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Ok, that's amazing. 🦄 A side by side three.js comparison - with GitMCP and without. GitMCP's story originally started from a tweet by Three.js about their large, non-LLM-digestable, documentation file. Ido Salomon and I ended up creating a cool generic documentation MCP server, but we didn't forget threejs and...

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Liad Yosef

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41,745 views • 1 year ago •via X (Twitter)

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My brother and I never imagined would grow this quickly - huge thanks and shoutout to the Tekken community! But, the upsurge of traffic hit us with massive hosting/storage costs we didn't expect. It's just the two of us running and funding this, so if you'd like to support the site (no obligation of course), we've set up a page here: Thank you everyone for visiting our website and using it to lab. It is amazing to have made a meaningful contribution to the community and game we grew up with.
0:16

My brother and I never imagined would grow this quickly - huge thanks and shoutout to the Tekken community! But, the upsurge of traffic hit us with massive hosting/storage costs we didn't expect. It's just the two of us running and funding this, so if you'd like to support the site (no obligation of course), we've set up a page here: Thank you everyone for visiting our website and using it to lab. It is amazing to have made a meaningful contribution to the community and game we grew up with.

Okizeme.gg

76,563 views • 1 year ago

I always wondered "What if I port my three.js game to Rust? Will it improve performance?" I finally ported it to both Rust Desktop and Rust WASM (that runs on the browser) Comparing the three.js version with the Rust desktop I had a clear winner: Rust desktop. But now I took the time to port it to the web using Web Assembly (WASM) And my conclusion is... A tie! Both versions averaged 42FPS (60FPS if running one at a time) So if your goal is to ship a web game, it doesn't even matter the tech you use. (Three.js is recommended because the ecossystem is huge though) As long you optmize well (Web workers, reduce triangles, draw calls, etc) you should be good to go. But in the event you want to ship a native game to publish on Steam a system language (Rust, C++, etc) will be better for you. Now I want to port the three.js game to Desktop using Electron and see the results. I'll let you know. Btw, I'm open to new freelance projects. If you have anything for me, my DMs are open!
0:18

I always wondered "What if I port my three.js game to Rust? Will it improve performance?" I finally ported it to both Rust Desktop and Rust WASM (that runs on the browser) Comparing the three.js version with the Rust desktop I had a clear winner: Rust desktop. But now I took the time to port it to the web using Web Assembly (WASM) And my conclusion is... A tie! Both versions averaged 42FPS (60FPS if running one at a time) So if your goal is to ship a web game, it doesn't even matter the tech you use. (Three.js is recommended because the ecossystem is huge though) As long you optmize well (Web workers, reduce triangles, draw calls, etc) you should be good to go. But in the event you want to ship a native game to publish on Steam a system language (Rust, C++, etc) will be better for you. Now I want to port the three.js game to Desktop using Electron and see the results. I'll let you know. Btw, I'm open to new freelance projects. If you have anything for me, my DMs are open!

André → andreelias.dev

19,531 views • 4 months ago

I am splitting time between Godot & Unity but took a detour to see what the threejs hype was about. Was able to put together a 2.5D system pretty quickly with some of our 2D pipeline for a demo. Godot and threejs side-by-side same assets. Cave + Bridge scene is threejs. Idea on this one was a group of knights having to take back a world from evil with only their shields. All the swords flew up into the sky, suspended by something. Not in my usual style but really dig the lighting in threejs, scenes came together really quickly. The shield throw ended up going into the Moki demo as a leaf throw. Which one looks better?
0:11

I am splitting time between Godot & Unity but took a detour to see what the threejs hype was about. Was able to put together a 2.5D system pretty quickly with some of our 2D pipeline for a demo. Godot and threejs side-by-side same assets. Cave + Bridge scene is threejs. Idea on this one was a group of knights having to take back a world from evil with only their shields. All the swords flew up into the sky, suspended by something. Not in my usual style but really dig the lighting in threejs, scenes came together really quickly. The shield throw ended up going into the Moki demo as a leaf throw. Which one looks better?

Bruce✨

13,611 views • 1 month ago

Good morning to everyone in Massachusetts who now sees that there is hope in our state. The Charlie Kirk Vigil at Boston Common last night brought together so many patriots, united in prayer, strength, and determination for change. Thank you to every single person who showed up. You reminded us that we are not alone. One of the most inspiring parts of the night was hearing from the young speakers who talked about the impact Charlie had on their lives and why they feel called to get involved. Their words were powerful and showed that the next generation is ready to carry this mission forward. But this is just the beginning. We need to take that same energy back to our towns, our schools, and our communities. Get involved, speak up, and be part of the movement for a better Massachusetts. This is exactly what Charlie would have wanted. Not just a moment of mourning, but a spark that ignites real action. Together, we can honor his legacy by standing up for our values and shaping the future of our state.
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Good morning to everyone in Massachusetts who now sees that there is hope in our state. The Charlie Kirk Vigil at Boston Common last night brought together so many patriots, united in prayer, strength, and determination for change. Thank you to every single person who showed up. You reminded us that we are not alone. One of the most inspiring parts of the night was hearing from the young speakers who talked about the impact Charlie had on their lives and why they feel called to get involved. Their words were powerful and showed that the next generation is ready to carry this mission forward. But this is just the beginning. We need to take that same energy back to our towns, our schools, and our communities. Get involved, speak up, and be part of the movement for a better Massachusetts. This is exactly what Charlie would have wanted. Not just a moment of mourning, but a spark that ignites real action. Together, we can honor his legacy by standing up for our values and shaping the future of our state.

Chester Tam

31,347 views • 1 year ago

I've been pondering something... My end goal with my city simulator is to publish it on Steam. I was planning on using Three.js for prototyping and then porting this over to Unity to take advantage of ECS/Burst. But then I realized I could probably port all of the simulation code from TypeScript to Rust if I wanted to make it ultra-fast. And then I can continue to use Three.js for the renderer and then embed it into an Electron app. Is that a dumb idea? What pitfalls are there with this approach? Curious what people's experience publishing games using Electron has been.
0:11

I've been pondering something... My end goal with my city simulator is to publish it on Steam. I was planning on using Three.js for prototyping and then porting this over to Unity to take advantage of ECS/Burst. But then I realized I could probably port all of the simulation code from TypeScript to Rust if I wanted to make it ultra-fast. And then I can continue to use Three.js for the renderer and then embed it into an Electron app. Is that a dumb idea? What pitfalls are there with this approach? Curious what people's experience publishing games using Electron has been.

Dan Greenheck

48,037 views • 1 month ago

Okay this is really cool. Codex app has a new feature that is really useful. Highlight any text, and you'll notice a new popup. "More Details" uses GPT 5.5 Instant to explain in more detail about the highlighted portion of your text, allowing you to understand the reasoning/concept/statement/etc in greater detail. What's interesting about this versus a side chat is that it's instantaneous, and still retains context from the thread. With /side chat, you'd have to type out a prompt "what are the details on this?" With "more details" the prompt is implicit and the response is instantenous Very nice feature, as I'm always making side chats/branches to expand/learn/understand agent outputs better.
0:17

Okay this is really cool. Codex app has a new feature that is really useful. Highlight any text, and you'll notice a new popup. "More Details" uses GPT 5.5 Instant to explain in more detail about the highlighted portion of your text, allowing you to understand the reasoning/concept/statement/etc in greater detail. What's interesting about this versus a side chat is that it's instantaneous, and still retains context from the thread. With /side chat, you'd have to type out a prompt "what are the details on this?" With "more details" the prompt is implicit and the response is instantenous Very nice feature, as I'm always making side chats/branches to expand/learn/understand agent outputs better.

am.will

38,580 views • 3 months ago

HyperNodes Milestone Alert ⚡️ Lumia $ORN is thrilled to announce that we’ve reached a monumental milestone: more than 10,000 nodes sold and $10 MILLION DOLLARS RAISED IN FIRST 10 DAYS! This is a testament to the support from our amazing community and our relentless team. 👇 But this is just the beginning – we’re only getting started. Stay tuned for more exciting updates and innovations. Don’t forget to check out our node calculator on our website to see how you can be a part of our journey. Thank you for being with us every step of the way. The future is bright, and we can’t wait to share it with you! Nodes available for purchase 👉
0:14

HyperNodes Milestone Alert ⚡️ Lumia $ORN is thrilled to announce that we’ve reached a monumental milestone: more than 10,000 nodes sold and $10 MILLION DOLLARS RAISED IN FIRST 10 DAYS! This is a testament to the support from our amazing community and our relentless team. 👇 But this is just the beginning – we’re only getting started. Stay tuned for more exciting updates and innovations. Don’t forget to check out our node calculator on our website to see how you can be a part of our journey. Thank you for being with us every step of the way. The future is bright, and we can’t wait to share it with you! Nodes available for purchase 👉

Lumia

404,254 views • 2 years ago

ok first impressions of claude 3.7 sonnet max on cursor VERY good at planning out your project first - seems to have way more of an understanding of the codebase i had it whip up a set of instructions to create a cursor rules tool that lets you mix/match and output in the format you want (including .cursor/rules/{rule}.mdc, .windsurfrules, .clinerules and legacy .cursorrules) still struggled with new versions of packages and i need to riff on the ui but this is impressive and i'll be using it more to plan features with!
0:17

ok first impressions of claude 3.7 sonnet max on cursor VERY good at planning out your project first - seems to have way more of an understanding of the codebase i had it whip up a set of instructions to create a cursor rules tool that lets you mix/match and output in the format you want (including .cursor/rules/{rule}.mdc, .windsurfrules, .clinerules and legacy .cursorrules) still struggled with new versions of packages and i need to riff on the ui but this is impressive and i'll be using it more to plan features with!

Ian Nuttall

37,035 views • 1 year ago

I am grateful for life in this beautiful world. Gratitude for existence means living with dignity — creating and doing good for those close to us, for ourselves, and for others. : Gratitude for life in this beautiful world is not a fleeting sentiment. It is a profound orientation that reshapes how we live. To truly feel thankful for existence is to recognize its rarity and splendor, and to respond by living with dignity. That dignity shows itself in deliberate creation and goodness. We make things of beauty and utility. We ease suffering and spread joy. We do this first for those closest to us, then for ourselves (because self-respect is part of the gift), and finally for strangers, because the circle of care widens naturally when gratitude is genuine. Gratitude without action is hollow. Action without gratitude is mechanical. Together they form the quiet engine of a meaningful life. The beautiful world gave us the miracle of being here. The only fitting return is to make our corner of it more beautiful still, through every choice that honors the gift. In a cosmos indifferent to our existence, gratitude becomes our quiet rebellion. We answer silence with purposeful light.
0:10

I am grateful for life in this beautiful world. Gratitude for existence means living with dignity — creating and doing good for those close to us, for ourselves, and for others. : Gratitude for life in this beautiful world is not a fleeting sentiment. It is a profound orientation that reshapes how we live. To truly feel thankful for existence is to recognize its rarity and splendor, and to respond by living with dignity. That dignity shows itself in deliberate creation and goodness. We make things of beauty and utility. We ease suffering and spread joy. We do this first for those closest to us, then for ourselves (because self-respect is part of the gift), and finally for strangers, because the circle of care widens naturally when gratitude is genuine. Gratitude without action is hollow. Action without gratitude is mechanical. Together they form the quiet engine of a meaningful life. The beautiful world gave us the miracle of being here. The only fitting return is to make our corner of it more beautiful still, through every choice that honors the gift. In a cosmos indifferent to our existence, gratitude becomes our quiet rebellion. We answer silence with purposeful light.

Zafar Mirzo | Quotes

1,433,896 views • 8 months ago

I met with the President of Georgia, Salome Zourabichvili, in Paris. I expressed Ukraine’s full support and solidarity with the Georgian people, who are fighting for their dignified future, and emphasized that respecting the will of the Georgian people and preventing Ivanishvili’s government from surrendering the country to Putin is essential for the stability and future of the region. For Russia, this is not just about Georgia—it is about control of the Black Sea region, a strategic Russian goal that poses a threat to the national security of everyone in the region and across Europe. I assured President Zourabichvili that Ukraine will coordinate with partners, not just in Europe but globally, to deliver a systemic response and support the Georgian people in defending their right to live freely and independently. 🇺🇦🇬🇪
0:14

I met with the President of Georgia, Salome Zourabichvili, in Paris. I expressed Ukraine’s full support and solidarity with the Georgian people, who are fighting for their dignified future, and emphasized that respecting the will of the Georgian people and preventing Ivanishvili’s government from surrendering the country to Putin is essential for the stability and future of the region. For Russia, this is not just about Georgia—it is about control of the Black Sea region, a strategic Russian goal that poses a threat to the national security of everyone in the region and across Europe. I assured President Zourabichvili that Ukraine will coordinate with partners, not just in Europe but globally, to deliver a systemic response and support the Georgian people in defending their right to live freely and independently. 🇺🇦🇬🇪

Volodymyr Zelenskyy / Володимир Зеленський

446,416 views • 1 year ago

The only way to truly stop this terror is to eliminate Russia’s ability to launch attacks. And this is absolutely realistic. Today, Russia struck Odesa with a missile—deliberately targeting a residential area. As a result of this barbaric act, innocent lives were lost, and many people were injured—lives that could have been saved if we had the capability to destroy Russian launch systems, supply chains, arsenals, and war factories at their source. It is not just defense; it is justice—the right way to protect our people. Any nation under the attack would act this way to defend its citizens. We must do the same, together with our partners. Russia must be left with no capacity for terror. The time to act is now.
0:13

The only way to truly stop this terror is to eliminate Russia’s ability to launch attacks. And this is absolutely realistic. Today, Russia struck Odesa with a missile—deliberately targeting a residential area. As a result of this barbaric act, innocent lives were lost, and many people were injured—lives that could have been saved if we had the capability to destroy Russian launch systems, supply chains, arsenals, and war factories at their source. It is not just defense; it is justice—the right way to protect our people. Any nation under the attack would act this way to defend its citizens. We must do the same, together with our partners. Russia must be left with no capacity for terror. The time to act is now.

Volodymyr Zelenskyy / Володимир Зеленський

989,016 views • 1 year ago

The Sabotaging Practice of Over Supply and Sameness in the NFT Space. The current zeitgeist of the NFT space is that the same artists are doing the same kind of work five times a year, with project after project leaving a trail of disappointment and discontent among collectors and all of us watching in disbelief as huge resources are extracted from the space over work that feels like it could be left as an "artist study." I understand that you can do what you want with your money as collectors, but we are killing the whole space with this incestuous practice. No artist is that prolific to be able to do 5 collections of 100+ pieces each every year and actually deliver innovation and some kind of creative evolution. Of course, they can pretend play that the work has something new, but there is no precedent nor proof that that has ever happened in the speed that it happens in the NFT space. Again, people are free to through away their resources on whatever they want but with this way of doing things, we more and more are going to start seeing the consequences. Oh! There are consequences? Yes. Maybe unintended, but there are. Let's see. Let's start with the loss of belief in the NFT space as somewhere where emerging artists can come and find support for their experiments. Why even bother to bring experiments, innovation, and new ways to think of art on the blockchain if the same people have all the collectors hypnotized with their magical flutes? Why even try to come to a space where taking risks and challenging the status quo (the mission of art!!!) is overlooked? This makes the NFT space a social club and not a space for art. I guess it is fine, but IMO it is a recipe for disaster. New collectors stay away because the art will slowly but surely become stale and un-challenging. Why even bother to come and see what is happening here if you can't, as a collector, see new weird and up-and-coming artists? The amount of noise emitted by the same artists doing the same art over and over, drowns out any new voices. Again. A recipe for disaster. The NFT space is becoming a space of disappointment and doubt. We think that collections going to zero one after the other, over and over, is not damaging? I feel we are kidding ourselves. Disappointment piles up, and again, the people who will hurt are the emerging artists, the new blood, the ones who are willing to risk the most and, in return, put fire in this cold space of sameness. I love this space—don't get me wrong—it has changed my life, and I believe it has a ton of potential, but things need to change for it to become a beacon of light in art. But we need to support new voices. We need to support new ideas. The challenge is huge. I hope to contribute all I can to this change. I hope more and more see how exciting it is to go out and try to discover what else is out there and move this space forward. But again, I understand the leaps of faith needed, but if there is a space that is based on that, it's the NFT space...so there is hope. We will see. 📺by Boldtron
0:12

The Sabotaging Practice of Over Supply and Sameness in the NFT Space. The current zeitgeist of the NFT space is that the same artists are doing the same kind of work five times a year, with project after project leaving a trail of disappointment and discontent among collectors and all of us watching in disbelief as huge resources are extracted from the space over work that feels like it could be left as an "artist study." I understand that you can do what you want with your money as collectors, but we are killing the whole space with this incestuous practice. No artist is that prolific to be able to do 5 collections of 100+ pieces each every year and actually deliver innovation and some kind of creative evolution. Of course, they can pretend play that the work has something new, but there is no precedent nor proof that that has ever happened in the speed that it happens in the NFT space. Again, people are free to through away their resources on whatever they want but with this way of doing things, we more and more are going to start seeing the consequences. Oh! There are consequences? Yes. Maybe unintended, but there are. Let's see. Let's start with the loss of belief in the NFT space as somewhere where emerging artists can come and find support for their experiments. Why even bother to bring experiments, innovation, and new ways to think of art on the blockchain if the same people have all the collectors hypnotized with their magical flutes? Why even try to come to a space where taking risks and challenging the status quo (the mission of art!!!) is overlooked? This makes the NFT space a social club and not a space for art. I guess it is fine, but IMO it is a recipe for disaster. New collectors stay away because the art will slowly but surely become stale and un-challenging. Why even bother to come and see what is happening here if you can't, as a collector, see new weird and up-and-coming artists? The amount of noise emitted by the same artists doing the same art over and over, drowns out any new voices. Again. A recipe for disaster. The NFT space is becoming a space of disappointment and doubt. We think that collections going to zero one after the other, over and over, is not damaging? I feel we are kidding ourselves. Disappointment piles up, and again, the people who will hurt are the emerging artists, the new blood, the ones who are willing to risk the most and, in return, put fire in this cold space of sameness. I love this space—don't get me wrong—it has changed my life, and I believe it has a ton of potential, but things need to change for it to become a beacon of light in art. But we need to support new voices. We need to support new ideas. The challenge is huge. I hope to contribute all I can to this change. I hope more and more see how exciting it is to go out and try to discover what else is out there and move this space forward. But again, I understand the leaps of faith needed, but if there is a space that is based on that, it's the NFT space...so there is hope. We will see. 📺by Boldtron

alejandro cartagena

98,261 views • 2 years ago

HTML enters 3D! Or vice versa? With the new HTML in Canvas by WICG, we can finally put native DOM elements directly into WebGL/WebGPU scenes. It is experimental for now, but the possibilities for 3D interfaces and special effects are huge. This demo was built using Three.js and Omma AI (tool by Spline ) It’s a fun new way to explore what the web can do! Are you interested in seeing the demo?
0:10

HTML enters 3D! Or vice versa? With the new HTML in Canvas by WICG, we can finally put native DOM elements directly into WebGL/WebGPU scenes. It is experimental for now, but the possibilities for 3D interfaces and special effects are huge. This demo was built using Three.js and Omma AI (tool by Spline ) It’s a fun new way to explore what the web can do! Are you interested in seeing the demo?

Gábor Pribék

176,784 views • 5 months ago

Made this commercial demo entirely with Seedance 2.0 via Yapper Everything you see here is done by one single prompt shot, from the cuts, edits, graphic effects, to the voice over. Basically within the prompt I gave detailed instructions on how many shots I wanted, the timestamps, the copywriting, visual and graphic effects, etc. The full prompt sample is available for my subscribers only in the comment section below ⏬ + + + There are so many use cases for Seedance 2.0 instead of just recreating existing IP. I think for me as a copywriter, what I like about it is that I can create a pre-visualization of an ad we're about to make, with its specific tone and style. Like I said before, the AI generated content here wasn't meant to be the final product, but rather a starting point for our creative direction regarding the potential style that will go into our ads. It's just that it's now so much faster to iterate ideas, and to test many different concepts with Gen-AI. Like I've always said, the technology is here, and it's up to you how you want to use it.
0:15

Made this commercial demo entirely with Seedance 2.0 via Yapper Everything you see here is done by one single prompt shot, from the cuts, edits, graphic effects, to the voice over. Basically within the prompt I gave detailed instructions on how many shots I wanted, the timestamps, the copywriting, visual and graphic effects, etc. The full prompt sample is available for my subscribers only in the comment section below ⏬ + + + There are so many use cases for Seedance 2.0 instead of just recreating existing IP. I think for me as a copywriter, what I like about it is that I can create a pre-visualization of an ad we're about to make, with its specific tone and style. Like I said before, the AI generated content here wasn't meant to be the final product, but rather a starting point for our creative direction regarding the potential style that will go into our ads. It's just that it's now so much faster to iterate ideas, and to test many different concepts with Gen-AI. Like I've always said, the technology is here, and it's up to you how you want to use it.

MXVDXN // DAN

17,791 views • 7 months ago

I've made a super nice Claude Code system for automatically updating my app documentation. It runs and uses my app using Playwright MCP taking screenshots as it goes, which it then marks up with arrows etc. Then writes all the support documentation. THEN uploads them all to my Crisp helpdesk! This is saving me literally days 🤣 Will do a video on how I set this up if anyone interested
0:16

I've made a super nice Claude Code system for automatically updating my app documentation. It runs and uses my app using Playwright MCP taking screenshots as it goes, which it then marks up with arrows etc. Then writes all the support documentation. THEN uploads them all to my Crisp helpdesk! This is saving me literally days 🤣 Will do a video on how I set this up if anyone interested

James Devonport

11,703 views • 7 months ago

It’s more than a little daunting to set out to expand and improve the identity system for a company and brand like Stripe. But we knew we had to — the existing one had served us well, but wasn’t up to the task anymore. Our brand system required new and improved tools to scale with our ever growing audiences, new products, global footprint, and more. This update introduces material improvements to infographics, advertising, type styles, and more. While the wordmark remains unchanged, we’re using the dot of the ‘i’ (called the “tittle”), a parallelogram pointing up and to the right, to serve as our identifying symbol. We’re also using it as an ever evolving storytelling device to use when talking about our many great users (you can see the latest brand campaign in SF and NYC doing just that). Anyone who has ever worked on the refresh and expansion of an existing system for a large company knows that it is no small endeavor. Crafting impactful solutions, building alignment, creating extensible guidelines, building toolkits, and orchestrating rollout requires a ton of resilience. Here’s to the team that continually inspires me with their dedication, rigor, taste, and exceptional vibes. Great work and thank you to the Brand Studio folks, and of course our many many amazing and invaluable friends and collaborators across the company who all helped shape the work. And a special thank you to a handful of creative agencies that helped us along the way.
0:18

It’s more than a little daunting to set out to expand and improve the identity system for a company and brand like Stripe. But we knew we had to — the existing one had served us well, but wasn’t up to the task anymore. Our brand system required new and improved tools to scale with our ever growing audiences, new products, global footprint, and more. This update introduces material improvements to infographics, advertising, type styles, and more. While the wordmark remains unchanged, we’re using the dot of the ‘i’ (called the “tittle”), a parallelogram pointing up and to the right, to serve as our identifying symbol. We’re also using it as an ever evolving storytelling device to use when talking about our many great users (you can see the latest brand campaign in SF and NYC doing just that). Anyone who has ever worked on the refresh and expansion of an existing system for a large company knows that it is no small endeavor. Crafting impactful solutions, building alignment, creating extensible guidelines, building toolkits, and orchestrating rollout requires a ton of resilience. Here’s to the team that continually inspires me with their dedication, rigor, taste, and exceptional vibes. Great work and thank you to the Brand Studio folks, and of course our many many amazing and invaluable friends and collaborators across the company who all helped shape the work. And a special thank you to a handful of creative agencies that helped us along the way.

Michael Jeter

11,567 views • 1 year ago