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Only Yoruba can understand what happened here. Ibos can not understand it. When a "foolish" yoruba boy marries an Ibo girl, he can not teach her the Yoruba culture of respect, which is never taught in iboland. Iboland is destroyed today because the culture of that society

91,699 views • 1 year ago •via X (Twitter)

10 Comments

Davida Africa's profile picture
Davida Africa1 year ago

Wish to like it one billion times.

Omoge Ìwòyí's profile picture
Omoge Ìwòyí1 year ago

That's what we are talking about. Marry your kind and not animals from worthless region.

Moses Ariyo, Ph.D.'s profile picture
Moses Ariyo, Ph.D.1 year ago

Thank you Yoruba Women for the preservation of our Culture. That woman by implication is telling her son: if you choose to be mad, take your madness far from my house🤣🤣

Evans's profile picture
Evans1 year ago

Flogging a child with a broom is barbaric this isn’t culture but hypocrisy and witchcraft 🧙

Abdul-Hamid's profile picture
Abdul-Hamid1 year ago

This one of the old time practice to know if you're well brought up. Some mother-in-law can bring out their clothes and pretend to be washing them just to see how you will behave. Good old days

Arẹwà Akinkanju's profile picture
Arẹwà Akinkanju1 year ago

Husband sef collect 😂😂

Achilles007's profile picture
Achilles0071 year ago

Watching her weep the boy too was satisfying to watch.

AFRICA MUST BE BETTER IN OUR TIME 🇳🇬💪🏾's profile picture
AFRICA MUST BE BETTER IN OUR TIME 🇳🇬💪🏾1 year ago

“Igbo — the celebrity tribe of Nigeria 🇳🇬. Tell me one tribe that can go on national TV, write a caption, or drop a comment without somehow bringing up the Igbo name. None. Love them or hate them, you just can’t ignore them!” 😎🔥

Bedroom bully's profile picture
Bedroom bully1 year ago

With Una respect Una still be the highest skull miners, fraudsters, back stabbers & betrayers 🙄🙄

Obafemi Awolowo (Parody of The Sage)🐐's profile picture
Obafemi Awolowo (Parody of The Sage)🐐1 year ago

Omo ti won ko n'ile, atode ni won ti nko ru won.

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I watched this video three different times. Not once, not twice, but three times. And in that same video, this thing intentionally referred to Yoruba people as “ONYE OFE NMANU” five different times. That is not slang. That is not banter. That is a slur. A deliberate insult meant to demean Yoruba people as “people of oily soup.” So I went on X, expecting at least one voice from her own side to call her out. Just one. But no. Absolute silence. The same people who rush into comment sections screaming “bigotry” whenever Yorubas respond brutally suddenly lost their keyboards. That silence tells you everything you need to know. You can see the bitterness clearly. The resentment is loud. And the hatred is not even disguised. Now let us address the fake victim narrative. I do not have a problem with any artist facing genuine segregation. But let us ask a simple, honest question. Did Yoruba people go to radio stations, TV houses, and clubs in ANAMBRA, ABIA, IMO, EBONYI, and ENUGU to stop playing Ibo artists' music?. This SHIT is in Lagos (Yoruba land) listening to radio stations in Lagos (Yoruba land) not playing Ibo artists songs in Lagos (Yoruba land). what an audacity and self-entitlement. She mentioned six Ibo, I only know Flavour and Phyno. The rest are nobody and there is nothing wrong with that. Music grows locally before it goes national. That is how it works everywhere. You cannot grow onions in the South. They grow in the North. But once they grow there, they serve the whole country. That does not make it oppression. That is geography and market reality. Asake sings mainly in Yoruba. Imagine him crying of segregation because his songs are not dominant in Ibo land. How many people there even understand Yoruba in the first place. Let us stop pretending. This is not about music. This is about long bottled resentment, selective outrage, and a deep refusal to accept that culture, language, and audience matter. Again, Yoruba will not let this slide.

𝕊𝕀𝕊𝕋𝔸𝕃𝕀𝔸ℕ𝕆 🇳🇬💐

37,182 views • 7 months ago

A few days ago, I wrote here that there appeared to be an agenda against Alaafin Owoade. Little did I know that it went far beyond him. There is now a deliberate attempt to discredit the legacy of Alaafin Adeyemi III, an effort which, in the words of Ibikunle Ogunsina, seeks to paint him as a dubious character, rubbish his commitment to inclusiveness, and distort not only Oyo history but Yoruba history as a whole. Oyo is now being described as a “dead empire,” yet many Yoruba kings insist on the title Imperial Majesty despite there being no historical evidence that their domains ever constituted an empire. Oyo is no longer an empire; it is a town. But it carries the remnants and weight of a historically significant empire, one that stands as proof that Africans were capable of greatness, expansion, and sophisticated governance, contrary to what external forces that invaded and disrupted our history would have us believe. The Oyo Empire is good reference that Yoruba was once the dominant power in West Africa, stretching from the Niger River to the Atlantic coast in present-day Nigeria and Benin, covering over 150,000 square kilometers. Glorifying Oyo’s history does not diminish other Yoruba communities. A significant portion of Yoruba history is preserved in the journey of the Alaafin institution itself, shaped by lessons from Oranyan, Sango, Basorun Gaa, Aole, Atiba etc. Oyo had the greatest empire among Yoruba-speaking people and played a central role in promoting Yoruba civilization. Ife is our source and the cradle of Yoruba civilization. Ibadan preserved that civilization from the aggression of the Fulani jihad. The Egbas, Awori, Ede, Ogbomoso and other Yoruba speaking people all contributed to what is Yoruba history today. Discrediting any of these towns is, ultimately, a distortion of our collective Yoruba history. One thing that can never be taken away from my father, Oba Lamidi Adeyemi III, is his deep love for Yoruba culture and for Oyo. He was a controversial man, yes but he loved his heritage, embraced it fully, and promoted it unapologetically. He wore his culture as a badge of honor. False narratives about him will not stand.

Adédojà Adéyemí

35,812 views • 7 months ago