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OIIAOIIA SPINNING CAT What DOGE started... OIIAOIIA evolves. DOGE was just a JPEG. PEPE brought JPEG + video. OIIAOIIA? It’s everything — JPEG, video, music, IRL, vibes, and culture. OIIAOIIA isn't just another CT-native memecoin. OIIAOIIA is everywhere.

21,444 görüntüleme • 1 yıl önce •via X (Twitter)

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xAI isn't playing around. They just released the Grok Imagine API, a unified video + image generation toolkit, and it's already sitting at #1 on the Artificial Analysis Video Arena for both Text-to-Video AND Image-to-Video. It's beating: ● Google's Veo 3.1 & Veo 3 ● OpenAI's Sora 2 ● Runway Gen-4.5 ● Kling 2.5 Turbo The Numbers Don't Lie: ● 64.1% win rate against Runway Aleph in blind human evaluations ● 57% win rate against Kling o1 ● Best-in-class latency. Sub-20 second generation for 720p, 8-second videos. (up to 15-second video) ● Native audio generation baked right into video output (dialogue, music, sound effects, all synced) What Makes It Different It's built for real creative workflows: ✅ Text-to-video AND image-to-video in one API ✅ Video editing with prompt-based controls (add/remove objects, restyle scenes) ✅ Camera controls: zoom, pan, timelapse, pull-back ✅ Style transfers: cyberpunk, watercolor, anime, you name it ✅ Performance animation: map your movements onto characters ✅ Native audio-video sync (no post-production needed) Why the focus on speed and cost? The partner feedback that shaped this: "Quality alone isn't enough if latency and cost make iteration painful." So xAI optimized for all three. Speed. Cost. Quality. Already Integrated With: ● fal. ai ● ComfyUI ● InVideo ● Flora ● HeyGen xAI went from underdog to chart-topper. The Grok Imagine API is fast, affordable, and genuinely production-ready. If you're building anything with AI video, this just became the one to beat.

tetsuo

18,325 görüntüleme • 5 ay önce

Alhamdulilah. Now this is what we call a huge web3 did What a wonderful journey it has been. Almost done with my first house. And honestly, it doesn’t feel like just a structure being completed… it feels like a reflection of everything that came before it. time, discipline, mistakes, exposure all quietly compounding. › 2023 The Beginning It started with no real direction. I was grinding, exploring, trying things without fully understanding where it all leads. There was no structure yet… just curiosity, repetition, and a lot of learning through trial and error. I was simply moving, even when I didn’t fully know what I was moving toward. › 2024 Things Start to Form Then things began to shift. Not overnight but gradually, through exposure and experience. I entered deeper into the space and connected with OGs in the TON ecosystem And slowly, one important lesson became clear: it’s not just effort that matters… it’s information, timing, and the people you learn from. › So I also started trading as well Trading became a major part of my learning curve. Forex & Perps showed me risk in its raw form mehnn 🙂‍↔️ taught me discipline and patience. Memecoins show me shege rugs up and down Along the way, I learned from different people PMO, not just strategies, but perspectives. Each one added something I didn’t have before. › Late 2024 Structure Appears Then came a different phase. I signed my first structured deal with sign a monthly arrangement that brought a new level of stability into my journey. For the first time, things were not just random wins and losses… there was structure, expectation, and consistency. Then came the TGE. Execution was clean. The ecosystem moved properly. And as early participants, we experienced meaningful upside not just financially, but in understanding how systems actually work when they’re built well. › Now The Reflection Almost done with something physical. But the deeper truth is this: the house is just the surface. what actually got built was the person. through risk, through losses, through discipline, through time. This is not a story about outcomes. It is a story about becoming. And I am still becoming. Grateful for the journey so far. Still building.

Tajudeen ♟️

37,936 görüntüleme • 3 ay önce

Today was wild. I was in central Bangkok when the worst earthquake in 30 years hit. I’d just wrapped a catch-up with Saimon, talking about GDC, Web3 gaming, AI etc. After brunch, he left, and I decided to stay behind at the café to get some work in. Ten minutes later, everything started spinning. I thought I was just feeling fatigued. But then the floor swayed. Hard. The waitress ran out and told everyone to evacuate. Outside, I saw a tower across the street literally twisting like Jenga. People started filming. I looked up and thought, are we seriously stopping here to record this? It felt surreal. Then people started running. So I ran too. I was in the busiest part of town, surrounded by glass buildings and traffic. No car. I jumped on a motorbike to get to my son, then switched to a car to head to my mum’s. What should’ve been a short trip took five hours. Worst traffic I’ve ever experienced. Trains were down. Underground shut. Bridges damaged. No clear info , just fake news flying everywhere. My phone was slightly over 10%, but I managed to preserve the last bit of battery to call, navigate, and make sure we got to my mum’s safely. Now that I’m home, I’m still processing it all. Life is strange. One moment you’re talking AI over coffee. The next, you’re running through a city that feels like one wrong move could change everything. I’m grateful we’re okay. But this shook me deeply. Really hope everyone is ok.

Pichapen | Super Connector

17,890 görüntüleme • 1 yıl önce

Dear Genshin Impact fans, In my nodkrai video I said that Natlan’s music was nice but felt shallow, my mistake in this was not elaborating on why. I said it in passing and didn’t consider the word choice. I’m gathering that people assumed I was referring to the PLACES being represented by the music Which is preposterous because I would never criticize a culture or place, as I’ve always felt that is genshin’s strongest element. I assumed you would know it was obvious I was talking about the musical composition and structure not what that music represented (the people and the places) I’m sorry if you felt that I was spitting in the face of your culture. As a multicultural person myself and soon to be married to a multicultural person as well, I would never ever do that. I am saddened that you may have felt that. That said, subjectively, I felt natlan’s music was nice. But, a bit too easy listening to my taste. Part of the reason I have filmed so many Genshin videos is due to the musical complexity it showcases. Not just in the western soundscape but also in other regions that are represented. You’ll recall I defended this very thing a year ago when the music was representing African culture. At that time I was lambasted on this platform for saying that people of color were not being represented properly in game. I’m perplexed why you would think I’m suggesting the opposite now, even going so far as have people claim I am “racist” which is a bridge too far. In any event, I’m sorry for any hurt feelings. It’s clear to me that if I’m going to say something, I should be clear about what I mean.

MarcoMeatball

42,089 görüntüleme • 10 ay önce

"PRICE IS WHAT YOU PAY. VALUE IS WHAT YOU GET." I keep buying $Kekec and I have a strong conviction. Here's Why: While the market is down, and Kekec is declining with it, there are data points that few are considering. Kekec borned in October and since then has been posting a different and original 30-second video every day, which I find extremely funny. For the past couple of months, they have also been posting daily on Instagram, and the attention on Kekec (which doesn't present itself on social media as a memecoin) is growing, moreover, it's increasing exponentially. The number of followers is increasing by about 500-1000 a day. This is largely due to the fact that they are not just focused on the main account but have several others that post reels and redirect to the main one. In short, an excellent strategy to keep growing more and more. Instagram link: Guess What? Not only are the followers increasing, but the team's workload is also growing. In fact, for a little over a month, they have also started pushing on YouTube, and the data here is promising as well. YouTube link: If we want to make a comparison, we can take Pudgy Penguins as an example, which has shown it can reach millions and millions of users without mentioning that they are a WEB3 company that owns an NFT collection. Or, if we want to be more appropriate by comparing one memecoin to another, we could take PONKE. Thanks to the use of social media and the quality of their content, they managed to achieve incredible numbers, which then translated into an increase in the coin's price. Kekec came before PONKE, but that doesn't necessarily mean it's better than PONKE. I believe PONKE is unbeatable in terms of content, but I want to make you reflect on an important point. PONKE came after KEKEC, and after PONKE's success, many coins have emerged trying to imitate it. One of KEKEC's strengths, in my opinion, is precisely the fact that it leverages social media without being a copy-paste. Instead, it is a unique meme derived from a 90's film, and it uses a unique form of content. In short, KEKEC > KEKEC and no one else. I want to conclude by suggesting you follow them on Instagram and evaluate not only the exponential growth of their followers day by day but also observe how the views of each reel increase accordingly. Pay special attention to the comments. Many of the people commenting have no idea what it is, and you can see from the comments how Kekec generates particular emotions in people—strange but still emotions. Personally, I believe that when something is unique and even very strange, it needs time to be adopted. However, once it happens, it usually explodes and spreads like never before. A few days ago, a Kekec video was posted by a very popular meme page. They probably don't know what Kekec is about but thought the video could spark interest among their followers. How many other pages will do the same? Lastly, but not least, I want to point out how Kekec maintains a good market cap despite everything that has happened in the crypto world since October 2023. As far as I know and have personally observed, everything is extremely organic. There is no cabal behind it, and the quality is not reflected in a single jpeg but in work that has been ongoing daily for months. Every day they work harder, and the quality of their videos grows as well. I have no affiliations with the team, but I believe that Kekec truly deserves more in this world where we push celebrity or cabal-backed coins to hundreds of millions in market cap. I keep buying because the numbers suggest so. Don't just evaluate the chart (price), evaluate the data (value). BÂLKÂN DWÂRF

m0ment0

133,194 görüntüleme • 2 yıl önce

[PROJECT II: NYC BILLBOARD] DUSTBIA IN TIMES SQUARE 💞 Today, we’re lighting up your day with a dream turned reality. We are beyond proud to announce our Project II: DustBia in Times Square ✨ YES, IT’S REAL. YES, IT’S HAPPENING. Because what Dustin and Bianca have created is not just a moment, it’s a movement. And it’s time the world sees it too. From quiet beginnings to massive waves of love, DustBia has grown into a symbol of authenticity, joy, and connection. This billboard is more than just lights and screens it’s a message to the world: real love, real people, and real stories deserve to shine. To our Dustin Yu and Bianca De Vera, You’ve touched lives and hearts far beyond what you can imagine. You’ve inspired us to believe again— in kindness, in magic, and in each other. This is for you. We see you. And now, the world will too. 💫 And to our fellow Cheffies, this moment wouldn’t exist without you. This billboard is yours, too. It’s our shared heartbeat. It’s a tribute to the community we’ve built. A fanbase that’s rooted in love, kindness, and the joy of believing together. To our titas’ admins behind this project, your dedication was the backbone of this achievement. Your drive and belief in DustBia turned vision into reality. I’m proud to have built this with you. Special thanks to @intodusyuu, your skills and patience brought the video to life. Thank you for sticking with us through every revision and for giving your best every time. To our kind friends based in NYC, thank you so much for making time and for capturing this. 💖 This will be up every 45th minute of every hour. US TIME: JUNE 8 — starting 12:45AM to 11:45PM PH TIME: JUNE 8 — 12:45PM to 11:45 PM — This is more than a project. It’s a milestone. And the best part? We’re only just getting started. With love, TITAS 💜 DUSTBIA DUO BILLBOARDS #OneBillionViewsDustBia

TITAS OF DUSTBIA OFFICIAL

203,444 görüntüleme • 1 yıl önce

this is a tribute post to share the legacy of an artist whose work has changed my life and inspires me everyday, Jun Seba aka Nujabes. Born February 7, 1974, Nujabes was a music producer & DJ from Tokyo, Japan. He came from a family of music lovers and his father’s admiration for jazz served as an inspiration to Seba at a young age. He pursued his education at a Fine Arts school and the people in his life influenced him to explore the vast wonders of what music really is. In a 2003 interview with Sound & Recording Magazine, Seba said… “I started making tracks because I wanted to hear music that sampled the old soul and jazz I liked.” Nujabes in his early years discovered Hip-Hop and was enamored by the art of DJ-ing and breakdancing. Hip-Hop culture was being brought to life in the USA, but its influence seeped across the world and it started to gain popularity in Japan at the time as well. Seba went on to become a crucial figure in Japan’s underground Hip-Hop scene as a DJ, co-creating a label called ‘Hydeout Productions’. His love for music stemmed beyond just creating it. He had his own record store, which he spoke about in the aforementioned 2003 interview. “I recently started up a record store, Tribe, which I see as an extension of Hydeout Productions. Everything at the store is stuff I went and bought overseas myself, and my hope is for people to come in, listen to old records at their leisure, and hopefully feel inspired by those records to make good tracks themselves. That’s another thing I would like to cherish doing in the future—creating those sorts of encouraging environment” This was a genuine testament to the pure love Nujabes had for music and the community that is built as a result. This passion is what fueled the masterpieces we listen to today and it is the reason for him revolutionizing Hip-Hop production. One of his greatest achievements, in my opinion, was his contribution to the soundtrack of ‘Samurai Champloo’ alongside Fat Jon. This soundtrack set Nujabes on center stage. With a fusion of traditional Japanese musical influences, everything he learned as a student of Hip-Hop, and his early love for Jazz music, Nujabes created a new soundscape which set the tone for this acclaimed show, but also epitomized his brilliance as a musician. At a recent Nujabes tribute performance, longtime collaborator and a friend of Nujabes, Fat Jon, said a few words about him… “Our friendship went beyond music. And so yeah, we had fun making music, but we had more fun just doing regular shit in life… Nujabes as a person, separated from the music, he was a cool person.” You can tell everyone that has worked with or around Nujabes has a deep, unwavering admiration for him as a musician, but also as a person and a friend. Although his contributions to the soundtrack shot Nujabes to fame, his discography of solo music is what cemented his legacy as a pioneer of modern music. From his debut ‘Metaphorical Music’, to his most critically acclaimed work ‘Modal Soul’, Nujabes was able to create entire soundscapes by blending all the different things that made him love music in the first place. It would be a disservice to not mention his friends and frequent collaborators who had invaluable contributions to his work. Shing02, Uyama Hiroto, Cise Starr & Akin (CYNE), Substantial, Haruka Nakamura, and many more. (I’d love to give recommendations to people who want to dive into their work after seeing this!) Nujabes music heavily centered around jazz and soul samples intertwined with his intricate drum patterns and tranquil instrumentation. He fostered an atmosphere of serenity with his melodies than touched the hearts of millions around the world. From ethereal tracks like “Horizon” and “Counting Stars” to his Luv(Sic) series, Nujabes created art that transcended the preconceptions of what music’s impact is. if you made it this far, thank you for reading. i have no more characters left lol

SK⚡️

332,416 görüntüleme • 2 yıl önce

This guy financed a $90K machine he’d never used to start a business he’d never done, in a market he’d never worked in. Now he's on track to do $1M this year with 69% NET profit margins. Here's exactly how you can copy him. It started when he bought 5 acres of land, 4 of which were overgrown. He tried to hire someone to clear it, but the closest provider was over 100 miles away. So he did some basic keyword research - nothing fancy - and learned the service was called “forestry mulching.” What he found shocked him: tons of people in his area were searching for help clearing overgrowth, but there were almost no local providers. He saw the gap and moved fast. He'd never started a home service business before. He financed a skid steer with a mulching head for $90K. No experience. No jobs booked. Just conviction. Then he spliced together demo footage from Bobcat’s YouTube channel and launched his first ad. He targeted rural Ohio zip codes, 35+ homeowners with land, using Tractor Supply and similar interests as filters. His ad cost? Just $23 per lead. His average job size? $3,100. His close rate? 85%. He was booked out within weeks. To build trust and close more deals, he started filming every job. Simple before-and-afters, drone shots of local landmarks, and time lapses of the machine in action. He didn’t care about views, he just wanted prospects to see what the machine could do and know that he was local. Now, 80% of his customers say they watched his YouTube before booking. The channel isn’t just conteny, it’s proof. This isn’t a content business. It’s a swaty, high-ticket local service. But content is his engine of trust. And trust is what converts. Today he runs two machines. Has months of work booked. Pays for his equipment in one job. And he’s already planning to scale to 10+ units. Most people still don’t even know what forestry mulching is. Which is exactly why this works so well. You don’t need a brand or experience, or even that much money. You just need to spot a broken market and fill the gap with something people already want. He’s doing $1M/year clearing land with a machine he didn’t know existed 18 months ago. And he started it all with a $5K down payment and a borrowed YouTube video.

Chris Koerner

418,614 görüntüleme • 1 yıl önce