smooth gameplay on all supported platforms, especially for Mac users! 📽️ Check out our latest video! Watch as we showcase the new graphics while engaging in resource farming from the garden! Experience the beauty of the enhanced visuals in action and see how it enriches your gameplay. Join us in this exciting journey and dive back into the world of Eternal Decay with our latest updates! Let us know your thoughts in the comments! 🌱💎

Eternal Decay Metaworld

91,885 views • 2 years ago

"Dr. Dre Shut Down 50 Cent Dissing Jay-Z, Nas & Cam'ron On Back Down"🔥🤯😮‍💨🐐 During our exclusive interview with Sha Money XL, the producer told us how part of "Get Rich Or Die Tryin'" was recorded in the same studio where Tupac recorded his legendary "All Eyez On Me" album. Sha dived deep on 50's energy while approaching "Back Down", saying Dr.Dre had to stop him and make him re-record the record because Fif was going wild at the whole New York scene. Sha also reveals how "P.I.M.P." came to life and how strong the bond and friendship with Snoop Dogg got after that record! 🔥🔥

"Dr. Dre Shut Down 50 Cent Dissing Jay-Z, Nas & Cam'ron On Back Down"🔥🤯😮‍💨🐐 During our exclusive interview with Sha Money XL, the producer told us how part of "Get Rich Or Die Tryin'" was recorded in the same studio where Tupac recorded his legendary "All Eyez On Me" album. Sha dived deep on 50's energy while approaching "Back Down", saying Dr.Dre had to stop him and make him re-record the record because Fif was going wild at the whole New York scene. Sha also reveals how "P.I.M.P." came to life and how strong the bond and friendship with Snoop Dogg got after that record! 🔥🔥

Diverse Mentality

159,922 views • 9 months ago

Liv Ullman explains why "The Emigrants" (1971) & "The New Land" (1972) will outlive "The Godfather" (1972): "During the preview screening of "The New Land" (1972) in Washington, a lady in front of me started sobbing lowly, The more she sobbed, the quieter it was in the theater. As a result, it was a better film. I even cried at my own death scene. If you give yourself to the picture, it’s a kind of experience. To me, 'The Emigrants' (1971) and 'The New Land' (1972) will live long after 'The Godfather' (1972). It is a true picture about you Americans, all your hopes and dreams. Maybe it will encourage people to remember what people came to America to find. It may encourage them to return to nature, to the real values." (Liv Ullman's interview with Kathleen Carroll, 1973) Clip from: The Emigrants (1971) Director: Jan Troell

Liv Ullman explains why "The Emigrants" (1971) & "The New Land" (1972) will outlive "The Godfather" (1972): "During the preview screening of "The New Land" (1972) in Washington, a lady in front of me started sobbing lowly, The more she sobbed, the quieter it was in the theater. As a result, it was a better film. I even cried at my own death scene. If you give yourself to the picture, it’s a kind of experience. To me, 'The Emigrants' (1971) and 'The New Land' (1972) will live long after 'The Godfather' (1972). It is a true picture about you Americans, all your hopes and dreams. Maybe it will encourage people to remember what people came to America to find. It may encourage them to return to nature, to the real values." (Liv Ullman's interview with Kathleen Carroll, 1973) Clip from: The Emigrants (1971) Director: Jan Troell

DepressedBergman

51,677 views • 3 months ago

#FEEDxอย่าขอพี่เจน #TeeHeng Q: The NC scenes P’Tee: It was difficult too. It was something new for us. Honestly everything was difficult. We had already been taking acting classes together and the two of us would always talk about what we were comfortable with and what we weren’t. We discussed every scene. We talked with the director and our acting coach too. If there was going to be a love scene in the next shoot we’d already know what we were going to do and practice it in class beforehand. We’d agree on everything beforehand and communicate throughout. Heng: Exactly like P’Tee said. We see it as work too. We’re always discussing and coordinating things so neither of us feels unsafe while working on these scenes. We don’t want anything to become a bad experience or anything like that. We also have a director who is very open and gives us space to talk. That makes us comfortable enough to say when something doesn’t feel right. P’Tee: Yes. But there’s one thing we always have to keep in mind. When we’re acting we have to make it feel real because we want the audience to feel it too. But of course we still talk through everything. Heng: Everything was discussed from the beginning. Like this part is 1, 2, 3 and this is what we’re going to do. But our job is to connect those 1, 2, 3 together. Otherwise the scene would just feel like okay, do this and then this… P’Tee: We don’t improvise at all. We always coordinate everything with the director and acting coach. There’s no going off-script or doing something unexpected like that. Heng: It’s because every situation has a different mood. There are so many different sides to the NC scenes. There are cute ones, intense ones and even ones where they hate each other. There are so many different types for everyone to see.

#FEEDxอย่าขอพี่เจน #TeeHeng Q: The NC scenes P’Tee: It was difficult too. It was something new for us. Honestly everything was difficult. We had already been taking acting classes together and the two of us would always talk about what we were comfortable with and what we weren’t. We discussed every scene. We talked with the director and our acting coach too. If there was going to be a love scene in the next shoot we’d already know what we were going to do and practice it in class beforehand. We’d agree on everything beforehand and communicate throughout. Heng: Exactly like P’Tee said. We see it as work too. We’re always discussing and coordinating things so neither of us feels unsafe while working on these scenes. We don’t want anything to become a bad experience or anything like that. We also have a director who is very open and gives us space to talk. That makes us comfortable enough to say when something doesn’t feel right. P’Tee: Yes. But there’s one thing we always have to keep in mind. When we’re acting we have to make it feel real because we want the audience to feel it too. But of course we still talk through everything. Heng: Everything was discussed from the beginning. Like this part is 1, 2, 3 and this is what we’re going to do. But our job is to connect those 1, 2, 3 together. Otherwise the scene would just feel like okay, do this and then this… P’Tee: We don’t improvise at all. We always coordinate everything with the director and acting coach. There’s no going off-script or doing something unexpected like that. Heng: It’s because every situation has a different mood. There are so many different sides to the NC scenes. There are cute ones, intense ones and even ones where they hate each other. There are so many different types for everyone to see.

teeheng archive

165,558 views • 1 month ago

One of the things that makes the ending of Heat so powerful is its music—Moby's "God Moving Over the Face of the Waters." At the time, Moby was relatively unknown, yet Michael Mann somehow discovered the obscure track and decided it was perfect for the final scene. Moby explains: “Let’s get in our little time machine and go back to 1994. I was part of the rave scene, and I was making my first album, Everything Is Wrong. One of the songs—in fact, the last song on the album—that I was desperate to include was "God Moving Over the Face of the Waters." It could arguably be the strangest song ever included on what was supposed to be a dance album. There are no drums and nothing overtly electronic about it. When I was working on it and mixing it, I fell in love with it almost more than anything I’d ever done. So I put it on the album, and it sat there at the end, largely ignored. But somehow, and I still don’t know how, Michael Mann heard it and wanted to use it in this movie he was working on called Heat, with Al Pacino, Robert De Niro, Val Kilmer, on and on and on. This real movie. I was baffled. How does Michael Mann know who I am? How does Michael Mann know about this piece of music? But I said yes, of course. It was such an amazing opportunity. This major Hollywood director knew who I was and wanted to use my music. They flew me to Los Angeles and put me in a professional studio to tailor “God Moving” to the closing scene of the film. Until then, I had only ever worked in my homemade studio in an abandoned loft building in New York… One of the most terrifying professional moments of my life came when someone told me, “Michael Mann wants to talk to you.” And I was like, “Can’t he just leave me alone? I’m terrified. I don’t want to talk to humans.” I thought, “Okay, Michael Mann is going to call me, and it’s going to be scary, but I can deal with it because I’m a big boy.” The phone rang, I picked it up, and Michael Mann talked for about 45 minutes. He talked about archetypes within the film, classical narrative elements and tropes. It was like he gave me this masterclass in what Heat was about, and then just hung up the phone. And then it came out, and to hear the music that I’d made against this phenomenal, beautiful scene—it really was special. I’m thrilled that, 30 years later, people are still discovering the film and “God Moving Over the Face of the Waters.” Spoiler warning: The clip below contains the ending of Heat. If you haven't seen the film, don't watch past the first 30 seconds. The music doesn't begin until about a minute into the scene.

One of the things that makes the ending of Heat so powerful is its music—Moby's "God Moving Over the Face of the Waters." At the time, Moby was relatively unknown, yet Michael Mann somehow discovered the obscure track and decided it was perfect for the final scene. Moby explains: “Let’s get in our little time machine and go back to 1994. I was part of the rave scene, and I was making my first album, Everything Is Wrong. One of the songs—in fact, the last song on the album—that I was desperate to include was "God Moving Over the Face of the Waters." It could arguably be the strangest song ever included on what was supposed to be a dance album. There are no drums and nothing overtly electronic about it. When I was working on it and mixing it, I fell in love with it almost more than anything I’d ever done. So I put it on the album, and it sat there at the end, largely ignored. But somehow, and I still don’t know how, Michael Mann heard it and wanted to use it in this movie he was working on called Heat, with Al Pacino, Robert De Niro, Val Kilmer, on and on and on. This real movie. I was baffled. How does Michael Mann know who I am? How does Michael Mann know about this piece of music? But I said yes, of course. It was such an amazing opportunity. This major Hollywood director knew who I was and wanted to use my music. They flew me to Los Angeles and put me in a professional studio to tailor “God Moving” to the closing scene of the film. Until then, I had only ever worked in my homemade studio in an abandoned loft building in New York… One of the most terrifying professional moments of my life came when someone told me, “Michael Mann wants to talk to you.” And I was like, “Can’t he just leave me alone? I’m terrified. I don’t want to talk to humans.” I thought, “Okay, Michael Mann is going to call me, and it’s going to be scary, but I can deal with it because I’m a big boy.” The phone rang, I picked it up, and Michael Mann talked for about 45 minutes. He talked about archetypes within the film, classical narrative elements and tropes. It was like he gave me this masterclass in what Heat was about, and then just hung up the phone. And then it came out, and to hear the music that I’d made against this phenomenal, beautiful scene—it really was special. I’m thrilled that, 30 years later, people are still discovering the film and “God Moving Over the Face of the Waters.” Spoiler warning: The clip below contains the ending of Heat. If you haven't seen the film, don't watch past the first 30 seconds. The music doesn't begin until about a minute into the scene.

Gangster Cinema Central

27,798 views • 1 month ago

Dive into the BLEGGS Revolution: Dubai's Hottest Crypto Craze ⚡️ Experience the Future of Crypto with BLEGGS 🔥 Dubai is known for pushing boundaries, and now it's doing it in the crypto world with BLEGGS, the first real-world meme token. This innovative project bridges the gap between digital and physical, offering more than just an investment. 📈 Join a Thriving Dubai Crypto Community 🤝 BLEGGS isn't just a coin; it's your key to an exclusive Dubai crypto community. Become part of a vibrant group of enthusiasts, get the latest industry insights, and connect with fellow forward-thinkers. 🚀 Unlock a World of Exclusive Perks 💎 Owning BLEGGS opens doors to a universe of unique benefits. Get access to exclusive events, experiences, and opportunities within the ever-expanding InvisibleEggs ecosystem. This is your chance to be part of something special. 🔥 Don't Miss Out on the BLEGGS Boom! 💥 The future of crypto is here, and BLEGGS is at the forefront. Join the revolution, secure your spot in the Dubai crypto scene, and be a part of the next big thing. ⚡️ Dive deeper and join the BLEGGS fam today! ✉️Telegram: ❌ X:

Dive into the BLEGGS Revolution: Dubai's Hottest Crypto Craze ⚡️ Experience the Future of Crypto with BLEGGS 🔥 Dubai is known for pushing boundaries, and now it's doing it in the crypto world with BLEGGS, the first real-world meme token. This innovative project bridges the gap between digital and physical, offering more than just an investment. 📈 Join a Thriving Dubai Crypto Community 🤝 BLEGGS isn't just a coin; it's your key to an exclusive Dubai crypto community. Become part of a vibrant group of enthusiasts, get the latest industry insights, and connect with fellow forward-thinkers. 🚀 Unlock a World of Exclusive Perks 💎 Owning BLEGGS opens doors to a universe of unique benefits. Get access to exclusive events, experiences, and opportunities within the ever-expanding InvisibleEggs ecosystem. This is your chance to be part of something special. 🔥 Don't Miss Out on the BLEGGS Boom! 💥 The future of crypto is here, and BLEGGS is at the forefront. Join the revolution, secure your spot in the Dubai crypto scene, and be a part of the next big thing. ⚡️ Dive deeper and join the BLEGGS fam today! ✉️Telegram: ❌ X:

Pumpcoinbets - Crypto & NFT

81,845 views • 2 years ago

The original choice for the role of 'Lisa' in John Hughes's "Weird Science" (1985) was then unknown Robin Wright. But John Hughes lost her when her agent got her a role in the TV Show, "Santa Barbara". About Wright, casting director Jackie Burch said, "“She was not voluptuous but still hot for young boys" Kelly Emberg, a model and cover girl was cast in the part. But the problem with her was that she couldn't act. Hughes asked Burch to find someone who was “gorgeous and can act.” She found Kelly LeBrock. According to Kelly LeBrock, she turned down the role when it was offered to her first because she was having way too much fun in the South of France with Sting and she didn't want to go to the USA. After about three weeks of shooting, the one hired instead of LeBrock was fired. LeBrock was called again and they said, "we will give you whatever you want". She got on the flight to Chicago the very next day. About her experience during the early days of filming, LeBrock said, "My first scene was the shower scene, and I was forced to wear the previous actress’s wardrobe. She was a completely different body type than I was so a lot of the outfits had to be modified for them to work. Also they were three weeks into production and already knew each other, and I am the new person on set. Plus it was only my second movie, so it was very stressful for me." ("John Hughes: A Life in Film", Kirk Honeycutt, 2015 & Kelly LeBrock's interview with Adam Lawton, Mediamikes, 2010)

The original choice for the role of 'Lisa' in John Hughes's "Weird Science" (1985) was then unknown Robin Wright. But John Hughes lost her when her agent got her a role in the TV Show, "Santa Barbara". About Wright, casting director Jackie Burch said, "“She was not voluptuous but still hot for young boys" Kelly Emberg, a model and cover girl was cast in the part. But the problem with her was that she couldn't act. Hughes asked Burch to find someone who was “gorgeous and can act.” She found Kelly LeBrock. According to Kelly LeBrock, she turned down the role when it was offered to her first because she was having way too much fun in the South of France with Sting and she didn't want to go to the USA. After about three weeks of shooting, the one hired instead of LeBrock was fired. LeBrock was called again and they said, "we will give you whatever you want". She got on the flight to Chicago the very next day. About her experience during the early days of filming, LeBrock said, "My first scene was the shower scene, and I was forced to wear the previous actress’s wardrobe. She was a completely different body type than I was so a lot of the outfits had to be modified for them to work. Also they were three weeks into production and already knew each other, and I am the new person on set. Plus it was only my second movie, so it was very stressful for me." ("John Hughes: A Life in Film", Kirk Honeycutt, 2015 & Kelly LeBrock's interview with Adam Lawton, Mediamikes, 2010)

DepressedBergman

24,182 views • 2 months ago

GM GM GM! (✿>⩊<)࿔*°💜 ✨𝑨𝒔 𝒑𝒓𝒐𝒎𝒊𝒔𝒆𝒅, 𝑰’𝒎 𝒃𝒂𝒄𝒌 𝒘𝒊𝒕𝒉 𝒂 𝒅𝒂𝒚-𝒐𝒏𝒆 1𝒔𝒕 𝒊𝒎𝒑𝒓𝒆𝒔𝒔𝒊𝒐𝒏 𝒗𝒊𝒅𝒆𝒐 𝒓𝒆𝒗𝒊𝒆𝒘 𝒐𝒇 𝑵𝒆𝒗𝒆𝒓𝒏𝒆𝒔𝒔 𝒕𝒐 𝑬𝒗𝒆𝒓𝒏𝒆𝒔𝒔! 🎬🎧𝗘𝗻𝗷𝗼𝘆 𝘁𝗵𝗲 𝘃𝗶𝗱𝗲𝗼 & 𝘃𝗶𝗯𝗲 𝘄𝗶𝘁𝗵 𝗦𝗲𝗻𝗽𝗮𝗶🌸 🎐✍️Written review🔻 ⛱️Neverness to Everness delivers an electrifying, all-around experience that feels polished and exciting across every aspect. The gameplay is dynamic and constantly engaging, blending exploration with action in a way that always keeps you moving and discovering something new. Combat is fast, flashy, and incredibly satisfying, with smooth mechanics that make every encounter feel powerful and stylish. 🚘Driving is a major highlight, offering a sleek, responsive feel that makes traversing the world genuinely fun. Whether you’re speeding through neon-lit streets or cruising between objectives, it adds a strong sense of immersion and freedom. 💎Graphically, the game is stunning. The world is vibrant and detailed, with impressive lighting and effects that bring every scene to life. Cutscenes are cinematic and beautifully directed, seamlessly pulling you deeper into the experience. 📜The story is intriguing and filled with mystery, supported by high-quality cutscenes that give weight to the characters and their journey. It creates a sense of anticipation that keeps you invested in what comes next. 🎲The gacha mechanics add an extra layer of excitement, giving players the thrill of unlocking new characters and upgrades. It keeps progression feeling rewarding and constantly fresh. 🪩Overall, Neverness to Everness stands out as a stylish, high-energy game that excels in presentation, gameplay, and overall experience ~ definitely a 10/10 game if you love anime universe gacha games! 💽 #NTE #NTECREATOR #nte予告番組 #NevernesstoEverness #GachaGame #AnimeGame #WaifuGame #Gaming #AnimeRPG 🕹️𝑫𝑶𝑾𝑵𝑳𝑶𝑨𝑫 𝑭𝑹𝑬𝑬➤ 💋𝐓𝐇𝐀𝐍𝐊 𝐘𝐎𝐔 𝐒𝐎 𝐌𝐔𝐂𝐇 𝐅𝐎𝐑 𝐁𝐄𝐈𝐍𝐆 𝐇𝐄𝐑𝐄 ~ 𝐒𝐄𝐍𝐏𝐀𝐈 𝐋𝐎𝐕𝐄𝐒 𝐘𝐎𝐔💖

GM GM GM! (✿>⩊<)࿔*°💜 ✨𝑨𝒔 𝒑𝒓𝒐𝒎𝒊𝒔𝒆𝒅, 𝑰’𝒎 𝒃𝒂𝒄𝒌 𝒘𝒊𝒕𝒉 𝒂 𝒅𝒂𝒚-𝒐𝒏𝒆 1𝒔𝒕 𝒊𝒎𝒑𝒓𝒆𝒔𝒔𝒊𝒐𝒏 𝒗𝒊𝒅𝒆𝒐 𝒓𝒆𝒗𝒊𝒆𝒘 𝒐𝒇 𝑵𝒆𝒗𝒆𝒓𝒏𝒆𝒔𝒔 𝒕𝒐 𝑬𝒗𝒆𝒓𝒏𝒆𝒔𝒔! 🎬🎧𝗘𝗻𝗷𝗼𝘆 𝘁𝗵𝗲 𝘃𝗶𝗱𝗲𝗼 & 𝘃𝗶𝗯𝗲 𝘄𝗶𝘁𝗵 𝗦𝗲𝗻𝗽𝗮𝗶🌸 🎐✍️Written review🔻 ⛱️Neverness to Everness delivers an electrifying, all-around experience that feels polished and exciting across every aspect. The gameplay is dynamic and constantly engaging, blending exploration with action in a way that always keeps you moving and discovering something new. Combat is fast, flashy, and incredibly satisfying, with smooth mechanics that make every encounter feel powerful and stylish. 🚘Driving is a major highlight, offering a sleek, responsive feel that makes traversing the world genuinely fun. Whether you’re speeding through neon-lit streets or cruising between objectives, it adds a strong sense of immersion and freedom. 💎Graphically, the game is stunning. The world is vibrant and detailed, with impressive lighting and effects that bring every scene to life. Cutscenes are cinematic and beautifully directed, seamlessly pulling you deeper into the experience. 📜The story is intriguing and filled with mystery, supported by high-quality cutscenes that give weight to the characters and their journey. It creates a sense of anticipation that keeps you invested in what comes next. 🎲The gacha mechanics add an extra layer of excitement, giving players the thrill of unlocking new characters and upgrades. It keeps progression feeling rewarding and constantly fresh. 🪩Overall, Neverness to Everness stands out as a stylish, high-energy game that excels in presentation, gameplay, and overall experience ~ definitely a 10/10 game if you love anime universe gacha games! 💽 #NTE #NTECREATOR #nte予告番組 #NevernesstoEverness #GachaGame #AnimeGame #WaifuGame #Gaming #AnimeRPG 🕹️𝑫𝑶𝑾𝑵𝑳𝑶𝑨𝑫 𝑭𝑹𝑬𝑬➤ 💋𝐓𝐇𝐀𝐍𝐊 𝐘𝐎𝐔 𝐒𝐎 𝐌𝐔𝐂𝐇 𝐅𝐎𝐑 𝐁𝐄𝐈𝐍𝐆 𝐇𝐄𝐑𝐄 ~ 𝐒𝐄𝐍𝐏𝐀𝐈 𝐋𝐎𝐕𝐄𝐒 𝐘𝐎𝐔💖

🌸𝐒𝐄𝐍𝐏𝐀𝐈 先輩🍜

302,114 views • 4 months ago

Max Fleischer's trippy version of "Snow White" from 1933 remains a fascinating and bizarre piece of animation history. In this short Betty Boop cartoon, Fleischer and his team condensed and twisted the classic Snow White tale, taking viewers on a surreal journey that defies expectations. One of the standout moments in the cartoon is the inclusion of Cab Calloway, a renowned jazz singer of the time. In the middle of the animated film, Calloway appears and performs the hauntingly beautiful "St. James Infirmary Blues." The scene is a rare live-action segment, originally from another cartoon of the era titled "Minnie the Moocher," which was another iconic song associated with Calloway. Interestingly, the footage and music used in the beginning of "Minnie the Moocher" are clearly the same recording as the song "St. James Infirmary Blues" featured in the Betty Boop cartoon. In a clever editing move, the two pieces of audio are seamlessly joined together, creating a seamless transition between the two cartoons. Calloway's appearance in the cartoon is truly mesmerizing. He begins by singing the tune as Koko the Clown, a character created by Fleischer, and then undergoes a transformation into a ghostly figure. The animation beautifully captures Calloway's distinctive enunciation and signature dance moves, accompanied by a barrage of wild and imaginative visuals. In addition to the captivating animation, the cartoon also incorporates scenes from the 1980 film "The Blues Brothers," in which Cab Calloway once again performs "Minnie the Moocher." This inclusion adds an extra layer of intertextuality, as viewers are introduced to Calloway through this iconic performance. "Betty Boop in Snow White" is a testament to Max Fleischer's creativity and willingness to push the boundaries of animation. The cartoon showcases his unique vision and knack for blending different artistic mediums, resulting in a truly trippy and memorable viewing experience. Directed by Dave Fleischer and animated by Roland C. Crandall, the cartoon exemplifies the Fleischer Studio's distinctive style, characterized by fluid animation, vibrant colors, and a surreal atmosphere. Their innovative techniques and bold storytelling continue to inspire animators and artists to this day. Despite being a departure from the traditional Snow White narrative, Max Fleischer's version remains a remarkable piece of animation history. It stands as a testament to the power of imagination and creativity in bringing beloved stories to life in new and unexpected ways.

Max Fleischer's trippy version of "Snow White" from 1933 remains a fascinating and bizarre piece of animation history. In this short Betty Boop cartoon, Fleischer and his team condensed and twisted the classic Snow White tale, taking viewers on a surreal journey that defies expectations. One of the standout moments in the cartoon is the inclusion of Cab Calloway, a renowned jazz singer of the time. In the middle of the animated film, Calloway appears and performs the hauntingly beautiful "St. James Infirmary Blues." The scene is a rare live-action segment, originally from another cartoon of the era titled "Minnie the Moocher," which was another iconic song associated with Calloway. Interestingly, the footage and music used in the beginning of "Minnie the Moocher" are clearly the same recording as the song "St. James Infirmary Blues" featured in the Betty Boop cartoon. In a clever editing move, the two pieces of audio are seamlessly joined together, creating a seamless transition between the two cartoons. Calloway's appearance in the cartoon is truly mesmerizing. He begins by singing the tune as Koko the Clown, a character created by Fleischer, and then undergoes a transformation into a ghostly figure. The animation beautifully captures Calloway's distinctive enunciation and signature dance moves, accompanied by a barrage of wild and imaginative visuals. In addition to the captivating animation, the cartoon also incorporates scenes from the 1980 film "The Blues Brothers," in which Cab Calloway once again performs "Minnie the Moocher." This inclusion adds an extra layer of intertextuality, as viewers are introduced to Calloway through this iconic performance. "Betty Boop in Snow White" is a testament to Max Fleischer's creativity and willingness to push the boundaries of animation. The cartoon showcases his unique vision and knack for blending different artistic mediums, resulting in a truly trippy and memorable viewing experience. Directed by Dave Fleischer and animated by Roland C. Crandall, the cartoon exemplifies the Fleischer Studio's distinctive style, characterized by fluid animation, vibrant colors, and a surreal atmosphere. Their innovative techniques and bold storytelling continue to inspire animators and artists to this day. Despite being a departure from the traditional Snow White narrative, Max Fleischer's version remains a remarkable piece of animation history. It stands as a testament to the power of imagination and creativity in bringing beloved stories to life in new and unexpected ways.

Historic Vids

21,305,844 views • 3 years ago

🚨 NEW: Major security operation at Lurgan Police Station after delivery driver forced to drive car at gunpoint 🎤 Chief Reporter James reports from the scene. A delivery driver in Lurgan was threatened at gunpoint and forced to drive his car, with an object inside, to the town’s police station, sparking a security alert, Police Service of Northern Ireland Assistant Chief Constable Ryan Henderson has said. DUP MP Carla Lockhart MP says the situation is deeply concerning and not something anyone wants to see. Around 100 homes have been evacuated, and it’s understood a controlled explosion has taken place. There are numerous road closures in the area. Lurgan Town Hall has been opened for affected residents. A heavy police presence remains in the town. Justice Minister Naomi Long MLA has described it as a “shameful and dangerous attack.” Ulster Unionist Party Leader Jon Burrows MLA says it is a clear attack on the Police Service of Northern Ireland and is causing significant disruption. Sinn Féin Minister and MLA John O' Dowd says: “This has caused massive disruption to local families and businesses. I hope the town can return to normal as quickly as possible. “No one wants to return to such scenes, and we await the outcome of investigations into the vehicle.”

🚨 NEW: Major security operation at Lurgan Police Station after delivery driver forced to drive car at gunpoint 🎤 Chief Reporter James reports from the scene. A delivery driver in Lurgan was threatened at gunpoint and forced to drive his car, with an object inside, to the town’s police station, sparking a security alert, Police Service of Northern Ireland Assistant Chief Constable Ryan Henderson has said. DUP MP Carla Lockhart MP says the situation is deeply concerning and not something anyone wants to see. Around 100 homes have been evacuated, and it’s understood a controlled explosion has taken place. There are numerous road closures in the area. Lurgan Town Hall has been opened for affected residents. A heavy police presence remains in the town. Justice Minister Naomi Long MLA has described it as a “shameful and dangerous attack.” Ulster Unionist Party Leader Jon Burrows MLA says it is a clear attack on the Police Service of Northern Ireland and is causing significant disruption. Sinn Féin Minister and MLA John O' Dowd says: “This has caused massive disruption to local families and businesses. I hope the town can return to normal as quickly as possible. “No one wants to return to such scenes, and we await the outcome of investigations into the vehicle.”

Cool FM News

64,655 views • 6 months ago