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ONIONS!!! Wolverines take down rival MSU MBB Managers in dramatic fashion on a last second bomb from nick szczechowski. Final: UM 66 | MSU 65 #LoseYourselfInTheTeam #SCTop10 Manager Games

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Michigan MBB Managers

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306,526 görüntüleme • 1 yıl önce •via X (Twitter)

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Kapaun takes down #4 in 6A Wichita Heights 56-53 off this buzzer beater from senior Corbin Johnson. Johnson scored the Crusaders’ final 10 points for the win. Kapaun is ranked #3 in 5A now at 16-3 on the year and have won their last 11 games and avenged their most recent loss on 1/14 to Heights 59-54. Johnson averaged 19 points per game shooting an impressive 62% from the field and 44% from the three point line. He was a SIK All State pick last season as a junior when he led Kapaun to a 5A state championship. #sportsinkansas Video: @jscheuflicks
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Kapaun takes down #4 in 6A Wichita Heights 56-53 off this buzzer beater from senior Corbin Johnson. Johnson scored the Crusaders’ final 10 points for the win. Kapaun is ranked #3 in 5A now at 16-3 on the year and have won their last 11 games and avenged their most recent loss on 1/14 to Heights 59-54. Johnson averaged 19 points per game shooting an impressive 62% from the field and 44% from the three point line. He was a SIK All State pick last season as a junior when he led Kapaun to a 5A state championship. #sportsinkansas Video: @jscheuflicks

Sports in Kansas

20,240 görüntüleme • 1 yıl önce

🚨Jamie Carragher on Arsenal’s Premier League title hopes slipping away: 🗣️ Carragher: “Arsenal right now look closer to bottling the league than actually winning it. You can feel it happening—it’s a story we’ve seen before, and they’ve put themselves right back in that position.” “When you drop points at crucial moments, you invite Manchester City in—and once they sense it, they don’t let go. City don’t look like a team that will drop points from here. We can even see Manchester City fans now trolling Arsenal with water bottles… it’s embarrassing. That tells you everything about how the momentum has shifted.” “If this title goes down to goal difference, I don’t think it’s even a debate. City will score for fun in these final games—we’ve seen it year after year. Arsenal don’t have that same ruthlessness.” “Unless something dramatic changes, this looks like another title slipping through their fingers.”
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🚨Jamie Carragher on Arsenal’s Premier League title hopes slipping away: 🗣️ Carragher: “Arsenal right now look closer to bottling the league than actually winning it. You can feel it happening—it’s a story we’ve seen before, and they’ve put themselves right back in that position.” “When you drop points at crucial moments, you invite Manchester City in—and once they sense it, they don’t let go. City don’t look like a team that will drop points from here. We can even see Manchester City fans now trolling Arsenal with water bottles… it’s embarrassing. That tells you everything about how the momentum has shifted.” “If this title goes down to goal difference, I don’t think it’s even a debate. City will score for fun in these final games—we’ve seen it year after year. Arsenal don’t have that same ruthlessness.” “Unless something dramatic changes, this looks like another title slipping through their fingers.”

Klay 🇵🇹🇨🇦

607,529 görüntüleme • 3 ay önce

🇺🇸 ELON: “IF WE TAKE OUR EYE OFF THE BALL, THE WASTE AND FRAUD WILL COME ROARING BACK” Elon delivered another devastating truth bomb earlier this year, and Washington should be paying attention: “If we take our eye off the ball, the waste and fraud will come roaring back.” And he's absolutely right, because it’s already happening. From COVID relief scams, to $100+ billion in vanished government spending, to Minnesota’s Somali daycare scandal (where the state is still sending checks while the DOJ racks up convictions), the message is clear: Fraud never left… it just got smarter. We’ve got bloated agencies writing blank checks, zero oversight, and politicians too busy playing PR games to care where your money goes. Elon isn’t just talking about waste though, he’s calling out a systemic rot where fraud is treated like a rounding error instead of a crisis. The second the public stops watching, the grift machine revs back up, and it’s funded by your paycheck. Americans don’t need more audits, they need a cultural purge of political cowardice and bureaucratic incompetence. Keep your eyes on the ball, because they’re counting on you to look away. Source: Elon Musk / Fox
0:16

🇺🇸 ELON: “IF WE TAKE OUR EYE OFF THE BALL, THE WASTE AND FRAUD WILL COME ROARING BACK” Elon delivered another devastating truth bomb earlier this year, and Washington should be paying attention: “If we take our eye off the ball, the waste and fraud will come roaring back.” And he's absolutely right, because it’s already happening. From COVID relief scams, to $100+ billion in vanished government spending, to Minnesota’s Somali daycare scandal (where the state is still sending checks while the DOJ racks up convictions), the message is clear: Fraud never left… it just got smarter. We’ve got bloated agencies writing blank checks, zero oversight, and politicians too busy playing PR games to care where your money goes. Elon isn’t just talking about waste though, he’s calling out a systemic rot where fraud is treated like a rounding error instead of a crisis. The second the public stops watching, the grift machine revs back up, and it’s funded by your paycheck. Americans don’t need more audits, they need a cultural purge of political cowardice and bureaucratic incompetence. Keep your eyes on the ball, because they’re counting on you to look away. Source: Elon Musk / Fox

Mario Nawfal

99,809 görüntüleme • 6 ay önce

Created on seedance 2.0 Prompt: Create a luxurious, hyper-realistic 9-second cinematic food video in vertical 9:16 format, warm golden lighting, shallow depth of field, and mouthwatering detail. Show the satisfying step-by-step process of making perfect cinnamon rolls. Scene-by-scene breakdown: 0-1s: Close-up of hands using a wooden rolling pin to roll out soft dough on a floured wooden countertop, flour gently flying in the air. 1-2s: A metal spatula smoothly spreads rich, glossy butter in elegant swirls across the flattened dough. 2-3s: Dramatic slow-motion shot of fragrant brown cinnamon sugar pouring and cascading from above, forming a beautiful mound on the buttered dough. 3-4s: Hands gently roll the dough into a tight spiral log, revealing the perfect cinnamon swirl inside. 4-5s: A thin thread slices cleanly through the rolled dough, cutting it into even cinnamon roll portions on the wooden board. 5-6s: Golden baked cinnamon rolls rising in a warm oven with soft steam rising around them. 6-7s: Thick, creamy white icing poured slowly from above, dripping luxuriously down the sides of a fresh, warm cinnamon roll on a plate. 7-8s: Extreme close-up of the glossy icing slowly dripping over the golden, flaky layers. 8-9s: A pair of hands pulls apart a warm cinnamon roll, revealing a perfect heart-shaped cinnamon swirl in the soft, fluffy interior, with steam gently rising. Final shot of a beautifully glazed cinnamon roll on a wooden plate with more rolls softly blurred in the background. Style: Professional food cinematography, ultra-detailed textures, cozy bakery atmosphere, appetizing colors, smooth camera movements, high-end 4K quality, satisfying and ASMR-style visual storytelling."
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Created on seedance 2.0 Prompt: Create a luxurious, hyper-realistic 9-second cinematic food video in vertical 9:16 format, warm golden lighting, shallow depth of field, and mouthwatering detail. Show the satisfying step-by-step process of making perfect cinnamon rolls. Scene-by-scene breakdown: 0-1s: Close-up of hands using a wooden rolling pin to roll out soft dough on a floured wooden countertop, flour gently flying in the air. 1-2s: A metal spatula smoothly spreads rich, glossy butter in elegant swirls across the flattened dough. 2-3s: Dramatic slow-motion shot of fragrant brown cinnamon sugar pouring and cascading from above, forming a beautiful mound on the buttered dough. 3-4s: Hands gently roll the dough into a tight spiral log, revealing the perfect cinnamon swirl inside. 4-5s: A thin thread slices cleanly through the rolled dough, cutting it into even cinnamon roll portions on the wooden board. 5-6s: Golden baked cinnamon rolls rising in a warm oven with soft steam rising around them. 6-7s: Thick, creamy white icing poured slowly from above, dripping luxuriously down the sides of a fresh, warm cinnamon roll on a plate. 7-8s: Extreme close-up of the glossy icing slowly dripping over the golden, flaky layers. 8-9s: A pair of hands pulls apart a warm cinnamon roll, revealing a perfect heart-shaped cinnamon swirl in the soft, fluffy interior, with steam gently rising. Final shot of a beautifully glazed cinnamon roll on a wooden plate with more rolls softly blurred in the background. Style: Professional food cinematography, ultra-detailed textures, cozy bakery atmosphere, appetizing colors, smooth camera movements, high-end 4K quality, satisfying and ASMR-style visual storytelling."

ayzalnoor

12,265 görüntüleme • 11 gün önce

Cooking meets cinematic AI. This stunning commercial was created with Seedance 2.0 in Lart AI Delivering realistic motion, rich food details, and premium visuals that look like a real production. Create yours here 👇 Prompt: THE FLAME CHEF - 15 second high-energy cinematic cooking film, 10 rapid scenes, fast rhythmic pacing, whip-pan and speed-ramp transitions between every scene, kinetic kitchen artistry from fresh ingredients to final plated dish. Shot on ARRI Alexa 35, 35mm lens, natural film grain, rich warm color grade with deep shadows and golden highlights, professional food cinematography, photorealistic, not CGI. Dark moody restaurant kitchen, dramatic overhead lighting, steam and warm glow. SCENE 1 (0-1.5s): Chef's hand places a cast iron pan onto a glowing gas burner with confident energy, blue flame rising around the edges, quick real time then micro slow motion on the flame glow, hard whip-pan into locked close-up. SCENE 2 (1.5-3s): Rapid skilled vegetable prep, knife rocking smoothly through fresh herbs and bell peppers in rhythmic motion, hyper-fast real time with hands in controlled motion, one pepper slice spinning in brief slow motion, top-down locked shot. SCENE 3 (3-4.5s): Butter cube tossed gracefully through the air landing in the warm pan, melting instantly into golden foam and swirl, slow motion flight with speed ramp to real time on the sizzle, side macro tracking the arc. SCENE 4 (4.5-6s): Chef flips the pan, vegetables rising upward in a golden arc, warm flame glow beneath, tiny seasoning embers drifting, speed ramp from real time flip into dramatic slow motion at the peak of the toss, low hero angle. SCENE 5 (6-7.5s): Extreme macro, garlic and chili meeting hot oil, lively golden bubbles, steam rising in a soft backlit plume, 120fps slow motion with every bubble crisp, probe lens push-in through the steam. SCENE 6 (7.5-9s): Chef seasoning from height with flowing hand movement, salt crystals raining down in slow motion through a shaft of overhead light catching like snow, slow motion rain against fast hand movement, side close-up with shallow focus on the crystals. SCENE 7 (9-10.5s): Sauce poured from a steel pan in a glossy ribbon coating the dish in one continuous silky wave, steam curling, silky hypnotic slow motion, orbiting macro around the pour. SCENE 8 (10.5-12s): Fresh herbs dropped from above, leaves tumbling in slow motion landing perfectly on the glistening dish, tiny sparkle of sauce, slow motion fall with real time landing, top-down locked shot. SCENE 9 (12-13.5s): Chef wipes the plate rim in one confident swift motion and spins the plate a quarter turn, steam rising through dramatic side light, fast confident real time, close-up tracking the hand with whip-pan on the spin. SCENE 10 (13.5-15s): Final hero shot, finished dish center frame under a single overhead spotlight, steam rising in elegant curls, background fading to darkness, chef's silhouette stepping back with satisfaction, calm slow motion after the energy, slow push-in settling to a loop-friendly hold. Movement: continuous kinetic energy throughout, hands moving with professional speed and precision, constant speed ramping between hyper-fast real time and crisp slow motion for rhythm, ingredients gracefully in flight, intensity building from scene 1 to 9 then sudden calm hero ending Camera: hard whip-pans between scenes, top-down locked shots, side macro tracking, low hero angle, probe lens push-in, orbiting pour shot, close-up hand tracking, slow push-in finale, all cuts punchy and landing on beat Effects: warm flame glow, backlit steam plumes, golden oil bubbles in extreme macro, salt crystals in overhead light shafts, glossy sauce reflections, shallow depth of field, natural film grain, dark moody kitchen atmosphere, no text no watermark.
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Cooking meets cinematic AI. This stunning commercial was created with Seedance 2.0 in Lart AI Delivering realistic motion, rich food details, and premium visuals that look like a real production. Create yours here 👇 Prompt: THE FLAME CHEF - 15 second high-energy cinematic cooking film, 10 rapid scenes, fast rhythmic pacing, whip-pan and speed-ramp transitions between every scene, kinetic kitchen artistry from fresh ingredients to final plated dish. Shot on ARRI Alexa 35, 35mm lens, natural film grain, rich warm color grade with deep shadows and golden highlights, professional food cinematography, photorealistic, not CGI. Dark moody restaurant kitchen, dramatic overhead lighting, steam and warm glow. SCENE 1 (0-1.5s): Chef's hand places a cast iron pan onto a glowing gas burner with confident energy, blue flame rising around the edges, quick real time then micro slow motion on the flame glow, hard whip-pan into locked close-up. SCENE 2 (1.5-3s): Rapid skilled vegetable prep, knife rocking smoothly through fresh herbs and bell peppers in rhythmic motion, hyper-fast real time with hands in controlled motion, one pepper slice spinning in brief slow motion, top-down locked shot. SCENE 3 (3-4.5s): Butter cube tossed gracefully through the air landing in the warm pan, melting instantly into golden foam and swirl, slow motion flight with speed ramp to real time on the sizzle, side macro tracking the arc. SCENE 4 (4.5-6s): Chef flips the pan, vegetables rising upward in a golden arc, warm flame glow beneath, tiny seasoning embers drifting, speed ramp from real time flip into dramatic slow motion at the peak of the toss, low hero angle. SCENE 5 (6-7.5s): Extreme macro, garlic and chili meeting hot oil, lively golden bubbles, steam rising in a soft backlit plume, 120fps slow motion with every bubble crisp, probe lens push-in through the steam. SCENE 6 (7.5-9s): Chef seasoning from height with flowing hand movement, salt crystals raining down in slow motion through a shaft of overhead light catching like snow, slow motion rain against fast hand movement, side close-up with shallow focus on the crystals. SCENE 7 (9-10.5s): Sauce poured from a steel pan in a glossy ribbon coating the dish in one continuous silky wave, steam curling, silky hypnotic slow motion, orbiting macro around the pour. SCENE 8 (10.5-12s): Fresh herbs dropped from above, leaves tumbling in slow motion landing perfectly on the glistening dish, tiny sparkle of sauce, slow motion fall with real time landing, top-down locked shot. SCENE 9 (12-13.5s): Chef wipes the plate rim in one confident swift motion and spins the plate a quarter turn, steam rising through dramatic side light, fast confident real time, close-up tracking the hand with whip-pan on the spin. SCENE 10 (13.5-15s): Final hero shot, finished dish center frame under a single overhead spotlight, steam rising in elegant curls, background fading to darkness, chef's silhouette stepping back with satisfaction, calm slow motion after the energy, slow push-in settling to a loop-friendly hold. Movement: continuous kinetic energy throughout, hands moving with professional speed and precision, constant speed ramping between hyper-fast real time and crisp slow motion for rhythm, ingredients gracefully in flight, intensity building from scene 1 to 9 then sudden calm hero ending Camera: hard whip-pans between scenes, top-down locked shots, side macro tracking, low hero angle, probe lens push-in, orbiting pour shot, close-up hand tracking, slow push-in finale, all cuts punchy and landing on beat Effects: warm flame glow, backlit steam plumes, golden oil bubbles in extreme macro, salt crystals in overhead light shafts, glossy sauce reflections, shallow depth of field, natural film grain, dark moody kitchen atmosphere, no text no watermark.

Zar⭕on

31,229 görüntüleme • 10 gün önce

A single jump. A stolen briefcase. A city racing beneath his feet. Created with GPT Image 2 + Seedance 2.0 mini on BudgetPixel AI Prompt: Create a 15-second ultra-realistic Hollywood blockbuster action sequence set in a futuristic megacity at sunset. A high-speed magnetic train races through towering skyscrapers at over 500 km/h. A fearless secret agent wearing a sleek black tactical suit sprints across the rooftops, chasing a masked villain carrying a glowing energy briefcase. The camera opens with a breathtaking aerial drone shot of the city, then rapidly dives into an intense tracking shot behind the agent as helicopters circle overhead. The villain leaps from one speeding train to another while explosions erupt in the distance. Without hesitation, the agent performs an impossible slow-motion jump across a massive gap between two trains suspended hundreds of feet above the city. As he flies through the air, the camera rotates 360 degrees around him, capturing sparks, flying debris, fluttering coat fabric, and dramatic sunset light reflecting off the train windows. He lands perfectly on the second train, slides beneath spinning helicopter blades suspended just overhead, grabs the glowing briefcase from the villain, and kicks him off the moving train. The villain falls toward the city as the train bursts through a tunnel in a shower of sparks. The final shot shows the agent standing on the roof of the speeding train, holding the glowing briefcase while the sun sets behind the futuristic skyline. Style: Hollywood blockbuster, Mission: Impossible meets Fast & Furious, ultra-photorealistic, IMAX quality, ARRI Alexa 65, anamorphic lens, cinematic camera movements, dynamic motion blur, realistic physics, volumetric lighting, HDR, ray-traced reflections, shallow depth of field, 8K, epic orchestral soundtrack, Dolby Atmos sound design. Negative Prompt: Low quality, blurry, cartoon, anime, CGI look, bad anatomy, extra limbs, duplicated characters, flickering, unstable motion, poor lighting, text, subtitles, watermark, logo, artifacts.
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A single jump. A stolen briefcase. A city racing beneath his feet. Created with GPT Image 2 + Seedance 2.0 mini on BudgetPixel AI Prompt: Create a 15-second ultra-realistic Hollywood blockbuster action sequence set in a futuristic megacity at sunset. A high-speed magnetic train races through towering skyscrapers at over 500 km/h. A fearless secret agent wearing a sleek black tactical suit sprints across the rooftops, chasing a masked villain carrying a glowing energy briefcase. The camera opens with a breathtaking aerial drone shot of the city, then rapidly dives into an intense tracking shot behind the agent as helicopters circle overhead. The villain leaps from one speeding train to another while explosions erupt in the distance. Without hesitation, the agent performs an impossible slow-motion jump across a massive gap between two trains suspended hundreds of feet above the city. As he flies through the air, the camera rotates 360 degrees around him, capturing sparks, flying debris, fluttering coat fabric, and dramatic sunset light reflecting off the train windows. He lands perfectly on the second train, slides beneath spinning helicopter blades suspended just overhead, grabs the glowing briefcase from the villain, and kicks him off the moving train. The villain falls toward the city as the train bursts through a tunnel in a shower of sparks. The final shot shows the agent standing on the roof of the speeding train, holding the glowing briefcase while the sun sets behind the futuristic skyline. Style: Hollywood blockbuster, Mission: Impossible meets Fast & Furious, ultra-photorealistic, IMAX quality, ARRI Alexa 65, anamorphic lens, cinematic camera movements, dynamic motion blur, realistic physics, volumetric lighting, HDR, ray-traced reflections, shallow depth of field, 8K, epic orchestral soundtrack, Dolby Atmos sound design. Negative Prompt: Low quality, blurry, cartoon, anime, CGI look, bad anatomy, extra limbs, duplicated characters, flickering, unstable motion, poor lighting, text, subtitles, watermark, logo, artifacts.

Stonic AI

22,275 görüntüleme • 3 gün önce

This workflow is perfect for creating short fashion-style cinematic videos. I simplified the original prompts based on willie’s method, and the whole process is now much faster and more stable: 1. Generate a 3×3 keyframe grid (Nano Banana Pro only) Use this simple prompt: “In a 3x3 grid, show this character in different angles, keep the scene the same, random poses. This is far simpler and more efficient than my old prompts. You can generate multiple times and just pick the keyframes you like most. 2. Extract a high-res keyframe (Super stable trick) Take a screenshot of the keyframe you want from the 3×3 grid, send it back to Nano Banana Pro, and simply say: “Give me a high-resolution version.” This method is much more stable than relying on complex upscaling prompts. 3. Generate the video with Kling 2.5 Turbo Upload the first and last frames to Kling 2.5 Turbo and use this prompt: “The camera very slowly and smoothly lowers on a boom.” From my testing, Kling 2.5 Turbo offers the best balance of stability and cost — other models are either less consistent or noticeably more expensive. 4. Final speed adjustment with willie’s tool (Critical step) Use the tool built by willie to fine-tune the playback speed of each clip. This step is essential for getting that premium cinematic feel. I’ll drop the tool link in the comments.
0:10

This workflow is perfect for creating short fashion-style cinematic videos. I simplified the original prompts based on willie’s method, and the whole process is now much faster and more stable: 1. Generate a 3×3 keyframe grid (Nano Banana Pro only) Use this simple prompt: “In a 3x3 grid, show this character in different angles, keep the scene the same, random poses. This is far simpler and more efficient than my old prompts. You can generate multiple times and just pick the keyframes you like most. 2. Extract a high-res keyframe (Super stable trick) Take a screenshot of the keyframe you want from the 3×3 grid, send it back to Nano Banana Pro, and simply say: “Give me a high-resolution version.” This method is much more stable than relying on complex upscaling prompts. 3. Generate the video with Kling 2.5 Turbo Upload the first and last frames to Kling 2.5 Turbo and use this prompt: “The camera very slowly and smoothly lowers on a boom.” From my testing, Kling 2.5 Turbo offers the best balance of stability and cost — other models are either less consistent or noticeably more expensive. 4. Final speed adjustment with willie’s tool (Critical step) Use the tool built by willie to fine-tune the playback speed of each clip. This step is essential for getting that premium cinematic feel. I’ll drop the tool link in the comments.

underwood

22,173 görüntüleme • 7 ay önce

OF Nick Dumesnil (California Baptist Baseball) is one of the higher upside college bats in this year's Draft. Showed flashes across a limited sample as a Freshman, but exploded last year to the tune of a .362/.440/.702 slash line with 40 XBH (19 HRs) and 45 RBIs across 61 games. Proceeded to have an excellent summer on the Cape in which he hit .311/.378/.489 with a league-leading 12 2B, 4 HR, 15 RBIs and a league-leading 26 SB in 36 games. Strong, athletic frame at 6'2" and 205-pounds. Big league body. Slightly wide base in the box with a somewhat high handset (lowered his hands as the summer went on, was ultra-high at school with his bat pointed almost straight down behind his back shoulder. Drew Burress-ish look). Ultra-small stride that is more of a toe tap than anything else. Hands already start pretty far back, though they drift slightly in his load. Engaged lower-half, especially his back side. Easy plus bat speed. Dumesnil showed the ability to drive the baseball to all fields both at school and on the Cape. Would give his power a 55 overall, but it's a 6 to the pull side. Top spun a 2-run HR (EV of 106) off the scoreboard in the ASG. Very curious to monitor how his hit tool progresses this spring. There's a present feel for the barrel and his bat-to-ball skills are plus (ovr. IZ contact rate of 90%, including 93% and 91% against FB and SL, respectively). Will certainly need to shore up his pitch recognition skills and swing decisions in order to maximize his offensive upside. Some chase up/out against FB, down/out against secondaries. Key will be doing a better job of picking up spin out of the hand. Plus runner—who most importantly knows HOW to run—whose speed translates on both sides of the baseball. Chaos-causer on the bases, Dumesnil's speed also gives him the opportunity to take an extra base on a ball in the gap or down the line. I thought his instincts in CF got better as the summer went on. Dumesnil's speed and elite athleticism allow him to cover plenty of ground and his arm is average, I'm sure he'll get the opportunity to prove he can stick there in pro ball. Chance he could move off and end up at a corner eventually. Key for Dumesnil is adding polish to his hit tool. There is 5-tool upside (key word) with him and he can impact the game in a number of ways. Potential first round pick this July. (📽️: California Baptist Baseball)
0:15

OF Nick Dumesnil (California Baptist Baseball) is one of the higher upside college bats in this year's Draft. Showed flashes across a limited sample as a Freshman, but exploded last year to the tune of a .362/.440/.702 slash line with 40 XBH (19 HRs) and 45 RBIs across 61 games. Proceeded to have an excellent summer on the Cape in which he hit .311/.378/.489 with a league-leading 12 2B, 4 HR, 15 RBIs and a league-leading 26 SB in 36 games. Strong, athletic frame at 6'2" and 205-pounds. Big league body. Slightly wide base in the box with a somewhat high handset (lowered his hands as the summer went on, was ultra-high at school with his bat pointed almost straight down behind his back shoulder. Drew Burress-ish look). Ultra-small stride that is more of a toe tap than anything else. Hands already start pretty far back, though they drift slightly in his load. Engaged lower-half, especially his back side. Easy plus bat speed. Dumesnil showed the ability to drive the baseball to all fields both at school and on the Cape. Would give his power a 55 overall, but it's a 6 to the pull side. Top spun a 2-run HR (EV of 106) off the scoreboard in the ASG. Very curious to monitor how his hit tool progresses this spring. There's a present feel for the barrel and his bat-to-ball skills are plus (ovr. IZ contact rate of 90%, including 93% and 91% against FB and SL, respectively). Will certainly need to shore up his pitch recognition skills and swing decisions in order to maximize his offensive upside. Some chase up/out against FB, down/out against secondaries. Key will be doing a better job of picking up spin out of the hand. Plus runner—who most importantly knows HOW to run—whose speed translates on both sides of the baseball. Chaos-causer on the bases, Dumesnil's speed also gives him the opportunity to take an extra base on a ball in the gap or down the line. I thought his instincts in CF got better as the summer went on. Dumesnil's speed and elite athleticism allow him to cover plenty of ground and his arm is average, I'm sure he'll get the opportunity to prove he can stick there in pro ball. Chance he could move off and end up at a corner eventually. Key for Dumesnil is adding polish to his hit tool. There is 5-tool upside (key word) with him and he can impact the game in a number of ways. Potential first round pick this July. (📽️: California Baptist Baseball)

Peter Flaherty III

21,730 görüntüleme • 1 yıl önce

Seedance 2.0 on Nsketch AI Prompt: Speeder chase across a cliff city (single continuous shot) From a monumental cliffside city carved into stone, the camera dives toward a tiny streak of light ripping along a narrow ledge-road. Lock-on: a speeder hugging the wall at insane speed. The camera slingshots ahead, whips back, then drops tight to the rear thrusters: heat haze, grit snapping off the ledge, warning lights flashing. A collapsing balcony rains debris; the rider snaps a last-inch swerve under a falling arch, then threads through hanging laundry lines and open windows in one fluid line. The camera darts through the same openings, staying glued to the motion. One final bend and sudden calm: the camera blasts outward into a reveal of the city opening onto a boundless waterfall-fed valley, mist turning into rainbow.The rainbow mist lingers for half a second — serenity — then a SHADOW slices across it. From above, two black pursuit speeders dive through the mist, engines screaming. The camera tilts up just as the lead speeder banks hard off the cliff edge, skimming inches above the waterfall’s roaring drop. Spray explodes across the lens but never cuts. The camera rolls with the rider as they plunge straight down the waterfall face — not falling, but riding the vertical air current. Thrusters flare blue-white, stabilizers flickering. Pursuit crafts follow, firing pulse shots that streak through the mist like comets. The rider kicks sideways into a cavern hidden behind the waterfall curtain. The camera punches through liquid light into darkness — bioluminescent moss ignites along the cave walls, revealing an ancient tunnel carved by forgotten hands. Water drips in slow motion as the speed never drops. The camera swings low beneath the speeder, hugging the water-slick stone. Sparks burst as the underside grazes rock. Ahead: a broken bridge spanning a massive underground chasm. No slowdown. The rider guns it. The camera races ahead, flips 180° mid-air as the speeder launches the gap. For a breathless second, only void below — a bottomless abyss glowing faintly with magma veins. Mid-jump, one pursuer clips the edge and spirals down, vanishing into the darkness. The second clears it. Landing hard, the rider blasts toward a vertical shaft of daylight spearing down from above. The tunnel narrows — ancient gears and colossal stone mechanisms begin turning, triggered by the intrusion. Rotating rings. Crushing slabs.
0:15

Seedance 2.0 on Nsketch AI Prompt: Speeder chase across a cliff city (single continuous shot) From a monumental cliffside city carved into stone, the camera dives toward a tiny streak of light ripping along a narrow ledge-road. Lock-on: a speeder hugging the wall at insane speed. The camera slingshots ahead, whips back, then drops tight to the rear thrusters: heat haze, grit snapping off the ledge, warning lights flashing. A collapsing balcony rains debris; the rider snaps a last-inch swerve under a falling arch, then threads through hanging laundry lines and open windows in one fluid line. The camera darts through the same openings, staying glued to the motion. One final bend and sudden calm: the camera blasts outward into a reveal of the city opening onto a boundless waterfall-fed valley, mist turning into rainbow.The rainbow mist lingers for half a second — serenity — then a SHADOW slices across it. From above, two black pursuit speeders dive through the mist, engines screaming. The camera tilts up just as the lead speeder banks hard off the cliff edge, skimming inches above the waterfall’s roaring drop. Spray explodes across the lens but never cuts. The camera rolls with the rider as they plunge straight down the waterfall face — not falling, but riding the vertical air current. Thrusters flare blue-white, stabilizers flickering. Pursuit crafts follow, firing pulse shots that streak through the mist like comets. The rider kicks sideways into a cavern hidden behind the waterfall curtain. The camera punches through liquid light into darkness — bioluminescent moss ignites along the cave walls, revealing an ancient tunnel carved by forgotten hands. Water drips in slow motion as the speed never drops. The camera swings low beneath the speeder, hugging the water-slick stone. Sparks burst as the underside grazes rock. Ahead: a broken bridge spanning a massive underground chasm. No slowdown. The rider guns it. The camera races ahead, flips 180° mid-air as the speeder launches the gap. For a breathless second, only void below — a bottomless abyss glowing faintly with magma veins. Mid-jump, one pursuer clips the edge and spirals down, vanishing into the darkness. The second clears it. Landing hard, the rider blasts toward a vertical shaft of daylight spearing down from above. The tunnel narrows — ancient gears and colossal stone mechanisms begin turning, triggered by the intrusion. Rotating rings. Crushing slabs.

Zara

17,702 görüntüleme • 3 ay önce

Created with seedance 2.0 Prompt: A powerful 14-second cinematic beauty transformation advertisement for luxury anti-aging face serum, smooth 24fps, highly detailed, photorealistic. 0-2s: Emotional opening scene in a bright modern living room. An older woman (60s, tired face with wrinkles, graying hair in ponytail, wearing light gray pajamas) stands sadly. A confident younger woman (40s, professional black suit, hair in neat bun) stands in front of her and points her finger directly at the older woman's face with a serious expression. The older woman looks down with teary eyes. 2-3s: Extreme close-up on the older woman's crying face — deep wrinkles, red puffy eyes, single tear rolling down her cheek, very emotional and realistic. 3-5s: Cut to clean white studio shot of a luxurious glass dropper bottle filled with golden glowing serum. Elegant product shot with soft reflection on glossy surface. A bright light flare and sparkle appears on the dropper. 5-7s: Beautiful close-up of a elegant mature woman (50s, radiant skin, blonde hair) applying the serum. Dropper above her forehead releasing one golden drop that lands perfectly on her forehead. She gently massages the serum into her cheeks and forehead with both hands, soft glowing skin effect, satisfied calm expression. 7-8s: Close-up of her transformed glowing face, she smiles softly while touching her smooth skin. 8-12s: Glamorous party transformation scene. The same woman now looks stunning and confident, wearing a sparkling black sequin strapless mermaid gown with diamond necklace and earrings. She elegantly opens big wooden doors and walks into a luxurious grand ballroom with chandeliers and well-dressed guests holding champagne. She smiles confidently, walks forward, picks up a champagne glass, raises it elegantly, and takes a sip while looking happy and radiant. 12-14s: Final hero shot — close-up of the glowing serum bottle on dark elegant background with dramatic spotlight from above. Golden liquid inside swirls beautifully with magical glowing golden spiral and sparkling particles. Text overlay appears smoothly: "Transform Your Skin" and "Youth Restored". Cinematic lighting, emotional storytelling, smooth transitions, luxurious color grading (warm golden tones), high-end commercial style, 9:16 vertical format for social media, no logos, no text except the final overlay.
0:15

Created with seedance 2.0 Prompt: A powerful 14-second cinematic beauty transformation advertisement for luxury anti-aging face serum, smooth 24fps, highly detailed, photorealistic. 0-2s: Emotional opening scene in a bright modern living room. An older woman (60s, tired face with wrinkles, graying hair in ponytail, wearing light gray pajamas) stands sadly. A confident younger woman (40s, professional black suit, hair in neat bun) stands in front of her and points her finger directly at the older woman's face with a serious expression. The older woman looks down with teary eyes. 2-3s: Extreme close-up on the older woman's crying face — deep wrinkles, red puffy eyes, single tear rolling down her cheek, very emotional and realistic. 3-5s: Cut to clean white studio shot of a luxurious glass dropper bottle filled with golden glowing serum. Elegant product shot with soft reflection on glossy surface. A bright light flare and sparkle appears on the dropper. 5-7s: Beautiful close-up of a elegant mature woman (50s, radiant skin, blonde hair) applying the serum. Dropper above her forehead releasing one golden drop that lands perfectly on her forehead. She gently massages the serum into her cheeks and forehead with both hands, soft glowing skin effect, satisfied calm expression. 7-8s: Close-up of her transformed glowing face, she smiles softly while touching her smooth skin. 8-12s: Glamorous party transformation scene. The same woman now looks stunning and confident, wearing a sparkling black sequin strapless mermaid gown with diamond necklace and earrings. She elegantly opens big wooden doors and walks into a luxurious grand ballroom with chandeliers and well-dressed guests holding champagne. She smiles confidently, walks forward, picks up a champagne glass, raises it elegantly, and takes a sip while looking happy and radiant. 12-14s: Final hero shot — close-up of the glowing serum bottle on dark elegant background with dramatic spotlight from above. Golden liquid inside swirls beautifully with magical glowing golden spiral and sparkling particles. Text overlay appears smoothly: "Transform Your Skin" and "Youth Restored". Cinematic lighting, emotional storytelling, smooth transitions, luxurious color grading (warm golden tones), high-end commercial style, 9:16 vertical format for social media, no logos, no text except the final overlay.

Noor

10,416 görüntüleme • 21 gün önce

VTubing is for everyone! I don't like to bring this up, but recent events in the VTuber community made some people really vile. I had my M&G at HolMat last week and had people come up and just yell at me for being a girl in the "womans world", that is VTubing, no idea about who I was, or why I was there. I had the same group return to my handler multiple times, I felt really worried about the person carrying me around having to deal with this repeatedly and tried to steer them away from the group. It seems they found my YT and left me a handful of the same comments, luckily all caught by moderation tools. While I will refrain from M&G's for a little until this calms down I want to say this; I have been managing for over 1.5 years now, I deliberately take on male VTubers to show them that they can still do it. I take on people that have babiniku accounts, those that are changing from one gender presentation to another and want help, and those that have no gender presentation in their avatar. A lot of male VTubers struggle to find a manager because the stereotype is that all male VTubers are evil and it perpetuates a stereotype that extends beyond entertainment industry subcultures like streaming. VTubing has always been a medium, while character and marketing matters, it's about what makes you happy, YOU are the person that makes the content. Use whatever you want as an avatar, use a voice changer if that's what you want to do. Every month I have a male client bring up they can't do it the same way, that it's easier if jiggle physics or a cute voice is the answer to fast growth. And I tell them yeah, I can also do ASMR, I can do drama content, collab with a larger person, and get to x amount of viewers. There are shortcuts in every entertainment profession and subculture. Does it last? Do quick fixes for anything ever last? Yes, great physics and an expensive model can get people in, but if your value, your way of interacting with people, your content plan and marketing is ass, you can pack up. Most of us start on a small budget, premade or resold models, and it's the same in the big league entertainment industry too. Can I take out a loan and put myself on a billboard tomorrow, can I pay the most expensive model artist and rigger and get in along corporate VTubers tomorrow? Sure. Will it last, will it be genuine, will people trust me? Hell no. Genuine communities and growth build trust. I think streaming, creative industries, entertainment, are full of people, regardless of gender, that will see success and call it "easy", because of what they see as the end product. They don't see most VTubers working a second job, they don't see the managers, they don't see 100+ hours a month going into content production, years invested in singing and voice lessons, model redebut after redebut. I think a lot of male VTubers get a bad rep, because so many boys are raised without putting emphasis on empathy and creativity, watching my brothers be told they should not pursue art, that theatre class is a waste of time, and that they needed to go study x or y to make money for their families in the future was heartbreaking. Nobody should have to look at others and feel so much hatred for society they turn against a whole group of people. If you want to pursue entertainment, please do. If you want to grow and try and make a name for yourself, you should start there, not with yelling about how you already failed. "Oh but I can't", "Oh but the odds are stacked against me", look at the big streamers, look at Ironmouse who overcame everything with hard work, look at Kiara who rose from the ashes, look at everyone that fights against their odds every day and give it your all. If you already think you lost, then you have nothing to lose. Don't give up on your dreams because others tell you to.
0:15

VTubing is for everyone! I don't like to bring this up, but recent events in the VTuber community made some people really vile. I had my M&G at HolMat last week and had people come up and just yell at me for being a girl in the "womans world", that is VTubing, no idea about who I was, or why I was there. I had the same group return to my handler multiple times, I felt really worried about the person carrying me around having to deal with this repeatedly and tried to steer them away from the group. It seems they found my YT and left me a handful of the same comments, luckily all caught by moderation tools. While I will refrain from M&G's for a little until this calms down I want to say this; I have been managing for over 1.5 years now, I deliberately take on male VTubers to show them that they can still do it. I take on people that have babiniku accounts, those that are changing from one gender presentation to another and want help, and those that have no gender presentation in their avatar. A lot of male VTubers struggle to find a manager because the stereotype is that all male VTubers are evil and it perpetuates a stereotype that extends beyond entertainment industry subcultures like streaming. VTubing has always been a medium, while character and marketing matters, it's about what makes you happy, YOU are the person that makes the content. Use whatever you want as an avatar, use a voice changer if that's what you want to do. Every month I have a male client bring up they can't do it the same way, that it's easier if jiggle physics or a cute voice is the answer to fast growth. And I tell them yeah, I can also do ASMR, I can do drama content, collab with a larger person, and get to x amount of viewers. There are shortcuts in every entertainment profession and subculture. Does it last? Do quick fixes for anything ever last? Yes, great physics and an expensive model can get people in, but if your value, your way of interacting with people, your content plan and marketing is ass, you can pack up. Most of us start on a small budget, premade or resold models, and it's the same in the big league entertainment industry too. Can I take out a loan and put myself on a billboard tomorrow, can I pay the most expensive model artist and rigger and get in along corporate VTubers tomorrow? Sure. Will it last, will it be genuine, will people trust me? Hell no. Genuine communities and growth build trust. I think streaming, creative industries, entertainment, are full of people, regardless of gender, that will see success and call it "easy", because of what they see as the end product. They don't see most VTubers working a second job, they don't see the managers, they don't see 100+ hours a month going into content production, years invested in singing and voice lessons, model redebut after redebut. I think a lot of male VTubers get a bad rep, because so many boys are raised without putting emphasis on empathy and creativity, watching my brothers be told they should not pursue art, that theatre class is a waste of time, and that they needed to go study x or y to make money for their families in the future was heartbreaking. Nobody should have to look at others and feel so much hatred for society they turn against a whole group of people. If you want to pursue entertainment, please do. If you want to grow and try and make a name for yourself, you should start there, not with yelling about how you already failed. "Oh but I can't", "Oh but the odds are stacked against me", look at the big streamers, look at Ironmouse who overcame everything with hard work, look at Kiara who rose from the ashes, look at everyone that fights against their odds every day and give it your all. If you already think you lost, then you have nothing to lose. Don't give up on your dreams because others tell you to.

Kuromiya Lucien

15,552 görüntüleme • 6 ay önce

The KLUTCH Sports Group / LeBron affect trying to erase Kobe Bryant from the GOAT debate exposed in 4k 📸: Colin Cowherd 2011: “Kobe been the best player for about a decade” vs. 2016: “LeBron has been the best since 07’, & Kobe may have never been the best player in the league” shannon sharpe 2012: MJ Kobe are the top 2 all time. vs. 2017: Kobe is 10th all time. nick wright 2012: Kobe 5th all time, & the second best player I’ve seen. vs. 2017: LeBron the only person to join the list.. but somehow Kobe goes back 3 spots to 8th. Also he had Kobe>Duncan (like everybody else) but now argues that Duncan may better. Stephen A Smith 2012: Kobe 2nd all time behind only MJ. vs. 2022: Kobe isn’t top 5, then goes on to talk down on Kobe’s 3 rings with Shaq.. when he has BOTH Magic & Kareem top 5. The agenda pushing to get Kobe out of the GOAT convo is so obvious it’s insane. Good thing NOBODY fell for the agenda only kids & Kobe haters take it serious 💯
0:25

The KLUTCH Sports Group / LeBron affect trying to erase Kobe Bryant from the GOAT debate exposed in 4k 📸: Colin Cowherd 2011: “Kobe been the best player for about a decade” vs. 2016: “LeBron has been the best since 07’, & Kobe may have never been the best player in the league” shannon sharpe 2012: MJ Kobe are the top 2 all time. vs. 2017: Kobe is 10th all time. nick wright 2012: Kobe 5th all time, & the second best player I’ve seen. vs. 2017: LeBron the only person to join the list.. but somehow Kobe goes back 3 spots to 8th. Also he had Kobe>Duncan (like everybody else) but now argues that Duncan may better. Stephen A Smith 2012: Kobe 2nd all time behind only MJ. vs. 2022: Kobe isn’t top 5, then goes on to talk down on Kobe’s 3 rings with Shaq.. when he has BOTH Magic & Kareem top 5. The agenda pushing to get Kobe out of the GOAT convo is so obvious it’s insane. Good thing NOBODY fell for the agenda only kids & Kobe haters take it serious 💯

Andre

124,099 görüntüleme • 1 yıl önce

Armed Teens, Brutal Robberies, and Gunfire: NYC’s migrant gangs Bring Midtown to Its Knees: Exclusive For months, Midtown Manhattan has been terrorized by a migrant crew known as the Little Devils — teens and young adults whose crimes have escalated from petty shoplifting to violent robberies, slashings, and now gunfire in the city’s busiest hubs. NYPD sources say they grow bolder every day, openly mocking officers and swinging blades without fear. “They don’t care about cops. They don’t care about the law. They act like the streets belong to them,” one officer said. A few years ago, I reported on this same crew — maybe some new faces, but the same circle pulling the same violent routines, including brutal robberies in Central Park. Back then, warnings were ignored. Now, the cycle has returned, stronger and more dangerous. The Little Devils have hit stores with strollers packed with stolen goods, grabbed chains off tourists in broad daylight, assaulted victims in the street, and nearly stabbed an NYPD officer during a confrontation. At times, they roam the streets in packs of 80 or more members, robbing anyone they cross paths with. Police confirm several have been recruited by established gangs, including the Trinitarios and Crips. Rival crews have started showing up in Midtown to challenge them, turning the streets into a chaotic battleground. Their violence is indiscriminate. A few nights ago, members of the crew beat up the mother of a different victim at the Row Hotel, showing they don’t care who they target — innocent bystanders are fair game. Most of these teens live in taxpayer-funded shelters, moving from one block to another with no fear of consequences. Store owners say they’re terrified. Employees are threatened, tourists avoid the blocks, and businesses report tens of thousands in lost revenue. One manager said, “Nobody wants to shop in a place where you could get jumped any second.” This week, the violence escalated further. Inside the 42nd Street–Port Authority station, a gunshot sent commuters running for their lives. Police recovered a shell casing and a knife, and arrested two 18-year-olds connected to the same crew. Crime statistics show Midtown is facing a spike in criminal activity directly tied to this crew. Sources estimate that the Little Devils are responsible for about 65% of the crime happening in the area, from petty theft to violent assaults. What was once small-scale theft has evolved into armed, unpredictable chaos. Every warning was there. Every pattern repeated. But now Midtown is living in a city under siege: rival gangs, massive packs of robbers, brazen attacks, terrified business owners, and a crew that grows more violent with every passing day — and shows no regard for anyone, anywhere By Leeroy Johnson For licensing email viralnewsnyc@gmail.com
0:10

Armed Teens, Brutal Robberies, and Gunfire: NYC’s migrant gangs Bring Midtown to Its Knees: Exclusive For months, Midtown Manhattan has been terrorized by a migrant crew known as the Little Devils — teens and young adults whose crimes have escalated from petty shoplifting to violent robberies, slashings, and now gunfire in the city’s busiest hubs. NYPD sources say they grow bolder every day, openly mocking officers and swinging blades without fear. “They don’t care about cops. They don’t care about the law. They act like the streets belong to them,” one officer said. A few years ago, I reported on this same crew — maybe some new faces, but the same circle pulling the same violent routines, including brutal robberies in Central Park. Back then, warnings were ignored. Now, the cycle has returned, stronger and more dangerous. The Little Devils have hit stores with strollers packed with stolen goods, grabbed chains off tourists in broad daylight, assaulted victims in the street, and nearly stabbed an NYPD officer during a confrontation. At times, they roam the streets in packs of 80 or more members, robbing anyone they cross paths with. Police confirm several have been recruited by established gangs, including the Trinitarios and Crips. Rival crews have started showing up in Midtown to challenge them, turning the streets into a chaotic battleground. Their violence is indiscriminate. A few nights ago, members of the crew beat up the mother of a different victim at the Row Hotel, showing they don’t care who they target — innocent bystanders are fair game. Most of these teens live in taxpayer-funded shelters, moving from one block to another with no fear of consequences. Store owners say they’re terrified. Employees are threatened, tourists avoid the blocks, and businesses report tens of thousands in lost revenue. One manager said, “Nobody wants to shop in a place where you could get jumped any second.” This week, the violence escalated further. Inside the 42nd Street–Port Authority station, a gunshot sent commuters running for their lives. Police recovered a shell casing and a knife, and arrested two 18-year-olds connected to the same crew. Crime statistics show Midtown is facing a spike in criminal activity directly tied to this crew. Sources estimate that the Little Devils are responsible for about 65% of the crime happening in the area, from petty theft to violent assaults. What was once small-scale theft has evolved into armed, unpredictable chaos. Every warning was there. Every pattern repeated. But now Midtown is living in a city under siege: rival gangs, massive packs of robbers, brazen attacks, terrified business owners, and a crew that grows more violent with every passing day — and shows no regard for anyone, anywhere By Leeroy Johnson For licensing email [email protected]

Viral News NYC

47,993 görüntüleme • 7 ay önce

Made this cinematic AI video in minutes using Getvivix Prompt used below 👇 STORYBOARD 1 "THE KNIGHT" PROJECT TYPE: 10-second cinematic fantasy storyboard CHARACTER LOCK: single consistent knight — original fictional STYLIZED fantasy warrior (not a real person). Full ornate plate armor, VISOR DOWN the entire sequence (face never visible — safe by design), tattered surcoat + banner, mounted on an armored warhorse. Identical armor/horse across all frames. STYLE: epic dark-fantasy, cinematic, painterly film stills PACING & FLOW: slow, weighty, EPIC — no rush. One continuous charge → clash → melee → hero arc. Gradual camera moves; the action carries unbroken from frame to frame (each beat is the next instant of the last). Transitions are match-on-motion — the horse's stride and the sword's arc bridge every cut, never a hard jump. FRAMES (8 shots, 0–10s) — angle | lens | motion | lighting | environment | → into next: 1 (0–1.5s): wide establishing | 24mm | knight reined at a hill crest, banner snapping, slow push-in | cold dawn backlight, mist | battlefield below → camera drifts down as the horse shifts weight 2 (1.5–3s): 3/4-rear tracking | 35mm | horse breaks into a canter down the slope | low sun raking | churned mud, distant ranks → match-on-stride into the gallop 3 (3–4.5s): side tracking | 50mm | full gallop toward the enemy line, dust plume | side rim light, haze | spears + banners ahead → he lowers the lance, carrying the motion 4 (4.5–6s): low-angle hero | 35mm | lance leveled mid-gallop, visor catching light | backlit dust glow | closing on the line → impact begins 5 (6–7s): impact wide | 50mm | lance strikes, enemy hurled back, splinters | harsh flash + sparks | clash of the lines → horse rears from the hit 6 (7–8s): low 3/4 | 35mm | warhorse rears amid the melee, sword drawn | embers, torchlight | swirling battle → the blade sweeps down 7 (8–9s): tracking the blade | 50mm | sweeping arc through foes, motion-blur trail | sparks on steel | bodies + banners → camera settles, pulls back 8 (9–10s): hero hold | 24mm | horse reared, sword raised, banner behind, silhouette | dramatic backlight, battle haze | the field beyond → freeze LAYOUT: film sheet — left: 3 dynamic mounted poses (charging 3/4, rearing, mid-swing — in-scene, visor down); center: 8-frame grid; right: director notes; bottom: 0–10s. VISUAL STYLE: cinematic dark-fantasy, painterly, volumetric dawn light, dust + embers + mist, shallow DOF, motion blur, anamorphic; stylized — NOT photorealistic, not real human skin; FACE NEVER SHOWN (visor down). Seedance on Getvivix lets you generate high-end cinematic visuals for around 1000 credits (~$1), making pro-level video creation cheap and scalable. Try it here:
0:11

Made this cinematic AI video in minutes using Getvivix Prompt used below 👇 STORYBOARD 1 "THE KNIGHT" PROJECT TYPE: 10-second cinematic fantasy storyboard CHARACTER LOCK: single consistent knight — original fictional STYLIZED fantasy warrior (not a real person). Full ornate plate armor, VISOR DOWN the entire sequence (face never visible — safe by design), tattered surcoat + banner, mounted on an armored warhorse. Identical armor/horse across all frames. STYLE: epic dark-fantasy, cinematic, painterly film stills PACING & FLOW: slow, weighty, EPIC — no rush. One continuous charge → clash → melee → hero arc. Gradual camera moves; the action carries unbroken from frame to frame (each beat is the next instant of the last). Transitions are match-on-motion — the horse's stride and the sword's arc bridge every cut, never a hard jump. FRAMES (8 shots, 0–10s) — angle | lens | motion | lighting | environment | → into next: 1 (0–1.5s): wide establishing | 24mm | knight reined at a hill crest, banner snapping, slow push-in | cold dawn backlight, mist | battlefield below → camera drifts down as the horse shifts weight 2 (1.5–3s): 3/4-rear tracking | 35mm | horse breaks into a canter down the slope | low sun raking | churned mud, distant ranks → match-on-stride into the gallop 3 (3–4.5s): side tracking | 50mm | full gallop toward the enemy line, dust plume | side rim light, haze | spears + banners ahead → he lowers the lance, carrying the motion 4 (4.5–6s): low-angle hero | 35mm | lance leveled mid-gallop, visor catching light | backlit dust glow | closing on the line → impact begins 5 (6–7s): impact wide | 50mm | lance strikes, enemy hurled back, splinters | harsh flash + sparks | clash of the lines → horse rears from the hit 6 (7–8s): low 3/4 | 35mm | warhorse rears amid the melee, sword drawn | embers, torchlight | swirling battle → the blade sweeps down 7 (8–9s): tracking the blade | 50mm | sweeping arc through foes, motion-blur trail | sparks on steel | bodies + banners → camera settles, pulls back 8 (9–10s): hero hold | 24mm | horse reared, sword raised, banner behind, silhouette | dramatic backlight, battle haze | the field beyond → freeze LAYOUT: film sheet — left: 3 dynamic mounted poses (charging 3/4, rearing, mid-swing — in-scene, visor down); center: 8-frame grid; right: director notes; bottom: 0–10s. VISUAL STYLE: cinematic dark-fantasy, painterly, volumetric dawn light, dust + embers + mist, shallow DOF, motion blur, anamorphic; stylized — NOT photorealistic, not real human skin; FACE NEVER SHOWN (visor down). Seedance on Getvivix lets you generate high-end cinematic visuals for around 1000 credits (~$1), making pro-level video creation cheap and scalable. Try it here:

Zoraiz Ai

10,748 görüntüleme • 1 ay önce

Monthly WINR Protocol Development Update: To begin with, the WINR Protocol has distributed $900,000 to token holders, generated more than $500,000 in pure profit for liquidity providers on WLP, acquired more than 5,000 users, and has almost 9% of the supply burned. In the upcoming months, the WINR Protocol, which has been in production for years, will introduce a range of new products and deployments. These developments will represent the practical and technical evolution to V2 of the protocol. Here are the latest updates and further details as they progress: Progress on WINR Bonanza, Casino Hold'em, and Blackjack is nearing completion. These games are in the final stages of testing. Additional games, including a new type of crash game, have been finalized and are set to debut with the JustBet v2 launch. Take a look at the gameplay videos for a preview. These games achieve the long-term goal of providing a full-suite WINR Game Engine SDK, which can be used to build games with complex logic on-chain with modular smart contract infrastructure. For example, any grid slot game that dominates the iGaming industry could easily be developed on-chain using the WINR Bonanza SDK. - Permissionless Frontend Operator SDK Dashboard Release: March is poised to be a milestone month with the launch of the Frontend Operator SDK dashboards. These dashboards will enable any WINR Labs game to be seamlessly deployed on frontends, marking a significant advancement in protocol accessibility and integration for future games developed by independent iGaming developers. The frontend operator can deploy any game they choose through a few simple steps while utilizing 10,000 WINR per game via the WINR Game Factory smart contract. Each operator is assigned a unique smart contract address(es) for every game they deploy, allowing their revenue to be tracked independently. The deployment process includes instructions on integrating the game as a package into the operator's frontend. In subsequent phases, the games will transition through WINR Chain, streamlining user onboarding steps like wallet connection and token bridging to Arbitrum. This abstraction will make it easy for any web2/web3 platform on any chain to seamlessly integrate WINR-based games with just a few clicks. The new budget system changes how the revenue is calculated on the protocol and will see daylight with frontend operator, Solana, and Fantom deployments. This model was first tested with a lightweight version on and gave a lot of actionable feedback. Shifting from the existing bribe model, which in practice distributes almost half of the edge of the games in volume to WINR holders, the brand-new budget system checks the profitability of WLP. It distributes a larger part of the profit to game providers, frontend operators, and, most importantly, WINR holders. Any time a game's budget is in profit, a part of every loss is distributed to stakeholders. Here is an example: 1. The WINR Bonanza Game has a 10,000 budget for a frontend operator. 2. Let's assume the bet amount was $50, and Bonanza paid back $10 on that spin. That leaves $40 of pure profit. 3. This is distributed amongst 50% to WLP, 20% to frontend operators, 20% to WINR holders, and 10% to game providers. 4. To achieve this, V2 of WINR Liquidity Engine (WLP) will have a buffer for purchasing and selling, working in epochs to determine the above distribution and math. - Solana Deployment and Expansions: Solana audits are in their final phase, and frontend tests are ongoing. Solana launch will be alongside the V2 launch of @JustBetOfficial, with a chain switch available on the top bar. The VRF system WINR developed already is seeing requests from builders around the Solana ecosystem, and this will over time add an extra layer of income to the protocol. Solana's bankroll, at first, will be a lighter version of WLP but will inherit the above-mentioned budgeting system to generate income immediately upon launch. - Fantom Deployment and Expansions: Fantom's upcoming Sonic upgrade, with its 200ms finality and fast block production is a perfect chain for WINR Protocol to expand. Through the partnership with WINR Protocol will tap into a brand new user base on Fantom. The bankroll on Fantom will consist of FTM and stables. The launch is planned for late March or early April. This expansion aims to open up new markets and collaborations with fresh teams. which operates independently, will integrate a broad spectrum of WINR technologies, including WINR Account Abstraction, WINR VRF, and WINR games, marking a pivotal step in WINR Protocol’s journey of horizontal expansion. - XAI VRF Deployment Progress Update: The WINR Account Abstraction Wallet and WINR Verifiable Random Function (VRF) deployment on the XAI 🎮⛓️ is well underway, with the majority of the work completed. This step forward showcases WINR's expansion beyond gambling and trading, highlighting the protocol's adaptability and commitment to broadening decentralized services. The process to automize and permissionlessly let game developers start using WINR VRF by paying (and burning) fees in WINR will launch alongside WINR VRF deployment on XAI and expand to further chains to help DApp builders with the tooling they need. This process will work very similarly to frontend operators, where DApp builders will be able to easily deploy their VRF contract, pay the WINR fees, and enjoy the fastest random number generation transaction, as showcased on @JustBetOfficial for some time. - JustBet v2 Development Update: Set to launch in March, the last testing phase with long-time community members of JustBet V2 is underway. Boasting a completely refreshed look, JustBet v2 aims to captivate more users with its modern features, a significant upgrade from the classic JustBet designed in 2019. Expect dynamic animations and a user experience that rivals traditional web2 casinos, setting a new standard for online gambling platforms and serving once again as proof of concept for all the new WINR features and infrastructure set to launch over the coming months. As always, WINR Labs simultaneously develops protocol infrastructure and platform to best address the needs of one and only goal: horizontal expansion. Easter eggs: Upcoming Gitbook update with all the technical information of WINR V2. CEX listing. Detailed product pages on WINR web. Pyth competitions. WIP-4 and WIP-5 are ready to deploy. And an 🪂
0:18

Monthly WINR Protocol Development Update: To begin with, the WINR Protocol has distributed $900,000 to token holders, generated more than $500,000 in pure profit for liquidity providers on WLP, acquired more than 5,000 users, and has almost 9% of the supply burned. In the upcoming months, the WINR Protocol, which has been in production for years, will introduce a range of new products and deployments. These developments will represent the practical and technical evolution to V2 of the protocol. Here are the latest updates and further details as they progress: Progress on WINR Bonanza, Casino Hold'em, and Blackjack is nearing completion. These games are in the final stages of testing. Additional games, including a new type of crash game, have been finalized and are set to debut with the JustBet v2 launch. Take a look at the gameplay videos for a preview. These games achieve the long-term goal of providing a full-suite WINR Game Engine SDK, which can be used to build games with complex logic on-chain with modular smart contract infrastructure. For example, any grid slot game that dominates the iGaming industry could easily be developed on-chain using the WINR Bonanza SDK. - Permissionless Frontend Operator SDK Dashboard Release: March is poised to be a milestone month with the launch of the Frontend Operator SDK dashboards. These dashboards will enable any WINR Labs game to be seamlessly deployed on frontends, marking a significant advancement in protocol accessibility and integration for future games developed by independent iGaming developers. The frontend operator can deploy any game they choose through a few simple steps while utilizing 10,000 WINR per game via the WINR Game Factory smart contract. Each operator is assigned a unique smart contract address(es) for every game they deploy, allowing their revenue to be tracked independently. The deployment process includes instructions on integrating the game as a package into the operator's frontend. In subsequent phases, the games will transition through WINR Chain, streamlining user onboarding steps like wallet connection and token bridging to Arbitrum. This abstraction will make it easy for any web2/web3 platform on any chain to seamlessly integrate WINR-based games with just a few clicks. The new budget system changes how the revenue is calculated on the protocol and will see daylight with frontend operator, Solana, and Fantom deployments. This model was first tested with a lightweight version on and gave a lot of actionable feedback. Shifting from the existing bribe model, which in practice distributes almost half of the edge of the games in volume to WINR holders, the brand-new budget system checks the profitability of WLP. It distributes a larger part of the profit to game providers, frontend operators, and, most importantly, WINR holders. Any time a game's budget is in profit, a part of every loss is distributed to stakeholders. Here is an example: 1. The WINR Bonanza Game has a 10,000 budget for a frontend operator. 2. Let's assume the bet amount was $50, and Bonanza paid back $10 on that spin. That leaves $40 of pure profit. 3. This is distributed amongst 50% to WLP, 20% to frontend operators, 20% to WINR holders, and 10% to game providers. 4. To achieve this, V2 of WINR Liquidity Engine (WLP) will have a buffer for purchasing and selling, working in epochs to determine the above distribution and math. - Solana Deployment and Expansions: Solana audits are in their final phase, and frontend tests are ongoing. Solana launch will be alongside the V2 launch of @JustBetOfficial, with a chain switch available on the top bar. The VRF system WINR developed already is seeing requests from builders around the Solana ecosystem, and this will over time add an extra layer of income to the protocol. Solana's bankroll, at first, will be a lighter version of WLP but will inherit the above-mentioned budgeting system to generate income immediately upon launch. - Fantom Deployment and Expansions: Fantom's upcoming Sonic upgrade, with its 200ms finality and fast block production is a perfect chain for WINR Protocol to expand. Through the partnership with WINR Protocol will tap into a brand new user base on Fantom. The bankroll on Fantom will consist of FTM and stables. The launch is planned for late March or early April. This expansion aims to open up new markets and collaborations with fresh teams. which operates independently, will integrate a broad spectrum of WINR technologies, including WINR Account Abstraction, WINR VRF, and WINR games, marking a pivotal step in WINR Protocol’s journey of horizontal expansion. - XAI VRF Deployment Progress Update: The WINR Account Abstraction Wallet and WINR Verifiable Random Function (VRF) deployment on the XAI 🎮⛓️ is well underway, with the majority of the work completed. This step forward showcases WINR's expansion beyond gambling and trading, highlighting the protocol's adaptability and commitment to broadening decentralized services. The process to automize and permissionlessly let game developers start using WINR VRF by paying (and burning) fees in WINR will launch alongside WINR VRF deployment on XAI and expand to further chains to help DApp builders with the tooling they need. This process will work very similarly to frontend operators, where DApp builders will be able to easily deploy their VRF contract, pay the WINR fees, and enjoy the fastest random number generation transaction, as showcased on @JustBetOfficial for some time. - JustBet v2 Development Update: Set to launch in March, the last testing phase with long-time community members of JustBet V2 is underway. Boasting a completely refreshed look, JustBet v2 aims to captivate more users with its modern features, a significant upgrade from the classic JustBet designed in 2019. Expect dynamic animations and a user experience that rivals traditional web2 casinos, setting a new standard for online gambling platforms and serving once again as proof of concept for all the new WINR features and infrastructure set to launch over the coming months. As always, WINR Labs simultaneously develops protocol infrastructure and platform to best address the needs of one and only goal: horizontal expansion. Easter eggs: Upcoming Gitbook update with all the technical information of WINR V2. CEX listing. Detailed product pages on WINR web. Pyth competitions. WIP-4 and WIP-5 are ready to deploy. And an 🪂

WINR

37,891 görüntüleme • 2 yıl önce

🚨12 HOUR NEWS RECAP 1.⁠ Trump returned to the White House, still full of energy, despite a marathon Middle East peace tour where he saw the last Israeli hostages released from Gaza and then flew to Egypt for the Sharm El-Sheikh Peace Summit with world leaders. 2.⁠ Screams of joy filled the air as Israeli hostages freed from Gaza after 2 years of captivity were finally reunited with their families. World leaders were united in their praise for Trump in bringing an end to the war. 3.⁠ Leaders from at least 27 countries gathered in Egypt to witness the signing of the historic peace agreement that brought to an end the Gaza war. Trump announced the Trump Declaration for Enduring Peace and Prosperity, declaring the war officially over and a new chapter of stability beginning. 4.⁠ Hamas accused Israel of violating the ceasefire agreement after airstrikes killed several people in Gaza, and the fatal shooting of 5 Palestinians who crossed a ceasefire line and approached Israeli forces. 5.⁠ Trump is due to posthumously award Charlie Kirk the Presidential Medal of Freedom at the White House later today. The ceremony falls on what would have been Charlie’s 32nd birthday. His widow, Erika, will attend with family and conservative leaders. 6.⁠ SpaceX’s latest Starship test flight completed one of its main objectives - opening its side payload door and releasing several dummy satellites while traveling at near-orbital speed. The booster executed its final landing maneuvers smoothly splashing down in the Indian Ocean, marking the second time a Version 2 Starship has completed a full flight profile. 7.⁠ Following Trump’s historic peace deal in Gaza, Time put him on its front cover using a picture he slammed as “the worst of all time. I never liked taking pictures from underneath angles, but this is a super bad picture and deserves to be called out.” 8.⁠ Torrential rains slammed central and Gulf Coast Mexico, killing at least 64 people and leaving 65 missing. Over 100,000 homes were flooded, power went out across 5 states, and entire roads and bridges were literally washed away. 9.⁠ A powerful nor’easter, the type of massive winter storm known for heavy coastal flooding and fierce winds, tore up the East Coast, hammering Long Beach with waves up to 16 feet and gusts reaching 45 mph. Reporters on scene described relentless surf and flooding from the Carolinas to New York. 10.⁠ Three police officers are dead and 13 others injured after a booby-trapped farmhouse exploded during an eviction raid in Castel D’Azzano, Italy. Police say 3 siblings refused to leave - and instead turned their home into a death trap, detonating gas cylinders as officers entered.
0:09

🚨12 HOUR NEWS RECAP 1.⁠ Trump returned to the White House, still full of energy, despite a marathon Middle East peace tour where he saw the last Israeli hostages released from Gaza and then flew to Egypt for the Sharm El-Sheikh Peace Summit with world leaders. 2.⁠ Screams of joy filled the air as Israeli hostages freed from Gaza after 2 years of captivity were finally reunited with their families. World leaders were united in their praise for Trump in bringing an end to the war. 3.⁠ Leaders from at least 27 countries gathered in Egypt to witness the signing of the historic peace agreement that brought to an end the Gaza war. Trump announced the Trump Declaration for Enduring Peace and Prosperity, declaring the war officially over and a new chapter of stability beginning. 4.⁠ Hamas accused Israel of violating the ceasefire agreement after airstrikes killed several people in Gaza, and the fatal shooting of 5 Palestinians who crossed a ceasefire line and approached Israeli forces. 5.⁠ Trump is due to posthumously award Charlie Kirk the Presidential Medal of Freedom at the White House later today. The ceremony falls on what would have been Charlie’s 32nd birthday. His widow, Erika, will attend with family and conservative leaders. 6.⁠ SpaceX’s latest Starship test flight completed one of its main objectives - opening its side payload door and releasing several dummy satellites while traveling at near-orbital speed. The booster executed its final landing maneuvers smoothly splashing down in the Indian Ocean, marking the second time a Version 2 Starship has completed a full flight profile. 7.⁠ Following Trump’s historic peace deal in Gaza, Time put him on its front cover using a picture he slammed as “the worst of all time. I never liked taking pictures from underneath angles, but this is a super bad picture and deserves to be called out.” 8.⁠ Torrential rains slammed central and Gulf Coast Mexico, killing at least 64 people and leaving 65 missing. Over 100,000 homes were flooded, power went out across 5 states, and entire roads and bridges were literally washed away. 9.⁠ A powerful nor’easter, the type of massive winter storm known for heavy coastal flooding and fierce winds, tore up the East Coast, hammering Long Beach with waves up to 16 feet and gusts reaching 45 mph. Reporters on scene described relentless surf and flooding from the Carolinas to New York. 10.⁠ Three police officers are dead and 13 others injured after a booby-trapped farmhouse exploded during an eviction raid in Castel D’Azzano, Italy. Police say 3 siblings refused to leave - and instead turned their home into a death trap, detonating gas cylinders as officers entered.

Mario Nawfal

88,730 görüntüleme • 9 ay önce

Dear KCB Group Plc These are scenes we can avoid if only you approach your customers with empathy and in a professional manner. You had good times and you don't throw your client under the bus when they need you most. This is happening at world award winning Pinewood Beach Resort and Spa in Galu Diani. The owner Alnoor Kanji a very good friend and long time hotelier is one brave Kenyan who chose to be visionary and invested in a project that was adopted as a vision 2030 project The English Point Marina in Mombasa which finally went into administration. How it was done is one of the saddest thing and the matter is now court hence I will NOT delve too much into it. During the takeover the elderly mother of the owner ( she needed emotional care) was not even allowed to meet her son since he was locked out upon his return from his overseas travel. She finally passed away a few weeks after that dramatic takeover . The same owner is currently out of the country and you have found it fit to make a move for another of his property which is PinewoodBeachResort Pinewood Beach Resort that he has been passionately running with amazing scores as evidence. I have seen put love and care into the jewel in Galu Diani. You choose to physically move in during a peak period when the hotel is fully booked , you never saw the need to do that when it was quite and low season in May & June. To make matters worse your receiver manager is going physically against the young sons of the owner . Is that the way to handle a client? suppose the 200 members of staff who depend on this resort for a living went physical ? Doing business in this country is NOT for the faint-hearted and the least you can is to handle your clients in a humane way and also agree on modalities on how to service a loan etc. What is the use of throwing out the baby with the bathwater ? Matter is in court please allow the process to go full circle and also get profesional level headed receiver managers and not this type who are going physical. On behalf of Diani Hospitality Owners I condemn this violent act and law will also take its course since this qualifies as assault. It's a known known that banks in Kenya are good undertakers of businesses in distress and I am challenging you to make this move an exception rather than the rule. As always I choose to remain an optimist hence Pinewood Beach Resort deserve a better treatment. Mohammed Hersi Chairman Diani Hospitality Owners Association.
0:11

Dear KCB Group Plc These are scenes we can avoid if only you approach your customers with empathy and in a professional manner. You had good times and you don't throw your client under the bus when they need you most. This is happening at world award winning Pinewood Beach Resort and Spa in Galu Diani. The owner Alnoor Kanji a very good friend and long time hotelier is one brave Kenyan who chose to be visionary and invested in a project that was adopted as a vision 2030 project The English Point Marina in Mombasa which finally went into administration. How it was done is one of the saddest thing and the matter is now court hence I will NOT delve too much into it. During the takeover the elderly mother of the owner ( she needed emotional care) was not even allowed to meet her son since he was locked out upon his return from his overseas travel. She finally passed away a few weeks after that dramatic takeover . The same owner is currently out of the country and you have found it fit to make a move for another of his property which is PinewoodBeachResort Pinewood Beach Resort that he has been passionately running with amazing scores as evidence. I have seen put love and care into the jewel in Galu Diani. You choose to physically move in during a peak period when the hotel is fully booked , you never saw the need to do that when it was quite and low season in May & June. To make matters worse your receiver manager is going physically against the young sons of the owner . Is that the way to handle a client? suppose the 200 members of staff who depend on this resort for a living went physical ? Doing business in this country is NOT for the faint-hearted and the least you can is to handle your clients in a humane way and also agree on modalities on how to service a loan etc. What is the use of throwing out the baby with the bathwater ? Matter is in court please allow the process to go full circle and also get profesional level headed receiver managers and not this type who are going physical. On behalf of Diani Hospitality Owners I condemn this violent act and law will also take its course since this qualifies as assault. It's a known known that banks in Kenya are good undertakers of businesses in distress and I am challenging you to make this move an exception rather than the rule. As always I choose to remain an optimist hence Pinewood Beach Resort deserve a better treatment. Mohammed Hersi Chairman Diani Hospitality Owners Association.

Mohammed Hersi : Mr Optimist

109,760 görüntüleme • 2 yıl önce

Moscow’s Underground Tours: Reliving the Nuclear Age for a New Audience In the depths of Moscow, a once-classified Soviet bunker has been repurposed into an unusual attraction. Visitors can now press a red button to simulate launching a nuclear strike. As global tensions rise, the demand for this mix of Cold War history and interactive education has surged, turning what was once a secret military installation into a lucrative business. From Cold War Command Center to Museum Several times a day, in the heart of Moscow, the iconic Bunker-42 hosts simulations of nuclear strikes for curious participants. Built in 1956 as a command center for the Soviet Union’s long-range aviation, the bunker was integral to the country’s early nuclear strategy. Its decommissioning in 1986 marked the end of an era, but in 2006, it was declassified and transformed into a museum. Now, visitors descend 65 meters below ground to explore relics of a bygone era: full-scale models of the Soviet Union’s first atomic bomb, the RDS-1, and the TU-4 bomber that carried it, alongside later ballistic missiles such as the RS-36M2. The tour culminates in a dramatic simulation, where participants face a scenario of a nuclear attack on Russia and are guided through the steps of launching a retaliatory strike. The simulation is strikingly realistic. Alarms blare as images of bustling city life are interrupted by the onset of an attack. Participants play the role of Soviet operators, preparing missile systems for launch. Those willing can answer the hotline, receive the launch codes, and press the red button to “fire” a ballistic missile. The event ends with visuals of a missile strike, showing mushroom clouds, shockwaves, and cities reduced to rubble. The experience isn’t for the faint of heart—and it’s drawing scrutiny. While the museum advises a minimum age of eight, critics warn of potential psychological harm to children. Psychologists argue that such intense simulations could induce anxiety, nightmares, or even normalize aggressive behavior in younger participants. In early 2024, the company expanded, opening a second site near Moscow City. This new museum, located in a repurposed bomb shelter, focuses on civil defense and emergency preparedness, catering to a public increasingly concerned about global instability. Fear and Fascination Drive Demand Interest in these tours has grown sharply since the war in Ukraine began in 2022, with many Russians seeking practical knowledge about surviving potential threats. Dmitry Yurkov, the scientific director of the project, notes that public anxieties have shifted from nuclear war to more immediate dangers, like drone strikes. “Our goal is to dispel myths and teach people practical responses,” Yurkov explains. “For example, in the event of an air raid siren, the first step isn’t to rush to the metro but to tune into a radio or TV station to understand the situation.” The museum hosts lectures and training sessions, and its staff field a growing number of questions from visitors, ranging from the locations of the nearest shelters to strategies for surviving a missile attack. A Mirror of the Times The rising popularity of these tours reflects a society grappling with heightened geopolitical tension. While some visitors seek an adrenaline-fueled experience, others come to confront their fears and better understand the realities of modern warfare. Critics, however, question the wisdom of exposing children to such stark simulations. “For some kids, pressing the button to ‘launch’ a missile may feel empowering, but it risks normalizing aggression,” warns child psychologist Natalia Naumova. Adults, by contrast, may find the experience cathartic, with the visceral simulation offering a release for the anxiety that has mounted during years of pandemic lockdowns and global conflict.
0:14

Moscow’s Underground Tours: Reliving the Nuclear Age for a New Audience In the depths of Moscow, a once-classified Soviet bunker has been repurposed into an unusual attraction. Visitors can now press a red button to simulate launching a nuclear strike. As global tensions rise, the demand for this mix of Cold War history and interactive education has surged, turning what was once a secret military installation into a lucrative business. From Cold War Command Center to Museum Several times a day, in the heart of Moscow, the iconic Bunker-42 hosts simulations of nuclear strikes for curious participants. Built in 1956 as a command center for the Soviet Union’s long-range aviation, the bunker was integral to the country’s early nuclear strategy. Its decommissioning in 1986 marked the end of an era, but in 2006, it was declassified and transformed into a museum. Now, visitors descend 65 meters below ground to explore relics of a bygone era: full-scale models of the Soviet Union’s first atomic bomb, the RDS-1, and the TU-4 bomber that carried it, alongside later ballistic missiles such as the RS-36M2. The tour culminates in a dramatic simulation, where participants face a scenario of a nuclear attack on Russia and are guided through the steps of launching a retaliatory strike. The simulation is strikingly realistic. Alarms blare as images of bustling city life are interrupted by the onset of an attack. Participants play the role of Soviet operators, preparing missile systems for launch. Those willing can answer the hotline, receive the launch codes, and press the red button to “fire” a ballistic missile. The event ends with visuals of a missile strike, showing mushroom clouds, shockwaves, and cities reduced to rubble. The experience isn’t for the faint of heart—and it’s drawing scrutiny. While the museum advises a minimum age of eight, critics warn of potential psychological harm to children. Psychologists argue that such intense simulations could induce anxiety, nightmares, or even normalize aggressive behavior in younger participants. In early 2024, the company expanded, opening a second site near Moscow City. This new museum, located in a repurposed bomb shelter, focuses on civil defense and emergency preparedness, catering to a public increasingly concerned about global instability. Fear and Fascination Drive Demand Interest in these tours has grown sharply since the war in Ukraine began in 2022, with many Russians seeking practical knowledge about surviving potential threats. Dmitry Yurkov, the scientific director of the project, notes that public anxieties have shifted from nuclear war to more immediate dangers, like drone strikes. “Our goal is to dispel myths and teach people practical responses,” Yurkov explains. “For example, in the event of an air raid siren, the first step isn’t to rush to the metro but to tune into a radio or TV station to understand the situation.” The museum hosts lectures and training sessions, and its staff field a growing number of questions from visitors, ranging from the locations of the nearest shelters to strategies for surviving a missile attack. A Mirror of the Times The rising popularity of these tours reflects a society grappling with heightened geopolitical tension. While some visitors seek an adrenaline-fueled experience, others come to confront their fears and better understand the realities of modern warfare. Critics, however, question the wisdom of exposing children to such stark simulations. “For some kids, pressing the button to ‘launch’ a missile may feel empowering, but it risks normalizing aggression,” warns child psychologist Natalia Naumova. Adults, by contrast, may find the experience cathartic, with the visceral simulation offering a release for the anxiety that has mounted during years of pandemic lockdowns and global conflict.

Russian Market

14,515 görüntüleme • 1 yıl önce

ALERT: Another Media hoax Trump: "Our whole country will end up being like Detroit if she's (Harris) your president." The local press and politician are going berserk here in Michigan. The Outrage! (Watch the Harris commercial during the Lions/Cowboys game today.) Except it's fake. A 6 second clip was ripped from 7,380 seconds of Trump's speech delivered to the Detroit Economic Club last week, and disseminated by a bumptious blowhard who thinks his colonoscopy is worthy of a tweet. But look closer (or watch below). As has become custom with the increasingly irrelevant media, Trump's statement was taken wildly out of context. Trump spoke at great length and quite clearly about how the auto industry thrived here until politicians, greedy corporate leaders, their lobbyists and the gullible media pushed for terrible trade deals that have allowed foreign nations to come in and take our markets, jobs and factories. Trump rattled off tariffs on US products in other countries. He rightly said this was happening not only with cars but with other American products with no reciprocal pushback from US political and business leaders. He railed against neo-liberal/neo-con globalists who are destroying our country's manufacturing base and gutting our cities. That, if we let them keep going, America ad a whole will suffer as Detroit has. That was his point. About an hour into his speech, Trump said if you elect Harris, you'll get more of the same: "Our whole country will end up being like Detroit if she's your president." The media ripped this 6 seconds and presented it in isolation. Misleading snippets. Ugly stuff. A true threat to democracy. What the press does not report: On Monday, before Trump's speech, ~2,500 Chrysler workers in Warren, Michigan were shown the door by their corporate masters, now headquartered in Europe. On Friday, after Trump's speech, ~2,000 Detroit Jeep workers we're put on extended "temporary" layoff. The press plays political games. And the corrupt politicians take them to lunch. They're running a hustle on us. I have attached the mayor of Detroit's tantrum tweet. Let's fact check him: + Detroit's crime data is heavily massaged to put it generously. Nevertheless, the Motor City remains rated as America's second most dangerous city. + Detroit's population would continue to be sinking if it weren't for the influx of illegal immigrants. + Detroit's tax revenues, when adjusted for inflation, are less than they were during the year of its historic bankruptcy. + Meanwhile, property taxes remain the highest of any major American city, and the schools among the worst. You are correct Mr. Mayor. You did that all by yourself.
0:24

ALERT: Another Media hoax Trump: "Our whole country will end up being like Detroit if she's (Harris) your president." The local press and politician are going berserk here in Michigan. The Outrage! (Watch the Harris commercial during the Lions/Cowboys game today.) Except it's fake. A 6 second clip was ripped from 7,380 seconds of Trump's speech delivered to the Detroit Economic Club last week, and disseminated by a bumptious blowhard who thinks his colonoscopy is worthy of a tweet. But look closer (or watch below). As has become custom with the increasingly irrelevant media, Trump's statement was taken wildly out of context. Trump spoke at great length and quite clearly about how the auto industry thrived here until politicians, greedy corporate leaders, their lobbyists and the gullible media pushed for terrible trade deals that have allowed foreign nations to come in and take our markets, jobs and factories. Trump rattled off tariffs on US products in other countries. He rightly said this was happening not only with cars but with other American products with no reciprocal pushback from US political and business leaders. He railed against neo-liberal/neo-con globalists who are destroying our country's manufacturing base and gutting our cities. That, if we let them keep going, America ad a whole will suffer as Detroit has. That was his point. About an hour into his speech, Trump said if you elect Harris, you'll get more of the same: "Our whole country will end up being like Detroit if she's your president." The media ripped this 6 seconds and presented it in isolation. Misleading snippets. Ugly stuff. A true threat to democracy. What the press does not report: On Monday, before Trump's speech, ~2,500 Chrysler workers in Warren, Michigan were shown the door by their corporate masters, now headquartered in Europe. On Friday, after Trump's speech, ~2,000 Detroit Jeep workers we're put on extended "temporary" layoff. The press plays political games. And the corrupt politicians take them to lunch. They're running a hustle on us. I have attached the mayor of Detroit's tantrum tweet. Let's fact check him: + Detroit's crime data is heavily massaged to put it generously. Nevertheless, the Motor City remains rated as America's second most dangerous city. + Detroit's population would continue to be sinking if it weren't for the influx of illegal immigrants. + Detroit's tax revenues, when adjusted for inflation, are less than they were during the year of its historic bankruptcy. + Meanwhile, property taxes remain the highest of any major American city, and the schools among the worst. You are correct Mr. Mayor. You did that all by yourself.

Charlie LeDuff

91,685 görüntüleme • 1 yıl önce

HOW I WAS SLAPPED, ASSAULTED BY STORMERS SC GENERAL MANAGER, MR. LEKAN KELANI. It was a horrific experience during our FA Cup clash against NNL side Stormers SC at the MKO Abiola Stadium today. Throughout the match, several provocative incidents occurred, but one stood out as particularly shocking. At a crucial moment, the referee issued a second yellow card to a Stormers SC player and correctly followed it up with a red card. However, after intense pressure and discussions from Stormers SC officials on the touchline, the referee inexplicably overturned his decision, despite having confirmed it twice before issuing the red card. Another disturbing incident unfolded in the closing minutes of the game, when the Stormers SC coach aggressively confronted the assistant referee and went as far as slapping him. He was shown a red card. The match eventually ended 3–2 in favor of Stormers SC, but what followed after the final whistle was even more alarming. Stormers SC players began chasing and physically intimidating our players, most of whom are under 17 years old. Seeing my team, especially my captain, being manhandled, As the Media Officer, I rushed onto the pitch to protect them. I also attempted to record one of the Stormers SC players, who was being restrained, to prevent him from attacking one of our players. In the midst of the chaos, I was suddenly slapped from behind by the General Manager of Stormers SC, Lekan Kelani. My phone was knocked out of my hand and smashed to the ground, thankfully, only the screen guard was damaged. The situation escalated further as he charged at me again, grabbed my trousers as if I were a criminal, and held onto me for several minutes. During this time, some Stormers SC players also threatened to beat me for trying to break free from their GM. I eventually managed to break free but had to be escorted out of the stadium for my safety. It was only after I got outside that I realized I had lost some of my personal belongings, including my face cap and EarPod. Violence has no place in football. Incidents like this tarnish the spirit of the game and endanger lives. Individuals like Mr. Lekan Kelani should have no place in our football if the sport is to grow with integrity, safety, and respect. I am calling on the Ogun State FA, the NFF, and all passionate supporters of the game to speak up and take decisive action. This injustice must not be allowed to slide. The NFF 🇳🇬 Man of Letters. Ogun State Government - OGSG Ogun State Police Command Radio Friend
0:17

HOW I WAS SLAPPED, ASSAULTED BY STORMERS SC GENERAL MANAGER, MR. LEKAN KELANI. It was a horrific experience during our FA Cup clash against NNL side Stormers SC at the MKO Abiola Stadium today. Throughout the match, several provocative incidents occurred, but one stood out as particularly shocking. At a crucial moment, the referee issued a second yellow card to a Stormers SC player and correctly followed it up with a red card. However, after intense pressure and discussions from Stormers SC officials on the touchline, the referee inexplicably overturned his decision, despite having confirmed it twice before issuing the red card. Another disturbing incident unfolded in the closing minutes of the game, when the Stormers SC coach aggressively confronted the assistant referee and went as far as slapping him. He was shown a red card. The match eventually ended 3–2 in favor of Stormers SC, but what followed after the final whistle was even more alarming. Stormers SC players began chasing and physically intimidating our players, most of whom are under 17 years old. Seeing my team, especially my captain, being manhandled, As the Media Officer, I rushed onto the pitch to protect them. I also attempted to record one of the Stormers SC players, who was being restrained, to prevent him from attacking one of our players. In the midst of the chaos, I was suddenly slapped from behind by the General Manager of Stormers SC, Lekan Kelani. My phone was knocked out of my hand and smashed to the ground, thankfully, only the screen guard was damaged. The situation escalated further as he charged at me again, grabbed my trousers as if I were a criminal, and held onto me for several minutes. During this time, some Stormers SC players also threatened to beat me for trying to break free from their GM. I eventually managed to break free but had to be escorted out of the stadium for my safety. It was only after I got outside that I realized I had lost some of my personal belongings, including my face cap and EarPod. Violence has no place in football. Incidents like this tarnish the spirit of the game and endanger lives. Individuals like Mr. Lekan Kelani should have no place in our football if the sport is to grow with integrity, safety, and respect. I am calling on the Ogun State FA, the NFF, and all passionate supporters of the game to speak up and take decisive action. This injustice must not be allowed to slide. The NFF 🇳🇬 Man of Letters. Ogun State Government - OGSG Ogun State Police Command Radio Friend

INNOVATOR of AFRIKA

66,800 görüntüleme • 3 ay önce