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ORIGINAL CONTENT CREATOR HERE ✋ Have you been watching my (ongoing) Ancient Technologies series? Boots on the ground documentaries. Filmed, Edited & Narrated by yours truly. Shot in cinematic 4K quality. Ancient mysteries, Egypt & Peru so far. MANY more episodes to come!

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Jay Anderson

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24,830 просмотров • 3 месяцев назад •via X (Twitter)

ИскусствоОбразованиеНаука и технологии
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I hear Nikita Bier wants more Original Content on X so I'm uploading all of my documentaries, taking you across the mysterious, ancient sites of Egypt, Peru, England & Malta with more countries to come. Filmed, Edited & Narrated by me. Your support is deeply appreciated!
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I hear Nikita Bier wants more Original Content on X so I'm uploading all of my documentaries, taking you across the mysterious, ancient sites of Egypt, Peru, England & Malta with more countries to come. Filmed, Edited & Narrated by me. Your support is deeply appreciated!

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While I get the final touches done for Episode 6 of my Ancient Technologies series (Produced, Filmed & Edited by me) here is episode 5 as a refresher. Documenting the most anomalous ancient sites in Peru! Challenging the historical narrative.
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Here is a 100% free, high quality documentary, filmed, edited & narrated by me. Taking you through the ongoing excavations at one of the most mysterious ancient sites in the world. Saqsaywaman, Peru. If this work matters to you support me with a like/comment/repost

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The same methods being used on ancient stonework in both Peru & Egypt. I travelled to both countries and documented examples of stone being 'scooped' away as if it were once soft. Filmed/Edited/Narrated by me Support original work on X with a Like/Comment/Repost
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Here, have a bunch of really weird and difficult to explain ancient anomalies. Scattered around the megalithic site of Saqsaywaman in the highlands of Cusco, Peru. All filmed, Edited & Narrated by me If this work matters to you support it with a like/comment/repost
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🇦🇷🔥 “This place, for us, is paradise. And they burned our paradise.” From an A24 Vivo news report in Argentina. A woman describes the devastation caused by the wildfires and the possible reasons behind the increasingly dire situation. “They are trying to sell Patagonia to all the Jews. This has been known for a long time. Everyone here knows it. It’s full of Israelis.” Argentine news outlets and on the ground sources have attributed the unprecedented wildfire to Israeli tourists. More than 5,500 hectares have been burned so far in the ongoing wildfire in Chubut’s Comarca Andina region.
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Rare video footage inside the Temple of Seti I at Abydos, Egypt – one of the most viral and hotly debated “mysteries” in ancient history. Dating back over 3,300 years, these intricate relief carvings on the temple walls appear to show unmistakable modern machines: a helicopter with rotor blades, what looks like a submarine or advanced airship, a jet-like aircraft, and possibly even a tank or futuristic vehicle. The glyphs are located in a side chamber, high up on the wall places where only a handful of visitors ever get a close look. Mainstream Egyptologists call it a palimpsest: an earlier set of hieroglyphs was plastered over by later rulers and new carvings added on top. When the plaster eventually fell away, the overlapping lines created these composite shapes. Yet many researchers, ancient-tech enthusiasts, and independent historians argue the resemblance is too precise to be random erosion or coincidence. Could this be evidence of lost advanced technology from a previous civilization? Knowledge passed down from an older, forgotten era? Time travelers? Or contact with beings who possessed flight and machinery far beyond what we credit the ancients? Static photos have circulated for decades, but seeing the carvings come alive in video makes the details jump out in a whole new way. The proportions, the mechanical look, the way the “helicopter” stands out so clearly. It’s truly remarkable. What do you think these ancient Egyptians were depicting? Ancient tech? Pure coincidence? Or something even wilder?
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Rare video footage inside the Temple of Seti I at Abydos, Egypt – one of the most viral and hotly debated “mysteries” in ancient history. Dating back over 3,300 years, these intricate relief carvings on the temple walls appear to show unmistakable modern machines: a helicopter with rotor blades, what looks like a submarine or advanced airship, a jet-like aircraft, and possibly even a tank or futuristic vehicle. The glyphs are located in a side chamber, high up on the wall places where only a handful of visitors ever get a close look. Mainstream Egyptologists call it a palimpsest: an earlier set of hieroglyphs was plastered over by later rulers and new carvings added on top. When the plaster eventually fell away, the overlapping lines created these composite shapes. Yet many researchers, ancient-tech enthusiasts, and independent historians argue the resemblance is too precise to be random erosion or coincidence. Could this be evidence of lost advanced technology from a previous civilization? Knowledge passed down from an older, forgotten era? Time travelers? Or contact with beings who possessed flight and machinery far beyond what we credit the ancients? Static photos have circulated for decades, but seeing the carvings come alive in video makes the details jump out in a whole new way. The proportions, the mechanical look, the way the “helicopter” stands out so clearly. It’s truly remarkable. What do you think these ancient Egyptians were depicting? Ancient tech? Pure coincidence? Or something even wilder?

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Imagine being dark-skinned in Egypt, standing in the land of your ancestors, only to have some Arabs tell you that you are not native and must be from Sudan. That kind of identity policing is wild, especially when Arabs themselves are not indigenous to Egypt or the rest of Africa. What makes it worse is that these same racist lighter-skinned Arab Egyptians will question the origins of dark-skinned Egyptians, then turn around and claim direct descent from the ancient Egyptians. If people want to say “modern Egyptians descend from ancient Egyptians,” they need to be more specific and honest about the ethnic lineages. Egypt was not untouched by foreign settlement or conquest. Persians, Greeks/Macedonians under the Ptolemies, Romans/Byzantines, Arabs, Kurds under the Ayyubids, Mamluk military slaves, and Ottoman Turks all ruled, settled, or left their population in Egypt at different points. So dark-skinned Egyptians alone should never be treated as foreigners in a land that has always been deeply connected to Africa and the Nile Valley. The hypocrisy is the problem: some Arabs want to claim ancient Egypt when it gives them prestige, but reject dark-skinned Egyptians when their appearance does not fit the image they prefer to be advertised for their country.
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Imagine being dark-skinned in Egypt, standing in the land of your ancestors, only to have some Arabs tell you that you are not native and must be from Sudan. That kind of identity policing is wild, especially when Arabs themselves are not indigenous to Egypt or the rest of Africa. What makes it worse is that these same racist lighter-skinned Arab Egyptians will question the origins of dark-skinned Egyptians, then turn around and claim direct descent from the ancient Egyptians. If people want to say “modern Egyptians descend from ancient Egyptians,” they need to be more specific and honest about the ethnic lineages. Egypt was not untouched by foreign settlement or conquest. Persians, Greeks/Macedonians under the Ptolemies, Romans/Byzantines, Arabs, Kurds under the Ayyubids, Mamluk military slaves, and Ottoman Turks all ruled, settled, or left their population in Egypt at different points. So dark-skinned Egyptians alone should never be treated as foreigners in a land that has always been deeply connected to Africa and the Nile Valley. The hypocrisy is the problem: some Arabs want to claim ancient Egypt when it gives them prestige, but reject dark-skinned Egyptians when their appearance does not fit the image they prefer to be advertised for their country.

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A cinematic artist in the gaming industry gave harsh critiques of this Halo Campaign Evolved cinematic on LinkedIn: “It's hard to believe that this Cinematic for one of gaming's most iconic levels is what Halo Studios is shipping, but it appears to be. From the original 18-second cinematic, which had: -A great establishing shot, showing the scale of the area, reinforcing the rings grand architecture -Sleeping grunts, foreshadowing upcoming ambush gameplay (you're making a game, remember?) -A quick gag of the grunts running scared We now have a bloated 30-second cinematic of: -A more constrained establishing shot. -Doorway framing, a cinematic language of its own not appropriate for a scene like this -Grunts awkwardly... arguing? Standing around? Flailing their arms? What are they even doing? Why are we watching them do this for so long? -A stupid compression-effect shot on the grunt, so clearly made by someone just ITCHING to make a shot like this -Inappropriate for Halo, an enemy, and for a character who you cant even see the face of. -The cherry on top is the fully disconnected lighting between the cinematic and the gameplay space as the cinematic ends Stuff like this needs to be rightly criticized, and all the more for remakes, which should have none of the confusion and cross-department bickering as new games might. You're remaking a game. You know the space. You know the story. You should know the intent.”

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there is a problem when you bust your ass working on this platform 24/7, have been loyal ( this is my main platform i post on) and yet my analytics and paychecks from pay period to pay period are constantly in the red. my pay is down 80% since december ane you guys have been manually suppressing my content and unfollowing my followers. i do put out original content and deep dive investigations, so by your own logic i should be the type of creator you want to retain, yet you are pushing me and people like me away from X. I love this platform and i really hope you fix this soon Nikita Bier. please and thank you.
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there is a problem when you bust your ass working on this platform 24/7, have been loyal ( this is my main platform i post on) and yet my analytics and paychecks from pay period to pay period are constantly in the red. my pay is down 80% since december ane you guys have been manually suppressing my content and unfollowing my followers. i do put out original content and deep dive investigations, so by your own logic i should be the type of creator you want to retain, yet you are pushing me and people like me away from X. I love this platform and i really hope you fix this soon Nikita Bier. please and thank you.

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This isn't Goodbye. I've been making videos on YouTube for over 16 years, and I've done everything by myself for all those years. I mean, from editing to writing to shooting to lighting, and now that I'm doing more than ever, I need help. Even though I still want to do it all myself, I simply can't, not if I expect my return to YouTube work. So Patreon reached out again after years of me turning them down; they finally piqued my interest when they pitched a way of helping me get some of my ideas off the ground, including a comedy special, something I've wanted to do for years. Also, it will enable me to find help to edit my new web series, Haunt Hounds, for which we have 9 episodes shot so far. 288 hours of footage! I'm going to give Patreon a year with one tier for 15 dollars a month, and if you are interested, watch the video. It will tell you all the cool things you'll get access to, including a copy of the book Jake and I have been writing for way too long, previously called Heaven's Vault, now called "Forward As Always." Basically, if you are interested in the Olan cinematic universe, come join this club!
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This isn't Goodbye. I've been making videos on YouTube for over 16 years, and I've done everything by myself for all those years. I mean, from editing to writing to shooting to lighting, and now that I'm doing more than ever, I need help. Even though I still want to do it all myself, I simply can't, not if I expect my return to YouTube work. So Patreon reached out again after years of me turning them down; they finally piqued my interest when they pitched a way of helping me get some of my ideas off the ground, including a comedy special, something I've wanted to do for years. Also, it will enable me to find help to edit my new web series, Haunt Hounds, for which we have 9 episodes shot so far. 288 hours of footage! I'm going to give Patreon a year with one tier for 15 dollars a month, and if you are interested, watch the video. It will tell you all the cool things you'll get access to, including a copy of the book Jake and I have been writing for way too long, previously called Heaven's Vault, now called "Forward As Always." Basically, if you are interested in the Olan cinematic universe, come join this club!

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Happy birthday to my bestie Michelle Visage! As we get older, our circles have become smaller, by choice and by the unfortunate losses that come with life. Through it all, one constant has been you, my best friend of decades-yes, decades! Michelle, you have been my rock, my laughter, my safe space, and my ride-or-die for so many years. In a world where so much changes, having a friendship like ours is rare and sacred. I don't take it for granted. Here's to decades more of friendship, love, and memories. Wishing you, my beautiful friend, the happiest of birthdays!

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👁️🇪🇬 The Eyes That Still See After 4,500 Years. Inside the Egyptian Museum in Cairo stands a statue so lifelike, many visitors swear they’ve seen its eyes move. This is the Statue of Ka-Aper, a wooden masterpiece carved more than 4,500 years ago during Egypt’s Old Kingdom. Crafted from sycamore wood, this statue represents a high-ranking official — not a king — but its realism rivals anything from modern times. The glass and crystal eyes are so perfectly set that they catch and reflect light just like real human eyes. When tourists stand before him, many say they feel his gaze follow them — as if the ancient soul of Ka-Aper is still present within the wood. Every curve of his face, every line of his body, shows the unmatched skill of Egyptian sculptors. No lasers, no machines — just ancient hands guided by divine precision. After 4,500 years, this wooden man still stands tall — a silent witness to Egypt’s eternal genius. Everything you see here reflects the beliefs and mastery of the ancient Egyptian civilization. via Secrets of Ancient Egypt | Facebook

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The former President of a Russian Republic just revealed that he was taken on a UFO in 1997. And aliens told him the truth about the pyramids and ancient civilizations. This is the shocking truths about humanity’s origins that he was told by ETs: Kirsan Ilyumzhinov: “All these ancient texts did not appear out of nowhere.” “The Vedas, the Quran, the Bible, the Talmud.” “When you look at old irrigation systems, the whole water supply, the melioration work in Egypt, or the buildings in Peru, or in Lebanon, in Egypt, the pyramids—things no computer today could really calculate, they built it with such precision.” “The pillar in the center of Delhi in India [is] 99.9% iron.” “In modern conditions, no metallurgical plant, not a single blast furnace can produce iron that pure.” “No modern technology can actually recreate that.” “Even the largest cranes we have today couldn’t lift these 100-ton stone blocks, the slabs used in building ancient palaces.” “In Brazil, when they’re sawing through marble mountains, cutting marble slabs, they find pieces of a clock inside the marble.” “They even found a gear.” “How is that possible?” “This marble took millions and millions of years to form.” “So it must have been another civilization that built it.” Jesse Michels
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The former President of a Russian Republic just revealed that he was taken on a UFO in 1997. And aliens told him the truth about the pyramids and ancient civilizations. This is the shocking truths about humanity’s origins that he was told by ETs: Kirsan Ilyumzhinov: “All these ancient texts did not appear out of nowhere.” “The Vedas, the Quran, the Bible, the Talmud.” “When you look at old irrigation systems, the whole water supply, the melioration work in Egypt, or the buildings in Peru, or in Lebanon, in Egypt, the pyramids—things no computer today could really calculate, they built it with such precision.” “The pillar in the center of Delhi in India [is] 99.9% iron.” “In modern conditions, no metallurgical plant, not a single blast furnace can produce iron that pure.” “No modern technology can actually recreate that.” “Even the largest cranes we have today couldn’t lift these 100-ton stone blocks, the slabs used in building ancient palaces.” “In Brazil, when they’re sawing through marble mountains, cutting marble slabs, they find pieces of a clock inside the marble.” “They even found a gear.” “How is that possible?” “This marble took millions and millions of years to form.” “So it must have been another civilization that built it.” Jesse Michels

Holden Culotta

87,847 просмотров • 7 месяцев назад