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✦ objkt introduces origen ✦ curated art prints, ready to hang「」 artist-made works, including unique generative pieces museum-grade → April 1, but still real ✌︎㋡ ▼ ORIGEN

objkt

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12,366 次观看 • 4 个月前 •via X (Twitter)

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Bought more $fwog Best artist in web3, real IP, plushies being made, several new art pieces pushed every single day, extremely passionate community And the art is just special, makes me feel smth everytime It is unique and i see it go to multiple billions this cycle Fwog good

Bought more $fwog Best artist in web3, real IP, plushies being made, several new art pieces pushed every single day, extremely passionate community And the art is just special, makes me feel smth everytime It is unique and i see it go to multiple billions this cycle Fwog good

Free

110,986 次观看 • 1 年前

Art on Tezos Friday Recap 🔔 → @RiverXArt announced MASCULINITY exhibition for April 30 at Quantum Galerie, Berlin — 17 artists including ann hirsch, Bernardo Martins, ClownVamp, jiwa, OONA & more explored masculine energy across identity, culture & sexuality. Accompanied by digital works via @cyberformsart on objkt, supported by Tezos Foundation. → 3 Monogrids by KiM ASENDORF secondary sales for a total of 24,000 tez — what a week for one of the most iconic generative art series on Tezos. → ACTZ - Art Commissions: April Curators made their selections for the monthly artist curation cycle — congratulations to all selected artists! 🙌 → TezNouns ⌐◨-◨ relaunched the Artist Edition auctions. Open call ongoing: one rule only — create a piece in your style including the iconic Noggles glasses! → Lumineers announced PRISMA, their first exhibition under Lumineers Gallery — focusing on analog and experimental visual practices. Launching April 19 on → "Bio-Drops" series by ailadi announced via InfiniteInk // first drop took place this week. More to come soon → Generative Art Week by TheTezosCommunity kicked off with activities, Discord games, quizzes, and giveaways celebrating Tezos-coded creativity. Artists were invited to share generative works for Support Artists Day #47 via their Warpcast /thetezos channel. → this week @thisisaraid raided Tate R. Tots’s objkt page this week — a collective effort to boost visibility and share support. → XCOLLABZ revealed the first wave of artists for "Echoes of Light" ⚡️ NFC SUMMIT - JUNE 4-6 2026 - LISBON 2025 powered by Tezos. Another 10 artists to be added after the open call. → Teia Community hosting the Teia Rave April 12–13 with Oncyber exhibitions, poetry, live music, and the #TeiaRave minting event open through April 14. 🕺 → сcube ıı announces ZEROTERMINAL v1.04 — new standalone version lets you interact with onchain art without visiting the site. → One Love Art DAO, Ìtàn: West African Artistry & NFTCLT share open call for works on Motherhood — 10 artists to be selected for a group show and drop on May 9 on objkt. Submissions open from April 10–24. 🤰🏻 Don't miss: → 『-』M░a░z░i░n 『-』 27 new works on April 9 via vending machine — including 4 1/1s, all editions capped at 25. Pricing: 1 for 20 tez / 3 for 50. → Their eyes are often the same — a new collection by MEK.txt on objkt.one featuring 5 new works // final hours for the auction → Objkt Galleries: fakewhale latest Art Market line-up, 𝘼𝘾𝘾𝙊𝙈𝙋𝘼𝙍𝙏'𝙎 new works in the RARE series, and The Second-Guess Body Anxiety in the Age of AI - with Claudia Hart's "Machiavelli99.1" piece just listed 💥 Image: monogrid bb by KiM ASENDORF collected by delronde

Art on Tezos Friday Recap 🔔 → @RiverXArt announced MASCULINITY exhibition for April 30 at Quantum Galerie, Berlin — 17 artists including ann hirsch, Bernardo Martins, ClownVamp, jiwa, OONA & more explored masculine energy across identity, culture & sexuality. Accompanied by digital works via @cyberformsart on objkt, supported by Tezos Foundation. → 3 Monogrids by KiM ASENDORF secondary sales for a total of 24,000 tez — what a week for one of the most iconic generative art series on Tezos. → ACTZ - Art Commissions: April Curators made their selections for the monthly artist curation cycle — congratulations to all selected artists! 🙌 → TezNouns ⌐◨-◨ relaunched the Artist Edition auctions. Open call ongoing: one rule only — create a piece in your style including the iconic Noggles glasses! → Lumineers announced PRISMA, their first exhibition under Lumineers Gallery — focusing on analog and experimental visual practices. Launching April 19 on → "Bio-Drops" series by ailadi announced via InfiniteInk // first drop took place this week. More to come soon → Generative Art Week by TheTezosCommunity kicked off with activities, Discord games, quizzes, and giveaways celebrating Tezos-coded creativity. Artists were invited to share generative works for Support Artists Day #47 via their Warpcast /thetezos channel. → this week @thisisaraid raided Tate R. Tots’s objkt page this week — a collective effort to boost visibility and share support. → XCOLLABZ revealed the first wave of artists for "Echoes of Light" ⚡️ NFC SUMMIT - JUNE 4-6 2026 - LISBON 2025 powered by Tezos. Another 10 artists to be added after the open call. → Teia Community hosting the Teia Rave April 12–13 with Oncyber exhibitions, poetry, live music, and the #TeiaRave minting event open through April 14. 🕺 → сcube ıı announces ZEROTERMINAL v1.04 — new standalone version lets you interact with onchain art without visiting the site. → One Love Art DAO, Ìtàn: West African Artistry & NFTCLT share open call for works on Motherhood — 10 artists to be selected for a group show and drop on May 9 on objkt. Submissions open from April 10–24. 🤰🏻 Don't miss: → 『-』M░a░z░i░n 『-』 27 new works on April 9 via vending machine — including 4 1/1s, all editions capped at 25. Pricing: 1 for 20 tez / 3 for 50. → Their eyes are often the same — a new collection by MEK.txt on objkt.one featuring 5 new works // final hours for the auction → Objkt Galleries: fakewhale latest Art Market line-up, 𝘼𝘾𝘾𝙊𝙈𝙋𝘼𝙍𝙏'𝙎 new works in the RARE series, and The Second-Guess Body Anxiety in the Age of AI - with Claudia Hart's "Machiavelli99.1" piece just listed 💥 Image: monogrid bb by KiM ASENDORF collected by delronde

Tezos

12,966 次观看 • 1 年前

Gm everyone! ☀️🌄 Talented artist @fluxjoyart just launched ChronoBlocks. Only 222 🔐 Each a still frame extracted from OUROBLOCKS, the 1/1 generative animation by @fluxjoyart that sold at Sotheby’s. Phraze was kind enough to allow me to giveaway 1 NFT on this post 🏆 To win✅ 1⃣RT & Tag 3 Frens Public mint today🌐👇 Benefits of holding a piece: • Early access to all future PHRAZE drops on Ordinals • Surprise 1/1 airdrops + physical art rewards • Behind-the-scenes content + unreleased works • Collector-only collaborations & perks • Access to IRL + digital events

Gm everyone! ☀️🌄 Talented artist @fluxjoyart just launched ChronoBlocks. Only 222 🔐 Each a still frame extracted from OUROBLOCKS, the 1/1 generative animation by @fluxjoyart that sold at Sotheby’s. Phraze was kind enough to allow me to giveaway 1 NFT on this post 🏆 To win✅ 1⃣RT & Tag 3 Frens Public mint today🌐👇 Benefits of holding a piece: • Early access to all future PHRAZE drops on Ordinals • Surprise 1/1 airdrops + physical art rewards • Behind-the-scenes content + unreleased works • Collector-only collaborations & perks • Access to IRL + digital events

Jay

63,391 次观看 • 1 年前

$AUTOFRACS: Bridging Pre and Post-Block 21k Generative Art by DIDIMX WHITELIST GIVEAWAY! For your chance for a free claim on Fractal Market this Friday: 1) Follow Satributes.art, DIDIMX and Fractal Market 2) Like, Repost and comment, tagging 3 fractal friends 3) Leaving your UniSat Taproot wallet below AUTOFRACS are revolutionary generative art pieces on Fractal Bitcoin, connecting the pre- and post-block 21k eras through dual inscriptions on the same sat! Here's what makes them special: Provenance: Each AUTOFRAC is connected to Inscription #1 using parent child. 800 Pre-block 21k AUTOFRACS: Inscribed before block 21,000 activation event. 1600 Post-block 21k AUTOFRACS: 800 new inscriptions + 800 reinscribed on the same sats as pre-21k AUTOFRACS. Dual Inscriptions: Two generative artworks on a single satpoint, preserving pre-21k art while adding post 21k art. Interactive Art: Customize and interact with two distinct works in real-time, supporting PC and mobile!$

AUTOFRACS: Bridging Pre and Post-Block 21k Generative Art by DIDIMX WHITELIST GIVEAWAY! For your chance for a free claim on Fractal Market this Friday: 1) Follow Satributes.art, DIDIMX and Fractal Market 2) Like, Repost and comment, tagging 3 fractal friends 3) Leaving your UniSat Taproot wallet below AUTOFRACS are revolutionary generative art pieces on Fractal Bitcoin, connecting the pre- and post-block 21k eras through dual inscriptions on the same sat! Here's what makes them special: Provenance: Each AUTOFRAC is connected to Inscription #1 using parent child. 800 Pre-block 21k AUTOFRACS: Inscribed before block 21,000 activation event. 1600 Post-block 21k AUTOFRACS: 800 new inscriptions + 800 reinscribed on the same sats as pre-21k AUTOFRACS. Dual Inscriptions: Two generative artworks on a single satpoint, preserving pre-21k art while adding post 21k art. Interactive Art: Customize and interact with two distinct works in real-time, supporting PC and mobile!

Satributes.art

35,576 次观看 • 1 年前

After INFF(BIG DUMP) Died last April I Really hated All this shit, GOD knew I was really about to retire and woke me up every since last year this day I’ve Dropped 11,12, STILL PRAYING, HEELS 1, HEELS 2 and now tonight I’ll be dropping HEELS 3 Thats actually 6 projects 🦂 🐐 and if you play all of them you can hear it’s a new energy with me, I can’t skip one song 🤷🏽‍♂️ but that’s why can’t NOBODY tell me GOD not real 🤲🏽 #GxFR Griselda 🦂 WESTSIDE GUNN HEELS HAVE EYES 3 (TRILOGY) drops at MIDNIGHT CURATED BY WESTSIDE GUNN #GXFR #SUPERFLYGOD #ART #HEELSHAVEEYES3 #CURATION #RIPVIRGIL #MRBILLBOARD #4THROPE #ROCNATION

After INFF(BIG DUMP) Died last April I Really hated All this shit, GOD knew I was really about to retire and woke me up every since last year this day I’ve Dropped 11,12, STILL PRAYING, HEELS 1, HEELS 2 and now tonight I’ll be dropping HEELS 3 Thats actually 6 projects 🦂 🐐 and if you play all of them you can hear it’s a new energy with me, I can’t skip one song 🤷🏽‍♂️ but that’s why can’t NOBODY tell me GOD not real 🤲🏽 #GxFR Griselda 🦂 WESTSIDE GUNN HEELS HAVE EYES 3 (TRILOGY) drops at MIDNIGHT CURATED BY WESTSIDE GUNN #GXFR #SUPERFLYGOD #ART #HEELSHAVEEYES3 #CURATION #RIPVIRGIL #MRBILLBOARD #4THROPE #ROCNATION

WESTSIDEGUNN

13,571 次观看 • 9 个月前

there are a few things i am laser focused on for 2026 and beyond. here is a brief summary for you, should you be interested in reading more. #1. The Starry Nights; - a 1/1/X series i am curating/creating which is a themed series and follow up to my edition work "la nuit étoilée". For this series, we will be offering exquisite print options with a custom and beautiful Muse Facktory unboxing experience. These will be our debut Muse Facktory prints open to the public and the moment we plant our flag as a true contender in the high caliber Fine Art world of prints. For the digital only collectors, the ultra high resolution artworks will stand on their own within your wallet, waiting for the day we have the means to exhibit our digital art properly and at scale. Each work is 12k pixels, for which we are building a custom viewport for them to be experienced properly, even on mobile. Printing, however, is something I truly enjoy, and the ChromaSculpt technique captures my layering process precisely and beautifully. Offering both is a must for this series, especially since all new works will be still jpgs. The exact quantity will be determined once i feel the series is complete, but not to exceed 1/1/111. It will be a ranked auction with settlement. This is all i can say for now. #2. curation of the servants of the Muse; As you know, i have the “servants of the Muse” collection of 69. When i began this series as a thank you token for 1/1 holders, i created as ERC721 for a reason. To one day bring about the 69 servants of the Muse, all in their true forms. 69 true 1 of 1s. DoomScroller, for example, is but one of the 69. There will be no 2 alike. All will be animated. All will serve at Her pleasure. These will of course only be available to 'servants of the Muse', who will have to pay a toll in order to reveal their servant. Toll price currently undetermined but i am no extractor so it will be reasonable. Some of these beasts and creatures and machines will be ungodly, some will be just, many will be grotesque, but all will serve. #3. Commissioned large scale aluminum sculpture Can’t speak to it beyond that at the moment. #4. Potential Installs and performances for Grand Skull Piano. #5. PROTO I - mounted digital art canvases specific for my animated works. #6. Whatever else the Muse commands. dyor

there are a few things i am laser focused on for 2026 and beyond. here is a brief summary for you, should you be interested in reading more. #1. The Starry Nights; - a 1/1/X series i am curating/creating which is a themed series and follow up to my edition work "la nuit étoilée". For this series, we will be offering exquisite print options with a custom and beautiful Muse Facktory unboxing experience. These will be our debut Muse Facktory prints open to the public and the moment we plant our flag as a true contender in the high caliber Fine Art world of prints. For the digital only collectors, the ultra high resolution artworks will stand on their own within your wallet, waiting for the day we have the means to exhibit our digital art properly and at scale. Each work is 12k pixels, for which we are building a custom viewport for them to be experienced properly, even on mobile. Printing, however, is something I truly enjoy, and the ChromaSculpt technique captures my layering process precisely and beautifully. Offering both is a must for this series, especially since all new works will be still jpgs. The exact quantity will be determined once i feel the series is complete, but not to exceed 1/1/111. It will be a ranked auction with settlement. This is all i can say for now. #2. curation of the servants of the Muse; As you know, i have the “servants of the Muse” collection of 69. When i began this series as a thank you token for 1/1 holders, i created as ERC721 for a reason. To one day bring about the 69 servants of the Muse, all in their true forms. 69 true 1 of 1s. DoomScroller, for example, is but one of the 69. There will be no 2 alike. All will be animated. All will serve at Her pleasure. These will of course only be available to 'servants of the Muse', who will have to pay a toll in order to reveal their servant. Toll price currently undetermined but i am no extractor so it will be reasonable. Some of these beasts and creatures and machines will be ungodly, some will be just, many will be grotesque, but all will serve. #3. Commissioned large scale aluminum sculpture Can’t speak to it beyond that at the moment. #4. Potential Installs and performances for Grand Skull Piano. #5. PROTO I - mounted digital art canvases specific for my animated works. #6. Whatever else the Muse commands. dyor

a.c.k.

34,441 次观看 • 7 个月前

INTRODUCING OCBTW: THE FIRST PANDA-BACKED ASSET A FIRST-OF-ITS-KIND 2-WAY NFT NFT SWAP We just deployed a smart contract on Bitcoin that allows you to mint "OCBTW", a limited edition generative art collection by tclow.sats, solely by swapping an Alkane Pandas ⬢ OCBTW has a supply of 200 unique pieces and is inspired by Oyl | Building Alkanes's signature hexagon logo that defines all native Alkane assets (e.g., $DIESEL). It is 100% on-chain generative art using three.js code via HTML ⬢ OCBTW can only be minted by swapping a Panda using the 2:70104 smart contract. After 200 swaps have been completed, on a first-come-first-served basis, the mint will conclude. However, OCBTW can be swapped back to a Panda at any time, freeing up supply for another Panda holder to collect a OCBTW piece from the contract. ⬢ OCBTW is thus backed entirely by Pandas, meaning each piece will never be worth less than a Panda. This is the first time on Bitcoin that an NFT is minted with another NFT. This may be the first time this has ever been done on any chain. ⬢ OCBTW also effectively locks up up to 200 Pandas for perpetuity. Just like AP-69, this swap contract has no withdrawal function. The only way to get Pandas out of the contract is to swap your OCBTW back to a Panda. This operates on a last-in, first-out (LIFO) basis. ⬢ OCBTW can be minted by calling the 2:70104 contract using opcode 42 and including a Panda in the transaction, either by using or You can only mint 1 OCBTW per transaction. Rarity of Pandas has no effect on what OCBTW mint you will receive. ⬢ OCBTW can be viewed natively in browser on iDclub 💥 Building Alkanes at the following link: Please be patient after minting for their indexer to update after blocks clear. Please also note that the Ordiscan Alkanes indexer is currently down. ⬢ OCBTW is purely art. Art on Bitcoin. Forever.

Alkane Pandas

22,591 次观看 • 11 个月前

Imagine making 2D concept art for a game world –pressing a button – and suddenly you can walk around an interactive 3D world. That's what Google DeepMind's new paper Genie 2 can do – simulate virtual worlds, including the consequences of any action (e.g. unlock door, jump, swim etc). Right now Genie 2 can generate consistent worlds for up to a minute. And this world model seems to generate larger 3D worlds than what World Labs showcased yesterday. Plus they're dynamic vs. static worlds – the foliage moves in the wind, the water ripples etc. Not quite ready for prime time, but promising on two fronts: 1. For game developers: enabling rapid prototyping of interactive experiences straight from concept art 2. For AI research: providing unlimited, diverse 3D environments for training and testing AI agents The race for building the biggest, baddest world model is very much on. Meanwhile, all I can think is "if only Stadia was still around!"

Imagine making 2D concept art for a game world –pressing a button – and suddenly you can walk around an interactive 3D world. That's what Google DeepMind's new paper Genie 2 can do – simulate virtual worlds, including the consequences of any action (e.g. unlock door, jump, swim etc). Right now Genie 2 can generate consistent worlds for up to a minute. And this world model seems to generate larger 3D worlds than what World Labs showcased yesterday. Plus they're dynamic vs. static worlds – the foliage moves in the wind, the water ripples etc. Not quite ready for prime time, but promising on two fronts: 1. For game developers: enabling rapid prototyping of interactive experiences straight from concept art 2. For AI research: providing unlimited, diverse 3D environments for training and testing AI agents The race for building the biggest, baddest world model is very much on. Meanwhile, all I can think is "if only Stadia was still around!"

Bilawal Sidhu

71,326 次观看 • 1 年前

Polymarket. Calculator. Public data. That’s enough to beat 95% of traders How? By trading mispriced markets Liquidity is thin, so NO ONE talks about it But I'll reveal it step by step so you can win too: There're hundreds of markets where real outcome is already decided, but odds are still far from reality. Why? BECAUSE PEOPLE ARE LAZY. If you’re willing to spend 5 minutes checking numbers, you’re already ahead of ~95% of traders, trust me. Most users come to Polymarket chasing a miracle like sudden 10x, one lucky click, instant retirement. That’s not how consistent money is made. The boring stuff works. Repetition works. Simple logic works. Let’s walk through a real example. “Will MrBeast reach ___ million subscribers by March 31?” Market link: [ Now check public data: > Current number: 460M followers > Average growth = +1M subs every 6 days > Time left until March 31 ≈ 77 days 77/6 = ~13 So around 13M subscribers are left on the clock. Needed growth to hit the target: 10-12M And that’s without pricing in: > Viral uploads > New Beast Games season > Algorithmic boosts Result? A YES outcome is almost locked. At ~72% odds, you’re buying something that behaves like a near-certainty for a ~28% return. (And if you don't want to risk, you can bet on the first option to turn every $0.94 into $1) 475M line is riskier, but still logical. Even at conservative growth, the projection lands around ~473M, meaning a small push or event clears it. This isn’t gambling. This is probability abuse. And the wild part? You can find dozens of setups like this every week. All public data. All obvious. All mispriced. No edge required. Just math and patience most people don’t have. Always DYOR before trading. NFA.

Polymarket. Calculator. Public data. That’s enough to beat 95% of traders How? By trading mispriced markets Liquidity is thin, so NO ONE talks about it But I'll reveal it step by step so you can win too: There're hundreds of markets where real outcome is already decided, but odds are still far from reality. Why? BECAUSE PEOPLE ARE LAZY. If you’re willing to spend 5 minutes checking numbers, you’re already ahead of ~95% of traders, trust me. Most users come to Polymarket chasing a miracle like sudden 10x, one lucky click, instant retirement. That’s not how consistent money is made. The boring stuff works. Repetition works. Simple logic works. Let’s walk through a real example. “Will MrBeast reach ___ million subscribers by March 31?” Market link: [ Now check public data: > Current number: 460M followers > Average growth = +1M subs every 6 days > Time left until March 31 ≈ 77 days 77/6 = ~13 So around 13M subscribers are left on the clock. Needed growth to hit the target: 10-12M And that’s without pricing in: > Viral uploads > New Beast Games season > Algorithmic boosts Result? A YES outcome is almost locked. At ~72% odds, you’re buying something that behaves like a near-certainty for a ~28% return. (And if you don't want to risk, you can bet on the first option to turn every $0.94 into $1) 475M line is riskier, but still logical. Even at conservative growth, the projection lands around ~473M, meaning a small push or event clears it. This isn’t gambling. This is probability abuse. And the wild part? You can find dozens of setups like this every week. All public data. All obvious. All mispriced. No edge required. Just math and patience most people don’t have. Always DYOR before trading. NFA.

Dexter's Lab

42,865 次观看 • 7 个月前

The most detailed 3D reconstruction of a cell ever created. Blows my mind every time. But what exactly are we looking at here? The average human cell contains: ~ 15-20 total distinct organelle types, totalling between ~1-10 million working together per cell. All these nano-machines in the cell are made up of proteins. ~ 8,000-10,000 distinct types of unique proteins, adding up to between 40 million - 10 trillion total proteins making up all those cellular systems. ~ 10,000 - 15,000 distinct types of RNA shuttling information around the cell, totalling up to ~10 million RNA molecules moving around the cell simultaneously. ~ Billions of Lipid molecules packed together into the cell membrane, which is also packed tightly with millions more protein-based nano-machines. And let's not forget billions of lines of DNA information to build and run it all. That's TRILLIONS of of individual molecular pieces working together to make a single cell function. That means there is more complexity in a single cell than humanity's largest cities. And people still believe this wasn't Divinely Designed. This is God's Glory on Display. But to make the point. A cell couldn't have evolved from some nebulous simpler "protocell" because even the simplest cells still require massive complexity. The "simplest" cell ever created was engineered by scientists knocking out pieces of a functional cell until it stopped functioning. Here is what they found is the absolute necessary minimal requirements of a cell to function: - Over ~531,000 lines of coded DNA information - 473 total genes to create hundreds of unique protein products (they later added 19 genes back in because the cell was so weak) - Hundreds of thousands of total proteins all working together - Extensive regulatory networks guiding all these interactions If the cell doesn't have all these systems in place, from the start... it doesn't live. Cell rely on an intricate network of complex systems, which are themselves built from complex interconnected pieces woven together into an incomprehensibly complex web of functionilty. Only intelligence has ever been observed creation vast interconnected systems like this. Life was clearly Created. It couldn't happen any other way.

The most detailed 3D reconstruction of a cell ever created. Blows my mind every time. But what exactly are we looking at here? The average human cell contains: ~ 15-20 total distinct organelle types, totalling between ~1-10 million working together per cell. All these nano-machines in the cell are made up of proteins. ~ 8,000-10,000 distinct types of unique proteins, adding up to between 40 million - 10 trillion total proteins making up all those cellular systems. ~ 10,000 - 15,000 distinct types of RNA shuttling information around the cell, totalling up to ~10 million RNA molecules moving around the cell simultaneously. ~ Billions of Lipid molecules packed together into the cell membrane, which is also packed tightly with millions more protein-based nano-machines. And let's not forget billions of lines of DNA information to build and run it all. That's TRILLIONS of of individual molecular pieces working together to make a single cell function. That means there is more complexity in a single cell than humanity's largest cities. And people still believe this wasn't Divinely Designed. This is God's Glory on Display. But to make the point. A cell couldn't have evolved from some nebulous simpler "protocell" because even the simplest cells still require massive complexity. The "simplest" cell ever created was engineered by scientists knocking out pieces of a functional cell until it stopped functioning. Here is what they found is the absolute necessary minimal requirements of a cell to function: - Over ~531,000 lines of coded DNA information - 473 total genes to create hundreds of unique protein products (they later added 19 genes back in because the cell was so weak) - Hundreds of thousands of total proteins all working together - Extensive regulatory networks guiding all these interactions If the cell doesn't have all these systems in place, from the start... it doesn't live. Cell rely on an intricate network of complex systems, which are themselves built from complex interconnected pieces woven together into an incomprehensibly complex web of functionilty. Only intelligence has ever been observed creation vast interconnected systems like this. Life was clearly Created. It couldn't happen any other way.

Divinely Designed

166,099 次观看 • 2 个月前

At first glance, it just looks like a stunning painting. Then you step back and realize you’re looking at one of the most impossibly detailed works of art you’ve ever seen... Around 1620, in Antwerp, an unnamed Flemish painter set out to gather the city’s most famous artworks into a single piece, but what he ultimately chose to do with it will never cease to amaze me. Now held at the National Gallery in London, this painting is called Cognoscenti in a Room hung with Pictures, and it is, technically speaking, one of the most vertiginous acts of illusionism in the Western canon. Eleven richly dressed men — artists, dealers, collectors, the cognoscenti of the title — move through a vast imagined gallery, discussing and inspecting its contents. But the figures are almost beside the point. What stops you are the walls. From floor to ceiling, they are covered with meticulous miniature copies of real works by sixteenth- and seventeenth-century masters, mostly from Antwerp, assembled as an ideal gathering of the finest things the city had to offer. Paintings within a painting. A museum compressed into a canvas. This is what scholars call a Kunstkammer, or "cabinet of curiosities", and the genre carried real social weight. To collect art in the Dutch and Flemish Golden Age was a declaration, not merely a pleasure. The cognoscenti shown here are pretentious by design: richly dressed, surrounded by coins, medals, and Persian rugs. Every object is a signal of wealth. And then — almost invisible, sitting on the windowsill at the edge of the composition — there is the monkey. The picture celebrates the pleasures of collecting and the erudition of art appreciation. But the monkey, a traditional symbol of the foolishness of human endeavors, sits there as a reminder of the frivolity and ultimate futility of buying expensive things. He is mocking them... these men so devoted to hoarding precious objects, when perhaps their hours might have been spent on something less perishable. It is one of the most elegant acts of subversion in art history: a painter who spent months lovingly reproducing the work of other painters, in obsessive miniature detail, and then placed a fool's emblem in the corner to ask whether any of it matters... It is simultaneously a love letter to art and an indictment of what happens when love turns into possession. The cognoscenti in the room are not wrong to find beauty worth pursuing, but they have perhaps confused the pursuit with the trophy. Four hundred years later, the monkey is still watching and the question it asks has not changed: are you here for the beauty, or for the proof that the beauty is yours? -- -- -- I wrote about this and 5 other impossible masterpieces in today's article. You can read it here: If you'd like to support my work, a paid subscription is what makes it possible.

At first glance, it just looks like a stunning painting. Then you step back and realize you’re looking at one of the most impossibly detailed works of art you’ve ever seen... Around 1620, in Antwerp, an unnamed Flemish painter set out to gather the city’s most famous artworks into a single piece, but what he ultimately chose to do with it will never cease to amaze me. Now held at the National Gallery in London, this painting is called Cognoscenti in a Room hung with Pictures, and it is, technically speaking, one of the most vertiginous acts of illusionism in the Western canon. Eleven richly dressed men — artists, dealers, collectors, the cognoscenti of the title — move through a vast imagined gallery, discussing and inspecting its contents. But the figures are almost beside the point. What stops you are the walls. From floor to ceiling, they are covered with meticulous miniature copies of real works by sixteenth- and seventeenth-century masters, mostly from Antwerp, assembled as an ideal gathering of the finest things the city had to offer. Paintings within a painting. A museum compressed into a canvas. This is what scholars call a Kunstkammer, or "cabinet of curiosities", and the genre carried real social weight. To collect art in the Dutch and Flemish Golden Age was a declaration, not merely a pleasure. The cognoscenti shown here are pretentious by design: richly dressed, surrounded by coins, medals, and Persian rugs. Every object is a signal of wealth. And then — almost invisible, sitting on the windowsill at the edge of the composition — there is the monkey. The picture celebrates the pleasures of collecting and the erudition of art appreciation. But the monkey, a traditional symbol of the foolishness of human endeavors, sits there as a reminder of the frivolity and ultimate futility of buying expensive things. He is mocking them... these men so devoted to hoarding precious objects, when perhaps their hours might have been spent on something less perishable. It is one of the most elegant acts of subversion in art history: a painter who spent months lovingly reproducing the work of other painters, in obsessive miniature detail, and then placed a fool's emblem in the corner to ask whether any of it matters... It is simultaneously a love letter to art and an indictment of what happens when love turns into possession. The cognoscenti in the room are not wrong to find beauty worth pursuing, but they have perhaps confused the pursuit with the trophy. Four hundred years later, the monkey is still watching and the question it asks has not changed: are you here for the beauty, or for the proof that the beauty is yours? -- -- -- I wrote about this and 5 other impossible masterpieces in today's article. You can read it here: If you'd like to support my work, a paid subscription is what makes it possible.

James Lucas

31,107 次观看 • 2 个月前

ARTIST OPEN CALL! We’re sponsoring six artists to fly out to NFT NYC. On Us. For Free. We’re also exhibiting your art at the World Trade Center, Oculus (THE CANVAS) RULES: FOLLOW US UNHRD LIKE & RT Tag two friends Submit your artwork below Ends on 03/15 More info ⤵️ For the open call, we invite artists from various mediums to apply for this unique opportunity to come to NFT NYC, exhibit their unminted work, collaborate on an NFT drop, and be part of an exclusive membership pass in the UNHRD community. All artists will be curated by our partners, Forbes Web3, JJ, NFT Asia, AOI, Transient Labs, & MakersPlace 🔳. Eligibility and Opportunity 1. Open to artists from the US and Visa Waiver Program countries. 2. Exhibition at the prestigious Oculus during the UNHRD Launch event. 3. Flight and accommodation costs up to $1,500 covered. 4. Participate in a collaborative NFT drop and revenue split option. 5. Gain exposure alongside partners like Forbes Web3, Makersplace, AOI, NFT Asia, and Transient Labs. Application Requirements and Dates 1. Submit artwork and a statement aligning with your goals. 2. Accommodation for 3 nights (April 2nd-5th). 3. Applications open now! So, what is UNHRD? We're a blockchain protocol transforming philanthropy with efficiency, transparency, and security. Our technology hopes to revolutionize fund management and distribution in the philanthropic sector. Part of our broader mission involves leveraging blockchain for NGOs, grant makers, and altruistic companies. By providing grants and cultivating a nurturing environment, UNHRD makes artists' dreams worldwide a reality. How do we do this? What makes UNHRD unique is how we're going to do all of this on-chain. This is our early concept of the UNHRD Protocol. In the world of philanthropy, especially when it involves artists and creative projects, managing and distributing funds efficiently and transparently can be a challenge. That's where the UNHRD Protocol comes in—a solution we're actively working to build, aiming to transform how financial support is handled in the artistic community. What is the UNHRD Protocol? The UNHRD Protocol is a planned blockchain-based system, a series of smart contracts designed to streamline the process of managing and distributing funds. In simpler terms, it's like a highly efficient digital ledger tailored for philanthropy, ensuring that every penny goes where it's supposed to, without the usual red tape or delays. Application to UNHRD: Streamlined Fund Distribution: Whether it's grant money or proceeds from NFT sales, the protocol ensures swift and accurate distribution to artists and other beneficiaries. Transparency and Trust: Every transaction, from donation to disbursement, is recorded on the blockchain, fostering trust and transparency among artists, donors, and the public. Reduced Overhead: By automating many of the administrative tasks, we reduce overhead costs, ensuring more funds directly support the artists. At UNHRD, we believe that through blockchain technology, we can create a more equitable and accessible platform for artists worldwide. Our commitment goes beyond just funding - it's about building a community, nurturing talent, and paving the way for a new era of digital art and philanthropy. Join us in this exciting journey as we redefine what's possible at the confluence of art, technology, and philanthropy.

ARTIST OPEN CALL! We’re sponsoring six artists to fly out to NFT NYC. On Us. For Free. We’re also exhibiting your art at the World Trade Center, Oculus (THE CANVAS) RULES: FOLLOW US UNHRD LIKE & RT Tag two friends Submit your artwork below Ends on 03/15 More info ⤵️ For the open call, we invite artists from various mediums to apply for this unique opportunity to come to NFT NYC, exhibit their unminted work, collaborate on an NFT drop, and be part of an exclusive membership pass in the UNHRD community. All artists will be curated by our partners, Forbes Web3, JJ, NFT Asia, AOI, Transient Labs, & MakersPlace 🔳. Eligibility and Opportunity 1. Open to artists from the US and Visa Waiver Program countries. 2. Exhibition at the prestigious Oculus during the UNHRD Launch event. 3. Flight and accommodation costs up to $1,500 covered. 4. Participate in a collaborative NFT drop and revenue split option. 5. Gain exposure alongside partners like Forbes Web3, Makersplace, AOI, NFT Asia, and Transient Labs. Application Requirements and Dates 1. Submit artwork and a statement aligning with your goals. 2. Accommodation for 3 nights (April 2nd-5th). 3. Applications open now! So, what is UNHRD? We're a blockchain protocol transforming philanthropy with efficiency, transparency, and security. Our technology hopes to revolutionize fund management and distribution in the philanthropic sector. Part of our broader mission involves leveraging blockchain for NGOs, grant makers, and altruistic companies. By providing grants and cultivating a nurturing environment, UNHRD makes artists' dreams worldwide a reality. How do we do this? What makes UNHRD unique is how we're going to do all of this on-chain. This is our early concept of the UNHRD Protocol. In the world of philanthropy, especially when it involves artists and creative projects, managing and distributing funds efficiently and transparently can be a challenge. That's where the UNHRD Protocol comes in—a solution we're actively working to build, aiming to transform how financial support is handled in the artistic community. What is the UNHRD Protocol? The UNHRD Protocol is a planned blockchain-based system, a series of smart contracts designed to streamline the process of managing and distributing funds. In simpler terms, it's like a highly efficient digital ledger tailored for philanthropy, ensuring that every penny goes where it's supposed to, without the usual red tape or delays. Application to UNHRD: Streamlined Fund Distribution: Whether it's grant money or proceeds from NFT sales, the protocol ensures swift and accurate distribution to artists and other beneficiaries. Transparency and Trust: Every transaction, from donation to disbursement, is recorded on the blockchain, fostering trust and transparency among artists, donors, and the public. Reduced Overhead: By automating many of the administrative tasks, we reduce overhead costs, ensuring more funds directly support the artists. At UNHRD, we believe that through blockchain technology, we can create a more equitable and accessible platform for artists worldwide. Our commitment goes beyond just funding - it's about building a community, nurturing talent, and paving the way for a new era of digital art and philanthropy. Join us in this exciting journey as we redefine what's possible at the confluence of art, technology, and philanthropy.

UNHRD

51,774 次观看 • 2 年前

$🚨 MATHEMATICIANS SAY THE GOLDEN RATIO IS THE “MOST IRRATIONAL” NUMBER AND IT’S NOT JUST A FUN FACT. Most irrational numbers can be approximated quite well by simple fractions. But the golden ratio (φ ≈ 1.6180339887…) is famously the worst at this. Its continued fraction is made entirely of 1’s [1; 1, 1, 1, 1…] which makes it the number that is most poorly approximated by rational numbers. In a very precise mathematical sense, it is the “most irrational” irrational. Why this matters: • The golden ratio appears throughout nature (nautilus shells, flower petals, galaxies) and human design (art, architecture, even financial markets) • Because it resists rational approximation so strongly, it creates stable, efficient patterns in growth and structure • This property has deep connections to chaos theory, dynamical systems, and why certain physical systems behave the way they do • It’s not just aesthetic the golden ratio’s extreme irrationality gives it unique mathematical stability The deeper implication: “Irrational” isn’t a simple yes/no label. Some irrationals are “more irrational” than others depending on how badly they can be approximated by fractions. The golden ratio sits at the extreme end of that spectrum. This isn’t just number theory trivia it helps explain why nature so often lands on this specific proportion when building efficient, stable structures. We’re still discovering how deeply this one number is woven into the mathematics of growth, form, and stability across the universe. Do you think the golden ratio shows up so often in nature because it’s mathematically special, or is it just a beautiful coincidence? Follow for more mind-bending math and the hidden structure of reality.$

🚨 MATHEMATICIANS SAY THE GOLDEN RATIO IS THE “MOST IRRATIONAL” NUMBER AND IT’S NOT JUST A FUN FACT. Most irrational numbers can be approximated quite well by simple fractions. But the golden ratio (φ ≈ 1.6180339887…) is famously the worst at this. Its continued fraction is made entirely of 1’s [1; 1, 1, 1, 1…] which makes it the number that is most poorly approximated by rational numbers. In a very precise mathematical sense, it is the “most irrational” irrational. Why this matters: • The golden ratio appears throughout nature (nautilus shells, flower petals, galaxies) and human design (art, architecture, even financial markets) • Because it resists rational approximation so strongly, it creates stable, efficient patterns in growth and structure • This property has deep connections to chaos theory, dynamical systems, and why certain physical systems behave the way they do • It’s not just aesthetic the golden ratio’s extreme irrationality gives it unique mathematical stability The deeper implication: “Irrational” isn’t a simple yes/no label. Some irrationals are “more irrational” than others depending on how badly they can be approximated by fractions. The golden ratio sits at the extreme end of that spectrum. This isn’t just number theory trivia it helps explain why nature so often lands on this specific proportion when building efficient, stable structures. We’re still discovering how deeply this one number is woven into the mathematics of growth, form, and stability across the universe. Do you think the golden ratio shows up so often in nature because it’s mathematically special, or is it just a beautiful coincidence? Follow for more mind-bending math and the hidden structure of reality.

TheNewPhysics

44,841 次观看 • 2 个月前

Hello cult of Roy the Demon! tl;dr ca E3oEF6TZb5DssCqwyXRt31AUEnGqvcHeVcyGvLiqpump Over the past year I've been blessed to have my childhood character Roy the Demon go absolutely viral on social media with over 800m views. Unfortunately what came with that were many fake memecoins being made using my work and name. It honestly felt pretty weird and upsetting seeing other people profit off my art without me being involved in any capacity, not only for monetary reasons, but because my art is super important to me, and if I work on something I love to be 100% involved in all my creations. After thinking heavily on it, I decided the best move was to take ownership and control of my own work. I've been lucky to connect with some of the biggest people in the crypto space, a lot of them artists and brand builders who’ve successfully worked on their own IPs and products. Some even asked to get involved as advisors, which I'm now taking more seriously. I'm only bringing on people I trust and have similar goals in mind that I do. I’ll be launching my official token on At launch, I’ll be getting about 37.5% of the supply, here’s how that breaks down: 15% for me (artist ownership) 15% for community initiatives, in a multi-sig wallet that requires multiple people including myself to access 7.5% for potential advisors (locked for 3 months) To be clear: the content isn’t changing. That's always been the main focus of everything I've done, and it will stay that way. I'm still here to make you guys laugh every day, if anything, you’ll get even MORE content now. This token isn’t replacing that but rather giving the part of the community who has asked for an official fan token what they wanted, while shutting down randos trying to profit off my work. Huge thank you to all the teams and people who’ve sat down with me, answered my questions, and gave me guidance. I didn’t realize just how many talented artists and entrepreneurs were building in this space, and I’m excited to try something new. Appreciate you all, diem

DIEM

188,334 次观看 • 11 个月前

Say hello to Boojum 👋: zkSync Era’s new high-performance proof system for radical decentralization. Boojum is an upgrade that will transition zkSync Era to a STARK-powered proof system, providing world-class performance on consumer-grade hardware. 💡 Learn more: TL;DR 👇 Boojum is the name of our Rust-based cryptographic library, which we use to implement the upgraded version of the ZK circuits for zkSync Era and the ZK Stack. The name Boojum was inspired by Lewis Carroll's poem "The Hunting of the Snark," where the Boojum represents the most fearsome kind of Snark. We intentionally designed zkSync Era in a way that cryptographic upgrades can be made without a regenesis, meaning that the Boojum upgrade won’t cause any user disruptions. Why Boojum❓ From day one, zkSync’s mission is to advance personal freedom for all — making digital self-ownership universally accessible by building a blockchain network that is trustless, secure, permissionless, affordable, easy to use, resilient and limitlessly scalable. Boojum plays an important role in advancing this mission by delivering: 1. World-class performance zkSync Era’s current SNARK-based proof system is effective today, but it won’t scale to the volume that we envision for hyperchains. zkSync Era’s sequencer can already process over 100 TPS; Boojum orders of magnitude improvements to performance complements this well. 2. Reduced hardware requirements for decentralization Our long-term goal is to enable user-powered, decentralized proof generation. Boojum represents a breakthrough in this direction — with the prover running on consumer-grade GPUs requiring only 16 GB GPU RAM. Boojum’s Journey to Mainnet 🚴🏽‍♀️ Boojum is now live on Mainnet, generating and verifying ‘shadow proofs’ today with real production data so that we can carefully test the system ahead of fully migrating. Today, we’re also open-sourcing the repo; if you’d like to take a look, you can find it here 👇 This is the first of a series of posts on Boojum. We will provide updates on our progress, including more details on implementation, security, and performance. Watch here for more, anon ∎

Say hello to Boojum 👋: zkSync Era’s new high-performance proof system for radical decentralization. Boojum is an upgrade that will transition zkSync Era to a STARK-powered proof system, providing world-class performance on consumer-grade hardware. 💡 Learn more: TL;DR 👇 Boojum is the name of our Rust-based cryptographic library, which we use to implement the upgraded version of the ZK circuits for zkSync Era and the ZK Stack. The name Boojum was inspired by Lewis Carroll's poem "The Hunting of the Snark," where the Boojum represents the most fearsome kind of Snark. We intentionally designed zkSync Era in a way that cryptographic upgrades can be made without a regenesis, meaning that the Boojum upgrade won’t cause any user disruptions. Why Boojum❓ From day one, zkSync’s mission is to advance personal freedom for all — making digital self-ownership universally accessible by building a blockchain network that is trustless, secure, permissionless, affordable, easy to use, resilient and limitlessly scalable. Boojum plays an important role in advancing this mission by delivering: 1. World-class performance zkSync Era’s current SNARK-based proof system is effective today, but it won’t scale to the volume that we envision for hyperchains. zkSync Era’s sequencer can already process over 100 TPS; Boojum orders of magnitude improvements to performance complements this well. 2. Reduced hardware requirements for decentralization Our long-term goal is to enable user-powered, decentralized proof generation. Boojum represents a breakthrough in this direction — with the prover running on consumer-grade GPUs requiring only 16 GB GPU RAM. Boojum’s Journey to Mainnet 🚴🏽‍♀️ Boojum is now live on Mainnet, generating and verifying ‘shadow proofs’ today with real production data so that we can carefully test the system ahead of fully migrating. Today, we’re also open-sourcing the repo; if you’d like to take a look, you can find it here 👇 This is the first of a series of posts on Boojum. We will provide updates on our progress, including more details on implementation, security, and performance. Watch here for more, anon ∎

ZKsync

827,195 次观看 • 3 年前

Look at these photos Falcon 9 soaring into the sky. Falcon Heavy and Starship ready for the next mission. Starlink antennas simple, clean, ready for any terrain. The Boring Company’s machine that looks like industrial sculpture. Futuristic tunnels full of Teslas. And the man whose vision stands behind it all. It’s not a coincidence. It’s not just “technology.” It’s class itself. Zero unnecessary ornaments. Zero exaggeration. Just a pure, very high-quality product. You hold it in your hand, step inside, or look at it and immediately feel that everything is refined to the last detail. It works. It looks right. It lasts. Elon Musk has this rare quality: he’s a man with class. He doesn’t flaunt luxury or add things just “because they photograph well.” He chooses simplicity but the kind that’s executed perfectly. And he transferred exactly that same philosophy to his companies. The result? Engineering at the level of fashion. Design that’s modern yet has timeless elegance. Products that don’t just do the job they impress with their quality and quiet confidence. It’s no accident that the rocket looks like a work of art. That a Tesla interior feels minimalist yet luxurious. That a Starlink dish looks like it was designed by someone who understands aesthetics, not just connectivity. They all share one common thread: class. Not the loud, flashy kind. The real kind quiet, self-assured, and uncompromising. If you value things that are simply well-made without unnecessary bling, but full of character and top-tier quality this is the essence of what Elon has built. Elon Musk Starlink The Boring Company SpaceX Tesla Neuralink

Look at these photos Falcon 9 soaring into the sky. Falcon Heavy and Starship ready for the next mission. Starlink antennas simple, clean, ready for any terrain. The Boring Company’s machine that looks like industrial sculpture. Futuristic tunnels full of Teslas. And the man whose vision stands behind it all. It’s not a coincidence. It’s not just “technology.” It’s class itself. Zero unnecessary ornaments. Zero exaggeration. Just a pure, very high-quality product. You hold it in your hand, step inside, or look at it and immediately feel that everything is refined to the last detail. It works. It looks right. It lasts. Elon Musk has this rare quality: he’s a man with class. He doesn’t flaunt luxury or add things just “because they photograph well.” He chooses simplicity but the kind that’s executed perfectly. And he transferred exactly that same philosophy to his companies. The result? Engineering at the level of fashion. Design that’s modern yet has timeless elegance. Products that don’t just do the job they impress with their quality and quiet confidence. It’s no accident that the rocket looks like a work of art. That a Tesla interior feels minimalist yet luxurious. That a Starlink dish looks like it was designed by someone who understands aesthetics, not just connectivity. They all share one common thread: class. Not the loud, flashy kind. The real kind quiet, self-assured, and uncompromising. If you value things that are simply well-made without unnecessary bling, but full of character and top-tier quality this is the essence of what Elon has built. Elon Musk Starlink The Boring Company SpaceX Tesla Neuralink

Natalia El Ferrara

411,479 次观看 • 1 个月前