Video wird geladen...

Video konnte nicht geladen werden

Beim Laden dieses Videos ist ein Problem aufgetreten. Dies könnte an einem vorübergehenden Netzwerkproblem liegen oder das Video ist möglicherweise nicht verfügbar.

Only Dolly Parton could turn her wardrobe malfunction into a joke when accepting the Artist of the Year award in 1978. Her dress had just torn right down the front as she was about to go up and accept the honor, yet Dolly still walked onstage with a smile,... borrowed a stole to cover herself, and openly told the entire audience what had happened. She handled that unexpected moment with her signature humor and grace, even poking fun at herself with a line from her father that had the whole room laughing. What did you love most about the 70s? Was it funk and disco music? The bold fashion style? Or simply the vibrant, authentic atmosphere under the shimmering lights of a disco ball? Let's travel back in time to the golden age of Disco and Funk – the glorious era of the 1976 Disco craze.🎶💖show more

Music & Memories

3,791 subscribers

82,661 Aufrufe • vor 7 Tagen •via X (Twitter)

Kunst Musik Comedy

Anya Rossi• Live Now

Private livecam show

2 Kommentare

Profilbild von Music & Memories

Music & Memoriesvor 6 Tagen

The techniques used in “Yangzhou Folk Song” are unique to the Jiangnan style of erhu performance, with many sliding glissando notes and trill embellishments.These characteristics are derived from the “Jiangnan Sixing,” or silk style of music, which reflects the delicate elegance of melodies from the Jiangnan region, south of the Yangtze River. Experience Shen Yun - an unforgettable experience! 💫 Mark your calendars and book your tickets now: 💫 Watch More:

Profilbild von I C U

I C Uvor 6 Tagen

❤️❤️❤️❤️❤️🌷🥰

Ähnliche Videos

A woman born totally blind had a car wreck and saw for the first time in her life. Not from a hospital bed. From above it. Her name was Vicki. To her, vision was "unknown and unknowable." After the crash she found herself out of her body, looking down at the gurney in the emergency room. At first she was terrified, because she had no idea what seeing even was. Then she recognized the feel of her own long hair, and a ring her father had given her. The two things she had only ever known by touch. "I'm seeing it now. That's the ring. That's my hair. That's me." Her vision during the experience was 360 degrees. She could see in front, behind, left, right, up, and down, all at once. When Dr. Long told her the rest of us only see in a narrow field because of where our eyes sit, Vicki laughed at him. She had no idea sight could be that limited.

A woman born totally blind had a car wreck and saw for the first time in her life. Not from a hospital bed. From above it. Her name was Vicki. To her, vision was "unknown and unknowable." After the crash she found herself out of her body, looking down at the gurney in the emergency room. At first she was terrified, because she had no idea what seeing even was. Then she recognized the feel of her own long hair, and a ring her father had given her. The two things she had only ever known by touch. "I'm seeing it now. That's the ring. That's my hair. That's me." Her vision during the experience was 360 degrees. She could see in front, behind, left, right, up, and down, all at once. When Dr. Long told her the rest of us only see in a narrow field because of where our eyes sit, Vicki laughed at him. She had no idea sight could be that limited.

Epoch Health

45,806 Aufrufe • vor 3 Monaten

“Governor, would you please get out of the way so we can see her?” a woman shouted at me as I rode in a convertible with Dolly Parton at the opening of Dollywood in 1986. In 2014, several governors, senators, and the U.S. Secretary of the Interior were at Newfound Gap for the celebration of the 75th anniversary of the Great Smoky Mountains National Park. But the crowd had come to see one person: Dolly. Those of us in public life quickly learned, “If you want to be noticed, don’t ride in a convertible with Dolly Parton.” “I was born in Boogertown,” Dolly told me when we visited at the Dollywood opening. I told her that my walk across Tennessee in 1978 to become governor had created many unexpected conversations. One of those was in Sevierville after I shook hands with a missionary doctor, Robert F. Thomas, who had delivered Dolly in a one-room cabin on the Little Pigeon River. Later, Dolly wrote a song about Dr. Thomas. In her bedroom at Dollywood was a photograph of her Sevier County high school senior class. “Where are you in the picture?” I asked Dolly. “Where would you expect me to be?” she said and pointed to herself sitting in the middle of the front row. God gave Dolly a basket full of gifts in addition to her extraordinary songwriting and singing abilities. She was a shrewd businesswoman. And she was generous. She used her celebrity to provide books to millions of children, to help victims of fire in her home county, and to provide $1 million for research to speed up a COVID vaccine. Dolly loved everyone, and in today’s polarized world, she seemed to be the one person everybody loved. I think it was because she was bona fide. Dolly was always herself, the mountain girl who never stopped singing or sounding like where she grew up.

“Governor, would you please get out of the way so we can see her?” a woman shouted at me as I rode in a convertible with Dolly Parton at the opening of Dollywood in 1986. In 2014, several governors, senators, and the U.S. Secretary of the Interior were at Newfound Gap for the celebration of the 75th anniversary of the Great Smoky Mountains National Park. But the crowd had come to see one person: Dolly. Those of us in public life quickly learned, “If you want to be noticed, don’t ride in a convertible with Dolly Parton.” “I was born in Boogertown,” Dolly told me when we visited at the Dollywood opening. I told her that my walk across Tennessee in 1978 to become governor had created many unexpected conversations. One of those was in Sevierville after I shook hands with a missionary doctor, Robert F. Thomas, who had delivered Dolly in a one-room cabin on the Little Pigeon River. Later, Dolly wrote a song about Dr. Thomas. In her bedroom at Dollywood was a photograph of her Sevier County high school senior class. “Where are you in the picture?” I asked Dolly. “Where would you expect me to be?” she said and pointed to herself sitting in the middle of the front row. God gave Dolly a basket full of gifts in addition to her extraordinary songwriting and singing abilities. She was a shrewd businesswoman. And she was generous. She used her celebrity to provide books to millions of children, to help victims of fire in her home county, and to provide $1 million for research to speed up a COVID vaccine. Dolly loved everyone, and in today’s polarized world, she seemed to be the one person everybody loved. I think it was because she was bona fide. Dolly was always herself, the mountain girl who never stopped singing or sounding like where she grew up.

Lamar Alexander

30,423 Aufrufe • vor 23 Tagen

Miley Cyrus says she admired her godmother Dolly Parton for the life she had at home with Carl, not for the look or the songs "You see the celebrities that don't have joy in their life. She had a super private relationship and a private life." "It was just something I always admired more than the way she looks or performs." "I admired her staying true to herself and being at home with her husband Carl" "And having a real life and having a lot of love in it."

Miley Cyrus says she admired her godmother Dolly Parton for the life she had at home with Carl, not for the look or the songs "You see the celebrities that don't have joy in their life. She had a super private relationship and a private life." "It was just something I always admired more than the way she looks or performs." "I admired her staying true to herself and being at home with her husband Carl" "And having a real life and having a lot of love in it."

Bavi

303,030 Aufrufe • vor 22 Tagen

For once, Dolly Parton was the one sitting in the audience while somebody else told her story. That is the part of Shania Twain’s 2006 performance of “Coat of Many Colors” at the Kennedy Center Honors that stays with me. Dolly had spent decades telling stories onstage. She knew exactly where a lyric needed a smile, where a joke belonged, where a song needed to slow down. She was usually the person holding the microphone and deciding what the audience should see. This time, she was watching. And Shania was singing about the little girl Dolly used to be. That changes the feeling of the song before Shania even reaches the important lines. “Coat of Many Colors” comes from a very specific memory: Dolly’s mother making her a coat from pieces of cloth because buying a new one simply wasn't an option. As a child, Dolly wore it proudly. Other children saw something poor. She saw something her mother had made for her. It is a story Dolly has told many times. But hearing somebody else tell it while she sits there is different. You start watching Dolly instead of Shania. That is what I find fascinating about the performance. Shania doesn't try to imitate Dolly. She doesn't put on the famous voice or mannerisms. She sings the song in her own voice, which somehow makes the tribute feel more respectful. She isn't pretending to be Dolly. She is reminding Dolly that her story reached someone else. And by 2006, that story had traveled a remarkable distance. The little coat that once marked a child as different had become part of a song known around the world. The girl who might have been embarrassed by what she wore became one of the most recognizable women in country music. And now another country star was standing in one of the most formal rooms in American culture, singing about that coat while its owner listened. There is a lovely awkwardness to that. For once, Dolly cannot control the story by telling it herself. She has to receive it. Maybe that is what makes the moment more moving than a simple tribute. Shania isn't presenting Dolly with another award. She is presenting her with something much older: her own memory, seen through somebody else's eyes. And perhaps that is one of the nicest things another person can do with a story you have carried for years. Not improve it. Not explain it. Just remember it carefully enough to give it back to you. Dolly wrote the song. Shania sang it. But for those few minutes, the story belonged to both of them.

For once, Dolly Parton was the one sitting in the audience while somebody else told her story. That is the part of Shania Twain’s 2006 performance of “Coat of Many Colors” at the Kennedy Center Honors that stays with me. Dolly had spent decades telling stories onstage. She knew exactly where a lyric needed a smile, where a joke belonged, where a song needed to slow down. She was usually the person holding the microphone and deciding what the audience should see. This time, she was watching. And Shania was singing about the little girl Dolly used to be. That changes the feeling of the song before Shania even reaches the important lines. “Coat of Many Colors” comes from a very specific memory: Dolly’s mother making her a coat from pieces of cloth because buying a new one simply wasn't an option. As a child, Dolly wore it proudly. Other children saw something poor. She saw something her mother had made for her. It is a story Dolly has told many times. But hearing somebody else tell it while she sits there is different. You start watching Dolly instead of Shania. That is what I find fascinating about the performance. Shania doesn't try to imitate Dolly. She doesn't put on the famous voice or mannerisms. She sings the song in her own voice, which somehow makes the tribute feel more respectful. She isn't pretending to be Dolly. She is reminding Dolly that her story reached someone else. And by 2006, that story had traveled a remarkable distance. The little coat that once marked a child as different had become part of a song known around the world. The girl who might have been embarrassed by what she wore became one of the most recognizable women in country music. And now another country star was standing in one of the most formal rooms in American culture, singing about that coat while its owner listened. There is a lovely awkwardness to that. For once, Dolly cannot control the story by telling it herself. She has to receive it. Maybe that is what makes the moment more moving than a simple tribute. Shania isn't presenting Dolly with another award. She is presenting her with something much older: her own memory, seen through somebody else's eyes. And perhaps that is one of the nicest things another person can do with a story you have carried for years. Not improve it. Not explain it. Just remember it carefully enough to give it back to you. Dolly wrote the song. Shania sang it. But for those few minutes, the story belonged to both of them.

Emotion & Music

690,646 Aufrufe • vor 21 Tagen

I’m deeply saddened by the passing of Dolly Parton. She has a heart of gold and a spirit that touched so many lives. She was a true woman of God, an incredible entertainer, and of course, one of the pillars of country music. Marie and I had the pleasure of having Dolly on our show, and what a pleasure it was. She had the most amazing way of making everyone in that studio feel like they were her best friend. I think it was that sweet Southern hospitality in her. Rest in peace, Dolly. What a beautiful life you lived, and what a gift you were to the world. Your name will be forever remembered by all. "We will always love you!" 🎶💜🪽

I’m deeply saddened by the passing of Dolly Parton. She has a heart of gold and a spirit that touched so many lives. She was a true woman of God, an incredible entertainer, and of course, one of the pillars of country music. Marie and I had the pleasure of having Dolly on our show, and what a pleasure it was. She had the most amazing way of making everyone in that studio feel like they were her best friend. I think it was that sweet Southern hospitality in her. Rest in peace, Dolly. What a beautiful life you lived, and what a gift you were to the world. Your name will be forever remembered by all. "We will always love you!" 🎶💜🪽

Donny Osmond

51,509 Aufrufe • vor 25 Tagen

Matt Gaetz pays the late Dolly Parton a tribute on The Anchormen: GAETZ: “I have to give a tribute to the great Dolly Parton. Dolly Parton was more than an actress or a songwriter. She was a symbol of Southern excellence, and throughout time in America, frankly, the South has been denigrated. Put down. There was the belief that intelligence, business acumen, creativity, emerged from the Northeast or the West, but Dolly Parton showed that talent grows everywhere, even on a hillside in Tennessee where she made a name for herself in her small town that she never forgot with millions and millions of dollars in charitable donations. After amassing an incredible fortune, Dolly Parton has passed, but in in these times we live in such a cultural moment where, when an icon like Dolly Parton passes you almost get to re-enjoy some of their fantastic creations all over again. Dolly Parton's music is topping some of the iTunes downloads, and I know family members who are watching her movies again to re-enjoy all the magic that was Dolly Parton. But one moment stands out to me: It is when Barbara Walters gets the opportunity to interview Dolly Parton and instead of exploring that talent, majesty and Southern excellence, Barbara Walters tries to degrade the upbringing of Dolly Parton and she handled it masterfully.” WATCH NOW:

Matt Gaetz pays the late Dolly Parton a tribute on The Anchormen: GAETZ: “I have to give a tribute to the great Dolly Parton. Dolly Parton was more than an actress or a songwriter. She was a symbol of Southern excellence, and throughout time in America, frankly, the South has been denigrated. Put down. There was the belief that intelligence, business acumen, creativity, emerged from the Northeast or the West, but Dolly Parton showed that talent grows everywhere, even on a hillside in Tennessee where she made a name for herself in her small town that she never forgot with millions and millions of dollars in charitable donations. After amassing an incredible fortune, Dolly Parton has passed, but in in these times we live in such a cultural moment where, when an icon like Dolly Parton passes you almost get to re-enjoy some of their fantastic creations all over again. Dolly Parton's music is topping some of the iTunes downloads, and I know family members who are watching her movies again to re-enjoy all the magic that was Dolly Parton. But one moment stands out to me: It is when Barbara Walters gets the opportunity to interview Dolly Parton and instead of exploring that talent, majesty and Southern excellence, Barbara Walters tries to degrade the upbringing of Dolly Parton and she handled it masterfully.” WATCH NOW:

Former Congressman Matt Gaetz

215,428 Aufrufe • vor 23 Tagen

🙏 ARCHIVE: The great Dolly Parton has died at the age of 80 The country music star was born into a poor family in Pittman Center, Tennessee, in 1946 and began performing and writing music at an early age. Her popularity in the country music world soared in the 1960s and 1970s, and in 1973 she released one of her biggest hits, “Jolene.”Parton also found success on the big screen. One of her best-known roles was in the comedy “9 to 5.” She wrote and performed the film’s title song herself, earning an Academy Award nomination for it. Parton won numerous Academy of Country Music Awards, including Entertainer of the Year in 1977. Her 1983 collaboration with Kenny Rogers, “Islands in the Stream,” won Single Record of the Year, while the duo also received an American Music Award. In November 2022, Dolly Parton was inducted into the Rock & Roll Hall of Fame, alongside Duran Duran and Lionel Richie. On October 7, her sister wrote on Facebook that Dolly “hasn’t been feeling her best” and asked fans to pray for her.

🙏 ARCHIVE: The great Dolly Parton has died at the age of 80 The country music star was born into a poor family in Pittman Center, Tennessee, in 1946 and began performing and writing music at an early age. Her popularity in the country music world soared in the 1960s and 1970s, and in 1973 she released one of her biggest hits, “Jolene.”Parton also found success on the big screen. One of her best-known roles was in the comedy “9 to 5.” She wrote and performed the film’s title song herself, earning an Academy Award nomination for it. Parton won numerous Academy of Country Music Awards, including Entertainer of the Year in 1977. Her 1983 collaboration with Kenny Rogers, “Islands in the Stream,” won Single Record of the Year, while the duo also received an American Music Award. In November 2022, Dolly Parton was inducted into the Rock & Roll Hall of Fame, alongside Duran Duran and Lionel Richie. On October 7, her sister wrote on Facebook that Dolly “hasn’t been feeling her best” and asked fans to pray for her.

NEXTA

37,477 Aufrufe • vor 25 Tagen

❤️The relationship between the original artist, Dolly Parton, and the legendary Whitney Houston stands as one of the most beautiful and gracious stories in music history. Far from the envy often seen in the industry, Dolly always held Whitney in the highest regard. She once shared a moving memory of hearing the cover on the radio for the first time; when Whitney’s voice soared, Dolly had to pull her car over immediately and burst into tears, overwhelmed by how the song had been elevated beyond her wildest imagination. For decades, Dolly maintained that Whitney never "stole" the song; rather, the late diva transformed her intimate, personal sentiment into a monumental global anthem. This mutual respect culminated at the 1994 Grammy Awards, where Dolly Parton herself presented the prestigious golden trophy to Whitney Houston. That night, Whitney also made history with her "white dress" performance—widely considered the greatest live vocal performance of all time. Appearing like a goddess in a pristine white mermaid gown atop a raised circular platform, she performed on a minimalist stage that allowed the audience to focus entirely on her soulful gaze and soaring vocals. The performance served as a masterclass in vocal technique, showcasing an artist at the absolute peak of her powers. Whitney opened with a breathtaking, nearly 45-second a cappella section, demonstrating flawless pitch control as she seamlessly locked in with the instrumentation that followed. During the climax, she employed open-throat technique and Gospel-style melisma to unleash rich, bright, and powerful belted notes. The most powerful moment occurred when the music suddenly paused for a few seconds, giving way to a massive E-flat (Eb5) note on the words "And I..." With boundless breath support and natural vibrato, that magnificent sustained note swept through the auditorium like a tidal wave of sound, leaving even the seasoned stars in the audience awestruck. Her performance at the 1994 Grammys was a perfect blend of dazzling beauty, consummate vocal technique, and heartfelt emotion. When Whitney passed away suddenly in 2012, Dolly Parton bade her farewell with a tearful tribute, affirming that she would always love her. The profound, soulful connection between the songwriter and the singer transformed "I Will Always Love You" into an immortal legend—a musical sanctuary that the world continues to revere with awe to this day. ------------------------------

❤️The relationship between the original artist, Dolly Parton, and the legendary Whitney Houston stands as one of the most beautiful and gracious stories in music history. Far from the envy often seen in the industry, Dolly always held Whitney in the highest regard. She once shared a moving memory of hearing the cover on the radio for the first time; when Whitney’s voice soared, Dolly had to pull her car over immediately and burst into tears, overwhelmed by how the song had been elevated beyond her wildest imagination. For decades, Dolly maintained that Whitney never "stole" the song; rather, the late diva transformed her intimate, personal sentiment into a monumental global anthem. This mutual respect culminated at the 1994 Grammy Awards, where Dolly Parton herself presented the prestigious golden trophy to Whitney Houston. That night, Whitney also made history with her "white dress" performance—widely considered the greatest live vocal performance of all time. Appearing like a goddess in a pristine white mermaid gown atop a raised circular platform, she performed on a minimalist stage that allowed the audience to focus entirely on her soulful gaze and soaring vocals. The performance served as a masterclass in vocal technique, showcasing an artist at the absolute peak of her powers. Whitney opened with a breathtaking, nearly 45-second a cappella section, demonstrating flawless pitch control as she seamlessly locked in with the instrumentation that followed. During the climax, she employed open-throat technique and Gospel-style melisma to unleash rich, bright, and powerful belted notes. The most powerful moment occurred when the music suddenly paused for a few seconds, giving way to a massive E-flat (Eb5) note on the words "And I..." With boundless breath support and natural vibrato, that magnificent sustained note swept through the auditorium like a tidal wave of sound, leaving even the seasoned stars in the audience awestruck. Her performance at the 1994 Grammys was a perfect blend of dazzling beauty, consummate vocal technique, and heartfelt emotion. When Whitney passed away suddenly in 2012, Dolly Parton bade her farewell with a tearful tribute, affirming that she would always love her. The profound, soulful connection between the songwriter and the singer transformed "I Will Always Love You" into an immortal legend—a musical sanctuary that the world continues to revere with awe to this day. ------------------------------

𝐌𝐮𝐬𝐢𝐜 - 𝐌𝐨𝐯𝐢𝐞 - 𝐀𝐧𝐝 𝐌𝐨𝐫𝐞⭐️❤️

81,619 Aufrufe • vor 19 Tagen

When a Disco Song Makes the Whole Room Want to Dance🎶💃🕺 That was exactly how I felt watching Tina Charles perform “I Love to Love (But My Baby Loves to Dance)” on television on July 10, 1976. The first thing that caught my attention was not her outfit or the stage. It was Tina Charles herself. She appeared with a natural smile and a bright, energetic voice. She did not need complicated choreography to command attention. A little movement with the rhythm, a hand gesture, a smile, and the way she let her voice blend with the live band behind her were enough to bring the whole performance to life. And then I realized: the beauty of this performance is in its simplicity. This was music from a time when television performances did not depend so heavily on visual effects. Behind Tina Charles was a full band, with strings, horns, guitar and percussion. Together, they created a rich and lively Disco sound without overwhelming the singer. The rhythm of the song is clever too. It tells a rather funny story about love: the woman wants affection, closeness and romantic moments, while her boyfriend seems much more interested in dancing whenever the music starts. That contrast is what makes the song so charming. What I especially like is the way Tina Charles sings it. She does not turn the story into some dramatic love tragedy. Instead, she delivers it with playfulness and joy, almost as if she were saying: “Go ahead and dance, but I still want you to love me!” Perhaps that is what Disco did so well. It did not always need to deliver a profound message. Sometimes, the purpose of a song was simply to help people forget their worries for a few minutes and allow themselves to enjoy life. Watching these images from 1976, there is something else I appreciate: the people in the video do not seem to be trying to become perfect versions of themselves. They are simply performing, playing music and enjoying the moment. Today, we may have bigger stages, more sophisticated lighting and better technology. But that does not necessarily mean music carries more emotion. There are some things technology cannot create. A genuine smile. A real voice. A live band playing together. And that feeling of joy passing directly from the performer to the audience. That is what I think I see in this performance. “I Love to Love” is more than a Disco song from 1976. It is a reminder that sometimes the best music does not need to make us think too much. It simply needs to make us smile, get up and dance. If you could go back to one night in the 1970s, would you rather sit and listen to a song like this, or step onto the dance floor and join everyone else?

When a Disco Song Makes the Whole Room Want to Dance🎶💃🕺 That was exactly how I felt watching Tina Charles perform “I Love to Love (But My Baby Loves to Dance)” on television on July 10, 1976. The first thing that caught my attention was not her outfit or the stage. It was Tina Charles herself. She appeared with a natural smile and a bright, energetic voice. She did not need complicated choreography to command attention. A little movement with the rhythm, a hand gesture, a smile, and the way she let her voice blend with the live band behind her were enough to bring the whole performance to life. And then I realized: the beauty of this performance is in its simplicity. This was music from a time when television performances did not depend so heavily on visual effects. Behind Tina Charles was a full band, with strings, horns, guitar and percussion. Together, they created a rich and lively Disco sound without overwhelming the singer. The rhythm of the song is clever too. It tells a rather funny story about love: the woman wants affection, closeness and romantic moments, while her boyfriend seems much more interested in dancing whenever the music starts. That contrast is what makes the song so charming. What I especially like is the way Tina Charles sings it. She does not turn the story into some dramatic love tragedy. Instead, she delivers it with playfulness and joy, almost as if she were saying: “Go ahead and dance, but I still want you to love me!” Perhaps that is what Disco did so well. It did not always need to deliver a profound message. Sometimes, the purpose of a song was simply to help people forget their worries for a few minutes and allow themselves to enjoy life. Watching these images from 1976, there is something else I appreciate: the people in the video do not seem to be trying to become perfect versions of themselves. They are simply performing, playing music and enjoying the moment. Today, we may have bigger stages, more sophisticated lighting and better technology. But that does not necessarily mean music carries more emotion. There are some things technology cannot create. A genuine smile. A real voice. A live band playing together. And that feeling of joy passing directly from the performer to the audience. That is what I think I see in this performance. “I Love to Love” is more than a Disco song from 1976. It is a reminder that sometimes the best music does not need to make us think too much. It simply needs to make us smile, get up and dance. If you could go back to one night in the 1970s, would you rather sit and listen to a song like this, or step onto the dance floor and join everyone else?

Music over time🎻

90,334 Aufrufe • vor 29 Tagen

She picked up breakfast from a restaurant and immediately complained because they gave her unsweetened tea instead of sweet tea. A short time later, she came back claiming her food containers were damaged and demanded a replacement. What she didn’t realize was that the restaurant had her on camera dropping the bag herself. Even after being told they had the entire incident on camera, she still wanted to fight with the manager.

She picked up breakfast from a restaurant and immediately complained because they gave her unsweetened tea instead of sweet tea. A short time later, she came back claiming her food containers were damaged and demanded a replacement. What she didn’t realize was that the restaurant had her on camera dropping the bag herself. Even after being told they had the entire incident on camera, she still wanted to fight with the manager.

Goofies Of Chicago

471,337 Aufrufe • vor 2 Monaten

Watch how many times Andrew Wilson had to ask Candace Owens whether Lance Twiggs’ DNA was found on Tyler Robinson’s rifle during the debate - a claim she was lying about up until a week before the debate. Candace herself admits she realized the claim was wrong - so why didn’t she correct it for her audience? It took a $300,000 paycheck in the form of a debate with Andrew Wilson - and being confronted with the same question over and over again - but it was only at the point of Wilson going to play a clip of her saying it that she finally acknowledge that what she had been telling her audience was wrong. The most hilarious part? On her show today, Candace declared that she’s all about accountability and admitting to her audience when she makes mistakes.

Watch how many times Andrew Wilson had to ask Candace Owens whether Lance Twiggs’ DNA was found on Tyler Robinson’s rifle during the debate - a claim she was lying about up until a week before the debate. Candace herself admits she realized the claim was wrong - so why didn’t she correct it for her audience? It took a $300,000 paycheck in the form of a debate with Andrew Wilson - and being confronted with the same question over and over again - but it was only at the point of Wilson going to play a clip of her saying it that she finally acknowledge that what she had been telling her audience was wrong. The most hilarious part? On her show today, Candace declared that she’s all about accountability and admitting to her audience when she makes mistakes.

Nathan Livingstone (MilkBarTV)

80,762 Aufrufe • vor 1 Monat

The news of Dolly Parton’s passing is devastating. I had the extraordinary experience of working with her on The Orville, and it was a joy to discover that she really was exactly the person we all hoped she was. Her kindness, generosity, and authenticity were evident from moment one, and the benign yet assured command she maintained over her empire was obvious from the genuine love and trust you could see from everyone who worked for her. The world is a dimmer place today without her.

The news of Dolly Parton’s passing is devastating. I had the extraordinary experience of working with her on The Orville, and it was a joy to discover that she really was exactly the person we all hoped she was. Her kindness, generosity, and authenticity were evident from moment one, and the benign yet assured command she maintained over her empire was obvious from the genuine love and trust you could see from everyone who worked for her. The world is a dimmer place today without her.

Seth MacFarlane

660,668 Aufrufe • vor 25 Tagen

Have you ever wished there were more disco versions of Yardbirds songs? Well good news, Lola Dee did a disco cover of For Your Love in 1978 and it's rather something! Lola Dee (who also recorded under the name Lola Ameche) started her career in 1950; her biggest selling hit was a version of Only You released in 1955. She continued her career as a nightclub singer and retired from performing in 1978, but left with this rockin' disco number. Do enjoy!

Have you ever wished there were more disco versions of Yardbirds songs? Well good news, Lola Dee did a disco cover of For Your Love in 1978 and it's rather something! Lola Dee (who also recorded under the name Lola Ameche) started her career in 1950; her biggest selling hit was a version of Only You released in 1955. She continued her career as a nightclub singer and retired from performing in 1978, but left with this rockin' disco number. Do enjoy!

Pulp Librarian

16,526 Aufrufe • vor 1 Monat

Only Dolly Parton could end up on a planet full of women with enormous breasts and be the one they made fun of for being too small. 😂 On April 15, 1989, Dolly hosted Saturday Night Live and was also the musical guest. One of the sketches that night was called “Planet of the Enormous Hooters.”🤣 Dolly is brought before the queen of a planet where every woman is ridiculously well-endowed. They take one look at Dolly and decide she’s the strange one because hers are too small. To them, Dolly is the odd one out. They call her “deformed,” joke that her breasts are only the size of melons, and eventually decide to send her to Earth, where they figure nobody will even notice how small she is. Dolly completely commits to the joke. That’s what makes it work. She could laugh at herself, deliver a comedy sketch, act, sing, write songs and somehow make all of it look natural. For all the laughs and music, Dolly’s legacy was never just entertainment. she helped put millions of books into the hands of children with her imagination library. Music, movies, comedy, charity... Dolly really could do just about everything.

Only Dolly Parton could end up on a planet full of women with enormous breasts and be the one they made fun of for being too small. 😂 On April 15, 1989, Dolly hosted Saturday Night Live and was also the musical guest. One of the sketches that night was called “Planet of the Enormous Hooters.”🤣 Dolly is brought before the queen of a planet where every woman is ridiculously well-endowed. They take one look at Dolly and decide she’s the strange one because hers are too small. To them, Dolly is the odd one out. They call her “deformed,” joke that her breasts are only the size of melons, and eventually decide to send her to Earth, where they figure nobody will even notice how small she is. Dolly completely commits to the joke. That’s what makes it work. She could laugh at herself, deliver a comedy sketch, act, sing, write songs and somehow make all of it look natural. For all the laughs and music, Dolly’s legacy was never just entertainment. she helped put millions of books into the hands of children with her imagination library. Music, movies, comedy, charity... Dolly really could do just about everything.

fOx

585,589 Aufrufe • vor 15 Tagen

Kira Noir opened up about her trauma from the past in which her Sister's boyfriend had GRoomed her at age 15. She explained that her sister was in a poly relationship at the time having an husband and a boyfriend of which they both knew each other they had told her they wanted to f6ck a teenager and her sister had called her even tho they weren't together at the time saying she wants to get back together and be a family and that's how she met the boyfriend that GRoomed her.

Sensitive content

Kira Noir opened up about her trauma from the past in which her Sister's boyfriend had GRoomed her at age 15. She explained that her sister was in a poly relationship at the time having an husband and a boyfriend of which they both knew each other they had told her they wanted to f6ck a teenager and her sister had called her even tho they weren't together at the time saying she wants to get back together and be a family and that's how she met the boyfriend that GRoomed her.

𝙔𝙖gi

627,194 Aufrufe • vor 2 Monaten

NO MORE SUGARCOATING — THE HARD TRUTH. If you don’t like it, keep scrolling. To the people yelling, “Renee Good was a mom! She had kids!” Yes — she was a mom. And that makes this even harder to watch unfold. But here’s the part everyone keeps pretending not to see: What kind of mom puts herself in the middle of a confrontation with ICE agents? What kind of mom chooses to jump into chaos where anything can go wrong? She should’ve thought about being a mom before she walked her tail outside to argue and tangle with federal agents. Nobody dragged her into that moment — she walked into it on her own. She put herself in danger. She escalated a situation with federal agents who were clearly there to arrest someone else. She wasn’t protecting her kids. She wasn’t thinking about her safety. And she absolutely wasn’t thinking about the consequences. People can spin it all they want, but at the end of the day: She made a choice — and that choice came with deadly consequences.

NO MORE SUGARCOATING — THE HARD TRUTH. If you don’t like it, keep scrolling. To the people yelling, “Renee Good was a mom! She had kids!” Yes — she was a mom. And that makes this even harder to watch unfold. But here’s the part everyone keeps pretending not to see: What kind of mom puts herself in the middle of a confrontation with ICE agents? What kind of mom chooses to jump into chaos where anything can go wrong? She should’ve thought about being a mom before she walked her tail outside to argue and tangle with federal agents. Nobody dragged her into that moment — she walked into it on her own. She put herself in danger. She escalated a situation with federal agents who were clearly there to arrest someone else. She wasn’t protecting her kids. She wasn’t thinking about her safety. And she absolutely wasn’t thinking about the consequences. People can spin it all they want, but at the end of the day: She made a choice — and that choice came with deadly consequences.

Terrence K. Williams

372,935 Aufrufe • vor 8 Monaten

The Pure Joy of Disco: Why This "Ring My Bell" Cover Is Absolute Magic I recently watched a viral video on my timeline titled "Anita Ward - Ring My Bell (1979)" that is making thousands of people smile online. The caption called the disco era the "greatest time in America." When you click play, you see a blonde woman in a sparkling sequin dress, singing her heart out on stage with a live band. If you know music history, you know that this woman is not actually Anita Ward. Anita Ward is the incredibly talented Black artist who sang the original hit. The woman in the video is a cover singer. But as I read through the thousands of comments, I realized something wonderful: nobody cared that the title was slightly wrong. Everyone was just too busy dancing. I am not pointing this out to criticize the video at all. In fact, I want to give huge praise to this singer! She is absolutely fantastic. She didn't just sing the correct notes; she completely captured the magic, joy, and positive energy of 1979. Her smile is contagious, and she performs with so much passion that you cannot help but feel happy watching her. She brought a classic song back to life in the most beautiful way possible. This performance reminds us of what made the disco era so special. The late 1970s music was all about a feeling. The moment you hear that famous, high-pitched electronic bell ringing in the song, your mood instantly lifts. Disco was a time to forget your daily stress, put on your best clothes, and just enjoy life with your friends. The singer in the video understands this perfectly. She acts like a musical time machine, taking us right back to those fun, carefree days. Sometimes, people on the internet focus too much on being perfectly right, and they forget to just have fun. We don't always need a perfect history lesson. Sometimes, we just need a great singer, a sparkling dress, and a beat that makes us want to get up and move. This live cover is a wonderful tribute to Anita Ward's original masterpiece and a beautiful celebration of the whole disco generation. When you hear that classic bell ring in this song, does it make you want to get up and dance, too?

The Pure Joy of Disco: Why This "Ring My Bell" Cover Is Absolute Magic I recently watched a viral video on my timeline titled "Anita Ward - Ring My Bell (1979)" that is making thousands of people smile online. The caption called the disco era the "greatest time in America." When you click play, you see a blonde woman in a sparkling sequin dress, singing her heart out on stage with a live band. If you know music history, you know that this woman is not actually Anita Ward. Anita Ward is the incredibly talented Black artist who sang the original hit. The woman in the video is a cover singer. But as I read through the thousands of comments, I realized something wonderful: nobody cared that the title was slightly wrong. Everyone was just too busy dancing. I am not pointing this out to criticize the video at all. In fact, I want to give huge praise to this singer! She is absolutely fantastic. She didn't just sing the correct notes; she completely captured the magic, joy, and positive energy of 1979. Her smile is contagious, and she performs with so much passion that you cannot help but feel happy watching her. She brought a classic song back to life in the most beautiful way possible. This performance reminds us of what made the disco era so special. The late 1970s music was all about a feeling. The moment you hear that famous, high-pitched electronic bell ringing in the song, your mood instantly lifts. Disco was a time to forget your daily stress, put on your best clothes, and just enjoy life with your friends. The singer in the video understands this perfectly. She acts like a musical time machine, taking us right back to those fun, carefree days. Sometimes, people on the internet focus too much on being perfectly right, and they forget to just have fun. We don't always need a perfect history lesson. Sometimes, we just need a great singer, a sparkling dress, and a beat that makes us want to get up and move. This live cover is a wonderful tribute to Anita Ward's original masterpiece and a beautiful celebration of the whole disco generation. When you hear that classic bell ring in this song, does it make you want to get up and dance, too?

Music over time🎻

62,724 Aufrufe • vor 19 Tagen

Dolly Parton sits down with Letterman in 1990 to plug Straight Talk and the real show starts the second she opens her mouth. She jokes about Chicago heat wrecking her hair, calls James Woods “that scary kind of smart,” then teases Letterman right back until the whole studio loosens up. When she stands to sing the title track, the same down-home common sense turns into a full-throated country-pop number that still sounds like her talking. No media-trained gloss. Just Dolly: quick, warm, a little filthy around the edges and completely in charge of the room.

Dolly Parton sits down with Letterman in 1990 to plug Straight Talk and the real show starts the second she opens her mouth. She jokes about Chicago heat wrecking her hair, calls James Woods “that scary kind of smart,” then teases Letterman right back until the whole studio loosens up. When she stands to sing the title track, the same down-home common sense turns into a full-throated country-pop number that still sounds like her talking. No media-trained gloss. Just Dolly: quick, warm, a little filthy around the edges and completely in charge of the room.

Dope thrills

66,427 Aufrufe • vor 22 Tagen

Dolly Parton died today… and the most important thing she ever did had nothing to do with the stage. She just left us at 80. Watch this old clip. Dolly looks straight into the camera and says her daddy told her the Imagination Library was the most important thing she ever did. Not Jolene. Not the money. Not the blonde hair and the rhinestones. The books. He was the smartest man she ever knew… and he never learned to read. That kept him from chasing every dream he had. So she built a program that puts a free book in a kid’s hands every single month, started in her own little county and now reaches millions. No government program. No press conference. Just a country girl from the mountains who decided her kids and everybody else’s kids deserved better than what her daddy got. In a world full of screens, soft parenting, and empty noise, Dolly was quietly stacking real books on real porches. That’s the kind of legacy that actually lasts. Rest easy, Dolly. You did right by your daddy… and by every kid who ever needed a chance to dream.

Dolly Parton died today… and the most important thing she ever did had nothing to do with the stage. She just left us at 80. Watch this old clip. Dolly looks straight into the camera and says her daddy told her the Imagination Library was the most important thing she ever did. Not Jolene. Not the money. Not the blonde hair and the rhinestones. The books. He was the smartest man she ever knew… and he never learned to read. That kept him from chasing every dream he had. So she built a program that puts a free book in a kid’s hands every single month, started in her own little county and now reaches millions. No government program. No press conference. Just a country girl from the mountains who decided her kids and everybody else’s kids deserved better than what her daddy got. In a world full of screens, soft parenting, and empty noise, Dolly was quietly stacking real books on real porches. That’s the kind of legacy that actually lasts. Rest easy, Dolly. You did right by your daddy… and by every kid who ever needed a chance to dream.

AmericanPapaBear™

47,625 Aufrufe • vor 25 Tagen