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One small step for Hivemind, one giant leap for mission autonomy. Hivemind is going to space! Shield AI and Sedaro are partnering to send Hivemind to space, bringing the same resilient, edge-based autonomy that is redefining warfare to satellites delivering critical infrastructure and national defense capabilities. Our strategic partnership...

33,072 views • 7 months ago •via X (Twitter)

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The Sabotaging Practice of Over Supply and Sameness in the NFT Space. The current zeitgeist of the NFT space is that the same artists are doing the same kind of work five times a year, with project after project leaving a trail of disappointment and discontent among collectors and all of us watching in disbelief as huge resources are extracted from the space over work that feels like it could be left as an "artist study." I understand that you can do what you want with your money as collectors, but we are killing the whole space with this incestuous practice. No artist is that prolific to be able to do 5 collections of 100+ pieces each every year and actually deliver innovation and some kind of creative evolution. Of course, they can pretend play that the work has something new, but there is no precedent nor proof that that has ever happened in the speed that it happens in the NFT space. Again, people are free to through away their resources on whatever they want but with this way of doing things, we more and more are going to start seeing the consequences. Oh! There are consequences? Yes. Maybe unintended, but there are. Let's see. Let's start with the loss of belief in the NFT space as somewhere where emerging artists can come and find support for their experiments. Why even bother to bring experiments, innovation, and new ways to think of art on the blockchain if the same people have all the collectors hypnotized with their magical flutes? Why even try to come to a space where taking risks and challenging the status quo (the mission of art!!!) is overlooked? This makes the NFT space a social club and not a space for art. I guess it is fine, but IMO it is a recipe for disaster. New collectors stay away because the art will slowly but surely become stale and un-challenging. Why even bother to come and see what is happening here if you can't, as a collector, see new weird and up-and-coming artists? The amount of noise emitted by the same artists doing the same art over and over, drowns out any new voices. Again. A recipe for disaster. The NFT space is becoming a space of disappointment and doubt. We think that collections going to zero one after the other, over and over, is not damaging? I feel we are kidding ourselves. Disappointment piles up, and again, the people who will hurt are the emerging artists, the new blood, the ones who are willing to risk the most and, in return, put fire in this cold space of sameness. I love this space—don't get me wrong—it has changed my life, and I believe it has a ton of potential, but things need to change for it to become a beacon of light in art. But we need to support new voices. We need to support new ideas. The challenge is huge. I hope to contribute all I can to this change. I hope more and more see how exciting it is to go out and try to discover what else is out there and move this space forward. But again, I understand the leaps of faith needed, but if there is a space that is based on that, it's the NFT space...so there is hope. We will see. 📺by Boldtron

alejandro cartagena

98,261 views • 2 years ago

Conducting an EVA is a complex operation that requires months of planning, choreographed technical checkouts, individual and group preparation, and distinct checkpoints. In the NASA world, we call this the “road to EVA,” or around here, simply “road to.” One of the events on the “road to” is the on-orbit fitcheck. Did you know we can grow up to 2 inches in space? While that is a pretty cool space fact, it's also a pretty big pain if you are the one responsible for ensuring the suits fit. So, after we have had some time on orbit to grow, we get in our suits and make any needed adjustments. We also take the time to translate around, check out the airlock, and handle tools and tethers – in this video, you will see us crawling around inside. While it is as fun as it looks, it's an important check to ensure we will not encounter issues when we crawl around outside. This is also a big day for our IVs, the two astronauts who will get us suited up. Their job is intense, as they run multiple procedures, all of which must be done perfectly and on time. 大西卓哉 (JAXA宇宙飛行士)Takuya Onishi is our suit IV for the upcoming EVA – he is like our quarterback in the airlock. He tells us when to arrive, and what to do next. Unlike other activities on Space Station, Nichole “Vapor” Ayers and I will not be looking at procedures inside the airlock or even when we are outside. We rely on Tak to get us out the door, where we will transition to talking to Marcos Berríos in Mission Control during the EVA. Things to look for in the video: Tak and Jonny Kim double checking one another, Nichole and I seeing if we can reach to fist bump, and Don Pettit making an appearance for some group photos.

COL Anne McClain

26,045 views • 1 year ago