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Office workers gone wild isn’t a rumor. It’s the after-hours plan. Half the workforce is already fucking on the job. Coco Rains Coco Rains and Steve Q. just make it look better. One spreadsheet error, one “stay late,” and his executive suite turns into a scorched-sheet hookup. Gorgeous face....

15,360 views • 14 days ago •via X (Twitter)

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DEAD BEFORE SHE WAS CLEARED Caren Lorimer ran the New Farm Loch Post Office in Kilmarnock for 17 years. In 2008 an "audit" claimed a £38,000 shortfall. She pled guilty to embezzlement so she would not go to prison. She was sentenced to 300 hours of community service and ordered to pay Post Office £15,000. That money was never missing because of her. It was Horizon, the accounting software Fujitsu Fujitsu UK built and Post Office Post Office used to prosecute more of its own staff than any other British organisation in history. Post Office knew the system threw up fake shortfalls for years and let people like Caren carry the blame anyway. Caren died from cancer in April 2022. She died a convicted criminal. Her husband David Lorimer, her daughter Laura Miller, her son Jack Lorimer and her niece Joanne Hughes kept fighting after she was gone. On 10 June 2024 the email came. Her conviction was quashed. She is the seventh person in Scotland cleared this way. In Scotland the Crown Office and Procurator Fiscal Service COPFS COPFS prosecuted every Horizon case, unlike England where Post Office prosecuted directly. COPFS knew in 2013 there were problems with Horizon. It quietly stopped prosecuting new cases in 2015. It never went back and reviewed the convictions it had already secured, including Caren's. COPFS says it acted in good faith and was assured a review would not turn up miscarriages of justice. Convenient assurance. It let a woman die still labelled a thief while the people who ran her prosecution sat on the knowledge that the evidence was rotten. Post Office Post Office is 100% state owned. The government that owns it does not get to hide behind it and shrug. This is a public body running on public money, and public money comes with public accountability, something everyone involved here conveniently forgot. Caren's daughter Laura Miller said her mother knew all along she had done nothing wrong. So did the whole family. Now there is proof. It came two years too late for Caren to hear it herself. Comment below if this makes you as angry as it makes me. SOURCES BBC Scotland News, Katie Hunter, STV News and others.

Artur Nadolny

27,660 views • 22 days ago

This scene should feel grim. Alex has been convicted of murder. His freedom is gone. He's walking into an institution built to file his identity down to a number. Kubrick plays it like a sketch. The guard barks every line like volume is a legal requirement. The inventory turns absurdly formal. One half bar of chocolate. One jacket, blue pinstripe. One neck tie, blue. Each object announced with contempt, like evidence entered into some moral trial. It's funny. Nothing funny is happening. Kubrick turns authoritarian order into theater. Prison isn't the opposite of Alex's violence. It's the same thing with better paperwork. Louder. Cleaner. Backed by uniforms instead of a gang. Alex clocks it right away. He doesn't resist. He follows the rules, answers politely, memorizes his number. He even smirks when he says "murder, sir," still performing for whoever's watching. Prison never confronts the evil in him. It processes him. It takes Alexander DeLarge, a name built to sound theatrical and oversized, and turns him into 655321. The system isn't morally superior to Alex. It's just better organized. It shouts. It humiliates. It catalogues. It turns a man into a file. And Alex seems almost at home in it. That's what makes A Clockwork Orange so sharp. Kubrick isn't asking you to pick between a free violent criminal and a noble state trying to fix him. He's showing you two kinds of brutality. One smiles with blood still on its hands. The other tells you to pick that up and put it down properly.

Best of Kubrick

106,856 views • 2 months ago

They took this man’s property… not because they needed it… but because they wanted it. He built something worth roughly $400,000… his land, his investment, his future. The county steps in under eminent domain… claims it’s for a fire station. Public use. Public good. Sounds clean… sounds lawful. But watch what actually happened. They forced him out… cut him a check for $175,000. Not market value. Not fair value. Half. Then… just months later… They flip the same property. No fire station. No public use. Luxury development. And suddenly that same land is worth hundreds of thousands more… A $675,000 gain… off land they took from a private citizen under the authority of the government. That’s not development. That’s not planning. That’s conversion of private property using state power. And here’s where it gets serious… A judge steps in… looks at the facts… and says what should’ve been said from the beginning: You cannot take someone’s property under eminent domain for one purpose…and then turn around and use it for something completely different just to make money. So what happens next? The court doesn’t just slap the city on the wrist. The judge orders them to make it right. Not politically right… not cosmetically right… Legally right. That means undoing the damage… compensating based on actual value… because what was taken wasn’t just land……it was equity… leverage… opportunity… and control over one’s own future. This is what people miss about eminent domain. It’s one of the most powerful tools government has…and when it’s abused… it stops being public service and starts looking like state-sanctioned taking for profit. If the facts are as stated… the court saw it for exactly what it was. Not a mistake. A misuse of power. And that’s why the ruling hit as hard as it did. #AStoneGroove

A Gene Robinson

197,861 views • 6 months ago

It's almost too bright after everything before it. Frodo opens his eyes in a clean bed, light everywhere, and the first face he sees is Gandalf. For a second you understand why people joke that Frodo thought he'd died. The last time he saw Gandalf, the wizard was falling into the dark of Moria. Waking after Mount Doom to find him standing there, smiling, has to feel impossible. It isn't only a reunion. It's the return of someone Frodo had already grieved. Then the others come in, one by one. Gimli. Aragorn. Legolas. Merry. Pippin. The Fellowship is back, but not all of it. Boromir isn't there, and the gap sits quietly under the joy in the room. They survived. Not all of them did. That's what makes it land. The film lets itself be happy, but never simply. These aren't the same people who left Rivendell. Frodo's being celebrated as a hero, and his face is carrying something heavier than victory. Then Sam walks in. And it changes. The score turns toward the Shire theme, and Frodo's reaction goes somewhere the others didn't. He's glad to see everyone. But the look he gives Sam says what words can't. Sam isn't one more friend coming through the door. Sam is the reason Frodo reached the end at all. The world will remember Frodo as the Ring-bearer. Frodo knows who carried him when he couldn't carry himself. That's why it still lands. It gives you laughter, reunion, one last look at the whole Fellowship together. But under it is the thing Tolkien understood better than almost anyone: the great stories usually get saved by small hands and ordinary people who just refuse to leave each other behind. The Fellowship is reunited. But it's the look between Frodo and Sam that tells you what the journey cost.

Tolkien Universe

13,932 views • 2 months ago