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New “VERSA” Collab ‼️‼️‼️ I trying Smoothly fucking him while im wild🥵 PROMO CHANNEL‼️ Available at my Tg Channel Join Free teaser:👇 Dm me for Collab & Hire : Legit poppers: Pinoy Poppers 🇵🇭🏳️‍🌈 | 280K

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Drake and Jay-Z have maintained a long-running “cold war” of subliminal shots over more than 15 years‼️⁉️ yes 15yrs‼️ despite multiple collaborations‼️ (e.g., “Off That,‼️” “Light Up,”‼️ “Pound Cake,”‼️ “Talk Up,” ‼️and “Love All”).‼️ The tension often revolves around legacy‼️, ownership/publishing‼️, chart success‼️, mentorship/validation,‼️ and generational shifts‼️ Both are masters of indirect disses rather than direct name-calling. complex‼️Here’s a chronological list of notable instances‼️(2011)Drake on DJ Khaled’s “I’m On One” (2011): “I’m just feelin’ like the throne is for the taking / Watch me take it.”‼️ Drake on Lil Wayne’s “It’s Good” (2011): “Please pardon my brother, he’s just angry at you n*ggas / Who don’t have your heart in your rap shit and got too fucking comfy.”‼️ Interpreted as a shot at older, established rappers (including Jay-Z) becoming complacent.‼️Jay-Z on Jay Electronica’s “We Made It” (remix, 2014): “Sorry, Mrs. Drizzy, for so much art talk / Silly me, rappin’ ’bout shit that I really bought / While these rappers rap about guns they ain’t shot / And a bunch of other silly shit that they ain’t got.”‼️Jay-Z on DJ Khaled’s “They Don’t Love You No More” (2014): “Wrong sport, boy, you know you’re as soft as a lacrosse team.”‼️Drake on “Draft Day” (2014): “Just hits, no misses, that’s for the married folk.”‼️Subtle dig implying Jay-Z (who was married) was past his prime or settled.‼️Drake on “Summer Sixteen” (2016): “I used to wanna be on Roc-A-Fella, then I turned into Jay.”‼️ Jay-Z on DJ Khaled’s “I Got the Keys” (2016): Lines like “Til you own your own you can’t be free / Til you’re on your own you can’t be me / How we still slaves in 2016?”‼️Drake on “Sneakin’” (with 21 Savage, 2016): “You ain’t own it right away, you had to wait on n*ggas / Man, I’m only 29, have some patience with us.”‼️Jay-Z on DJ Khaled’s “Shining” (with Beyoncé, 2017): “12 solo albums, all Platinum, nigga / I know you ain’t out here talkin’ numbers, right? / I know you ain’t out here talkin’ summers, right?” + Grammy flexes.‼️ 2026:“Janice STFU”: References to OGs (“we know how you OGs rocking already my n****, the jig is up”) and getting big off his name.‼️“Whisper My Name”: “I’ll take $500K, not the dinner, I never could learn sh*t from none of y’all.” ‼️“Make Them Pay”: “You n****s run and talk to Hov for a second opinion.”‼️Most recent: Jay-Z’s Roots Picnic freestyle (May/June 2026)‼️Jay-Z opened his headlining set at the Roots Picnic with an a cappella freestyle widely interpreted as responding to Drake’s ICEMAN bars‼️ (especially the “jig is up,”‼️publishing, success talk‼️, and chart/legacy‼️ jabs)‼️Key lines include:“The jig is up, n**** I’m up 10 / Wrong chart champ, ns looked up to Hov, I never looked up to them / Them crackers got your publishing checks, go talk tough to them / Don’t talk success to me, you ns is workers, in perpetuity is how your contract is worded.”‼️you cannot change history Charlamagne‼️‼️⁉️🤣😂

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11,866 просмотров • 2 месяцев назад

The Nicki Minaj–Lil’ Kim beef is a long-running hip-hop rivalry driven by accusations of style theft, lack of homage, Cash Money industry friction, and competing claims to the “Queen of Rap” title‼️. It peaked publicly around 2009–2011 and has never fully resolved‼️. Early roots (2007–2009)‼️ Comparisons started when Nicki’s 2007 "Playtime Is Over" promo images and 2008 "Sucka Free" cover closely mirrored Lil’ Kim’s iconic 1996 "Hard Core" look‼️. Fans saw Nicki emulating Kim’s racy image, flow, and aesthetic‼️. Nicki rejected the “new Lil’ Kim” label while giving shout-outs‼️. Their first meeting accounts differ‼️. Nicki says she approached Kim backstage at a Lil Wayne concert (~2009), asked if everything was good, and they took pictures‼️. Kim has denied that version and said she was initially nice to Nicki‼️. In late 2009 both appeared on Birdman’s “Grindin’ Makin’ Money.” Kim has said this came amid talks with Cash Money/Slim Williams about a partnership‼️. She recorded her verse quickly, expected a bigger push, then felt the track was sidelined once the label had her “stamp.”‼️She later claimed Nicki’s sound and records felt like they were taking the direction she was developing, and that Nicki became “catty.”‼️ Kim also described an encounter at Diddy’s son’s birthday party where Nicki allegedly eye-rolled and ignored her after the collab‼️. Escalation (2010–2011)‼️ As Nicki’s career exploded with "Pink Friday", Kim publicly accused her of not paying proper homage, taking subliminals, and cloning her without credit‼️. Kim framed it as disrespect from a younger artist who benefited from the path she helped clear‼️. Nicki’s “Roman’s Revenge” (with Eminem) was widely read as targeting Kim (“That bitch mad cuz I took the spot…”)‼️. Nicki has said a veteran came at her, she had repeatedly praised Kim (and Foxy, Remy) early on, and she responded because she had to protect her career and “feed her family.”‼️ Kim fired back with the "Black Friday" mixtape (a play on "Pink Friday") and direct disses‼️. Nicki later dropped “Tragedy,” mocking Kim’s independent sales and career trajectory‼️. Interviews continued the shots—Kim vowed not to take her foot off Nicki’s neck; Nicki mixed respect with warnings about picking fights and told Kim to put out Billboard-level music first‼️. Later years⁉️ The heaviest track-for-track phase cooled, but tension lingered‼️. Kim released a “Flawless” remix/cover dissing Nicki’s “Queen of Rap” claim and replacing her image‼️. She later aligned with Remy Ma during Remy’s beef with Nicki‼️. Occasional soft moments appeared (Kim voiced some support for "Queen" in 2018), but the rivalry never fully ended‼️. In 2024 Nicki blasted her former manager Deb Antney for reaching out to Kim behind her back to try to squash the beef, saying she never asked for it and did not want that associated with her‼️. Kim’s core view⁉️: She was initially open and nice (including the Cash Money collab)‼️. Nicki and the label studied/took her swag without lasting respect, then threw subliminals once established‼️. She felt used for credibility‼️. Nicki’s core view⁉️: She repeatedly credited and praised Kim early. A veteran attacked her; she hit back in self-defense‼️. She rejects being cast only as the disrespectful newcomer and says the dominant narrative ignores her early praise‼️. It remains classic generational tension mixed with industry politics, image parallels, and ego around legacy‼️. Both have acknowledged the other’s talent at points, but personal friction has blocked full public reconciliation‼️💯.

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25,576 просмотров • 16 дней назад

How did it go wrong between Pusha T and Kanye West ⁉️ Are you asking that as well⁉️ I gat you‼️💯 Pusha T and Kanye/Ye had a long creative run: features on "My Beautiful Dark Twisted Fantasy" (“Runaway,” “So Appalled”), Cruel Summer (“Mercy,” “New God Flow”), full production on Daytona (2018), and half of It’s Almost Dry (2022)‼️. Pusha was G.O.O.D. Music president for years‼️. Cracks started during the 2021 "Donda" sessions in Atlanta‼️. Pusha felt the energy shift—sidebar talks when he left the room, competing agendas, and isolation tied to the Drake fallout (his “Story of Adidon” diss had residual impact on Ye)‼️. Ye later said the situation caused him mental harm‼️. The public break hit in late 2022 after Ye’s antisemitic remarks‼️. Pusha called it “very disappointing,” said there’s “no room for bigotry or hate speech” as a Black man in America, left G.O.O.D. Music after ~12 years, and confirmed they stopped speaking‼️. Ye expected more public support given the platform he’d given others‼️. In 2025 interviews (GQ, Apple Music/Ebro, The Guardian) promoting Clipse’s Let God Sort Em Out, Pusha went harder‼️: He said They only clicked on music‼️: “Outside of music, we’re nothing… his principles, his morals, his mindset. We don’t see eye to eye. Hardly ever. And we never have.”‼️ - Ye “champions and stands next to anybody and everybody who don’t fuck with me.”‼️ - “He knows I don’t think he’s a man… He’s showed me the weakest sides of him, and he knows how I think of weak people.”‼️ - He called Ye calculated and detrimental, denied leaking texts, and said he won’t risk “wishy-washiness or the lack of loyalty.” Any future collab is “definitely in the past.”‼️ Ye has said he misses the friendship and they’ve spoken privately a few times‼️. Pusha acknowledged Ye returned the Def Jam-era G.O.O.D. profits, calling that the best thing he did‼️. Is this switching up when it’s no longer beneficial⁉️ Partially, in the industry sense, but not purely one-sided‼️. Pusha frames it as principle and character: he won’t cosign hate speech, prioritizes real loyalty, and lost respect after seeing what he views as weakness and side-taking‼️. Distancing himself when Ye became a liability was also self-preservation‼️. Ye sees it as people failing to reciprocate the support he gave when he needed it‼️. Some old G.O.O.D. voices (like Consequence) accuse Pusha of using Ye then walking for clout‼️. Both dynamics are present‼️. The music holds up; the personal relationship does not‼️. Which makes me ask what the foundation of the loyalty is⁉️

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14,277 просмотров • 25 дней назад

Faith Evans’ consistent narrative is that nothing sexual happened with 2Pac‼️; she has always denied sleeping with him‼️. Her fullest account appears in her 2008 memoir *Keep the Faith* and later interviews (including with VladTV)‼️. According to her⁉️: - She met Tupac at a club in Los Angeles (introduced via Treach of Naughty by Nature) shortly after his prison release‼️. He flattered her about her music and asked her to sing on a track‼️. - She claims she did not know he was signed to Death Row (rival to Bad Boy) until she arrived at the studio (Can-Am) and saw Death Row affiliates‼️. She has said she got Biggie’s okay for the collab and was focused on getting paid‼️. - She recorded the chorus for “Wonda Why They Call U Bitch” (from *All Eyez on Me*)‼️. After the session she was owed money (she has cited figures like $25,000 in some accounts)‼️. Tupac said the payment would come at his hotel (the Peninsula)‼️. - At the hotel, after others left, his demeanor changed‼️. He referenced the Quad Studios shooting (“niggas set me up that night”), said something to the effect of “If I give it to you, then you my bitch,” and propositioned her for oral sex in what she described as a “very surprising and offensive way.”‼️ She viewed it as a setup/plan‼️. She refused, left without the money, and has always maintained they never had sex‼️. In a 1996 Video Music Box interview (around the time of the beef), she also denied any involvement and called Tupac’s stories concocted‼️. She has repeatedly framed herself as used as a pawn in the East-West/Bad Boy–Death Row conflict‼️. 2Pac told a completely different story‼️. He publicly claimed they had sex and used it as a weapon against Biggie‼️. The most famous version is on the 1996 diss track “Hit ’Em Up”: “You claim to be a player, but I fucked your wife…” (and related lines about “that’s why I fucked your bitch, you fat motherfucker”)‼️. In interviews he was more coy but clearly leaned into the claim‼️. In the February 1996 *Vibe* interview with Kevin Powell (the “Live from Death Row” cover story), when asked about rumors of spending time with Faith outside the studio, he responded along the lines of “You mean the rumor that I fucked her⁉️” with laughter, and elsewhere said things like “I don’t kiss and tell” while an anonymous source in the piece described them as “very, very close.”‼️ A *New York Times Magazine* profile of Suge Knight around the same period included Suge teasing Pac about a shirt supposedly from Faith and Pac responding in a salacious tone that he “did enough.”‼️ Multiple people close to Tupac (cousins, associates like Desiree Smith, Dru Down, producers, and others who have spoken over the years) have said he told them privately that he slept with her‼️sometimes framing it as revenge after the Quad shooting, sometimes as something that happened after the studio session or hotel visit‼️. Accounts vary on exact details and timing, and some conflict with Faith’s timeline (e.g., claims she came to the hotel more willingly or in disguise, or that contact continued afterward)‼️. Faith has always rejected these as lies or exaggerations used to escalate the beef‼️. In short: Faith’s version is a professional collab that turned into an unwanted sexual proposition she rejected, with no sex occurring‼️. Tupac’s version (in lyrics, interviews, and private claims relayed by others) is that they did have sex, which he then publicly weaponized against Biggie‼️. The contradiction is direct and has never been reconciled; it remains one of the most contested personal elements of the East-West Coast feud‼️💯.

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113,868 просмотров • 8 дней назад

This is not entirely true‼️ I gat you‼️ Napoleon (Mutah Beale) of the Outlawz, who was around Pac on Death Row has told this story on *The Art of Dialogue*. Method Man was in the circle (he recorded on what became Pac’s “Got My Mind Made Up”), but his stories are about the session and a brief first meeting with Pac — not Snoop being jealous‼️. Napoleon’s version⁉️ Napoleon says Snoop was Death Row’s biggest star when Pac arrived in 1995‼️. Pac immediately took the shine: *All Eyez on Me*, the energy, the interviews, the myth‼️. Twenty-five-plus years later, almost every Snoop interview still brings Pac up‼️. Napoleon’s read is that Snoop is now saying things he never said to Pac’s face, and that some of the “praise” is actually him trying to claw the spotlight back‼️. He also called Snoop out for publicly saying he didn’t like “Hit ’Em Up” and for the late-period interviews where Snoop describes the friendship going cold two days before Pac died‼️. What actually happened between them (the part everyone agrees on) Snoop has told this himself: a week before Pac died they were still tight‼️. Then Snoop got shot at while shooting the “New York, New York” video‼️. He went on radio and said he still liked Puffy and Biggie and wanted to work with them‼️. Pac heard it as disloyalty after Pac had been riding for the whole Death Row roster‼️. Snoop has said he doesn’t think Pac liked him those last two days‼️. Suge Knight has added a more dramatic version: Pac came to his hotel room furious after hearing the interview, wanted to fight Snoop, and later Snoop refused to ride in the same car as Pac because he thought Pac was “crazy.”‼️ Method Man’s stories⁉️ - The song that became “Got My Mind Made Up” was originally a Dogg Pound record (Daz, Kurupt, Rage, Meth, Redman, Inspectah Deck)‼️. When Pac came home, Death Row handed him the track‼️. Meth and Redman’s verses stayed; others got cut‼️. Meth has said he didn’t even remember the session until he heard it on New York radio‼️. - He met Pac once, briefly, in a club while on mushrooms‼️. Pac was complimentary toward Wu-Tang (“if we fuck with anybody on the East it would be y’all”)‼️. Suge stood there silent with a cigar. Meth and his people sat in the Pink Dot alley afterward talking about how weird the whole night felt‼️. Daz has pushed back on the jealousy narrative entirely: “How can we be jealous of 2Pac and we made 2Pac⁉️ We put that album together.”‼️ So the “Snoop was jealous / Pac took his shine” story that people repeat is Napoleon’s, not Method Man’s‼️. The concrete falling-out is the New York shooting + Snoop’s radio comments about Bad Boy‼️. Everything else is interpretation from people who were in the room and have their own grudges‼️.

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11,009 просмотров • 5 дней назад

Tupac’s *All Eyez on Me* (1996), the first major double album of original hip-hop material, was born directly from his prison experience and a frantic post-release creative explosion‼️. In late 1994 Tupac was shot five times at New York’s Quad Studios‼️. Shortly after, he was convicted of sexual abuse and began serving time in February 1995 at Clinton Correctional Facility. While locked up, Me Against the World hit No. 1—the first album to top the charts with its artist in prison‼️. Broke, stressed, and isolated, he wrote almost nothing (only one song) and felt “like a caged animal.”‼️ He spent the months reading, reflecting, and growing angrier over the shooting and his legal situation‼️. Suge Knight of Death Row posted his $1.4 million bail in October 1995 in exchange for a three-album deal‼️. Tupac was released on October 12 and flew straight to Los Angeles‼️. He went directly to Can-Am Studios‼️. Within about 45 minutes he recorded the first verse of “Ambitionz Az a Ridah.” “I Ain’t Mad at Cha” followed soon after‼️. Johnny J recalled Tupac calling him almost immediately: the first beat they worked on became the title track‼️. The bulk of the 27-track double album was completed in roughly two weeks of marathon sessions—12-hour days fueled by Budweiser, weed, and adrenaline‼️. Tupac wrote on the spot, favored one-takes to keep the emotion raw, and pushed collaborators hard‼️. In a 1995 interview just days after his release he explained: “I wrote only one song in jail‼️. Everything else I wrote while we sat up in here drinking Budweiser… I was locked down for eleven months so I gotta lot of stress and pressure to get up off my chest… They gon’ feel all eleven months of what I went through in this album.”‼️ He framed the project as pure venting—no more “Dear Mama” or “Keep Ya Head Up” style tracks—just the anger and freedom that prison had bottled up‼️. Freedom itself was the spark; the urgency came from making up for lost time and fulfilling the Death Row contract‼️. Released February 13, 1996, All Eyez on Me debuted at No. 1, eventually went diamond, and is widely regarded as one of hip-hop’s greatest albums‼️. Prison didn’t supply the lyrics, but it supplied the intensity, focus, and fire that made the record legendary‼️.

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16,617 просмотров • 9 дней назад

In the remarks, 50 says something to the effect of: Yayo is “the one friend that is like I wish he wasn’t my friend but he’s my best friend type of person,” because “he does that all the time.”‼️ He elaborates that life would be a lot easier without certain problems Yayo causes or escalates‼️. Specifically, 50 notes he “wouldn’t even have to go through my Jimmy Henchman period” if not for Yayo’s actions‼️. He acknowledges Yayo’s heart is in the right place, but “he does cause things… he’s a different animal.”‼️ When Yayo messes up (no matter the size), he quickly says “my bad,” they move on‼️and then it happens again‼️. 50 characterizes the apology as essentially meaning “chill out, let me do that again‼️.” It’s a long-running dynamic they’ve lived with‼️. People (and sometimes the pair themselves in broader G-Unit/Power talk) have compared their bond to "Ghost and Tommy" from "Power"‼️the ultra-loyal, ride-or-die childhood friends from the streets who built something bigger together, stay linked through chaos, violence, and loyalty tests, and where one often has to clean up or absorb the fallout from the other’s hotter, more impulsive moves‼️. 50 (as the more calculated, empire-building figure) maps loosely to Ghost; Yayo (the aggressive, ride-for-the-crew energy who’s always ready) maps to Tommy‼️. The comparison captures the brotherly, non-negotiable loyalty mixed with constant friction and escalation that defines them‼️. "Power" itself is 50’s production vehicle, so the parallel is culturally apt even if not always stated word-for-word in every clip‼️. 50 Cent and Tony Yayo (Marvin Bernard) go back to the late ’90s as Southside Queens street guys who formed G-Unit with Lloyd Banks‼️. Yayo has been one of the most consistent, publicly loyal members through the group’s rise, incarcerations, fallouts, and reunions‼️. 50 has repeatedly put him on (albums, tours, videos, opportunities), and Yayo has stressed lifelong gratitude‼️“never bite the hand that feeds you,” he’d still ride even if 50 dissed him, etc‼️. Their bond is more friendship/street brotherhood than pure business (Yayo has contrasted it with more transactional mentor-protégé setups)‼️. They still appear together, joke, and operate in that G-Unit orbit years later‼️. The major escalation 50 specifically ties to Yayo (and the “Jimmy Henchman period”) is the 2007 assault on Jimmy Henchman’s 14-year-old son‼️. Yayo and associate Lowell “Lodi Mack” Fletcher were involved in confronting/assaulting the teen (reports describe slapping, yelling about Czar Entertainment, and a pistol-whipping element from Fletcher)‼️. This was amid the broader G-Unit vs. The Game / Jimmy Henchman tensions (Henchman managed Game; the beef had roots in industry/street rivalries involving Chris Lighty and others)‼️. 50 was not present (he documented being at home), but the incident massively intensified the war‼️. Aftermath that 50 and the crew had to deal with included‼️: - Retaliation attempts, including the shooting of Yayo’s mother’s house (family inside)‼️. - Murder-for-hire plots and attempts targeting G-Unit figures, including reported efforts aimed at 50 (one tied to the “I’ll Still Kill” video set that reportedly failed due to a jammed gun, per Yayo’s later accounts)‼️. - Ongoing violence and legal fallout that stretched for years; Henchman was later convicted in connection with the murder of Lodi Mack and received a life sentence-plus term‼️. 50’s point is that Yayo’s street-level, escalatory style created (or supercharged) conflicts that pulled the whole circle into heavier, more dangerous, and more public “periods” of war that a more restrained approach might have avoided or de-escalated‼️. Yayo’s loyalty and willingness to go hard for the crew is the flip side of the same coin‼️exactly why 50 keeps him close even while half-jokingly (or not) wishing the headaches weren’t part of the package‼️. It’s classic “this n**a is my brother and also the reason we got extra problems‼️

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113,330 просмотров • 17 дней назад

‼️‼️COBB COUNTY, GA‼️‼️ Rocky (21683) is available for adoption… ⬇️ READ HIS STORY ⬇️ Rocky is only 4 years old, hound mix. He arrived at the shelter just two weeks ago, on August 12th. He was found as a stray with an ID, so the shelter reached out to his family. Sadly, they decided not to come for him… 🥺💔 Ever since Rocky arrived, he has been struggling here. He spends his days curled up in his bed, and recently, he stopped eating. The shelter has been trying to get him to eat by adding wet food to his dry food, but he still wasn’t eating.💔 In just two weeks at the shelter, Rocky has lost 7 pounds‼️💔 Today, I was asked to go visit Rocky because he really needed help and visibility. I decided I was also going to try to feed him. I thought maybe if I hand-fed him, he would be willing to eat. Maybe he just needed to feel loved. Maybe he needed someone to sit with him and remind him that he wasn’t alone. So I got a can of wet food and took Rocky into the bonding room. And he ate. ❤️😭🙏🏻 He ate half of the can, and that absolutely made my entire day.💖 Rocky is such a sweet boy, but he is also incredibly sad. You can see how much this environment is affecting him. I took him outside, took him for a walk, spent some time with him, and told him that he was loved. Before I left, I put him back in his kennel, and he went straight back to his bed.💔 I promised him that together, we would find him a family.💖 Please, please help me keep my promise. 💔 The longer Rocky stays in this overcrowded shelter, the harder it is becoming for him... He desperately needs someone to come save his life. Please don’t let Rocky become another dog who loses hope inside a shelter kennel. He deserves a family who will love him, give him time to heal, and never give up on him. Rocky is waiting. Please don’t let him wait much longer. ❤️ (He shows positive body language around other dogs on his walks. He seems to be dog-friendly, but a meet and greet at the shelter with your dog is always recommended.) COBB COUNTY ANIMAL SERVICES 1060 Al Bishop Drive Marietta, GA 30008 (770) 499-4136

Fionaismybitch

14,353 просмотров • 5 дней назад

‼️I'm giving away a Free VTuber Model File & teaching anyone how to rig Full-Body Models.‼️ ⭐️Download the Model for FREE, on my Ko-fi (link below) Over the past 4 months, my community and I have been testing the best methods to teach artists and beginners how rig within Live2D (Which started as a 6 hour long video series, but I felt it wasn't good enough for learning). Many also mentioned their interest in starting a commission business and their struggles with not knowing where to start. Being a full-time Live2D Artist and Business Degree graduate, I built this class as a way to provide an easy guide for anyone to follow. It covers all the mistakes and learnings of my 4 year journey as an artist, and gives you the methods I used to make a living doing something I love. While the model is free for anyone to use, the Class to learn everything from start to finish is available on my website. ⭐️Level 1 is COMPLETELY FREE, as I want you to try this method of learning, and see if you enjoy the process! 🔗You can preview all the content on my website (link below) Levels 1 - 8 of the Class will cover everything from downloading Live2D, to exporting your model. This update 1.0 will become available on: March 14th, 3PM Eastern. (Levels 9 - 13 for the business behind commissions will be included in update 2.0!) You will also receive a roll within The Protagonist Discord, where I can give you 1 on 1 help with any questions you have regarding your learning! Finally, I'll be hosting Introduction workshops for Beginner Live2D Rigging on March 17th, and 19th! Over a 2 hour period in the Discord, I'll walk 10 individuals through the starting levels of the Class, completely for free. This way I can provide more hands on help for people interested in rigging! (more workshops will be held in the future) I hope that you'll give the Free lessons a try, and see that Live2D Rigging isn't as hard as you think! It truly helped me carve a path for my own future, and escape the 9-5 life that I dreaded so much. I can't wait to see all the new members of the Guild, and I hope we can all become the Main Characters of our own lives! 🔗Links Below: #Live2D #Vtuber #live2dtutorial

Yoona 主人公 | Commissions Open

12,420 просмотров • 1 год назад

‼️Thanks, Portland PD, for putting a target on my back‼️ When Katie Daviscourt 📸 talks about the corruption within Portland PD, she’s not exaggerating. Tonight proved it. A random woman I’d never seen before tried to fight me out of nowhere. I walked away, thinking it was a lost cause — but she came back again, this time reaching for an object that got caught in her jacket pocket. The police were standing right there for both interactions and did absolutely nothing. They didn’t detain her, didn’t question her, didn’t arrest her — they just let her walk off. Moments later, a man who assaulted someone last week appeared right in front of me. I alerted the police immediately — they’ve had a flyer for this guy for over a week — yet they still refused to arrest him even as they watched him walk away. He took off after realizing I had told the officers. Meanwhile, they can arrest conservatives like Tommyboi4209 on the spot with no hesitation? All of this happened right after the attack on Nick Sortor and just before the attack on @RheinDAmacher. Antifa was present at every single one of these incidents. So I have to ask: Were Portland officers told not to intervene or risk losing their jobs? Why are they so quick to go after Republicans and independent journalists, yet look the other way when Antifa or leftists are involved? Is the governor, Portland PD, and Antifa all working together? Why didn’t they detain that woman and search her after she reached for that object while trying to attack me the second time? And why wasn’t I assigned a victim’s advocate after being targeted multiple times? Something about this feels orchestrated — and Portland PD’s inaction is making it worse.

Right Side Rebel

222,532 просмотров • 11 месяцев назад