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Packed AMC parking lot. Empty charger. At $0.51/kWh plus a $50 authorization hold, it’s easy to see why. And honestly, a movie theater may be one of the worst places for a 50kW DC fast charger. Most people are parked for 2–3 hours watching a movie. A row of... show more

Christopher Bowe

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270,496 次观看 • 2 个月前 •via X (Twitter)

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Tesla Sentry Mode captured three suspects trying to steal a Dodge Charger outside a Dallas movie theater. The owner deliberately parked beside a Tesla for protection, and it recorded everything, including a clear view of one suspect’s face. Dallas Police are investigating.

Tesla Sentry Mode captured three suspects trying to steal a Dodge Charger outside a Dallas movie theater. The owner deliberately parked beside a Tesla for protection, and it recorded everything, including a clear view of one suspect’s face. Dallas Police are investigating.

DogeDesigner

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I have a lot of nostalgia, appreciation and love for Cars 2 (2011) it may not be Pixar’s best or a true Cars sequel “that goes to Cars 3 (2017)” but there is still a lot to enjoy about this movie as its own standalone Cars spin off type movie, it could’ve easily been advertised as a spin off movie but for what this movie is worth it’s really not that bad and and it’s actually really entertaining and fun if you are looking to watch an over the top b-movie, it’s far from Pixar’s WORST “I’m looking at you Lightyear (2022)” 15 years later this movie is so extremely underrated and more people SHOULD appreciate it more as it’s own thing because screw the critics and Animation YouTubers, it’s really not bad at all and they act so fucking dramatic!

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Miguel Arcos - #1 CARS 2 BIGGEST DEFENDER!!!

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Hey Tesla Charging, Yellowstone is one of the most beautiful national parks in the world, yet it’s one of the hardest places to charge a Tesla. Right now, I’m stuck relying on slow third-party ChargePoint charger that takes 11+ hours for a full charge, while the nearest Tesla Supercharger is hours away. Millions of people visit Yellowstone every year, and EV adoption keeps growing. Adding more Tesla Superchargers in and around the park would make road trips safer, easier, and far more enjoyable for everyone. Please consider expanding the Supercharger network in Yellowstone. It would make a huge difference!

Teslaconomics

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Portland General Electric (Portland General) recently demonstrated a pole mounted level 2 EV charger that retracts the charging cable from above and extends up to 25 feet after a user scans a QR code. What do you think? Is this the future of public EV charging? And should the utility own it?

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The past 24 hours have been a whirlwind. Thank u all for celebrating the announcement of Spaceballs 2 with the same level of excitement as the live action remake of the 2002 Alien-Elvis movie “Lilo and Stitch.” We know the anticipation is high on this one & we promise that a lot of you will still be let down. But… for those brave enough to have hope, we plan on delivering something with at least a 63% rotten tomatoes score. See you in 2027, as long as there is a 2027!

The past 24 hours have been a whirlwind. Thank u all for celebrating the announcement of Spaceballs 2 with the same level of excitement as the live action remake of the 2002 Alien-Elvis movie “Lilo and Stitch.” We know the anticipation is high on this one & we promise that a lot of you will still be let down. But… for those brave enough to have hope, we plan on delivering something with at least a 63% rotten tomatoes score. See you in 2027, as long as there is a 2027!

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Ari Aster on why he considers "Midsommar" (2019) to be a fairy tale: "I see the film as a fairy tale more than anything else. It does have a structure of a fairy tale. If you’re just looking at Dani’s trajectory, and she is the person we’re most aligned with, at the beginning she loses a family and at the end she gains one. Part of the fun of making this film was making a film that functioned for most of the visitors as a folk horror film, but for the [character] that we’re most joined to it’s something else. It ends up revealing itself as a perverse wish fulfillment fantasy. It’s doing two things at once. You could see this place as being a real lived-in place with a rich history and deep traditions, or you could watch the movie in a way that has this community function strictly as a manifestation of Dani’s will: they’re only here to provide her all of the needs she’s being denied." (Ari Aster's interview with A.E. Hunt, Filmmaker, 2019) P.S: On this day, 7 years ago, "Midsommar" (2019) premiered in Los Angeles, California.

Ari Aster on why he considers "Midsommar" (2019) to be a fairy tale: "I see the film as a fairy tale more than anything else. It does have a structure of a fairy tale. If you’re just looking at Dani’s trajectory, and she is the person we’re most aligned with, at the beginning she loses a family and at the end she gains one. Part of the fun of making this film was making a film that functioned for most of the visitors as a folk horror film, but for the [character] that we’re most joined to it’s something else. It ends up revealing itself as a perverse wish fulfillment fantasy. It’s doing two things at once. You could see this place as being a real lived-in place with a rich history and deep traditions, or you could watch the movie in a way that has this community function strictly as a manifestation of Dani’s will: they’re only here to provide her all of the needs she’s being denied." (Ari Aster's interview with A.E. Hunt, Filmmaker, 2019) P.S: On this day, 7 years ago, "Midsommar" (2019) premiered in Los Angeles, California.

DepressedBergman

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Just dropping by to share: 535 News launches May 12. A Murderers' Row of Hill journos are making it happen (see next post). 3 hrs day/3 days a week. I'll be a contributing host and, yes, I have *a lot* of questions for you. Contact: booking@535.news for more info. 1/2

Just dropping by to share: 535 News launches May 12. A Murderers' Row of Hill journos are making it happen (see next post). 3 hrs day/3 days a week. I'll be a contributing host and, yes, I have a lot of questions for you. Contact: [email protected] for more info. 1/2

Susan Davis

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Paul Verhoeven on whether the events that take place in "Total Recall" (1990) are real or just a dream: "It is both. To be honest, that’s what I want. I made the movie in a way that it would be true on both levels, and I spent a lot of time to get that. If you want a scientific explanation, you know, of course, in quantum mechanics there is a very interesting principle, the principle of uncertainty, Heisenberg’s principle. If you have a big object and if you try to measure the place of the object and the velocity of the object at the same time, the more precisely you measure velocity the less precise place gets. So that’s the principle. That means, of course, that there are different realities possible at the same moment. What I wanted to do in 'Total Recall' is to do a movie where both levels are true. I mean for me, of course, the film anyhow has to do with two realities, one being the reality of going as a secret agent to Mars and discovering that there is a problem, and solving the problem, which is starting the nuclear reactor and helping the guerrillas and destroying Cohaagen. The second level of the movie, of course, is that from the moment that he goes into the Rekall chair ‘til the end it’s a dream, and I tried to make that second level work throughout the whole movie. So there’s the dream level which starts when he gets into the chair and the thing is in his neck, and that would go throughout the whole movie, so in the next scene where they say, Oh, there’s a problem, there’s a big glitch here, that would be already the dream, of course. That’s where the dream starts. And the next scene where they are fighting and stuff would be part of his dream, convincing him that it is real, because there is a glitch but that would be part of the program. It would be built into the program to make him accept the fact that it’s real, but it’s a dream. If you look at the movie, if you haven’t seen it, or for the second time, you’ll see that the whole program that’s set up at the beginning when he goes to the Rekall office and he talks to this guy who sells him the program on Mars, you’ll see that he gets everything that he wants: he gets the trip to Mars, he gets the girl, the exotic girl, he ki!!s the bad guys, and he saves the entire planet. That’s what he does. And that’s basically the dream. Even halfway through the movie, you may remember, this other guy comes in, Dr. Edgemar, and tells him that he’s in a dream, that he’s still in the Rekall chair, and then Arnold says, “If I’m there, I can ki!! you.” And he puts a gun to his head and the guy says, “Sure, no problem for me, big problem for you, because you will be psychotic from now on because the walls of reality will fall apart. One moment you will be the savior of the rebel cause, the next moment you’ll be Cohaagen’s bosom buddy, but in the end—you will even have these strange fantasies about alien civilizations—but at the end you will be lobotomized.” And then if you see the movie, you realize that all these things happen. I mean he is lobotomized at the end. That’s why at the last shot, when they are so happy and kissing each other, it slowly fades to white, which for me meant, “OK, there he goes. That’s the end-that’s the dream—they lobotomized him.” And all the other things happened, he finds the alien civilization, he rescues the planet, he finds the good girl, he k!!ls the bad guys, but it’s a dream. Now, of course you can see it as a reality, too. So at the end of the movie, getting to white means either it’s a happy ending or he loses his brains . . . which is probably also a happy ending, I don’t know. That was basically what l wanted—that at the end there would be two possibilities, and they would be both true—for me they are both true—it’s not either one or the other. It’s not that either it’s a dream or it is a reality. It is a dream and it is a reality. And I think they’re both there." (Paul Verhoeven's interview with Chris Shea & Wade Jennings, 1992) P.S: On this day, 36 years ago, "Total Recall" (1990) premiered in Los Angeles, California, USA.

Paul Verhoeven on whether the events that take place in "Total Recall" (1990) are real or just a dream: "It is both. To be honest, that’s what I want. I made the movie in a way that it would be true on both levels, and I spent a lot of time to get that. If you want a scientific explanation, you know, of course, in quantum mechanics there is a very interesting principle, the principle of uncertainty, Heisenberg’s principle. If you have a big object and if you try to measure the place of the object and the velocity of the object at the same time, the more precisely you measure velocity the less precise place gets. So that’s the principle. That means, of course, that there are different realities possible at the same moment. What I wanted to do in 'Total Recall' is to do a movie where both levels are true. I mean for me, of course, the film anyhow has to do with two realities, one being the reality of going as a secret agent to Mars and discovering that there is a problem, and solving the problem, which is starting the nuclear reactor and helping the guerrillas and destroying Cohaagen. The second level of the movie, of course, is that from the moment that he goes into the Rekall chair ‘til the end it’s a dream, and I tried to make that second level work throughout the whole movie. So there’s the dream level which starts when he gets into the chair and the thing is in his neck, and that would go throughout the whole movie, so in the next scene where they say, Oh, there’s a problem, there’s a big glitch here, that would be already the dream, of course. That’s where the dream starts. And the next scene where they are fighting and stuff would be part of his dream, convincing him that it is real, because there is a glitch but that would be part of the program. It would be built into the program to make him accept the fact that it’s real, but it’s a dream. If you look at the movie, if you haven’t seen it, or for the second time, you’ll see that the whole program that’s set up at the beginning when he goes to the Rekall office and he talks to this guy who sells him the program on Mars, you’ll see that he gets everything that he wants: he gets the trip to Mars, he gets the girl, the exotic girl, he ki!!s the bad guys, and he saves the entire planet. That’s what he does. And that’s basically the dream. Even halfway through the movie, you may remember, this other guy comes in, Dr. Edgemar, and tells him that he’s in a dream, that he’s still in the Rekall chair, and then Arnold says, “If I’m there, I can ki!! you.” And he puts a gun to his head and the guy says, “Sure, no problem for me, big problem for you, because you will be psychotic from now on because the walls of reality will fall apart. One moment you will be the savior of the rebel cause, the next moment you’ll be Cohaagen’s bosom buddy, but in the end—you will even have these strange fantasies about alien civilizations—but at the end you will be lobotomized.” And then if you see the movie, you realize that all these things happen. I mean he is lobotomized at the end. That’s why at the last shot, when they are so happy and kissing each other, it slowly fades to white, which for me meant, “OK, there he goes. That’s the end-that’s the dream—they lobotomized him.” And all the other things happened, he finds the alien civilization, he rescues the planet, he finds the good girl, he k!!ls the bad guys, but it’s a dream. Now, of course you can see it as a reality, too. So at the end of the movie, getting to white means either it’s a happy ending or he loses his brains . . . which is probably also a happy ending, I don’t know. That was basically what l wanted—that at the end there would be two possibilities, and they would be both true—for me they are both true—it’s not either one or the other. It’s not that either it’s a dream or it is a reality. It is a dream and it is a reality. And I think they’re both there." (Paul Verhoeven's interview with Chris Shea & Wade Jennings, 1992) P.S: On this day, 36 years ago, "Total Recall" (1990) premiered in Los Angeles, California, USA.

DepressedBergman

66,465 次观看 • 2 个月前