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【Ohdake Customizable Model】 (Work in progress!) We're planning to have a seperate outline/shadow color slider for the hair, here's a small look of how much of a difference it makes even without changing the base color👀

Ohdake

3,276 subscribers

15,129 次观看 • 7 个月前 •via X (Twitter)

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the outline is a vector too so you can adjust the weight of the brush and such. the base color is separated from the outline

the outline is a vector too so you can adjust the weight of the brush and such. the base color is separated from the outline

waomeo Ch. ワオメオ🍊| Commission Open

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These are underfill layers! They are a solid color layer underneath another color layer, but they are slightly bigger, making it look like the outline of the layer above. This method will make it easier for riggers to give the model more range, as the underfill is easy to adjust

These are underfill layers! They are a solid color layer underneath another color layer, but they are slightly bigger, making it look like the outline of the layer above. This method will make it easier for riggers to give the model more range, as the underfill is easy to adjust

Suiika Customizable Model OUT NOW!

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This color reminds me of my hair a few months ago, but it is indeed darker than the color in the video😅

This color reminds me of my hair a few months ago, but it is indeed darker than the color in the video😅

Lunegrace

22,728 次观看 • 1 个月前

Tips: Inverted Hull Method #Live2D You can create an anime-style outline with a few simple steps. Here's how: 1. Open your paint tool and select the hair parts. Select the hair lineart and register it as the selected area. Select the hair base layer and erase the color from the selected parts. 2. Next, fill the inside with a dark color and move the lineart behind the base hair layer Repeat the same steps for the other bang strands. After adjusting the layer order, Place all hull lineart layers behind all base hair layers. 3. Export the PSD to Live2D and rig the hair motions. The result looks just like anime! Sound video⬇️

Tips: Inverted Hull Method #Live2D You can create an anime-style outline with a few simple steps. Here's how: 1. Open your paint tool and select the hair parts. Select the hair lineart and register it as the selected area. Select the hair base layer and erase the color from the selected parts. 2. Next, fill the inside with a dark color and move the lineart behind the base hair layer Repeat the same steps for the other bang strands. After adjusting the layer order, Place all hull lineart layers behind all base hair layers. 3. Export the PSD to Live2D and rig the hair motions. The result looks just like anime! Sound video⬇️

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During the whoop japan osaka fansign, OP asked Baekhyun about changing his hair color. He mentioned he will dye his hair the day after tomorrow but still hasn’t decided on the color yet 👀 👤: So, oppa, how are you going to dye your hair? Are you going to change your hair color? 🐶: Dye my hair? What? 👤: Red hair! 🐶: Red? 👤: Yeah! I’ve been asking you to do red hair for over a year now. It’s about time you do it! 🐶: I’m not sure yet. 👤: Boo~ 🐶: If I dye it red, I won’t be able to do another color after that. 👤: Wait, do you even have another color planned after that? 🐶: I’ll have to choose something first… 👤: Ah, so you’re not going to do it then! 🐶: No, I really do have something in mind. I’ll dye it the day after tomorrow, but I haven’t decided on the color yet.

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🐰 about personal color…i don’t think i’m sensitive to the tone 🐰 according to me personally, for things like hair color, the tone does make a difference but when it comes to clothes, no matter what i wear…yup i don’t think color matters much, i think everything looks good on me 🐰 then within that, there might be a color that suits me the best and maybe a color that’s a bit disappointing

🐰 about personal color…i don’t think i’m sensitive to the tone 🐰 according to me personally, for things like hair color, the tone does make a difference but when it comes to clothes, no matter what i wear…yup i don’t think color matters much, i think everything looks good on me 🐰 then within that, there might be a color that suits me the best and maybe a color that’s a bit disappointing

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I've made a tutorial on how to color specific parts of the customizable VTuber model 煎卷 CustomizableModel OUT NOW💗 made since I was asked about it a bit! Let me know if it was helpful! 💜

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olivia changing the color of that mural to a new shade everyday

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Here are some of the hair color options that our 3D customizable vtuber model will have! 💙💜🩷 I also added in colliders and made the physics more flowy and soft! -^u^-

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🦌 i think burgundy/wine color suits me too. wine color just… seems to go well with everything. colors in the red family are a bit… well red is such a strong and intense color the moment you see it right. 🦌 so when you dye your hair that color, it feels like it might make your image even more intense. 🦌 i don’t think my face looks that strong or sharp so it kind of balances things out. (*he’s saying his features are softer so the strong hair color ends up balancing his overall look instead of making him look overly intense)

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Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)

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