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New video with Silver Wolf, just watch it before maintenace is over Motion DL for premium members on patreon #genshin #genshinimpact #原神 #kazuha #万葉 #万叶 #HonkaiStarRail #starrail #SilverWolf #银狼 #スターレイル #nsfw_twt #nsfw #nsfwacc

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Genshin MMD 4U -NSFW CONTENTS 🔞

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33,621 görüntüleme • 3 yıl önce •via X (Twitter)

NSFW#genshin#genshinimpact#原神#kazuha#万葉#万叶#HonkaiStarRail#starrail#SilverWolf#银狼#スターレイル#nsfw_twt#nsfw#nsfwacc
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📢 IT'S HAPPENING: EstateX Investment Platform Launches December 8th! The moment you've been waiting for is HERE! 🏠 We're thrilled to announce that EstateX's NEXT PROPERTY on the new platform goes live on: 🦄 December 8th - Unicorn Club Members & NFT Holders (EXCLUSIVE Early Access) 🌍 December 12th - Public Launch (Open to Everyone) 🎯 What This Means: The NEW EstateX platform launches. December 8th marks the beginning of a new era. Platform launch with pledges happening simultaneously. Our first property sold out in 5 minutes, marking a huge success and now NFT Holders & Unicorn Club members are able to secure their allocation before it sells out. ⚡ Why This is HUGE: This isn't just another property launch. This is the FIRST property on our BRAND NEW PLATFORM. The future of real estate investing. History in the making. And YOU have the chance to be part of it from day one. What's Next: More details coming EARLY NEXT WEEK. Trust us, you don't want to miss this. 🚀 The New Era of Real Estate Investing Starts December 8th 🚀 👉 Sign up now at The $ESX token is LIVE! Accumulate $ESX 👉 Watch the $ESX use case video now: Join our community 👇
1:14

📢 IT'S HAPPENING: EstateX Investment Platform Launches December 8th! The moment you've been waiting for is HERE! 🏠 We're thrilled to announce that EstateX's NEXT PROPERTY on the new platform goes live on: 🦄 December 8th - Unicorn Club Members & NFT Holders (EXCLUSIVE Early Access) 🌍 December 12th - Public Launch (Open to Everyone) 🎯 What This Means: The NEW EstateX platform launches. December 8th marks the beginning of a new era. Platform launch with pledges happening simultaneously. Our first property sold out in 5 minutes, marking a huge success and now NFT Holders & Unicorn Club members are able to secure their allocation before it sells out. ⚡ Why This is HUGE: This isn't just another property launch. This is the FIRST property on our BRAND NEW PLATFORM. The future of real estate investing. History in the making. And YOU have the chance to be part of it from day one. What's Next: More details coming EARLY NEXT WEEK. Trust us, you don't want to miss this. 🚀 The New Era of Real Estate Investing Starts December 8th 🚀 👉 Sign up now at The $ESX token is LIVE! Accumulate $ESX 👉 Watch the $ESX use case video now: Join our community 👇

EstateX

123,950 görüntüleme • 9 ay önce

We generated this scene with just one trial on Seedance Enterprise 2.5. We had run this same shot on other models and it took us around 8 attempts before anything came back usable. Generations are billed one at a time so 8 tries to 1 is the entire cost story. 30 seconds, single shot, no stitching, what used to be a day of rerolling is now a single pass, which means the budget goes into testing new concepts instead of rescuing one. Watch the water as the creature moves through it, and watch the camera fall behind during the escape. The realistic physics, smooth camera motion, and shot consistency all came directly from the model.None of that was added in post. We used Seedream 5.0 for the visual ideation and Seedance 2.5 for the video. Both are running on lumina at 4K, up to 50 references to hold a character or product steady across a shot, and region editing to fix one part of a frame without regenerating the whole thing. Seedance 2.5 API is about to launch on BytePlus, and now you can try it directly on Lumina.
0:30

We generated this scene with just one trial on Seedance Enterprise 2.5. We had run this same shot on other models and it took us around 8 attempts before anything came back usable. Generations are billed one at a time so 8 tries to 1 is the entire cost story. 30 seconds, single shot, no stitching, what used to be a day of rerolling is now a single pass, which means the budget goes into testing new concepts instead of rescuing one. Watch the water as the creature moves through it, and watch the camera fall behind during the escape. The realistic physics, smooth camera motion, and shot consistency all came directly from the model.None of that was added in post. We used Seedream 5.0 for the visual ideation and Seedance 2.5 for the video. Both are running on lumina at 4K, up to 50 references to hold a character or product steady across a shot, and region editing to fix one part of a frame without regenerating the whole thing. Seedance 2.5 API is about to launch on BytePlus, and now you can try it directly on Lumina.

Future Stacked

86,430 görüntüleme • 1 ay önce

I wonder how long the people are gonna shamelessly defend Samsung all over :] The Galaxy S26 Ultra, which costs about 1500$ for the 512GB variant, might probably be the MOST EXPENSIVE Android in the 2026 as well... yet it can't even run the well optimized mainstream games on 60FPS for just 01 MINUTE... like for real man!‽ 😂 In the recent post where I posted the poor performance of S26 Ultra foe Wuthering Waves, people blamed the game... so here some gameplay test results from your so-called "MOST PERFECT, MOST OPTIMIZED" Hoyo games 🙂‍↕️ The FPS drops to avg 44-47 while just walking around in Genshin Impact after just playing for 4 or 6 minutes. The device completely crashes while playing Zenless Zone Zero at max settings and the FPS even drops to 27 during heavy combat... not in a long gaming session but it was a result of a 15min gameplay test 🥀 Now as for Wuthering Waves, yet it is the most hungry game among the mainstreams, yet the game is also getting slightly better at performance with each new patch update (not major version updates) While devices like IQOO 15 and POCO F8 Ultra with the same Snapdragon 8 Elite Gen 5 are able to run the game for locked 60FPS for atleast 6mins, at the same session the S26 Ultra can't even reach 53FPS and the minimum it reaches during overworld battles is just 11FPS... crazy isn't it? 😂 Having a 200mp ai assisted camera and a so-called privacy display doesn't mean it's the best and has to be 1800$ while it can't even compete with a 450$ Chinese midrange smartphone at performance. Therefore now I guess why the Americans glaze with their IPhones over Samsung... welp, I've been also a Samsung user for 5 years and I still use one, but I don't think there's any of the devices that are more worthless than the S26 Ultra at its price point 😅 The only thing where Samsung is unbeatable might probably the official ui design and the customization features... which their devices are never made for gaming, but still their older devices delivered way more balanced performance at release. #WutheringWaves #WuWa #鳴潮 #WuWaCollection #WuWaAnniversary #GenshinImpact #Genshin #原神 #ZenlessZoneZero #アリア #ZZZ #SamsungGalaxyS26Ultra #zzzero
2:01

I wonder how long the people are gonna shamelessly defend Samsung all over :] The Galaxy S26 Ultra, which costs about 1500$ for the 512GB variant, might probably be the MOST EXPENSIVE Android in the 2026 as well... yet it can't even run the well optimized mainstream games on 60FPS for just 01 MINUTE... like for real man!‽ 😂 In the recent post where I posted the poor performance of S26 Ultra foe Wuthering Waves, people blamed the game... so here some gameplay test results from your so-called "MOST PERFECT, MOST OPTIMIZED" Hoyo games 🙂‍↕️ The FPS drops to avg 44-47 while just walking around in Genshin Impact after just playing for 4 or 6 minutes. The device completely crashes while playing Zenless Zone Zero at max settings and the FPS even drops to 27 during heavy combat... not in a long gaming session but it was a result of a 15min gameplay test 🥀 Now as for Wuthering Waves, yet it is the most hungry game among the mainstreams, yet the game is also getting slightly better at performance with each new patch update (not major version updates) While devices like IQOO 15 and POCO F8 Ultra with the same Snapdragon 8 Elite Gen 5 are able to run the game for locked 60FPS for atleast 6mins, at the same session the S26 Ultra can't even reach 53FPS and the minimum it reaches during overworld battles is just 11FPS... crazy isn't it? 😂 Having a 200mp ai assisted camera and a so-called privacy display doesn't mean it's the best and has to be 1800$ while it can't even compete with a 450$ Chinese midrange smartphone at performance. Therefore now I guess why the Americans glaze with their IPhones over Samsung... welp, I've been also a Samsung user for 5 years and I still use one, but I don't think there's any of the devices that are more worthless than the S26 Ultra at its price point 😅 The only thing where Samsung is unbeatable might probably the official ui design and the customization features... which their devices are never made for gaming, but still their older devices delivered way more balanced performance at release. #WutheringWaves #WuWa #鳴潮 #WuWaCollection #WuWaAnniversary #GenshinImpact #Genshin #原神 #ZenlessZoneZero #アリア #ZZZ #SamsungGalaxyS26Ultra #zzzero

WuWa Timeline

86,998 görüntüleme • 6 ay önce

REPORT: Police just showed up at a woman’s front door because she criticized her mayor on Facebook. This didn’t happen in China or Canada. It happened in Florida. To an American. And it was all caught on camera. The viral video shows officers confronting a woman in Miami Beach over a post accusing Mayor Steven Meiner of hypocrisy on Palestine and LGBTQ issues. The woman invoked her First Amendment rights. The officers admitted the post wasn’t illegal, but claimed they were conducting a “safety assessment” in case someone else saw the post and got “agitated.” Not because a law was broken—because the government didn’t like what she said. Another video from Texas shows the same thing. This is how it started in the UK, where 12,000 people were arrested for speech last year. Now it’s creeping in here, in red states. Free speech is dying in plain sight. And the “free speech” administration is nowhere to be found. If police can knock on your door over a meme, a comment, or a political opinion, they don’t need a law to silence you—just a feeling that what you said might upset someone. Watch the footage and share ZeeeMediaOfficial's report with your network before this becomes the new normal. 👇
10:40

REPORT: Police just showed up at a woman’s front door because she criticized her mayor on Facebook. This didn’t happen in China or Canada. It happened in Florida. To an American. And it was all caught on camera. The viral video shows officers confronting a woman in Miami Beach over a post accusing Mayor Steven Meiner of hypocrisy on Palestine and LGBTQ issues. The woman invoked her First Amendment rights. The officers admitted the post wasn’t illegal, but claimed they were conducting a “safety assessment” in case someone else saw the post and got “agitated.” Not because a law was broken—because the government didn’t like what she said. Another video from Texas shows the same thing. This is how it started in the UK, where 12,000 people were arrested for speech last year. Now it’s creeping in here, in red states. Free speech is dying in plain sight. And the “free speech” administration is nowhere to be found. If police can knock on your door over a meme, a comment, or a political opinion, they don’t need a law to silence you—just a feeling that what you said might upset someone. Watch the footage and share ZeeeMediaOfficial's report with your network before this becomes the new normal. 👇

Vigilant Fox 🦊

61,983 görüntüleme • 8 ay önce

Pilot reports ‘silver canister’ UFO feet from his plane during ‘creepy’ air traffic control call: ‘Good luck with the aliens’ | Anthony Blair, New York Post “Good luck with the aliens!” an Air Traffic Controller said. A recording of the “creepy” moment a pilot was told “good luck with the aliens” after reporting a UFO sighting to air traffic control has resurfaced following the bizarre incident over the skies of Rhode Island. Newly resurfaced video of the live ATC broadcast captures the moment the pilot told the ground team, “It appears to be standing still,” as the mysterious object, which he compared to a silver canister, floated beside him. “Looks like a strange, small object that we just floated by. A small silver canister. Do you know what that could be?” the pilot told ATC in the recording, shared on YouTube in October by the VASAviation channel, which regularly posts ATC frequency conversations. After ATC confirmed that they did not know what the object was and asked for further details, the pilot responded that the UFO was just feet from their plane in midair. “Appears to be standing still and I’m at 3,500 feet. It was right off our wingtip. Small silver canister,” said the pilot, flying a Piper PA-32RT-300T Turbo Lance II, which seats up to five passengers. He added that the “astonishing” object did not appear to be attached to anything, but was just “hovering” in midair, in response to a further question about whether it was a drone or a balloon. “Creepy!” the ground team responded in the short clip, before another ATC operative adds, “Good luck with the aliens!” It is believed that the incident over Rhode Island occurred around the same time as the video’s posting on Oct. 27. The clip has since been shared on social media and went viral. The FAA did not respond immediately to requests for comment.
1:40

Pilot reports ‘silver canister’ UFO feet from his plane during ‘creepy’ air traffic control call: ‘Good luck with the aliens’ | Anthony Blair, New York Post “Good luck with the aliens!” an Air Traffic Controller said. A recording of the “creepy” moment a pilot was told “good luck with the aliens” after reporting a UFO sighting to air traffic control has resurfaced following the bizarre incident over the skies of Rhode Island. Newly resurfaced video of the live ATC broadcast captures the moment the pilot told the ground team, “It appears to be standing still,” as the mysterious object, which he compared to a silver canister, floated beside him. “Looks like a strange, small object that we just floated by. A small silver canister. Do you know what that could be?” the pilot told ATC in the recording, shared on YouTube in October by the VASAviation channel, which regularly posts ATC frequency conversations. After ATC confirmed that they did not know what the object was and asked for further details, the pilot responded that the UFO was just feet from their plane in midair. “Appears to be standing still and I’m at 3,500 feet. It was right off our wingtip. Small silver canister,” said the pilot, flying a Piper PA-32RT-300T Turbo Lance II, which seats up to five passengers. He added that the “astonishing” object did not appear to be attached to anything, but was just “hovering” in midair, in response to a further question about whether it was a drone or a balloon. “Creepy!” the ground team responded in the short clip, before another ATC operative adds, “Good luck with the aliens!” It is believed that the incident over Rhode Island occurred around the same time as the video’s posting on Oct. 27. The clip has since been shared on social media and went viral. The FAA did not respond immediately to requests for comment.

Owen Gregorian

226,811 görüntüleme • 9 ay önce

WHY $100 SILVER IS JUST THE BEGINNING Silver has finally smashed through the $100 mark after years of tough holding—congratulations to everyone who stuck it out. But is this the peak? Far from it. Strong global demand signals and shrinking supplies point to much higher prices ahead: THE CHINA PREMIUM SURGE ✅ Since Christmas, silver prices at the Shanghai Gold Exchange have soared 7-14% above Western markets like London and New York. ➡️ This massive premium shows China's demand is exploding, while Western supply can't keep up. 🔥 Theoretically, arbitrage should ship silver east for profit, but delays of 30-90 days suggest real physical shortages are at play. INDIA'S DEMAND ON FIRE ✅ Indian premiums are historically high at around $5-10 per ounce. 📈 Private buyer demand is even hotter than October's Diwali squeeze, per Bloomberg data. ❓ With huge physical silver hoards in jewelry and bars, India isn't selling—it's buying more, tightening the global market further. GLOBAL SHORTAGES SPREADING ✅ Singapore and South Korea report physical silver scarcity. 🌍 Turkey and the Middle East see elevated dealer premiums, blending real tightness with opportunistic pricing. 🔍 This flips the script: Are Eastern premiums high, or is the West trading at a discount due to hidden constraints? INVENTORY WARNING SIGNS ✅ Comex registered stocks have plunged from 200M ounces to 114M in six months. 📉 Shanghai vaults are draining since 2022, accelerating after Russian asset freezes. 🏦 London's totals look stable thanks to ETFs like SLV, but non-ETF stocks are nearing critical lows that stalled markets last fall. THE DEFICIT REALITY ✅ Silver faces a multi-year supply shortfall—more demanded than mined for 5-7 years running. 💡 Higher prices are needed to spur new mines or recycling, but cash-based buying (not leveraged margin) means dips get bought aggressively. ⚡ Governments and investors are building strategic hoards, diverting metal from industry to safekeeping. BULLISH MACRO TAILWINDS ➡️ Focus on physical possession is rising, like Germany's push to repatriate gold—spilling over to "poor man's gold" like silver. 🌐 Potential remonetization in BRICS currencies or collateral use could supercharge demand. 📊 Technical charts from the 1930s suggest parabolic moves to $300 in months, mirroring 1970s spikes. THE BOTTOM LINE Silver's run to $100 is fueled by unrelenting Eastern demand, vanishing inventories, and a shifting global order—setting the stage for explosive upside before any true top forms. #SilverSurge #CommodityBoom #PreciousMetals #Investing
1:55

WHY $100 SILVER IS JUST THE BEGINNING Silver has finally smashed through the $100 mark after years of tough holding—congratulations to everyone who stuck it out. But is this the peak? Far from it. Strong global demand signals and shrinking supplies point to much higher prices ahead: THE CHINA PREMIUM SURGE ✅ Since Christmas, silver prices at the Shanghai Gold Exchange have soared 7-14% above Western markets like London and New York. ➡️ This massive premium shows China's demand is exploding, while Western supply can't keep up. 🔥 Theoretically, arbitrage should ship silver east for profit, but delays of 30-90 days suggest real physical shortages are at play. INDIA'S DEMAND ON FIRE ✅ Indian premiums are historically high at around $5-10 per ounce. 📈 Private buyer demand is even hotter than October's Diwali squeeze, per Bloomberg data. ❓ With huge physical silver hoards in jewelry and bars, India isn't selling—it's buying more, tightening the global market further. GLOBAL SHORTAGES SPREADING ✅ Singapore and South Korea report physical silver scarcity. 🌍 Turkey and the Middle East see elevated dealer premiums, blending real tightness with opportunistic pricing. 🔍 This flips the script: Are Eastern premiums high, or is the West trading at a discount due to hidden constraints? INVENTORY WARNING SIGNS ✅ Comex registered stocks have plunged from 200M ounces to 114M in six months. 📉 Shanghai vaults are draining since 2022, accelerating after Russian asset freezes. 🏦 London's totals look stable thanks to ETFs like SLV, but non-ETF stocks are nearing critical lows that stalled markets last fall. THE DEFICIT REALITY ✅ Silver faces a multi-year supply shortfall—more demanded than mined for 5-7 years running. 💡 Higher prices are needed to spur new mines or recycling, but cash-based buying (not leveraged margin) means dips get bought aggressively. ⚡ Governments and investors are building strategic hoards, diverting metal from industry to safekeeping. BULLISH MACRO TAILWINDS ➡️ Focus on physical possession is rising, like Germany's push to repatriate gold—spilling over to "poor man's gold" like silver. 🌐 Potential remonetization in BRICS currencies or collateral use could supercharge demand. 📊 Technical charts from the 1930s suggest parabolic moves to $300 in months, mirroring 1970s spikes. THE BOTTOM LINE Silver's run to $100 is fueled by unrelenting Eastern demand, vanishing inventories, and a shifting global order—setting the stage for explosive upside before any true top forms. #SilverSurge #CommodityBoom #PreciousMetals #Investing

Mark

22,924 görüntüleme • 7 ay önce

THE SILVER SELL-OFF IS BRUTAL – BUT DON’T MAKE THE MISTAKE OF SELLING TOO Silver just broke hard. Gold slipped under 4000. Silver crashed to 56. If you bought anywhere near the January high near 121, roughly half your position has vanished and it feels like the bottom may never arrive. But the number flashing on the screen is lying about what is actually happening. The sellers dumping metal right now are handing their ounces to buyers who see a sale, not a verdict. THE CORE THESIS Silver didn't get less valuable this week. The dollar got stronger. And that is a completely different thing. ➡️ The US dollar index just pushed above 101 for the first time in about a year. ➡️ When the dollar rips, every asset priced in dollars gets repriced lower almost automatically because it now takes fewer of those stronger dollars to buy the same ounce. ➡️ This is not the market rejecting silver. This is the measuring stick getting longer. ➡️ The Fed's new dot plot shows roughly half the committee projecting at least one rate hike this year, with traders pricing in as many as three quarter-point hikes before year end. THE DOUBLE HIT SILVER ALWAYS TAKES Silver wears two hats and both are getting slammed at the same time. ➡️ It is a monetary metal fighting the strong dollar. ➡️ It is also an industrial metal facing slower growth fears from higher rates. ➡️ That combination is exactly why silver falls roughly twice as hard as gold in moves like this. ➡️ The gold to silver ratio blows out because it is the nature of silver, not a flaw in silver. THE MECHANICAL SELLING DRIVING THE PAIN A lot of this selling is not anyone deciding silver is a bad investment. It is forced. ➡️ Margin requirements got jacked up. Leverage players had to dump their most liquid holdings to raise cash. ➡️ Stop losses tripped. ETFs rebalanced. The selling turned violent and mechanical. ➡️ This kind of forced selling eventually burns out when the sellers run out of metal they are willing to dump. ➡️ Conviction buyers do not run out of conviction. They are the ones quietly stepping in. THE PHYSICAL MARKET TELLS THE TRUTH The spot price is getting shoved around by macro forces and margin. The physical market is doing something very different underneath. ➡️ When metal gets crushed on the screen you would expect a flood of people dumping physical. That is not mostly what is walking in the door. ➡️ Yes, capitulation sellers who bought the top are handing over ounces. ➡️ But serious buyers are stepping in with both hands because to them a strong dollar selloff is a sale, not a verdict. "The weak hands are handing their ounces to the strong hands. That's what a bottoming process actually looks like." ➡️ Premiums on real coins and bars are holding firm and even rising. Demand is alive and well if you watch the all-in price instead of just spot. THE LONG-TERM MATH HAS NOT CHANGED The reasons you own silver in the first place are still sitting right there. ➡️ The debt has not gone anywhere. ➡️ Currency debasement over time has not gone anywhere. ➡️ Central banks are still net buyers. ➡️ The long-term destination remains 120 silver. This selloff does not erase the thesis. WHAT TO DO THIS WEEK ➡️ Do not sell into this panic unless you genuinely need the cash inside the next two years. ➡️ If you must raise cash, sell generic rounds and bars first. Protect your sovereign coins and anything inside your IRA. ➡️ For long-term buyers this is a sale, but watch the all-in price not just spot. Ladder your buys and keep dry powder. ➡️ Stress test how you hold your metal. If you have paper claims this is the week to move toward allocated segregated storage or take delivery. THE BOTTOM LINE The metal did not change this week. The dollar did. Don't let a strong dollar and a scary headline talk you out of the one asset they cannot print. Before you hit that button ask yourself one honest question. Do I actually need this money in the next 24 months? If the answer is no, you are not escaping a collapse. You are selling your insurance in the middle of the storm to the very people who will be happy to sell it back to you later at a much higher price. HT: YouTube Summit Metals #SilverSelloff #DontSellSilver #DollarStrength #PhysicalSilver #Stacking #PreciousMetals #SilverStacker
1:22

THE SILVER SELL-OFF IS BRUTAL – BUT DON’T MAKE THE MISTAKE OF SELLING TOO Silver just broke hard. Gold slipped under 4000. Silver crashed to 56. If you bought anywhere near the January high near 121, roughly half your position has vanished and it feels like the bottom may never arrive. But the number flashing on the screen is lying about what is actually happening. The sellers dumping metal right now are handing their ounces to buyers who see a sale, not a verdict. THE CORE THESIS Silver didn't get less valuable this week. The dollar got stronger. And that is a completely different thing. ➡️ The US dollar index just pushed above 101 for the first time in about a year. ➡️ When the dollar rips, every asset priced in dollars gets repriced lower almost automatically because it now takes fewer of those stronger dollars to buy the same ounce. ➡️ This is not the market rejecting silver. This is the measuring stick getting longer. ➡️ The Fed's new dot plot shows roughly half the committee projecting at least one rate hike this year, with traders pricing in as many as three quarter-point hikes before year end. THE DOUBLE HIT SILVER ALWAYS TAKES Silver wears two hats and both are getting slammed at the same time. ➡️ It is a monetary metal fighting the strong dollar. ➡️ It is also an industrial metal facing slower growth fears from higher rates. ➡️ That combination is exactly why silver falls roughly twice as hard as gold in moves like this. ➡️ The gold to silver ratio blows out because it is the nature of silver, not a flaw in silver. THE MECHANICAL SELLING DRIVING THE PAIN A lot of this selling is not anyone deciding silver is a bad investment. It is forced. ➡️ Margin requirements got jacked up. Leverage players had to dump their most liquid holdings to raise cash. ➡️ Stop losses tripped. ETFs rebalanced. The selling turned violent and mechanical. ➡️ This kind of forced selling eventually burns out when the sellers run out of metal they are willing to dump. ➡️ Conviction buyers do not run out of conviction. They are the ones quietly stepping in. THE PHYSICAL MARKET TELLS THE TRUTH The spot price is getting shoved around by macro forces and margin. The physical market is doing something very different underneath. ➡️ When metal gets crushed on the screen you would expect a flood of people dumping physical. That is not mostly what is walking in the door. ➡️ Yes, capitulation sellers who bought the top are handing over ounces. ➡️ But serious buyers are stepping in with both hands because to them a strong dollar selloff is a sale, not a verdict. "The weak hands are handing their ounces to the strong hands. That's what a bottoming process actually looks like." ➡️ Premiums on real coins and bars are holding firm and even rising. Demand is alive and well if you watch the all-in price instead of just spot. THE LONG-TERM MATH HAS NOT CHANGED The reasons you own silver in the first place are still sitting right there. ➡️ The debt has not gone anywhere. ➡️ Currency debasement over time has not gone anywhere. ➡️ Central banks are still net buyers. ➡️ The long-term destination remains 120 silver. This selloff does not erase the thesis. WHAT TO DO THIS WEEK ➡️ Do not sell into this panic unless you genuinely need the cash inside the next two years. ➡️ If you must raise cash, sell generic rounds and bars first. Protect your sovereign coins and anything inside your IRA. ➡️ For long-term buyers this is a sale, but watch the all-in price not just spot. Ladder your buys and keep dry powder. ➡️ Stress test how you hold your metal. If you have paper claims this is the week to move toward allocated segregated storage or take delivery. THE BOTTOM LINE The metal did not change this week. The dollar did. Don't let a strong dollar and a scary headline talk you out of the one asset they cannot print. Before you hit that button ask yourself one honest question. Do I actually need this money in the next 24 months? If the answer is no, you are not escaping a collapse. You are selling your insurance in the middle of the storm to the very people who will be happy to sell it back to you later at a much higher price. HT: YouTube Summit Metals #SilverSelloff #DontSellSilver #DollarStrength #PhysicalSilver #Stacking #PreciousMetals #SilverStacker

Mark

34,639 görüntüleme • 2 ay önce

🚨PREVIEW: PART IV of Tai's WeAreNotGoingToMars Just DROPPED And It's AN Absolute NUCLEAR BOMB On The Charlie Kirk ASSASSINATION A 3.5-hour forensic masterpiece just went live and it proves: Charlie wasn’t killed by a .30-06 from Tyler Robinson He was taken out by TWO separate weapons: 🔘Infrared-guided sniper round from the BA building (neck hit) 🔘 Close-range palm pistol from the front-left (shirt puffs out like a damn cartoon) The sky is crawling with MILITARY DRONES in the raw footage – six of them doing impossible zig-zags and streaks. Not birds. Not lens flares. Israeli Elbit “Birds of Prey” swarm tech already used in Gaza. The entire UVU courtyard was a pre-designed KILLBOX with deliberate camera dead zones so the real shooters would never be seen. Motive? Charlie broke the ultimate elite oath: he went public against the Epstein-Israel blackmail machine and was about to expose Trump’s real role in it. They ritualistically executed him in broad daylight as a message (just like Caesar on the Ides of March). Elbit Systems (Israel’s drone giant) has non-competitive contracts all over Utah and Delaware, building helmets and AI targeting systems 99% in Israel while we pay for it. The same tech that “malfunctions” in Gaza” just got its first confirmed kill on American soil. This isn’t a conspiracy video. This is frame-by-frame, slow-motion, enhanced, sourced evidence that will make your stomach drop. Tai ends it with: “UVU has the full security footage. Release it or admit you’re part of the cover-up.” FOLLOW WeAreNotGoingToMars And Go Watch before they memory-hole it. I'll leave the link to his FULL VIDEO in the comments below. Tag everyone. Repost everywhere. Charlie deserves the truth.
12:50

🚨PREVIEW: PART IV of Tai's WeAreNotGoingToMars Just DROPPED And It's AN Absolute NUCLEAR BOMB On The Charlie Kirk ASSASSINATION A 3.5-hour forensic masterpiece just went live and it proves: Charlie wasn’t killed by a .30-06 from Tyler Robinson He was taken out by TWO separate weapons: 🔘Infrared-guided sniper round from the BA building (neck hit) 🔘 Close-range palm pistol from the front-left (shirt puffs out like a damn cartoon) The sky is crawling with MILITARY DRONES in the raw footage – six of them doing impossible zig-zags and streaks. Not birds. Not lens flares. Israeli Elbit “Birds of Prey” swarm tech already used in Gaza. The entire UVU courtyard was a pre-designed KILLBOX with deliberate camera dead zones so the real shooters would never be seen. Motive? Charlie broke the ultimate elite oath: he went public against the Epstein-Israel blackmail machine and was about to expose Trump’s real role in it. They ritualistically executed him in broad daylight as a message (just like Caesar on the Ides of March). Elbit Systems (Israel’s drone giant) has non-competitive contracts all over Utah and Delaware, building helmets and AI targeting systems 99% in Israel while we pay for it. The same tech that “malfunctions” in Gaza” just got its first confirmed kill on American soil. This isn’t a conspiracy video. This is frame-by-frame, slow-motion, enhanced, sourced evidence that will make your stomach drop. Tai ends it with: “UVU has the full security footage. Release it or admit you’re part of the cover-up.” FOLLOW WeAreNotGoingToMars And Go Watch before they memory-hole it. I'll leave the link to his FULL VIDEO in the comments below. Tag everyone. Repost everywhere. Charlie deserves the truth.

Project Constitution

44,643 görüntüleme • 9 ay önce

My humble little work is finally complete. Somehow, it ended up becoming an epic 6 minutes and 24 seconds long. In my twenties, I dreamed of becoming a film director, but I failed. Since then, I haven’t really been able to make anything I could truly call a “work.” Now I live quietly as a poor, single, middle-aged man of 52. But in recent years — especially with the evolution of video-generating AI this year — I’ve found myself able to create something again, and that makes me truly happy. To everyone who has watched over the madness of this 52-year-old guy with such lukewarm kindness: thank you from the bottom of my heart. As long as luck stays on my side, I intend to keep making new works, so I hope you’ll continue to put up with me. For this piece, I aimed for the kind of taste found in films I personally love: Tarantino and Rodriguez’s Grindhouse. I wanted to make a ridiculous B-movie-style piece of entertainment — something stupid, wild, and only possible through AI. With the rapid evolution of video-generating AI, I think flashy, over-the-top imagery will soon become old hat. So before that happens, I wanted to make one completely outrageous work. Production period: just over one month Budget: I used so many credits that I’d rather not think about it. AI tools used: About 90% of the video was made with Kling 3.0 Omni. Seedance 2.0 was announced partway through production, which made me hesitate, but in the end I only used it very sparingly, for the few parts I just couldn’t express with Kling. From here on, it will become normal to create footage that looks incredibly natural and impressive. In that sense, I also feel that when I look back on this later, the slight traces of “AI-ness” that remain may actually give it a certain charm. I know that only a very rare and generous few will watch a video over six minutes long made by an amateur. But as the film goes on, I became more and more familiar with how to use Kling 3.0 Omni and how to work with its quirks, so I believe the quality improves toward the latter half. Nothing would make me happier than if you stayed with it until the very end.
6:41

My humble little work is finally complete. Somehow, it ended up becoming an epic 6 minutes and 24 seconds long. In my twenties, I dreamed of becoming a film director, but I failed. Since then, I haven’t really been able to make anything I could truly call a “work.” Now I live quietly as a poor, single, middle-aged man of 52. But in recent years — especially with the evolution of video-generating AI this year — I’ve found myself able to create something again, and that makes me truly happy. To everyone who has watched over the madness of this 52-year-old guy with such lukewarm kindness: thank you from the bottom of my heart. As long as luck stays on my side, I intend to keep making new works, so I hope you’ll continue to put up with me. For this piece, I aimed for the kind of taste found in films I personally love: Tarantino and Rodriguez’s Grindhouse. I wanted to make a ridiculous B-movie-style piece of entertainment — something stupid, wild, and only possible through AI. With the rapid evolution of video-generating AI, I think flashy, over-the-top imagery will soon become old hat. So before that happens, I wanted to make one completely outrageous work. Production period: just over one month Budget: I used so many credits that I’d rather not think about it. AI tools used: About 90% of the video was made with Kling 3.0 Omni. Seedance 2.0 was announced partway through production, which made me hesitate, but in the end I only used it very sparingly, for the few parts I just couldn’t express with Kling. From here on, it will become normal to create footage that looks incredibly natural and impressive. In that sense, I also feel that when I look back on this later, the slight traces of “AI-ness” that remain may actually give it a certain charm. I know that only a very rare and generous few will watch a video over six minutes long made by an amateur. But as the film goes on, I became more and more familiar with how to use Kling 3.0 Omni and how to work with its quirks, so I believe the quality improves toward the latter half. Nothing would make me happier than if you stayed with it until the very end.

落花生BOY【AI映画作家】

24,310 görüntüleme • 4 ay önce

BREAKING: SpaceXAI just published a new blog showing how one of their designers uses always-on Grok Bot agents to bring ideas to life. 🤖 How the agents work Each agent has its own computer, memory and tools. They can take work from an initial idea to a finished artifact and continue working while the designer is AFK. The agents can also huddle together, delegate parts of a project and combine everything into one result. 🧑‍💻 Meet the designer’s Bots • Experiments makes uncertain ideas tangible before anyone decides whether they are practical or belong on the roadmap • Motion God prototypes interactions based on descriptions of how the movement should feel • Figma Bro handles repetitive production work using exact information from real Figma files • Devbot answers engineering questions and helps the other agents understand how an idea could actually be built 💡 Turning ideas into testable prototypes The designer wanted to explore ways of making Grok Bot accessible from anywhere on a Mac. Experiments created three concepts: • Bot living inside the Mac’s notch • Bot appearing from the desktop corner on hover • Bot following the cursor like a companion Experiments then delegated the character movement to Motion God and the desktop implementation questions to Devbot before combining their work into prototypes the designer could actually test. These concepts did not ship exactly as explored. That was not the purpose. The goal was to make each idea real enough to determine whether it felt helpful, distracting or somewhere in between. 🎬 Designing motion with real production assets For a promotional video, the designer wanted Grok Bot to appear, notice the app window and bounce into place. Instead of recreating the character from a screenshot, Motion God worked with the actual animation specification already used by the product. It built a local playground where the designer could: • Adjust timing, springs and distance • Change scale and easing • Give simple feedback such as “Bounce is too exaggerated” • Immediately watch the updated sequence The designer did not need to know whether a transition should last 280 or 340 milliseconds before seeing it. The agent made it possible to direct the motion by feel, just like working with a human collaborator. 🎨 Removing repetitive Figma work For Grok Bot’s onboarding flow, the team had 20 starter-Bot descriptions, including ideas such as “Chief of Staff” and “Inbox Triage.” The designer created one auto-layout component and asked Figma Bro to populate the remaining cards with differentiated portraits and supporting details. Figma Bro also searched for the correct tool logos and placed them according to how likely new users were to use them. Through Figma, it could inspect exact: • Positions and dimensions • Spacing and typography • Fills and strokes • Frames and component structures This prevents small inconsistencies from multiplying while preserving the actual design file as the source of truth. The main takeaway: This is not one-prompt, one-shot design. Grok Bot tightens the loop between idea, prototype, feedback and improvement. It helps designers explore more possibilities, respond at higher fidelity and spend more attention judging which version truly feels right. Grok Bot does not replace human judgment. It creates more opportunities to use it. Blog Link:
0:40

BREAKING: SpaceXAI just published a new blog showing how one of their designers uses always-on Grok Bot agents to bring ideas to life. 🤖 How the agents work Each agent has its own computer, memory and tools. They can take work from an initial idea to a finished artifact and continue working while the designer is AFK. The agents can also huddle together, delegate parts of a project and combine everything into one result. 🧑‍💻 Meet the designer’s Bots • Experiments makes uncertain ideas tangible before anyone decides whether they are practical or belong on the roadmap • Motion God prototypes interactions based on descriptions of how the movement should feel • Figma Bro handles repetitive production work using exact information from real Figma files • Devbot answers engineering questions and helps the other agents understand how an idea could actually be built 💡 Turning ideas into testable prototypes The designer wanted to explore ways of making Grok Bot accessible from anywhere on a Mac. Experiments created three concepts: • Bot living inside the Mac’s notch • Bot appearing from the desktop corner on hover • Bot following the cursor like a companion Experiments then delegated the character movement to Motion God and the desktop implementation questions to Devbot before combining their work into prototypes the designer could actually test. These concepts did not ship exactly as explored. That was not the purpose. The goal was to make each idea real enough to determine whether it felt helpful, distracting or somewhere in between. 🎬 Designing motion with real production assets For a promotional video, the designer wanted Grok Bot to appear, notice the app window and bounce into place. Instead of recreating the character from a screenshot, Motion God worked with the actual animation specification already used by the product. It built a local playground where the designer could: • Adjust timing, springs and distance • Change scale and easing • Give simple feedback such as “Bounce is too exaggerated” • Immediately watch the updated sequence The designer did not need to know whether a transition should last 280 or 340 milliseconds before seeing it. The agent made it possible to direct the motion by feel, just like working with a human collaborator. 🎨 Removing repetitive Figma work For Grok Bot’s onboarding flow, the team had 20 starter-Bot descriptions, including ideas such as “Chief of Staff” and “Inbox Triage.” The designer created one auto-layout component and asked Figma Bro to populate the remaining cards with differentiated portraits and supporting details. Figma Bro also searched for the correct tool logos and placed them according to how likely new users were to use them. Through Figma, it could inspect exact: • Positions and dimensions • Spacing and typography • Fills and strokes • Frames and component structures This prevents small inconsistencies from multiplying while preserving the actual design file as the source of truth. The main takeaway: This is not one-prompt, one-shot design. Grok Bot tightens the loop between idea, prototype, feedback and improvement. It helps designers explore more possibilities, respond at higher fidelity and spend more attention judging which version truly feels right. Grok Bot does not replace human judgment. It creates more opportunities to use it. Blog Link:

DogeDesigner

62,707 görüntüleme • 15 gün önce

If You’re Not Caught Up On Ashley Biden’s Diary I Suggest You Watch This. Ashley Biden’s Diary Phone Call Never Before Released To The Public “After years of public speculation and internal deliberation, we are finally releasing our conversation with Ashley Biden about her diary and other possessions. They were abandoned and later offered to Project Veritas. Hi, is this Ashley Biden? This is she. How are you? I'm doing well. Yeah, I just wanted to, sorry, I heard you have a few of my belongings. And so I was going to ask if you could please meet my friend, Eric who is down in Delray, if you could meet him and get this up to him. There's a diary here. It starts in January. It says, January at the end of a New York month, I'm sitting on a bed at the I-building. Yeah, so if you could just give everything that you have to Eric, that would be really great. I don't wanna give this to the wrong person. I mean, I want to make sure you add this point and I don't mean to say I don't want to have to get Secret Service involved in this right. Because it's just it's a whole process. But you know, I am actually Biden. It is my stuff. So if you could just get all of that over, I would really appreciate it. I know you sent a picture to my husband with a camera and a few other things that are mine as well. So that would be really great. Where is a good place for him to meet you? There's also this bag with luggage tags on it. Uh, for, and so is that bag, cause there's, there's all this stuff. Is that bag yours too, Ashley? Yeah, it is. Shortly after the phone call, this October 16th letter was sent from Project Veritas to Joe Biden's presidential campaign, asking the candidate for comment. October 23rd, a followup email from our then chief legal officer. And on October 29th, 2020. Ashley Biden's attorney, Roberta Kaplan, finally responded saying, quote, this is insane. We should send to the SDNY. This is the FBI splash page showing the SDNY immediately opened an investigation into project Veritas on the very same day. And on November 8th, 2020, project Veritas returns all Ashley Biden's abandoned items, including her diary to Florida local law enforcement. You're watching Predon Raids by the FBI on three Project Veritas journalists. They took place on November 4th and November 6th of 2021. I'm sorry. So what is this regarding? This is a senator on this c***. Open up. What are you doing with your hands? My hands are on. It's gone. No, what I'm saying here, it wasn't your right to. Just once again, for our safety for years, we're going to have an agency with you. Yeah. You do not have to be sent home. You're not being detained.” The video has more detail I had to cut from the transcription due to X’s text limits. It’s definitely worth the watch! Credit of course to James O'Keefe Project Veritas
7:59

If You’re Not Caught Up On Ashley Biden’s Diary I Suggest You Watch This. Ashley Biden’s Diary Phone Call Never Before Released To The Public “After years of public speculation and internal deliberation, we are finally releasing our conversation with Ashley Biden about her diary and other possessions. They were abandoned and later offered to Project Veritas. Hi, is this Ashley Biden? This is she. How are you? I'm doing well. Yeah, I just wanted to, sorry, I heard you have a few of my belongings. And so I was going to ask if you could please meet my friend, Eric who is down in Delray, if you could meet him and get this up to him. There's a diary here. It starts in January. It says, January at the end of a New York month, I'm sitting on a bed at the I-building. Yeah, so if you could just give everything that you have to Eric, that would be really great. I don't wanna give this to the wrong person. I mean, I want to make sure you add this point and I don't mean to say I don't want to have to get Secret Service involved in this right. Because it's just it's a whole process. But you know, I am actually Biden. It is my stuff. So if you could just get all of that over, I would really appreciate it. I know you sent a picture to my husband with a camera and a few other things that are mine as well. So that would be really great. Where is a good place for him to meet you? There's also this bag with luggage tags on it. Uh, for, and so is that bag, cause there's, there's all this stuff. Is that bag yours too, Ashley? Yeah, it is. Shortly after the phone call, this October 16th letter was sent from Project Veritas to Joe Biden's presidential campaign, asking the candidate for comment. October 23rd, a followup email from our then chief legal officer. And on October 29th, 2020. Ashley Biden's attorney, Roberta Kaplan, finally responded saying, quote, this is insane. We should send to the SDNY. This is the FBI splash page showing the SDNY immediately opened an investigation into project Veritas on the very same day. And on November 8th, 2020, project Veritas returns all Ashley Biden's abandoned items, including her diary to Florida local law enforcement. You're watching Predon Raids by the FBI on three Project Veritas journalists. They took place on November 4th and November 6th of 2021. I'm sorry. So what is this regarding? This is a senator on this c***. Open up. What are you doing with your hands? My hands are on. It's gone. No, what I'm saying here, it wasn't your right to. Just once again, for our safety for years, we're going to have an agency with you. Yeah. You do not have to be sent home. You're not being detained.” The video has more detail I had to cut from the transcription due to X’s text limits. It’s definitely worth the watch! Credit of course to James O'Keefe Project Veritas

Wall Street Apes

571,384 görüntüleme • 3 yıl önce

ANTHROPIC'S PRODUCT CHIEF HAS USED CLAUDE FABLE 5 FOR MONTHS BEFORE ANYONE ELSE. HERE'S WHAT HE LEARNED ABOUT THE MOST POWERFUL MODEL YET Mike Krieger co-founded Instagram and now runs product at Anthropic. He's had Claude Fable 5 for two months before the public, and his takeaway is that it changes how you have to work, not just how much you get done. Here's what stood out, and what to actually do with it 1. It holds the whole project, so stop chopping tasks small. The old habit was breaking work into model-sized pieces and stitching them. Fable keeps the whole thing in context. What to do: stop pre-slicing your prompts into tiny steps. Hand it the full goal and the intent behind it, the way you'd brief a senior engineer, and let it sequence the work itself 2. Delegate big, async, and overnight. He sets it on a hard task at night and wakes to it finished, including the model getting itself unstuck when a service died, scaffolding a workaround, and documenting it. What to do: stop babysitting one prompt at a time. Kick off long jobs and walk away. Run several sessions at once instead of one you watch 3. The skill is planning now, not typing. His day moved to long architecture conversations up front, then execution in chunks. What to do: spend your first prompts planning, not building. Then ask it to output an HTML page or markdown doc of the plan so your team aligns before any code is written. That early alignment is the new leverage 4. Match the effort level to the task. Fable's range is wide, so a heavy reasoning pass on a tiny UI tweak is overkill (and pricey). What to do: dial effort down for small jobs, save the deep thinking for hard ones. And don't use your most expensive model for quick questions, keep a fast model for those 5. Verification is the real bottleneck now. The hard part isn't getting output, it's trusting it. What to do: make every change ship with proof. Have Claude attach a screenshot or video of what it built, so you can see the result instead of reading the diff. Then stand behind the decisions yourself before you merge 6. Cost is per-result, not per-turn. Fable is expensive per call but often one-shots what other models need ten turns to get right. What to do: judge cost by what it takes to finish the task to your satisfaction, not the price of a single message. Give it a real task and see how far it gets before you jump in His bigger point: software engineering isn't over, it's different. The craft moved from writing code to owning intent, taste, and what actually ships. The floor rose so anyone can build, and the ceiling rose so experts go further than before Bookmark this
52:06

ANTHROPIC'S PRODUCT CHIEF HAS USED CLAUDE FABLE 5 FOR MONTHS BEFORE ANYONE ELSE. HERE'S WHAT HE LEARNED ABOUT THE MOST POWERFUL MODEL YET Mike Krieger co-founded Instagram and now runs product at Anthropic. He's had Claude Fable 5 for two months before the public, and his takeaway is that it changes how you have to work, not just how much you get done. Here's what stood out, and what to actually do with it 1. It holds the whole project, so stop chopping tasks small. The old habit was breaking work into model-sized pieces and stitching them. Fable keeps the whole thing in context. What to do: stop pre-slicing your prompts into tiny steps. Hand it the full goal and the intent behind it, the way you'd brief a senior engineer, and let it sequence the work itself 2. Delegate big, async, and overnight. He sets it on a hard task at night and wakes to it finished, including the model getting itself unstuck when a service died, scaffolding a workaround, and documenting it. What to do: stop babysitting one prompt at a time. Kick off long jobs and walk away. Run several sessions at once instead of one you watch 3. The skill is planning now, not typing. His day moved to long architecture conversations up front, then execution in chunks. What to do: spend your first prompts planning, not building. Then ask it to output an HTML page or markdown doc of the plan so your team aligns before any code is written. That early alignment is the new leverage 4. Match the effort level to the task. Fable's range is wide, so a heavy reasoning pass on a tiny UI tweak is overkill (and pricey). What to do: dial effort down for small jobs, save the deep thinking for hard ones. And don't use your most expensive model for quick questions, keep a fast model for those 5. Verification is the real bottleneck now. The hard part isn't getting output, it's trusting it. What to do: make every change ship with proof. Have Claude attach a screenshot or video of what it built, so you can see the result instead of reading the diff. Then stand behind the decisions yourself before you merge 6. Cost is per-result, not per-turn. Fable is expensive per call but often one-shots what other models need ten turns to get right. What to do: judge cost by what it takes to finish the task to your satisfaction, not the price of a single message. Give it a real task and see how far it gets before you jump in His bigger point: software engineering isn't over, it's different. The craft moved from writing code to owning intent, taste, and what actually ships. The floor rose so anyone can build, and the ceiling rose so experts go further than before Bookmark this

Yarchi

30,958 görüntüleme • 3 ay önce

MrBeast: "If you knew what I knew, you could get 10 million subscribers in six months" "Your videos suck. You think your videos are good, but they suck. They just do. And the sooner you learn how to make good, great videos that people actually want to watch, the sooner you'll get views." MrBeast shares his early reality: "When I was 14, I thought my videos were the best in the world. They weren't, they were terrible. To be successful, you kind of have to have a little bit of that ego where you think your content's great. But also, if you have sub-1,000 subscribers, there's a good probability your videos just suck. They just do." He explains what to do about it: "You need to make hundreds of videos. Improve something every time. And just get to the point where they don't suck. When you make good content, you'll blow up. It's not the algorithm. It's not anything. Most people who are in my position just made terrible videos, and that's okay. Because you've got to make a bunch of videos and improve over time to be great." MrBeast uses an analogy: "You don't just pick up a baseball and become an MLB-level athlete within a year. It takes many, many, many years. YouTube's kind of the same way." On analysis paralysis: "A lot of people get analysis paralysis. They'll sit there and plan their first video for three months. If you have zero videos on your channel, your first video is not gonna get views. Period. Your first 10 are not gonna get views. I can very confidently say that. So stop sitting there and thinking for months and months on end. Just get to work and start uploading." He gives the formula: "All you need to do is make 100 videos and improve something every time. Do that, and then on your 101st video, we'll start talking. Maybe you can get some views. But your first 100 are gonna suck." How to improve something each time: "The second video: put more effort into the script. The third one: learn a new editing trick. The fourth one: figure out a way to have better inflections in your voice. The fifth one: study a new thumbnail tip and implement it. The sixth one: figure out a new title. There's infinite ways. The coloring, the frame rate, the editing, the filming, the production, the jokes, the pacing, every little thing can be improved. There's literally no such thing as a perfect video." On the algorithm: "What YouTube wants is for people to click on a video and watch it. That's what it is at its core. By studying the algorithm, you'll learn that you're more studying human psychology. What do humans want to watch?" MrBeast shares a simple reframe: "Anytime you say the word 'algorithm,' just replace it with 'audience' and it works perfectly. 'The algorithm didn't like that video?' No, the audience didn't like that video. Literally, that's it. If people are clicking and watching, it gets promoted more. The algorithm just reflects what the people want." On titles: "Short, simple, and just so freaking interesting that you have to click. If someone reads it, are they like, do they have to watch it? Is it just so intrinsically interesting that it's gonna haunt them if they don't click?" He adds nuance: "Keep it below 50 characters. Above 50 characters, on certain devices it goes dot, dot, dot, and that's the worst thing because then people don't even know what they're clicking on." MrBeast shares the extremity principle: "The more extreme the opinion, typically the higher the click-through rate. 'Fiji water sucks', that'd do fine. But 'Fiji water is the worst water I've ever drank in my life', way more extreme, would do way better. But then you have to deliver. The more extreme you are, the more extreme you have to be in the video." On the first 5 seconds: "Before you film a video, what is the thumbnail? What is the title? Then what's the first 5 seconds? Then what's the first 30 seconds?" He explains why autoplay changed everything: "On YouTube now, videos automatically play. So many people don't even see the thumbnail because it autoplays so quickly. The thumbnail is irrelevant for them. I have to visually convince you to click on the video in the first 5 seconds. Before, the hook was important because you had to convince people to watch. Now you have to convince people to click and watch at the same time, with the first 5 seconds." On matching expectations: "Your title and thumbnail set expectations. At the very beginning of the video, to minimize drop-off, you want to assure them that those expectations are being met. If you click on a video called 'Tether is a scam' and at the very beginning, he starts talking about literally anything else, you're like, 'Oh, this is BS. This isn't what I clicked on.' But if at the very start you go, 'Tether is a scam and I'm gonna teach you why,' then it's like, okay, you match the expectations. Then you want to exceed them." He emphasizes the importance: "The thing people undervalue the most is literally the first 10 seconds of the video. That 15% difference in viewership between losing 35% of viewers in the first 30 seconds versus losing 20%, that really does make the difference between 2 million views and 10 million views. You just had a more strategic intro that hooked them." On removing dull moments: "You basically want to remove every dull moment. Find the 10 most critical people you know, make them watch the video, and just roast it. If I talk to a camera for 10 seconds without a cut, a lot of people will get bored. Having a B-cam and C-cam three seconds in, cutting to a different angle, now it's more interesting even though it's essentially the same thing." On keeping viewers watching: "Give them why they clicked. Tell them why they should watch. Then just stick on topic. That right there isn't even super complex, but I would already put you in the upper echelon of YouTube. A lot of people drag it out. It's like, 'I'm going to eat $100 ice cream, but first...' and then it's them birthday shopping for their mom. That's not why I came here." On quality over quantity: "It's much easier to get 5 million views on one video than 50,000 views on 100 videos. A lot of small YouTubers just post videos that aren't bad but aren't great, and none of them ever pop off, so they never get an audience. It might be better to upload half or a third or even a fifth of the videos, but make the videos you upload so freaking good that the algorithm has to promote it." He warns against the consistency trap: "When you set a consistent schedule and you're constantly having to upload videos that aren't as good as you'd like because you gotta hit 'Oh, this Monday I said I'd upload', that's a dangerous trap. The viewers notice the quality isn't as good and it makes them less likely to watch. I think it hurts your longevity." On the real metric that matters: "A big thing that everyone underestimates, what was your experience with your last video? If people loved the last video of yours that they watched, they're more likely to watch your next one. When people watch your video, you don't want them to go, 'Okay, that was good, but that's enough of you for the day.' What you want is them to go, 'Holy crap, that was crazy! Oh my god, what's that?' and they watch 10 videos. That's how you get high view counts. People watch 10 videos, not one." On thumbnails: "You want it to be simple. When they're scrolling, you want them to instantly understand what you're conveying and feel some type of emotion. Make it so interesting, or spike their curiosity so much, that if they don't click it, they'll wonder before they go to bed what happened?" He gives an example: "If you uploaded 'I rode a skateboard with 1,000 other people on it', and people are falling off the side, it's about to go off a big ramp if you don't click that, you're gonna be so curious. Later in the day, when you're daydreaming, you'll think, 'What happened to those 1,000 people on that skateboard?' That's the mindset you should have when making thumbnails." On knowledge being the only barrier: "It's all knowledge. It really is. I could start a new channel tomorrow without using my face or my voice, without ever promoting it, and in six months have 20 million subscribers. I just could. It's purely knowledge. If you knew what I knew, you could get 10 million subscribers no matter where you are right now within six months." He addresses the skeptics: "90% of the people watching don't agree with that. Everyone has excuses. 'Nah, YouTube just doesn't work like that, Jimmy.' But I mentor a lot of people. I see it all the time. It is possible. It is simply knowledge. The second you accept that it is knowledge and you start your journey of learning figuring out what makes a good video, what does my audience want, how can I elevate and then you take that knowledge and just assume 'I will never understand what the perfect video is' and every single day be devoted to learning and improving as much as possible there you go." On money not being the barrier: "There are tons of viral ideas that don't require money. It does not require money to go viral. One of my most-viewed videos was spending 24 hours in a desert, we just grabbed a tent and some stuff and went to the desert. It got 60-70 million views. People say, 'I could be MrBeast if I had money.' A, I didn't start off with money; I was poor, I had no money. It took me seven years just to buy a camera saving up from YouTube. And B, some of our most-viewed videos literally anyone can do." On why no one will outwork him: "No one's ever gonna do what I do better than me. It's just not humanly possible. I reinvest every penny I make. I work every hour I'm awake. I devote every atom in my brain to solving this. I hire the best people on the planet. I've been doing this for 14 years. And I think in decades, not years. I'm gonna be doing this for another 20-30 years. If I thought someone was doing better than me, I'd just start sleeping less so I could work even more." But he doesn't recommend it: "I don't have a life. I don't have work-life balance. My personality, my soul, my being is making the best videos possible. That is why I exist on this planet. And I don't recommend it. You should have work-life balance. You should not devote your entire life to this one thing. I have a mental breakdown every other week because I push myself so hard. I don't recommend it." The only question that matters: "Subscribers don't matter. Views don't matter. I mean, they do. But everything you want as a creator comes from making the best videos possible and thumbnails. The video part's the hard part. Ask: 'How can I make my videos better?' Do that every single day for years. And then you'll probably get views."
18:41

MrBeast: "If you knew what I knew, you could get 10 million subscribers in six months" "Your videos suck. You think your videos are good, but they suck. They just do. And the sooner you learn how to make good, great videos that people actually want to watch, the sooner you'll get views." MrBeast shares his early reality: "When I was 14, I thought my videos were the best in the world. They weren't, they were terrible. To be successful, you kind of have to have a little bit of that ego where you think your content's great. But also, if you have sub-1,000 subscribers, there's a good probability your videos just suck. They just do." He explains what to do about it: "You need to make hundreds of videos. Improve something every time. And just get to the point where they don't suck. When you make good content, you'll blow up. It's not the algorithm. It's not anything. Most people who are in my position just made terrible videos, and that's okay. Because you've got to make a bunch of videos and improve over time to be great." MrBeast uses an analogy: "You don't just pick up a baseball and become an MLB-level athlete within a year. It takes many, many, many years. YouTube's kind of the same way." On analysis paralysis: "A lot of people get analysis paralysis. They'll sit there and plan their first video for three months. If you have zero videos on your channel, your first video is not gonna get views. Period. Your first 10 are not gonna get views. I can very confidently say that. So stop sitting there and thinking for months and months on end. Just get to work and start uploading." He gives the formula: "All you need to do is make 100 videos and improve something every time. Do that, and then on your 101st video, we'll start talking. Maybe you can get some views. But your first 100 are gonna suck." How to improve something each time: "The second video: put more effort into the script. The third one: learn a new editing trick. The fourth one: figure out a way to have better inflections in your voice. The fifth one: study a new thumbnail tip and implement it. The sixth one: figure out a new title. There's infinite ways. The coloring, the frame rate, the editing, the filming, the production, the jokes, the pacing, every little thing can be improved. There's literally no such thing as a perfect video." On the algorithm: "What YouTube wants is for people to click on a video and watch it. That's what it is at its core. By studying the algorithm, you'll learn that you're more studying human psychology. What do humans want to watch?" MrBeast shares a simple reframe: "Anytime you say the word 'algorithm,' just replace it with 'audience' and it works perfectly. 'The algorithm didn't like that video?' No, the audience didn't like that video. Literally, that's it. If people are clicking and watching, it gets promoted more. The algorithm just reflects what the people want." On titles: "Short, simple, and just so freaking interesting that you have to click. If someone reads it, are they like, do they have to watch it? Is it just so intrinsically interesting that it's gonna haunt them if they don't click?" He adds nuance: "Keep it below 50 characters. Above 50 characters, on certain devices it goes dot, dot, dot, and that's the worst thing because then people don't even know what they're clicking on." MrBeast shares the extremity principle: "The more extreme the opinion, typically the higher the click-through rate. 'Fiji water sucks', that'd do fine. But 'Fiji water is the worst water I've ever drank in my life', way more extreme, would do way better. But then you have to deliver. The more extreme you are, the more extreme you have to be in the video." On the first 5 seconds: "Before you film a video, what is the thumbnail? What is the title? Then what's the first 5 seconds? Then what's the first 30 seconds?" He explains why autoplay changed everything: "On YouTube now, videos automatically play. So many people don't even see the thumbnail because it autoplays so quickly. The thumbnail is irrelevant for them. I have to visually convince you to click on the video in the first 5 seconds. Before, the hook was important because you had to convince people to watch. Now you have to convince people to click and watch at the same time, with the first 5 seconds." On matching expectations: "Your title and thumbnail set expectations. At the very beginning of the video, to minimize drop-off, you want to assure them that those expectations are being met. If you click on a video called 'Tether is a scam' and at the very beginning, he starts talking about literally anything else, you're like, 'Oh, this is BS. This isn't what I clicked on.' But if at the very start you go, 'Tether is a scam and I'm gonna teach you why,' then it's like, okay, you match the expectations. Then you want to exceed them." He emphasizes the importance: "The thing people undervalue the most is literally the first 10 seconds of the video. That 15% difference in viewership between losing 35% of viewers in the first 30 seconds versus losing 20%, that really does make the difference between 2 million views and 10 million views. You just had a more strategic intro that hooked them." On removing dull moments: "You basically want to remove every dull moment. Find the 10 most critical people you know, make them watch the video, and just roast it. If I talk to a camera for 10 seconds without a cut, a lot of people will get bored. Having a B-cam and C-cam three seconds in, cutting to a different angle, now it's more interesting even though it's essentially the same thing." On keeping viewers watching: "Give them why they clicked. Tell them why they should watch. Then just stick on topic. That right there isn't even super complex, but I would already put you in the upper echelon of YouTube. A lot of people drag it out. It's like, 'I'm going to eat $100 ice cream, but first...' and then it's them birthday shopping for their mom. That's not why I came here." On quality over quantity: "It's much easier to get 5 million views on one video than 50,000 views on 100 videos. A lot of small YouTubers just post videos that aren't bad but aren't great, and none of them ever pop off, so they never get an audience. It might be better to upload half or a third or even a fifth of the videos, but make the videos you upload so freaking good that the algorithm has to promote it." He warns against the consistency trap: "When you set a consistent schedule and you're constantly having to upload videos that aren't as good as you'd like because you gotta hit 'Oh, this Monday I said I'd upload', that's a dangerous trap. The viewers notice the quality isn't as good and it makes them less likely to watch. I think it hurts your longevity." On the real metric that matters: "A big thing that everyone underestimates, what was your experience with your last video? If people loved the last video of yours that they watched, they're more likely to watch your next one. When people watch your video, you don't want them to go, 'Okay, that was good, but that's enough of you for the day.' What you want is them to go, 'Holy crap, that was crazy! Oh my god, what's that?' and they watch 10 videos. That's how you get high view counts. People watch 10 videos, not one." On thumbnails: "You want it to be simple. When they're scrolling, you want them to instantly understand what you're conveying and feel some type of emotion. Make it so interesting, or spike their curiosity so much, that if they don't click it, they'll wonder before they go to bed what happened?" He gives an example: "If you uploaded 'I rode a skateboard with 1,000 other people on it', and people are falling off the side, it's about to go off a big ramp if you don't click that, you're gonna be so curious. Later in the day, when you're daydreaming, you'll think, 'What happened to those 1,000 people on that skateboard?' That's the mindset you should have when making thumbnails." On knowledge being the only barrier: "It's all knowledge. It really is. I could start a new channel tomorrow without using my face or my voice, without ever promoting it, and in six months have 20 million subscribers. I just could. It's purely knowledge. If you knew what I knew, you could get 10 million subscribers no matter where you are right now within six months." He addresses the skeptics: "90% of the people watching don't agree with that. Everyone has excuses. 'Nah, YouTube just doesn't work like that, Jimmy.' But I mentor a lot of people. I see it all the time. It is possible. It is simply knowledge. The second you accept that it is knowledge and you start your journey of learning figuring out what makes a good video, what does my audience want, how can I elevate and then you take that knowledge and just assume 'I will never understand what the perfect video is' and every single day be devoted to learning and improving as much as possible there you go." On money not being the barrier: "There are tons of viral ideas that don't require money. It does not require money to go viral. One of my most-viewed videos was spending 24 hours in a desert, we just grabbed a tent and some stuff and went to the desert. It got 60-70 million views. People say, 'I could be MrBeast if I had money.' A, I didn't start off with money; I was poor, I had no money. It took me seven years just to buy a camera saving up from YouTube. And B, some of our most-viewed videos literally anyone can do." On why no one will outwork him: "No one's ever gonna do what I do better than me. It's just not humanly possible. I reinvest every penny I make. I work every hour I'm awake. I devote every atom in my brain to solving this. I hire the best people on the planet. I've been doing this for 14 years. And I think in decades, not years. I'm gonna be doing this for another 20-30 years. If I thought someone was doing better than me, I'd just start sleeping less so I could work even more." But he doesn't recommend it: "I don't have a life. I don't have work-life balance. My personality, my soul, my being is making the best videos possible. That is why I exist on this planet. And I don't recommend it. You should have work-life balance. You should not devote your entire life to this one thing. I have a mental breakdown every other week because I push myself so hard. I don't recommend it." The only question that matters: "Subscribers don't matter. Views don't matter. I mean, they do. But everything you want as a creator comes from making the best videos possible and thumbnails. The video part's the hard part. Ask: 'How can I make my videos better?' Do that every single day for years. And then you'll probably get views."

Jaynit

125,413 görüntüleme • 3 ay önce

I'm pumped to announce that DFS Mastermind is officially LIVE! I know I teased it some and showed it off but the pre-launch is over and now we build… The journey is just getting started and some of you have already joined in on the project with me. Thank you so much for your support! The early feedback is strong and has been that this concept of premium DFS evergreen content on demand, so to speak, where the community helps create and impact the content/ideas is a game-changer. So, what is DFS Mastermind? It's a passion pursuit project I created for all those that want to take DFS more serious with focus on the new topics and trends, review/application, information and education. All while collaborating with others that have that same curiousty and hunger for more knowledge! This includes content like: • Process/Strategy videos watching over my shoulder and listening as I explain my exact process across different sports and bringing in others that excel at sports I’m not as skilled/experienced with. • Case Studies/Review videos learning how I review and apply certain concepts I pick up from other top players and for other DFS sports. • Exlusive Interviews with DFS players - both professional and casual to learn more about their history, journey and see what we can pick up and learn from their past, lifestyle, mindset etc. • LIVE Events where we hop on a Zoom call together to collaborate and discuss topics around DFS sports, strategy, process, game theory, along with Q&A sessions etc. All this and MORE! There’s also a private Discord for reflection/collaboration before and after events and to discuss new content releases, share thoughts and ask questions that are sparked from watching/listening to them. Everything releases in both audio and video format, so you can take it in your own way, on your own time. If you miss a LIVE Event, it’s recorded and available for playback at your convenience. A completely new, innovative way to see things. Along with the ability to impact the content you see via the community-controlled content aspect! Important to note, this community won’t give you any projections, picks, plays, tools, data etc. (See Ship It Nation 🚀). It will instead give you evergreen knowledge and insight on topics many DFS players struggle with daily. A way to learn at your own pace and be part of collaborations with other DFS players of all skill levels. No matter what DFS sites you’ve been with or are currently at, this community is a great add-on for you. There’s something you can take away and apply across all the things I’ll cover because the community is helping decide it, proving a majority wants it! My mission is to help others get better at DFS and continue to grow the game we all love! Even if it does tilt us heavy at times! If you’ve ever enjoyed any of my work, this is a way to help ME, help YOU! This also helps the entire community. Join US: I truly appreciate if you can reply and/or help share this post. Thank you! Any questions, just shoot me a DM. I read all replies and respond to all DMs! P.S. I'm also offering a couple bonuses right out of the gate: 1.Most know I love a good giveaway, so why not kick things off with one of the biggest I’ve ever done! 👀 Anyone that joins the journey and supports will get entered into a draw on Dec. 23, 2024 for 1 $3,333 Ultimate Main Event Millionaire ticket on DraftKings, taking place Dec. 29, 2024. 2.When I first kicked this project off publicly, I asked thousands of DFS players to send in topics/questions they struggle with. Thanks to the 350+ that sent in questions, as it helped me create: DFS MIND MAP: TOP 10 TOPICS, TIPS, TRICKS & TIDBITS This is a 3hr30min Masterclass that everyone receives when they join the community. I’ll show more on that tomorrow but it’s a HUGE value to get you started and you’ll be part of the early group that receives it! 🧠🧩💡
0:41

I'm pumped to announce that DFS Mastermind is officially LIVE! I know I teased it some and showed it off but the pre-launch is over and now we build… The journey is just getting started and some of you have already joined in on the project with me. Thank you so much for your support! The early feedback is strong and has been that this concept of premium DFS evergreen content on demand, so to speak, where the community helps create and impact the content/ideas is a game-changer. So, what is DFS Mastermind? It's a passion pursuit project I created for all those that want to take DFS more serious with focus on the new topics and trends, review/application, information and education. All while collaborating with others that have that same curiousty and hunger for more knowledge! This includes content like: • Process/Strategy videos watching over my shoulder and listening as I explain my exact process across different sports and bringing in others that excel at sports I’m not as skilled/experienced with. • Case Studies/Review videos learning how I review and apply certain concepts I pick up from other top players and for other DFS sports. • Exlusive Interviews with DFS players - both professional and casual to learn more about their history, journey and see what we can pick up and learn from their past, lifestyle, mindset etc. • LIVE Events where we hop on a Zoom call together to collaborate and discuss topics around DFS sports, strategy, process, game theory, along with Q&A sessions etc. All this and MORE! There’s also a private Discord for reflection/collaboration before and after events and to discuss new content releases, share thoughts and ask questions that are sparked from watching/listening to them. Everything releases in both audio and video format, so you can take it in your own way, on your own time. If you miss a LIVE Event, it’s recorded and available for playback at your convenience. A completely new, innovative way to see things. Along with the ability to impact the content you see via the community-controlled content aspect! Important to note, this community won’t give you any projections, picks, plays, tools, data etc. (See Ship It Nation 🚀). It will instead give you evergreen knowledge and insight on topics many DFS players struggle with daily. A way to learn at your own pace and be part of collaborations with other DFS players of all skill levels. No matter what DFS sites you’ve been with or are currently at, this community is a great add-on for you. There’s something you can take away and apply across all the things I’ll cover because the community is helping decide it, proving a majority wants it! My mission is to help others get better at DFS and continue to grow the game we all love! Even if it does tilt us heavy at times! If you’ve ever enjoyed any of my work, this is a way to help ME, help YOU! This also helps the entire community. Join US: I truly appreciate if you can reply and/or help share this post. Thank you! Any questions, just shoot me a DM. I read all replies and respond to all DMs! P.S. I'm also offering a couple bonuses right out of the gate: 1.Most know I love a good giveaway, so why not kick things off with one of the biggest I’ve ever done! 👀 Anyone that joins the journey and supports will get entered into a draw on Dec. 23, 2024 for 1 $3,333 Ultimate Main Event Millionaire ticket on DraftKings, taking place Dec. 29, 2024. 2.When I first kicked this project off publicly, I asked thousands of DFS players to send in topics/questions they struggle with. Thanks to the 350+ that sent in questions, as it helped me create: DFS MIND MAP: TOP 10 TOPICS, TIPS, TRICKS & TIDBITS This is a 3hr30min Masterclass that everyone receives when they join the community. I’ll show more on that tomorrow but it’s a HUGE value to get you started and you’ll be part of the early group that receives it! 🧠🧩💡

Tyler Tamboline

60,055 görüntüleme • 1 yıl önce

DANCING IN THE STREET UPGRADED 4K VIDEO WITH PREVIOUSLY UNSEEN FOOTAGE “Just as long as you are there...” The headline says it all, keep reading for the full press release and links. #BowieJaggerDITS DAVID BOWIE & MICK JAGGER - DANCING IN THE STREET WATCH THE 12” REMIX UPGRADED 4K VIDEO FEATURING UNSEEN FOOTAGE HERE NOW 40th ANNIVERSARY - LIMITED EDITION REMASTERED WHITE VINYL 12” OUT NOW ON PARLOPHONE RECORDS 40 years ago this week, the David Bowie and Mick Jagger duet of the Motown classic, “Dancing In The Street” was released with all the proceeds benefiting famine relief. The track and video had been debuted six weeks earlier during Live Aid, the benefit concert organised by Bob Geldof and Midge Ure to raise further funds for the relief of the famine in Ethiopia. The video, which, like the song, had been recorded and filmed in thirteen hours, only fourteen days earlier, was shown just before Bowie took to the stage at Wembley Stadium. The making of the video was documented at the time, but that footage has mainly remained unseen until today. The new 4K video for the Steve Thompson Mix remix of the track features behind-the-scenes footage from the late-night shoot at Spillers Millennium Mills in the East End of London. The single version of the song was released on 27th August, with all the proceeds benefiting famine relief. It topped the UK Singles Chart for four weeks and reached No. 7 in the United States on the Billboard Hot 100. To celebrate the 40th anniversary of ”Dancing In The Street,” a limited edition white vinyl 12" is available now, bringing together every one of the song's mixes for the first time. As with the original, 30% of the retail price from the sale of this single, representing royalties and proceeds, will be donated to the Band Aid Charitable Trust by David Bowie, Mick Jagger and Parlophone Records. Talking about the collaboration today, Mick Jagger comments ‘’We had such a laugh doing ‘Dancing in the Street’ with both the song recorded in the studio and the video done in one day. Remarkable how we pulled it off really. The video is hilarious to watch now. We enjoyed camping it up and trying to impersonate each other’s moves, making it up as we went along. It was the only time David and myself collaborated on anything, which is a real shame.” Speaking about the song and video at the time, Bowie said “We thought about it on a Thursday night and we just went through a bunch of old songs and thought that ‘Dancing’ was one we both knew very well and then we went into the studio between 7 and 11 on Saturday night and then we went over to the Docklands and shot the video for the rest of the night so we did the whole thing in ten hours, it was great.” He also talked about the spirit of Live Aid, saying “Everybody out there who sent money in, you’re the real heroes because it’s easy for me to go up there and sing some songs, but it’s much harder for you to give money and not be recognised. Good on ya!” DAVID BOWIE & MICK JAGGER DANCING IN THE STREET 40th ANNIVERSARY WHITE VINYL TRACKLISTING SIDE ONE Dancing In The Street (Clearmountain Mix) (3.11) Dancing In The Street (Instrumental) (3.17) Dancing In The Street (Steve Thompson Mix) (4.42) SIDE TWO Dancing In The Street (Edit) (3.24) Dancing In The Street (Dub) (4.43) DAVID BOWIE & MICK JAGGER - DANCING IN THE STREET - 40th ANNIVERSARY LIMITED EDITION REMASTERED WHITE VINYL 12” - OUT NOW ON PARLOPHONE
0:33

DANCING IN THE STREET UPGRADED 4K VIDEO WITH PREVIOUSLY UNSEEN FOOTAGE “Just as long as you are there...” The headline says it all, keep reading for the full press release and links. #BowieJaggerDITS DAVID BOWIE & MICK JAGGER - DANCING IN THE STREET WATCH THE 12” REMIX UPGRADED 4K VIDEO FEATURING UNSEEN FOOTAGE HERE NOW 40th ANNIVERSARY - LIMITED EDITION REMASTERED WHITE VINYL 12” OUT NOW ON PARLOPHONE RECORDS 40 years ago this week, the David Bowie and Mick Jagger duet of the Motown classic, “Dancing In The Street” was released with all the proceeds benefiting famine relief. The track and video had been debuted six weeks earlier during Live Aid, the benefit concert organised by Bob Geldof and Midge Ure to raise further funds for the relief of the famine in Ethiopia. The video, which, like the song, had been recorded and filmed in thirteen hours, only fourteen days earlier, was shown just before Bowie took to the stage at Wembley Stadium. The making of the video was documented at the time, but that footage has mainly remained unseen until today. The new 4K video for the Steve Thompson Mix remix of the track features behind-the-scenes footage from the late-night shoot at Spillers Millennium Mills in the East End of London. The single version of the song was released on 27th August, with all the proceeds benefiting famine relief. It topped the UK Singles Chart for four weeks and reached No. 7 in the United States on the Billboard Hot 100. To celebrate the 40th anniversary of ”Dancing In The Street,” a limited edition white vinyl 12" is available now, bringing together every one of the song's mixes for the first time. As with the original, 30% of the retail price from the sale of this single, representing royalties and proceeds, will be donated to the Band Aid Charitable Trust by David Bowie, Mick Jagger and Parlophone Records. Talking about the collaboration today, Mick Jagger comments ‘’We had such a laugh doing ‘Dancing in the Street’ with both the song recorded in the studio and the video done in one day. Remarkable how we pulled it off really. The video is hilarious to watch now. We enjoyed camping it up and trying to impersonate each other’s moves, making it up as we went along. It was the only time David and myself collaborated on anything, which is a real shame.” Speaking about the song and video at the time, Bowie said “We thought about it on a Thursday night and we just went through a bunch of old songs and thought that ‘Dancing’ was one we both knew very well and then we went into the studio between 7 and 11 on Saturday night and then we went over to the Docklands and shot the video for the rest of the night so we did the whole thing in ten hours, it was great.” He also talked about the spirit of Live Aid, saying “Everybody out there who sent money in, you’re the real heroes because it’s easy for me to go up there and sing some songs, but it’s much harder for you to give money and not be recognised. Good on ya!” DAVID BOWIE & MICK JAGGER DANCING IN THE STREET 40th ANNIVERSARY WHITE VINYL TRACKLISTING SIDE ONE Dancing In The Street (Clearmountain Mix) (3.11) Dancing In The Street (Instrumental) (3.17) Dancing In The Street (Steve Thompson Mix) (4.42) SIDE TWO Dancing In The Street (Edit) (3.24) Dancing In The Street (Dub) (4.43) DAVID BOWIE & MICK JAGGER - DANCING IN THE STREET - 40th ANNIVERSARY LIMITED EDITION REMASTERED WHITE VINYL 12” - OUT NOW ON PARLOPHONE

David Bowie Official

20,931 görüntüleme • 1 yıl önce

Kiss just performed its last live concert. Since 1974, the iconic band has grossed $1B+ on tours but it isn't over: Kiss will be the first US band to get immortalized as digital avatars. They'll use the same tech as ABBA, which has made $150m+ in the past 18 months for its digital avatar show (“Voyage”). That project was a collaboration between Industrial Light & Magic (George Lucas' FX company) and Pophouse Entertainment Group (founded by ABBA's Björn Ulvaeus). ABBA: Voyage cost $175m to create and the virtual-only show is housed in London at a special 3000-person venue (see trailer below). Per Bloomberg, ABBA Voyager has sold 99% of all seats and is printing $2m a week. Since they are virtual avatars — looking like the Swedish pop stars in their 20s (they are all over 70 now) — the show can play 7 days a week, indefinitely. Kiss announced the avatars at the close of its final live performance at Madison Square Garden on December 2nd (see the 0:47 mark of video below). The KISS band-members created their avatars the same way ABBA did (with motion-capture suits). Kiss is already a licensing juggernaut and has easily sold $1B+ in merch over its lifetime. Digital avatars make total business sense. Paul Stanley — the 71-year old KISS co-founder and frontman — says “what we’ve accomplished has been amazing, but it’s not enough…the band deserves to live on because the band is bigger than we are." Who’s next? The list of top-grossing tours has a lot of older acts that may want to stop touring and immortalize themselves: Elton John, U2, Guns N' Rosses, The Rolling Stones, AC/DC, Metallica. Digital musical avatars that “live forever” to capitalize on nostalgia does sound like a recipe for cultural stagnation, though (comparable to Hollywood with its non-stop sequels, remakes and comic adaptions). Having said that, I would happily get a nice pre-drink buzz and watch any of these digital avatar acts “on stage”.
1:56

Kiss just performed its last live concert. Since 1974, the iconic band has grossed $1B+ on tours but it isn't over: Kiss will be the first US band to get immortalized as digital avatars. They'll use the same tech as ABBA, which has made $150m+ in the past 18 months for its digital avatar show (“Voyage”). That project was a collaboration between Industrial Light & Magic (George Lucas' FX company) and Pophouse Entertainment Group (founded by ABBA's Björn Ulvaeus). ABBA: Voyage cost $175m to create and the virtual-only show is housed in London at a special 3000-person venue (see trailer below). Per Bloomberg, ABBA Voyager has sold 99% of all seats and is printing $2m a week. Since they are virtual avatars — looking like the Swedish pop stars in their 20s (they are all over 70 now) — the show can play 7 days a week, indefinitely. Kiss announced the avatars at the close of its final live performance at Madison Square Garden on December 2nd (see the 0:47 mark of video below). The KISS band-members created their avatars the same way ABBA did (with motion-capture suits). Kiss is already a licensing juggernaut and has easily sold $1B+ in merch over its lifetime. Digital avatars make total business sense. Paul Stanley — the 71-year old KISS co-founder and frontman — says “what we’ve accomplished has been amazing, but it’s not enough…the band deserves to live on because the band is bigger than we are." Who’s next? The list of top-grossing tours has a lot of older acts that may want to stop touring and immortalize themselves: Elton John, U2, Guns N' Rosses, The Rolling Stones, AC/DC, Metallica. Digital musical avatars that “live forever” to capitalize on nostalgia does sound like a recipe for cultural stagnation, though (comparable to Hollywood with its non-stop sequels, remakes and comic adaptions). Having said that, I would happily get a nice pre-drink buzz and watch any of these digital avatar acts “on stage”.

Trung Phan

282,518 görüntüleme • 2 yıl önce

🔥🔥🔥Breaking! The Center For Countering Digital Hate (CCDH) that was sanctioned by Rubio is partnered with the far leftist, and USAID PARTNERED Skoll Fndn. And CCDH was also given nearly half a million dollars by Skoll too. Skoll is also partnered with the BBC. No wonder the BBC told Trump lies. Another Skoll Partner? Protect Democracy from the Times Election Fortification article. Funny how CCDH always meets up with them. Stay Tuned. It seemed to me that Skolls primary focus is leading foreign attacks on US big tech. So I peeked around on the Skoll site, and the Skolls disinfo program is called the Global Coalition for Tech Justice. Where they spew anti right rhetoric. ♦️The Video Evidence See the video where they stated the need to protect democracy from the, disinfo superspreader Trump “far right”? Calling us authoritarian? And look, there’s the fake news on Elons non existent N*zi salute (aka waving in excitement)! No matter what they tell you, watch the video. They let the truth slip. ♦️They list over 200 member orgs, but conveniently, some are left off for safety reasons. Not to hide em of course. Ha ha!😆 But it looks like someone let the cat outta the bag. See the print screen? CCDH PARTNER SKOLL ♦️This is ran outside of the USA too. Hmmm.. The Global Coalition for Tech Justice, was convened by Digital Action. “Digital Action mobilized civil society and digital rights activist organizations to shape the landmark EU Digital Services Act. In 2023, Digital Action launched the Global Coalition for Tech Justice, bringing together more than 200 member organizations from 55 countries to call on technology platforms to better serve citizens within democracies, particularly those from marginalized communities.” Digital Action was a product of the Arabella New Venture fund, and its team of seven is located in Dublin, London, and Beirut. Arabella was the money handler for Soros Democracy Alliance. ♦️To review the top to bottom Hierarchy of this Democrat org used to herald in censorship of conservatives: 🔸Arabella New Venture Fund 🔸Digital Action 🔸Global Coalition for Tech Justice 🔸Year of Democracy ♦️Digital Action Funding Partners Skoll Fndn Soros Open society Ford Fndn Omidyar Luminate MacArthur Fndn ♦️A year of action to destroy Big Tech and affect elections to save democracy Now I mentioned something new above. The global Coalition for Tech Justice ran the Year For Democracy in 2024. “Together with our members, we campaign, research, investigate and tell the stories of tech harm in global media, support and amplify the efforts of our members on the frontlines of tech harm, and build policy solutions to address the global impacts of social media companies.” “In 2024, more than 2 billion people will be entitled to vote as over 70 countries go to the polls, in the biggest and most significant year for elections globally this century.” ♦️They say that Big Tech is creating an equity crisis. Well news flash, equity is illegal in the US. That’s foreign meddling there. “The Global Coalition for Tech Justice is a global movement challenging the global equity crisis at the centre of tech accountability, whereby social media companies headquartered in the global north – and the regulators responsible for them – have been negligent when it comes to dealing with their impacts everywhere and particularly in the global majority.” ♦️Stop the right “In Brazil, which is holding municipal elections in the fall of 2024, experts worry that Big Tech companies haven’t learnt their lesson from the January attack on government buildings by supporters of the far-right ex-president Jair Bolsonaro, asking to overturn the results of the October 2022 presidential election. “The far-right now has a common enemy and they are organising themselves as never before to gain votes in those local municipalities, gain strength for the next national election,” said Nina Santos” Hopefully Rubio defunded this.
8:18

🔥🔥🔥Breaking! The Center For Countering Digital Hate (CCDH) that was sanctioned by Rubio is partnered with the far leftist, and USAID PARTNERED Skoll Fndn. And CCDH was also given nearly half a million dollars by Skoll too. Skoll is also partnered with the BBC. No wonder the BBC told Trump lies. Another Skoll Partner? Protect Democracy from the Times Election Fortification article. Funny how CCDH always meets up with them. Stay Tuned. It seemed to me that Skolls primary focus is leading foreign attacks on US big tech. So I peeked around on the Skoll site, and the Skolls disinfo program is called the Global Coalition for Tech Justice. Where they spew anti right rhetoric. ♦️The Video Evidence See the video where they stated the need to protect democracy from the, disinfo superspreader Trump “far right”? Calling us authoritarian? And look, there’s the fake news on Elons non existent N*zi salute (aka waving in excitement)! No matter what they tell you, watch the video. They let the truth slip. ♦️They list over 200 member orgs, but conveniently, some are left off for safety reasons. Not to hide em of course. Ha ha!😆 But it looks like someone let the cat outta the bag. See the print screen? CCDH PARTNER SKOLL ♦️This is ran outside of the USA too. Hmmm.. The Global Coalition for Tech Justice, was convened by Digital Action. “Digital Action mobilized civil society and digital rights activist organizations to shape the landmark EU Digital Services Act. In 2023, Digital Action launched the Global Coalition for Tech Justice, bringing together more than 200 member organizations from 55 countries to call on technology platforms to better serve citizens within democracies, particularly those from marginalized communities.” Digital Action was a product of the Arabella New Venture fund, and its team of seven is located in Dublin, London, and Beirut. Arabella was the money handler for Soros Democracy Alliance. ♦️To review the top to bottom Hierarchy of this Democrat org used to herald in censorship of conservatives: 🔸Arabella New Venture Fund 🔸Digital Action 🔸Global Coalition for Tech Justice 🔸Year of Democracy ♦️Digital Action Funding Partners Skoll Fndn Soros Open society Ford Fndn Omidyar Luminate MacArthur Fndn ♦️A year of action to destroy Big Tech and affect elections to save democracy Now I mentioned something new above. The global Coalition for Tech Justice ran the Year For Democracy in 2024. “Together with our members, we campaign, research, investigate and tell the stories of tech harm in global media, support and amplify the efforts of our members on the frontlines of tech harm, and build policy solutions to address the global impacts of social media companies.” “In 2024, more than 2 billion people will be entitled to vote as over 70 countries go to the polls, in the biggest and most significant year for elections globally this century.” ♦️They say that Big Tech is creating an equity crisis. Well news flash, equity is illegal in the US. That’s foreign meddling there. “The Global Coalition for Tech Justice is a global movement challenging the global equity crisis at the centre of tech accountability, whereby social media companies headquartered in the global north – and the regulators responsible for them – have been negligent when it comes to dealing with their impacts everywhere and particularly in the global majority.” ♦️Stop the right “In Brazil, which is holding municipal elections in the fall of 2024, experts worry that Big Tech companies haven’t learnt their lesson from the January attack on government buildings by supporters of the far-right ex-president Jair Bolsonaro, asking to overturn the results of the October 2022 presidential election. “The far-right now has a common enemy and they are organising themselves as never before to gain votes in those local municipalities, gain strength for the next national election,” said Nina Santos” Hopefully Rubio defunded this.

Bad Kitty Unleashed 🦁 💪🏻

21,567 görüntüleme • 8 ay önce

WATCH: In August 2018, I confronted both Ilhan Omar and Rashida Tlaib about their lack of loyalty to America, their hatred of Jews, their support of Female Genital mutilation, sharia law, and their open support for and from Islamic terrorist organizations. I pressed them on their refusal to condemn HAMAS, and I coined the term HAMAS Caucus to refer to these women in the squad. This was BEFORE they were ever elected to the United States Congress. I submitted all of my research to the RNC, I called members of Congress, and I sent it to Fox News. I was told I was an “anti Muslim conspiracy theorist” and ignored. Three months later, I was banned on Twitter for calling Ilhan Omar anti-Jewish, and shortly after that my bank banned me, I was banned on all payment processors, and every single social media site banned me. I have been so banned for exposing Islamic infiltration in America that I was even banned on Uber, Lyft and Uber Eats. My entire livelihood was destroyed for nearly 6 years because I told the truth. Now Republicans in House Republicans, none of whom helped me while I was viciously deplatformed, smeared and even violently threatened by members of the Muslim Brotherhood for my investigations into Ilhan Omar, want to pretend like this is all new information. I warned everyone about Ilhan Omar for years. My business was destroyed over it. In many ways my life has been ruined over the level of censorship I was subjected to and the GOPs refusal to help me when my rights were violated for speaking truth. I’m posting this video so you can all see how much the Republicans have lied to you. I swear to God on my own life I sent them all of this information in 2018 before the Omar was elected and I was condemned and told to go away. Now the same Republicans who threw me under the bus and called me “anti Muslim” for years want to pretend like they are outraged over Ilhan Omar. When I ran for Congress in FL, I wasn’t able to have social media. My campaign was the only campaign in the nation denied all access to social media and this happened while Ron DeSantis was Governor. I was denied all access to social media because I was banned everywhere prior to running for exposing Ilhan Omar. Just another reminder to all of you how evil the Republican Party is and how they gaslight everyone into believing their bullshit.
2:11

WATCH: In August 2018, I confronted both Ilhan Omar and Rashida Tlaib about their lack of loyalty to America, their hatred of Jews, their support of Female Genital mutilation, sharia law, and their open support for and from Islamic terrorist organizations. I pressed them on their refusal to condemn HAMAS, and I coined the term HAMAS Caucus to refer to these women in the squad. This was BEFORE they were ever elected to the United States Congress. I submitted all of my research to the RNC, I called members of Congress, and I sent it to Fox News. I was told I was an “anti Muslim conspiracy theorist” and ignored. Three months later, I was banned on Twitter for calling Ilhan Omar anti-Jewish, and shortly after that my bank banned me, I was banned on all payment processors, and every single social media site banned me. I have been so banned for exposing Islamic infiltration in America that I was even banned on Uber, Lyft and Uber Eats. My entire livelihood was destroyed for nearly 6 years because I told the truth. Now Republicans in House Republicans, none of whom helped me while I was viciously deplatformed, smeared and even violently threatened by members of the Muslim Brotherhood for my investigations into Ilhan Omar, want to pretend like this is all new information. I warned everyone about Ilhan Omar for years. My business was destroyed over it. In many ways my life has been ruined over the level of censorship I was subjected to and the GOPs refusal to help me when my rights were violated for speaking truth. I’m posting this video so you can all see how much the Republicans have lied to you. I swear to God on my own life I sent them all of this information in 2018 before the Omar was elected and I was condemned and told to go away. Now the same Republicans who threw me under the bus and called me “anti Muslim” for years want to pretend like they are outraged over Ilhan Omar. When I ran for Congress in FL, I wasn’t able to have social media. My campaign was the only campaign in the nation denied all access to social media and this happened while Ron DeSantis was Governor. I was denied all access to social media because I was banned everywhere prior to running for exposing Ilhan Omar. Just another reminder to all of you how evil the Republican Party is and how they gaslight everyone into believing their bullshit.

Laura Loomer

926,147 görüntüleme • 2 yıl önce