Sensitive content

This media may contain sensitive content.

Video yükleniyor...

Video Yüklenemedi

Bu video yüklenirken bir sorun oluştu. Bu geçici bir ağ sorunundan kaynaklanıyor olabilir veya video kullanılamıyor olabilir.

Ana Sayfaya Dön

On the casting couch with big titty Black beauty Codi Bryant #Ass #BigTits #BlackGirls #BubbleButt #ClassicPorn #DirtyTalk #MILF #Oiled #CodiBryant

Pornosaurus Rex

155,723 subscribers

75,157 görüntüleme • 9 ay önce •via X (Twitter)

NSFW #Ass #BigTits #BlackGirls #BubbleButt #ClassicPorn #DirtyTalk #MILF #Oiled #CodiBryant

Anya Rossi• Live Now

Private livecam show

0 Yorum

Yorum bulunmuyor

Orijinal gönderinin yorumları burada görünecek

Benzer Videolar

Forget ghosts and goblins! The real icons of Halloween prowl on four paws. 🎃🐈‍⬛ The beauty of the black panther, an umbrella term referring to any big cat with a black coat, is on full display in the Kabini Forest of India. #TheRealBlackPanther is now streaming on Disney+.

Forget ghosts and goblins! The real icons of Halloween prowl on four paws. 🎃🐈‍⬛ The beauty of the black panther, an umbrella term referring to any big cat with a black coat, is on full display in the Kabini Forest of India. #TheRealBlackPanther is now streaming on Disney+.

National Geographic Animals

20,613 görüntüleme • 9 ay önce

I really don't understand these Bollywood Actresses!! > Goes to Private Cabins of Producers and Directors > Allegedly becomes victim of Casting Couch > Remains silent for years > Opens up in an interview after 5-10 Years > Still does not name the producers and Directors My Questions : > Why do they go inside the chambers alone why not meet at public places? > Why don't they come out in media on the same day of casting couch experience? > Why dont you name and shame them? If they name and shame them, many upcoming actresses can be saved right? Or you only want eyeballs and Media attention by talking about casting couch and later work with the same people by black mailing them?

I really don't understand these Bollywood Actresses!! > Goes to Private Cabins of Producers and Directors > Allegedly becomes victim of Casting Couch > Remains silent for years > Opens up in an interview after 5-10 Years > Still does not name the producers and Directors My Questions : > Why do they go inside the chambers alone why not meet at public places? > Why don't they come out in media on the same day of casting couch experience? > Why dont you name and shame them? If they name and shame them, many upcoming actresses can be saved right? Or you only want eyeballs and Media attention by talking about casting couch and later work with the same people by black mailing them?

Rohit

155,314 görüntüleme • 18 gün önce

Thing with big titty hoejabis is they know we ain't focussing on anything else, our minds, our dicks are only focused on all the filthy ways we can use those big milkers. That's why they put them on for show for us like good hoejabis #hoejabi #arab #beurette #ass #bwc #bnwo #goon

Sensitive content

Thing with big titty hoejabis is they know we ain't focussing on anything else, our minds, our dicks are only focused on all the filthy ways we can use those big milkers. That's why they put them on for show for us like good hoejabis #hoejabi #arab #beurette #ass #bwc #bnwo #goon

BrownBeauties

24,868 görüntüleme • 2 ay önce

Gilbert Arenas reveals what he did to Kobe Bryant after scoring 60 points against Kobe’s Lakers. “I remember after the game we got into the locker room and I walked in later and I go ‘Yooo I just scored 60 points on Kobe Bryant” “And then the coach says ‘and we won the game” “I’m like ‘Man, fvck that game’ you know how much pussy I’m gonna get now?” “I’m an all-star now, I’m getting all the girls” “I’m yelling out his ass on the phone and then I’m just sitting there talking trash to Kobe” “And then Brendan was like ‘tell him you’re the black Mongoose. That’s who the black Mamba battles with” “I’m like ‘Caron, tell him he just got beat by the black mongoose”

Gilbert Arenas reveals what he did to Kobe Bryant after scoring 60 points against Kobe’s Lakers. “I remember after the game we got into the locker room and I walked in later and I go ‘Yooo I just scored 60 points on Kobe Bryant” “And then the coach says ‘and we won the game” “I’m like ‘Man, fvck that game’ you know how much pussy I’m gonna get now?” “I’m an all-star now, I’m getting all the girls” “I’m yelling out his ass on the phone and then I’m just sitting there talking trash to Kobe” “And then Brendan was like ‘tell him you’re the black Mongoose. That’s who the black Mamba battles with” “I’m like ‘Caron, tell him he just got beat by the black mongoose”

Percy

252,055 görüntüleme • 1 ay önce

Walter Hill on why the absence of big names made a huge difference to 'The Warriors' (1979): "One of the things that I was pleased about doing 'The Warriors' (1979) was that it didn’t lend itself to star casting. That at makes a big difference, especially when it comes to putting movies together timewise. We had free reign in casting the film. I told the studio that I wanted to do a movie with an all-black cast, but they would not go for that, and I think in the end they were right because the film becomes more universalized, more timeless, and a more magical world in that you have gangs who don’t look like what real gangs did. But at the same time there is a hint of social reality, so there’s a mix of social reality and fantasy. I think the interracial casting helped that. We were finding the movie." ('Walter Hill - The Cinema of Hollywood Maverick', Wayne Byrne, 2022) [P.S: On this day, 47 years ago, 'The Warriors' (1979) was released in Australia]

Walter Hill on why the absence of big names made a huge difference to 'The Warriors' (1979): "One of the things that I was pleased about doing 'The Warriors' (1979) was that it didn’t lend itself to star casting. That at makes a big difference, especially when it comes to putting movies together timewise. We had free reign in casting the film. I told the studio that I wanted to do a movie with an all-black cast, but they would not go for that, and I think in the end they were right because the film becomes more universalized, more timeless, and a more magical world in that you have gangs who don’t look like what real gangs did. But at the same time there is a hint of social reality, so there’s a mix of social reality and fantasy. I think the interracial casting helped that. We were finding the movie." ('Walter Hill - The Cinema of Hollywood Maverick', Wayne Byrne, 2022) [P.S: On this day, 47 years ago, 'The Warriors' (1979) was released in Australia]

DepressedBergman

80,178 görüntüleme • 6 ay önce

One of our viewers Sent this in. It took place at Eat my Catfish In Bryant Arkansas. One witness wrote: I’m not sure who this lady family member is I don’t know if the white lady was a caregiver or not this happened around 1255 today the lady was talking very very rude to the black woman. Tell her to get her ass over there and sit down, she was sitting at the table, but once the white people food came out, she told her to go see her ass on the other side and then the lady does look as if she’s just challenged or something mental is going on with her, but she made the black lady sit to the side while her and I’m guessing it was her mother sat there in eight and eat my catfish and Bryant a white lady did reach out to her and asked her to stop talking to her like that and for her to mind her business. #LRHN.

One of our viewers Sent this in. It took place at Eat my Catfish In Bryant Arkansas. One witness wrote: I’m not sure who this lady family member is I don’t know if the white lady was a caregiver or not this happened around 1255 today the lady was talking very very rude to the black woman. Tell her to get her ass over there and sit down, she was sitting at the table, but once the white people food came out, she told her to go see her ass on the other side and then the lady does look as if she’s just challenged or something mental is going on with her, but she made the black lady sit to the side while her and I’m guessing it was her mother sat there in eight and eat my catfish and Bryant a white lady did reach out to her and asked her to stop talking to her like that and for her to mind her business. #LRHN.

LRHN cash

16,387 görüntüleme • 5 ay önce

HOUSTON!!!!! We have a big ass Problem!!!!! JUST FORWARDED TO ME!!! Man trekking through the Colombia density comes head on with a Black Sphere that is dead silent and begins to follow him…. He captures a little chunk of video before he stops recording and runs out of there. Passed ever A.I. detection Software scan! What ever is going on here… actually happened in front of the camera…. This is a great capture!! Watch…. Jon Stewart Patrick Jackson

HOUSTON!!!!! We have a big ass Problem!!!!! JUST FORWARDED TO ME!!! Man trekking through the Colombia density comes head on with a Black Sphere that is dead silent and begins to follow him…. He captures a little chunk of video before he stops recording and runs out of there. Passed ever A.I. detection Software scan! What ever is going on here… actually happened in front of the camera…. This is a great capture!! Watch…. Jon Stewart Patrick Jackson

Eddie Abbott

324,013 görüntüleme • 5 ay önce

#Smackdown Jade Cargill wrestles like all those big fucking bums Vince use to hire. Tought them a couple of basics moves and off to TV you go to put on stinkers. A reencanation of The Giant Gonzales mixed with Ryback. She's here to make money, serve ass to the simps and do the bare minimum. Cutting promos like every single bitch on Baskeball Wives. A bunch of fucking retards were gassing her up because they wanted the black woman to beat the white 'MAGA' girl. Even if the price is watching dogshit matches. Fuck you.

#Smackdown Jade Cargill wrestles like all those big fucking bums Vince use to hire. Tought them a couple of basics moves and off to TV you go to put on stinkers. A reencanation of The Giant Gonzales mixed with Ryback. She's here to make money, serve ass to the simps and do the bare minimum. Cutting promos like every single bitch on Baskeball Wives. A bunch of fucking retards were gassing her up because they wanted the black woman to beat the white 'MAGA' girl. Even if the price is watching dogshit matches. Fuck you.

The Antimark of Pro Wrestling

34,298 görüntüleme • 9 ay önce

Leaking my winners part 4: Porn + Targetting Racists This is another ad I made for the camera offer. It's a perfect example of an engagement baiting and angles for ecom. I basically put a brand new angle on the same old offer: Spying on your wife Here's what makes this work: I also sneaked in a couple very short, non-explicit porn clips to bait engagement. People find it funny/offensive and comment, driving down CPMs. I also hit a very core primal fear... There's nothing scarier to a white man than a big black dude fucking his woman. This is because on a subconscious level there's a societal belief that black dudes are physically superior to us. That's why you see so many dudes get worked up over interracial couples, and why cucks like to watch their wives with black bulls. Now I don't want to name this explicitly so I say: "a big fella, from one of them bad neighborhoods" Of course this also creates engagement. Next I use a military spokes person: This creates empathy in the viewer of the ad and builds affinity with the conservatives buying this. "Military" framing around the camera also creates affinity. Finally, there is a very subtle promise at the end: "Saved my ass in divorce court" All men know divorce court is the biggest scam of the 21st century. There's a pride around securing yourself and winning.

Jordan D

10,360 görüntüleme • 7 ay önce

BADDIES CARIBBEAN EPISODE 5 - Tommie & that horse had Natalie & her friends pressed & stressed . It was giving jealousy & everybody be lying for Natalie cause she LOST on the beach 😭 - Security was holding Tommie hands the second fight and that’s WACK . They be tryna save Nat. - Aubrey confessionals be hilarious . They might get her at the reunion tho cause she be talking mess lmao - So tired of the “n” word conversation & storyline 🤦🏾‍♂️ Tommie said “and black?” & Gretchen said “no” & some of y’all still gonna defend that girl . - If Tesehki & Pinto Bean already talked about this issue , why are we talking about it now & I feel like Tesehki overreacting . - Mariah , Tesehki don’t need NO help & you keep jumping in her fights but never jump in Bianca’s , the girl who actually came on the season fighting on your behalf, MOVE 😭 - Scotty is more of an EP than Natalie . She tryna keep the peace and she checking on the girls - Diamond definitely started ALL OF the drama with Tinkabella 😂 you touched her first , but she be eating Tinka up with her words . called that girl 3 different colors like a Neapolitan ice cream lmao - Biggie stood on big business for Tommie in that scene and Slim2Badd was on Natalie nuts like a squirrel 🐿️ , Chip & Dale head ass . - That 5th grade elementary school field trip Natalie took them on was trash , no wonder the other girls went to hang with Tommie . - I love the new girls , I want them all in the house . I’m still iffy on heaven tho, she loud Lmfaoo - Wendollie is beautiful , but she lost me . Y’all are not at home , stop talking about what y’all do at home . - Jela fought Rollie in her original wrecking ball form , so why would she be scared of Meatball 🤦🏾‍♂️ I don’t think neither one of them was scared cause they was both yelling in eachother face . - Natalie gonna irritate me next week , cause how you only mad at Biggie for hanging with Tommie but not Kali, Tesehki , & Mariah ? VERY WEIRD ! #BaddiesCarribean #isaiahjaay #zeusnetwork

BADDIES CARIBBEAN EPISODE 5 - Tommie & that horse had Natalie & her friends pressed & stressed . It was giving jealousy & everybody be lying for Natalie cause she LOST on the beach 😭 - Security was holding Tommie hands the second fight and that’s WACK . They be tryna save Nat. - Aubrey confessionals be hilarious . They might get her at the reunion tho cause she be talking mess lmao - So tired of the “n” word conversation & storyline 🤦🏾‍♂️ Tommie said “and black?” & Gretchen said “no” & some of y’all still gonna defend that girl . - If Tesehki & Pinto Bean already talked about this issue , why are we talking about it now & I feel like Tesehki overreacting . - Mariah , Tesehki don’t need NO help & you keep jumping in her fights but never jump in Bianca’s , the girl who actually came on the season fighting on your behalf, MOVE 😭 - Scotty is more of an EP than Natalie . She tryna keep the peace and she checking on the girls - Diamond definitely started ALL OF the drama with Tinkabella 😂 you touched her first , but she be eating Tinka up with her words . called that girl 3 different colors like a Neapolitan ice cream lmao - Biggie stood on big business for Tommie in that scene and Slim2Badd was on Natalie nuts like a squirrel 🐿️ , Chip & Dale head ass . - That 5th grade elementary school field trip Natalie took them on was trash , no wonder the other girls went to hang with Tommie . - I love the new girls , I want them all in the house . I’m still iffy on heaven tho, she loud Lmfaoo - Wendollie is beautiful , but she lost me . Y’all are not at home , stop talking about what y’all do at home . - Jela fought Rollie in her original wrecking ball form , so why would she be scared of Meatball 🤦🏾‍♂️ I don’t think neither one of them was scared cause they was both yelling in eachother face . - Natalie gonna irritate me next week , cause how you only mad at Biggie for hanging with Tommie but not Kali, Tesehki , & Mariah ? VERY WEIRD ! #BaddiesCarribean #isaiahjaay #zeusnetwork

3/12 🎈

935,553 görüntüleme • 2 yıl önce

Kobe Bryant spent 15 years writing every day because he wanted to become the next Walt Disney. Now, Jimmy Soni is telling that story. The first part of our conversation is Kobe’s secret obsession with writing. Then we got into why Michael Lewis once wrote under a pen name, why the publishing industry is broken, and why Jimmy loves writing with AI. Highlights: 1. The world is a conspiracy designed to prevent you from writing. 2. Jimmy sees himself in a battle against that world to find four hours per day to do focused writing. 3. “I’m researching” is often an excuse not to write. People spend decades researching books they never write, and it’s a writers' job to come up with ways to get research done without falling down a black hole. 4. Using AI to write is like using a very sharp knife to cook. The tool might make it easier, but you still have to cook the meal. 5. If you can’t out-write the AI, what are you doing writing in the first-place? 6. Find a Model Book to serve as the "plaster cast" for the book you’re writing and study it obsessively. Jimmy wanted his book, “The Founders” to be like “The Everything Store” by Brad Stone, and read it more than 20 times to understand what made it so good. 7. People think that being a professional writer means going to a lot of cocktail parties. Nope... the reality is that the craft of writing involves showing up to work every day, putting away the distractions, and focusing for many, many hours. You go to bed early, you wake up early, you get your work done. Do it every day for months in a row and you’ll have a book. 8. A problem with traditional publishing is that the entire system is predicated on your book being a hit within the first two weeks. If it’s not, publishers largely give up and move onto something else. 9. What looks like a talent gap is often just a focus gap. Amateur writers severely underestimate just how much time and effort goes into great books. 10. A/B test the cover art for your book. It’s so easy, so cheap, and the saying is true: People judge a book by its cover. 11. Before Michael Lewis was “Michael Lewis,” he wrote under the pen name of Diana Bleecker because he was writing about Wall Street while working on Wall Street, and didn’t want people to know who he was. 12. Michael Lewis was an art history major at Princeton, and once recounted that a lot of Renaissance-era paintings look quite similar. But if you want to see the idiosyncrasies, look at the toenails. That’s where the artists would lose their steam or put in the most individuality, so they’re some of the most distinctive parts of the art. Many fields have an equivalent — a place where you can find hidden answers, if only you know where to look. 13. Ambition is fuel that can burn relatively clean for a little while, only to become dirty later on. Jimmy says: “For the true greats, the sustained motivation needs to come from something deeper. It needs to come from love. That’s the only sustaining force there is.” 14. Kobe built his own publishing company because he didn’t feel like the big publishing houses could deliver the level of quality he demanded. 15. Kobe once spent two weeks redesigning the barcode on one of his books because he wanted it to blend more fluidly with the back cover design (no traditional publisher would do something like this). I've shared the full conversation with Jimmy Soni below. The first ~25 minutes are about Kobe Bryant. The rest is about a hodgepodge of other topics. If you'd rather watch the full thing on YouTube or listen on Apple / Spotify, check out the links in the reply tweets.

Kobe Bryant spent 15 years writing every day because he wanted to become the next Walt Disney. Now, Jimmy Soni is telling that story. The first part of our conversation is Kobe’s secret obsession with writing. Then we got into why Michael Lewis once wrote under a pen name, why the publishing industry is broken, and why Jimmy loves writing with AI. Highlights: 1. The world is a conspiracy designed to prevent you from writing. 2. Jimmy sees himself in a battle against that world to find four hours per day to do focused writing. 3. “I’m researching” is often an excuse not to write. People spend decades researching books they never write, and it’s a writers' job to come up with ways to get research done without falling down a black hole. 4. Using AI to write is like using a very sharp knife to cook. The tool might make it easier, but you still have to cook the meal. 5. If you can’t out-write the AI, what are you doing writing in the first-place? 6. Find a Model Book to serve as the "plaster cast" for the book you’re writing and study it obsessively. Jimmy wanted his book, “The Founders” to be like “The Everything Store” by Brad Stone, and read it more than 20 times to understand what made it so good. 7. People think that being a professional writer means going to a lot of cocktail parties. Nope... the reality is that the craft of writing involves showing up to work every day, putting away the distractions, and focusing for many, many hours. You go to bed early, you wake up early, you get your work done. Do it every day for months in a row and you’ll have a book. 8. A problem with traditional publishing is that the entire system is predicated on your book being a hit within the first two weeks. If it’s not, publishers largely give up and move onto something else. 9. What looks like a talent gap is often just a focus gap. Amateur writers severely underestimate just how much time and effort goes into great books. 10. A/B test the cover art for your book. It’s so easy, so cheap, and the saying is true: People judge a book by its cover. 11. Before Michael Lewis was “Michael Lewis,” he wrote under the pen name of Diana Bleecker because he was writing about Wall Street while working on Wall Street, and didn’t want people to know who he was. 12. Michael Lewis was an art history major at Princeton, and once recounted that a lot of Renaissance-era paintings look quite similar. But if you want to see the idiosyncrasies, look at the toenails. That’s where the artists would lose their steam or put in the most individuality, so they’re some of the most distinctive parts of the art. Many fields have an equivalent — a place where you can find hidden answers, if only you know where to look. 13. Ambition is fuel that can burn relatively clean for a little while, only to become dirty later on. Jimmy says: “For the true greats, the sustained motivation needs to come from something deeper. It needs to come from love. That’s the only sustaining force there is.” 14. Kobe built his own publishing company because he didn’t feel like the big publishing houses could deliver the level of quality he demanded. 15. Kobe once spent two weeks redesigning the barcode on one of his books because he wanted it to blend more fluidly with the back cover design (no traditional publisher would do something like this). I've shared the full conversation with Jimmy Soni below. The first ~25 minutes are about Kobe Bryant. The rest is about a hodgepodge of other topics. If you'd rather watch the full thing on YouTube or listen on Apple / Spotify, check out the links in the reply tweets.

David Perell

195,076 görüntüleme • 11 ay önce

BADDIES CARIBBEAN EPISODE 8 REVIEW 🍿 - Mariah , wtf do you mean by Asian Doll look like she been in the microwave too long 🤔🤔 calling someone a colorist and you’re a whole coloring book yourself is CRAZY - All them black women at the table and nobody said a thing but yall had so much to say about Gretchen . CORN ON THE COB 🌽 - Asian Doll had Mariah bothered since she walked in the door . Was sitting there glitching and twitching like Omarion . She wasn’t even worried about you or nothing you were doing and you kept wanting to express shipping that ass whooping - Y’all mad Bianca didn’t jump in, but Mariah never helped with sapphire and still friends with her . Where is tesehki ? Mariah’s favorite defender who she always jump in for ? Y’all have nothing to say to her . Weird 👎🏾 - So tired of yall playing with God with this “Baddie God” situation . It’s cringe everytime . - Jela love a monologue , like we get it sis . Snap snap Maya Angelou 🫰🏾🫰🏾😕 - I’m so tired of this damn storyline with Gretchen . Tired of the apologies . Tired of it all . We on EPISODE 8 🤦🏾‍♂️ - Not Mariah saying something about “nigga” and she the original Gretchen . You’re rhe ETCH - A SKETCH of Gretchen lmao. You use to say it all the time , it’s in your songs . - So Ahna is Dominican & Puerto Rican ? 🤔 - Where is NUNU , JO , & BIG KEVA ? Y’all bring us Its Dia , but no them ? I’m so confused - Slim’s diaper need to be changed ASAP . That McDonalds SuperSize Me BBL is atrocious . Holy Moly 😕 #baddiescaribbean #isaiahjaay

BADDIES CARIBBEAN EPISODE 8 REVIEW 🍿 - Mariah , wtf do you mean by Asian Doll look like she been in the microwave too long 🤔🤔 calling someone a colorist and you’re a whole coloring book yourself is CRAZY - All them black women at the table and nobody said a thing but yall had so much to say about Gretchen . CORN ON THE COB 🌽 - Asian Doll had Mariah bothered since she walked in the door . Was sitting there glitching and twitching like Omarion . She wasn’t even worried about you or nothing you were doing and you kept wanting to express shipping that ass whooping - Y’all mad Bianca didn’t jump in, but Mariah never helped with sapphire and still friends with her . Where is tesehki ? Mariah’s favorite defender who she always jump in for ? Y’all have nothing to say to her . Weird 👎🏾 - So tired of yall playing with God with this “Baddie God” situation . It’s cringe everytime . - Jela love a monologue , like we get it sis . Snap snap Maya Angelou 🫰🏾🫰🏾😕 - I’m so tired of this damn storyline with Gretchen . Tired of the apologies . Tired of it all . We on EPISODE 8 🤦🏾‍♂️ - Not Mariah saying something about “nigga” and she the original Gretchen . You’re rhe ETCH - A SKETCH of Gretchen lmao. You use to say it all the time , it’s in your songs . - So Ahna is Dominican & Puerto Rican ? 🤔 - Where is NUNU , JO , & BIG KEVA ? Y’all bring us Its Dia , but no them ? I’m so confused - Slim’s diaper need to be changed ASAP . That McDonalds SuperSize Me BBL is atrocious . Holy Moly 😕 #baddiescaribbean #isaiahjaay

3/12 🎈

584,501 görüntüleme • 2 yıl önce

Quentin Tarantino on Pam Grier & the opening sequence in 'Jackie Brown' (1997): "'Jackie Brown' (1997) is not a black exploitation film. Having said that, Pam is such an icon. To one degree or another, it is like casting John Wayne in a movie. You cast John Wayne in a Western, you are not just dealing with this unknown figure walking in there that you have got to learn about. For some audiences that will be the case, but that is not where I am coming from. John Wayne has got a whole past behind him, and his past is built up from these other movies. That is good baggage. Some baggage can be very, very good. By casting Pam, I did term this in my mind to a Pam Grier movie, but it was a Pam Grier movie with its feet on the ground more. That is not putting anything down, because 'Coffy' (1973) is one of my favourite movies, actually; I love 'Coffy'. Jackie Brown is a real human being. She is not a super bad momma - she is a kind of super bad momma to tell you the truth! - she does not get razor blades in her Afro, and she is not Kung Fu-ing people, and she is not pulling a sawn off shotgun and blowing a guy's head off. She is realistic; she is a real lady in those dire circumstances that I described. One of the things I liked about the opening credit sequence is if you are familiar with Pam's movies, a whole lot of them start with Pam just walking, and beholding the glory that is Pam. I thought, OK, I will make me the greatest Pam Grier opening sequence of all time. I think I pulled it off actually. The structure of it is very interesting. It is not supposed to be naked to the eye, but it starts off that she is on the conveyor belt, and you see her, you are drinking her in, you are taking her in, and she is walking down the airport and she just looks like the baddest creature a guy ever created. She has just got all this power and strength - and she is Foxy Brown 20 years later, she is Coffy 20 years later - and she has all this womanness, and it is great. In the last part of it you see she is running and running, and you realise she is just trying to get to work. She is not walking down the street to burn Harlem to the ground. She is a woman working in this world, and she is late for her job, and she is going to get fired if she does not get there. After the big bad ass opening credit sequence, two minutes later she is serving peanuts. So it starts off as this mythical, super hero figure and then by the end of the credit sequence we have brought it back down to earth." ('Quentin Tarantino interview (I) with Pam Grier, Robert Forster and Lawrence Bender', Guardian, 1998)

Quentin Tarantino on Pam Grier & the opening sequence in 'Jackie Brown' (1997): "'Jackie Brown' (1997) is not a black exploitation film. Having said that, Pam is such an icon. To one degree or another, it is like casting John Wayne in a movie. You cast John Wayne in a Western, you are not just dealing with this unknown figure walking in there that you have got to learn about. For some audiences that will be the case, but that is not where I am coming from. John Wayne has got a whole past behind him, and his past is built up from these other movies. That is good baggage. Some baggage can be very, very good. By casting Pam, I did term this in my mind to a Pam Grier movie, but it was a Pam Grier movie with its feet on the ground more. That is not putting anything down, because 'Coffy' (1973) is one of my favourite movies, actually; I love 'Coffy'. Jackie Brown is a real human being. She is not a super bad momma - she is a kind of super bad momma to tell you the truth! - she does not get razor blades in her Afro, and she is not Kung Fu-ing people, and she is not pulling a sawn off shotgun and blowing a guy's head off. She is realistic; she is a real lady in those dire circumstances that I described. One of the things I liked about the opening credit sequence is if you are familiar with Pam's movies, a whole lot of them start with Pam just walking, and beholding the glory that is Pam. I thought, OK, I will make me the greatest Pam Grier opening sequence of all time. I think I pulled it off actually. The structure of it is very interesting. It is not supposed to be naked to the eye, but it starts off that she is on the conveyor belt, and you see her, you are drinking her in, you are taking her in, and she is walking down the airport and she just looks like the baddest creature a guy ever created. She has just got all this power and strength - and she is Foxy Brown 20 years later, she is Coffy 20 years later - and she has all this womanness, and it is great. In the last part of it you see she is running and running, and you realise she is just trying to get to work. She is not walking down the street to burn Harlem to the ground. She is a woman working in this world, and she is late for her job, and she is going to get fired if she does not get there. After the big bad ass opening credit sequence, two minutes later she is serving peanuts. So it starts off as this mythical, super hero figure and then by the end of the credit sequence we have brought it back down to earth." ('Quentin Tarantino interview (I) with Pam Grier, Robert Forster and Lawrence Bender', Guardian, 1998)

DepressedBergman

53,783 görüntüleme • 6 ay önce

Who doesn't love a group of college girls who're full-on nicotine addicts? The star of this video is the cute nerdy girl with her big glasses and lovely turtleneck sweater. And you'd naturally ask; how did such an innocent-looking model student become a smoker? Well, it all happened during her first exams. Her nerves were killing her, but her roommate thought her a little secret; that ciggies would calm her down. She quickly started chainsmoking and became a huge addict in no time at all. And now she's the first one outside during the break to light up and get her much-needed relief. She's quickly joined by two of her friends in Doc Martens boots who're passing the lighter around. Just look how they all relax as soon as they start pumping the delicious smoke into their lungs. They squat down as the nicotine rush hammers through their young bodies. The black-haired beauty meanwhile stays upright and takes drags in quick succession. But I simply can't take my eyes of this nerdy cutie. She's the kind of girl I'd get a massive crush on back in college. Her good girl gone bad vibe was just irresistible. Her sweater would smell of cigarette smoke, and I'd smoke my lungs to pulp together with her. And the sex would be so amazing; looking onto that sweet face while we'd both cum so hard. Oh man, I simply couldn't get enough of this type of girl. #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #smokingcollegegirl #smokingincollege #lightingup #deepinhale #exhale #turtleneck #turtleneckjacket #turtleneckfetish #nerdyglasses #docmartens #teensmoking #teensmoker #smokingteen #collegegirl #nerdygirl #cutegirl #coolgirl #hotgirl #sexygirl

Sensitive content

Who doesn't love a group of college girls who're full-on nicotine addicts? The star of this video is the cute nerdy girl with her big glasses and lovely turtleneck sweater. And you'd naturally ask; how did such an innocent-looking model student become a smoker? Well, it all happened during her first exams. Her nerves were killing her, but her roommate thought her a little secret; that ciggies would calm her down. She quickly started chainsmoking and became a huge addict in no time at all. And now she's the first one outside during the break to light up and get her much-needed relief. She's quickly joined by two of her friends in Doc Martens boots who're passing the lighter around. Just look how they all relax as soon as they start pumping the delicious smoke into their lungs. They squat down as the nicotine rush hammers through their young bodies. The black-haired beauty meanwhile stays upright and takes drags in quick succession. But I simply can't take my eyes of this nerdy cutie. She's the kind of girl I'd get a massive crush on back in college. Her good girl gone bad vibe was just irresistible. Her sweater would smell of cigarette smoke, and I'd smoke my lungs to pulp together with her. And the sex would be so amazing; looking onto that sweet face while we'd both cum so hard. Oh man, I simply couldn't get enough of this type of girl. #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #smokingcollegegirl #smokingincollege #lightingup #deepinhale #exhale #turtleneck #turtleneckjacket #turtleneckfetish #nerdyglasses #docmartens #teensmoking #teensmoker #smokingteen #collegegirl #nerdygirl #cutegirl #coolgirl #hotgirl #sexygirl

Smoking girl lover

621,166 görüntüleme • 2 ay önce

Robert Macfarlane is an author and professor at Cambridge who writes non-fiction with the beauty of fiction. Some highlights from our interview: 1. Avoid things that dilute your sense of wonder. 2. Children are wondernauts. They continually voyaging in jay-dropping astonishment because of the freely given miracle of this world. 3. Raid old dialect glossaries in regional libraries for words that are precise, lyrical, and sometimes absurd. Take rionnach maoim, a Gaelic word for "the shadows cast on the moorland by clouds moving across the sky on a bright and windy day." 4. Why Robert loves the em dash: It’s liquid punctuation that flows both ways, unlike the hard bookend of a full stop period. Meaning can move against the current, eddy back up the sentence, or flow down. It's your most beautiful, fluid piece of traffic control for meaning. 5. Resist over-explanation. Sometimes, it’s okay to leave gaps in your writing so your readers can become your cowriters. 6. Don’t use big words to sound impressive. Use them to be precise. Sometimes, you can say more with the right four-syllable word than you can in four sentences. 7. For those raised on rationality, ask yourself: Has this become a prison? What can’t I see because of the blinders of rationality? 8. Take lots and lots of notes. You don’t need to write much. Just enough for little fragments to become threads of memory you can pull from to summon entire scenes once you return to your computer. 9. Don’t be scared of writing nonlinearly. You can build your books out of mosaics and edit by jumping up and downstream. 10. Edit your writing by reading it out-loud: the tongue trips on what the eye glides across, and the ear hears things that escape the usual systems of vigilance. 11. Abandon the goal of trying to “capture” your experience of nature. Lean into your perception of it instead and write about how you perceived it, not what it actually was. 12. How can you do it? Metaphor. Yes, metaphors are fundamentally about distorting reality but they can evoke something far richer than what people can see on their own. 13. His advice to writers: Ass in chair. Show up for work, every day, and put the time in. Yes, it can be “brain hurty” work but don’t run away from it. 14. When you end a day's writing, always know what the next sentence will be. It's like pushing off on a bike: you can wake up tomorrow with momentum instead of trying to start all over again. 15. In songwriting you learn to let language cross-pollinate in weird ways, which creates uncanny connections. What seems like a glitch becomes precisely the feature you need. 16. Rhythm in nonfiction does what fiction has always known. It works on the mind’s ear. We expect poetry to be rhythmic, but prose can use these same sonic tools to reach deeper down forms of knowing that bypass the analytical mind. I've shared the full conversation with Robert Macfarlane below, and the links for YouTube, Spotify, and Apple Podcasts in the reply tweets.

Robert Macfarlane is an author and professor at Cambridge who writes non-fiction with the beauty of fiction. Some highlights from our interview: 1. Avoid things that dilute your sense of wonder. 2. Children are wondernauts. They continually voyaging in jay-dropping astonishment because of the freely given miracle of this world. 3. Raid old dialect glossaries in regional libraries for words that are precise, lyrical, and sometimes absurd. Take rionnach maoim, a Gaelic word for "the shadows cast on the moorland by clouds moving across the sky on a bright and windy day." 4. Why Robert loves the em dash: It’s liquid punctuation that flows both ways, unlike the hard bookend of a full stop period. Meaning can move against the current, eddy back up the sentence, or flow down. It's your most beautiful, fluid piece of traffic control for meaning. 5. Resist over-explanation. Sometimes, it’s okay to leave gaps in your writing so your readers can become your cowriters. 6. Don’t use big words to sound impressive. Use them to be precise. Sometimes, you can say more with the right four-syllable word than you can in four sentences. 7. For those raised on rationality, ask yourself: Has this become a prison? What can’t I see because of the blinders of rationality? 8. Take lots and lots of notes. You don’t need to write much. Just enough for little fragments to become threads of memory you can pull from to summon entire scenes once you return to your computer. 9. Don’t be scared of writing nonlinearly. You can build your books out of mosaics and edit by jumping up and downstream. 10. Edit your writing by reading it out-loud: the tongue trips on what the eye glides across, and the ear hears things that escape the usual systems of vigilance. 11. Abandon the goal of trying to “capture” your experience of nature. Lean into your perception of it instead and write about how you perceived it, not what it actually was. 12. How can you do it? Metaphor. Yes, metaphors are fundamentally about distorting reality but they can evoke something far richer than what people can see on their own. 13. His advice to writers: Ass in chair. Show up for work, every day, and put the time in. Yes, it can be “brain hurty” work but don’t run away from it. 14. When you end a day's writing, always know what the next sentence will be. It's like pushing off on a bike: you can wake up tomorrow with momentum instead of trying to start all over again. 15. In songwriting you learn to let language cross-pollinate in weird ways, which creates uncanny connections. What seems like a glitch becomes precisely the feature you need. 16. Rhythm in nonfiction does what fiction has always known. It works on the mind’s ear. We expect poetry to be rhythmic, but prose can use these same sonic tools to reach deeper down forms of knowing that bypass the analytical mind. I've shared the full conversation with Robert Macfarlane below, and the links for YouTube, Spotify, and Apple Podcasts in the reply tweets.

David Perell

163,137 görüntüleme • 1 yıl önce

𝗗𝗵𝘂𝗿𝗮𝗻𝗱𝗵𝗮𝗿 𝗳𝗿𝗼𝗺 𝗮 𝗪𝗿𝗶𝘁𝗲𝗿 𝗣𝗢𝗩 𝘄𝗵𝗼 𝘄𝗿𝗶𝘁𝗲𝘀 𝗶𝗻 𝘁𝗵𝗲 𝘀𝗮𝗺𝗲 𝗴𝗲𝗻𝗿𝗲 (𝗡𝗼𝘁 𝗮 𝗿𝗲𝘃𝗶𝗲𝘄) First of all, this is not your YRF spy universe thriller with extra CGI where ISI And RAW agents will dance together to save the world from Pak terrorists 𝗪𝗼𝗿𝗹𝗱 𝗕𝘂𝗶𝗹𝗱𝗶𝗻𝗴: Dhar constructed Karachi of the 90s in 6-acre area in Thailand and it feels so real, raw and gritty... the houses feel lived in. The streets walked upon, and the air has a smell that you can sense (Or maybe it is the smell of the theatre). 𝗧𝗵𝗲 𝗦𝘁𝗼𝗿𝘆: Fiction interspersed with Real events of Kandahar hijack, Parliament att@ck and 26/11 keeps you grounded, and you never lose the sight of why this is not just a regular gangster drama and actually a Spy thriller with Gangster backdrop. 𝗠𝘂𝘀𝗶𝗰 𝗮𝗻𝗱 𝗕𝗚𝗠: Highlight of the movie. It could have easily spoiled the movie, but Shashwat Sachdev is brilliant in mixing the right amount of retro songs, hip hops, raps beats and at times only bagpipes to keep you hooked to the screen. 𝗘𝗱𝗶𝘁𝗶𝗻𝗴: Superlative. The film is 3 hours 34 min long, but the editing is so sharp that you never feel bored or have time to check your phone... every scene is important for the story, and nothing feels overdone or extra cooked. 𝗖𝗵𝗮𝗿𝗮𝗰𝘁𝗲𝗿𝘀: This is the strength of the writing to create character with rich backstory, ample amount of time to develop on screen and each character comes with a motive. Each character is either grey or black except the female lead who is shown as naive and kiddish due to her age which is also important for the story. 𝗖𝗮𝘀𝘁𝗶𝗻𝗴: The casting of even minor character is top class and that says a lot about the whole cast that has some big names. 𝗖𝗶𝗻𝗲𝗺𝗮𝘁𝗼𝗴𝗿𝗮𝗽𝗵𝘆: The settings are so real, but it is the camera work that brings the alive on screen. The first shot of the movie where a plane is parked in the midst of mountains in Kandahar and Madhvan is standing alone outside smoking... waiting for the minister to arrive to rescue hostages... That scene is breathtaking and surreal. 𝗔𝗰𝘁𝗶𝗼𝗻: Raw, real and brutal and necessary for the world that Dhar has created. The choreography is impeccable... you feel every kick, every punch from the screen. The stunt team is brilliant. 𝗗𝗶𝗿𝗲𝗰𝘁𝗶𝗼𝗻: Now you have all the ingredients and money, but you can still make a mess of it if the director is clueless (eg War2), but Dhar shows why he is one of the best when it comes to an action thriller like this. 𝗡𝗼𝘄 𝗜 𝗵𝗮𝘃𝗲 𝗮 𝗾𝘂𝗲𝘀𝘁𝗶𝗼𝗻 𝗵𝗲𝗿𝗲... if Dhar can make a movie that looks this and that it is shot in real settings in just 280 Crore then why War 2 with a budget of 400 crore looks so artificial and lifeless. Same for Tiger 3 that had a budget of 300 Crore. Anyways... like I said this is not a review. 𝗕𝗮𝗮𝗸𝗶 𝗚𝗮𝗮𝗻𝗮 𝘀𝘂𝗻𝗼... 𝗺𝗮𝘀𝘁 𝗵𝗮𝗶. 2025's Jamal Kodu. #Dhurandhar #DhurandharReview #Movie

𝗗𝗵𝘂𝗿𝗮𝗻𝗱𝗵𝗮𝗿 𝗳𝗿𝗼𝗺 𝗮 𝗪𝗿𝗶𝘁𝗲𝗿 𝗣𝗢𝗩 𝘄𝗵𝗼 𝘄𝗿𝗶𝘁𝗲𝘀 𝗶𝗻 𝘁𝗵𝗲 𝘀𝗮𝗺𝗲 𝗴𝗲𝗻𝗿𝗲 (𝗡𝗼𝘁 𝗮 𝗿𝗲𝘃𝗶𝗲𝘄) First of all, this is not your YRF spy universe thriller with extra CGI where ISI And RAW agents will dance together to save the world from Pak terrorists 𝗪𝗼𝗿𝗹𝗱 𝗕𝘂𝗶𝗹𝗱𝗶𝗻𝗴: Dhar constructed Karachi of the 90s in 6-acre area in Thailand and it feels so real, raw and gritty... the houses feel lived in. The streets walked upon, and the air has a smell that you can sense (Or maybe it is the smell of the theatre). 𝗧𝗵𝗲 𝗦𝘁𝗼𝗿𝘆: Fiction interspersed with Real events of Kandahar hijack, Parliament att@ck and 26/11 keeps you grounded, and you never lose the sight of why this is not just a regular gangster drama and actually a Spy thriller with Gangster backdrop. 𝗠𝘂𝘀𝗶𝗰 𝗮𝗻𝗱 𝗕𝗚𝗠: Highlight of the movie. It could have easily spoiled the movie, but Shashwat Sachdev is brilliant in mixing the right amount of retro songs, hip hops, raps beats and at times only bagpipes to keep you hooked to the screen. 𝗘𝗱𝗶𝘁𝗶𝗻𝗴: Superlative. The film is 3 hours 34 min long, but the editing is so sharp that you never feel bored or have time to check your phone... every scene is important for the story, and nothing feels overdone or extra cooked. 𝗖𝗵𝗮𝗿𝗮𝗰𝘁𝗲𝗿𝘀: This is the strength of the writing to create character with rich backstory, ample amount of time to develop on screen and each character comes with a motive. Each character is either grey or black except the female lead who is shown as naive and kiddish due to her age which is also important for the story. 𝗖𝗮𝘀𝘁𝗶𝗻𝗴: The casting of even minor character is top class and that says a lot about the whole cast that has some big names. 𝗖𝗶𝗻𝗲𝗺𝗮𝘁𝗼𝗴𝗿𝗮𝗽𝗵𝘆: The settings are so real, but it is the camera work that brings the alive on screen. The first shot of the movie where a plane is parked in the midst of mountains in Kandahar and Madhvan is standing alone outside smoking... waiting for the minister to arrive to rescue hostages... That scene is breathtaking and surreal. 𝗔𝗰𝘁𝗶𝗼𝗻: Raw, real and brutal and necessary for the world that Dhar has created. The choreography is impeccable... you feel every kick, every punch from the screen. The stunt team is brilliant. 𝗗𝗶𝗿𝗲𝗰𝘁𝗶𝗼𝗻: Now you have all the ingredients and money, but you can still make a mess of it if the director is clueless (eg War2), but Dhar shows why he is one of the best when it comes to an action thriller like this. 𝗡𝗼𝘄 𝗜 𝗵𝗮𝘃𝗲 𝗮 𝗾𝘂𝗲𝘀𝘁𝗶𝗼𝗻 𝗵𝗲𝗿𝗲... if Dhar can make a movie that looks this and that it is shot in real settings in just 280 Crore then why War 2 with a budget of 400 crore looks so artificial and lifeless. Same for Tiger 3 that had a budget of 300 Crore. Anyways... like I said this is not a review. 𝗕𝗮𝗮𝗸𝗶 𝗚𝗮𝗮𝗻𝗮 𝘀𝘂𝗻𝗼... 𝗺𝗮𝘀𝘁 𝗵𝗮𝗶. 2025's Jamal Kodu. #Dhurandhar #DhurandharReview #Movie

Ankit Uttam

392,188 görüntüleme • 8 ay önce

You round the bend of that forgotten mountain trail, boots crunching on pine needles, the air thick with the scent of damp earth and rushing water. The stream’s been whispering to you for miles—clear, cold, cutting through granite like it’s been waiting centuries just for this moment. Then you see it: a small carved-out alcove tucked right against the bank, maybe three feet deep and wide enough for one person to kneel, the rock smoothed by who-knows-how-many old-timers before you. Sunlight slants in like a spotlight, turning the water’s edge into liquid gold. Your pulse kicks up. This isn’t just a pretty spot. This is a natural sluice box, a hidden trap where the current slows, drops its heavy cargo, and leaves the black sand shimmering like midnight promises. You drop your pack, heart hammering. Modern panning isn’t the back-breaking pick-and-shovel grind of 1849 anymore—you’ve got the kit: a lightweight 22-inch ceramic pan with riffles that catch every speck, a classifier screen to sort out the big stuff in seconds, a snuffer bottle the size of your thumb, and maybe a tiny hand sluice you can prop in the alcove’s curve if the mood strikes. Gold’s sitting at over $5,100 an ounce right now—prices that would’ve made those Forty-Niners weep. One decent pinch of flakes and you’re already ahead of your coffee money. You scoop a panful of that dark, promising gravel right from the alcove’s lip, plunge it into the stream, and start the dance: tilt, swirl, dip, let the river do the work. Lighter sands and pebbles wash away in lazy spirals while the heavies—magnetite, hematite, and yes, maybe that telltale flash of yellow—sink to the bottom like they belong there. The excitement builds with every swirl. You see the first “color”—tiny glittering threads hugging the riffles. Another pan. More. The alcove’s geometry is perfect; the stream bends just enough here to drop the good stuff century after century. You’re grinning like a kid, knees wet, sun warm on your neck, imagining the nugget that’s been waiting since the last ice age. A full vial after an hour? Two? The daydream races: sell it raw, melt it into a ring, or just keep it in a jar on the shelf as proof you outsmarted the mountains. Modern tools make it feel almost too easy—apps on your phone showing public claim maps, lightweight gear that fits in a daypack, even a cheap UV light to spot fluorescent tracers if you get fancy. This alcove could be your lucky strike. The thrill is electric. Here’s the straight truth, though, whispered like the stream itself: no, modern hand-panning isn’t a lucrative feat. Not in the “quit your job and buy a yacht” way. The average recreational panner pulls about 0.041 grams an hour in decent ground—that’s roughly twenty bucks at today’s prices, before gas, food, and the sheer sweat equity. A banner day in a rich pocket might net you a gram or two (maybe $160–$170), enough to cover your weekend and leave a little sparkle in your pocket. But most folks walk away with beautiful memories, a few flakes, and the quiet satisfaction of having chased the dream instead of scrolling on the couch. The real gold? The peace, the exercise, the story you’ll tell when you get home with wet boots and a grin you can’t wipe off. So yeah… that carved-out alcove next to the stream? It’s calling. Grab your pan, let the excitement build, and go see what the river’s been hiding. Just don’t quit your day job—let the mountains pay you in wonder instead.

You round the bend of that forgotten mountain trail, boots crunching on pine needles, the air thick with the scent of damp earth and rushing water. The stream’s been whispering to you for miles—clear, cold, cutting through granite like it’s been waiting centuries just for this moment. Then you see it: a small carved-out alcove tucked right against the bank, maybe three feet deep and wide enough for one person to kneel, the rock smoothed by who-knows-how-many old-timers before you. Sunlight slants in like a spotlight, turning the water’s edge into liquid gold. Your pulse kicks up. This isn’t just a pretty spot. This is a natural sluice box, a hidden trap where the current slows, drops its heavy cargo, and leaves the black sand shimmering like midnight promises. You drop your pack, heart hammering. Modern panning isn’t the back-breaking pick-and-shovel grind of 1849 anymore—you’ve got the kit: a lightweight 22-inch ceramic pan with riffles that catch every speck, a classifier screen to sort out the big stuff in seconds, a snuffer bottle the size of your thumb, and maybe a tiny hand sluice you can prop in the alcove’s curve if the mood strikes. Gold’s sitting at over $5,100 an ounce right now—prices that would’ve made those Forty-Niners weep. One decent pinch of flakes and you’re already ahead of your coffee money. You scoop a panful of that dark, promising gravel right from the alcove’s lip, plunge it into the stream, and start the dance: tilt, swirl, dip, let the river do the work. Lighter sands and pebbles wash away in lazy spirals while the heavies—magnetite, hematite, and yes, maybe that telltale flash of yellow—sink to the bottom like they belong there. The excitement builds with every swirl. You see the first “color”—tiny glittering threads hugging the riffles. Another pan. More. The alcove’s geometry is perfect; the stream bends just enough here to drop the good stuff century after century. You’re grinning like a kid, knees wet, sun warm on your neck, imagining the nugget that’s been waiting since the last ice age. A full vial after an hour? Two? The daydream races: sell it raw, melt it into a ring, or just keep it in a jar on the shelf as proof you outsmarted the mountains. Modern tools make it feel almost too easy—apps on your phone showing public claim maps, lightweight gear that fits in a daypack, even a cheap UV light to spot fluorescent tracers if you get fancy. This alcove could be your lucky strike. The thrill is electric. Here’s the straight truth, though, whispered like the stream itself: no, modern hand-panning isn’t a lucrative feat. Not in the “quit your job and buy a yacht” way. The average recreational panner pulls about 0.041 grams an hour in decent ground—that’s roughly twenty bucks at today’s prices, before gas, food, and the sheer sweat equity. A banner day in a rich pocket might net you a gram or two (maybe $160–$170), enough to cover your weekend and leave a little sparkle in your pocket. But most folks walk away with beautiful memories, a few flakes, and the quiet satisfaction of having chased the dream instead of scrolling on the couch. The real gold? The peace, the exercise, the story you’ll tell when you get home with wet boots and a grin you can’t wipe off. So yeah… that carved-out alcove next to the stream? It’s calling. Grab your pan, let the excitement build, and go see what the river’s been hiding. Just don’t quit your day job—let the mountains pay you in wonder instead.

🚫👁️Drinks on Saturday🇺🇸

1,322,206 görüntüleme • 5 ay önce

Stargate trivia: "200" (The BIG breakdown) SG-1 was about to attain the loftiest of broadcast heights – its 200th episode – and we wanted to do something special. Something unique. Something everyone on the production would enjoy as much as the longtime fans watching at home. The initial idea pitched was something called “Remember When…”, a trip down memory lane in which our characters’ reflections would form the frames of the varied flashbacks to outrageous missions. While everyone loved the idea of the outrageous missions, the premise of the episode felt too diffuse. We wanted an actual story that would form the heart of the episode. After much discussion, we elected to pay tribute to the franchise by referencing our last milestone – episode 100 – and bringing back Martin Lloyd and the show within a show, Wormhole X-Treme. But the fun we poked at the franchise through that spoof production was nothing compared to what we had in store for 200… WE FINALLY GOT TO MEET THE FURLINGS! Sort of. Even though it never really happened and we end up getting them killed in the end. Back in the show’s fourth season, not long after joining the production, I was summoned to Exec. Producer Robert Cooper’s office. He was doing his pass on our first script, Scorched Earth, and needed something from me: the name of an alien race. When pressed, he admitted naming alien races was not his forte and, as evidence, offered up “the Furlings”. I have to admit that whenever I heard the name, I always imagined a cosmic version of the Care Bears, giggling and snuggling their way through various adventures. As evidently, did everyone else on the production. The fans, however, were all sorts of curious and nary a week would go by without a fan posting a message board request for a glimpse of the elusive beings. Time wore on and those requests continued so, at one point, Brad suggested an episode in which we actually did get to meet them: a race of gaunt, towering, hairless, grey-skinned creatures. But that idea was quashed and the production went on its merry way, choosing to keep the race a mystery. But with 200 came the opportunity to honor those fan requests, and the viewers at home finally got to see those lovable furry creatures who turned out to be a cross between an ewok and a deranged koala. And then SG-1 went and got their planet blown up. Of course, we quickly reveal that the incident never actually happened and it was part of a pitch for a revival of the defunct Wormhole X-Treme t.v. series, a show that lasted an inglorious three episodes before being cancelled. But thanks to an impressive second life on dvd (following in the footsteps of Family Guy and Futurama) the show is being revived – and General O’Neill, in a desire to maintain a cover of plausible deniability for the Stargate program (and, let’s face it, screw with his old teammates) charges SG-1 with the task of creatively contributing to the production. MITCHELL TAKES ON THE LIVING DEAD! Every once in a while, actor Ben Browder would drop by the offices to pitch out an action sequence for his character – so I thought it appropriate that, given the opportunity, his character would pitch out an action sequence for – uh – his character. And, really, nothing says action like zombie hordes. Just ask fans of The Walking Dead. This sequence also allowed us the rare opportunity of witnessing Walter/Norman getting his head eaten. Double bonus! Mitchell’s idea is shot down and Martin gets on the phone with a representative of the studio. He is clearly frustrated and Mitchell asks: “Studio executives, huh?” Martin responds: “What? Oh, no Charlie? He’s a great guy. He’s the only one I trust.” This was a reference to longtime MGM President of Television and Stargate supporter Charles Cohen, one of the smartest, kindest studios executives I’ve ever had the pleasure to work with. As much as he was a fan of the show, we at the production were fans of Charlie. Martin is outraged because they lost their lead. How, he wonders, can they do the show without their lead. “You just bring in a character to replace him,”suggests Mitchell – an obvious reference to the introduction of Cam Mitchell which followed soon after the departure of longtime SG-1 lead Jack O’Neill. Carter then throws out some alternate ideas for keeping the lead alive: “Well, you could have the other characters refer to him all the time. Maybe, get him on the phone once in a while.” Yep. Been there; done that during SG-1’s seventh and eighth seasons. And then, someone references that time O’Neill was invisible… THE ADVENTURES OF INVISIBLE O'NEILL! The idea of doing an Invisible O’Neill segment was actually a joke I threw out...That ended up making the script. That happened a lot in this episode. As with all the segments, we went off and wrote them individually, and then everyone weighed in and they were tweaked. I always found the scene of O’Neill spying on Carter in the shower a tad creepy. Anyway, the Invisible O’Neill idea was embraced because we wanted Richard Dean Anderson to come back and do a cameo on this all-important episode, but didn’t know if he’d be able to work in an appearance. So, we figured we’d get the next best thing: his voice. As it turned out, he was able to swing the appearance, making 200 all that more special. THE GETAWAY Martin then pitches out a tale of high adventure, placing our heroes (SG-1) in an impossible position – and then simply cutting to them escaping through the gate. This was a tip of the hat to the many fans outraged by a similar scenario in a past episode (don’t remember the name) in which our heroes (SG-1) are surrounded by Lucian Alliance soldiers only to effect some miraculous unseen escape. During the ensuing argument over the merits of the pitch, Martin attempts to come up with a reasonable window of time for the team to reach the gate and dial. Ten seconds is too short and thirty seconds is too round a number. He decides on 38! Which, coincidentally, is the same number (of minutes) a stargate can stay open. Timing is, of course, everything, and nothing says action like a ticking clock. Which prompts the following gem from Martin: “Trust me, jeopardy plus ticking clock is box office. It’s the E equals M C squared of the entertainment world. Ask any executive.” Indeed. If there were two notes we received more than any other during Stargate’s long run, they were: “More jeopardy!” and “We need a ticking clock!”. Having a character race a timer to defuse a bomb? Didn’t get much better than that. THEY'RE OFF TO SEE THE WIZARD! Next to The Simpsons, The Wizard of Oz was probably the most referenced piece of pop culture over SG-1’s decade-long run. The fans certainly took notice and resulted in one particularly memorable piece of artwork being sent to studio depicting the original team as the cinematic classic’s adventurous foursome. So, I suppose, it made perfect sense to reference the constant references by including a little Wizard of Oz sequence in the episode as well. Mitchell’s line: “Now, how can something work perfectly fine for ten years, then all of a sudden, it doesn’t work anymore?” was an in-story reference to the gate suddenly stopping operations – and, in hindsight, could have been interpreted as a comment on the the show’s cancellation. DESTROYING STARGATE COMMAND This also episode gave us the opportunity to do something we’ve always wanted to do: blow up Stargate Command. It’s part of the story Martin Lloyd pitches the team. Mitchell, however, points out a potential problem. They’re alive in the next scene. How is that possible. To which Martin replies: ” I’m thinking I can back-sell it and say you were beamed out at the last second.” Teal’c’s rejoinder neatly sums up the feelings of many on the production: “Is that not too convenient?”. Yep, nobody hated the Earth ship beaming technology more than I did – with possible exception of actor Ben Browder. In the original version of this scene, the fun we poked at ourselves was a little more pointed: DANIEL: Beamed out. MARTIN: By the Prometheus. TEAL'C: Convenient. MARTIN: True. But c'mon, you got Asgard technology, why not use it? As long as it doesn't become a crutch. DANIEL: Small problem. The Prometheus was destroyed. MARTIN: Really? By who? MITCHELL: Kind of a long story. MARTIN: In battle? MITCHELL: Yes. MARTIN: Wow. So how'd you get out of that one? Beat. DANIEL: We, uh... we were beamed out. Soon after, Martin fields yet another call, this one from the network. "So, trouble with Nora"assumes Mitchell, to which Martin replies: "No, Nora—she's great." A shout-out to the late Nora O'Brien who was our network point-person for many years before she moved on to another position with NBC. A sharp executive and just a lovely woman. SG-1 DOES STAR TREK We all grew up with the original Star Trek (except Rob Cooper who preferred The Six Million Dollar Man) so we (and by we I mean Brad) couldn’t resist the opportunity to do an SG-1 version of the television’s most famous SF series. Paul McGillion was originally supposed to do the one-line cameo of the ship’s beleaguered Scottish engineer, but when that fell through, series co-creator and Executive Producer (not to mention former stage actor) Brad Wright stepped into those shiny black boots. THE YOUNGER, EDGIER TEAM Look closely and you can catch the late Cory Monteith as one of the young and edgy team-members. “Young” and “edgy” were buzzwords we kept on hearing a lot of (and continue to hear a lot of in the business), so Rob Cooper served up his version of what a younger, edgier Stargate would look like complete with stylized shots and dreamy cast members. Vala continues to pitch out ideas, offering up an SF version of Gilligan’s Island (“We were in a cloaked cargo ship on a simple, three-hour reconnaissance mission…”) that was one of the scenes we lost for time at the script stage… VALA (VO): We were in a cloaked cargo ship, on a simple three hour reconnaissance mission... TILT DOWN to reveal a planet. VALA (V)): But on the way we encountered a severe electromagnetic storm and lost all power. We were forced down on an uncharted, deserted planet... EXT. TROPICAL ISLAND -- DAY We see the cargo ship washed ashore on this deserted island, looking very much like the damaged S.S. Minnow. VALA (VO): We washed ashore and were forced to survive for weeks in the most primitive of conditions. No phone, no lights, no motor cars. Not a single luxury. EXT. ISLAND -- DAY Landry comes out of a hut, dressed like the Skipper. VALA (V): General Landry was with us on the mission, and let me tell you, he was in a foul mood. LANDRY: Mitchell! Mitchell runs out, dressed like Gilligan. MITCHELL: Yes, sir. LANDRY: Where's Carter? She was supposed to be done by now. MITCHELL: Oh, uh...(looks around) She's not here. Landry whacks him with his cap. LANDRY: I can see that. DANIEL: Over here... PAN TO Daniel (as the Professor) and Carter (as Mary Ann) carrying a large device out of another hut. Vala (as Ginger) trails behind them. The device looks like something constructed from bamboo and coconuts. CARTER (to Landry): I think we may have something, sir. VALA:Not a moment too soon. I must get out of this place. I have a photo shoot this afternoon. Landry stares at the device. LANDRY: What is this thing? CARTER:Well, I managed to construct a basic subspace transmitter out of coconuts, bamboo and our old subspace transmitter. DANIEL: A long shot, but it just might get us off this island. MITCHELL: That's great! Mitchell eagerly moves in for a closer look, but trips, falls and smashes the damn thing.Before Landry can whack him with his cap again -- TEAL'C emerges from the trees, dressed like Mr. Howell. He casually puffs a pipe. TEAL'C: Was I not traveling with a companion? A female by the name of... Lovey? MARTIN: Alright, enough already. FARGATE I had really enjoyed Farscape and, with both Ben Browder and Claudia Black on the show, I couldn’t resist the opportunity to do a little tribute, SG-1 style. Originally, Ben was supposed to play the part of Crichton and Michael the part of Stark, but they suggested it might be more fun to switch up the roles. SG-1 SUPERMARIONATION! Brad Wright, Robert Cooper, Paul Mullie and Carl Binder are huge fans of Team America: World Police, so I suppose it should come as no surprise that they jumped at the chance to do their own, SG-1 version. As it turned out, years ago Paul and I had worked with The Chiodo Bros. who had created the puppets and effects for Team America (as well as work on a Davey and Goliath claymation parody for The Simpsons and the Willice and Crimbles parody segment on The Simpsons). We called them up and they ended up delivering kick-ass puppet versions of our team – and supporting players. So, okay. Fess up. Which one of you fans is now the proud owner of one of these? In the writer’s draft of the script, yet another idea is pitched out… MITCHELL: Death is always dramatic. CUT TO: INT. INFIRMARY -- DAY Daniel lies on the bed. Carter, Mitchell, Vala and Landry stand around him. Vala reaches out and touches his hand - VALA: Goodbye, Daniel. The heart monitor FLATLINES. The rest of the group can barely control their emotions. Suddenly, a bright GLOW starts to emanate from under the sheets on the bed. Slowly, Daniel's body TRANSFORMS into a glowing ribbon being like in Meridian. As it rises above the bed, the sheets collapse. Amazement plays on the faces of everyone in the room. The glowing being hovers high above them for a moment then - MARTIN: No, no, no. BACK TO: INT. BRIEFING ROOM -- DAY Martin shakes his head. MARTIN: We did that twice in the series. DANIEL: You only made three episodes. How many times did we kill off Daniel again? Whenever we offed guest stars, we would invariably send them off with the heartening: “This is science fiction. Nobody ever dies in science fiction!” And, many times on Stargate, that was proven true. Then, someone pitches out the fishing segment. Martin’s response: “And what’s the twist…no fish?” is, of course, a reference to the twist at the end of Moebius I and II. THE WEDDING How couldn’t we? There was something there for the shippers – and something there for the slashers as well when O’Neill, waiting for Carter, turns to Daniel who utters the memorable: “You know, if she doesn’t show, people are gonna think that you and I –“. My favorite part of this segment is Jack referring to Carter as, well, Carter. Not Sam or Samantha but Carter. I guess old habits die hard. Martin’s response to the pitch ” Yeah, right, if I want to torture the audience on purpose!” echoes a quote from a fan letter we received that was critical of the ship. A classic line. The episode ends with a bunch of interviews teeming with inside jokes. I mean, I know we did 10 years but, dammit, we were still on a roll!

Stargate trivia: "200" (The BIG breakdown) SG-1 was about to attain the loftiest of broadcast heights – its 200th episode – and we wanted to do something special. Something unique. Something everyone on the production would enjoy as much as the longtime fans watching at home. The initial idea pitched was something called “Remember When…”, a trip down memory lane in which our characters’ reflections would form the frames of the varied flashbacks to outrageous missions. While everyone loved the idea of the outrageous missions, the premise of the episode felt too diffuse. We wanted an actual story that would form the heart of the episode. After much discussion, we elected to pay tribute to the franchise by referencing our last milestone – episode 100 – and bringing back Martin Lloyd and the show within a show, Wormhole X-Treme. But the fun we poked at the franchise through that spoof production was nothing compared to what we had in store for 200… WE FINALLY GOT TO MEET THE FURLINGS! Sort of. Even though it never really happened and we end up getting them killed in the end. Back in the show’s fourth season, not long after joining the production, I was summoned to Exec. Producer Robert Cooper’s office. He was doing his pass on our first script, Scorched Earth, and needed something from me: the name of an alien race. When pressed, he admitted naming alien races was not his forte and, as evidence, offered up “the Furlings”. I have to admit that whenever I heard the name, I always imagined a cosmic version of the Care Bears, giggling and snuggling their way through various adventures. As evidently, did everyone else on the production. The fans, however, were all sorts of curious and nary a week would go by without a fan posting a message board request for a glimpse of the elusive beings. Time wore on and those requests continued so, at one point, Brad suggested an episode in which we actually did get to meet them: a race of gaunt, towering, hairless, grey-skinned creatures. But that idea was quashed and the production went on its merry way, choosing to keep the race a mystery. But with 200 came the opportunity to honor those fan requests, and the viewers at home finally got to see those lovable furry creatures who turned out to be a cross between an ewok and a deranged koala. And then SG-1 went and got their planet blown up. Of course, we quickly reveal that the incident never actually happened and it was part of a pitch for a revival of the defunct Wormhole X-Treme t.v. series, a show that lasted an inglorious three episodes before being cancelled. But thanks to an impressive second life on dvd (following in the footsteps of Family Guy and Futurama) the show is being revived – and General O’Neill, in a desire to maintain a cover of plausible deniability for the Stargate program (and, let’s face it, screw with his old teammates) charges SG-1 with the task of creatively contributing to the production. MITCHELL TAKES ON THE LIVING DEAD! Every once in a while, actor Ben Browder would drop by the offices to pitch out an action sequence for his character – so I thought it appropriate that, given the opportunity, his character would pitch out an action sequence for – uh – his character. And, really, nothing says action like zombie hordes. Just ask fans of The Walking Dead. This sequence also allowed us the rare opportunity of witnessing Walter/Norman getting his head eaten. Double bonus! Mitchell’s idea is shot down and Martin gets on the phone with a representative of the studio. He is clearly frustrated and Mitchell asks: “Studio executives, huh?” Martin responds: “What? Oh, no Charlie? He’s a great guy. He’s the only one I trust.” This was a reference to longtime MGM President of Television and Stargate supporter Charles Cohen, one of the smartest, kindest studios executives I’ve ever had the pleasure to work with. As much as he was a fan of the show, we at the production were fans of Charlie. Martin is outraged because they lost their lead. How, he wonders, can they do the show without their lead. “You just bring in a character to replace him,”suggests Mitchell – an obvious reference to the introduction of Cam Mitchell which followed soon after the departure of longtime SG-1 lead Jack O’Neill. Carter then throws out some alternate ideas for keeping the lead alive: “Well, you could have the other characters refer to him all the time. Maybe, get him on the phone once in a while.” Yep. Been there; done that during SG-1’s seventh and eighth seasons. And then, someone references that time O’Neill was invisible… THE ADVENTURES OF INVISIBLE O'NEILL! The idea of doing an Invisible O’Neill segment was actually a joke I threw out...That ended up making the script. That happened a lot in this episode. As with all the segments, we went off and wrote them individually, and then everyone weighed in and they were tweaked. I always found the scene of O’Neill spying on Carter in the shower a tad creepy. Anyway, the Invisible O’Neill idea was embraced because we wanted Richard Dean Anderson to come back and do a cameo on this all-important episode, but didn’t know if he’d be able to work in an appearance. So, we figured we’d get the next best thing: his voice. As it turned out, he was able to swing the appearance, making 200 all that more special. THE GETAWAY Martin then pitches out a tale of high adventure, placing our heroes (SG-1) in an impossible position – and then simply cutting to them escaping through the gate. This was a tip of the hat to the many fans outraged by a similar scenario in a past episode (don’t remember the name) in which our heroes (SG-1) are surrounded by Lucian Alliance soldiers only to effect some miraculous unseen escape. During the ensuing argument over the merits of the pitch, Martin attempts to come up with a reasonable window of time for the team to reach the gate and dial. Ten seconds is too short and thirty seconds is too round a number. He decides on 38! Which, coincidentally, is the same number (of minutes) a stargate can stay open. Timing is, of course, everything, and nothing says action like a ticking clock. Which prompts the following gem from Martin: “Trust me, jeopardy plus ticking clock is box office. It’s the E equals M C squared of the entertainment world. Ask any executive.” Indeed. If there were two notes we received more than any other during Stargate’s long run, they were: “More jeopardy!” and “We need a ticking clock!”. Having a character race a timer to defuse a bomb? Didn’t get much better than that. THEY'RE OFF TO SEE THE WIZARD! Next to The Simpsons, The Wizard of Oz was probably the most referenced piece of pop culture over SG-1’s decade-long run. The fans certainly took notice and resulted in one particularly memorable piece of artwork being sent to studio depicting the original team as the cinematic classic’s adventurous foursome. So, I suppose, it made perfect sense to reference the constant references by including a little Wizard of Oz sequence in the episode as well. Mitchell’s line: “Now, how can something work perfectly fine for ten years, then all of a sudden, it doesn’t work anymore?” was an in-story reference to the gate suddenly stopping operations – and, in hindsight, could have been interpreted as a comment on the the show’s cancellation. DESTROYING STARGATE COMMAND This also episode gave us the opportunity to do something we’ve always wanted to do: blow up Stargate Command. It’s part of the story Martin Lloyd pitches the team. Mitchell, however, points out a potential problem. They’re alive in the next scene. How is that possible. To which Martin replies: ” I’m thinking I can back-sell it and say you were beamed out at the last second.” Teal’c’s rejoinder neatly sums up the feelings of many on the production: “Is that not too convenient?”. Yep, nobody hated the Earth ship beaming technology more than I did – with possible exception of actor Ben Browder. In the original version of this scene, the fun we poked at ourselves was a little more pointed: DANIEL: Beamed out. MARTIN: By the Prometheus. TEAL'C: Convenient. MARTIN: True. But c'mon, you got Asgard technology, why not use it? As long as it doesn't become a crutch. DANIEL: Small problem. The Prometheus was destroyed. MARTIN: Really? By who? MITCHELL: Kind of a long story. MARTIN: In battle? MITCHELL: Yes. MARTIN: Wow. So how'd you get out of that one? Beat. DANIEL: We, uh... we were beamed out. Soon after, Martin fields yet another call, this one from the network. "So, trouble with Nora"assumes Mitchell, to which Martin replies: "No, Nora—she's great." A shout-out to the late Nora O'Brien who was our network point-person for many years before she moved on to another position with NBC. A sharp executive and just a lovely woman. SG-1 DOES STAR TREK We all grew up with the original Star Trek (except Rob Cooper who preferred The Six Million Dollar Man) so we (and by we I mean Brad) couldn’t resist the opportunity to do an SG-1 version of the television’s most famous SF series. Paul McGillion was originally supposed to do the one-line cameo of the ship’s beleaguered Scottish engineer, but when that fell through, series co-creator and Executive Producer (not to mention former stage actor) Brad Wright stepped into those shiny black boots. THE YOUNGER, EDGIER TEAM Look closely and you can catch the late Cory Monteith as one of the young and edgy team-members. “Young” and “edgy” were buzzwords we kept on hearing a lot of (and continue to hear a lot of in the business), so Rob Cooper served up his version of what a younger, edgier Stargate would look like complete with stylized shots and dreamy cast members. Vala continues to pitch out ideas, offering up an SF version of Gilligan’s Island (“We were in a cloaked cargo ship on a simple, three-hour reconnaissance mission…”) that was one of the scenes we lost for time at the script stage… VALA (VO): We were in a cloaked cargo ship, on a simple three hour reconnaissance mission... TILT DOWN to reveal a planet. VALA (V)): But on the way we encountered a severe electromagnetic storm and lost all power. We were forced down on an uncharted, deserted planet... EXT. TROPICAL ISLAND -- DAY We see the cargo ship washed ashore on this deserted island, looking very much like the damaged S.S. Minnow. VALA (VO): We washed ashore and were forced to survive for weeks in the most primitive of conditions. No phone, no lights, no motor cars. Not a single luxury. EXT. ISLAND -- DAY Landry comes out of a hut, dressed like the Skipper. VALA (V): General Landry was with us on the mission, and let me tell you, he was in a foul mood. LANDRY: Mitchell! Mitchell runs out, dressed like Gilligan. MITCHELL: Yes, sir. LANDRY: Where's Carter? She was supposed to be done by now. MITCHELL: Oh, uh...(looks around) She's not here. Landry whacks him with his cap. LANDRY: I can see that. DANIEL: Over here... PAN TO Daniel (as the Professor) and Carter (as Mary Ann) carrying a large device out of another hut. Vala (as Ginger) trails behind them. The device looks like something constructed from bamboo and coconuts. CARTER (to Landry): I think we may have something, sir. VALA:Not a moment too soon. I must get out of this place. I have a photo shoot this afternoon. Landry stares at the device. LANDRY: What is this thing? CARTER:Well, I managed to construct a basic subspace transmitter out of coconuts, bamboo and our old subspace transmitter. DANIEL: A long shot, but it just might get us off this island. MITCHELL: That's great! Mitchell eagerly moves in for a closer look, but trips, falls and smashes the damn thing.Before Landry can whack him with his cap again -- TEAL'C emerges from the trees, dressed like Mr. Howell. He casually puffs a pipe. TEAL'C: Was I not traveling with a companion? A female by the name of... Lovey? MARTIN: Alright, enough already. FARGATE I had really enjoyed Farscape and, with both Ben Browder and Claudia Black on the show, I couldn’t resist the opportunity to do a little tribute, SG-1 style. Originally, Ben was supposed to play the part of Crichton and Michael the part of Stark, but they suggested it might be more fun to switch up the roles. SG-1 SUPERMARIONATION! Brad Wright, Robert Cooper, Paul Mullie and Carl Binder are huge fans of Team America: World Police, so I suppose it should come as no surprise that they jumped at the chance to do their own, SG-1 version. As it turned out, years ago Paul and I had worked with The Chiodo Bros. who had created the puppets and effects for Team America (as well as work on a Davey and Goliath claymation parody for The Simpsons and the Willice and Crimbles parody segment on The Simpsons). We called them up and they ended up delivering kick-ass puppet versions of our team – and supporting players. So, okay. Fess up. Which one of you fans is now the proud owner of one of these? In the writer’s draft of the script, yet another idea is pitched out… MITCHELL: Death is always dramatic. CUT TO: INT. INFIRMARY -- DAY Daniel lies on the bed. Carter, Mitchell, Vala and Landry stand around him. Vala reaches out and touches his hand - VALA: Goodbye, Daniel. The heart monitor FLATLINES. The rest of the group can barely control their emotions. Suddenly, a bright GLOW starts to emanate from under the sheets on the bed. Slowly, Daniel's body TRANSFORMS into a glowing ribbon being like in Meridian. As it rises above the bed, the sheets collapse. Amazement plays on the faces of everyone in the room. The glowing being hovers high above them for a moment then - MARTIN: No, no, no. BACK TO: INT. BRIEFING ROOM -- DAY Martin shakes his head. MARTIN: We did that twice in the series. DANIEL: You only made three episodes. How many times did we kill off Daniel again? Whenever we offed guest stars, we would invariably send them off with the heartening: “This is science fiction. Nobody ever dies in science fiction!” And, many times on Stargate, that was proven true. Then, someone pitches out the fishing segment. Martin’s response: “And what’s the twist…no fish?” is, of course, a reference to the twist at the end of Moebius I and II. THE WEDDING How couldn’t we? There was something there for the shippers – and something there for the slashers as well when O’Neill, waiting for Carter, turns to Daniel who utters the memorable: “You know, if she doesn’t show, people are gonna think that you and I –“. My favorite part of this segment is Jack referring to Carter as, well, Carter. Not Sam or Samantha but Carter. I guess old habits die hard. Martin’s response to the pitch ” Yeah, right, if I want to torture the audience on purpose!” echoes a quote from a fan letter we received that was critical of the ship. A classic line. The episode ends with a bunch of interviews teeming with inside jokes. I mean, I know we did 10 years but, dammit, we were still on a roll!

Joseph Mallozzi 🏴‍☠️

26,828 görüntüleme • 11 ay önce

#KimJaeYoung #김재영 #HappyJaeyoungDay #TheJudgeFromHell Since it's his big day, thought I show you a short edit of his beauty & emotions in his most controversial role . 🙃 Below is a somewhat long 🤭 post about him & drama recommendations. My sweetie here is a late bloomer but I have always kept faith that people will see his potential. I liked what this kblogger said that when you see him in TJFH , he feels familiar but yet you might think he's a newcomer. Seems like a rookie but surprised that he's good in acting. If you check his filmography you'd realise he's been acting for more than a decade. JY mentioned that he wasn't sure what to do while in school but he did have a dream of being a chef especially because he helped mum out at home. His father suggested modeling after he was done with military service . He mentioned in an interview he had to shed off 30kg through diet & exercise as he weighed over 100kg .Esteem Academy signed him & he debut as a model in 2010. He got casted in a TVN survival program "Flower Boy Casting". From there, he was inspired to act and landed his 1st supporting role in the movie "No Breathing". (starring SeoInGuk & LeeJongSuk.) If you want to see a young JY in swimwear 😁, you can check him out there. The movie didn't quite make a splash (pun unintended 😁) , and JY who had actually left Esteem to pursue acting, found himself jobless for at least over a year. He auditioned for BladeMan (LeeDongWook & Shin SeKyung's drama) and got casted for a small role. Esteem reached out to him again & he signed with them again to model. He later also joined HB Entertainment for acting jobs, and was with them for a long time. Last year (2023) he left HB and joined his long time manager who had established a new agency, Management S. After Blademan , JY had several supporting roles but his 1st main cast role was in OCN's My Secret Romance. He was the 2nd lead & that was also my first JY drama. While I didn't have SLS, he was such a sweetheart there and caught my attention. My massive crush began when he acted as MooYeon in #100DaysMyPrince as an assassin and the FL's brother. He also had a forbidden love line with the 2ndFL's char played by HanSoHee , and they had great chemie despite limited scenes. I cried my eyes out watching their tragic love story. This is the year (2018) I decided I'll stan this man ☺️😂 His role there opened many doors. He had a short TV series called Dear My Room ( was on the now defunct Olive TV) where he played the romantic ML against Ryoo Hye Young's character. It was one of those friends to lovers trope and I recommend this for a sweet fluffy watch. He also sang the OST with RHY. The big year came in 2019 when he was casted as the ML , Sun Woo in #SecretBoutique, a female centric drama starring KimSunA and GoMinSi . He had a meaty role here as a prosecutor - a bit of a grey character and was somewhat like a brother to the FL (KimSunA) and he had some nice fight scenes. His body was the best here 🔥😋😁. If you don't mind a heavy melodrama, this wasn't bad. And oh boy, was I shipping him hard with GoMinSi's character. I still hope they can reunite for another show & give me closure. 2019-2020 was when I watched a KBS weekender #BeautifulLoveWonderfulLife from start to finish ( raw and with subs - yes my level of dedication surprised me) because JY got casted as Jun Hwi, the ML against another actress I love , Seol In Ah. Gosh, this drama was an emotional roller coaster and was another heavy character. The premise of the story was so sad and the leads went through so much together but I love this show though. He had good chemie with SIA. He also won a KBS acting award here. I recommend this if you can do 50eps and love angst like I do 😂 The role took its toll on JY. He mentioned he needed to take a break but then found himself without work for at least 6-7 months ( if I remember correctly) . Boy, did I miss him. It was really only in an Elle pictorial with his good friend -actor, model and famous youtuber Joo WooJae that I found out he had been having a hard time. He has appeared on WooJae's YT channel several times - they even travel together. JY's come back drama was in #ReflectionOfYou (2021), another heavy melo as the ML who was caught in an emotional tug of war between 2 women played by GoHyunJung and ShinHyunBeen. As WooJae, KJY gave some of his best acting. I know he got a lot of hate 😵‍💫🤣because WooJae was just so obssessed / in love with GHJ's character that he was willing to throw it all for her. This drama is not for the faint hearted but the acting was superb all round - even if the plot would make you uncomfortable. He was so hot here too. JY with longish hair was a dream. In 2022, he was the 2ndML , as KangHaeJin in #LoveInContract. It was so nice to see him play a diva actor and do rom-com for the 1st time. This is a fun watch. While I don't think viewers would have SLS, JY's character wasn't one dimensional either and he had his own storyline despite not being the ML. In 2022 - 2023 he voiced an audio drama , "For Sale - I Broke Up" with Yoon So Hee - but I don't know how we can listen to it internationally (though I do have some vids I would post one day). He also filmed a drama called "We Will Replace The Trip" with Gong SeungYeon, but so far no news of it airing yet. JaeYoung here is shy and unassuming. He's MBTI is INFP. You can see from his interviews he's quite easygoing and humorous. On my highlights- I have subbed some of his videos for TJFH. JY says he still dreams of being a chef and has gone to a 6-month cooking course last year. He also hopes to be able to take on warmer roles going forward.

#KimJaeYoung #김재영 #HappyJaeyoungDay #TheJudgeFromHell Since it's his big day, thought I show you a short edit of his beauty & emotions in his most controversial role . 🙃 Below is a somewhat long 🤭 post about him & drama recommendations. My sweetie here is a late bloomer but I have always kept faith that people will see his potential. I liked what this kblogger said that when you see him in TJFH , he feels familiar but yet you might think he's a newcomer. Seems like a rookie but surprised that he's good in acting. If you check his filmography you'd realise he's been acting for more than a decade. JY mentioned that he wasn't sure what to do while in school but he did have a dream of being a chef especially because he helped mum out at home. His father suggested modeling after he was done with military service . He mentioned in an interview he had to shed off 30kg through diet & exercise as he weighed over 100kg .Esteem Academy signed him & he debut as a model in 2010. He got casted in a TVN survival program "Flower Boy Casting". From there, he was inspired to act and landed his 1st supporting role in the movie "No Breathing". (starring SeoInGuk & LeeJongSuk.) If you want to see a young JY in swimwear 😁, you can check him out there. The movie didn't quite make a splash (pun unintended 😁) , and JY who had actually left Esteem to pursue acting, found himself jobless for at least over a year. He auditioned for BladeMan (LeeDongWook & Shin SeKyung's drama) and got casted for a small role. Esteem reached out to him again & he signed with them again to model. He later also joined HB Entertainment for acting jobs, and was with them for a long time. Last year (2023) he left HB and joined his long time manager who had established a new agency, Management S. After Blademan , JY had several supporting roles but his 1st main cast role was in OCN's My Secret Romance. He was the 2nd lead & that was also my first JY drama. While I didn't have SLS, he was such a sweetheart there and caught my attention. My massive crush began when he acted as MooYeon in #100DaysMyPrince as an assassin and the FL's brother. He also had a forbidden love line with the 2ndFL's char played by HanSoHee , and they had great chemie despite limited scenes. I cried my eyes out watching their tragic love story. This is the year (2018) I decided I'll stan this man ☺️😂 His role there opened many doors. He had a short TV series called Dear My Room ( was on the now defunct Olive TV) where he played the romantic ML against Ryoo Hye Young's character. It was one of those friends to lovers trope and I recommend this for a sweet fluffy watch. He also sang the OST with RHY. The big year came in 2019 when he was casted as the ML , Sun Woo in #SecretBoutique, a female centric drama starring KimSunA and GoMinSi . He had a meaty role here as a prosecutor - a bit of a grey character and was somewhat like a brother to the FL (KimSunA) and he had some nice fight scenes. His body was the best here 🔥😋😁. If you don't mind a heavy melodrama, this wasn't bad. And oh boy, was I shipping him hard with GoMinSi's character. I still hope they can reunite for another show & give me closure. 2019-2020 was when I watched a KBS weekender #BeautifulLoveWonderfulLife from start to finish ( raw and with subs - yes my level of dedication surprised me) because JY got casted as Jun Hwi, the ML against another actress I love , Seol In Ah. Gosh, this drama was an emotional roller coaster and was another heavy character. The premise of the story was so sad and the leads went through so much together but I love this show though. He had good chemie with SIA. He also won a KBS acting award here. I recommend this if you can do 50eps and love angst like I do 😂 The role took its toll on JY. He mentioned he needed to take a break but then found himself without work for at least 6-7 months ( if I remember correctly) . Boy, did I miss him. It was really only in an Elle pictorial with his good friend -actor, model and famous youtuber Joo WooJae that I found out he had been having a hard time. He has appeared on WooJae's YT channel several times - they even travel together. JY's come back drama was in #ReflectionOfYou (2021), another heavy melo as the ML who was caught in an emotional tug of war between 2 women played by GoHyunJung and ShinHyunBeen. As WooJae, KJY gave some of his best acting. I know he got a lot of hate 😵‍💫🤣because WooJae was just so obssessed / in love with GHJ's character that he was willing to throw it all for her. This drama is not for the faint hearted but the acting was superb all round - even if the plot would make you uncomfortable. He was so hot here too. JY with longish hair was a dream. In 2022, he was the 2ndML , as KangHaeJin in #LoveInContract. It was so nice to see him play a diva actor and do rom-com for the 1st time. This is a fun watch. While I don't think viewers would have SLS, JY's character wasn't one dimensional either and he had his own storyline despite not being the ML. In 2022 - 2023 he voiced an audio drama , "For Sale - I Broke Up" with Yoon So Hee - but I don't know how we can listen to it internationally (though I do have some vids I would post one day). He also filmed a drama called "We Will Replace The Trip" with Gong SeungYeon, but so far no news of it airing yet. JaeYoung here is shy and unassuming. He's MBTI is INFP. You can see from his interviews he's quite easygoing and humorous. On my highlights- I have subbed some of his videos for TJFH. JY says he still dreams of being a chef and has gone to a 6-month cooking course last year. He also hopes to be able to take on warmer roles going forward.

abs-oluteM

86,307 görüntüleme • 1 yıl önce