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Not every bucket-list experience happens in daylight. Some are found beneath skies filled with countless stars, where silence replaces the city buzz and every glance upward feels unforgettable. Image/Video Courtesy: pawsonmaps, ashikaseem (IG) #Stargazing #exploreindia #travelindia #incredibleindia (1/2)

Incredible!ndia

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12,974 Aufrufe • vor 1 Monat •via X (Twitter)

#Stargazing #exploreindia

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Seedance 2.0 on TapNow Prompt: Image 1: Woman Image 2: Man CAMERA Shot in the style of a handheld DV 16mm tape camcorder. The footage is filmed entirely from Image 2's point of view, with him holding the camcorder himself. Maintain authentic handheld imperfections throughout: natural hand shake off-center framing delayed autofocus clumsy zoom-ins and zoom-outs self-camera shots where faces are sometimes partially cut off imperfect framing that occasionally loses the subject Every shot is either a selfie shot or first-person POV filmed by Image 2. The camcorder itself never appears on screen. SCENE Image 1 and Image 2 are at Gangneung Beach at night. Image 1 hugs Image 2 from the front, lifting him into her arms. The camera is filmed from Image 2's perspective while being carried. Image 1: "That confession you made earlier... was it real... or not?" "Be clear. Tell me honestly." Image 2: "Whyyy~~ Can't I joke around~~?" Still carrying Image 2 in his arms, Image 1 suddenly runs into the ocean. Image 2: "Hey! Hey!! Don't do it!!!" The camera shakes violently as they rush into the water, and the video abruptly ends. LOOK A DV 16mm tape camcorder travel footage aesthetic: soft, slightly blurry digital tape image quality subtle tape noise highlights that bloom slightly under natural light minor automatic exposure fluctuations muted, low-contrast colors realistic skin tones AUDIO Natural nighttime ocean waves. Audio recorded with an old camcorder, including noticeable tape hiss and recording noise.

Seedance 2.0 on TapNow Prompt: Image 1: Woman Image 2: Man CAMERA Shot in the style of a handheld DV 16mm tape camcorder. The footage is filmed entirely from Image 2's point of view, with him holding the camcorder himself. Maintain authentic handheld imperfections throughout: natural hand shake off-center framing delayed autofocus clumsy zoom-ins and zoom-outs self-camera shots where faces are sometimes partially cut off imperfect framing that occasionally loses the subject Every shot is either a selfie shot or first-person POV filmed by Image 2. The camcorder itself never appears on screen. SCENE Image 1 and Image 2 are at Gangneung Beach at night. Image 1 hugs Image 2 from the front, lifting him into her arms. The camera is filmed from Image 2's perspective while being carried. Image 1: "That confession you made earlier... was it real... or not?" "Be clear. Tell me honestly." Image 2: "Whyyy Can't I joke around?" Still carrying Image 2 in his arms, Image 1 suddenly runs into the ocean. Image 2: "Hey! Hey!! Don't do it!!!" The camera shakes violently as they rush into the water, and the video abruptly ends. LOOK A DV 16mm tape camcorder travel footage aesthetic: soft, slightly blurry digital tape image quality subtle tape noise highlights that bloom slightly under natural light minor automatic exposure fluctuations muted, low-contrast colors realistic skin tones AUDIO Natural nighttime ocean waves. Audio recorded with an old camcorder, including noticeable tape hiss and recording noise.

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Hey, listen up! If you're planning a vacation, Beijing should be at the top of your list! This city is an absolute dream for tourists. From the majestic Forbidden City, where history whispers through every ancient corridor, to the vibrant streets of Wangfujing, filled with mouth - watering snacks that'll make your taste buds dance. Taking the subway here is like embarking on an adventure, zipping you to iconic spots in no time. Whether you're exploring the grandeur of the Great Wall or getting lost in the magic of the Summer Palace, Beijing has something for everyone. It’s a place where old meets new, and every corner is ready to surprise you. So, what are you waiting for? Dive into the Beijing experience this summer and get ready to create memories that’ll last a lifetime!

Hey, listen up! If you're planning a vacation, Beijing should be at the top of your list! This city is an absolute dream for tourists. From the majestic Forbidden City, where history whispers through every ancient corridor, to the vibrant streets of Wangfujing, filled with mouth - watering snacks that'll make your taste buds dance. Taking the subway here is like embarking on an adventure, zipping you to iconic spots in no time. Whether you're exploring the grandeur of the Great Wall or getting lost in the magic of the Summer Palace, Beijing has something for everyone. It’s a place where old meets new, and every corner is ready to surprise you. So, what are you waiting for? Dive into the Beijing experience this summer and get ready to create memories that’ll last a lifetime!

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Marine Arrogance 101 What truly sets Marines apart—is that rare and powerful quality we call esprit de corps. Standing on the shoulders of giants, we carry the ghosts of every Marine. We stand with the Devil Dogs of Belleau Wood—the Teufelshunde—We stand with the warriors who stormed the blood-soaked beaches and islands of the Pacific: Tarawa, Iwo Jima, and countless others where the sand ran red. We stand with the Frozen Chosin, who fought and marched out of hell in sub-zero darkness. We stand with the Marines who clawed through Hue City, held Khe Sanh against impossible odds, and slogged through the mud and rice paddies of Southeast Asia. We stand with those who rolled across the desert in Desert Storm, fought house-to-house in Iraqi Freedom, and held the line in the long war of GWOT in Afghanistan. That’s why, no matter where we are on November 10th, every Marine raises a glass to the Corps’ birthday, we’ll never settle for being an Army of one. For most of us, it’s not something we were—it’s something we are. It is the single most defining part of who and what we are. Some call it arrogance. We call it pride—and we have every right to it. We are the most feared, most ferocious warriors to ever walk this earth. We are what every other branch wishes they could be. Modern Day Spartans! This isn’t bragging but Some will still whisper “arrogance” and then we smile. So, why are Marines special? Hell if I know—we just are. Respectfully, The Few. The Proud. The Marines. 🦅🌎⚓️

Marine Arrogance 101 What truly sets Marines apart—is that rare and powerful quality we call esprit de corps. Standing on the shoulders of giants, we carry the ghosts of every Marine. We stand with the Devil Dogs of Belleau Wood—the Teufelshunde—We stand with the warriors who stormed the blood-soaked beaches and islands of the Pacific: Tarawa, Iwo Jima, and countless others where the sand ran red. We stand with the Frozen Chosin, who fought and marched out of hell in sub-zero darkness. We stand with the Marines who clawed through Hue City, held Khe Sanh against impossible odds, and slogged through the mud and rice paddies of Southeast Asia. We stand with those who rolled across the desert in Desert Storm, fought house-to-house in Iraqi Freedom, and held the line in the long war of GWOT in Afghanistan. That’s why, no matter where we are on November 10th, every Marine raises a glass to the Corps’ birthday, we’ll never settle for being an Army of one. For most of us, it’s not something we were—it’s something we are. It is the single most defining part of who and what we are. Some call it arrogance. We call it pride—and we have every right to it. We are the most feared, most ferocious warriors to ever walk this earth. We are what every other branch wishes they could be. Modern Day Spartans! This isn’t bragging but Some will still whisper “arrogance” and then we smile. So, why are Marines special? Hell if I know—we just are. Respectfully, The Few. The Proud. The Marines. 🦅🌎⚓️

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"I am a free bird in water. I can move my entire body inside water, thanks to zero gravity. But my wheelchair keeps me caged on land." Geetha Kannan (42) is a wheelchaired person who LOVES swimming independently. Look at her swimming in the Nehru Stadium pool (video 1). She describes how she began doing exercises in water (hydrotherapy), & slowly began swimming 6 months ago. Now, she has bagged three gold medals in a state-level swimming competition in March. (Video 2) But she travels for 1.5 hours from Tambaram to Nehru Stadium every day for her two-hour swim, because #Chennai has barely two accessible pools out of seven public pools. There are around 1.5 lakh people with disabilities in the city and only 150 are trained in swimming lately. There are three Paralympic swimming gold medallists from the city, including Geetha. Not much money or efforts are needed to make a pool accessible. Ramps, tactile flooring, seating lifts, spacious toilets. Despite courts insisting on making every building accessible to all people, many spaces are not yet accessible, including pools, where disabled can feel 'abled'. "If there are more accessible swimming pools, more golds, silvers and bronzes will come to our city from many PwDs," said Geetha.

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I've dated hundreds of girls in the last couple years every single time it's always the same at first it feels new, different euphoric "this is the one" i say then a couple days later, i realize she's like the rest that's when i understood: this is EXACTLY what hardstuck league players feel "trying out akali" "yone feels better" "maybe syndra is the answer" every new champion is "the one" the honeymoon phase is a trap fresh combos outplay potential that hit of dopamine then, that bad matchup, loss streak, emptiness "my champion does no damage" "this champ is trash" "can't carry with this" back to the pool back to swiping through the champion roster like it's fucking hinge meanwhile some 14 year old in seoul just hit grandmaster playing garen only 2 million mastery points doesn't know what "optimal trading patterns" means doesn't speak english doesn't watch guides just knows his champion so well he can smell your mistakes in loading screen seen every matchup 500 times knows exactly when he wins when he loses when to give up cs when to int for objectives learned every ugly part you keep running from here's the brutal truth i had to face: i was the fucking PROBLEM not the girls not the champions not the matchmaking ME i was addicted to the hunt chasing that first-game high instead of learning what happens on game 500 you think you're "finding your main" you're actually just a commitment-phobic bitch running from discomfort never staying long enough to learn the bad matchups the losing lanes the moments where your champion feels like dog shit that's where mastery lives in the ugly parts you keep running away from but you won't stay you'll hit one bad day and it's back to the tier list back to youtube guides back to "maybe THIS is the one" commitment issues don't just ruin your dating life they keep you hardstuck in League of Legends study the saskio way

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SHION 紫苑 Art by はむメロン Speed. Refined. Some products are made to perform. Others are made to be remembered. SHION was designed to do both. Built with our most advanced glass surface and coating to date, SHION pushes the limits of speed. Every swipe feels weightless, every movement immediate, delivering an uncompromising ultra-fast experience with minimal stopping power by design. Its next-generation multi-layer coating is engineered for exceptional consistency, delivering the same smooth glide regardless of humidity or changing environmental conditions. Our advanced coating is up to 5× more durable than conventional coatings, ensuring the surface you trust today is the same surface you'll trust tomorrow. The glass surface is etched to provide subtle tactile feedback, creating an ultra-fine textured finish that enhances precision while preserving exceptional speed. Every detail has been carefully considered. The ultra-clear premium glass reveals beautiful artwork with exceptional depth and clarity. Precision-polished 4th gen edgeless 2.5D comfort edges create a seamless transition beneath your wrist. A newly upgraded silicone base keeps SHION perfectly planted through every flick and every micro-adjustment. Nothing exists without purpose. Not the surface. Not the artwork. Not the materials. Not even the packaging. Because true premium isn't measured by one feature it's the experience created when every detail works together. Designed for those who demand more. Insane-Fast premium glass textured surface Next-generation multi-layer advanced coating Consistent performance in humid environments Newly upgraded anti-slip silicone base Precision-polished 4th generation 2.5D comfort edgeless design edges Ultra-clear glass for exceptional artwork clarity Large 490 × 420 x 1.5mm(Total 2.2mm) thick Glass SHION 紫苑. Speed, refined. Limited to only 1111 Units Worldwide. MSRP: $109.99 Pre-orders go live on July 31 at 8:00 AM PT. Distributors 🇺🇸 LETHAL.GG 🇪🇺 MaxGaming 🇦🇺 Ausmodshop 🇯🇵 Rabbit0@ゲーミング 🇰🇷 JohnsonGaming 🇹🇭 Micemod 🇲🇾 Respawn Gaming Tech 🇬🇧 ZerkGamingMods 🇺🇦 GODLIKE Gaming 🇮🇳 WAimers 🇷🇺 FinalGear More details soon!

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🌄 [𝐆𝐋𝐎𝐑𝐈𝐎𝐔𝐒 𝐀𝐑𝐑𝐎𝐖 𝐒𝐇𝐀𝐑𝐃 𝟎𝟏 (𝟏.𝟐) – 𝐓𝐇𝐈𝐒 𝐈𝐒 𝐓𝐇𝐄 𝐌𝐎𝐌𝐄𝐍𝐓_𝟓𝐭𝐡 𝐆𝐔𝐌𝐀𝐘𝐔𝐒𝐈 𝐃𝐄𝐁𝐔𝐓 𝐀𝐍𝐍𝐈] 🗓 Date: 25.09.03 – 25.09.09 📍 Location: 𝟒𝟐𝟎 stores at GS25 Seoul (Topview) ⏰️ Time: 5AM to 2AM the next day (KST) (Full list: GS25 Topview Full list _ Check the full list in the comments below.) ⏱️ Frequency: 15s – minimum 100 times/day 🌟 𝐆𝐒𝟐𝟓 ~ 𝐆𝐮𝐦𝐚 𝐬𝐭𝐨𝐫𝐞 – 𝐰𝐡𝐞𝐫𝐞 𝐆𝐮𝐦𝐚’𝐬 𝐬𝐭𝐨𝐫𝐲 𝐬𝐡𝐢𝐧𝐞𝐬 𝐢𝐧𝐭𝐨 𝟐𝟎𝟐𝟓. 🎶 If 357 stores were the opening part, then 420 is the harmony – a melody that not only rises but lingers, spreading further and deeper into every heart. ✨ ️ The number 4 – the four seasons of spring, summer, autumn, and winter. Each carries its own color, yet together they form an endless cycle, a reminder that even as time changes, the love and presence of fans remain steadfast. ✨ ️ The number 2 – a pair of wings, the shared heartbeat between Gumayusi and his fans. Those wings lift him higher and weave a rainbow of connection – where one player and countless hearts meet under the same sky. It is the gentle promise that he will never walk alone. ✨ ️ The number 0 – a perfect circle, with no beginning and no end. Like a sky embracing countless stars, like arms that hold every joy and every struggle. A quiet loop of rebirth, where love only grows stronger with time – a vow to walk on, together, without fading. 💫 If 357 recalls the memories of youth and burning ambition, then 420 opens the door to the future – a light that is deeper, steadier, and full of growth. 🌌 420 GS25 stores across Seoul – each LED a star. Alone they may seem small, but together they weave into a brilliant galaxy, shining with trust, experience, and unyielding love. ❤️𝐼𝑡 𝑖𝑠 𝑡ℎ𝑒 𝑠ℎ𝑎𝑟𝑒𝑑 ℎ𝑒𝑎𝑟𝑡𝑏𝑒𝑎𝑡 𝑜𝑓 𝑎 𝑐𝑜𝑚𝑚𝑢𝑛𝑖𝑡𝑦, 𝑡ℎ𝑒 𝑗𝑜𝑢𝑟𝑛𝑒𝑦 𝑜𝑓 𝑙𝑜𝑣𝑒 𝑔𝑎𝑡ℎ𝑒𝑟𝑒𝑑 𝑡ℎ𝑟𝑜𝑢𝑔ℎ 𝑡ℎ𝑒 𝑦𝑒𝑎𝑟𝑠 𝑓𝑜𝑟 𝑜𝑛𝑒 𝑛𝑎𝑚𝑒 𝑜𝑛𝑙𝑦 – 𝑮𝒖𝒎𝒂𝒚𝒖𝒔𝒊, 𝒐𝒖𝒓 𝒑𝒓𝒊𝒅𝒆, 𝒐𝒖𝒓 𝒚𝒐𝒖𝒕𝒉, 𝒂𝒏𝒅 𝒐𝒖𝒓 𝒇𝒐𝒓𝒆𝒗𝒆𝒓 𝒉𝒐𝒓𝒊𝒛𝒐𝒏. 🫶🏻 Special thanks to Riot & T1 for allowing us to use images. ------------ ▶️ Facebook: This Is The Moment - All For Gumayusi ▶️ X/Twitter: This Is The Moment - All For Gumayusi ▶️ Instagram: titm_gumavnfs ▶️ Mail: thisisthemoment.forgumayusi@gmail.com #GUMAYUSI #이민형 #구마유시 #ThisIsTheMoment 이민형

🌄 [𝐆𝐋𝐎𝐑𝐈𝐎𝐔𝐒 𝐀𝐑𝐑𝐎𝐖 𝐒𝐇𝐀𝐑𝐃 𝟎𝟏 (𝟏.𝟐) – 𝐓𝐇𝐈𝐒 𝐈𝐒 𝐓𝐇𝐄 𝐌𝐎𝐌𝐄𝐍𝐓_𝟓𝐭𝐡 𝐆𝐔𝐌𝐀𝐘𝐔𝐒𝐈 𝐃𝐄𝐁𝐔𝐓 𝐀𝐍𝐍𝐈] 🗓 Date: 25.09.03 – 25.09.09 📍 Location: 𝟒𝟐𝟎 stores at GS25 Seoul (Topview) ⏰️ Time: 5AM to 2AM the next day (KST) (Full list: GS25 Topview Full list _ Check the full list in the comments below.) ⏱️ Frequency: 15s – minimum 100 times/day 🌟 𝐆𝐒𝟐𝟓 ~ 𝐆𝐮𝐦𝐚 𝐬𝐭𝐨𝐫𝐞 – 𝐰𝐡𝐞𝐫𝐞 𝐆𝐮𝐦𝐚’𝐬 𝐬𝐭𝐨𝐫𝐲 𝐬𝐡𝐢𝐧𝐞𝐬 𝐢𝐧𝐭𝐨 𝟐𝟎𝟐𝟓. 🎶 If 357 stores were the opening part, then 420 is the harmony – a melody that not only rises but lingers, spreading further and deeper into every heart. ✨ ️ The number 4 – the four seasons of spring, summer, autumn, and winter. Each carries its own color, yet together they form an endless cycle, a reminder that even as time changes, the love and presence of fans remain steadfast. ✨ ️ The number 2 – a pair of wings, the shared heartbeat between Gumayusi and his fans. Those wings lift him higher and weave a rainbow of connection – where one player and countless hearts meet under the same sky. It is the gentle promise that he will never walk alone. ✨ ️ The number 0 – a perfect circle, with no beginning and no end. Like a sky embracing countless stars, like arms that hold every joy and every struggle. A quiet loop of rebirth, where love only grows stronger with time – a vow to walk on, together, without fading. 💫 If 357 recalls the memories of youth and burning ambition, then 420 opens the door to the future – a light that is deeper, steadier, and full of growth. 🌌 420 GS25 stores across Seoul – each LED a star. Alone they may seem small, but together they weave into a brilliant galaxy, shining with trust, experience, and unyielding love. ❤️𝐼𝑡 𝑖𝑠 𝑡ℎ𝑒 𝑠ℎ𝑎𝑟𝑒𝑑 ℎ𝑒𝑎𝑟𝑡𝑏𝑒𝑎𝑡 𝑜𝑓 𝑎 𝑐𝑜𝑚𝑚𝑢𝑛𝑖𝑡𝑦, 𝑡ℎ𝑒 𝑗𝑜𝑢𝑟𝑛𝑒𝑦 𝑜𝑓 𝑙𝑜𝑣𝑒 𝑔𝑎𝑡ℎ𝑒𝑟𝑒𝑑 𝑡ℎ𝑟𝑜𝑢𝑔ℎ 𝑡ℎ𝑒 𝑦𝑒𝑎𝑟𝑠 𝑓𝑜𝑟 𝑜𝑛𝑒 𝑛𝑎𝑚𝑒 𝑜𝑛𝑙𝑦 – 𝑮𝒖𝒎𝒂𝒚𝒖𝒔𝒊, 𝒐𝒖𝒓 𝒑𝒓𝒊𝒅𝒆, 𝒐𝒖𝒓 𝒚𝒐𝒖𝒕𝒉, 𝒂𝒏𝒅 𝒐𝒖𝒓 𝒇𝒐𝒓𝒆𝒗𝒆𝒓 𝒉𝒐𝒓𝒊𝒛𝒐𝒏. 🫶🏻 Special thanks to Riot & T1 for allowing us to use images. ------------ ▶️ Facebook: This Is The Moment - All For Gumayusi ▶️ X/Twitter: This Is The Moment - All For Gumayusi ▶️ Instagram: titm_gumavnfs ▶️ Mail: [email protected] #GUMAYUSI #이민형 #구마유시 #ThisIsTheMoment 이민형

This Is The Moment - All For Gumayusi

25,683 Aufrufe • vor 11 Monaten

China is my 61st country 🇨🇳 I’ve spent 2 days in Shenzhen and here’s what amazed me: - Scale! Everything is huge. The city itself is 2x Hong Kong size or 33% Canada size. It easily takes 30-50 min by car or tube to go from one area to another. - Very high tech. Robot deliveries for in-room dining, drones delivering food in the parks, 10 stories robotics markets. - There are also robocard without drivers in some areas but I didn’t have time to try it. - Extremely green. Shenzhen pioneers the concept of harmony between nature and urban planning. It’s basically a city embedded into mountains, sea and greenery. Parks everywhere. - Immaculately clean everywhere from streets to casual eateries. Very high contrast with Yangshuo where I was before. - High patriotism and love for the country & people in every detail. Looks like a great city to live in. - Though nothing is equipped for handicapped people - in general saw this across China so far - The city is very young - only 49 years old. And looks like the population is very young, too. I’ve seen maybe 5% of people over 50 years old on the streets. the only place in China so far where I was constantly asked for Chinese phone number for payments. Still don’t know why. - Very limited English, despite high tech and education. Hotel / restaurant staff didn’t speak at all. Almost no English explanations in museums even - to me it feels like a statement that West is not needed here - Smoking cult. Everywhere, even the room in my non-smoking hotel smelled of cigarettes - A lot of parks, squares and communal areas where people do sports, dance, sing and socialise - Incredible architecture! There are some pretty unique buildings. Each museum site is a masterpiece.

China is my 61st country 🇨🇳 I’ve spent 2 days in Shenzhen and here’s what amazed me: - Scale! Everything is huge. The city itself is 2x Hong Kong size or 33% Canada size. It easily takes 30-50 min by car or tube to go from one area to another. - Very high tech. Robot deliveries for in-room dining, drones delivering food in the parks, 10 stories robotics markets. - There are also robocard without drivers in some areas but I didn’t have time to try it. - Extremely green. Shenzhen pioneers the concept of harmony between nature and urban planning. It’s basically a city embedded into mountains, sea and greenery. Parks everywhere. - Immaculately clean everywhere from streets to casual eateries. Very high contrast with Yangshuo where I was before. - High patriotism and love for the country & people in every detail. Looks like a great city to live in. - Though nothing is equipped for handicapped people - in general saw this across China so far - The city is very young - only 49 years old. And looks like the population is very young, too. I’ve seen maybe 5% of people over 50 years old on the streets. the only place in China so far where I was constantly asked for Chinese phone number for payments. Still don’t know why. - Very limited English, despite high tech and education. Hotel / restaurant staff didn’t speak at all. Almost no English explanations in museums even - to me it feels like a statement that West is not needed here - Smoking cult. Everywhere, even the room in my non-smoking hotel smelled of cigarettes - A lot of parks, squares and communal areas where people do sports, dance, sing and socialise - Incredible architecture! There are some pretty unique buildings. Each museum site is a masterpiece.

Kseniia Baziian

165,036 Aufrufe • vor 2 Monaten

an agent is four parts in a loop. you own one. the other three break it. that's why the demo works and prod doesn't. you can't debug what you can't see. 1) the prompt → what you tell the model each turn. you own this one. good. 2) the context window → what it sees right now. the framework fills it with junk, and you never notice until it rots. 3) the tools → what it can do. you own the list, not when or why it fires them. 4) the control flow → what happens next, when to stop. the framework owns this. it's what breaks at 80%. own all four and your agent stops being a magic trick that works on stage and dies on call. this isn't my idea. it's the 12-factor agents guide (24k stars) github: the whole thing every serious builder ends up rewriting their stack around. full breakdown in the article below.

an agent is four parts in a loop. you own one. the other three break it. that's why the demo works and prod doesn't. you can't debug what you can't see. 1) the prompt → what you tell the model each turn. you own this one. good. 2) the context window → what it sees right now. the framework fills it with junk, and you never notice until it rots. 3) the tools → what it can do. you own the list, not when or why it fires them. 4) the control flow → what happens next, when to stop. the framework owns this. it's what breaks at 80%. own all four and your agent stops being a magic trick that works on stage and dies on call. this isn't my idea. it's the 12-factor agents guide (24k stars) github: the whole thing every serious builder ends up rewriting their stack around. full breakdown in the article below.

Hanako

38,184 Aufrufe • vor 28 Tagen

GUYS!!! Quit feeling bummed about Niantic destroying our global communities and the constant screw ups with events / features that end in terrible compensation!!!!!! The team has been working on groundbreaking user experience updates 😀🙂😐 Anyway, since we're on the topic can we discuss other ideas that would actually improve UXP significantly compared to reorganizing the research tab that most of us have probably gotten used to by now anyway and that didn't have an explicitly negative impact on playing the game? Lol 1. This is an obvious one. I mean, they did a whole upgrade to the research tab and couldn't be bothered to include the ONE LINE OF CODE that ALREADY EXISTS IN THEIR FILES to make the BATTLE PASS REWARDS COLLAPSIBLE???????? Come on lol 2. An update to navigating within gyms would be nice :) i attached a video of me trying to feed berries and no matter what or how I clicked or swiped I could not get to that gdamn accelgor 🫠 can we have some ARROWS at the sides of the screen so we can actually get to each pokemon efficiently?! 3. Similar to #2, except with the friends list. When scrolling left and right through friends (as in, not in the list view) the scrolling function itself is not smoothe and it's too easy to accidentally press the trade or battle screen and get caught there for a sec. Frustrating little experience, could be easily fixed with arrows on the screen. 4. While we're on the topic of friends, let us see if we've interacted with a friend from their avatar screen and not just in list view from the blue aura around the avi's face :) In the grand scheme of everything Niantic does wrong with the game, these are... MINISCULE issues 🙂 but since they're apparently into focusing on UXP updates, instead of, like, making sure events and features run smoothly and players are properly compensated when they don't, it would be nice to get updates that actually fix some negative / inefficient aspects of navigating through the game 🙂 rather than an aesthetics tweak lol 🙂

the very best Singaporean grandma

17,537 Aufrufe • vor 2 Jahren

Month 1: $0 Month 2: $0 Month 3: $205 Month 4: 50,532 This is what actually happens when you stop overthinking and start a faceless YouTube channel the right way. Most people quit in the first 60 days because they see zero results and assume it doesn’t work. But the ones who push through the first two months with consistency usually see their first real payout in month 3. Here’s the simple system that makes this possible: Step 1: Pick one proven niche (history, facts, motivation, or luxury) and stick to it. Step 2: Use AI to generate 30 video ideas in one sitting so you never run out of content. Step 3: Outsource or use AI to create the videos (script + voice + editing) so you can upload consistently without burning out. Step 4: Upload 3–5 videos per week and stay consistent for 90 days without checking analytics every day. The first two months are almost always quiet. The third month is where most people either quit or finally get paid. If you’re willing to be patient for 90 days, this model still works extremely well in 2026. Watch the full breakdown in the video.

Month 1: $0 Month 2: $0 Month 3: $205 Month 4: 50,532 This is what actually happens when you stop overthinking and start a faceless YouTube channel the right way. Most people quit in the first 60 days because they see zero results and assume it doesn’t work. But the ones who push through the first two months with consistency usually see their first real payout in month 3. Here’s the simple system that makes this possible: Step 1: Pick one proven niche (history, facts, motivation, or luxury) and stick to it. Step 2: Use AI to generate 30 video ideas in one sitting so you never run out of content. Step 3: Outsource or use AI to create the videos (script + voice + editing) so you can upload consistently without burning out. Step 4: Upload 3–5 videos per week and stay consistent for 90 days without checking analytics every day. The first two months are almost always quiet. The third month is where most people either quit or finally get paid. If you’re willing to be patient for 90 days, this model still works extremely well in 2026. Watch the full breakdown in the video.

Frogify

45,734 Aufrufe • vor 1 Monat

. Today, on the sacred 7th of May 2026, our film Krishnavataram The Movie arrives before the world with the divine blessings of Lord Jagannath. This is not merely the release of a motion picture; it feels like the unfolding of a prayer woven through cinema, music, silence, devotion, and emotion. Hardik Gajjar Films (The Director) and his entire team have created a deeply sensitive and spiritually moving experience that reveals Lord Krishna not only as the Supreme Divine, but as the eternal embodiment of love itself. The film delicately touches those unseen emotional shades of Krishna where compassion becomes music, silence becomes दर्शन, and love becomes the very breath of existence. It feels as though Krishna, while leaving this world, left fragments of His own heart behind for humanity to discover through devotion. The legendary Prakash Kapadia has written dialogues with extraordinary philosophical depth and emotional intensity. His words do not merely describe Krishna, they unveil Him layer by layer, allowing the audience to experience the tenderness, pain, divinity, playfulness, sacrifice, and cosmic love that exist within His consciousness. There are moments in the film where the dialogues feel less like writing and more like timeless revelations flowing from another realm. Irshad Kamil ji also has penned great songs which create magic on the screen. And then comes the soul of the film — its music. The music composed by Prasad S is not something one simply listens to; it slowly dissolves into the listener’s inner being like sacred incense lingering in the air of an ancient temple long after the lamps have faded. His compositions possess an extraordinary spiritual fragrance, where every note carries longing, surrender, stillness, devotion, and grace. There is a rare emotional purity in his music that touches the deepest corners of the heart without demanding attention — it simply enters silently and stays forever. Prasad’s understanding of emotion through sound is profoundly exceptional. He has not composed mere melodies for this film; he has sculpted states of consciousness. The background score breathes with Krishna’s compassion, smiles with His leelas, and weeps with His separation. Certain musical passages continue to echo within the soul long after the scene has ended, like a distant flute still calling from the banks of Vrindavan. His music possesses that rare divine quality where silence itself begins to sing. What touches me even more deeply is his humility. Prasad said to me that I was one of the driving forces behind the music of Krishnavataram, but the truth is, he himself is one of those divinely chosen souls blessed with rare sensitivity, grace, and sincerity. Despite his immense talent, he remains extraordinarily grounded, soft-spoken, and pure-hearted, someone who never claims success as his own alone, but lovingly shares its light with every co-artist who walks beside him. Perhaps that quiet humility, more than even his brilliance, is what makes him truly special to me. I feel very fortunate to have lent my voice and written lyrical expressions for the background score of this sacred cinematic journey. May Krishnavataram & its music awaken devotion, love, and inner stillness in every heart it touches. Because Krishna was not loved merely for being God, Krishna was loved because He understood the language of the human soul. SO REQUESTING EVERYONE TO GO TO THE NEARBY THEATRES AND WATCH THE MOVIE “KRISHNAVATARAM” AND WITNESS THE MAGNIFICENCE OF LORD KRISHNA !! prasad sashte Dr. Sajan Raj Kurup Harsh Sanghavi poonam shroff Raam Mori पंकज त्रिपाठी Shefali Vaidya. 🇮🇳 Dr. S. Jaishankar Benjamin Netanyahu - בנימין נתניהו

. Today, on the sacred 7th of May 2026, our film Krishnavataram The Movie arrives before the world with the divine blessings of Lord Jagannath. This is not merely the release of a motion picture; it feels like the unfolding of a prayer woven through cinema, music, silence, devotion, and emotion. Hardik Gajjar Films (The Director) and his entire team have created a deeply sensitive and spiritually moving experience that reveals Lord Krishna not only as the Supreme Divine, but as the eternal embodiment of love itself. The film delicately touches those unseen emotional shades of Krishna where compassion becomes music, silence becomes दर्शन, and love becomes the very breath of existence. It feels as though Krishna, while leaving this world, left fragments of His own heart behind for humanity to discover through devotion. The legendary Prakash Kapadia has written dialogues with extraordinary philosophical depth and emotional intensity. His words do not merely describe Krishna, they unveil Him layer by layer, allowing the audience to experience the tenderness, pain, divinity, playfulness, sacrifice, and cosmic love that exist within His consciousness. There are moments in the film where the dialogues feel less like writing and more like timeless revelations flowing from another realm. Irshad Kamil ji also has penned great songs which create magic on the screen. And then comes the soul of the film — its music. The music composed by Prasad S is not something one simply listens to; it slowly dissolves into the listener’s inner being like sacred incense lingering in the air of an ancient temple long after the lamps have faded. His compositions possess an extraordinary spiritual fragrance, where every note carries longing, surrender, stillness, devotion, and grace. There is a rare emotional purity in his music that touches the deepest corners of the heart without demanding attention — it simply enters silently and stays forever. Prasad’s understanding of emotion through sound is profoundly exceptional. He has not composed mere melodies for this film; he has sculpted states of consciousness. The background score breathes with Krishna’s compassion, smiles with His leelas, and weeps with His separation. Certain musical passages continue to echo within the soul long after the scene has ended, like a distant flute still calling from the banks of Vrindavan. His music possesses that rare divine quality where silence itself begins to sing. What touches me even more deeply is his humility. Prasad said to me that I was one of the driving forces behind the music of Krishnavataram, but the truth is, he himself is one of those divinely chosen souls blessed with rare sensitivity, grace, and sincerity. Despite his immense talent, he remains extraordinarily grounded, soft-spoken, and pure-hearted, someone who never claims success as his own alone, but lovingly shares its light with every co-artist who walks beside him. Perhaps that quiet humility, more than even his brilliance, is what makes him truly special to me. I feel very fortunate to have lent my voice and written lyrical expressions for the background score of this sacred cinematic journey. May Krishnavataram & its music awaken devotion, love, and inner stillness in every heart it touches. Because Krishna was not loved merely for being God, Krishna was loved because He understood the language of the human soul. SO REQUESTING EVERYONE TO GO TO THE NEARBY THEATRES AND WATCH THE MOVIE “KRISHNAVATARAM” AND WITNESS THE MAGNIFICENCE OF LORD KRISHNA !! prasad sashte Dr. Sajan Raj Kurup Harsh Sanghavi poonam shroff Raam Mori पंकज त्रिपाठी Shefali Vaidya. 🇮🇳 Dr. S. Jaishankar Benjamin Netanyahu - בנימין נתניהו

Dr. Bharat Balvalli

411,035 Aufrufe • vor 3 Monaten

let me explain what Anthropic just did they built an AI model so good at finding security vulnerabilities that they have refused to release it meet Claude Mythos → it’s Anthropic’s newest frontier model and it’s not available to the public. not because it’s not ready. because it’s too dangerous → Mythos found tens of thousands of zero day vulnerabilities across every major operating system and web browser… many of them 1 to 2 decades old. for context… Opus 4.6 found about 500. Mythos found tens of thousands → it found vulnerabilities in the Linux kernel. a 27 year old vulnerability in OpenBSD. a 16 year old vulnerability in FFmpeg → it doesn’t just find bugs. it writes the exploits too. that’s the part that scared them → so instead of releasing it… Anthropic has created Project Glasswing. a cybersecurity initiative where they hand picked 40+ companies to use Mythos for defense only → the partner list reads like a who’s who of tech… Amazon, Apple, Microsoft, Google, Nvidia, Broadcom, Cisco, CrowdStrike, Palo Alto Networks, JPMorgan, the Linux Foundation → Anthropic is giving up to $100 million in usage credits to these partners and $4 million to open source security organizations → they’re briefing CISA and the Commerce Department on how to handle this → the benchmarks are truly insane… Mythos hit 77.8% on SWE-bench Pro where Opus 4.6 scored 53.4%. hit 93.9% on SWE-bench Verified where Opus 4.6 scored 80.8% → Anthropic’s head of frontier red team said this is “the first time a model is this good that we decided to approach release in a very different way” this is the first time an AI company has held back a model because it was too capable not too expensive. not too slow. too dangerous and instead of locking it in a vault they weaponized it for defense and gave it to the companies that run the internet that’s either the most responsible thing an AI company has ever done… or the scariest only time will tell

let me explain what Anthropic just did they built an AI model so good at finding security vulnerabilities that they have refused to release it meet Claude Mythos → it’s Anthropic’s newest frontier model and it’s not available to the public. not because it’s not ready. because it’s too dangerous → Mythos found tens of thousands of zero day vulnerabilities across every major operating system and web browser… many of them 1 to 2 decades old. for context… Opus 4.6 found about 500. Mythos found tens of thousands → it found vulnerabilities in the Linux kernel. a 27 year old vulnerability in OpenBSD. a 16 year old vulnerability in FFmpeg → it doesn’t just find bugs. it writes the exploits too. that’s the part that scared them → so instead of releasing it… Anthropic has created Project Glasswing. a cybersecurity initiative where they hand picked 40+ companies to use Mythos for defense only → the partner list reads like a who’s who of tech… Amazon, Apple, Microsoft, Google, Nvidia, Broadcom, Cisco, CrowdStrike, Palo Alto Networks, JPMorgan, the Linux Foundation → Anthropic is giving up to $100 million in usage credits to these partners and $4 million to open source security organizations → they’re briefing CISA and the Commerce Department on how to handle this → the benchmarks are truly insane… Mythos hit 77.8% on SWE-bench Pro where Opus 4.6 scored 53.4%. hit 93.9% on SWE-bench Verified where Opus 4.6 scored 80.8% → Anthropic’s head of frontier red team said this is “the first time a model is this good that we decided to approach release in a very different way” this is the first time an AI company has held back a model because it was too capable not too expensive. not too slow. too dangerous and instead of locking it in a vault they weaponized it for defense and gave it to the companies that run the internet that’s either the most responsible thing an AI company has ever done… or the scariest only time will tell

klöss

21,270 Aufrufe • vor 4 Monaten

My Lost Soul Aside Impressions: I’m playing on the PS5 Pro in performance mode with a VRR display, and I’m very satisfied with the performance. For me, the image looks sharp and the gameplay runs very smooth with 60fps. Even during big boss fights, I haven’t noticed any significant drops. Claims that the game runs at 20fps are absolute nonsense. I wouldn’t recommend quality mode, as the missing frames per second and the input delay are a major disadvantage, especially with such fast-paced gameplay. Visually, I’d say the game looks very good, but not outstanding. Environmental details are sometimes not fully polished, and the facial animations could be better. On the other hand, the characters are incredibly detailed, which I really enjoyed. The combat animations are absolutely fantastic, and the choreographed fight cutscenes are brilliant. Boss fights are simply phenomenal and I loved every second of them. The whole experience feels like a mix of Final Fantasy and Devil May Cry. Bosses also come with certain mechanics you have to trigger, which adds depth. The soundtrack has impressed me so far, mixing rock tracks with softer melodies that really bring the fantasy world to life. However, the audio mixing between cutscenes and gameplay is sometimes off and should be fixed. The game is very linear, which I personally find refreshing and not a negative at all. The map reminds me of Final Fantasy X, with some side paths that hide chests or items. Puzzles are simple but help break things up. Larger areas are often rather empty though, and exploration can feel unrewarding when all you find is “+7 gold.” The story so far is quite predictable. I didn’t enjoy the English voice acting and switched to the Chinese original, which feels much better. I also made some adjustments to improve my experience: in the sound menu, I boosted the weapon effects and increased the music volume. In combat, I found there’s too much chatter and subtitles are distracting, so I turned them off completely. The game is challenging, and I’d definitely consider it demanding. There are no difficulty options, but if you die often enough, you’ll get amulets that make the gameplay noticeably easier. Now, onto the clear highlight of the game: the combat system. My goodness, it’s amazing. The chaining of attacks and overall complexity are simply brilliant. It’s an endless fireworks display of effects, and for me the wait was truly worth it. At first, combat might seem simple, but as you progress you unlock new weapons with their own skill trees, special attacks that can be upgraded, new combo actions, and the ability to switch weapons instantly in battle to chain them into even more combos. Different weapons can also interact with the environment and trigger special effects. It’s just genius. Another fantastic feature is weapon customization. You can freely change the appearance of your weapons, as every weapon can take on the look of another. You can also adjust details in real time, resize parts, reposition them, and all changes are applied instantly without requiring resources. Even better, these customizations carry over into cutscenes. When you move to the next level, the camera zooms out and shows your characters in a charming overworld view, similar to Expedition 33. A really nice touch. So far, I’ve been enjoying the game immensely, and I simply couldn’t put it down. If you’re expecting a combo-based combat system, you definitely won’t be disappointed in my opinion. The linear level design felt incredibly refreshing, and it genuinely transported me back to the PS2 era, always leaving me with a warm feeling in my heart.

My Lost Soul Aside Impressions: I’m playing on the PS5 Pro in performance mode with a VRR display, and I’m very satisfied with the performance. For me, the image looks sharp and the gameplay runs very smooth with 60fps. Even during big boss fights, I haven’t noticed any significant drops. Claims that the game runs at 20fps are absolute nonsense. I wouldn’t recommend quality mode, as the missing frames per second and the input delay are a major disadvantage, especially with such fast-paced gameplay. Visually, I’d say the game looks very good, but not outstanding. Environmental details are sometimes not fully polished, and the facial animations could be better. On the other hand, the characters are incredibly detailed, which I really enjoyed. The combat animations are absolutely fantastic, and the choreographed fight cutscenes are brilliant. Boss fights are simply phenomenal and I loved every second of them. The whole experience feels like a mix of Final Fantasy and Devil May Cry. Bosses also come with certain mechanics you have to trigger, which adds depth. The soundtrack has impressed me so far, mixing rock tracks with softer melodies that really bring the fantasy world to life. However, the audio mixing between cutscenes and gameplay is sometimes off and should be fixed. The game is very linear, which I personally find refreshing and not a negative at all. The map reminds me of Final Fantasy X, with some side paths that hide chests or items. Puzzles are simple but help break things up. Larger areas are often rather empty though, and exploration can feel unrewarding when all you find is “+7 gold.” The story so far is quite predictable. I didn’t enjoy the English voice acting and switched to the Chinese original, which feels much better. I also made some adjustments to improve my experience: in the sound menu, I boosted the weapon effects and increased the music volume. In combat, I found there’s too much chatter and subtitles are distracting, so I turned them off completely. The game is challenging, and I’d definitely consider it demanding. There are no difficulty options, but if you die often enough, you’ll get amulets that make the gameplay noticeably easier. Now, onto the clear highlight of the game: the combat system. My goodness, it’s amazing. The chaining of attacks and overall complexity are simply brilliant. It’s an endless fireworks display of effects, and for me the wait was truly worth it. At first, combat might seem simple, but as you progress you unlock new weapons with their own skill trees, special attacks that can be upgraded, new combo actions, and the ability to switch weapons instantly in battle to chain them into even more combos. Different weapons can also interact with the environment and trigger special effects. It’s just genius. Another fantastic feature is weapon customization. You can freely change the appearance of your weapons, as every weapon can take on the look of another. You can also adjust details in real time, resize parts, reposition them, and all changes are applied instantly without requiring resources. Even better, these customizations carry over into cutscenes. When you move to the next level, the camera zooms out and shows your characters in a charming overworld view, similar to Expedition 33. A really nice touch. So far, I’ve been enjoying the game immensely, and I simply couldn’t put it down. If you’re expecting a combo-based combat system, you definitely won’t be disappointed in my opinion. The linear level design felt incredibly refreshing, and it genuinely transported me back to the PS2 era, always leaving me with a warm feeling in my heart.

GermanStrands

105,473 Aufrufe • vor 11 Monaten

📍 Vega City, Bannerghatta Road Take a look at the condition of this road. At first glance, it may appear to be a normal black patch, but in reality, the surface is completely damaged, filled with loose stones, mud, uneven patches, and crater-like potholes. This has turned what should be a safe public road into a serious hazard for commuters. The question every taxpayer is asking is: where is the tax money going? Citizens pay road tax, property tax, fuel tax, and various other charges, yet basic road infrastructure continues to deteriorate. During the rainy season, these roads get flooded and resemble small lakes, making travel dangerous and difficult. When there is no rain, the situation is hardly any better, as loose gravel, broken surfaces, and potholes pose risks to motorists, cyclists, and pedestrians alike. Bengaluru is known as India's technology capital, but many of its roads continue to reflect poor planning, delayed maintenance, and a lack of accountability. Residents are forced to navigate damaged roads every day while infrastructure projects and promises of development continue to dominate headlines. Do the lives and safety of citizens not matter? How many accidents, vehicle damages, and daily inconveniences must people endure before permanent solutions are implemented? Roads are not a luxury they are a basic necessity, and taxpayers deserve infrastructure that is safe, reliable, and maintained throughout the year. #bangalore #bengaluru #bannerghattaroad Greater Bengaluru Authority Maheshwar Rao.M, IAS DK Shivakumar ಬೆಂಗಳೂರು ಸಂಚಾರ ಪೊಲೀಸ್ BengaluruTrafficPolice ಬೆಂಗಳೂರು ನಗರ ಪೊಲೀಸ್‌ BengaluruCityPolice CP Bengaluru ಪೊಲೀಸ್ ಆಯುಕ್ತ ಬೆಂಗಳೂರು Joint CP, Traffic, Bengaluru alok kumar DGP KARNATAKA ಕರ್ನಾಟಕ ರಾಜ್ಯ ಪೊಲೀಸ್ Karnataka State Police DGP KARNATAKA S. Lalitha ChristinMathewPhilip

📍 Vega City, Bannerghatta Road Take a look at the condition of this road. At first glance, it may appear to be a normal black patch, but in reality, the surface is completely damaged, filled with loose stones, mud, uneven patches, and crater-like potholes. This has turned what should be a safe public road into a serious hazard for commuters. The question every taxpayer is asking is: where is the tax money going? Citizens pay road tax, property tax, fuel tax, and various other charges, yet basic road infrastructure continues to deteriorate. During the rainy season, these roads get flooded and resemble small lakes, making travel dangerous and difficult. When there is no rain, the situation is hardly any better, as loose gravel, broken surfaces, and potholes pose risks to motorists, cyclists, and pedestrians alike. Bengaluru is known as India's technology capital, but many of its roads continue to reflect poor planning, delayed maintenance, and a lack of accountability. Residents are forced to navigate damaged roads every day while infrastructure projects and promises of development continue to dominate headlines. Do the lives and safety of citizens not matter? How many accidents, vehicle damages, and daily inconveniences must people endure before permanent solutions are implemented? Roads are not a luxury they are a basic necessity, and taxpayers deserve infrastructure that is safe, reliable, and maintained throughout the year. #bangalore #bengaluru #bannerghattaroad Greater Bengaluru Authority Maheshwar Rao.M, IAS DK Shivakumar ಬೆಂಗಳೂರು ಸಂಚಾರ ಪೊಲೀಸ್ BengaluruTrafficPolice ಬೆಂಗಳೂರು ನಗರ ಪೊಲೀಸ್‌ BengaluruCityPolice CP Bengaluru ಪೊಲೀಸ್ ಆಯುಕ್ತ ಬೆಂಗಳೂರು Joint CP, Traffic, Bengaluru alok kumar DGP KARNATAKA ಕರ್ನಾಟಕ ರಾಜ್ಯ ಪೊಲೀಸ್ Karnataka State Police DGP KARNATAKA S. Lalitha ChristinMathewPhilip

Karnataka Portfolio

21,672 Aufrufe • vor 2 Monaten

The Pizza Theif GPT Image 2 and Seedance on Pollo AI Prompt : Pixar-Inspired 3D Animated Comedy Short Create a fast-paced Pixar-style 3D animated comedy set in a vibrant modern city during golden hour. A cheerful pizza delivery boy rides through busy streets carrying a large pizza box for an important delivery. Nearby, a hungry and mischievous thief notices the pizza and immediately becomes obsessed with stealing it. His stomach growls as he imagines the delicious meal waiting inside. Without warning, the thief snatches the pizza box and sprints away. The delivery boy notices instantly and chases after him. A hilarious city-wide pursuit begins. They race through crowded markets, outdoor cafés, fountains, traffic-filled streets, festivals, narrow alleyways, and busy plazas. People jump aside, pigeons scatter into the sky, scooters narrowly miss them, and both characters barely avoid countless obstacles. The chase becomes bigger, faster, and more ridiculous with every turn. The thief finally reaches a rooftop overlooking the city skyline at sunset. Exhausted but victorious, he laughs proudly and slowly opens the pizza box, expecting a delicious reward after the wild chase. Silence. The box is completely empty. The thief stares inside in disbelief. Moments later, the exhausted delivery boy arrives. Both stand there breathing heavily. The delivery boy shrugs and says: "It's for a pizza photoshoot." The thief freezes. Long awkward silence. Then the delivery boy opens his delivery bag and reveals a real slice of pizza. He offers it to the thief. Surprised, the thief accepts. The music shifts from action-comedy to warm friendship. Both sit on the rooftop watching the sunset while eating pizza together. The empty pizza box sits beside them as they laugh about the absurd chase. Final cinematic shot: wide view of the city skyline at sunset, the delivery boy and thief sharing pizza on the rooftop. Final Text: "Sometimes the chase is bigger than the prize." Pixar-quality 3D animation, expressive facial reactions, cinematic camera movement, dynamic action sequences, colorful city environments, exaggerated comedy timing, warm emotional ending, golden-hour lighting, ultra-detailed rendering, movie-quality visuals, smooth scene transitions, 16:9 widescreen.

The Pizza Theif GPT Image 2 and Seedance on Pollo AI Prompt : Pixar-Inspired 3D Animated Comedy Short Create a fast-paced Pixar-style 3D animated comedy set in a vibrant modern city during golden hour. A cheerful pizza delivery boy rides through busy streets carrying a large pizza box for an important delivery. Nearby, a hungry and mischievous thief notices the pizza and immediately becomes obsessed with stealing it. His stomach growls as he imagines the delicious meal waiting inside. Without warning, the thief snatches the pizza box and sprints away. The delivery boy notices instantly and chases after him. A hilarious city-wide pursuit begins. They race through crowded markets, outdoor cafés, fountains, traffic-filled streets, festivals, narrow alleyways, and busy plazas. People jump aside, pigeons scatter into the sky, scooters narrowly miss them, and both characters barely avoid countless obstacles. The chase becomes bigger, faster, and more ridiculous with every turn. The thief finally reaches a rooftop overlooking the city skyline at sunset. Exhausted but victorious, he laughs proudly and slowly opens the pizza box, expecting a delicious reward after the wild chase. Silence. The box is completely empty. The thief stares inside in disbelief. Moments later, the exhausted delivery boy arrives. Both stand there breathing heavily. The delivery boy shrugs and says: "It's for a pizza photoshoot." The thief freezes. Long awkward silence. Then the delivery boy opens his delivery bag and reveals a real slice of pizza. He offers it to the thief. Surprised, the thief accepts. The music shifts from action-comedy to warm friendship. Both sit on the rooftop watching the sunset while eating pizza together. The empty pizza box sits beside them as they laugh about the absurd chase. Final cinematic shot: wide view of the city skyline at sunset, the delivery boy and thief sharing pizza on the rooftop. Final Text: "Sometimes the chase is bigger than the prize." Pixar-quality 3D animation, expressive facial reactions, cinematic camera movement, dynamic action sequences, colorful city environments, exaggerated comedy timing, warm emotional ending, golden-hour lighting, ultra-detailed rendering, movie-quality visuals, smooth scene transitions, 16:9 widescreen.

Smiling Khan

13,019 Aufrufe • vor 2 Monaten

This is GIFT City. But this post is about Gurugram. Wide roads. Underground utility tunnels. District cooling. Automated waste collection. Green-certified buildings. More than 1,200 registered entities and $111 billion in banking assets. It is not Shanghai, Shenzhen or Dubai yet. But the direction is visible. Gujarat imagined a city that could compete with global financial centres. Then it started building the infrastructure required for that ambition. Now come to Gurugram. The city credited with contributing around 65% of Haryana’s revenue. Around 25% of the state’s GST collection comes from Gurugram. Last year, it contributed ₹3,875 crore from liquor-zone auctions alone. That was 27% of Haryana’s total. The Bristol Chowk licensing zone alone fetched nearly ₹100 crore. Mr Nayab Singh Saini, what exactly is Gurugram getting in return? Garbage is lying on roads across the city. Gurugram generates around 1,200 tonnes of waste every day. The waste collection system has survived on temporary arrangements since the main contract was terminated in June 2024. Nearly two years later, the city is still floating tenders and searching for a permanent solution. Then come the roads. An MCG survey found more than 2,000 potholes across eight zones. One division alone had 600. Only 387 had been repaired when those numbers were reported. By February 2026, MCG had to announce another drive targeting 5,000 potholes in ten days. We do not have a road-maintenance system. We have pothole-filling announcements after every round of public outrage. Then it rains. In July 2025, 133 mm of overnight rain brought Gurugram to a standstill. Subhash Chowk had around 2.5 feet of water. People remained stuck in traffic until 2 AM. Open manholes disappear under rainwater. Potholes become invisible. Roads turn into accident traps. Then the electricity goes. A resident of DLF Phase 1 reported an eight-hour power cut after a five-minute drizzle. In May 2026, a fault at the Sector 72 substation disrupted eight substations and even affected Rapid Metro operations. This is happening in one of the most expensive corporate and residential districts in India. And money is not the problem. MCG spent ₹1,282 crore out of its ₹1,497 crore expenditure budget by January 2026. But only ₹85 crore had gone towards road construction and ₹240 crore towards sanitation and waste management. So the problem is worse than merely having an unspent budget. Money is being spent. Residents simply cannot see the outcome on the roads outside their homes. We are not asking Haryana to build another GIFT City tomorrow. We are asking for three things. Roads that remain usable after rain. Electricity that does not disappear with the first storm. Garbage that gets collected before every vacant plot becomes a dumping ground. These are not luxury demands. These are the most basic functions of a government. Property prices in Gurugram have reached global-city levels. People are paying ₹5 crore, ₹8 crore and ₹10 crore for apartments. But outside the gates, the roads, drains and electricity systems still feel like they belong to another decade. Gujarat looked at an empty piece of land and imagined a global city. Haryana already has one of India’s strongest economic cities. It does not need to imagine it. It only needs to stop neglecting it. Fix the roads. Fix the power. Pick up the garbage. That is all Gurugram is asking for. Video credit, Reddit: [aamirusiddiqui]

This is GIFT City. But this post is about Gurugram. Wide roads. Underground utility tunnels. District cooling. Automated waste collection. Green-certified buildings. More than 1,200 registered entities and $111 billion in banking assets. It is not Shanghai, Shenzhen or Dubai yet. But the direction is visible. Gujarat imagined a city that could compete with global financial centres. Then it started building the infrastructure required for that ambition. Now come to Gurugram. The city credited with contributing around 65% of Haryana’s revenue. Around 25% of the state’s GST collection comes from Gurugram. Last year, it contributed ₹3,875 crore from liquor-zone auctions alone. That was 27% of Haryana’s total. The Bristol Chowk licensing zone alone fetched nearly ₹100 crore. Mr Nayab Singh Saini, what exactly is Gurugram getting in return? Garbage is lying on roads across the city. Gurugram generates around 1,200 tonnes of waste every day. The waste collection system has survived on temporary arrangements since the main contract was terminated in June 2024. Nearly two years later, the city is still floating tenders and searching for a permanent solution. Then come the roads. An MCG survey found more than 2,000 potholes across eight zones. One division alone had 600. Only 387 had been repaired when those numbers were reported. By February 2026, MCG had to announce another drive targeting 5,000 potholes in ten days. We do not have a road-maintenance system. We have pothole-filling announcements after every round of public outrage. Then it rains. In July 2025, 133 mm of overnight rain brought Gurugram to a standstill. Subhash Chowk had around 2.5 feet of water. People remained stuck in traffic until 2 AM. Open manholes disappear under rainwater. Potholes become invisible. Roads turn into accident traps. Then the electricity goes. A resident of DLF Phase 1 reported an eight-hour power cut after a five-minute drizzle. In May 2026, a fault at the Sector 72 substation disrupted eight substations and even affected Rapid Metro operations. This is happening in one of the most expensive corporate and residential districts in India. And money is not the problem. MCG spent ₹1,282 crore out of its ₹1,497 crore expenditure budget by January 2026. But only ₹85 crore had gone towards road construction and ₹240 crore towards sanitation and waste management. So the problem is worse than merely having an unspent budget. Money is being spent. Residents simply cannot see the outcome on the roads outside their homes. We are not asking Haryana to build another GIFT City tomorrow. We are asking for three things. Roads that remain usable after rain. Electricity that does not disappear with the first storm. Garbage that gets collected before every vacant plot becomes a dumping ground. These are not luxury demands. These are the most basic functions of a government. Property prices in Gurugram have reached global-city levels. People are paying ₹5 crore, ₹8 crore and ₹10 crore for apartments. But outside the gates, the roads, drains and electricity systems still feel like they belong to another decade. Gujarat looked at an empty piece of land and imagined a global city. Haryana already has one of India’s strongest economic cities. It does not need to imagine it. It only needs to stop neglecting it. Fix the roads. Fix the power. Pick up the garbage. That is all Gurugram is asking for. Video credit, Reddit: [aamirusiddiqui]

Abhishek Bhardwaj

29,480 Aufrufe • vor 24 Tagen