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Nick Offerman started getting emotional when Amy Poehler brought up his character Ron Swanson on Parks & Rec as well as his fatherly relationship with Aubrey Plaza and her character April Ludgate ❤️💯 “Wait, are you crying?” “No, I was thinking about this pork dish” “I have a lot... show more

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648,530 görüntüleme • 4 ay önce •via X (Twitter)

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Nick Offerman said people still call him Ron Swanson, and some are so intimidated they approach him shaking and scared. Nick Offerman: And you’re just like, “You guys, that was a long time…” Amy Poehler: That was a long, you know, my son just turned 17, which is when we started the show. Seventeen years ago. Nick Offerman: Holy cow. Amy Poehler: And, I know, think about that. Nick Offerman: (laughs) Amy Poehler: And, the fact that there’s still, people are still dressing up for Ron Swanson at Halloween. And people said that you got us through the pandemic, and people are saying, “My kid’s just starting it,” and like it’s unbe— I don’t, I mean, I know we knew, I gotta say, and, I, I think I can speak for us both, we were old enough, and, I don’t know, maybe a little, like we knew what we had at the time, you and me. We really did. Nick Offerman: For sure. Amy Poehler: And we tried to enjoy every minute of it, but like, Ron Swanson is, would be in the ma— is in the Hall of Fame of characters. I mean, he is, he is this person that people feel con— what is it like, almost 20 years later, interacting with that kind of work? Like, how do people interact with you? Nick Offerman: It’s interesting. I mean, mostly, first of all, I’m so stupidly grateful, like from star— soup to nuts. And also, people are so nice to me and respectful, I think of Ron, like, people approach me with a deference… Amy Poehler: (laughs) Nick Offerman: …and also a little fear. Amy Poehler: Yeah. Nick Offerman: Um, but they’re, they are really polite to me where I, I usually have to say, “Please call me Nick,” or, you know, because they’re shaking and they’re scared.

Nick Offerman said people still call him Ron Swanson, and some are so intimidated they approach him shaking and scared. Nick Offerman: And you’re just like, “You guys, that was a long time…” Amy Poehler: That was a long, you know, my son just turned 17, which is when we started the show. Seventeen years ago. Nick Offerman: Holy cow. Amy Poehler: And, I know, think about that. Nick Offerman: (laughs) Amy Poehler: And, the fact that there’s still, people are still dressing up for Ron Swanson at Halloween. And people said that you got us through the pandemic, and people are saying, “My kid’s just starting it,” and like it’s unbe— I don’t, I mean, I know we knew, I gotta say, and, I, I think I can speak for us both, we were old enough, and, I don’t know, maybe a little, like we knew what we had at the time, you and me. We really did. Nick Offerman: For sure. Amy Poehler: And we tried to enjoy every minute of it, but like, Ron Swanson is, would be in the ma— is in the Hall of Fame of characters. I mean, he is, he is this person that people feel con— what is it like, almost 20 years later, interacting with that kind of work? Like, how do people interact with you? Nick Offerman: It’s interesting. I mean, mostly, first of all, I’m so stupidly grateful, like from star— soup to nuts. And also, people are so nice to me and respectful, I think of Ron, like, people approach me with a deference… Amy Poehler: (laughs) Nick Offerman: …and also a little fear. Amy Poehler: Yeah. Nick Offerman: Um, but they’re, they are really polite to me where I, I usually have to say, “Please call me Nick,” or, you know, because they’re shaking and they’re scared.

Ruzy.hl

173,247 görüntüleme • 2 ay önce

Aubrey Plaza says NYU let her move out of her dorm early after it became infested with mice. Aubrey Plaza: I go to New York, my parents drop me off on Third Avenue and 11th Street. Amy Poehler: Oh my God, I used to live around there, near Webster Hall. Aubrey Plaza: Yeah, I lived in the Third North dorms. Then I ended up moving out earlier than you’re technically allowed to because there was a mice issue. Amy Poehler: Ooh. Amy Poehler: There were too many mice? They were like, “You have to leave”? The mice took over? Aubrey Plaza: The mice took over to the point where, I’ll never forget, I was on the top bunk. Amy Poehler: No. Aubrey Plaza: I was being really quiet because I was reading a book or something, and nobody else was in the room. Amy Poehler: You were as quiet as a mouse. Aubrey Plaza: I was as quiet as a mouse. I was just reading for maybe 20 minutes, and all of a sudden… Amy Poehler: Mm-hmm. Aubrey Plaza: There was a Thanksgiving Day parade of mice. They were like having trumpets, going, “Doo-doo-doo-doo-doo-doo-doo-doo!” They were all parading back and forth, like selling things. Amy Poehler: Oh my God. Aubrey Plaza: It was like a flea market. They came out and it was insane. I was like, “Ah!” Amy Poehler: On your floor? Aubrey Plaza: On the ground, like in our clothes. It wasn’t even a messy room. They were just everywhere, like they were wearing my clothes, running around, dancing. Amy Poehler: They were like those Richard Scarry books. Remember those? They were like building things and driving little cars. Aubrey Plaza: Yeah, yeah! Little pickle car, yeah! Amy Poehler: Yes. Aubrey Plaza: It was insane. I was screaming, “This is fucking disgusting.” Amy Poehler: And NYU was like, “You got to get out.” Aubrey Plaza: They were like, “Be quiet and get out.”

Aubrey Plaza says NYU let her move out of her dorm early after it became infested with mice. Aubrey Plaza: I go to New York, my parents drop me off on Third Avenue and 11th Street. Amy Poehler: Oh my God, I used to live around there, near Webster Hall. Aubrey Plaza: Yeah, I lived in the Third North dorms. Then I ended up moving out earlier than you’re technically allowed to because there was a mice issue. Amy Poehler: Ooh. Amy Poehler: There were too many mice? They were like, “You have to leave”? The mice took over? Aubrey Plaza: The mice took over to the point where, I’ll never forget, I was on the top bunk. Amy Poehler: No. Aubrey Plaza: I was being really quiet because I was reading a book or something, and nobody else was in the room. Amy Poehler: You were as quiet as a mouse. Aubrey Plaza: I was as quiet as a mouse. I was just reading for maybe 20 minutes, and all of a sudden… Amy Poehler: Mm-hmm. Aubrey Plaza: There was a Thanksgiving Day parade of mice. They were like having trumpets, going, “Doo-doo-doo-doo-doo-doo-doo-doo!” They were all parading back and forth, like selling things. Amy Poehler: Oh my God. Aubrey Plaza: It was like a flea market. They came out and it was insane. I was like, “Ah!” Amy Poehler: On your floor? Aubrey Plaza: On the ground, like in our clothes. It wasn’t even a messy room. They were just everywhere, like they were wearing my clothes, running around, dancing. Amy Poehler: They were like those Richard Scarry books. Remember those? They were like building things and driving little cars. Aubrey Plaza: Yeah, yeah! Little pickle car, yeah! Amy Poehler: Yes. Aubrey Plaza: It was insane. I was screaming, “This is fucking disgusting.” Amy Poehler: And NYU was like, “You got to get out.” Aubrey Plaza: They were like, “Be quiet and get out.”

Ruzy.hl

24,535 görüntüleme • 2 ay önce

Aubrey Plaza revealed that while filming, Nick Offerman reminded her she could get her own coffee instead of asking a production assistant. Aubrey Plaza: I remember I was just sitting in my little chair and wasn’t doing anything for a while. One of the PAs came up and said, “Do you need anything?” I was like, “Uh, sure. I’d take a coffee,” or something. Then Nick was sitting next to me reading a book or something, and he looked over and said, “Don’t forget that you can get up and get your own coffee. It’s right over there.” Amy Poehler: (laughs) Aubrey Plaza: I know that sounds kind of like an asshole thing to say, but I didn’t take it like that. I was like, “You’re fucking right.” Amy Poehler: Yeah. Aubrey Plaza: I was like, “I don’t need that little PA over there to walk over there, in my eyesight, and pour me a cup of coffee.” You get in that zone on set where you just turn into a couch potato, where you’re like, “Uh…”

Aubrey Plaza revealed that while filming, Nick Offerman reminded her she could get her own coffee instead of asking a production assistant. Aubrey Plaza: I remember I was just sitting in my little chair and wasn’t doing anything for a while. One of the PAs came up and said, “Do you need anything?” I was like, “Uh, sure. I’d take a coffee,” or something. Then Nick was sitting next to me reading a book or something, and he looked over and said, “Don’t forget that you can get up and get your own coffee. It’s right over there.” Amy Poehler: (laughs) Aubrey Plaza: I know that sounds kind of like an asshole thing to say, but I didn’t take it like that. I was like, “You’re fucking right.” Amy Poehler: Yeah. Aubrey Plaza: I was like, “I don’t need that little PA over there to walk over there, in my eyesight, and pour me a cup of coffee.” You get in that zone on set where you just turn into a couch potato, where you’re like, “Uh…”

_Chase😈

665,351 görüntüleme • 20 gün önce

Aubrey Plaza revealed that while filming, Nick Offerman reminded her she could get her own coffee instead of asking a production assistant. Aubrey Plaza: I remember I was just sitting in my little chair and wasn’t doing anything for a while. One of the PAs came up and said, “Do you need anything?” I was like, “Uh, sure. I’d take a coffee,” or something. Then Nick was sitting next to me reading a book or something, and he looked over and said, “Don’t forget that you can get up and get your own coffee. It’s right over there.” Amy Poehler: (laughs) Aubrey Plaza: I know that sounds kind of like an asshole thing to say, but I didn’t take it like that. I was like, “You’re fucking right.” Amy Poehler: Yeah. Aubrey Plaza: I was like, “I don’t need that little PA over there to walk over there, in my eyesight, and pour me a cup of coffee.” You get in that zone on set where you just turn into a couch potato, where you’re like, “Uh…”

Aubrey Plaza revealed that while filming, Nick Offerman reminded her she could get her own coffee instead of asking a production assistant. Aubrey Plaza: I remember I was just sitting in my little chair and wasn’t doing anything for a while. One of the PAs came up and said, “Do you need anything?” I was like, “Uh, sure. I’d take a coffee,” or something. Then Nick was sitting next to me reading a book or something, and he looked over and said, “Don’t forget that you can get up and get your own coffee. It’s right over there.” Amy Poehler: (laughs) Aubrey Plaza: I know that sounds kind of like an asshole thing to say, but I didn’t take it like that. I was like, “You’re fucking right.” Amy Poehler: Yeah. Aubrey Plaza: I was like, “I don’t need that little PA over there to walk over there, in my eyesight, and pour me a cup of coffee.” You get in that zone on set where you just turn into a couch potato, where you’re like, “Uh…”

Ruzy

6,173,724 görüntüleme • 2 ay önce

Aubrey Plaza compares the grief of losing her husband to a horror movie. Amy Poehler: You lost your husband. Aubrey Plaza: Yeah. Amy Poehler: You’ve been dealing with that, and you’ve been looking for all different ways in which to feel and find support. And I think I would, on behalf of all the people who feel like they know you and the people who do know you, ask: how are you feeling today? Aubrey Plaza: Um, I’m… I mean, right in this very, very present moment, I feel happy to be with you. Amy Poehler: Mhm. Aubrey Plaza: Um, I feel… overall, I’m here, and I’m functioning, and I feel, you know, like I feel really grateful to be moving through the world. Amy Poehler: Mhm. Aubrey Plaza: I think, like, I’m okay, but, you know, it’s like a daily struggle, obviously. This is like a really dumb analogy, but… and it was kind of a joke at some point, but like, I actually mean it. Did you see that movie, The Gorge? Amy Poehler: No. Aubrey Plaza: Okay. Amy Poehler: Horror movie? Aubrey Plaza: It’s like a sci-fi alien movie or something. Amy Poehler: Okay, okay, okay. Aubrey Plaza: With, like, Miles… Amy Poehler: Teller? Aubrey Plaza: Teller. And, um… but it’s like, in the movie, there’s like a cliff on one side, and then there’s like a cliff on the other side, and then there’s this, like, gorge in between, and it’s like filled with all these, like, monster people that are trying to get them. And, like, I swear when I watched it, I was like, “That feels like what my grief is like,” or what grief could be like, where it’s like, at all times, there’s like a giant ocean of just awfulness that’s, like, right there, and I can, like, see it. Amy Poehler: Mhm. Aubrey Plaza: And, like, sometimes I just want to, like, dive into it and just be in it. And then sometimes I just look at it. And then sometimes I try to get away from it… Amy Poehler: Mhm. Aubrey Plaza: …but it’s always there. It’s just always there, and the monster people are trying to get me, like Miles Teller. Amy Poehler: Yeah. And… and, uh, Anya… Aubrey Plaza: And Anya Taylor-Joy. Amy Poehler: Yeah.

Aubrey Plaza compares the grief of losing her husband to a horror movie. Amy Poehler: You lost your husband. Aubrey Plaza: Yeah. Amy Poehler: You’ve been dealing with that, and you’ve been looking for all different ways in which to feel and find support. And I think I would, on behalf of all the people who feel like they know you and the people who do know you, ask: how are you feeling today? Aubrey Plaza: Um, I’m… I mean, right in this very, very present moment, I feel happy to be with you. Amy Poehler: Mhm. Aubrey Plaza: Um, I feel… overall, I’m here, and I’m functioning, and I feel, you know, like I feel really grateful to be moving through the world. Amy Poehler: Mhm. Aubrey Plaza: I think, like, I’m okay, but, you know, it’s like a daily struggle, obviously. This is like a really dumb analogy, but… and it was kind of a joke at some point, but like, I actually mean it. Did you see that movie, The Gorge? Amy Poehler: No. Aubrey Plaza: Okay. Amy Poehler: Horror movie? Aubrey Plaza: It’s like a sci-fi alien movie or something. Amy Poehler: Okay, okay, okay. Aubrey Plaza: With, like, Miles… Amy Poehler: Teller? Aubrey Plaza: Teller. And, um… but it’s like, in the movie, there’s like a cliff on one side, and then there’s like a cliff on the other side, and then there’s this, like, gorge in between, and it’s like filled with all these, like, monster people that are trying to get them. And, like, I swear when I watched it, I was like, “That feels like what my grief is like,” or what grief could be like, where it’s like, at all times, there’s like a giant ocean of just awfulness that’s, like, right there, and I can, like, see it. Amy Poehler: Mhm. Aubrey Plaza: And, like, sometimes I just want to, like, dive into it and just be in it. And then sometimes I just look at it. And then sometimes I try to get away from it… Amy Poehler: Mhm. Aubrey Plaza: …but it’s always there. It’s just always there, and the monster people are trying to get me, like Miles Teller. Amy Poehler: Yeah. And… and, uh, Anya… Aubrey Plaza: And Anya Taylor-Joy. Amy Poehler: Yeah.

Ruzy

699,282 görüntüleme • 2 ay önce

I saw this video and it made me question so much. Like how did I never think of it from that perspective? Was it because I tied it to his character in Purple Rain? I told my daughter about this and she thought I was nuts but then she started reading the lyrics and was blown away as well. Prince was a deep and spiritual person and I love that this song can be interpreted this way✝️💜✝️

I saw this video and it made me question so much. Like how did I never think of it from that perspective? Was it because I tied it to his character in Purple Rain? I told my daughter about this and she thought I was nuts but then she started reading the lyrics and was blown away as well. Prince was a deep and spiritual person and I love that this song can be interpreted this way✝️💜✝️

Michelle Maxwell ™

14,762 görüntüleme • 1 ay önce

Guiseppe Tornatore on why he chose Monica Belluci for "Malena" (2000): "I chose Monica because. when I met her I had known about this story for five years. I never thought I was going to make a film out of it. But when I met her, she made me think about this story. So, I started thinking about it, maybe just subconsciously. I started to see that it could be possible- to see the character. And this is a story that, until you start to envision the character you don’t think that the character could actually exist. So when I met her I started to think about it- to elaborate on the story in my mind. And after a while I decided to make the film. When I wrote the film, I wrote it for her- I knew that Monica Bellucci would be Malena. That was extraordinary. I love writing knowing in advance who the actors are going to be. It’s happened a few other times. It’s always been a stronger experience." (Guiseppe Tornatore's interview with Rob Larsen, 2000)

Guiseppe Tornatore on why he chose Monica Belluci for "Malena" (2000): "I chose Monica because. when I met her I had known about this story for five years. I never thought I was going to make a film out of it. But when I met her, she made me think about this story. So, I started thinking about it, maybe just subconsciously. I started to see that it could be possible- to see the character. And this is a story that, until you start to envision the character you don’t think that the character could actually exist. So when I met her I started to think about it- to elaborate on the story in my mind. And after a while I decided to make the film. When I wrote the film, I wrote it for her- I knew that Monica Bellucci would be Malena. That was extraordinary. I love writing knowing in advance who the actors are going to be. It’s happened a few other times. It’s always been a stronger experience." (Guiseppe Tornatore's interview with Rob Larsen, 2000)

DepressedBergman

159,808 görüntüleme • 1 yıl önce

“Because I think a lot of people are familiar with you know, pop stars have these alter egos on stage and then they're also a little bit potentially different behind the scenes. Can you talk about what the difference is between those two personas?” ROSÉ: I think, you know, like I started off as, my whole career started as Blackpink and I feel like it was so much fun creating this character on stage because I'm just from like Australia, like in my bedroom, but like it was so much fun creating this like pop star, like character. It was so much fun. And then I think creating my first solo album, it was my discover of like, you know, who am I? And like when I was naming the album, I really thought a lot about it. There was like options like, you know, number one girl. And then a lot of people did like, what about Rosie? And at first I was like, it seems a bit like narcissistic. I'm not sure. And then it slowly grew on me. And then, you know, just the idea of it being Rosie because Rosé has been such a big part of my life. And that's what we present ourselves as Blackpink, Blackpink Rosé. And I felt like this was very opposite. And so I noticed that it was closer to kind of introducing a different version of me, like because it combined all the stories I would talk about with my friends and family. And they call me Rosie at home. And of course, the online name that the company had made for me from at the beginning of Blackpink, I remember when it happened was like the day before they released my picture, profile picture, they were like, Rosé. And like the name got announced.

rosie

47,583 görüntüleme • 7 ay önce

Q: “Because I think a lot of people are familiar with, you know, pop stars have these alter egos on stage and then they're also a little bit potentially different behind the scenes. Can you talk about what the difference is between those two personas?” ROSÉ: “I think, you know, like I started off as, my whole career started as Blackpink and I feel like it was so much fun creating this character on stage because I'm just from like Australia, like in my bedroom, but like it was so much fun creating this like pop star, like character. It was so much fun. And then I think creating my first solo album, it was my discover of like, you know, who am I? And like when I was naming the album, I really thought a lot about it. There was like options like, you know, number one girl. And then a lot of people did like, what about Rosie? And at first I was like, it seems a bit like narcissistic. ..I'm not sure. And then it slowly grew on me. And then, you know, just the idea of it being Rosie because Rosé has been such a big part of my life. And that's what we present ourselves as Blackpink, Blackpink Rosé. And I felt like this was very opposite. And so I noticed that it was closer to kind of introducing a different version of me, like because it combined all the stories I would talk about with my friends and family. And they call me Rosie at home. And of course, the online name that the company had made for me from at the beginning of Blackpink, I remember when it happened was like the day before they released my picture, profile picture, they were like, Rosé. And like the name got announced.”

hiro

35,872 görüntüleme • 7 ay önce

sehun’s mystery gift was his nike cap! 🧢🖤 sehun: i’ve brought a cap. it’s gotten really worn out and old. the reason i brought this cap is… i actually have a lot of nice caps, as you guys probably know~ but i’ve had this cap for about 7 years and a lot of people probably recognize it since i wore it a lot. i wear it when i practice, in my everyday life, and when i work out as well. it’s a cap that has been with me everywhere and carries my presence so i chose this one~

sehun’s mystery gift was his nike cap! 🧢🖤 sehun: i’ve brought a cap. it’s gotten really worn out and old. the reason i brought this cap is… i actually have a lot of nice caps, as you guys probably know~ but i’ve had this cap for about 7 years and a lot of people probably recognize it since i wore it a lot. i wear it when i practice, in my everyday life, and when i work out as well. it’s a cap that has been with me everywhere and carries my presence so i chose this one~

🌸 사랑둥이 귀염둥이 세훈이 🌸

18,506 görüntüleme • 4 ay önce

Aubrey Plaza says a director told her to suck on Robert De Niro's nipples during their 10-hour sex scene Aubrey Plaza: "He's a dirty grandpa, and I'm a dirty... girl." Jimmy Kimmel: "You have a sex scene with him." Aubrey Plaza: "Yeah. It was fun." Jimmy Kimmel: "For you it was fun. Was it fun for him as well?" Aubrey Plaza: "I can't speak for him. You know, it was a long day. They allotted an entire day for it." Jimmy Kimmel: "They did, really? How many hours?" Aubrey Plaza: "Say about nine, a solid nine, maybe ten. "And there was a lot of interesting stuff that went down, you know. One thing in particular was, the director, who's British, Dan Mazer, who is awesome and I loved him, it was a little bit of like we didn't totally plan out the scene. We didn't know how it was going to go down." "So there was a lot of moments where Dan would call me over and he'd be like, 'In the next take, Aubrey, why don't you suck on his nipples, try that.'" "And I'd be like, 'You want me to do it?' I'd rather not. And then he'd be like, 'Yeah, suck on his nipples.'" "Then I would go and I'd try to do it, and I'd try to get in there and suck on his nipples, and he was like batting me away, and I didn't know if it was like in character or not, 'cause you never know." "Then they cut the camera, and then Dan called me back and he's like, 'Bob does not like his nipple area paid attention to.' So, don't do that." "And I was like, great, well now he thinks that I wanted to do that."

Sensitive content

Aubrey Plaza says a director told her to suck on Robert De Niro's nipples during their 10-hour sex scene Aubrey Plaza: "He's a dirty grandpa, and I'm a dirty... girl." Jimmy Kimmel: "You have a sex scene with him." Aubrey Plaza: "Yeah. It was fun." Jimmy Kimmel: "For you it was fun. Was it fun for him as well?" Aubrey Plaza: "I can't speak for him. You know, it was a long day. They allotted an entire day for it." Jimmy Kimmel: "They did, really? How many hours?" Aubrey Plaza: "Say about nine, a solid nine, maybe ten. "And there was a lot of interesting stuff that went down, you know. One thing in particular was, the director, who's British, Dan Mazer, who is awesome and I loved him, it was a little bit of like we didn't totally plan out the scene. We didn't know how it was going to go down." "So there was a lot of moments where Dan would call me over and he'd be like, 'In the next take, Aubrey, why don't you suck on his nipples, try that.'" "And I'd be like, 'You want me to do it?' I'd rather not. And then he'd be like, 'Yeah, suck on his nipples.'" "Then I would go and I'd try to do it, and I'd try to get in there and suck on his nipples, and he was like batting me away, and I didn't know if it was like in character or not, 'cause you never know." "Then they cut the camera, and then Dan called me back and he's like, 'Bob does not like his nipple area paid attention to.' So, don't do that." "And I was like, great, well now he thinks that I wanted to do that."

crest.

13,756,052 görüntüleme • 14 gün önce

For me, Peter Cullen was Eeyore as a kid, my grandma would have all the VHS tapes of the 80s animated series I would watch all the time. He played a character a lot of people could identify with and I think now of this moment from the show. I’ll cherish his memory forever.

For me, Peter Cullen was Eeyore as a kid, my grandma would have all the VHS tapes of the 80s animated series I would watch all the time. He played a character a lot of people could identify with and I think now of this moment from the show. I’ll cherish his memory forever.

Rick

33,873 görüntüleme • 21 gün önce

daniel bravo hernández discusses how observing kit connor's performance as romeo on broadway influenced his own portrayal of the character: “well, funny enough, i think watching kit connor do it every day, and i regard him as one of the best romeos that i've seen. i think there was a lot in his performance that aided me in rehearsal. the only thing that hindered me was his accent. i kept saying a lot of the words in his accent, and i was like, ‘oh man, i've got to get him out of my head.’ but so much of his choices and so much that he brought out, i didn't necessarily copy, but i was inspired by it. so, being romeo now, i'm like, ‘okay, how do i bring in some of kit, and how do i bring in a whole lot of me as well?’” 🎥:

daniel bravo hernández discusses how observing kit connor's performance as romeo on broadway influenced his own portrayal of the character: “well, funny enough, i think watching kit connor do it every day, and i regard him as one of the best romeos that i've seen. i think there was a lot in his performance that aided me in rehearsal. the only thing that hindered me was his accent. i kept saying a lot of the words in his accent, and i was like, ‘oh man, i've got to get him out of my head.’ but so much of his choices and so much that he brought out, i didn't necessarily copy, but i was inspired by it. so, being romeo now, i'm like, ‘okay, how do i bring in some of kit, and how do i bring in a whole lot of me as well?’” 🎥:

kit connor updates

13,781 görüntüleme • 3 ay önce

“You didn’t show me this kind of attitude when we were in a relationship. I might have ended up not marrying you if you hadn't pretended all along. There’s not a single moment you farted in front of me when we were still dating; this is an irritating character, and I should’ve not settled for you. My experience with you makes me feel like I settled for less. Ask my ex-boyfriend, there was never a day I farted in front of him.” -Woman lament as her husband farted in her front.

“You didn’t show me this kind of attitude when we were in a relationship. I might have ended up not marrying you if you hadn't pretended all along. There’s not a single moment you farted in front of me when we were still dating; this is an irritating character, and I should’ve not settled for you. My experience with you makes me feel like I settled for less. Ask my ex-boyfriend, there was never a day I farted in front of him.” -Woman lament as her husband farted in her front.

TUNMISE

70,463 görüntüleme • 5 ay önce

Nancy Allen on her favourite collaboration with Brian De Palma: "I guess I'd have to say "Blow Out' (1981) I love each one. "Home Movies" is a trifle. 'Carrie' (1976) was a kick because it was my first film. It was great. 'Dressed to Ki!!' (1980) I love for the reasons I told you. But 'Blow Out,' I think, for so many reasons. No. 1, it was such a great piece at that time. It really came together in terms of his style, content, all the actors, the performances... leading up to one of his best films ever, I think. What happened, of course, with "Blow Out" was I didn't like the character, it was never originally written for someone like myself or someone like John [Travolta]. It was really more of a small, dark, film noir piece, which I love, and the characters were a bit older than we were and really kind of past it. It was over for them, very cynical and dark. The guy's character was very cerebral, more like a John Heard or Jimmy Woods, this type of person. So, when John was cast, in a way, it was perfect. I didn't see it right away. That's not who this character is, but what John brought to the character, what wasn't there, was the heart and soul. So, I did not want to make another picture with Brian. I didn't like this character. John wanted to do it with me, and Brian said, "Well, wouldn't you like to work with John?" I said yes, of course I would. Yes, I love working with John. So I had to find a love of this person, which I did. I came to fall in love with her and give her things that I felt I could align with." (Nancy Allen's interview with Michael Calia, The Wall Street Journal, 2015) P.S: Happy 76th birthday, Nancy Allen!

Nancy Allen on her favourite collaboration with Brian De Palma: "I guess I'd have to say "Blow Out' (1981) I love each one. "Home Movies" is a trifle. 'Carrie' (1976) was a kick because it was my first film. It was great. 'Dressed to Ki!!' (1980) I love for the reasons I told you. But 'Blow Out,' I think, for so many reasons. No. 1, it was such a great piece at that time. It really came together in terms of his style, content, all the actors, the performances... leading up to one of his best films ever, I think. What happened, of course, with "Blow Out" was I didn't like the character, it was never originally written for someone like myself or someone like John [Travolta]. It was really more of a small, dark, film noir piece, which I love, and the characters were a bit older than we were and really kind of past it. It was over for them, very cynical and dark. The guy's character was very cerebral, more like a John Heard or Jimmy Woods, this type of person. So, when John was cast, in a way, it was perfect. I didn't see it right away. That's not who this character is, but what John brought to the character, what wasn't there, was the heart and soul. So, I did not want to make another picture with Brian. I didn't like this character. John wanted to do it with me, and Brian said, "Well, wouldn't you like to work with John?" I said yes, of course I would. Yes, I love working with John. So I had to find a love of this person, which I did. I came to fall in love with her and give her things that I felt I could align with." (Nancy Allen's interview with Michael Calia, The Wall Street Journal, 2015) P.S: Happy 76th birthday, Nancy Allen!

DepressedBergman

25,059 görüntüleme • 2 ay önce

“i know you put up with a lot in our relationship, you endured so much just to be with me because you loved me but back then i was too arrogant, i didn’t treat you well enough” 😭 luan nian finally let go of his pride and bared his heart to shang zhitao she also acknowledged she was insecure about their relationship 🥹 it was right person wrong time #theearlyspring #theearlyspringep23

“i know you put up with a lot in our relationship, you endured so much just to be with me because you loved me but back then i was too arrogant, i didn’t treat you well enough” 😭 luan nian finally let go of his pride and bared his heart to shang zhitao she also acknowledged she was insecure about their relationship 🥹 it was right person wrong time #theearlyspring #theearlyspringep23

bloomwhirl

20,263 görüntüleme • 8 gün önce

The Rock became emotional when talking about his daughter, Ava, and her journey in pro wrestling: “I am so proud of her because it’s what I did and I love what I did and I love wrestling, I grew up in wrestling. She was born into it too just like I was…” 🥹❤️ (TikTok | mtvuk)

The Rock became emotional when talking about his daughter, Ava, and her journey in pro wrestling: “I am so proud of her because it’s what I did and I love what I did and I love wrestling, I grew up in wrestling. She was born into it too just like I was…” 🥹❤️ (TikTok | mtvuk)

WrestlePurists

910,788 görüntüleme • 11 ay önce

Grace Kelly as Tracy Lord in her last Hollywood movie High Society (1956) before her wedding to Prince Rainier and becoming Princess Grace of Monaco: “It was one of my most enjoyable experiences. I was in love, I was engaged, I was singing a song called “True Love” ― it was wonderful, and I remember the cast as a group of amiable professionals. We had such fun making that picture. At last, I thought maybe I could put it all together as Tracy Lord. I was never happy with my singing ― it seemed awfully tentative to me when I heard our playback of “True Love” ― but our director (Charles Walters) left us alone in all the long scenes of dialogue. Maybe because I was about to leave Hollywood, I felt relaxed and could just let the character have her way ― I didn’t impose myself on her.” ― Grace Kelly on making High Society (1956).

Grace Kelly as Tracy Lord in her last Hollywood movie High Society (1956) before her wedding to Prince Rainier and becoming Princess Grace of Monaco: “It was one of my most enjoyable experiences. I was in love, I was engaged, I was singing a song called “True Love” ― it was wonderful, and I remember the cast as a group of amiable professionals. We had such fun making that picture. At last, I thought maybe I could put it all together as Tracy Lord. I was never happy with my singing ― it seemed awfully tentative to me when I heard our playback of “True Love” ― but our director (Charles Walters) left us alone in all the long scenes of dialogue. Maybe because I was about to leave Hollywood, I felt relaxed and could just let the character have her way ― I didn’t impose myself on her.” ― Grace Kelly on making High Society (1956).

Hollywood Golden Age of cinema

42,972 görüntüleme • 4 ay önce