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"Oh-oh, here she comes She's a man-eater" 😘 #reels #explore #explorepage #search #viral #latinos #reel #suggested #recommendation #home #latina

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"Arguing with her is falling into her frame." –Rivelino EXAMPLE In this scene from Titanic, Rose knows that Cal is trying to impress her, so she purposely provokes him by doubting the size of the ship Rose is looking to see if she can get a reaction out of him. And she does. He reacts defensively and argues logically A double mistake When a woman tries to start an argument with you, she's testing to see if you're stupid enough to take her seriously If you do take her seriously and argue with her, you fall into her frame and essentially fall into her trap. Whereas if you treat her like an adorable petulant child, you pass the test and sidestep the trap In this scene, Cal reacts the wrong way to Rose's shit test. He falls into her frame by arguing with her and he tries to change her mind using facts ROSE: I don't see what the fuss is about. It doesn't look any bigger than Mauretania CAL: [facts logic boring boring] When a man tries to convince a woman by using facts and logic, she instinctively realizes that he doesn't understand women, how they feel, how they function This is a massive turn off She doesn't want to be with a man who doesn't understand her true feminine essence So what should a man say instead of arguing with her? My two favorite standard replies to any sort of petulant shit test from a girl are "You're precious" and "You're adorable" Remember, she is like a child She wants to feel your mastery over her –– and she wants to see that you have mastery over your own emotions If Cal knew how to handle Rose, he would avoid arguing with her. Instead, he would say something like this: ROSE: I don't see what the fuss is about. It doesn't look bigger than Mauretania CAL: Oh Rose, you're so adorable Much better If your girl says something to make you angry and you feel yourself losing your temper, instead of calling her stupid call her adorable "You're so fucking adorable" You can even keep the same angry tone Over time, you will start reframing and training your brain to see her as an adorable (petulant) child Remember, when you think in your mind "she is annoying", that means she has gotten to you, she has rattled you, and that's bad When you think in your mind "she is adorable", that means you see her like a child And why is she adorable? Well, she's your girl, right? If she isn't adorable –– if she really is stupid, annoying, complaining all the time, disrespecting you all the time, then maybe you need to let her go and find yourself another girl. It sounds like her heart is closed off to you But if she is your girl and you do love her, then she's adorable, and her "annoying" shit tests just mean that she misses you and needs your reassurance that you can handle her moods and her occasional feminine chaos She wants to feel your masculine strength, she wants to feel your amused mastery, your power and control over her emotions She wants to feel safe in your arms She wants to trust you
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"Arguing with her is falling into her frame." –Rivelino EXAMPLE In this scene from Titanic, Rose knows that Cal is trying to impress her, so she purposely provokes him by doubting the size of the ship Rose is looking to see if she can get a reaction out of him. And she does. He reacts defensively and argues logically A double mistake When a woman tries to start an argument with you, she's testing to see if you're stupid enough to take her seriously If you do take her seriously and argue with her, you fall into her frame and essentially fall into her trap. Whereas if you treat her like an adorable petulant child, you pass the test and sidestep the trap In this scene, Cal reacts the wrong way to Rose's shit test. He falls into her frame by arguing with her and he tries to change her mind using facts ROSE: I don't see what the fuss is about. It doesn't look any bigger than Mauretania CAL: [facts logic boring boring] When a man tries to convince a woman by using facts and logic, she instinctively realizes that he doesn't understand women, how they feel, how they function This is a massive turn off She doesn't want to be with a man who doesn't understand her true feminine essence So what should a man say instead of arguing with her? My two favorite standard replies to any sort of petulant shit test from a girl are "You're precious" and "You're adorable" Remember, she is like a child She wants to feel your mastery over her –– and she wants to see that you have mastery over your own emotions If Cal knew how to handle Rose, he would avoid arguing with her. Instead, he would say something like this: ROSE: I don't see what the fuss is about. It doesn't look bigger than Mauretania CAL: Oh Rose, you're so adorable Much better If your girl says something to make you angry and you feel yourself losing your temper, instead of calling her stupid call her adorable "You're so fucking adorable" You can even keep the same angry tone Over time, you will start reframing and training your brain to see her as an adorable (petulant) child Remember, when you think in your mind "she is annoying", that means she has gotten to you, she has rattled you, and that's bad When you think in your mind "she is adorable", that means you see her like a child And why is she adorable? Well, she's your girl, right? If she isn't adorable –– if she really is stupid, annoying, complaining all the time, disrespecting you all the time, then maybe you need to let her go and find yourself another girl. It sounds like her heart is closed off to you But if she is your girl and you do love her, then she's adorable, and her "annoying" shit tests just mean that she misses you and needs your reassurance that you can handle her moods and her occasional feminine chaos She wants to feel your masculine strength, she wants to feel your amused mastery, your power and control over her emotions She wants to feel safe in your arms She wants to trust you

Rivelino

261,428 views • 2 years ago

it's insane what seedance 2.5 is capable of here's another example full prompt: CAMERA: Handheld DV 16mm daily vlog footage. The video MUST begin with her holding the camera at arm's length in selfie mode while stepping outside her apartment building with her dog. The first 20–30 seconds are entirely handheld. Later she occasionally places the camera on a park bench, low stone wall, picnic table, or the ground for wider shots. Keep subtle handheld shake, drifting composition, autofocus hunting, rushed reframing, uneven zooms, exposure breathing, brief accidental face cropping, and imperfect framing throughout. The camera itself is never visible. LOOK: Warm analog tape texture with gentle film grain, slightly softened sharpness, subtle halation around sunlight, realistic skin tones, low contrast, tiny exposure shifts, and natural motion blur. It should feel like authentic footage from someone's everyday life rather than a polished commercial. STYLE: A relaxed morning lifestyle vlog. Quiet, cozy, and spontaneous. She occasionally laughs at her dog, pauses to look around, adjusts the leash, brushes hair away from her face, and speaks naturally in short sentences with comfortable pauses. CHARACTER: EMMA — a beautiful white woman in her mid-20s. Long light brown hair in a messy ponytail, green eyes, minimal makeup, oversized gray hoodie, black biker shorts, white sneakers, and a small crossbody bag. She is walking a happy golden retriever. SETTING: A peaceful suburban neighborhood on a sunny morning. Tree-lined sidewalks, quiet residential streets, birds singing, a small park with benches, green grass, and soft golden morning light. Very few people are around. SCENES: The vlog opens in selfie mode. Emma holds the camera while leaving her apartment building with the golden retriever excitedly pulling on the leash. "Good morning." She smiles. "Someone couldn't wait." The dog eagerly sniffs everything as they walk down the sidewalk. She laughs quietly. "He has to inspect every single tree." Still holding the camera, she walks into a small neighborhood park. The dog suddenly stops and stares at a squirrel. "Oh... there we go." She smiles and gently shakes her head. She places the camera on a nearby bench for a wider angle while throwing a tennis ball. The dog happily chases after it. "Worth waking up early." She picks the camera back up. Walking slowly through the park, she looks up at the trees for a moment. "It's actually really peaceful out here." The dog returns with the ball but drops it halfway. She laughs. "Close enough." She sits on the bench while the dog lies beside her. She scratches behind his ears. "I think he's happier than I am." She stands up and continues walking. The camera stays in selfie mode as they head toward home. "Coffee is definitely next." She smiles into the lens. "See you later." She gives a small wave and ends the recording.

MAX

215,218 views • 5 days ago

🚨FYA🇳🇬🎶🇬🇭: So I’m gonna put this out here and help demystify the conundrum of the identity of the lady who went viral during Omah Lay’s concert in London, kind courtesy @DTSIntel. First of all the said girl at the center of the viral performance isn’t called ‘Fafa’ as reported; she’s also not Ghanaian neither is she ewe nor an old student of Wesley Girls. Her name is actually ‘Jessica Ani,’ known as Jesssani on TikTok(she has since disabled her comments on there since her account got found out). In the first video attached you hear Omah Lay ask her what her name was when she came on stage🙃. Secondly, the video that’s going viral about Omah Lay not knowing her name but giving her shoutout is an old video, after his show in Amsterdam & not London. The voice you hear in the background drawing the attention of Omah Lay about the fan’s name(Fafa) was Nigerian Afrobeats promoter, Adesope. He posted that video on IG in addition to a media carousel on February 11, 2024. He was at that show which also had guest artistes like Smallgod & King Promise. Fafa is actually a staunch fan of Omah Lay’s music, who flew from the UK to Amsterdam just to see Omah Lay; she could sing all of his songs. That is who both Adesope & Omah Lay were referring to(watch video in the last frame) post-shouts. Also, Omah Lay didn’t say ‘bitch’ as purported; he was actually saying ‘big shout—’ & got intercepted by Adesope in revealing the name of the fan to him. Hence the second take. Concerning the London event, Omah Lay or anybody closer to his team is yet to speak on it. & oh, the boyfriend who got affected in this ‘crossfire’ is also not Ghanaian but Nigerian. Shalom! 🦅🇬🇭

Ölele Salvador🦅🇬🇭

1,325,953 views • 2 years ago

"The apartment was supposed to be empty. Deputy Elena Rodriguez was doing one last sweep of a condemned unit on the east side before the building was sealed. It should have been routine, just another silent walk through a place people had already forgotten. For seven years she has worked the force and learned how to stay steady in hard situations. Domestic calls, violent scenes, abandoned homes have all been part of the job. Building a wall becomes necessary or the work breaks you. Trash covered the floors and spoiled food filled the air. The silence inside felt heavy and wrong. When she stepped into the kitchen, she stopped cold. A dog was chained tightly to an old radiator. He was not just thin. His body was skeletal. Someone had left him there in the dark with no food and no water while life outside kept moving. There was no growl. There was no attempt to pull away. At the sight of her uniform, he slowly lifted his head and tapped his tail once against the floor. That small movement broke her. She dropped to her knees without thinking about the dirt or the smell. Footage from her partner captured the moment she stopped being just an officer and became a human being facing something cruel. "Hey. Hey. Oh buddy. You're okay now." Her voice shook as she reached toward him carefully. "Nobody is coming back. I'm right here. We're getting you out. You're not staying here." The dog leaned what little weight he had against her legs. A slow breath left his body as his eyes closed while she kept speaking softly. "You're safe with me. I promise. You're safe." Her partner rushed in with bolt cutters and broke the chain from the radiator. Without waiting for animal control, Elena lifted him in her arms and carried him outside herself, shocked at how light he felt. They later named him Blue. Blue spent one month in critical care fighting to regain strength. Every day before her shift, she visited him and sat beside the kennel until he began to trust again. That afternoon was not the end of the story. She signed the adoption papers yesterday. The dog who had been left alone in a dark apartment now sleeps in a warm home on a soft bed beside the woman who promised he would never be left behind again. | Dancing in the Sky.

Crazy Moments

71,680 views • 1 month ago

This was filmed last Thursday afternoon at Animal Rescue in Mississippi. The dog lying in the corner is a four-year-old tan Retriever mix named Maple. The two small puppies in the cardboard box are hers. Maple came into Gulf Coast three weeks ago as a stray picked up near the Port of Biloxi. She was thin and clearly had recently been nursing. The intake team suspected she had puppies somewhere nearby but searches of the area came up empty. For three weeks, Maple lay in her kennel in a way the staff described as "not quite present." Ate enough to stay healthy. Accepted gentle handling. But mostly kept her head down and stayed quiet. The volunteers who worked her kennel talked about her in the break room. Something about her stillness was different from ordinary shelter sadness. It felt like waiting. Ten days ago, a family in Ocean Springs found two small puppies under their back deck. About six weeks old. Brought them to Gult Coast. Standard intake. No connection was made immediately. Then a sharp-eyed volunteer named Tess was reviewing intake photos and noticed the puppies' coloring. The shape of their ears. She pulled Maple's intake paperwork and compared. She brought it to the shelter director, a man named Gary. Gary said: "Tess came into my office and laid both files side by side on my desk and didn't say anything. She just looked at me. I looked at the photos. And I said, 'Let's do a introduction and see what happens.'"Tess carried the puppies to Maple's kennel in a small cardboard box. The security camera was already running. Maple was lying in the corner with her head down, the same way she'd been lying for three weeks. Tess set the box on the floor and opened the flaps. The puppies tumbled out, unsteady and curious. Maple lifted her head. She stared. One second. Two. Then she was on her feet. Moving fast. She covered both puppies in frantic licks, nose pushing into each of them, checking, circling, pressing them close. The puppies climbed over her legs, pawing at her face. Maple's tail moved faster than any of the staff had ever seen it move. Tess had to leave the kennel because she couldn't stop crying. Gary told us: "Three weeks of that quiet stillness. And then in about four seconds she was a completely different dog. She knew immediately. Knew them instantly. It was the most remarkable thing I've ever witnessed in eight years of running this shelter." Maple and the puppies are now in a foster home together while the puppies grow old enough for adoption. Maple eats full meals now. Plays. Greets the fosters at the door in the mornings. The foster, a woman named Rosa, told us: "She's a completely different dog with them here. Like she finally exhaled after three weeks of holding her breath." The puppies will be adopted when they're ready. The rescue is hoping to find Maple her own home at the same time. Some kinds of waiting are too deep for words. But the ending, when it finally comes, is unmistakable.

Gabriele Corno

74,720 views • 18 days ago

Off again to Tokyo, this is becoming my second home ✈️ On long flights like this, we normally plan great circle routings, the shortest distance between two points on the globe (think of stretching a string across a globe rather than a flat map). But current airspace restrictions mean our routes aren’t quite as direct as we’d like, adding some extra planning challenges (and a little more flying time). Oh and weird routing squiggles. The real fun, though, comes at the other end. Tokyo Haneda’s Runway 22 LDA approach is the showstopper here. An LDA (Localizer Directional Aid) approach is a precision-like procedure that guides you towards a point offset from the runway. In this case, the final track is about 55° off the runway centreline. Why? To keep aircraft over Tokyo Bay as long as possible before turning final, reducing noise pollution for the millions of people who call Tokyo home. It’s a 2D or non-precision instrument approach leading you to a point near the runway, but not aligned with it meaning the final segment is flown visually. The pilots also control the rate of descent (not an electronic glide path). Think of it as Tokyo’s answer to Hong Kong Kai Tak’s legendary checkerboard approach, except here you swap the skyscrapers for water, and the turn onto final is a little less dramatic! And the go-around? That’s the unusual part. Instead of powering straight ahead like most airports, you swing into a 180° turn and head back the way you came, not your everyday missed approach procedure. Tokyo Haneda itself is a gem, one of the busiest airports in the world, located just 15 km from central Tokyo. For passengers it means quick access to the city, and for us pilots it means some of the most interesting flying anywhere in the world. Flying into Tokyo never gets old — it’s challenging, rewarding, and absolutely beautiful on a clear day. 🌅 #A350 #TokyoHaneda #PilotLife #AviationDaily #GreatCircle #AvGeek #FlyingHigh #Airbus #LongHaulPilot #FlightDeckViews #AviationPhotography #AvGeekery #PilotsofInstagram #CockpitViews #Approach #JapanAviation #TravelJapan #HanedaAirport #AirlinePilot

Scott Bateman MBE

49,793 views • 10 months ago

So I just asked Gemini and Chat gpt to adapt Johnn mega prompt into the universe of Marcel Pagnol (South of France, beginning of the 20th century). Results is very cinematic. Very pleased with the camera movements. Dreamina AI Seedance 2.0 #DreaminaCPP Here is the prompt by Gemini : Main subject: Young Provençal woman, early 20s, natural and sun-kissed everyday appearance (reminiscent of a Pagnol heroine like Manon or Naïs). Wearing a simple, faded en toile light cotton sundress with a subtle floral pattern, a beige linen apron tied around her waist, and worn leather sandals. Thick, wavy dark brown hair loosely tied back with a simple fabric ribbon, with a few stray curls framing her face. Realistic skin texture with light freckles from the sun, absolutely no makeup, warm, expressive, and mischievous personality. Maintain consistent identity, clothing, and appearance throughout the entire video. Location: An authentic, quiet Provençal village nestled at the foot of arid limestone hills during a warm, bright late morning. Narrow cobblestone alleys, old stone houses with faded pastel shutters (pale blue or lavender), small shaded terraces, terracotta pots with geraniums and wild rosemary, laundry lines stretching across the street, a wooden cart, an old stone well, and mature olive trees casting dappled shadows. Quiet, timeless rural atmosphere. No modern elements, no cars, no commercial signs. Visual Style: Ultra-realistic vintage film realism, 1930s-1950s cinema verité. Genuine candid behavior, natural body language, unscripted slice-of-life feeling. Strong historical and regional authenticity, rich real-world textures (stone, dust, rough fabric), and believable human motion. Camera Style: Early 16mm color film aesthetic (like vintage Technicolor or Kodachrome with warm tones). Handheld, immersive, and slightly imperfect framing as if a friend is documenting a summer day. Soft lens texture, gentle organic film grain, warm golden hour light, occasional slight overexposure when stepping into the bright Mediterranean sun, natural lens flares, and soft contrast. No modern stabilization, no digital crispness. Timeline (00:00–00:15) 00:00–00:02Outside the heavy wooden door of an old stone cottage. She sits on a low stone bench, readjusting the ribbon in her hair with both hands raised. A light mistral breeze moves loose strands of her hair. She smiles warmly at the camera with a sparkling, expressive gaze. 00:02–00:04The camera follows her as she walks into a narrow, sun-drenched alley lined with terracotta pots. She spots a stray cicada or a small village dog approaching and crouches down, her dress pooling around her. The framing drifts slightly, capturing the dust dancing in the sunbeams. 00:04–00:06She gently pets the dog (or coaxes a cicada onto a leaf). The camera focus shifts organically between her smiling face and her hands. Bright Mediterranean sunlight flickers through the silver leaves of an olive tree overhead. 00:06–00:08A small patch of dirt yard beside her house. She hangs crisp white linen sheets on a rope clothesline, her arms reaching up as the fabric sways in the wind. The camera catches the bright contrast between the white fabric and the deep blue sky. 00:08–00:10On a quiet, shaded terrace, holding a hand-painted ceramic pitcher. She pours fresh water into a glass, takes a sip, and sits comfortably, watching the quiet village life. She occasionally brushes a stray curl behind her ear. Loose handheld angle with natural camera drift. 00:10–00:12Close side profile. Someone off-camera (an old villager) greets her with a loud, singing voice. She turns her head, raises her hand with a wide, radiant smile, and casually calls out, “Oh, bonjour, Marius !” The camera pans slightly late, capturing her spontaneous laughter. 00:12–00:15Walking slowly down a dusty path towards the hills, holding a small basket of fresh figs. She notices the camera, gives a cheeky, genuine smile, then looks toward the horizon and continues walking. The film reel cuts abruptly to a warm light leak and black, as if the camera ran out of film. Audio: Natural ambient soundscape of the South of France — a loud, continuous chorus of cicadas (les cigales), a light rustling of olive leaves from the Mistral wind, distant clinking of pétanque boules, faint laughter or chatter in a thick Provençal accent from a nearby square, footsteps on dry earth and stone. No modern music. No artificial sound design. Pure, immersive atmosphere. Goal: Authentic Provençal village life captured like a lost piece of poetic realist cinema — candid, sun-drenched, imperfect, warm, and deeply nostalgic.

Eric Ker

31,483 views • 1 month ago