Video wird geladen...

Video konnte nicht geladen werden

Zur Startseite

Norm Macdonald did not bomb this segment. He refused it. Gordon Ramsay is trying to cook red mullet in a bag on Late Night. Conan is trying to host. Norm is doing neither. He treats the recipe like a rumor and lets Ramsay swear into the gap. That is...

356,854 Aufrufe • vor 4 Tagen •via X (Twitter)

28 Kommentare

Profilbild von Vince Classic
Vince Classicvor 4 Tagen

He treats the recipe like a rumor and lets Ramsay swear into the gap

Profilbild von 𝓥𝓲𝓫𝓮𝓼𝓞𝓷𝓣𝓪𝓹
𝓥𝓲𝓫𝓮𝓼𝓞𝓷𝓣𝓪𝓹vor 4 Tagen

Norm had a rare talent for making refusing to participate feel like the entire performance

Profilbild von Beef
Beefvor 4 Tagen

A cooking show with Ramsay and Norm would have been so good.

Profilbild von Will Power
Will Powervor 4 Tagen

This is classic Norm. Norm graduated high school 2 years early and started college at 16 to study math and philosophy. Norm was always the smartest person in the room and he pretended to be the dumbest person in the room. Always committed the bit.

Profilbild von StarScope
StarScopevor 4 Tagen

The joke isn’t that Norm can’t cook. It’s that two professionals keep trying to drag him into a format he has already decided doesn’t apply to him.

Profilbild von John Davey
John Daveyvor 4 Tagen

@keshvibezTV 😆 Norm's exaggerated knife movements

Profilbild von Domestic Theorrorist
Domestic Theorroristvor 4 Tagen

This tweet was 100% written by AI.

Profilbild von Waggly Cocks🪬
Waggly Cocks🪬vor 4 Tagen

Thanks claude

Profilbild von Driblets Murphy
Driblets Murphyvor 4 Tagen

AI RETARD

Profilbild von Simon Lake (Diviner)
Simon Lake (Diviner)vor 4 Tagen

AI ass post

Profilbild von dropchris1000
dropchris1000vor 4 Tagen

norm didnt do x he did y

Profilbild von Keshvibez
Keshvibezvor 4 Tagen

That combination was never going to stay on the rails.

Profilbild von Isaac Nelson 🇺🇲
Isaac Nelson 🇺🇲vor 4 Tagen

Norms peculiar genius for subverting a formatted structure and rendering uncontrolled chaos

Profilbild von LazyLagom
LazyLagomvor 4 Tagen

Conan trying to cut that fennel with his left hand Jesus

Profilbild von Zynn Rider
Zynn Ridervor 4 Tagen

Why the need to analyze?

Profilbild von James Phoenix
James Phoenixvor 3 Tagen

Account based in Africa.

Profilbild von Jorge Montes
Jorge Montesvor 4 Tagen

Norm at his finest

Profilbild von |
|vor 4 Tagen

Fuck, these AI captions are insufferable. Just post the clip and stfu 😭

Profilbild von Ethereal_Zer0
Ethereal_Zer0vor 4 Tagen

Rofl he did this on a roast once too and it was absolutely amazing.

Profilbild von CRASS BORIS & THE SPITVALVES
CRASS BORIS & THE SPITVALVESvor 3 Tagen

I remember watching this on DVR like it was last night.

Profilbild von Johnny Gee
Johnny Geevor 4 Tagen

I quickly glanced at 3rd sentence at first, made me laff out loud.gotta watch it now!!

Profilbild von Real Name Here
Real Name Herevor 3 Tagen

Always love Conan and Norm's segments. Conan was great at being "annoyed" with Norm but you could tell he was having a blast.

Profilbild von The Psychomorph
The Psychomorphvor 4 Tagen

"The word is chef. Ladies cook." Gordon still had the best joke

Profilbild von Your_Favorite_Mexican
Your_Favorite_Mexicanvor 4 Tagen

Stop using AI to write your bullshit. What the fuck does “swear into the gap” even mean? No one talks like that. Fuck off.

Profilbild von Jorge Montes
Jorge Montesvor 4 Tagen

He got Ramsey to break and then The crowd turned on him. Norm played him like a fiddle , left him cut up in segments 🍊

Profilbild von SP Solutions
SP Solutionsvor 4 Tagen

Omg comedy gold

Profilbild von Jonathan Hawes-Dressler
Jonathan Hawes-Dresslervor 3 Tagen

is this post written by AI?

Profilbild von Jason Maskell
Jason Maskellvor 4 Tagen

You could have written this without AI, for some reason you chose not to.

Ähnliche Videos

A pilot put a passenger jet down on a river and got every person on board off alive. Within days, investigators were asking him what he had eaten for lunch. He told them a tuna sandwich. Then they asked whether he had had a candy bar. Whether he had had a soda. That is not small talk. There is a precise reason those 2 questions could have ended his career, and Tom Hanks lays it out in about 4 sentences. The pilot is Chesley Sullenberger. Hanks played him, spent time with him first, and says the man walked him through the entire script telling him which parts never happened. As Hanks was told it, the stake was money. If the board could establish that the pilot did 1 thing wrong, the insurance on an airplane he puts at 17 million dollars would not have to be paid out. Every question in that room was built for that. It went on for the better part of a year. In the film it takes days, because films cannot afford a year. What was happening to him has a name in psychology. Baruch Fischhoff described it in 1975 and called it creeping determinism. Once you know how something ended, the ending looks like it was always coming, and every road you did not take looks like it was sitting right there, clearly marked, the whole time. Which is why the question "why did you not do this instead" is close to unanswerable. It is asked by people who know the ending, to a person who did not have it. There is a second effect underneath, well documented in aviation and in medicine. The person at the centre of the investigation frequently comes out of it in worse condition than the people he saved. Researchers gave that person a name. He is the second victim. Hanks is 67 when he says this, and what he admires is not the landing. It is a distinction he makes in 1 sentence near the end, and it is the whole reason he told the story at all. He saved everyone on that plane. Then he spent a year proving he had not eaten a candy bar.

Stefan.

210,642 Aufrufe • vor 13 Tagen

A very harsh threat, made by Netanyahu toward Iran. What is behind the heightened tone? It is not only harsh, it is also unusual. The event that took place in recent months was a paralyzing fear of what is called miscalculation. They will think that we will attack first, even though that was not the intention, and then they will attack, and the entire region will be dragged into another round of confrontation. In a region where there is fear of miscalculation, you are not supposed to announce this kind of thing in the Knesset. I just want to make that clear. Yesterday, Naftali Bennett promoted his press conference on the conditions of soldiers, okay? He gets six million views because the timing looks like a countdown and he is a former prime minister, so the Iranians are in hysterics that he is actually announcing that they are going to attack. That’s the atmosphere. So when Netanyahu attacks like this and makes an unprecedented threat—not only harsh but also unusual—one can’t help but think that for Netanyahu there is a message, or something more problematic than miscalculation. And he wants to warn the Iranians. Now, what’s the issue? The issue is that if the Iranians come to the conclusion that their regime is on the verge of collapse, there is one thing that might save them. And that is an attack on Israel. Because we saw during the war what is called “rally around the flag.” Even those who were in the opposition rallied around the flag when their country was attacked. It is not only the Islamic Republic that is under attack, but also the Islamic Republic of Iran. That is essentially the issue, and that is what Netanyahu, in my opinion, is trying to stop with the threat he issued after the security discussion.

Amit Segal

41,392 Aufrufe • vor 8 Monaten

He Played “Walk of Life” as If the Song Already Knew the Way The odd thing about watching Mark Knopfler in 1996 is not how much he does. It is how little he needs to do. He does not patrol the stage to remind anyone who is holding the guitar. He does not dress the solo up as a contest. He stands inside the song and lets it keep its own pace, which is rarer than virtuosity and harder to fake. That is the real subject of the clip. We have been trained to treat difficulty as the proof of value: more notes, more motion, more visible strain. Knopfler works in the opposite direction. The lines are clean. The spaces around them are part of the playing. He leaves room for the band, for the bounce of the rhythm, for the audience to enter without being instructed. Confidence, here, looks like refusal to crowd the frame. “Walk of Life” helps him. It was never built as a monument. It wants movement. The riff has that easy forward lean, the feeling that the body recognizes the walk before the mind names the song. Under the cheer there is nothing ornate. People get on with it. They keep walking. They keep playing. The joy is ordinary on purpose, which is why it still lands when so many “uplifting” anthems now sound like they are selling you a mood. Watching it now changes the temperature of the performance. In the mid-90s a live groove did not have to win a two-second fight against the next clip. A band could settle and stay. The music had duration. That duration is what makes Knopfler’s restraint visible. If you only glance, it can look like he is doing less. If you stay, you notice he is doing the one thing that spectacle often ruins: he is keeping the song intact. So the pull of this old tape is not nostalgia for a haircut or a stage set. It is the relief of watching a musician who knows when to play, when to step back, and when to let the tune carry the room. He is not trying to make “Walk of Life” look impressive. He is playing it as if walking were enough. Which 1990s live performance still feels like that to you — not louder than the song, just sure of it?

Emotion & Music

31,533 Aufrufe • vor 16 Tagen