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orange cat industry & apex forge Evangelion Eva-01 plastic model kit Motorized Entry Plug The arms are made of soft rubber over plastic

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KRW

9,360 subscribers

20,626 次观看 • 7 天前 •via X (Twitter)

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3 条评论

ItsaGunpla 的头像
ItsaGunpla6 天前

This is sick!

a bird of prey 的头像
a bird of prey7 天前

Holy.

H.S 的头像
H.S7 天前

Wow it even has the inner body with super solenoid

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🚨 WATER FIGHTS JUST EVOLVED. YOUR SUPER SOAKER IS NOW OBSOLETE. The old days of pumping a plastic rifle until your arm ached are over. This new breed of water gun is a motorized, precision-firing machine that looks like it belongs in a sci-fi action flick. Forget weak streams - this is a pressurized, rapid-fire blast with digital settings and the kind of power that could win a war... or at least a backyard brawl... with a single trigger pull. It's the water fight arms race, and your classic Super Soaker is officially a museum piece. Source: Interesting World
0:12

🚨 WATER FIGHTS JUST EVOLVED. YOUR SUPER SOAKER IS NOW OBSOLETE. The old days of pumping a plastic rifle until your arm ached are over. This new breed of water gun is a motorized, precision-firing machine that looks like it belongs in a sci-fi action flick. Forget weak streams - this is a pressurized, rapid-fire blast with digital settings and the kind of power that could win a war... or at least a backyard brawl... with a single trigger pull. It's the water fight arms race, and your classic Super Soaker is officially a museum piece. Source: Interesting World

Mario Nawfal

187,205 次观看 • 1 年前

People often blame migrants from Bihar for making Mumbai “dirty.” But today, I witnessed something that deserves to be spoken about. My rickshaw driver noticed an empty plastic bottle left behind by a passenger. It kept rolling around due to the wind and movement. Instead of ignoring it, he picked it up and kept it aside. A few minutes later, he actually pulled over when he spotted a garbage collection point - and made sure to hand it over properly. No camera. No show-off. Just responsibility. In a world where even educated people casually litter and then preach online, this quiet act spoke volumes. Didn’t get his name as I had to rush, but wherever you are - respect. 👏 Sometimes, civic sense has nothing to do with where you come from, and everything to do with who you are. #CivicSense #Mumbai #Bihar
0:15

People often blame migrants from Bihar for making Mumbai “dirty.” But today, I witnessed something that deserves to be spoken about. My rickshaw driver noticed an empty plastic bottle left behind by a passenger. It kept rolling around due to the wind and movement. Instead of ignoring it, he picked it up and kept it aside. A few minutes later, he actually pulled over when he spotted a garbage collection point - and made sure to hand it over properly. No camera. No show-off. Just responsibility. In a world where even educated people casually litter and then preach online, this quiet act spoke volumes. Didn’t get his name as I had to rush, but wherever you are - respect. 👏 Sometimes, civic sense has nothing to do with where you come from, and everything to do with who you are. #CivicSense #Mumbai #Bihar

𝐈𝐬𝐡𝐢𝐭𝐚 𝐉𝐨𝐬𝐡𝐢 🇮🇳

10,229 次观看 • 6 个月前

A premium LEGO-style cinematic sneaker commercial where street basketball culture meets iconic brick-built animation. Featuring a stylish black sheep minifigure rocking custom LEGO Air Jordan 1s, the film delivers dynamic gameplay, dramatic lighting, and high-energy visuals, ending with a bold statement: STEP DIFFERENT. Made for Renoise x Contra challenge Use of Nano Banana 2 + Seedance 2.0 **LEGO STYLE NIKE AIR JORDAN 1 COMMERCIAL (15 SECONDS)** **Style:** Premium LEGO cinematic animation with authentic glossy plastic bricks and minifigure aesthetics, inspired by high-end LEGO animated films. Every object, environment, and character is constructed entirely from LEGO elements with visible studs, molded textures, and realistic plastic reflections. Vibrant neon green and black color palette (60:30:10 — neon green dominant, black secondary, chrome/silver accents). Volumetric haze, cinematic dusk lighting, anamorphic lens flares from stadium floodlights, soft depth of field, realistic plastic reflections, floating LEGO dust particles, smooth 24fps animation. No live action. No text overlays except the final logo card. **Character:** A stylish anthropomorphic LEGO black sheep minifigure with textured curly black LEGO wool hair, molded sheep ears, expressive printed face, and yellow transparent round LEGO sunglasses. Wearing an oversized neon-green sherpa-inspired LEGO fleece jacket with molded fluffy texture over a black-and-neon-green striped sweater torso print. Loose black LEGO jogger legs with sneaker-friendly proportions. Thin silver LEGO chain necklace with a dog-tag accessory. **Footwear:** Authentic LEGO-built Nike Air Jordan 1 "Neon Green/Black" sneakers featuring white LEGO panels, neon green overlays, black toe cap, black swoosh details recreated using LEGO elements while maintaining the recognizable silhouette. **Location:** Stylized LEGO outdoor basketball court at dusk. Brick-built asphalt court with glossy wet reflections, LEGO chain-link fence, colorful graffiti brick walls, distant LEGO city skyline glowing orange and purple beneath towering floodlights. Atmospheric haze between the buildings with floating LEGO dust particles. --- ### CUT 1 (0:00–0:03) Wide low-angle establishing shot (35mm feel), static. The LEGO sheep minifigure stands confidently at center court holding a LEGO basketball beneath one arm. A gentle breeze slightly rustles the oversized sherpa jacket pieces while the character slowly turns toward camera. Hard match-cut into an extreme macro close-up. One LEGO Air Jordan steps forward. Tiny LEGO dust pieces scatter across the brick-built asphalt in slow motion as the shoe locks firmly onto the court. --- ### CUT 2 (0:03–0:07) Low dynamic tracking shot (24mm), energetic handheld feel. The sheep crouches into a basketball dribble. Close-up of the LEGO basketball bouncing beside the glowing neon-green sneaker while the silver chain swings naturally. Whip-pan into a full-body action shot. The sheep bursts into a fast crossover sprint across the court. Neon green motion trails streak behind the shoes. Jacket panels bounce, ears flap, and plastic pieces subtly flex with movement. Camera performs a rapid 180° orbit ending behind the character looking directly toward the basketball hoop. --- ### CUT 3 (0:07–0:10) Slow-motion sequence (50mm). The sheep launches high into the air for a powerful dunk. Oversized sherpa jacket billows dramatically. Yellow LEGO sunglasses catch brilliant floodlight reflections. Cut to an extreme macro. The sneaker heel lands. A circular neon-green LEGO energy ripple travels outward across the court. Cut to the spinning LEGO basketball in shallow depth of field. The ball cleanly swishes through the LEGO chain net in elegant slow motion. --- ### CUT 4 (0:10–0:13) Hero beauty shot (85mm). The sheep lands confidently in a crouched pose. A glowing green energy ring pulses beneath both sneakers. The character slowly rises into a relaxed hero stance. Head tilts slightly. Yellow sunglasses reflect the glowing skyline. Macro insert. Extreme close-up of the LEGO Air Jordan toe box, white brick surfaces, black swoosh details, molded seams, glossy plastic finish, and subtle rim lighting emphasizing every LEGO element. --- ### CUT 5 (0:13–0:15) Static wide shot. The sheep walks away toward the glowing LEGO skyline while casually holding the basketball at its side. Its silhouette disappears into the atmospheric dusk haze. Hard cut. The same character now faces camera with arms crossed in a confident hero pose. Nike swoosh logo and the words: **STEP DIFFERENT.** Fade onto the bottom of the frame in clean white and neon-green typography. No additional motion. --- **Audio:** Authentic LEGO plastic footsteps, sneaker squeaks, basketball dribble impacts, subtle jacket rustling, ambient city atmosphere, distant court ambience, cinematic synth swell building toward the final logo reveal. No dialogue. No lyrics. #RenoiseChallenge
0:15

A premium LEGO-style cinematic sneaker commercial where street basketball culture meets iconic brick-built animation. Featuring a stylish black sheep minifigure rocking custom LEGO Air Jordan 1s, the film delivers dynamic gameplay, dramatic lighting, and high-energy visuals, ending with a bold statement: STEP DIFFERENT. Made for Renoise x Contra challenge Use of Nano Banana 2 + Seedance 2.0 **LEGO STYLE NIKE AIR JORDAN 1 COMMERCIAL (15 SECONDS)** **Style:** Premium LEGO cinematic animation with authentic glossy plastic bricks and minifigure aesthetics, inspired by high-end LEGO animated films. Every object, environment, and character is constructed entirely from LEGO elements with visible studs, molded textures, and realistic plastic reflections. Vibrant neon green and black color palette (60:30:10 — neon green dominant, black secondary, chrome/silver accents). Volumetric haze, cinematic dusk lighting, anamorphic lens flares from stadium floodlights, soft depth of field, realistic plastic reflections, floating LEGO dust particles, smooth 24fps animation. No live action. No text overlays except the final logo card. **Character:** A stylish anthropomorphic LEGO black sheep minifigure with textured curly black LEGO wool hair, molded sheep ears, expressive printed face, and yellow transparent round LEGO sunglasses. Wearing an oversized neon-green sherpa-inspired LEGO fleece jacket with molded fluffy texture over a black-and-neon-green striped sweater torso print. Loose black LEGO jogger legs with sneaker-friendly proportions. Thin silver LEGO chain necklace with a dog-tag accessory. **Footwear:** Authentic LEGO-built Nike Air Jordan 1 "Neon Green/Black" sneakers featuring white LEGO panels, neon green overlays, black toe cap, black swoosh details recreated using LEGO elements while maintaining the recognizable silhouette. **Location:** Stylized LEGO outdoor basketball court at dusk. Brick-built asphalt court with glossy wet reflections, LEGO chain-link fence, colorful graffiti brick walls, distant LEGO city skyline glowing orange and purple beneath towering floodlights. Atmospheric haze between the buildings with floating LEGO dust particles. --- ### CUT 1 (0:00–0:03) Wide low-angle establishing shot (35mm feel), static. The LEGO sheep minifigure stands confidently at center court holding a LEGO basketball beneath one arm. A gentle breeze slightly rustles the oversized sherpa jacket pieces while the character slowly turns toward camera. Hard match-cut into an extreme macro close-up. One LEGO Air Jordan steps forward. Tiny LEGO dust pieces scatter across the brick-built asphalt in slow motion as the shoe locks firmly onto the court. --- ### CUT 2 (0:03–0:07) Low dynamic tracking shot (24mm), energetic handheld feel. The sheep crouches into a basketball dribble. Close-up of the LEGO basketball bouncing beside the glowing neon-green sneaker while the silver chain swings naturally. Whip-pan into a full-body action shot. The sheep bursts into a fast crossover sprint across the court. Neon green motion trails streak behind the shoes. Jacket panels bounce, ears flap, and plastic pieces subtly flex with movement. Camera performs a rapid 180° orbit ending behind the character looking directly toward the basketball hoop. --- ### CUT 3 (0:07–0:10) Slow-motion sequence (50mm). The sheep launches high into the air for a powerful dunk. Oversized sherpa jacket billows dramatically. Yellow LEGO sunglasses catch brilliant floodlight reflections. Cut to an extreme macro. The sneaker heel lands. A circular neon-green LEGO energy ripple travels outward across the court. Cut to the spinning LEGO basketball in shallow depth of field. The ball cleanly swishes through the LEGO chain net in elegant slow motion. --- ### CUT 4 (0:10–0:13) Hero beauty shot (85mm). The sheep lands confidently in a crouched pose. A glowing green energy ring pulses beneath both sneakers. The character slowly rises into a relaxed hero stance. Head tilts slightly. Yellow sunglasses reflect the glowing skyline. Macro insert. Extreme close-up of the LEGO Air Jordan toe box, white brick surfaces, black swoosh details, molded seams, glossy plastic finish, and subtle rim lighting emphasizing every LEGO element. --- ### CUT 5 (0:13–0:15) Static wide shot. The sheep walks away toward the glowing LEGO skyline while casually holding the basketball at its side. Its silhouette disappears into the atmospheric dusk haze. Hard cut. The same character now faces camera with arms crossed in a confident hero pose. Nike swoosh logo and the words: **STEP DIFFERENT.** Fade onto the bottom of the frame in clean white and neon-green typography. No additional motion. --- **Audio:** Authentic LEGO plastic footsteps, sneaker squeaks, basketball dribble impacts, subtle jacket rustling, ambient city atmosphere, distant court ambience, cinematic synth swell building toward the final logo reveal. No dialogue. No lyrics. #RenoiseChallenge

Aaliya

215,760 次观看 • 3 个月前

May this young man's Soul Rest in Peace. The carnage continues due to unprecedented levels of greed, dereliction of duty, and lack of accountability. The funds are actually there and have been provided over the past decade. The Ministry of Finance Ministry of Finance has released about UGX 100 Billion since 2019 for a Department of Government whose main responsibility and objective should be prevention of road crashes. These funds have been spent on activities with very minimal impact on road safety. This information has been shared with IGG, Office of the Auditor General Uganda, Criminal Investigations Directorate-UPF. How do you explained the death of a young man in a fatal road crash that caused the incineration of the vehicle which he was driving? He must have been driving in one of the best motor vehicles in this country given the wealth of his family. He was driving a motor vehicle which probably had good safety features on a smooth road without pot holes. It is easy to draw conclusions like he was speeding, he was fatigued, he lost control of his motor vehicle, he made errors, e.t.c. Whereas all that may be true, did he deserve to die in such a gruesome way for those errors in judgement? The answer is a BIG NO. The truth is government failed him in so many ways. At the center of modern day road safety management is recognition that errors made by road users (drivers, motorcyclists, cyclist and pedestrians) MUST NOT lead to their demise. Here is a situation he found himself in: Concrete Barriers on a road that encourages high speed. Who has the onus to remove this hazard? Government. I could have perished in the same circumstances a few years back before the completion of the KEE on the way to the Airport. It was a rainy early morning at about 5:00am and I drove through barriers which were made of plastic. So why were these not made of plastic? Was there a provision for lighting on that section? If not, it should have been there. This is what we mean when we say roads should be forgiving. Apart from their design, road sides are the major reference here. The road should have forgiven him for this error if it had plastic reflective barriers. These kind of barriers would have caught his attention and he would have stopped his car instead of killing him. Were the traffic lights functional? Why was there no hazard signage or warning of any sort since there were barriers in middle of the road? This section of the road is built as an expressway and as such encourages speeding especially at any time beyond midnight. There are no traffic calming measures in place yet it is freely used by pedestrians and Boda-Bodaz like any other city road. Roads are supposed to be designed and constructed bearing in mind the activities that take place around them (Land Use). Interventions to control speed must be implemented if there is a high volume of different road users. They would have got his attention and he would not have died. A glaring example of contractors that do not care about road safety is on the section of Kampala-Masaka in the swampy section of Lwera. The Concrete Barriers are there and in places where they are not, there is nothing preventing a motor vehicle falling off into the swamp. Not even a rope. UNTIL THE DAY WHEN THE LEADERSHIP OF THIS COUNTRY ACCEPTS THAT ROAD CRASHES ARE PREVENTABLE AND PARLIAMENT STARTS DEMANDING ACCOUNTABILTY ON ROAD SAFETY, THIS CARNAGE WILL CONTINUE. ACCEPTING THERE IS A PROBLEM IS THE FIRST STEP TO SOLVING IT OR MANAGING IT. TOMORROW IT MIGHT BE ME OR YOU. LETS STOP PAYING LIP SERVICE TO UGANDANS ESPECIALLY ALL THOSE FAMILIES THAT LOSE LOVED ONES IN THIS MESS OF GREED AND LACK OF ACCOUNTABILITY. Uganda Police Force Parliament of Uganda Parliamentary Forum on Road And Water Safety Road Safety Advocacy Coalition Uganda 🇺🇬 Road Sense Kenya - RSK Brian 4RoadSafety roadsafetypros Road Safety Awareness Initiative (Kenya) Road Safety Alliance UN Road Safety Anita Annet Among Safe Transport and Survivors Support Uganda Legacy Road Safety Initiative (LRSI) Uganda Professional Drivers' Network Percy B Mulamba Munwankyo CISCOT Civil Society Coalition On Transport UG Kampala Capital City Authority (KCCA) Greater Kampala Metropolitan Area - UDP Office of the Prime Minister - Uganda
0:18

May this young man's Soul Rest in Peace. The carnage continues due to unprecedented levels of greed, dereliction of duty, and lack of accountability. The funds are actually there and have been provided over the past decade. The Ministry of Finance Ministry of Finance has released about UGX 100 Billion since 2019 for a Department of Government whose main responsibility and objective should be prevention of road crashes. These funds have been spent on activities with very minimal impact on road safety. This information has been shared with IGG, Office of the Auditor General Uganda, Criminal Investigations Directorate-UPF. How do you explained the death of a young man in a fatal road crash that caused the incineration of the vehicle which he was driving? He must have been driving in one of the best motor vehicles in this country given the wealth of his family. He was driving a motor vehicle which probably had good safety features on a smooth road without pot holes. It is easy to draw conclusions like he was speeding, he was fatigued, he lost control of his motor vehicle, he made errors, e.t.c. Whereas all that may be true, did he deserve to die in such a gruesome way for those errors in judgement? The answer is a BIG NO. The truth is government failed him in so many ways. At the center of modern day road safety management is recognition that errors made by road users (drivers, motorcyclists, cyclist and pedestrians) MUST NOT lead to their demise. Here is a situation he found himself in: Concrete Barriers on a road that encourages high speed. Who has the onus to remove this hazard? Government. I could have perished in the same circumstances a few years back before the completion of the KEE on the way to the Airport. It was a rainy early morning at about 5:00am and I drove through barriers which were made of plastic. So why were these not made of plastic? Was there a provision for lighting on that section? If not, it should have been there. This is what we mean when we say roads should be forgiving. Apart from their design, road sides are the major reference here. The road should have forgiven him for this error if it had plastic reflective barriers. These kind of barriers would have caught his attention and he would have stopped his car instead of killing him. Were the traffic lights functional? Why was there no hazard signage or warning of any sort since there were barriers in middle of the road? This section of the road is built as an expressway and as such encourages speeding especially at any time beyond midnight. There are no traffic calming measures in place yet it is freely used by pedestrians and Boda-Bodaz like any other city road. Roads are supposed to be designed and constructed bearing in mind the activities that take place around them (Land Use). Interventions to control speed must be implemented if there is a high volume of different road users. They would have got his attention and he would not have died. A glaring example of contractors that do not care about road safety is on the section of Kampala-Masaka in the swampy section of Lwera. The Concrete Barriers are there and in places where they are not, there is nothing preventing a motor vehicle falling off into the swamp. Not even a rope. UNTIL THE DAY WHEN THE LEADERSHIP OF THIS COUNTRY ACCEPTS THAT ROAD CRASHES ARE PREVENTABLE AND PARLIAMENT STARTS DEMANDING ACCOUNTABILTY ON ROAD SAFETY, THIS CARNAGE WILL CONTINUE. ACCEPTING THERE IS A PROBLEM IS THE FIRST STEP TO SOLVING IT OR MANAGING IT. TOMORROW IT MIGHT BE ME OR YOU. LETS STOP PAYING LIP SERVICE TO UGANDANS ESPECIALLY ALL THOSE FAMILIES THAT LOSE LOVED ONES IN THIS MESS OF GREED AND LACK OF ACCOUNTABILITY. Uganda Police Force Parliament of Uganda Parliamentary Forum on Road And Water Safety Road Safety Advocacy Coalition Uganda 🇺🇬 Road Sense Kenya - RSK Brian 4RoadSafety roadsafetypros Road Safety Awareness Initiative (Kenya) Road Safety Alliance UN Road Safety Anita Annet Among Safe Transport and Survivors Support Uganda Legacy Road Safety Initiative (LRSI) Uganda Professional Drivers' Network Percy B Mulamba Munwankyo CISCOT Civil Society Coalition On Transport UG Kampala Capital City Authority (KCCA) Greater Kampala Metropolitan Area - UDP Office of the Prime Minister - Uganda

Ronald Amanyire

41,895 次观看 • 1 年前

Formula 1 paddock video Made with GPT Image 2 + Seedance 2.0 on Lart AI You can also create it here: Prompt Ultra realistic cinematic Formula 1 paddock video of the woman from the reference image inside the Ferrari F1 garage during a live qualifying session. She is wearing a red Ferrari team headset with microphone while watching the race intensely. Realistic Sky Sports F1 broadcast atmosphere, warm red ambient lighting, glowing race monitors, Ferrari engineers moving naturally in the background. The camera captures her from multiple cinematic angles: close-up front portrait with direct eye contact, slow side profile shot while she watches the monitors, over-the-shoulder angle facing the race screens, smooth cinematic orbit camera around her face, subtle handheld broadcast camera movement, natural head turns, blinking, breathing, soft facial expressions, realistic hair movement. She looks focused, elegant, calm, and emotionally immersed in the race. Occasionally glancing at the screens and reacting subtly to the race action. Luxury model aesthetics mixed with authentic Formula 1 pit wall energy. Ultra realistic skin texture, detailed blue eyes, natural lips, blonde balayage hair with soft movement, realistic Ferrari uniform and headset materials. Shallow depth of field, cinematic bokeh, realistic shadows, depth and atmosphere, live sports broadcast realism. Style of Netflix Formula 1 documentary mixed with live Sky Sports F1 camera footage. Shot on 85mm lens, cinematic color grading, premium sports cinematography, realistic motion blur, immersive lighting, broadcast-quality realism. Camera movement: slow dolly shots, smooth handheld movement, cinematic push-ins, subtle focus pulls, natural broadcast zooms. Mood: luxury, exclusive Ferrari paddock access, high tension qualifying atmosphere, immersive Formula 1 experience. Negative prompt: cartoon, anime, CGI, fake motion, distorted face, unrealistic eyes, plastic skin, jittery movement, broken anatomy, low quality, overexposed lighting, stiff expressions, robotic motion, flickering, text artifacts, watermark
0:15

Formula 1 paddock video Made with GPT Image 2 + Seedance 2.0 on Lart AI You can also create it here: Prompt Ultra realistic cinematic Formula 1 paddock video of the woman from the reference image inside the Ferrari F1 garage during a live qualifying session. She is wearing a red Ferrari team headset with microphone while watching the race intensely. Realistic Sky Sports F1 broadcast atmosphere, warm red ambient lighting, glowing race monitors, Ferrari engineers moving naturally in the background. The camera captures her from multiple cinematic angles: close-up front portrait with direct eye contact, slow side profile shot while she watches the monitors, over-the-shoulder angle facing the race screens, smooth cinematic orbit camera around her face, subtle handheld broadcast camera movement, natural head turns, blinking, breathing, soft facial expressions, realistic hair movement. She looks focused, elegant, calm, and emotionally immersed in the race. Occasionally glancing at the screens and reacting subtly to the race action. Luxury model aesthetics mixed with authentic Formula 1 pit wall energy. Ultra realistic skin texture, detailed blue eyes, natural lips, blonde balayage hair with soft movement, realistic Ferrari uniform and headset materials. Shallow depth of field, cinematic bokeh, realistic shadows, depth and atmosphere, live sports broadcast realism. Style of Netflix Formula 1 documentary mixed with live Sky Sports F1 camera footage. Shot on 85mm lens, cinematic color grading, premium sports cinematography, realistic motion blur, immersive lighting, broadcast-quality realism. Camera movement: slow dolly shots, smooth handheld movement, cinematic push-ins, subtle focus pulls, natural broadcast zooms. Mood: luxury, exclusive Ferrari paddock access, high tension qualifying atmosphere, immersive Formula 1 experience. Negative prompt: cartoon, anime, CGI, fake motion, distorted face, unrealistic eyes, plastic skin, jittery movement, broken anatomy, low quality, overexposed lighting, stiff expressions, robotic motion, flickering, text artifacts, watermark

Sharon Riley

29,212 次观看 • 4 个月前

Not for everyone, but if you’re looking for the extreme for muscle mass… It’s too dangerous?? I’ve only heard this from people who’ve not ever even tried the low rep approach, and I’m confident they didn’t try it my way and here is why One of the very first things I noticed when I made the change to low reps sets, I stopped having shoulder impingement. No more elbow tendonitis and other chronic injuries from overuse We can thank Wollf’s Law and Davis’s Law Wolff’s Law states that bone tissue remodels and strengthens itself in response to the mechanical stresses and loads placed upon it. Davis’s Law states that soft tissues (like ligaments, tendons, and fascia) adapt by lengthening or shortening based on the sustained stresses or positions they are held in over time. The fitness industry is full of examples of crab mentality. Crab mentality is the attitude where people in a group try to pull down or sabotage anyone who is trying to improve or escape or problem solve, like crabs in a bucket pulling each other back down.
0:20

Not for everyone, but if you’re looking for the extreme for muscle mass… It’s too dangerous?? I’ve only heard this from people who’ve not ever even tried the low rep approach, and I’m confident they didn’t try it my way and here is why One of the very first things I noticed when I made the change to low reps sets, I stopped having shoulder impingement. No more elbow tendonitis and other chronic injuries from overuse We can thank Wollf’s Law and Davis’s Law Wolff’s Law states that bone tissue remodels and strengthens itself in response to the mechanical stresses and loads placed upon it. Davis’s Law states that soft tissues (like ligaments, tendons, and fascia) adapt by lengthening or shortening based on the sustained stresses or positions they are held in over time. The fitness industry is full of examples of crab mentality. Crab mentality is the attitude where people in a group try to pull down or sabotage anyone who is trying to improve or escape or problem solve, like crabs in a bucket pulling each other back down.

Official Strength Debates

24,721 次观看 • 3 个月前

It’s too dangerous?? I’ve only heard this from people who’ve not ever even tried the low rep approach, and I’m confident they didn’t try it my way and here is why One of the very first things I noticed when I made the change to low reps sets, I stopped having shoulder impingement. No more elbow tendonitis and other chronic injuries from overuse We can thank Wollf’s Law and Davis’s Law Wolff’s Law states that bone tissue remodels and strengthens itself in response to the mechanical stresses and loads placed upon it. Davis’s Law states that soft tissues (like ligaments, tendons, and fascia) adapt by lengthening or shortening based on the sustained stresses or positions they are held in over time. The fitness industry is full of examples of crab mentality. Crab mentality is the attitude where people in a group try to pull down or sabotage anyone who is trying to improve or escape or problem solve, like crabs in a bucket pulling each other back down. Want more? Check the link in my bio
0:20

It’s too dangerous?? I’ve only heard this from people who’ve not ever even tried the low rep approach, and I’m confident they didn’t try it my way and here is why One of the very first things I noticed when I made the change to low reps sets, I stopped having shoulder impingement. No more elbow tendonitis and other chronic injuries from overuse We can thank Wollf’s Law and Davis’s Law Wolff’s Law states that bone tissue remodels and strengthens itself in response to the mechanical stresses and loads placed upon it. Davis’s Law states that soft tissues (like ligaments, tendons, and fascia) adapt by lengthening or shortening based on the sustained stresses or positions they are held in over time. The fitness industry is full of examples of crab mentality. Crab mentality is the attitude where people in a group try to pull down or sabotage anyone who is trying to improve or escape or problem solve, like crabs in a bucket pulling each other back down. Want more? Check the link in my bio

Official Strength Debates

36,364 次观看 • 5 个月前

DID BUYERS ORDER HOUSEWIFE GIRL HUMANOIDS WITH ANIME FACES YES AND A NEW MODEL JUST MADE IT LOUDER two hungers got mixed in one question chores in the kitchen and a 2d soft face from the feed the order book already knew that mashup before the ads admitted it ▹ what people actually configured anime eyes big soft stare maid energy apron stills "wake me / cook bit / call me master" voice packs on silicone companion shells and custom doll heads ngl otaku money always paid for that combo even when the body could barely fold a towel true housewife labor robots are a different aisle 1x neo weave isaac chore wheeled shells knit suits no girlfriend silhouette they clean they do not cosplay your waifu so yes anime housewife was ordered as a vibe pack on companion hardware not as the best mopping biped ▹ the new model that fits the hunger engineai sa02 anime inspired social humanoid out of shenzhen about 125 cm around 25 kg roughly $5.3k / ¥38.5k launch talk 26 plus dof on device llm homework helper karaoke roommate energy built to feel like a character not a warehouse worker she is not ultra uworld six figures she is the cheap soft entry for people who want anime presence at home without buying a full adult companion fantasy similar lane around her custom anime humanoid makers hard resin anime heads on companion platforms desktop waifu hubs while figure helix and unipath chase real apartments with chores not with sparkle eyes ▹ the culture stack behind the skus anime already shipped the plot my wife has no emotion maid robot comedies koharu style master and robot girl stories hardware is just catching the order form up so did they order anime housewife girl humanoids yes as a niche that never slept and sa02 style drops prove the face pack is going mass chores and waifu are still two products sharing one lonely apartment fantasy apron eyes finished soft in Picsart
0:10

DID BUYERS ORDER HOUSEWIFE GIRL HUMANOIDS WITH ANIME FACES YES AND A NEW MODEL JUST MADE IT LOUDER two hungers got mixed in one question chores in the kitchen and a 2d soft face from the feed the order book already knew that mashup before the ads admitted it ▹ what people actually configured anime eyes big soft stare maid energy apron stills "wake me / cook bit / call me master" voice packs on silicone companion shells and custom doll heads ngl otaku money always paid for that combo even when the body could barely fold a towel true housewife labor robots are a different aisle 1x neo weave isaac chore wheeled shells knit suits no girlfriend silhouette they clean they do not cosplay your waifu so yes anime housewife was ordered as a vibe pack on companion hardware not as the best mopping biped ▹ the new model that fits the hunger engineai sa02 anime inspired social humanoid out of shenzhen about 125 cm around 25 kg roughly $5.3k / ¥38.5k launch talk 26 plus dof on device llm homework helper karaoke roommate energy built to feel like a character not a warehouse worker she is not ultra uworld six figures she is the cheap soft entry for people who want anime presence at home without buying a full adult companion fantasy similar lane around her custom anime humanoid makers hard resin anime heads on companion platforms desktop waifu hubs while figure helix and unipath chase real apartments with chores not with sparkle eyes ▹ the culture stack behind the skus anime already shipped the plot my wife has no emotion maid robot comedies koharu style master and robot girl stories hardware is just catching the order form up so did they order anime housewife girl humanoids yes as a niche that never slept and sa02 style drops prove the face pack is going mass chores and waifu are still two products sharing one lonely apartment fantasy apron eyes finished soft in Picsart

Luella

17,046 次观看 • 10 天前

I just need to say it… Some of you have LOST YOUR FRIGGIN MINDS over Hurricane Milton We Do live in Sarasota County where it’s making landfall right now but do NOT live on the coast (15 miles+ inland) People have been telling us all day that we deserve to die for not leaving and to write our daughters SSN on their arms to be identified. The video to the left is the worst it has gotten. Now I want to be VERY VERY clear. If you live on the beach, are in a mobile home, or a major flood zone… Evacuation is a NECESSITY. I hope those people all got out and are safe. But I’m not joking. I’ve had family and friends telling me that ALL Florida is going to be wiped out by Milton. And to kiss my daughters goodbye tonight because we stayed. Now I mostly blame the over sensationalist media for hyping everyone up making it sound like this was going to make landfall as the most catastrophic storm in history. It literally made landfall as a Cat 3 120mph winds. Thats far from the largest. People saw that it was a Cat 5 with 200 mph winds when it was in the middle of the ocean and thought it would land at that. TikTok and random “weather people” didn’t make this any better. It’s like the whole country was watching us like NASCAR… hoping to see that fatal crash. It’s messed up.
0:18

I just need to say it… Some of you have LOST YOUR FRIGGIN MINDS over Hurricane Milton We Do live in Sarasota County where it’s making landfall right now but do NOT live on the coast (15 miles+ inland) People have been telling us all day that we deserve to die for not leaving and to write our daughters SSN on their arms to be identified. The video to the left is the worst it has gotten. Now I want to be VERY VERY clear. If you live on the beach, are in a mobile home, or a major flood zone… Evacuation is a NECESSITY. I hope those people all got out and are safe. But I’m not joking. I’ve had family and friends telling me that ALL Florida is going to be wiped out by Milton. And to kiss my daughters goodbye tonight because we stayed. Now I mostly blame the over sensationalist media for hyping everyone up making it sound like this was going to make landfall as the most catastrophic storm in history. It literally made landfall as a Cat 3 120mph winds. Thats far from the largest. People saw that it was a Cat 5 with 200 mph winds when it was in the middle of the ocean and thought it would land at that. TikTok and random “weather people” didn’t make this any better. It’s like the whole country was watching us like NASCAR… hoping to see that fatal crash. It’s messed up.

Player 2

3,066,419 次观看 • 2 年前

The term "continual learning" has become overloaded if you see it as an ML problem. One classic thread is about memorization: regularization-based continual learning methods, such as EWC, MAS, and SI, estimate which parameters mattered for previous tasks and resist changing them too much. One modern thread is about adaptation: test-time training and inference-time learning methods, such as TTT, adapt part of the model on the incoming test stream before making predictions. These are sometimes discussed as separate threads. But in modern scalable architectures, I think they are better seen as complementary constraints: a model that learns quickly at test time also benefits from a mechanism for deciding what not to forget. In our #ECCV2026 paper, we study this in large-scale 4D reconstruction: how to build fast spatial memory that can adapt over long observation streams while reducing collapse and forgetting. Instead of using fully plastic test-time updates, we stabilize fast-weight adaptation with an elastic prior that balances adaptation and memory. Key ideas: - Elastic Test-Time Training: Fisher-weighted consolidation for fast-weight updates - EMA anchor weights that provide a moving reference for stability - Chunk-by-chunk inference for long 3D/4D observation streams We show that this scales across large 3D/4D pretraining settings, including both LRM-style and LVSM-style models, and improves reconstruction across benchmarks including Stereo4D, NVIDIA, and DL3DV-140. We release model checkpoints across different design choices: resolution, post-training curriculum, and whether the model uses an explicit 4DGS intermediate representation. - Homepage: - Paper: - Code: - Models: This work is co-led with Xueyang Yu, contributed by Haoyu Zhen Yuncong Yang, and advised by Michigan SLED Lab Chuang Gan.
0:14

The term "continual learning" has become overloaded if you see it as an ML problem. One classic thread is about memorization: regularization-based continual learning methods, such as EWC, MAS, and SI, estimate which parameters mattered for previous tasks and resist changing them too much. One modern thread is about adaptation: test-time training and inference-time learning methods, such as TTT, adapt part of the model on the incoming test stream before making predictions. These are sometimes discussed as separate threads. But in modern scalable architectures, I think they are better seen as complementary constraints: a model that learns quickly at test time also benefits from a mechanism for deciding what not to forget. In our #ECCV2026 paper, we study this in large-scale 4D reconstruction: how to build fast spatial memory that can adapt over long observation streams while reducing collapse and forgetting. Instead of using fully plastic test-time updates, we stabilize fast-weight adaptation with an elastic prior that balances adaptation and memory. Key ideas: - Elastic Test-Time Training: Fisher-weighted consolidation for fast-weight updates - EMA anchor weights that provide a moving reference for stability - Chunk-by-chunk inference for long 3D/4D observation streams We show that this scales across large 3D/4D pretraining settings, including both LRM-style and LVSM-style models, and improves reconstruction across benchmarks including Stereo4D, NVIDIA, and DL3DV-140. We release model checkpoints across different design choices: resolution, post-training curriculum, and whether the model uses an explicit 4DGS intermediate representation. - Homepage: - Paper: - Code: - Models: This work is co-led with Xueyang Yu, contributed by Haoyu Zhen Yuncong Yang, and advised by Michigan SLED Lab Chuang Gan.

Martin Ziqiao Ma

34,012 次观看 • 3 个月前

Not all superheroes wear capes. Made by using GPT Image 2 + Seedance 2.0 for DomoAI official Prompt: Cinematic 15-second video of a young woman with long blonde wavy hair transforming into a modern street-style Spider-Woman in New York City at golden hour. She sits cross-legged on a high-rise window ledge overlooking the Manhattan skyline, wearing a black bomber jacket, pink tights, grey sweater tied at her waist, white gloves, and teal sneakers, putting on large black over-ear headphones with a soft smile. She lies back with her teal sneakers against the glass. Close-up of her white-gloved hand shooting a thin white web. She swings acrobatically on the web through rainy NYC streets lined with brick buildings, fire escapes, and yellow taxis at dusk, leaping between walls, running and flipping through traffic, then landing on a rooftop. Final shot: she stands confidently on a water-tower rooftop against a dramatic orange sunset sky, arms outstretched in a powerful pose, city skyline behind her. Dynamic camera moves, smooth motion, realistic physics, cinematic lighting, high detail, photorealistic. #DomoAi #DomoAiCPP
0:15

Not all superheroes wear capes. Made by using GPT Image 2 + Seedance 2.0 for DomoAI official Prompt: Cinematic 15-second video of a young woman with long blonde wavy hair transforming into a modern street-style Spider-Woman in New York City at golden hour. She sits cross-legged on a high-rise window ledge overlooking the Manhattan skyline, wearing a black bomber jacket, pink tights, grey sweater tied at her waist, white gloves, and teal sneakers, putting on large black over-ear headphones with a soft smile. She lies back with her teal sneakers against the glass. Close-up of her white-gloved hand shooting a thin white web. She swings acrobatically on the web through rainy NYC streets lined with brick buildings, fire escapes, and yellow taxis at dusk, leaping between walls, running and flipping through traffic, then landing on a rooftop. Final shot: she stands confidently on a water-tower rooftop against a dramatic orange sunset sky, arms outstretched in a powerful pose, city skyline behind her. Dynamic camera moves, smooth motion, realistic physics, cinematic lighting, high detail, photorealistic. #DomoAi #DomoAiCPP

Sharon Riley

50,405 次观看 • 2 个月前

Honestly this does touch on our philosophy. We could very easily chase profits and charge $50 because it's entirely made in USA, the quality of the cotton and weave, the printing method, the inks we use etc. Obviously yall see others doing it for even lower quality products. Our pricing is not reflective of the product but we do it to keep it affordable and accessible and to help grow the mission of reshoring industry. A lot of people are trying to be made in USA businesses but also charge out the absolute ass trying to maintain margins and an income they'd grown accustomed to. It's an unrealistic expectation in our current economy and you're shooting the movement in the foot pricing yourself out of volume. Made in USA needs volume and cashflow. Goods need to be moving and exchanging hands, that's what drives the economy. If you're out there charging a premium people will still continue to go buy the foreign slop because it's cheaper and they don't share the values of what supporting made in USA really is. Shirts specifically if you're still using foreign shirts and cotton, they use the absolute cheapest shit they can find. (Just like wool, there's varying degrees of quality genetics that determines softness and performance). Probably the most frequent comment we get is about softness and how crazy comfortable our stuff is. That's for a reason and not by magic or accident. Our designs don't have that gross plastic stiff feel to them that flakes off and degrades quickly. That's for a reason because of how we choose to do things the hard way. We understand we care more about these things than most and for the general public they willingly buy lower quality stuff more to just support who is selling it. But I think awareness is also part of the issue because I was also one of those "it's just a shirt, who cares" people until I wore an AL shirt. They are hands down the biggest bang for the buck in this space and we have shirts lasting people years and years now for the same price you pay to fund china whether directly or indirectly. The best (and how capitalism is supposed to work) way to grow the movement is to be an educated consumer. Check tags, country of origin labels, ink and printing method. If someone is being shady or dodgy over the answers? There's your answer. And this goes for all products. We keep an active list of all kinds of made in USA products for all sorts of things that we have personally bought and used to check for quality both the product but also the business. anyway. TLDR we give up massive profits because we believe in what we're doing even tho it slows growth.
0:17

Honestly this does touch on our philosophy. We could very easily chase profits and charge $50 because it's entirely made in USA, the quality of the cotton and weave, the printing method, the inks we use etc. Obviously yall see others doing it for even lower quality products. Our pricing is not reflective of the product but we do it to keep it affordable and accessible and to help grow the mission of reshoring industry. A lot of people are trying to be made in USA businesses but also charge out the absolute ass trying to maintain margins and an income they'd grown accustomed to. It's an unrealistic expectation in our current economy and you're shooting the movement in the foot pricing yourself out of volume. Made in USA needs volume and cashflow. Goods need to be moving and exchanging hands, that's what drives the economy. If you're out there charging a premium people will still continue to go buy the foreign slop because it's cheaper and they don't share the values of what supporting made in USA really is. Shirts specifically if you're still using foreign shirts and cotton, they use the absolute cheapest shit they can find. (Just like wool, there's varying degrees of quality genetics that determines softness and performance). Probably the most frequent comment we get is about softness and how crazy comfortable our stuff is. That's for a reason and not by magic or accident. Our designs don't have that gross plastic stiff feel to them that flakes off and degrades quickly. That's for a reason because of how we choose to do things the hard way. We understand we care more about these things than most and for the general public they willingly buy lower quality stuff more to just support who is selling it. But I think awareness is also part of the issue because I was also one of those "it's just a shirt, who cares" people until I wore an AL shirt. They are hands down the biggest bang for the buck in this space and we have shirts lasting people years and years now for the same price you pay to fund china whether directly or indirectly. The best (and how capitalism is supposed to work) way to grow the movement is to be an educated consumer. Check tags, country of origin labels, ink and printing method. If someone is being shady or dodgy over the answers? There's your answer. And this goes for all products. We keep an active list of all kinds of made in USA products for all sorts of things that we have personally bought and used to check for quality both the product but also the business. anyway. TLDR we give up massive profits because we believe in what we're doing even tho it slows growth.

AGAVE

15,058 次观看 • 2 个月前

🚨🗣️New: Luis Suárez reacts to Uruguay’s arrival in the United States for the World Cup, where the squad faced sniffer dogs and rigorous security checks: “I’ve been in football a long time, and I’ve seen tournaments all over the world. But what we’re witnessing here with the USA hosting this World Cup is deeply concerning. Take the Uruguay team arriving — world-class players like Manuel Ugarte, standing there with arms folded, looking utterly bewildered as sniffer dogs go through their bags like they’re common criminals. That image says it all. These are ambassadors of the game, not suspects at the border. This isn’t hospitality; it’s humiliation dressed up as security. You’ve got a Somali referee, one of Africa’s best, denied entry despite a valid visa — a man who dreamed of officiating at the pinnacle of his career, turned away at the airport. African and South American delegations facing extra screenings, visa chaos for fans and officials from qualified nations. This is the ‘land of the free’ rolling out the red carpet? It feels more like a fortress with razor wire. The beautiful game deserves better than being turned into a political football or a paranoid checkpoint. FIFA chased the dollars — and there are billions to be made, no doubt — but they’ve sold the soul of the tournament to a host that treats global football stars and supporters like potential threats. Meanwhile, American taxpayers and host cities are left holding a bill running into hundreds of millions for security and logistics that FIFA largely pockets. Football has always been about unity, passion, and bringing people together across borders. Right now, under this hosting, it’s being strangled by suspicion and overreach. The world is watching these scenes and cringing. If this continues, it risks leaving a bitter taste that lingers far longer than any on-pitch glory. We needed a celebration of the game — not a showcase of division. Something has to change.”
0:11

🚨🗣️New: Luis Suárez reacts to Uruguay’s arrival in the United States for the World Cup, where the squad faced sniffer dogs and rigorous security checks: “I’ve been in football a long time, and I’ve seen tournaments all over the world. But what we’re witnessing here with the USA hosting this World Cup is deeply concerning. Take the Uruguay team arriving — world-class players like Manuel Ugarte, standing there with arms folded, looking utterly bewildered as sniffer dogs go through their bags like they’re common criminals. That image says it all. These are ambassadors of the game, not suspects at the border. This isn’t hospitality; it’s humiliation dressed up as security. You’ve got a Somali referee, one of Africa’s best, denied entry despite a valid visa — a man who dreamed of officiating at the pinnacle of his career, turned away at the airport. African and South American delegations facing extra screenings, visa chaos for fans and officials from qualified nations. This is the ‘land of the free’ rolling out the red carpet? It feels more like a fortress with razor wire. The beautiful game deserves better than being turned into a political football or a paranoid checkpoint. FIFA chased the dollars — and there are billions to be made, no doubt — but they’ve sold the soul of the tournament to a host that treats global football stars and supporters like potential threats. Meanwhile, American taxpayers and host cities are left holding a bill running into hundreds of millions for security and logistics that FIFA largely pockets. Football has always been about unity, passion, and bringing people together across borders. Right now, under this hosting, it’s being strangled by suspicion and overreach. The world is watching these scenes and cringing. If this continues, it risks leaving a bitter taste that lingers far longer than any on-pitch glory. We needed a celebration of the game — not a showcase of division. Something has to change.”

Vfynn_🥷🏼 𐙚

703,757 次观看 • 3 个月前

Taking Some Prompt Ideas From This Video Which is Posted in The Comments Section Below 👇 Prompt: { "prompt": { "subject": { "description": "A stunning young woman with fair skin and a soft, glowing complexion.", "hair": "Long, wavy dark blonde hair with honey highlights, cascading down her back, with one hand gently brushing it back.", "makeup": "Soft glam makeup, defined brows, rose-tinted lips, and subtle blush contouring.", "clothing": "Wearing a fitted, vibrant crimson red midi dress. The dress features a corset-style bodice with a sweetheart neckline, thin spaghetti straps, and a daring high thigh slit on the left leg. The fabric has a smooth, semi-matte finish, resembling crepe or silk blend.", "accessories": "A delicate gold bracelet on the left wrist, minimalist gold rings, and holding a rustic bouquet of flowers wrapped in brown kraft paper.", "pose": "Standing in a semi-profile stance, turning her head to look directly at the camera over her left shoulder. Her right arm cradles the flower bouquet against her torso, while her left hand is raised to touch her hair near her ear. The posture is elegant and poised." }, "environment": { "setting": "An aisle in an upscale grocery store or greengrocer.", "elements": "Black shelving units stacked with wicker baskets overflowing with fresh produce. Visible items include yellow quinces, red nectarines, plastic-wrapped pumpkin slices, yellow plums, peaches, and mangoes.", "details": "Price signs are visible (e.g., 'Pumpkin £1.99/kg', 'Nectarine 3 FOR £1.20', 'Yellow Plum 2 FOR £1'). A minimalist line-art drawing of a roasted chicken is on the wall above the shelves.", "atmosphere": "Bustling but organized market vibe." }, "lighting": { "type": "Soft, diffused ambient lighting.", "quality": "Flattering, even illumination on the subject's face with no harsh shadows. Subtle highlights on the shoulders and cheekbones. The fruit in the background is well-lit, emphasizing their colors.", "direction": "Front-lit with soft fill." }, "styling": { "mood": "Romantic, chic, 'old money' aesthetic, effortless luxury, cinematic everyday life.", "color_palette": "Dominant red (dress) contrasting with the warm yellows, oranges, and greens of the produce." }, "camera_details": { "style": "Ultra Photorealistic, 8k resolution, cinematic composition.", "lens": "85mm portrait lens.", "aperture": "f/2.8 for a shallow depth of field to keep the subject sharp while slightly softening the background details.", "film_stock": "Kodak Portra 400 emulation for warm, natural skin tones.", "shot_type": "Medium shot (waist-up/mid-thigh)." } } }
0:15

Taking Some Prompt Ideas From This Video Which is Posted in The Comments Section Below 👇 Prompt: { "prompt": { "subject": { "description": "A stunning young woman with fair skin and a soft, glowing complexion.", "hair": "Long, wavy dark blonde hair with honey highlights, cascading down her back, with one hand gently brushing it back.", "makeup": "Soft glam makeup, defined brows, rose-tinted lips, and subtle blush contouring.", "clothing": "Wearing a fitted, vibrant crimson red midi dress. The dress features a corset-style bodice with a sweetheart neckline, thin spaghetti straps, and a daring high thigh slit on the left leg. The fabric has a smooth, semi-matte finish, resembling crepe or silk blend.", "accessories": "A delicate gold bracelet on the left wrist, minimalist gold rings, and holding a rustic bouquet of flowers wrapped in brown kraft paper.", "pose": "Standing in a semi-profile stance, turning her head to look directly at the camera over her left shoulder. Her right arm cradles the flower bouquet against her torso, while her left hand is raised to touch her hair near her ear. The posture is elegant and poised." }, "environment": { "setting": "An aisle in an upscale grocery store or greengrocer.", "elements": "Black shelving units stacked with wicker baskets overflowing with fresh produce. Visible items include yellow quinces, red nectarines, plastic-wrapped pumpkin slices, yellow plums, peaches, and mangoes.", "details": "Price signs are visible (e.g., 'Pumpkin £1.99/kg', 'Nectarine 3 FOR £1.20', 'Yellow Plum 2 FOR £1'). A minimalist line-art drawing of a roasted chicken is on the wall above the shelves.", "atmosphere": "Bustling but organized market vibe." }, "lighting": { "type": "Soft, diffused ambient lighting.", "quality": "Flattering, even illumination on the subject's face with no harsh shadows. Subtle highlights on the shoulders and cheekbones. The fruit in the background is well-lit, emphasizing their colors.", "direction": "Front-lit with soft fill." }, "styling": { "mood": "Romantic, chic, 'old money' aesthetic, effortless luxury, cinematic everyday life.", "color_palette": "Dominant red (dress) contrasting with the warm yellows, oranges, and greens of the produce." }, "camera_details": { "style": "Ultra Photorealistic, 8k resolution, cinematic composition.", "lens": "85mm portrait lens.", "aperture": "f/2.8 for a shallow depth of field to keep the subject sharp while slightly softening the background details.", "film_stock": "Kodak Portra 400 emulation for warm, natural skin tones.", "shot_type": "Medium shot (waist-up/mid-thigh)." } } }

Iris

25,592 次观看 • 8 个月前

PROMPT: Create a premium 15-second vertical 9:16 Thai Tea commercial, featuring 8 cinematic scenes, ultra-realistic 8K, luxury FMCG beverage advertising quality, photorealistic food cinematography, sophisticated lighting, realistic liquid physics, macro details, high-end commercial production, smooth camera movement, dramatic slow motion, rich amber and creamy milk tones. PRODUCT LOCK — EXTREMELY IMPORTANT Use the exact uploaded Thai Tea cup reference as the hero product throughout the entire video. Preserve 100% of the original product identity: - Exact transparent plastic cup shape and proportions - Exact Thai Tea logo and label - Exact typography and graphics - Exact lid design - Exact straw position, shape and color - Exact amber-orange Thai Tea color - Exact ice cube appearance and quantity - Exact branding and packaging details - No redesign, no altered logo, no distorted text - No duplicate cups - No warped packaging - No floating or impossible product geometry The cup must remain visually consistent across all 8 scenes. VISUAL CONCEPT TEA DROP → WAVE → MILK COLLISION → MARBLE → SWIRL → POUR → SPLASH → HERO --- SCENE 01 — TEA DROP | 0–1.5s The exact Thai Tea cup stands perfectly centered against a dark, luxurious studio background. A single stream of rich amber Thai Tea falls dramatically from above and lands directly into the drink, creating a beautiful explosive liquid splash around the cup. Camera: 35mm low-angle macro lens, rapid cinematic push-in. Motion: High-speed liquid physics transitioning into brief slow motion. Lighting: Warm golden rim light, subtle reflections on transparent plastic. Mood: Powerful, premium, energetic. --- SCENE 02 — TEA WAVE | 1.5–3s Extreme macro shot of the Thai Tea surface. The amber tea suddenly forms a smooth cinematic wave, curling upward around floating ice cubes. Tiny droplets sparkle in the studio lighting. The wave moves toward camera and transitions seamlessly back toward the hero cup. Camera: Macro lens, ultra-smooth lateral tracking. Motion: Slow motion, realistic fluid simulation. Details: Crystal-clear ice, condensation, realistic tea viscosity, microscopic droplets. --- SCENE 03 — MILK COLLISION | 3–4.8s A silky stream of creamy white milk enters from the opposite direction and collides with the rich amber Thai Tea in mid-air. The two liquids meet in a dramatic high-speed collision, creating intricate tendrils, droplets and suspended particles. Camera: Extreme macro, 100mm food-commercial lens. Motion: Ultra slow motion at the moment of impact. Lighting: Soft cream highlights against deep amber tones. Physics: Physically accurate milk-and-tea interaction. --- SCENE 04 — MARBLE | 4.8–6.5s The milk and Thai Tea continue mixing in a mesmerizing marble pattern. Creamy white and amber-orange ribbons twist together into elegant flowing patterns, resembling luxury marble or silk fabric. The camera slowly rotates around the liquid while maintaining perfect focus on the texture. Camera: Macro orbit shot. Depth: Extremely shallow depth of field. Texture: Glossy, creamy, silky, hyper-detailed. Transition: The marble pattern naturally transforms into a circular vortex. --- SCENE 05 — SWIRL | 6.5–8.3s The mixed Thai Tea forms a powerful central vortex around crystal-clear ice. The liquid spirals rapidly, then slows dramatically, revealing the beautiful creamy amber color and refreshing texture. Tiny droplets float around the vortex as condensation begins forming on the cup. Camera: Top-down macro shot transitioning into a dynamic 45-degree angle. Motion: Controlled rotational camera movement. Lighting: Cinematic highlights, glowing amber reflections, premium studio atmosphere. --- SCENE 06 — PERFECT POUR | 8.3–10.5s A rich, creamy Thai Tea stream pours smoothly into the exact reference cup. The camera follows the liquid from the pouring source down into the cup. Ice cubes shift naturally as the tea fills the transparent cup.
0:15

PROMPT: Create a premium 15-second vertical 9:16 Thai Tea commercial, featuring 8 cinematic scenes, ultra-realistic 8K, luxury FMCG beverage advertising quality, photorealistic food cinematography, sophisticated lighting, realistic liquid physics, macro details, high-end commercial production, smooth camera movement, dramatic slow motion, rich amber and creamy milk tones. PRODUCT LOCK — EXTREMELY IMPORTANT Use the exact uploaded Thai Tea cup reference as the hero product throughout the entire video. Preserve 100% of the original product identity: - Exact transparent plastic cup shape and proportions - Exact Thai Tea logo and label - Exact typography and graphics - Exact lid design - Exact straw position, shape and color - Exact amber-orange Thai Tea color - Exact ice cube appearance and quantity - Exact branding and packaging details - No redesign, no altered logo, no distorted text - No duplicate cups - No warped packaging - No floating or impossible product geometry The cup must remain visually consistent across all 8 scenes. VISUAL CONCEPT TEA DROP → WAVE → MILK COLLISION → MARBLE → SWIRL → POUR → SPLASH → HERO --- SCENE 01 — TEA DROP | 0–1.5s The exact Thai Tea cup stands perfectly centered against a dark, luxurious studio background. A single stream of rich amber Thai Tea falls dramatically from above and lands directly into the drink, creating a beautiful explosive liquid splash around the cup. Camera: 35mm low-angle macro lens, rapid cinematic push-in. Motion: High-speed liquid physics transitioning into brief slow motion. Lighting: Warm golden rim light, subtle reflections on transparent plastic. Mood: Powerful, premium, energetic. --- SCENE 02 — TEA WAVE | 1.5–3s Extreme macro shot of the Thai Tea surface. The amber tea suddenly forms a smooth cinematic wave, curling upward around floating ice cubes. Tiny droplets sparkle in the studio lighting. The wave moves toward camera and transitions seamlessly back toward the hero cup. Camera: Macro lens, ultra-smooth lateral tracking. Motion: Slow motion, realistic fluid simulation. Details: Crystal-clear ice, condensation, realistic tea viscosity, microscopic droplets. --- SCENE 03 — MILK COLLISION | 3–4.8s A silky stream of creamy white milk enters from the opposite direction and collides with the rich amber Thai Tea in mid-air. The two liquids meet in a dramatic high-speed collision, creating intricate tendrils, droplets and suspended particles. Camera: Extreme macro, 100mm food-commercial lens. Motion: Ultra slow motion at the moment of impact. Lighting: Soft cream highlights against deep amber tones. Physics: Physically accurate milk-and-tea interaction. --- SCENE 04 — MARBLE | 4.8–6.5s The milk and Thai Tea continue mixing in a mesmerizing marble pattern. Creamy white and amber-orange ribbons twist together into elegant flowing patterns, resembling luxury marble or silk fabric. The camera slowly rotates around the liquid while maintaining perfect focus on the texture. Camera: Macro orbit shot. Depth: Extremely shallow depth of field. Texture: Glossy, creamy, silky, hyper-detailed. Transition: The marble pattern naturally transforms into a circular vortex. --- SCENE 05 — SWIRL | 6.5–8.3s The mixed Thai Tea forms a powerful central vortex around crystal-clear ice. The liquid spirals rapidly, then slows dramatically, revealing the beautiful creamy amber color and refreshing texture. Tiny droplets float around the vortex as condensation begins forming on the cup. Camera: Top-down macro shot transitioning into a dynamic 45-degree angle. Motion: Controlled rotational camera movement. Lighting: Cinematic highlights, glowing amber reflections, premium studio atmosphere. --- SCENE 06 — PERFECT POUR | 8.3–10.5s A rich, creamy Thai Tea stream pours smoothly into the exact reference cup. The camera follows the liquid from the pouring source down into the cup. Ice cubes shift naturally as the tea fills the transparent cup.

Ruby Ai

55,964 次观看 • 1 个月前

Ocean views, slow mornings, and zero plans. Finally booked that vacation I kept talking about. How's your summer going?👀 Made with Seedance 2.0 in BudgetPixel AI Prompt: Hyper-realistic travel influencer Reel • Bright sunny morning (around 9–10 AM) • Soft golden morning sunlight • Handheld iPhone vlog mixed with cinematic B-roll • Fast but natural editing • Authentic social media pacing • No unrealistic camera moves. A beautiful female travel influencer (use provided character model) is spending a relaxing morning aboard a luxury cruise ship. She wears a lightweight feminine flowy white cotton summer dress, natural beach waves, minimal makeup, glowing skin, elegant gold jewelry, effortless vacation aesthetic. Every shot feels like it was filmed during one continuous morning. **0–3s** — Selfie camera while walking along the upper deck. The ocean sparkles behind her as the morning breeze gently moves her dress and hair. She smiles naturally. **Dialogue:** *"Good morning from the middle of the ocean."* **3–6s** — She arrives at an outdoor breakfast table overlooking the sea. Close-ups of fresh fruit, croissants, pancakes, iced coffee, and orange juice. She lifts her coffee toward the camera with a smile. **Dialogue:** *"This view makes breakfast so much better."* **6–10s** — Walking slowly along the deck, casually showing the pools, lounge chairs, and endless blue water. She laughs as the wind catches her dress and briefly points toward the horizon, as if bringing her followers along. **10–15s** — She stops at the railing, resting her arms naturally while watching the ocean. She turns back toward the camera with a relaxed smile. **Dialogue:** *"Okay... I could stay here forever."* Ultra-realistic human motion, genuine influencer body language, natural blinking, subtle hair movement from the sea breeze, realistic fabric physics, DSLR-quality imagery mixed with handheld smartphone footage, luxury travel aesthetic, soft morning sunlight throughout, cinematic color grading, shallow depth of field, authentic vacation atmosphere, smooth transitions, premium Instagram Reel/TikTok style, indistinguishable from real influencer content.
0:15

Ocean views, slow mornings, and zero plans. Finally booked that vacation I kept talking about. How's your summer going?👀 Made with Seedance 2.0 in BudgetPixel AI Prompt: Hyper-realistic travel influencer Reel • Bright sunny morning (around 9–10 AM) • Soft golden morning sunlight • Handheld iPhone vlog mixed with cinematic B-roll • Fast but natural editing • Authentic social media pacing • No unrealistic camera moves. A beautiful female travel influencer (use provided character model) is spending a relaxing morning aboard a luxury cruise ship. She wears a lightweight feminine flowy white cotton summer dress, natural beach waves, minimal makeup, glowing skin, elegant gold jewelry, effortless vacation aesthetic. Every shot feels like it was filmed during one continuous morning. **0–3s** — Selfie camera while walking along the upper deck. The ocean sparkles behind her as the morning breeze gently moves her dress and hair. She smiles naturally. **Dialogue:** *"Good morning from the middle of the ocean."* **3–6s** — She arrives at an outdoor breakfast table overlooking the sea. Close-ups of fresh fruit, croissants, pancakes, iced coffee, and orange juice. She lifts her coffee toward the camera with a smile. **Dialogue:** *"This view makes breakfast so much better."* **6–10s** — Walking slowly along the deck, casually showing the pools, lounge chairs, and endless blue water. She laughs as the wind catches her dress and briefly points toward the horizon, as if bringing her followers along. **10–15s** — She stops at the railing, resting her arms naturally while watching the ocean. She turns back toward the camera with a relaxed smile. **Dialogue:** *"Okay... I could stay here forever."* Ultra-realistic human motion, genuine influencer body language, natural blinking, subtle hair movement from the sea breeze, realistic fabric physics, DSLR-quality imagery mixed with handheld smartphone footage, luxury travel aesthetic, soft morning sunlight throughout, cinematic color grading, shallow depth of field, authentic vacation atmosphere, smooth transitions, premium Instagram Reel/TikTok style, indistinguishable from real influencer content.

Maria

35,162 次观看 • 3 个月前

Let’s try a fashion campaign in Rome with the new model MiniMax H3 of MiniMax Design (H3) 😎 The result is really stylish and realistic😍 Don’t you think!? #MiniMaxH3 Video prompt: A 15-second hyper-realistic cinematic fashion campaign video. Blonde woman, fair glowing skin, sharp features, long blonde hair in sleek high ponytail, small dark red rectangular sunglasses, pearl drop earrings. Wearing open black leather jacket over white cropped t-shirt with “Keor” print, shiny red mini skirt, matching red pointed-toe heels, and white smooth leather hobo bag with gold dome studs hanging on her arm in every scene. Scene 1 · 3s Full-body wide shot. She stands on a Rome cobblestone street near the Spanish Steps, adjusting her sunglasses. Warm golden-hour light, real people and city chaos blurred around her, classic Roman buildings and Spanish Steps in background. Scene 2 · 3s Full-body shot. She strides boldly across a zebra crossing on Via del Corso, iced coffee in one hand, bag swinging on the other, mouth slightly open as if singing. Confident walk, traffic blurred behind. Scene 3 · 3s Cinematic wide shot. She walks tiny in the center of a grand Rome boulevard with the Colosseum massive behind her. Real crowd around, bag clearly visible. Scene 4 · 3s Medium shot. She stops near Piazza Navona and does a spontaneous carefree dance move, arms slightly out, bag swinging. Street musician blurred in background, joyful expression, golden light on her face. Scene 5 · 3s Medium close-up. Inside a Rome Metro carriage holding the pole, she slowly pushes her red sunglasses up with one finger and gives a slight smirk. Bag visible on her arm, moody warm metro lighting, passengers naturally blurred. Smooth seamless transitions. Mood: candid chaotic Roman city energy, luxury streetwear editorial, golden-hour warmth. Shot on Canon EOS R5 35mm f/1.4, Kodak Portra 400 film tone, natural grain, handheld movement, real people in every background. Hyper-realistic, no plastic skin, no robotic movement, no stiff poses, no AI artifacts. Avoid: cartoon, CGI, plastic skin, robotic/stiff movement, blurry face, overexposed, watermark, tex
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Let’s try a fashion campaign in Rome with the new model MiniMax H3 of MiniMax Design (H3) 😎 The result is really stylish and realistic😍 Don’t you think!? #MiniMaxH3 Video prompt: A 15-second hyper-realistic cinematic fashion campaign video. Blonde woman, fair glowing skin, sharp features, long blonde hair in sleek high ponytail, small dark red rectangular sunglasses, pearl drop earrings. Wearing open black leather jacket over white cropped t-shirt with “Keor” print, shiny red mini skirt, matching red pointed-toe heels, and white smooth leather hobo bag with gold dome studs hanging on her arm in every scene. Scene 1 · 3s Full-body wide shot. She stands on a Rome cobblestone street near the Spanish Steps, adjusting her sunglasses. Warm golden-hour light, real people and city chaos blurred around her, classic Roman buildings and Spanish Steps in background. Scene 2 · 3s Full-body shot. She strides boldly across a zebra crossing on Via del Corso, iced coffee in one hand, bag swinging on the other, mouth slightly open as if singing. Confident walk, traffic blurred behind. Scene 3 · 3s Cinematic wide shot. She walks tiny in the center of a grand Rome boulevard with the Colosseum massive behind her. Real crowd around, bag clearly visible. Scene 4 · 3s Medium shot. She stops near Piazza Navona and does a spontaneous carefree dance move, arms slightly out, bag swinging. Street musician blurred in background, joyful expression, golden light on her face. Scene 5 · 3s Medium close-up. Inside a Rome Metro carriage holding the pole, she slowly pushes her red sunglasses up with one finger and gives a slight smirk. Bag visible on her arm, moody warm metro lighting, passengers naturally blurred. Smooth seamless transitions. Mood: candid chaotic Roman city energy, luxury streetwear editorial, golden-hour warmth. Shot on Canon EOS R5 35mm f/1.4, Kodak Portra 400 film tone, natural grain, handheld movement, real people in every background. Hyper-realistic, no plastic skin, no robotic movement, no stiff poses, no AI artifacts. Avoid: cartoon, CGI, plastic skin, robotic/stiff movement, blurry face, overexposed, watermark, tex

KeorUnreal

14,334 次观看 • 2 个月前

The Truth About Kate Middleton's Alleged Cancer and Lavish Lifestyle My mother died of cancer, as did my stepmother, so I have first-hand, close-up knowledge of what the disease can do to one’s loved ones. I know the signs of different kinds of cancers, and let me tell you, no cancer is good. No cancer leaves you looking like a Vogue model as Kate Middleton claims she has. Taxpayers in the UK fund the lavish lifestyle of the Royal Family, so if one of them disappears for six months and allows all kinds of lies to circulate about her strange disappearance, she needs to tell the British public what cancer she has and why this cancer has left her looking ten years younger. Anyone could see by looking at her that she had plastic surgery and Botox to look ten years younger. Kate Middleton in 2024 is not the same haggard, aging Kate Middleton from 2023, also known as Her Royal Highness the Princess of Wales. Neither my mother nor stepmother had the time or inclination to undergo a facelift while they were undergoing chemotherapy, which Kate calls preventive measures. It’s all a load of baloney, and the British press is having a field day spreading this nonsensical explanation, saying she’s the star of the family. Without Kate, the Royal Family is nothing, and other tripe like this. It’s a disgrace. It’s bringing the whole institution into disrepute with fake photos, fake sightings, mad conspiracy stories, and now the facelift! I was educated to respect these people. My father, as a Queen’s Counsel and Senior Crown Counsel, prosecuted people in the name of the late Queen, for God’s sake, so it’s not like I am a crazy republican. No, I am not. I am just not going to roll over and applaud a situation that needs to be condemned. No one else in the United Kingdom can take off for six months, abandon the job they are paid to do, and return to the office looking like a front-page model and receive adoration. No woman in the aristocracy wants to marry a Windsor anymore, not after what they did to Diana Spencer, one of their own. It’s the desperate social climbers who are saying "I do" to the men in that family, women who are looking for the glamour and luxury that Tunbridge Wells or the council estate their mothers grew up on just don’t have. So please, give me a break with the heroics, and tell us in detail what you are suffering from, what treatment you are getting, and why you find it necessary to play mind games with your so-called subjects. I, for one, think it’s time to change the leadership of the Commonwealth and get rid of the Windsors. It’s the British public’s business if they want to keep these people in Palaces and on thrones not mine , but it’s an expensive soap opera to be paying a lot of hard earned money for , that’s for sure. #RoyalFamily #KateMiddleton #CancerAwareness #PlasticSurgery #UKPolitics #BritishMonarchy #Commonwealth #Accountability #TruthMatters
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The Truth About Kate Middleton's Alleged Cancer and Lavish Lifestyle My mother died of cancer, as did my stepmother, so I have first-hand, close-up knowledge of what the disease can do to one’s loved ones. I know the signs of different kinds of cancers, and let me tell you, no cancer is good. No cancer leaves you looking like a Vogue model as Kate Middleton claims she has. Taxpayers in the UK fund the lavish lifestyle of the Royal Family, so if one of them disappears for six months and allows all kinds of lies to circulate about her strange disappearance, she needs to tell the British public what cancer she has and why this cancer has left her looking ten years younger. Anyone could see by looking at her that she had plastic surgery and Botox to look ten years younger. Kate Middleton in 2024 is not the same haggard, aging Kate Middleton from 2023, also known as Her Royal Highness the Princess of Wales. Neither my mother nor stepmother had the time or inclination to undergo a facelift while they were undergoing chemotherapy, which Kate calls preventive measures. It’s all a load of baloney, and the British press is having a field day spreading this nonsensical explanation, saying she’s the star of the family. Without Kate, the Royal Family is nothing, and other tripe like this. It’s a disgrace. It’s bringing the whole institution into disrepute with fake photos, fake sightings, mad conspiracy stories, and now the facelift! I was educated to respect these people. My father, as a Queen’s Counsel and Senior Crown Counsel, prosecuted people in the name of the late Queen, for God’s sake, so it’s not like I am a crazy republican. No, I am not. I am just not going to roll over and applaud a situation that needs to be condemned. No one else in the United Kingdom can take off for six months, abandon the job they are paid to do, and return to the office looking like a front-page model and receive adoration. No woman in the aristocracy wants to marry a Windsor anymore, not after what they did to Diana Spencer, one of their own. It’s the desperate social climbers who are saying "I do" to the men in that family, women who are looking for the glamour and luxury that Tunbridge Wells or the council estate their mothers grew up on just don’t have. So please, give me a break with the heroics, and tell us in detail what you are suffering from, what treatment you are getting, and why you find it necessary to play mind games with your so-called subjects. I, for one, think it’s time to change the leadership of the Commonwealth and get rid of the Windsors. It’s the British public’s business if they want to keep these people in Palaces and on thrones not mine , but it’s an expensive soap opera to be paying a lot of hard earned money for , that’s for sure. #RoyalFamily #KateMiddleton #CancerAwareness #PlasticSurgery #UKPolitics #BritishMonarchy #Commonwealth #Accountability #TruthMatters

Kio Amachree

462,109 次观看 • 2 年前

H3 Origami cities prompts is below 👇 { "archetype": "Cinematic Narrative", "duration": "15s", "prompt": { "concept": { "title": "ORIGAMI CITIES", "description": "15-second pure motion-graphics journey through four emblematic cities that fold into each other. All transitions are hard origami folds and hard stop-motion paper jumps. No voice-over. Each city is instantly recognizable by its most iconic paper elements.", "duration": "15-second continuous origami-paper sequence of transforming cities" }, "camera_direction": { "shot_type": "Mostly locked wide isometric + occasional slow orbit", "forbidden": ["No smooth morphs", "No dissolves", "No CGI folding"], "camera_journey": "Starts on flat cream paper sheet. Each act is a hard origami fold that transforms the previous city into the next emblematic one, ending on a fully erected isometric Tokyo under a paper sun." }, "visual_style": { "overall": "Precision origami mixed with tactile stop-motion paper theater", "color_palette": ["Warm cream paper", "Soft grey shadows", "Muted terracotta and ochre for Venice and Rome", "Deep ink black for New York windows and Tokyo towers", "Subtle red paper accents for Japanese elements"], "materials_and_texture": "Crisp origami crease lines, torn paper edges, visible cardboard layers, soft paper shadows, slight hand-made imperfections, fine film grain" }, "storyboard": { "total_beats": 4, "beats": [ { "id": "01", "time": "0.0–3.5s", "description": "Flat cream paper sheet. Hard origami folds create Venice in three sharp frames: winding paper canals, arched bridges, gondolas and terracotta rooftops rising from the sheet." }, { "id": "02", "time": "3.5–7.5s", "description": "Hard jump + multiple simultaneous folds: Venice collapses and reforms into New York. Grid of streets appears, paper skyscrapers shoot upward, yellow paper taxis and the silhouette of the Empire State Building lock into place." }, { "id": "03", "time": "7.5–11.5s", "description": "Hard jump: New York folds tightly and transforms into Tokyo. Dense clusters of paper towers rise, elevated train lines snake through, tiny red paper torii gates and glowing paper lanterns appear in stop-motion." }, { "id": "04", "time": "11.5–15.0s", "description": "Final hard fold: a giant paper sun rises over the completed isometric Tokyo. All elements lock under soft shadows. Static hold on the dense origami metropolis." } ] }, "negative_prompt": ["No photorealistic materials", "No smooth digital folds", "No extra text", "No voice-over", "No generic buildings"] } } Don't forget to check this dusk to words template too! 😊
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H3 Origami cities prompts is below 👇 { "archetype": "Cinematic Narrative", "duration": "15s", "prompt": { "concept": { "title": "ORIGAMI CITIES", "description": "15-second pure motion-graphics journey through four emblematic cities that fold into each other. All transitions are hard origami folds and hard stop-motion paper jumps. No voice-over. Each city is instantly recognizable by its most iconic paper elements.", "duration": "15-second continuous origami-paper sequence of transforming cities" }, "camera_direction": { "shot_type": "Mostly locked wide isometric + occasional slow orbit", "forbidden": ["No smooth morphs", "No dissolves", "No CGI folding"], "camera_journey": "Starts on flat cream paper sheet. Each act is a hard origami fold that transforms the previous city into the next emblematic one, ending on a fully erected isometric Tokyo under a paper sun." }, "visual_style": { "overall": "Precision origami mixed with tactile stop-motion paper theater", "color_palette": ["Warm cream paper", "Soft grey shadows", "Muted terracotta and ochre for Venice and Rome", "Deep ink black for New York windows and Tokyo towers", "Subtle red paper accents for Japanese elements"], "materials_and_texture": "Crisp origami crease lines, torn paper edges, visible cardboard layers, soft paper shadows, slight hand-made imperfections, fine film grain" }, "storyboard": { "total_beats": 4, "beats": [ { "id": "01", "time": "0.0–3.5s", "description": "Flat cream paper sheet. Hard origami folds create Venice in three sharp frames: winding paper canals, arched bridges, gondolas and terracotta rooftops rising from the sheet." }, { "id": "02", "time": "3.5–7.5s", "description": "Hard jump + multiple simultaneous folds: Venice collapses and reforms into New York. Grid of streets appears, paper skyscrapers shoot upward, yellow paper taxis and the silhouette of the Empire State Building lock into place." }, { "id": "03", "time": "7.5–11.5s", "description": "Hard jump: New York folds tightly and transforms into Tokyo. Dense clusters of paper towers rise, elevated train lines snake through, tiny red paper torii gates and glowing paper lanterns appear in stop-motion." }, { "id": "04", "time": "11.5–15.0s", "description": "Final hard fold: a giant paper sun rises over the completed isometric Tokyo. All elements lock under soft shadows. Static hold on the dense origami metropolis." } ] }, "negative_prompt": ["No photorealistic materials", "No smooth digital folds", "No extra text", "No voice-over", "No generic buildings"] } } Don't forget to check this dusk to words template too! 😊

TechHalla

22,860 次观看 • 1 个月前

Soft light, gentle breeze, and the simple beauty of everyday life. Created with Gpt Image 2 + Seedance 2.0 on WaveSpeedAI Prompt: Use the uploaded reference image as the identity reference. Keep the exact same facial features, green eyes, soft light-brown wavy hair, natural skin texture, realistic proportions, and consistent identity throughout every scene. Outfit: Oversized cream cardigan over a plain white T-shirt, light blue wide-leg jeans, brown leather loafers, delicate gold necklace and small gold earrings. Hair: Low loose ponytail with a few soft strands framing her face. Style: Ultra-realistic cinematic travel vlog, Japanese slice-of-life aesthetic, natural lighting, shallow depth of field, realistic skin texture, subtle Kodak film grain, muted colors, premium cinematic color grading, HDR, smooth gimbal camera movement, natural body motion, consistent facial identity, 8K. Scene 1 (0–2s) — Riding Through the Lane A young woman rides a silver mamachari bicycle through a quiet Japanese shitamachi neighborhood on a soft overcast summer afternoon. Traditional houses, potted plants, telephone poles, overhead power lines, and small gardens line the peaceful street. Her cream cardigan and loose hair strands move gently in the breeze. Smooth side-tracking camera keeps her centered while the background flows naturally. Ultra-realistic cinematic travel vlog, shallow depth of field, HDR, realistic bicycle motion, 8K. Scene 2 (2–4s) — Flowers Along the Way She slows beside blooming hydrangeas outside a quiet Japanese home, smiling softly as she admires the flowers. The camera performs a smooth semi-circle around her with floral foreground bokeh. Leaves sway gently in the breeze, creating a calm cinematic atmosphere with muted colors and natural lighting. Scene 3 (4–6s) — Canal Bridge She parks her bicycle and walks onto a small stone bridge over a peaceful canal. Resting both arms on the railing, she quietly watches the still water. The camera slowly pushes in from behind her shoulder as cloud reflections fill the frame. Gentle ripples move across the canal while a distant train passes in the background. Soft overcast lighting, cinematic realism, shallow depth of field. Scene 4 (6–8s) — Shrine Journal She sits on the stone steps of a quiet neighborhood shrine, opens a small notebook, and writes a few thoughtful lines before pausing to look around peacefully. A slow orbit camera shifts focus between the notebook, her hands, and her face. Trees sway gently in the breeze, creating an intimate cinematic moment. Scene 5 (8–10s) — Furin Wind Chime Standing beside an old wooden doorway, she gently lifts a traditional red Japanese furin wind chime and watches it rotate softly in the breeze. The camera begins with a close-up of the wind chime before tilting upward to reveal her calm smile. Afternoon light creates delicate reflections across the glass. Scene 6 (10–12s) — Red Mailbox Walk Holding a cold canned tea, she walks along a quiet residential lane while a traditional red Japanese mailbox passes behind her. The camera smoothly tracks backward at eye level. Telephone wires stretch across the sky as her cardigan moves naturally with the breeze. Calm travel vlog aesthetic with cinematic realism. Scene 7 (12–14s) — Stone Stairway She reaches an old moss-covered stone staircase surrounded by lush greenery. Walking upward at a relaxed pace, she lightly holds the handrail while warm afternoon light filters through the trees. A stabilized tracking shot follows from behind, emphasizing the peaceful surroundings. Scene 8 (14–16s) — Final Look Back Near the top of the staircase, she pauses, glances back over her shoulder, and gives a gentle smile before continuing upward into the warm evening light. The camera slowly pushes closer as golden sunlight filters through the trees, ending on a serene cinematic frame. Ultra-realistic Japanese slice-of-life aesthetic, HDR, 8K. Negative Prompt Low quality, blurry, cartoon, anime, CGI, plastic skin, face swap, inconsistent character, different face, bad anatomy, deformed body, distorted hands, extra fingers, missing fingers, duplicate person, low resolution, oversaturated colors, text, watermark, logo, flickering, unstable camera, noisy image, compression artifacts, motion glitches.
0:15

Soft light, gentle breeze, and the simple beauty of everyday life. Created with Gpt Image 2 + Seedance 2.0 on WaveSpeedAI Prompt: Use the uploaded reference image as the identity reference. Keep the exact same facial features, green eyes, soft light-brown wavy hair, natural skin texture, realistic proportions, and consistent identity throughout every scene. Outfit: Oversized cream cardigan over a plain white T-shirt, light blue wide-leg jeans, brown leather loafers, delicate gold necklace and small gold earrings. Hair: Low loose ponytail with a few soft strands framing her face. Style: Ultra-realistic cinematic travel vlog, Japanese slice-of-life aesthetic, natural lighting, shallow depth of field, realistic skin texture, subtle Kodak film grain, muted colors, premium cinematic color grading, HDR, smooth gimbal camera movement, natural body motion, consistent facial identity, 8K. Scene 1 (0–2s) — Riding Through the Lane A young woman rides a silver mamachari bicycle through a quiet Japanese shitamachi neighborhood on a soft overcast summer afternoon. Traditional houses, potted plants, telephone poles, overhead power lines, and small gardens line the peaceful street. Her cream cardigan and loose hair strands move gently in the breeze. Smooth side-tracking camera keeps her centered while the background flows naturally. Ultra-realistic cinematic travel vlog, shallow depth of field, HDR, realistic bicycle motion, 8K. Scene 2 (2–4s) — Flowers Along the Way She slows beside blooming hydrangeas outside a quiet Japanese home, smiling softly as she admires the flowers. The camera performs a smooth semi-circle around her with floral foreground bokeh. Leaves sway gently in the breeze, creating a calm cinematic atmosphere with muted colors and natural lighting. Scene 3 (4–6s) — Canal Bridge She parks her bicycle and walks onto a small stone bridge over a peaceful canal. Resting both arms on the railing, she quietly watches the still water. The camera slowly pushes in from behind her shoulder as cloud reflections fill the frame. Gentle ripples move across the canal while a distant train passes in the background. Soft overcast lighting, cinematic realism, shallow depth of field. Scene 4 (6–8s) — Shrine Journal She sits on the stone steps of a quiet neighborhood shrine, opens a small notebook, and writes a few thoughtful lines before pausing to look around peacefully. A slow orbit camera shifts focus between the notebook, her hands, and her face. Trees sway gently in the breeze, creating an intimate cinematic moment. Scene 5 (8–10s) — Furin Wind Chime Standing beside an old wooden doorway, she gently lifts a traditional red Japanese furin wind chime and watches it rotate softly in the breeze. The camera begins with a close-up of the wind chime before tilting upward to reveal her calm smile. Afternoon light creates delicate reflections across the glass. Scene 6 (10–12s) — Red Mailbox Walk Holding a cold canned tea, she walks along a quiet residential lane while a traditional red Japanese mailbox passes behind her. The camera smoothly tracks backward at eye level. Telephone wires stretch across the sky as her cardigan moves naturally with the breeze. Calm travel vlog aesthetic with cinematic realism. Scene 7 (12–14s) — Stone Stairway She reaches an old moss-covered stone staircase surrounded by lush greenery. Walking upward at a relaxed pace, she lightly holds the handrail while warm afternoon light filters through the trees. A stabilized tracking shot follows from behind, emphasizing the peaceful surroundings. Scene 8 (14–16s) — Final Look Back Near the top of the staircase, she pauses, glances back over her shoulder, and gives a gentle smile before continuing upward into the warm evening light. The camera slowly pushes closer as golden sunlight filters through the trees, ending on a serene cinematic frame. Ultra-realistic Japanese slice-of-life aesthetic, HDR, 8K. Negative Prompt Low quality, blurry, cartoon, anime, CGI, plastic skin, face swap, inconsistent character, different face, bad anatomy, deformed body, distorted hands, extra fingers, missing fingers, duplicate person, low resolution, oversaturated colors, text, watermark, logo, flickering, unstable camera, noisy image, compression artifacts, motion glitches.

Calira

15,713 次观看 • 3 个月前