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Normalize happily violating & fingering your girlfriend publically. Reassuring both her & passing strangers that it's her fault constantly leaving you insatiably obsessed with her sexy, perfectly built, freeuse stress toy body. #nsfwtwt #cnckink #exhibitionism #femsub #daddydom
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![Well, friends, the interview the John O'Keefe and Karen Read trial world didn't know they wanted has finally occurred. I appreciate The Glarer for having me on his program. We discussed Kate Peter, I defended Lindsey Gaetani's honor, both sides agreed as to the importance of civil debate and leaving people's families out of the fray and then Will helped Olivia and I move towards amicable discussion. Overall, a 10/10 way to celebrate the day towel become a YouTube partner. Here are my two favorite quotes from Will and myself; [Grant] "If any of you took 10 minutes --not on camera-- to talk to Lindsey Gaetani, you would find someone who believes in God, who cares about her children, who's a good mother, and who's not any of the things you made her out to be. And by God I will defend that 'till my last day." [Grant] "I realized that there was just this toxic atmosphere surrounding this case, and I couldn't just say I thought it needed to change — I had to reflect that change in my actions." [The Glarer] "If you believe so much in Karen Read’s guilt, then the facts should speak for themselves. You shouldn’t have to bring people’s family members into it. [The Glarer] "But you know what I think, Grant? I think that you're a really smart guy. And I think you know you're a really smart guy. And I think what you do is, you convince yourself — because of how smart you are — that if you came up with it, it must be gospel. And that's where I think you get cloudy between the truth and your opinion." Here's the full transcript: [Grant] Well, good afternoon towel friends. My name is Grant Smith Ellis and in addition to becoming a YouTube partner today I also decided to call into The Glarer's show. It was the collaboration that the world didn't know they needed but now they have. And if you'd like to listen to this fascinating conversation, related to new allegations as to Kate MafiaMasshole Peter being a PI in the orbit of the Aidan Turtleboy Kearney prosecution, as well as somehow both Will and I eventually coming to a discussion where I defended Lindsey Gaetani's honor, along with a closing segment about the importance on both sides of the Karen Read and John O’Keefe case of being mutually respectful, even if we have differences of opinion on those facts, you can do so right now. Will and I shared a belief that positive changes in the Karen Read and John O'Keefe trial world, at least in terms of that improving dynamic as to disagreeing without being disagreeable, are evident. So enjoy the conversation, folks. It was certainly an interesting one. [The Glarer] You're on — who am I speaking with? [Grant] Hey, Will, it's me. I'm Grant... [The Glarer] — hold on, I gotta give you applause, buddy. You made it. [Grant] Well, we certainly may have different views on the case, but I think we share respect for Jesus and we can talk bad about Kate Peter for sure. [The Glarer] Yeah, that we can do. Sure. Sure. So what's up, bud? What do you got to say? [Grant] Well, I think if people have been following me on X, they will know I've been yelling about Kate Peter taking an envelope of cash in the Chick-fil-A parking lot in front of me for months. And I feel vindicated as of the news of this weekend. [The Glarer] Okay. Okay, so wait a minute. That tracks. So the person who is in this sworn affidavit who claims to have seen Kate Peter with the manila envelope — you're claiming to have seen her with the same envelope. Is that what you're saying? [Grant] It wasn't a manila envelope. Well, there's two pertinent facts. So Kate Peter and I met up for the first time — I would say it was in the winter of 2024 — in a Chick-fil-A parking lot somewhere on the South Coast, maybe near Raynham or something. Anyway, she came and got in my car and she was like, "Well, I'm waiting for someone in a white Toyota Corolla to drop me off money. We try to do it with cash so it doesn't leave a record." And I was like, "Well, this seems a little weird." And then the car pulled up. I didn't actually see the car. She got out, went over to it, came back into my car. It was a white envelope with a green thank-you card. She opened it. There were probably four or five hundred — four or five fifties and a bunch of twenties. [The Glarer] Wow.... Okay, now Grant, I gotta ask you a tough question, buddy. I would be remiss if I didn't do that, all right? Now, a lot of people are thinking the same thing I'm thinking right now, which is: how can we believe you? Where's your credibility? Because you've lied about so many other things so easily. [Grant] Well, I would challenge that and say maybe you have different perspectives on me, but that should reinforce what I'm saying here. The Melanie Little and Alan Jackson Aruba thing — I apologized for that on stream and in a post (because Melanie Little told people not to go after Lindsey's kids, and I found that honorable). [The Glarer] Fair enough. [The Glarer] You did apologize. Okay, so you apologized for that. Okay. [Grant] But I'm critiquing someone [Kate Peter] who would ostensibly be aligned with what I believe about the case, and I still believe what I believe about Karen being responsible for John's death— we don't have to get into it — but I'm critiquing someone who supports that view. That should reinforce my credibility here. [The Glarer] Yeah, and MicroDots backs you up at least on this thing, you know, he says he believes you on this thing. I'm just saying — dude, I've read what you've written. You're a talented writer, clearly. But I can honestly say I've got a whole community of people here — a shit ton of people in this chat right now — that I know would agree with me that if you made a habit of reporting the truth, you'd have support, you'd have readers, you'd have a whole audience. I'd be a fan! But your credibility is fucked with me right now, dude. You know, and I hate that, because I actually enjoy reading what you write. [Grant] I appreciate what you're saying. I think I would just say maybe it's smaller than your community, but I just got made a YouTube partner today. I'm actually celebrating that. I have a small community, people do support me — maybe not as many as support your channel, but it's just people with different views consuming different content. [The Glarer] Yeah, but the thing is — like, I'm content with my audience. My audience could be bigger, but I cuss a lot and I use words that offend people and I just don't kind of play by the normal YouTube game that most creators play when they grow, you know? And I'm okay with the rate at which my channel grows because I get to be myself. But I don't hold back and I don't play by these rules. So I get all that. But I mean, I'm not ethically doing anything wrong. If I were spreading misinformation or contributing to any spread of misinformation, I would have a problem with myself and what I'm doing. You see what I'm saying? Like, it's a little bit different. You're telling me that you're content with your audience being small because you like to make shit up? You know what I mean? [Grant] No, no. Because it's a new channel. That's why the audience is growing. Anyway, the reason I shake your hand is I do think you're authentic in your beliefs, even if we disagree. And well — before I forget, one more thing about that Chick-fil-A parking lot cash that's actually important: when Kate got that money handed over, she told me it was for a donation drive to help other people offset babysitting costs or whatever nonsense. Someone sent a text message — a family member of the person who paid her that cash — and they put in writing that they sent the money for Kate's own expenses. So she lied to me in the car about what the money was for. Something’s up with that. [The Glarer] So she told you in the car that the money was for... [Grant] She said it was to pay for babysitters for people who need help and to donate to other people, which I don't believe. Like, of course not. Nobody believes that. [The Glarer] And then you found out — through what — that this money was actually for her personal expenses? [Grant] Eventually a text message got released from someone in the orbit of whoever paid Kate. It was a family member — I don't know who it was. I've only seen the text message. I'm happy to reshare it on my X later. In that text message, it says — quoting the person — "I sent that envelope with my sister over to Kate. It was for her expenses" or something like that. So even that is evidence. [The Glarer] Wow. Okay, so you are strictly of the opinion, based on things you've seen yourself, that Kate Peter is absolutely being paid by the Commonwealth to spin narratives? [Grant] I'll give you one more piece of information, Will, and maybe you or your audience can track this down: I don't think Kate was involved in the Karen Read investigation directly, but I think starting in the fall of 2023 she worked for a private investigator named Marty Kraft. And I believe by proxy she was then retained to work on Aidan's case through that PI firm. [The Glarer] Okay, and then she just became the mouthpiece between the PI firm and the Commonwealth is what you're saying. [Grant] I will say a few things: I reasonably believe she does have direct contact with the DA and agents of the Commonwealth — I've said that before — and I also believe that she has favoritism towards specific witnesses in the orbit of this case. Not all of them — specific witnesses. [The Glarer] Okay, well, I mean, we know who they are, but okay. [Grant] I will also say — I think — that your caller was prescient earlier, and they mentioned there might be some mutual blackmail. Well, we know that Lindsey Gaetani’s phone extraction was manipulated to remove messages from Brian Tully to Lindsey and from Kate Peter to Lindsey. [The Glarer] ...what's your deal with Lindsey? [Grant] Hold, on let's pull it back first. First of all, I think there was a bifurcation: there's charges from October 2023 against Aidan and December 2023 against Aidan. One set of charges, from October of 2023, involved the Karen Read witnesses; the other set, from December of 2023, involved Lindsey. I don't think anyone set Aidan up in December 2023. I think he was just in love with Lindsey and it kind of got out of control. [The Glarer] Bro... [Grant] Well, but hold on, Will... [The Glarer] I'm listening... [Grant] I think that cell phone extraction goes right to the mutual blackmail point your friend talked about earlier. Someone, during the course of the Aidan Kearney investigation involving Lindsey, manipulated that cell phone extraction, and it could have only happened while it was in State Police custody. That is the whole — that's everything right there because of Kate Peter is the only person who could have gotten Brian Tully to get Nick Guarino to manipulate that extraction while it was in State Police custody before Tully leaked it, by hand, to Aidan's lawyer. [The Glarer] Okay, so listen, Grant. Like, we know that Kate Peter and Lindsey were colluding. Now, I think Lindsey was used. But come on, we know that Kate Peter and Lindsey were colluding to try to set Aidan up. Like, you know this. [Grant] No, I disagree, because I've looked at the timeline closely. Aidan begged to go over there when his indictments got handed down in December. [The Glarer] Well, listen — why? [Grant] Because he got charged in October, but the indictments for the October thing came down December 20th. [Grant] Then when did he beg to go over to Lindsey's? [Grant] I'm about to explain. December 21st, Lindsey tells him, "Hey Aidan, I just got a subpoena for a grand jury." Aidan's mind has gotta' start racing. "Why would there be another grand jury? Is it about me and Karen Read? What is this about?" So he begged her to go over there so he could find out. And that's — like — he looked at her phone that night to see the messages between her and Kate to try to find out about what this new grand jury was about. So no one set him up. He begged to go over there. [The Glarer] So you're just assuming that he begged to go over there based on...? [Grant] I know he begged to go over there. He was pleading because he wanted to find out what the new grand jury was. [The Glarer] The difference between you and Aidan is Aidan posts receipts, dude. But you don't. You get the difference? That's why Aidan has as much of a following as he has. [Grant] If you're asking for receipts of him begging to go over there on that day, I'm happy to provide those. I'll post them. [The Glarer] Then why didn't you do that already? [Grant] Well, I think because what I understand to be the evidentiary record from going to all the hearings is different than what people consume, because not everyone goes to every hearing. But I'm happy to do that. I have it all archived. [The Glarer] Okay, but the point is — like MicroDots is saying — that he was baited to go over there. So even if he begged to go over there under whatever circumstance, we have proof — we've seen proof — that he was baited to go over there based on false information that she was pregnant. [Grant] No. No. She was pregnant. [The Glarer] Oh my, Grant, bro... [Grant] Okay. I will swear on my God about that. [The Glarer] Hold on... [Grant] Well, to move on, I was going to give you some credit. I was going to say you might have been right that the subpoena issued to Lindsey, without her knowledge, could have been to bait Aidan. [The Glarer] But she wouldn't — how do you explain the metadata on the pictures that she sent him of the sonogram, dude? [Grant] First of all, if you're talking about someone's pregnancy — that's a medical issue, and to bring it up on air disgraces Jesus. [The Glarer] Oh, come on, Grant. [Grant] Let's not. [The Glarer] Alright, fine. We won't talk about that anymore. But let's face it, dude — you're making excuses for this girl. And why? Like, do you have a crush on her? Is that what's going on here? And it's okay. [Grant] Oh, oh, please. When I first came into this case, I saw a woman walk into a courtroom, and I started listening to her story. And even in this conversation, there are multiple things I corrected where you were willing to say, "Okay, Grant, maybe that is what happened." And Lindsey doesn't have anyone out there who is voicing that for her, so I'm taking the opportunity to do it. [The Glarer] And do you wonder why she doesn't have anyone voicing things out for her, dude? [The Glarer] Because Aidan isolates people! [The Glarer] Get out of here with that. Stop. Again with the whole "it's Aidan's fault" shit, man. That's between you and Lindsey, dude. I'm asking — like, I asked you why you think that. Nobody is going to bat for Lindsey. And I saw receipts. I heard a recording of her — you're talking about somebody who I heard a recording of [that night with Aidan in December of 2023]. This is... Come on, Grant. [Grant] I was in the courtroom. I saw the people crying when that tape was played. And you know what I also heard, Will? I heard the original version of that tape that didn't have her consent to record, which is why Aidan got charged with felony wiretapping. [The Glarer] Okay, but you're not denying that she said that, right? [Grant] Listen, I have never been awake at 12:30 in the morning. I'm not a woman. I've never been confronted with that situation. I would never pass judgment on someone in that situation. [The Glarer] Every woman that I've ever heard express their opinion on it — pretty negative, dude. Just saying. Pretty negative. Especially the moms. Especially the moms. [Grant] So I don't think any people talking in that way — I don't think you've even met this woman. [The Glarer] You're right. I have not. I have not met her. [Grant] And if — I don't know if she will ever do this — but if any of you took 10 minutes, not on camera, to talk to this woman, you would find someone who believes in God, who cares about her children, who's a good mother, and who's not any of the things you made her out to be. And by God, I will defend that 'till my last day. [The Glarer] Alright. Declared. Got it. I gotta' ask you one more question though. Why are you saying stuff about Olivia Nile — Olivia Nile and her mom — being paid agents for the defense? Come on. [Grant] Okay. Hold on. Hold on. Let me just explain that. I know that's Olivia Lamb. Okay? [The Glarer] Right, yeah, same person. Yeah, yeah. [Grant] Okay, so we all know Christina Lamb does boutique PR consulting for lawyers. She's good at it. Olivia’s good at it. They should own it. I want to interview her. [The Glarer] What — how is that proof, though? That Olivia Lamb is being paid by the defense in some way? You see the problem? [Grant] Hold on. That is an extrapolation some people may make. My argument is only that what she does looks like PR for the defense. I think Olivia hasn't been paid since last year. [The Glarer] But she's saying that's not even what she does, dude. [Grant] Okay, maybe it's not. But I think Olivia's contract ran up at the end of the first trial, if you want me to be very blunt with you. [The Glarer] Contract? [Grant] Mm-hmm. [The Glarer] But her mom doesn't even do that either — what the fuck’s her mom got to do with it? [Grant] Well, why would her mom run some random boutique PR consulting firm for lawyers, and then Olivia just shows up with this extremely high-level acumen, rivaling lawyers? [The Glarer] But that’s not what she does. She's saying that's not even what her mom does or what she does. [Grant] Okay, well, I looked at her mom's website. I archived it going back a few years, so I can post the screenshots again. And I know what she advertised herself as doing. [The Glarer] But you know what I think, Grant? I think that you're a really smart guy. And I think you know you're a really smart guy. And I think what you do is, you convince yourself — because of how smart you are — that if you came up with it, it must be gospel. That's what I think. And that's where I think you get cloudy between the truth and your opinion. Because you state your opinions as though they're fact. And I think that's an ego thing. I don't even think it's malice. It’s just ego. That's what it comes off as, anyway, dude. Because everything you say — every time I ask you, "Where's your proof?" — you explain how you came to your opinion. You give me a laid-out story. Go back and listen to this later on — you'll see what I mean. [Grant] Well, I don't even doubt you, actually, that I'm firm in my convictions. If I'm not there to experience something, I do not know the truth. But I've seen the screenshots. I only found out Olivia Lamb was Olivia Lamb because I found an archived X post where she shared something very sentimental about her grandfather. I didn't like that. I didn't appreciate having to talk about that. But it became relevant because I wanted to know why she was involved in the case. I will listen to her tell me I'm wrong. I want to interview her. [The Glarer] Yeah, but you can't just, like, trap people into interviews by threatening to spread lies about them if they don't, bro. What kind of shit is that? [Grant] Nothing that I said about her grandfather, her acumen or her mother's work was incorrect... [The Glarer] But why are you even talking about her family, dude? Like, that's really low, man. Like — that's... It's low, man. It's low. Her family didn't have nothing to do with this, man. She's doing this because she cares about it. And then people start talking about people's family members and shit. And it's like — it comes off as a not-so-subtle form of intimidation, frankly, Grant. You know, trying to get somebody to shut up. [Grant] No, I don't want to do that. I want to learn about why she's interested in the case. [The Glarer] But you could see how somebody could see it that way, right? Because what if her family starts telling her, "Hey, stop talking about this. Why are we being brought into your shit because you're passionate about something?" What if her family does that and puts her in an awkward position? And then people are cheated out of some really good insight because of that. [Grant] My brother — my brother who at four years old had a colectomy, three-stage, and is developmentally disabled as a result — has a profile someone made mocking him on X. That's a profile that people I respect engage with. Usually I overlook that stuff because I don't believe the people engaging in it are trying to do that. And I hope people realize I'm not doing that to her. I authentically want to know why Olivia's covering this case. [The Glarer] That's all right. So — but that's my point, Grant. I'm just saying, like, if you believe Karen Read is guilty, why not just stick to the facts? Because you don't see me going after anybody's family. You don't see Olivia going after anybody's family, talking about people's family and exposing their family and what they do. You know what I mean? That's not cool. I don't do that. And Olivia’s saying that she will happily talk to you anytime about why she's interested in the case. You see what? That's my point. That's my point — if you believe so much in Karen Read's guilt, then the facts should speak. Everything that you put out there — the facts, the details of the case, and the way you interpret those facts — that should be enough. You shouldn't have to bring people's family members into it. Come on. I feel like you're better than that. That's all. I still have faith that you're better than that. [Grant] Yeah. And I think that's the perfect place to end, because you've given me a lot of time and I share your sentiments. I think that is crucially important. You don't see me out there in the past six months or twelve months talking about Melanie Little, or Olivia or her parents anymore. [The Glarer] I have seen improvement, yes. I have seen it. [Grant] And let me just say why: because I came to believe that there was this toxic atmosphere surrounding this case, and that I couldn't just say I thought it needed to change — I had to reflect that change in my actions. And that's why that happened. So that's it. That's how I feel. [The Glarer] Okay. Yeah, I mean, everybody’s entitled to their feelings and opinions, man. We all are. But yeah, I’m glad that we got this talk. I got to express some things I wanted to express to you. You were very receptive, and I appreciate you coming on and being respectful and being cool. And you’re welcome here anytime, Grant. I can see that we could talk about pretty much anything, and it's fine. That will always be welcome here — no matter what we disagree on. So I appreciate you, Grant. [Grant] God bless, Will, enjoy the rest of your Saturday. [The Glarer] Have a good one. Alright, Grant, y'all. Alright, I'm gonna take another call. Let's do that.](https://image.24vids.com/tw-1916273688736940311/amplify_video_thumb/1916261346590515200/img/hUvZMgeSmwtcpp9Y.jpg)
!["We had people around us that started having things happen. And not all of it was rosy. We didn't know that...it's gonna stay with you for maybe...years and years or the rest of your life." ~Mr. B. A Whole Lot of Not Rosy Robert Bigelow: "And so, it (survival of consciousness research) does have this aspect of things to be concerned about. And you know, I've told you that since we formed this institute (Bigelow Institute for Consciousness Studies (BICS)) in June (of 2020), all of a sudden, we had people around us that started having things happen. And not all of it was rosy, okay?” (I really hope he give details in a future interview because I think it's important to know what happened. Just the formation of an institute that planned on studying consciousness caused phenomena to start taking place and some of it was negative in nature. To me, that's problematic. Did anybody get injured or sick, or were they just scared?) Bigelow: "So, I mean, this is family members, myself, my staff. And none of this we expected, we hadn't asked for anything, positioned anything, decided to do anything in this kind of research. Our whole intention to begin with was simply trying to get ourselves up to speed in the literature, after being away from this for so many years, focusing on [the] space world, right? That's been mainly what I've been doing - except for the Skinwalker Ranch thing for 20 years - is the space world...has been huge in my life to pursue. The legitimate, parochial kind of, you know, using fire engines, rockets to get you there (smiles). "So we didn't expect anything like this to happen." (Again, this is various phenomena that allegedly started happening once they formed BICS with the intention of studying consciousness (including life after death), and apparently, some of it was not good. Again, did anybody get hurt? Exactly how bad was it? Details are sorely needed.) Bigelow: "And so, this Holy Grail is different than the second Holy Grail. If the second one being the ET, is a little bit lower. And this first one: Is there any part of your consciousness that survives your bodily death? That's a big deal, that's a huge story, that's gigantic." (I'd push back and suggest that both Holy Grails may be connected or related and the 2nd one may not be ET at all. This other intelligence (which John Keel labelled, "Ultraterrestrials") may reside in, or be able to enter, the same realms we enter when we die. There’s strong evidence that psychic mediums can acquire information they had no way of knowing about via their five senses. But are they talking to the dead, or is something else going on?) ~~~Excerpt from Operation Trojan Horse by John Keel~~~ In 1866, a New Englander named William Denton declared himself to be the first modern contactee. He claimed to be in telepathic contact with beings from another planet, and he and his whole family later purportedly visited Venus and Mars. Denton wrote a series of books describing saucer-shaped vehicles in detail, which he thought were made of aluminum. (A commercial process for manufacturing aluminum was not invented until 1886.) He also told his audiences (he lectured widely) that the folks who rode around in aluminum airships looked very much like us. His narratives were, in many respects, identical to those of the modern contactees. Trance Mediums and Possession Trance mediums were nothing new in 1850. In the Bible’s First Book of Samuel, Chapter 28 describes how Saul consulted a medium (“… a woman that hath-a familiar spirit”). Mediums acted as oracles in ancient times, and people with this peculiar gift appeared in each new generation. Such persons seem to serve as instruments through which the ultraterrestrials can speak to us directly, and they often come up with amazingly accurate prophecies of the future and precise details of events that could seemingly be known only to the dead relatives of the people who consulted them. Of course, when spiritualism became a national fad, a goodly number of charlatans and hucksters moved in. But most of the genuine mediums exercised their talents carefully and for free. They did not indulge in fancy hocus-pocus and did not need paraphernalia, such as spirit cabinets. They were—and are—people who can apparently summon up unseen entities or alien intelligences and extract information from them. I am not a spiritualist myself, although I have attended a few séances over the years, usually in the role of a scoffer and disbeliever. As a longtime amateur magician, I have been able to see through the frauds, but I have also been genuinely perplexed by some of the manifestations I have personally witnessed. (I recommend everybody read about The Scole Experiment or watch the documentary on YT about it. And...read the book, "Ghost Hunters" by Deborah Blum. Related links here: ) ~ Back to OTH... Essentially, a trance medium lapses into an unconscious state, and while in this condition, his or her body is taken over by some outside influence. This influence is usually a self-styled “Indian guide” from “the other side.” Many mediums have been simple, uneducated people, but when in a trance state they have been able to talk foreign languages fluently. Scientists and clergymen have put countless mediums through severe tests over the years. At one group of séances in the 1920s, sitters, who were all versed in different languages, grilled mediums in everything from ancient Chinese to Swahili, and the controlling entities not only conversed in those languages but corrected the sitters’ grammar! The daughter of Judge Edmunds, president of the Senate in the 1850s, gave incredible performances while in a trance, speaking fluently in Greek, Spanish, Polish, Latin, Portuguese, Hungarian, and several Indian languages. Because the sitters—and the mediums—assume that they are dealing with residents of heaven, they ask mostly spiritual questions. Customarily, the “control” will announce that Mr. Blank is standing next to him and wishes to speak to Mrs. Blank, who is attending the séance. Mrs. Blank excitedly begins to question her dead husband, Mr. Blank. How is life on the other side? Just fine, the control replies, a little bored, everyone lives in vine-covered cottages, and all is sweetness and light. Where did Mr. Blank hide his valuable gold watch before he died? It’s wrapped in an old sock and buried under some papers in the bottom drawer of the old rolltop desk, the control answers. Sure enough, when Mrs. Blank gets home, she finds the watch exactly where the medium’s alter ego said it would be. Try to convince Mrs. Blank that she didn’t talk with her dead husband! In many cases, the medium even begins to talk in a voice that sounds exactly like the dead Mr. Blank, uses his pet expressions, and even refers to things known only to Mrs. Blank, indulges in their private jokes, and so on. Occasionally, a deceased celebrity will “break through.” Recently the late George Bernard Shaw made a tape recording in England that is now circulating in occult circles. Those who knew Shaw claim that it sounds exactly like him, uses his phraseology and vocal mannerisms, and displays his brilliant and distinctive wit. The trance phenomenon deserves extensive study because so many aspects of it are directly related to the contactee phenomenon. The contactees have been told a hundred different stories of what life is like on other planets. If you review the descriptions of heaven produced at the thousands of possibly genuine séances, you will find the same contradictions. The entities will lie transparently at one point in the séance, and a few moments later will come up with astounding information that could not be based upon simple trickery. The mediums themselves have always been aware of their controls’ mischievous sense of humor. They speak of false shades and malevolent spirits who perform outrageous hoaxes. So the mediums and the professional investigators are always wary. The fact that a control can imitate George Bernard Shaw does not necessarily mean that GBS is doing the speaking from the spirit world. The fact that a control knows where Mr. Blank hid his gold watch does not necessarily prove that Mr. Blank is standing at his side “on the other plane.” The medium generally remains completely inert while in the trance or “occupied” state but in some instances can become quite animated and make gestures appropriate to whatever is being said. In a very real sense, the medium’s mind has been blanked out, and his or her body has been completely taken over by the control. The medium has become a zombie of sorts, possessed by an alien entity, an entity who lacks a physical form of his own. Contactees often find themselves suddenly miles from home without knowing how they got there. They either have induced amnesia, wiping out all memory of the trip, or they were taken over by some means and made the trip in a blacked-out state. Should they encounter a friend on the way, the friend would probably note that their eyes seemed glassy and their behavior seemed peculiar. But if the friend spoke to them, he might receive a curt reply. In the language of the silent contactees this process is called being used. A used person can suddenly lose a day or a week out of his life. I have known silent contactees to disappear from their homes for long periods, and when they returned, they had little or no recollection of where they had been. One girl sent me a postcard from the Bahama Islands—which surprised me because I knew she was very poor. When she returned, she told me that she had only one memory of the trip. She said she remembered getting off a jet at an airport—she couldn’t recall getting on the jet or making the trip—and there “Indians” met her and took her baggage. She remembered nothing further after that. The next thing she knew she was back home again. It seems likely the same methods are applied to both mediums and contactees. In the case of the mediums, the mind control serves a useful purpose. It enables the entities to establish direct vocal communication with us and, in many instances, pass along worthwhile information. This process can also be destructive. A young man from Ithaca, New York, called me some time ago at the urging of William Donovan, president of Aerial Investigation and Research (AIR), to tell me of his close brush with death. One evening in the fall of 1967, he said, he left his home to drive to a meeting. For some reason he couldn’t explain, he got out of his car, went back into his house, and carried out several aimless actions such as picking up a book from a table and putting it on the shelf. “Finally, I said to myself, Okay, it’s time,” he told me. He remembers leaving the house and again heading for his parked car. The next thing he knew he was in a hospital bed. He had apparently driven about four miles to a railroad crossing just in time to meet an oncoming train. His car was demolished, but he escaped rather miraculously with only a few minor injuries. If he had not gone back into the house and carried out those meaningless, time-killing chores, he would have avoided the train altogether. It is possible, of course, that the shock of the accident blotted out his memory of that four-mile drive—but he couldn’t even remember putting the key in the ignition. This man had been active in investigating the UFO flap that took place around the radio telescope installations near Ithaca in 1967-68. In his book Passport to Magonia, Dr. Jacques Vallee, a NASA astronomer and computer expert, touches on all this. “In the Soviet Union, not so long ago, a leading plasma physicist died in strange circumstances,” Dr. Vallee states. “He was thrown under a Moscow subway train by a mentally deranged woman. It is noteworthy that she claimed a ‘voice from space’ had given her orders to kill that particular man—orders she could not resist. Soviet criminologists, I have been reliably informed, are worried by the increase of such cases in recent years. Madmen rushing through the streets because they think the Martians are after them have always been commonplace. But the current wave of mental imbalance that can be specifically tied to the rise and development of the contactee myth is an aspect of the UFO problem that must be considered with special care.” So there seem to be both good and evil forces at work in this type of phenomenon. The good guys latch onto people with particularly receptive minds and turn them into trance mediums. The bad guys use the same methods to tamper with the minds of contactees and even to commit murders indirectly. Because incidents of these types can be traced throughout history, it seems probable that these forces have always been extant on this planet. When the good guys worked through mediums, they needed some excuse that we would accept. The answer seemed to be “communication with the dead.” These communicative efforts led to the foundation of spiritualism, and the entities played the role to the hilt, using their complete knowledge of us and our individual lives to provide us with “proof” of the existence of a spirit world. This is the same precise methodology being employed with the UFOs to build up support for the extraterrestrial thesis. We humans need acceptable explanations for unnatural phenomena, so “they” happily—and often humorously—supply us with all the explanations we can handle. At the same time, they give us tiny fragments of the real truth, hoping no doubt that we will be able to digest them slowly. Ever so slowly. In earlier times it seems as if they made a complicated attempt to convey the truth to us through mediums and psychics, but we chose to misinterpret these efforts and placed them within the context of our primitive religious beliefs. We are still doing this, and they are going along with it because even misinterpreted communication is better than no communication at all. Religion may not be truth but may merely be a step on the long path of the real truth. Do the ultraterrestrials really care about us? There is much disturbing evidence that they don’t. They care only to the extent that we can fulfill our enigmatic use to them. The Reverend Arthur Ford is one of America’s best-known trance mediums. For most of his life he has served as an instrument for an entity who calls himself Fletcher. In 1928, Fletcher announced that Harry Houdini (who had died in 1926) was on hand and had a message which he wanted conveyed to his widow, Beatrice. The message was in a code once used by the Houdinis in a mind-reading act. This code was known only to the couple and had never been published or revealed to anyone. Fletcher, through Ford, was able to give precise details of this secret code, and Mrs. Houdini later confirmed that the message had to come from her husband. This was only one of Ford’s many coups. In the fall of 1967, Ford went into a trance on Canadian television and produced a message for Bishop James Pike from his deceased son. Bishop Pike, who was present at this televised séance, avowed that the message seemed authentic and seemed to come from the familiar personality of his son. This well-publicized séance launched a major revival of spiritualism in the United States. Reverend Ford travels in high circles but has never made any material gain from his peculiar gift. He gives freely of his time—and Fletcher’s advice from the other side—at séances all over the country. Mrs. Ruth Montgomery, the well-known author and Washington reporter, tells of the time that Reverend Ford visited her in Washington and lapsed into a trance so she could ask Fletcher for some advice on his behalf. Reverend Ford was then in the process of moving and wanted to know what he should do with some of his things. Fletcher seemed totally disinterested in Ford’s problems, Mrs. Montgomery reported, and when she asked if Ford should visit a clinic for a checkup, Fletcher snapped, “He’d better do something. If he doesn’t, I can’t work through him much longer.” Although Reverend Ford had voluntarily submitted his person to Fletcher’s use for nearly half a century, the entity was apparently completely disinterested in his problems and welfare. This is, alas, rather typical. Even the most helpful entities seem more dedicated to the job of communicating than to any kind of involvement with those to whom (or through whom) they are communicating. The bizarre history of psychic phenomena is filled with Fletchers. Mrs. Montgomery, incidentally, indulges in automatic writing herself and has received constant messages for the past few years, many of which have been valid prophecies and stern advice meant to govern her future actions. There have been innumerable psychic hoaxes for the past 150 years, and many of these parallel the UFO hoaxes. In 1855, the Fox sisters confessed that their spirit rappings were a hoax. They said they produced the sounds by “snapping their toes.” Think about that for a moment. Snapping your toes so that it sounded like a rap on a wall or table would be a most remarkable talent—perhaps even more remarkable than the ability to communicate with the spirit world. I don’t believe I would pay ten cents to hear someone talk to a rapping spirit—but I would happily pay five dollars to examine someone who could duplicate the rapping sound by snapping his toes. Later the two sisters said the confession was false, and they had been bribed to make it. "Mrs. Houdini was genuinely astonished and impressed by Reverend Ford’s messages from her husband, and she made numerous public statements to that effect, as well as signing various affidavits. But later, in the 1930s, she chose to deny it all for a time. Then, shortly before her death, she reversed her denials. In ufology we have to contend with teenagers’ hot-air balloons, and in psychic phenomena we have to worry about youngsters firing rocks at houses with slingshots and phony mediums levitating “spirit trumpets” with black thread. But there are many more UFO sightings than there are plastic balloons, and there are more poltergeists dumping rocks in living rooms than there are wild-eyed youngsters with slingshots. There are also more ultraterrestrial entities than either the occultists or the UFO enthusiasts dream of." ~~~Edit of the Bigelow Interview~~~ Bigelow: "I also, I was...I got very disturbed toward the end (of AAWSAP) about something that happened to some of the government people, and I realized uhh...holy crap." (Read, "Skinwalkers at the Pentagon." I think it's one of the most important UFO books in recent memory.) George Knapp: "Hitchhikers." Bigelow: "Umm... Well, yeah. You know. So, hitchhikers being that you take things home with you. Everybody took things home with them. I took things to my house. Things happened to my wife, and to me. Different things. So, everybody took things home. We all, you know, we did. But we didn't know that, gee, it was like, gonna be kind of permanent. You know, we didn't know that, you know? That it's gonna stay with you for maybe...for years and years or the rest of your life, who knows? "But the ones that bothered me a lot where anybody got hurt or really disturbed... Not that it happened on the ranch, it was when they left the ranch. As you say, hitchhikers. And these were government people and it affected them." Knapp: "In very dramatic ways, though." Bigelow: "Very dramatic ways. Very dramatic ways. You know, and there's a cousin to that that we're facing, but it's abated, at least for now. And this other survival topic, right? The very dramatic kind of things that we wanted to have reduced or stopped." (The "cousin" to the hitchhiker phenomenon features the not-so-rosy things he referred to early on in this clip. But at least it had abated at the time of this interview. Has it started up again?) Bigelow: "But going back to the government people, the buyer (Brandon Fugal) came along at the right time, I had decided I wanted to tone down..." Knapp: "Take this off your plate." Bigelow: "Yeah, take it off my plate, tone it down, and if necessary, just lock it up and forget about it. And next thing I know, you know, [Fugal] comes along and, you know, the rest is history." Knapp: "Before we leave this, though, the incidents that happened to you, to your wife, to Colm (Kelleher), to me, the, you know, you bring it home. How does everybody handle that? I mean, is it spooky at the time, and do you draw the connection that it's ranch related?" Bigelow: "Yes and no. If the events hadn't happened very often prior to the ranch, then it's not ranch connected. But they did happen." (I think he meant to say, if the events hadn't happened prior to him buying the ranch in 1996 and did happen once he made the purchase, then it would seem to be connected just to the ranch. But he says these anomalous events did happen before he bought it. Maybe some events were connected to the ranch and others were not? Or, this precognitive sentient phenomenon, as John Alexander labelled it, was able to know that Bigelow was going to purchase the ranch in the future and began interacting with him and his wife before he bought it?) Bigelow: "And [these anomalous events] did [happen], where we lived with my wife and I. We had a poltergeist event one time that was really fun and very different, and that was before I ever acquired the ranch. My wife was a very strong - and probably still is, in spirit - person. And so she took them in stride. She had a full manifestation of an apparition, a human-form apparition in the bedroom, and looking at her. "And this was a holy cow. And she happened to tell me, kind of like, 'Oh, well, while you were gone, this is what happened here, a manifestation of this.' I've heard this kind of thing many times through other people, and recently. And she felt the bed depress as there was a curiosity going on because the facial features were distinctive enough to be able to...as though, 'Who are you and what are you doing here?' Coming from the manifestation from the apparition, looking at her, right? "And torso up was kind of what was manifested. And being able to see and feel the mattress being depressed as it's looking at you, wondering, 'Who are you?' That kind of look on the face. 'What are you doing here?' You know, usually you think it would be the opposite direction. 'Who the hell are you?'" (Fully-formed apparitions have been reported over the last 150 years or so but many times only partial bodies are seen. In this case, Mrs. Bigelow only saw the apparition from the torso up. When Leslie Kean sat with physical medium, Stewart Alexander, she said she only saw a hand form. The alleged spirits will say that, many times, it takes too much energy to form a full body. Learn more about the Kean encounter here: ) ~ Knapp: "Was [Mrs. Bigelow] freaked out?" Bigelow: "No. No, she wasn't. There was a bar of light - so this was not normal in the survival research, but maybe in the ET - that was between her pillows. A bar of light. It wasn't coming in from shutters or blinds or anything from the room or any kind of other light source. You could cover, put the pillows down, and the bar would not be reflected on the surface of the object above it, on the second pillow. It only happened when you did this. And she did that and said, 'Oh, well.' I said, 'Well, what did you do?' "'Well, I went to sleep.' Went to sleep, so..." ~~~ (In January of 2012, NYT journalist, Ralph Blumenthal wrote an article about Bigelow Institute for Consciousness Studies (BICS). He ended it with this: ) "One personal footnote. Don’t ask me what happened on Jan. 4 at 5:45 a.m. as I lay sleepless, wrestling with this story. A tremendous bang jolted me and my wife and the dog upright. We found the glass door to our 12th-floor terrace completely spiderwebbed with cracks as if struck with tremendous force, but there was no sign of any projectile. Invisible moisture between the double panes? Or something else? There are things I don’t mind talking about and things I do mind talking about." (Was this prosaic or just more of the not-so-rosy phenomena Bigelow referenced? We need to know!)](https://image.24vids.com/tw-1902142299288838169/ext_tw_video_thumb/1902092701014855681/pu/img/uet_Rn_7fhU0pn3Q.jpg)
![HYBE and Min Hee-jin NewJeans Controversy from the Perspective of a 20-Year Entertainment Industry Expert | Kim Yoon-ji, Senior Researcher at the Overseas Economic Research Institute of the Export-Import Bank of Korea #1 [Investment Insight] 증시각도기TV HYBE has shown a somewhat immature side throughout this process. The essence of the issue has become less important. Hello, viewers and investors of Stock TV. Recently, there has been a lot of societal concern about the entertainment industry. Last year, it did well, but the question remains about how it will fare this year. We’re joined by Kim Yoon-ji, Senior Researcher at the Korea Eximbank Overseas Economic Research Institute, to discuss this. Welcome. Today, I brought a drink because this topic is not easy to discuss soberly. The situation between HYBE, Min Hee-jin, and NewJeans has escalated, and unfortunately, it’s no longer just management fighting but the artists have joined the fray. I’ve heard from someone in the industry that the close relationship between a producer and an artist is inevitable. In the past, there have been similar cases where producers and artists were tightly knit. Now, something similar has happened with Min Hee-jin and HYBE. Most people outside the industry don’t know the exact terms of the contract between Min Hee-jin and HYBE. As my own son works in the entertainment field, I’m well aware of how important it is to work with a good producer. For a company like HYBE, which has invested tens or even hundreds of billions of won, it’s unthinkable that they would allow NewJeans to separate and go independent after establishing their position. Many in the industry agree that this doesn’t make sense. To the general public, NewJeans might seem like the underdogs, and people might feel they should be allowed to leave. But from the perspective of the entertainment industry, which requires substantial capital to grow, the relationship between investors and artists is key. You can’t discuss this industry without acknowledging the role of investors. This case is different from situations where individual members leave, as seen in the past with groups that had Chinese members. This isn’t about a single member leaving; it’s more about the fact that, in this industry, the producers are as important as the artists themselves. From the beginning, NewJeans has been marketed as Min Hee-jin’s girl group, so the idea of them continuing without her feels different. We need to approach this from a different angle. That said, it doesn’t mean HYBE should completely cut ties. Many people have different initial thoughts about the situation, but the core issue here is the importance of the relationship between producers and the company, especially when substantial investment is involved. From my perspective, the fundamental question is: what exactly was attempted? I still find this unclear. In any company, it's common to hear people say, "I want to quit, I can't work with this boss, I'm leaving tomorrow." We all talk about this with friends or colleagues. Sometimes, we even ask others to let us know if there’s a good opportunity elsewhere. But actually submitting a resignation is a whole different issue. But in the new premise, I still wonder what exactly they were trying to do. What exactly was attempted? We always talk about it at work, right? "I'm going to quit. I can't work with that boss anymore. I'm leaving tomorrow." We always have those conversations. We talk about it with our friends, with team members, and even ask friends outside of work to let us know if they hear of any good positions. But actually submitting a resignation is a whole different issue, isn't it? Looking at how the situation first unfolded, it seems like HYBE was the one to bring things to light. They shared a lot with the press, and Min Hee-jin, the CEO, responded with a strong counterstatement. HYBE was saying, "Min Hee-jin is trying to do this and that," but CEO Min was like, "What else have I done apart from that message on KakaoTalk?" The court also judged that they weren't sure what actions had actually been attempted. To me, this seems like the fact of the matter. Clearly, HYBE's relationship with CEO Min Hee-jin might not be good. There could have been friction about how a subsidiary operates so independently from the parent company. There were likely various issues internally, but they should have been resolved within the company without making the problems visible externally. The fact that they let it spill outside before resolving it was a huge mistake on HYBE's part, revealing weaknesses in their management abilities. In my view, this has greatly devalued HYBE, becoming a powerful force that has dragged down their valuation. Throughout this process, HYBE displayed a level of immaturity, and the core of the issue became less important. The real concern for investors now is whether the company can effectively handle issues like these. Once this problem is resolved, can the remaining HYBE groups continue to grow securely? This business is all about reputation. HYBE is now seen as a company that ousts female CEOs simply because she didn't follow their orders. That perception leaves a lasting impression on people's minds, damaging the company's future operations. From an investor's perspective, two major incidents have happened in quick succession. The first was the boost in value during 2020 when HYBE sold a huge number of albums during COVID-19, creating the sense that the entertainment industry was Korea's next big sector. But then, this recent issue with Min Hee-jin, alongside BLACKPINK's contract situation, has put a serious damper on things. BLACKPINK didn't renew their contract as a group, and though they claim to continue working together in some capacity, it's not the same as before. YG Entertainment's profitability has plummeted, revealing how dependent they were on BLACKPINK. This has left investors wondering whether the entertainment business is just a limited-time, seven-year affair. If BLACKPINK had carried on smoothly into the next generation, it would have seemed like a sustainable business, and investors would have continued to trust in the long-term future of Korean entertainment. But now, we're seeing the cracks in that perception. It’s become a question of how to invest in a business with a lifespan of only seven years, when even the manufacturing industry lasts longer than that. The BLACKPINK incident and the NewJeans situation have both severely harmed investor confidence. HYBE's struggles with its artists are analogous to a manufacturing company facing a revolt from its workers. When investors look at this instability, they start questioning whether the business is even viable. The concept of sustainability has been seriously undermined, and the fact that the seven-year contract issue has been a long-standing concern doesn’t make it any easier to deal with. What used to reassure investors was the belief that when a seven-year contract ended, the company would already have the next seven years planned out, ready to sustain their business. That faith in the big entertainment companies has been shaken. Achieving the kind of success that BTS or BLACKPINK did is incredibly difficult, and passing the baton to the next generation is no simple task. Even though investors had faith that YG would produce another BLACKPINK-level group, now that trust is faltering. However, I do think people are now looking at contracts a bit differently. In the past, when a group disbanded, the members would scatter. But now, groups like BLACKPINK continue to work together even while pursuing solo projects. This shows that they understand the importance of sticking together, and I thought that this might help extend the longevity of these groups. But in reality, very few cases of disbanded groups have seen much success with individual members pursuing separate careers. There aren’t many examples where groups have stayed active for long, especially when individual members run into personal issues. Take Big Bang, for instance—they’ve been around for a while, but their personal scandals have made it hard for the group to recover fully. In the entertainment business, it’s rare for groups to last more than seven years, and age is also a factor. Once a group surpasses the seven-year mark, the members tend to be quite a bit older. With BTS, they need to show a fresh side if they’re to keep running strong. One of the most disheartening things mentioned by the members was that they didn’t feel respected. This ties into a larger issue in our society, as we're seeing with the national discussion around workplace bullying. If we think about how BTS achieved success, it's clear why this is such a serious issue. Back when BTS rose to fame, they shared how they weren’t from one of the top three agencies and positioned themselves as underdogs who worked hard to gain recognition. This resonated with many young people who felt that if you work hard enough, you can succeed, even without the backing of a major company. This message gave hope to many, not only in Korea but also globally. BTS’s fan base, especially in the U.S., includes many people who identify as outsiders, those who don’t feel they belong to the mainstream—whether in terms of race, culture, or social standing. For them, BTS was a source of inspiration, showing that you can still succeed even if you start from the margins. With NewJeans, though there’s talk about Min Hee-jin, the allegations of bullying within the company are hitting a sensitive nerve for fans. It’s unfortunate that the company allowed things to reach a point where such accusations were made. Even if the situation was mostly an internal conflict among the adults in charge, they should have handled it better to avoid involving the artists. In the past, we've seen similar issues, like with Big Bang’s various scandals, which were almost at the level of criminal activity. The current situation with NewJeans might not be as severe, but bullying and exclusion are still serious concerns. Ultimately, experiences like these can serve as valuable lessons for the entertainment industry. This situation has highlighted that the entertainment business is fundamentally about human relationships. From the artists to the products they create, everything revolves around people. The moment someone’s feelings are hurt or relationships are damaged, the entire business can collapse. The entertainment business is all about personal connections, something I've always believed. Recently, I heard about Naver Webtoon’s global success, and it's fascinating to think about how it has outgrown Kakao Webtoon, despite being a later player. Many factors contributed to this success, but someone mentioned that webtoons are also a "personal connection" business. Webtoon creators are tough to manage—they're artists, after all, and keeping them on schedule, especially with weekly deadlines, is a challenging task. CEO Kim Joong has managed to nurture relationships with these creators, making personal connections the backbone of the business. In the entertainment industry, particularly with idols, you can't overlook the importance of personal relationships. The key skill for managing this industry is the ability to connect deeply with both the creators and the artists. HYBE, for instance, doesn’t just need skilled managers who are good with finance or operations. What they truly need are people who can foster those personal relationships, especially when they’re dealing with artists as young as 13 or 15. It’s about ensuring that these young talents feel understood and cared for, so they can be inspired to do their best work. Managing young artists is tricky because their idea of success might be completely different from what adults think. A 13-year-old might not care about owning multiple houses—they might just want to spend time with their family or have the freedom to eat out whenever they want. The manager’s job is to tap into what motivates them and help them thrive in a way that’s meaningful to them. This kind of nurturing is not easy to scale. When a company grows too big, it’s challenging to maintain those close relationships. That's why multi-label approaches, like those seen in large entertainment agencies, are supposed to help. But if personal connections within those labels break down, the whole system can fall apart. This business model seems uniquely suited to Korea. It’s hard to imagine it working the same way in Japan, where there's a more hierarchical, command-driven structure. Japan's entertainment industry often depends on strong, central producers who direct everything. In contrast, Korean idols often rise through collective effort and personal connection, like BTS did. Despite the challenges, I believe Korea’s entertainment sector has room for long-term growth. Many of today’s youth are drawn to this field because it allows them to express their talents and passions. If scandals like the one with NewJeans continue to arise, however, it might dissuade some young people from pursuing these dreams. When you look at what NewJeans members have said, there’s not much to disagree with. They simply want to keep doing what they’ve always done and follow their own creative paths. Ensuring they have the freedom to do so can lead to even greater success. These days, if you ask middle or elementary school students what they want to be when they grow up, many of them will say they want to become idols or YouTubers. They believe that with enough effort, they can make it. The entertainment industry needs to be able to channel that passion and potential into something positive. If Min Hee-jin were to leave HYBE, it’s clear that many companies would be eager to work with her. She mentioned once that “everyone is crazy about money,” and I think that’s why there would be a long line of people wanting to meet with her if she decided to move on. Right now, for example, there are people in the entertainment industry, like CJ, who may not have fully established themselves, or even private investors, just waiting for an opportunity. Many of them are keeping an eye on Min Hee-jin leaving HYBE. This was evident during the recent Tokyo performance, where her creativity was on full display. It was incomparable. That’s why this situation is even more unfortunate. Some people say, "If it wasn’t for the money, how could that group have been created?" But I believe there are people who could have made it happen with or without money. That’s the crucial difference in this case. While I'm not an expert, I was touched by the process of recreating a hit song from a legendary Japanese female singer from the '80s. It felt like a major event. It was amazing because I had never seen anything like it before. Even though I wasn’t familiar with the original song, just seeing it was enough to draw in so much attention and make it feel like a historic moment. That’s what talent is—turning something simple, like a cover song, into a major event. I remember thinking, "How do the Japanese people feel about this?" because the crowd's reaction was incredible. The enthusiasm was surprising, and I wondered what they were thinking while watching it. This is the true power of Korean culture—it’s not just about promoting our own culture but also deeply resonating with others. The entertainment industry’s core business is making audiences happy and even obsessed. Min Hee-jin is undeniably a top-tier artist in this field. If she were to leave HYBE, there would be countless opportunities for her. But if HYBE mishandles this situation, it won’t just be about losing one person—it could destabilize everything. They really need to handle this carefully. As for stocks and investments, that's up to everyone’s individual decisions. We're just having a casual chat here about the entertainment industry. As someone with a child in the business and another who's analyzed the industry, we’re just relaxing with a casual discussion. So, let’s pour a drink and enjoy this conversation. Watch the full video:](https://image.24vids.com/tw-1842046662933610609/amplify_video_thumb/1842042079117246465/img/At1wmSEbkseQtgQZ.jpg)
!["What NewJeans Wanted to Say" [Full transcript translated to English] 🐹: Some of you might be surprised by this sudden meeting, but we wanted to share our thoughts and opinions about the recent events, so we prepared this session. First, I want to explain one of the reasons we decided to do this live. It's been hard to see many people who have worked with us continue to suffer from unfair demands and pressure even after our CEO was dismissed. It was frustrating to just stand by and watch these situations unfold, and we were very worried about our future as a group of five. Honestly, while preparing for this live, we were naturally concerned about the reactions we might receive afterward. We were also worried that people might mistakenly think that our CEO instructed us to do this, but I want to clarify that this live was prepared because we five members genuinely wanted to express our thoughts. We received help from directors we trust for things we couldn't prepare ourselves, like setting up the shoot and finding a location. It didn’t feel right for us to stay silent when everyone, including our Bunnies, has been stepping up to support us. Moreover, this is not just a matter of leaving it to the adults because it directly affects the lives of us five members. Since we're the ones going through this, we felt that it would be healthier to speak up ourselves than to do nothing, so we mustered the courage to do so. The main point of what we want to say today is directed towards HYBE. We've already had meetings with the current management to express our opinions, but after seeing what happened afterward, it feels like our concerns weren't clearly conveyed. It seemed like communication was blocked, so we felt that preparing this live was the only way to properly share our thoughts and feelings. 🐻: I’m sure that today’s announcement has shocked many of the staff as well, as they were not aware of it, and I imagine everyone watching is quite surprised too. We’ve thought a lot about where to begin, but since the purpose is to express our intentions, we’ll try to explain as clearly as possible. Of course, due to contractual issues, we can’t share everything, but we’ll be as honest as we can. After it was decided that we would debut as NewJeans, our members spent a lot of time getting to know Min Heejin Daepyonim, both as a group and individually. At first, I had reservations and a certain fear towards the adults we were working with, but Daepyonim was the first person to approach us in a way that allowed us to open up, which was initially awkward but eventually built trust. From before our debut until now, we’ve been aware of various issues related to our debut schedule and other matters. However, working with Daepyonim made us feel good, and I believe that’s why we were able to debut successfully and continue our activities until now. This has been today’s news story. 🐶: Naturally, we all want to continue working with Daepyonim. Even before debuting as NewJeans and through all of the time that we spent together with Min Heejin Daepyonim, all of us felt that the music we wanted to make and the kind of world we wanted to build together, our vision, was similar in so many ways. With Min Heejin Daepyonim, we were able to prepare each and every task with sincere hearts, and I believe it shows in our work. Putting our sincere effort into something is only possible because of the people that we're working with have trust in each other and have that same vision. Min Heejin Daepyonim is not only the person that produces our music, but someone who makes NewJeans who we are. She discusses even the smallest details with us and explains them in ways that we can understand clearly. NewJeans has a distinct colour and tone, and this was created with Min Heejin Daepyonim. She is integral to NewJeans’ identity, and we all feel that she is irreplaceable. 🐱: However, even after our debut, there have been many unfair and incomprehensible incidents that you might not know about, and these incidents have only increased over time. As some of you may know, recently, videos from our trainee days and private records, such as medical information, were leaked. When I first saw that, I was really shocked. It was hard to understand how our company, which is supposed to protect us, failed to manage and allowed such information to be leaked. Naturally, this situation has made us worry that other strange or false information about us might spread in the future. Although we, along with our parents and Min Heejin Daepyonim, have raised concerns about this to HYBE, they haven’t resolved the issue, nor have they taken any proactive measures. Then, in the midst of all this, our CEO was dismissed, and we’re left wondering whom we can trust and rely on. We’ve come to the conclusion that if we don’t speak out about this now, no one will know what we’re going through. After much discussion among ourselves, we finally decided to take this step. 🐰: Something happened to me recently. The 4th floor of the HYBE building is where we get our hair and makeup done, so a lot of other artists and staff come and go there. One day, I was waiting alone in the hallway, and some staff from another team passed by. We greeted each other, but when they came back out a bit later, I heard one of their managers say, “Ignore her,” right in front of me. I could hear and see everything clearly. Even now, I still don’t understand why I had to go through that. 🐻: When I heard about what Hanni experienced, I was really shocked. How could a manager from another team tell their members to ignore one of us, and say it so loudly that Hanni could hear it? Such unimaginable words and behavior were directed at us, yet there was no apology, nor did they even acknowledge their wrongdoing. Of course, I’m worried about our future, but what’s most frightening is that the work we’ve already created is being compromised. Seeing the people who have poured their lives into creating our work being treated this way makes it hard to understand how this could be happening. The new management said they would separate producing and management, but we’ve always worked differently from other labels, and we thought that our way was a good one. Now, Daepyonim can no longer approve all matters, and we’re left wondering how we’re supposed to continue working as we did before. The recent statement from the new management also didn’t make sense to me. If they really didn’t intend to interfere with our producing, then the recent incident with Director Shin Woo-seok should never have happened, and it should have been handled differently. We are the ones directly involved with the copyrights and likeness rights of our content, yet they’re making decisions without our consent. In their statement, they kept saying they were acting to protect us and prevent our anxiety, but why do they keep insisting on this when they haven’t considered our wishes? We don’t want any more unnecessary issues to arise, and we want them to show respect and consideration for Daepyonim and all the directors who have worked with us. The things they’re doing right now are not in our best interest at all. 🐰: Something we all find very important, something that plays a very important role in our team's colour and image is our media content and creative production. Despite saying that they would leave all the creative production to our now former CEO, Min Heejin, through official statements that I think a lot of you might have already read or seen, and also during our personal meetings, they infringed our content. Content that not only we worked really hard on, but also our staff who spent endless hours to produce and release them solely for our fans. And if they had any understanding about what type of team we are, and the type of content that we create, they would have thought more deeply for crossing the line that they set for themselves. Because of this incident, we realized that there's not much we can do to prevent these type of issues. Personally, the way that ADOR used to run was the business management and creative production was not separated and was factors that played and worked in harmony with each other. That's how it worked and it was perfectly fine. It was our way of working and it was our CEO's way of producing NewJeans' content, which a lot of you were able to enjoy and appreciate. But now that she's no longer CEO, these factors that should have continued to work together in harmony are now being seen as two different areas of work. 🐻: Besides this, there are many other incidents we’ve experienced that are beyond my understanding—things that are frightening and uncomfortable. These incidents naturally make us question whether HYBE really cares about NewJeans, and there are clear signs of this. However, it’s hard to discuss everything today because we’re not sure how far things could escalate. We just hope you can understand a little of what’s been on our minds and why we chose to speak out in this way. 🐶: As I mentioned earlier, our dream was to perform the music we want to make with Daepyonim, and we were working very hard toward that goal. But now, we can’t do that, and the plans we’ve made might not come to fruition. As Hanni unnie said earlier, just like that, the content that we released solely for our fans, for our bunnies, was instantly erased. And I truly can't understand why anyone would do this to a group, or just anyone in general. We were just working hard for the present, so what did we do wrong? A week after Daepyonim was dismissed, we found out that we could no longer work with the director we’ve been working with all this time, and we’re extremely anxious because we don’t know what will happen to the staff who have always worked hard for us. If they really care about us, they should stop saying that they prioritize the artists and instead let us do the music we love in an environment where we can be genuinely happy. Is that really so hard to do? It’s hard to fully express what’s in my heart, but in the end, the five of us just want to continue our activities with Min Heejin Daepyonim, as we have done so far. 🐱: Personally, I want to continue working with the people around us who have helped me grow mentally and made me feel alive. However, I can't understand, nor do I think I should have to understand, why external forces are constantly obstructing and hindering us. I absolutely cannot comprehend what is truly in our best interest or what is supposed to help us grow. And I feel so sorry and heartbroken that our Bunnies, who found comfort in us and shared joyful memories with us, have to go through this ordeal and worry about things they shouldn't have to. We almost lost the work that symbolizes the relationship between NewJeans and Bunnies, and we don't want to lose anything else. I refuse to conform to or follow the values of the society those people belong to, and because I believe that direction is not the right one, I will not choose to go that way. 🐹: We found out about the CEO's dismissal through the news on the very day it happened. It was so sudden and unimaginable for all of us, and honestly, it was really difficult for us to process. As artists under HYBE, the company's unilateral notification made it clear to us that they don't respect us at all. In the midst of this confusion, we heard through our manager that the new CEO wanted to meet with us. From the very first action taken by the newly appointed Juyoung, it was clear that there was no consideration for us. He claimed to care for us, to prioritize NewJeans, but looking at everything that has happened, it's evident that his words were just that—empty words. HYBE’s actions, like publishing articles that painted us in a bad light just a week before our comeback, make us question how any of this is supposed to be in our best interest. 🐻: It's already been half a year of unnecessary and exhausting discussions about us and NewJeans, and even as a third party, it must be tiring. As the ones directly involved, it’s incredibly uncomfortable for us. We still have music we want to make and goals we want to achieve together, but as things stand now, it’s heartbreaking to think that we might lose not only the work we’ve created so far but also the identity of our team. That’s what makes us feel so helpless. We held this live stream to express our feelings because we sincerely want this tiresome conflict to end. 🐰: Like how we have our own and individual thoughts and feelings, we have the choice to choose how we will react to each situation, and we are not going to follow Hybe's every order blindly. We are more than well aware that this is getting in the way of our work, and that we should be treated much, much better than how we are right now. And it's very hard to believe that they are truly sincere about wanting to help us continue, to be able to continue to work with our Daepyonim, Min Heejin Daepyonim. Despite her being in the midst of all this current legal conflict, she's expected to plan and creatively produce our future endeavours in just only two months, which I personally think makes no sense at all. We don't want to hear all the empty words of how they're going to help us continue to work with Min Heejin, Daepyonim. And all we want is this legal conflict to be resolved and have our working environment returned back to normal the way it was before. 🐹: The way HYBE is operating right now feels dishonest and wrong to us. Please, stop interfering. Reinstating our CEO and returning us to the original ADOR environment we had before, with familiar people, not strangers, would make things right. We’re not asking for special treatment; we just want everyone to do their jobs well in their respective places. We’ll do our best in our roles too. We sincerely hope our request is heard. 🐶: From a human perspective, I hope you stop harassing our CEO, Min Hee Jin. Honestly, she seems so pitiful, and HYBE just comes across as an inhumane company. What can we possibly learn from a company like this? So, I really hope you stop bothering our CEO. 🐻: What we want is the original ADOR, where CEO Min Hee Jin leads both management and production. The reason we're making this request is because it's a way to coexist peacefully without conflict with HYBE. If our message has been conveyed properly, we hope Chairman Bang and HYBE make a wise decision to restore ADOR to its original state by the 25th. Thank you for listening to us. #하이브어도어_뉴진스지우기_작작해 #HYBE_STOP_SABOTAGING_NEWJEANS #HYBEによるNewJeansへの妨害に抗議します #NEWJEANS_NEVER_DIE](https://image.24vids.com/tw-1833845252211474737/amplify_video_thumb/1833843519804592128/img/CtgDOp_doKrnNvSv.jpg)