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🚨 Paper Alert Our recent breakthrough CAST: Component-Aligned 3D Scene Reconstruction from an RGB Image has been accepted by ACM SIGGRAPH 2025 Journal Track! CAST will change the way create scenes in 3D Art and Embody AI. 🚀Soon available at 👇Details

Deemos

8,859 subscribers

34,110 Aufrufe • vor 1 Jahr •via X (Twitter)

Kunst Wissenschaft & Technologie

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Deemosvor 1 Jahr

(1/5) ArXiv: Project Page:

Profilbild von Deemos

Deemosvor 1 Jahr

(2/5) The input RGB image is processed through scene analysis to extract key information, followed by pose-aware generation to create initial 3D models. Physical constraint refinement ensures realistic interactions and spatial relationships, yielding a high-quality, mesh-based 3D scene.

Profilbild von Deemos

Deemosvor 1 Jahr

(3/5) Network design of our alignment generation model (Sec. 4.2), occlusion-aware object generation model (Sec. 4.1), and an illustrative figure of the texture generation model.

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Deemosvor 1 Jahr

(4/5) Comparison of scene reconstruction with and without relational graph constraints. By integrating relational graph constraints, our method ensures both physical plausibility and accurate alignment with the intended scene, maintaining correct spatial relationships.

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Deemosvor 1 Jahr

(5/5) Qualitative comparisons of CAST with state-of-the-art single-image scene reconstruction methods. From left to right: Input image, CAST, ACDC, and Gen3DSR.

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Moescape AIvor 1 Jahr

Sign up & create wholesome anime art on Moescape AI now!

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Pseudonym 🦅vor 1 Jahr

@siggraph Waiting for proof with the original Myst game. If we can reconstruct those 3d scenes in high identity with techniques like this, that’ll open a lot of use cases for digital archaeology

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Mr.JeanPivor 1 Jahr

@siggraph thats amazing, can't wait to play with it!

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🚀After two nominations at 2024, we’re thrilled to share that we finally won the ACM SIGGRAPH 2025 Best Paper Award🏆🏆🏆! SIGGRAPH has always been our guiding star. In early 2023, our team at DEEMOS embarked on universal 3D generation, exploring Diffusion Transformer and AutoRegressive paths. These evolved into CLAY and DressCode, both nominated for SIGGRAPH Best Paper. Built on prior work, they pushed the boundaries of innovation, contributing unique value to the community. Since launching - Rodin in June 2024, we’ve become a leading 3D generation platform. Additionally, we have an unannounced project, BANG, which serves as the foundation for Rodin Gen-2. This is our proudest innovative breakthrough of 2024. Stay tuned for its unveiling soon!

Deemos

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📢📢GenRecon: Bridging Generative Priors for Multi-View 3D Scene Reconstruction📢📢 Reconstructing high-fidelity 3D scenes from sparse RGB input is hard. It needs a strong 3D prior! We reformulate multi-view scene reconstruction as conditional 3D generation over overlapping spatial chunks, lifting posed image features into a generative shape prior via 3D conditioning. As an example prior, we build on Trellis2, and train it such that its reconstruction is pixel aligned and matches from all views. GenRecon achieves unprecedented reconstruction quality from any sparse RGB input sequence, even from a phone capture. The reconstruction also includes PBR materials which facilitates relighting and virtual object insertion. Amazing work by Katharina Schmid, Nicolas von Lützow, Jozef, Angela Dai

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Your next 3D photo shoot will be done with AI 3D Scenes generates full environments from any image → Place your objects in the scene → Move the camera like a real shoot → Consistent lightning and detail across every angle Available now on Freepik 👇

Your next 3D photo shoot will be done with AI 3D Scenes generates full environments from any image → Place your objects in the scene → Move the camera like a real shoot → Consistent lightning and detail across every angle Available now on Freepik 👇

Magnific

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LLaVA-3D A Simple yet Effective Pathway to Empowering LMMs with 3D-awareness Recent advancements in Large Multimodal Models (LMMs) have greatly enhanced their proficiency in 2D visual understanding tasks, enabling them to effectively process and understand images and videos. However, the development of LMMs with 3D-awareness for 3D scene understanding has been hindered by the lack of large-scale 3D vision-language datasets and powerful 3D encoders. In this paper, we introduce a simple yet effective framework called LLaVA-3D. Leveraging the strong 2D understanding priors from LLaVA, our LLaVA-3D efficiently adapts LLaVA for 3D scene understanding without compromising 2D understanding capabilities. To achieve this, we employ a simple yet effective representation, 3D Patch, which connects 2D CLIP patch features with their corresponding positions in 3D space. By integrating the 3D Patches into 2D LMMs and employing joint 2D and 3D vision-language instruction tuning, we establish a unified architecture for both 2D image understanding and 3D scene understanding. Experimental results show that LLaVA-3D converges 3.5x faster than existing 3D LMMs when trained on 3D vision-language datasets. Moreover, LLaVA-3D not only achieves state-of-the-art performance across various 3D tasks but also maintains comparable 2D image understanding and vision-language conversation capabilities with LLaVA.

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AK

41,736 Aufrufe • vor 1 Jahr

2D is what the camera sees.👀 3D is what the world is. 🌍 Today, we’re proudly open-sourcing QuerySplat — an open-source feed-forward 3D model that turns a few unposed images into a navigable 3D scene in seconds (run on 4090🪶). Your input: a few unposed images Our output: a sharp, navigable 3D scene — generated in seconds! 🚀 🧠 organize scenes with 3D queries, not pixel-bound Gaussians 📷 no camera poses or manual calibration required ⚡ reconstruct new scenes in a single forward pass ✨ preserve sharp geometry and high-frequency appearance 🏆 achieve state-of-the-art results on DL3DV-Evaluation 🔓 code and model weights are now open-source From pixels to scenes, we are making 3D generation scalable. Try our free iOS app — it’s a lot of fun! 😆 🔗 Try it on the Web: 🔗 Paper: 🔗 Code & weights: 🔗 Project page: 🔗 #AIGC #3DGS #AI #Computervision #3D #artist #3dartist #3d

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InSpatio｜影溯

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74,763 Aufrufe • vor 1 Jahr

[SIGGRAPH 2025] Photoreal Scene Reconstruction from an Egocentric Device Contributions: 1. We address the importance of employing visual-inertial bundle adjustment (VIBA) that accounts for the rolling-shutter behavior of the RGB camera. This provides a continuous camera trajectory to model pixel movement in neural reconstruction. Our experiments demonstrate that using VIBA consistently improves the novel view quality in Gaussian Splatting by +1 dB in PSNR. 2. We introduce a rasterization-based image formulation pipeline that addresses common artifacts in physical image formation, including rolling shutter, lens shading, exposure, and gain compensation. Our approach is distinct in that we represent image poses as posed pixel arrays sampled from a continuous trajectory, rather than assigning a single camera pose per image, and preserve the merit of Gaussian rasterization. Unlike existing methods that require ray-tracing Gaussians, e.g., [Moenne-Loccoz et al. 2024], our formulation is applicable to general-purpose rasterization-based Gaussian splatting. When applied to 3D Gaussian Splatting (3DGS) [Kerbl et al. 2023], our approach can further enhance reconstruction quality by +1 dB. We outperform existing baselines and demonstrate a substantial quality improvement in handling complex scenes observed by egocentric devices. 3. To reduce the effect of blur from rapid head motion in darker indoor scenes, we propose a strategy of deliberately underexposing input videos during capture, inspired by HDR+ [Hasinoff et al. 2016]. We demonstrate that we can reconstruct high-quality, noise-free scene radiance from noisy, dim input videos, and further render sharp, blur-free videos at a higher dynamic range.

[SIGGRAPH 2025] Photoreal Scene Reconstruction from an Egocentric Device Contributions: 1. We address the importance of employing visual-inertial bundle adjustment (VIBA) that accounts for the rolling-shutter behavior of the RGB camera. This provides a continuous camera trajectory to model pixel movement in neural reconstruction. Our experiments demonstrate that using VIBA consistently improves the novel view quality in Gaussian Splatting by +1 dB in PSNR. 2. We introduce a rasterization-based image formulation pipeline that addresses common artifacts in physical image formation, including rolling shutter, lens shading, exposure, and gain compensation. Our approach is distinct in that we represent image poses as posed pixel arrays sampled from a continuous trajectory, rather than assigning a single camera pose per image, and preserve the merit of Gaussian rasterization. Unlike existing methods that require ray-tracing Gaussians, e.g., [Moenne-Loccoz et al. 2024], our formulation is applicable to general-purpose rasterization-based Gaussian splatting. When applied to 3D Gaussian Splatting (3DGS) [Kerbl et al. 2023], our approach can further enhance reconstruction quality by +1 dB. We outperform existing baselines and demonstrate a substantial quality improvement in handling complex scenes observed by egocentric devices. 3. To reduce the effect of blur from rapid head motion in darker indoor scenes, we propose a strategy of deliberately underexposing input videos during capture, inspired by HDR+ [Hasinoff et al. 2016]. We demonstrate that we can reconstruct high-quality, noise-free scene radiance from noisy, dim input videos, and further render sharp, blur-free videos at a higher dynamic range.

MrNeRF

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V3D Video Diffusion Models are Effective 3D Generators Automatic 3D generation has recently attracted widespread attention. Recent methods have greatly accelerated the generation speed, but usually produce less-detailed objects due to limited model capacity or 3D data. Motivated by recent advancements in video diffusion models, we introduce V3D, which leverages the world simulation capacity of pre-trained video diffusion models to facilitate 3D generation. To fully unleash the potential of video diffusion to perceive the 3D world, we further introduce geometrical consistency prior and extend the video diffusion model to a multi-view consistent 3D generator. Benefiting from this, the state-of-the-art video diffusion model could be fine-tuned to generate 360degree orbit frames surrounding an object given a single image. With our tailored reconstruction pipelines, we can generate high-quality meshes or 3D Gaussians within 3 minutes. Furthermore, our method can be extended to scene-level novel view synthesis, achieving precise control over the camera path with sparse input views. Extensive experiments demonstrate the superior performance of the proposed approach, especially in terms of generation quality and multi-view consistency

V3D Video Diffusion Models are Effective 3D Generators Automatic 3D generation has recently attracted widespread attention. Recent methods have greatly accelerated the generation speed, but usually produce less-detailed objects due to limited model capacity or 3D data. Motivated by recent advancements in video diffusion models, we introduce V3D, which leverages the world simulation capacity of pre-trained video diffusion models to facilitate 3D generation. To fully unleash the potential of video diffusion to perceive the 3D world, we further introduce geometrical consistency prior and extend the video diffusion model to a multi-view consistent 3D generator. Benefiting from this, the state-of-the-art video diffusion model could be fine-tuned to generate 360degree orbit frames surrounding an object given a single image. With our tailored reconstruction pipelines, we can generate high-quality meshes or 3D Gaussians within 3 minutes. Furthermore, our method can be extended to scene-level novel view synthesis, achieving precise control over the camera path with sparse input views. Extensive experiments demonstrate the superior performance of the proposed approach, especially in terms of generation quality and multi-view consistency

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🗒️WIP Wednesday #10🗒️ - 3D AI Generation & our Vision Video 🔊 SOUND ON 🔊 = 🧠 Todays 'Work In Progress Wednesday' reveals a tool we're working on for players that creates 3D in-game assets using AI. No game has EVER done this before & it will change the way we build & play completely. We also take a look at how our creator tool 'The Instrument' might look and feel when finished. 👀 Tell us what you think below 👇

Youmio

176,006 Aufrufe • vor 3 Jahren

🚨 SIGGRAPH Asia 2025 Paper Alert 🚨 ➡️Paper Title: WorldExplorer: Towards Generating Fully Navigable 3D Scenes 🌟Few pointers from the paper 🎯Generating 3D worlds from text is a highly anticipated goal in computer vision. Existing works are limited by the degree of exploration they allow inside of a scene, i.e., produce stretched-out and noisy artifacts when moving beyond central or panoramic perspectives. 🎯 To this end, authors of this paper proposed “WorldExplorer”, a novel method based on autoregressive video trajectory generation, which builds fully navigable 3D scenes with consistent visual quality across a wide range of viewpoints. 🎯They initialize their scenes by creating multi-view consistent images corresponding to a 360 degree panorama. 🎯Then, they expanded it by leveraging video diffusion models in an iterative scene generation pipeline. 🎯Concretely, they generated multiple videos along short, pre-defined trajectories, that explore the scene in depth, including motion around objects. 🎯Their novel scene memory conditions each video on the most relevant prior views, while a collision-detection mechanism prevents degenerate results, like moving into objects. 🎯Finally,they fuse all generated views into a unified 3D representation via 3D Gaussian Splatting optimization. 🎯Compared to prior approaches, WorldExplorer produces high-quality scenes that remain stable under large camera motion, enabling for the first time realistic and unrestricted exploration. 🎯They believe this marks a significant step toward generating immersive and truly explorable virtual 3D environments. 🏢Organization: TU München 🧙Paper Authors: Manuel-Andreas Schneider, Lukas Höllein , Matthias Niessner 📝 Read the Full Paper here: 🗂️ Project Page: 🧑‍💻 Code: 🎥 Be sure to watch the attached Technical Summary Video - Sound on 🔊🔊 Find this Valuable 💎 ? ♻️QT and teach your network something new Follow me 👣, naveen manwani , for the latest updates on Tech and AI-related news, insightful research papers, and exciting announcements. #SIGGRAPHAsia2025

🚨 SIGGRAPH Asia 2025 Paper Alert 🚨 ➡️Paper Title: WorldExplorer: Towards Generating Fully Navigable 3D Scenes 🌟Few pointers from the paper 🎯Generating 3D worlds from text is a highly anticipated goal in computer vision. Existing works are limited by the degree of exploration they allow inside of a scene, i.e., produce stretched-out and noisy artifacts when moving beyond central or panoramic perspectives. 🎯 To this end, authors of this paper proposed “WorldExplorer”, a novel method based on autoregressive video trajectory generation, which builds fully navigable 3D scenes with consistent visual quality across a wide range of viewpoints. 🎯They initialize their scenes by creating multi-view consistent images corresponding to a 360 degree panorama. 🎯Then, they expanded it by leveraging video diffusion models in an iterative scene generation pipeline. 🎯Concretely, they generated multiple videos along short, pre-defined trajectories, that explore the scene in depth, including motion around objects. 🎯Their novel scene memory conditions each video on the most relevant prior views, while a collision-detection mechanism prevents degenerate results, like moving into objects. 🎯Finally,they fuse all generated views into a unified 3D representation via 3D Gaussian Splatting optimization. 🎯Compared to prior approaches, WorldExplorer produces high-quality scenes that remain stable under large camera motion, enabling for the first time realistic and unrestricted exploration. 🎯They believe this marks a significant step toward generating immersive and truly explorable virtual 3D environments. 🏢Organization: TU München 🧙Paper Authors: Manuel-Andreas Schneider, Lukas Höllein , Matthias Niessner 📝 Read the Full Paper here: 🗂️ Project Page: 🧑‍💻 Code: 🎥 Be sure to watch the attached Technical Summary Video - Sound on 🔊🔊 Find this Valuable 💎 ? ♻️QT and teach your network something new Follow me 👣, naveen manwani , for the latest updates on Tech and AI-related news, insightful research papers, and exciting announcements. #SIGGRAPHAsia2025

naveen manwani

10,578 Aufrufe • vor 10 Monaten

Differentiable Blocks World: Qualitative 3D Decomposition by Rendering Primitives paper page: Given a set of calibrated images of a scene, we present an approach that produces a simple, compact, and actionable 3D world representation by means of 3D primitives. While many approaches focus on recovering high-fidelity 3D scenes, we focus on parsing a scene into mid-level 3D representations made of a small set of textured primitives. Such representations are interpretable, easy to manipulate and suited for physics-based simulations. Moreover, unlike existing primitive decomposition methods that rely on 3D input data, our approach operates directly on images through differentiable rendering. Specifically, we model primitives as textured superquadric meshes and optimize their parameters from scratch with an image rendering loss. We highlight the importance of modeling transparency for each primitive, which is critical for optimization and also enables handling varying numbers of primitives. We show that the resulting textured primitives faithfully reconstruct the input images and accurately model the visible 3D points, while providing amodal shape completions of unseen object regions. We compare our approach to the state of the art on diverse scenes from DTU, and demonstrate its robustness on real-life captures from BlendedMVS and Nerfstudio. We also showcase how our results can be used to effortlessly edit a scene or perform physical simulations.

Differentiable Blocks World: Qualitative 3D Decomposition by Rendering Primitives paper page: Given a set of calibrated images of a scene, we present an approach that produces a simple, compact, and actionable 3D world representation by means of 3D primitives. While many approaches focus on recovering high-fidelity 3D scenes, we focus on parsing a scene into mid-level 3D representations made of a small set of textured primitives. Such representations are interpretable, easy to manipulate and suited for physics-based simulations. Moreover, unlike existing primitive decomposition methods that rely on 3D input data, our approach operates directly on images through differentiable rendering. Specifically, we model primitives as textured superquadric meshes and optimize their parameters from scratch with an image rendering loss. We highlight the importance of modeling transparency for each primitive, which is critical for optimization and also enables handling varying numbers of primitives. We show that the resulting textured primitives faithfully reconstruct the input images and accurately model the visible 3D points, while providing amodal shape completions of unseen object regions. We compare our approach to the state of the art on diverse scenes from DTU, and demonstrate its robustness on real-life captures from BlendedMVS and Nerfstudio. We also showcase how our results can be used to effortlessly edit a scene or perform physical simulations.

AK

38,571 Aufrufe • vor 3 Jahren

📢 OneCanvas: 3D Scene Understanding via Panoramic Reprojection We extract features from video frames and reproject them into one occlusion-free view of the whole scene that a 2D VLM reads just like a normal image. We can center this view on any viewpoint, including an agent's own pose for situated reasoning. The same projection lets us create spatial training tasks with no human annotation, solvable only by reasoning over the 3D positions of real object features placed on an otherwise empty canvas. The result is a stock 2D VLM that reasons in 3D, setting a new state of the art across spatial benchmarks at far less compute. 🌐 ▶️ Great work by Bartłomiej Baranowski & Dave Zhenyu Chen

📢 OneCanvas: 3D Scene Understanding via Panoramic Reprojection We extract features from video frames and reproject them into one occlusion-free view of the whole scene that a 2D VLM reads just like a normal image. We can center this view on any viewpoint, including an agent's own pose for situated reasoning. The same projection lets us create spatial training tasks with no human annotation, solvable only by reasoning over the 3D positions of real object features placed on an otherwise empty canvas. The result is a stock 2D VLM that reasons in 3D, setting a new state of the art across spatial benchmarks at far less compute. 🌐 ▶️ Great work by Bartłomiej Baranowski & Dave Zhenyu Chen

Matthias Niessner

25,198 Aufrufe • vor 1 Monat

🔎 ICE Shooting of Renée Good : Preliminary 3D analysis On January 7, 2025, an agent of the US Immigration and Customs Enforcement (ICE) killed Renee Nicole Good in Minneapolis, firing three shots into her vehicle. Following the release of witness footage, Index conducted a preliminary visual analysis and 3D reconstruction of the event. Our findings contradict the claims made by federal authorities regarding the agent's safety: Trajectory: Our 3D model shows the agent was not in the path of the SUV when the shots were fired. Physical Contact: The analysis indicates the agent was not struck by the vehicle. Targeting: The shooter fired at lethal areas of Good’s body from a position where he was not in immediate danger. This preliminary investigation utilises photogrammetry, audiovisual analysis and 3D reconstruction to provide a factual account of the incident. Notice: Index is an independent, digital investigation NGO based in Paris, France. This is a preliminary analysis based on available footage and 3D digital reconstruction; it shall not be considered a finalized expert report. Usage Rights: This video can be freely embedded on webpages provided full credit is given: “Preliminary 3D analysis by Index Investigation” with a link to #Minneapolis #ReneeNicoleGood #ReneeNicoleMacklinGood #ReneeGood

🔎 ICE Shooting of Renée Good : Preliminary 3D analysis On January 7, 2025, an agent of the US Immigration and Customs Enforcement (ICE) killed Renee Nicole Good in Minneapolis, firing three shots into her vehicle. Following the release of witness footage, Index conducted a preliminary visual analysis and 3D reconstruction of the event. Our findings contradict the claims made by federal authorities regarding the agent's safety: Trajectory: Our 3D model shows the agent was not in the path of the SUV when the shots were fired. Physical Contact: The analysis indicates the agent was not struck by the vehicle. Targeting: The shooter fired at lethal areas of Good’s body from a position where he was not in immediate danger. This preliminary investigation utilises photogrammetry, audiovisual analysis and 3D reconstruction to provide a factual account of the incident. Notice: Index is an independent, digital investigation NGO based in Paris, France. This is a preliminary analysis based on available footage and 3D digital reconstruction; it shall not be considered a finalized expert report. Usage Rights: This video can be freely embedded on webpages provided full credit is given: “Preliminary 3D analysis by Index Investigation” with a link to #Minneapolis #ReneeNicoleGood #ReneeNicoleMacklinGood #ReneeGood

Index Investigation

72,962 Aufrufe • vor 7 Monaten

"#AI will never create clean meshes" AI 👇 This is the new #AI model from NVIDIA called Meshtron (jeez what a name 😅). It generates meshes of complex 3D objects closely resembling those created by professional artists. It opens the door to a more realistic generation of detailed 3D assets for animation, gaming, and virtual environments. The current version accepts the following control inputs: - Point cloud: Determines the shape of the output mesh. - Face count: Determines the density of the output mesh. - Quad ratio: Switches between quad and triangle tessellation. - Creativity: Can be adjusted to generate extra details in the model. Meshtron can either serve as a stand-alone remesher to improve the quality of existing models, or be used in tandem with a text-to-3D or image-to-3D model to generate artist-grade meshes from scratch.

"#AI will never create clean meshes" AI 👇 This is the new #AI model from NVIDIA called Meshtron (jeez what a name 😅). It generates meshes of complex 3D objects closely resembling those created by professional artists. It opens the door to a more realistic generation of detailed 3D assets for animation, gaming, and virtual environments. The current version accepts the following control inputs: - Point cloud: Determines the shape of the output mesh. - Face count: Determines the density of the output mesh. - Quad ratio: Switches between quad and triangle tessellation. - Creativity: Can be adjusted to generate extra details in the model. Meshtron can either serve as a stand-alone remesher to improve the quality of existing models, or be used in tandem with a text-to-3D or image-to-3D model to generate artist-grade meshes from scratch.

Gabriele Romagnoli

2,177,191 Aufrufe • vor 1 Jahr

Meet MapAnything – a transformer that directly regresses factored metric 3D scene geometry (from images, calibration, poses, or depth) in an end-to-end way. No pipelines, no extra stages. Just 3D geometry & cameras, straight from any type of input, delivering new state-of-the-art results 🚀 One universal model enables SoTA for: 🔥 Mono Depth Estimation 🔥 Multi-View SfM 🔥 Multi-View Stereo 🔥 Depth Completion 🔥 Registration … and many more possibilities! – plus everything is metric 🎯 We release code for data processing, training, benchmarking & ablations – everything Apache 2.0! Details & Links 👇

Meet MapAnything – a transformer that directly regresses factored metric 3D scene geometry (from images, calibration, poses, or depth) in an end-to-end way. No pipelines, no extra stages. Just 3D geometry & cameras, straight from any type of input, delivering new state-of-the-art results 🚀 One universal model enables SoTA for: 🔥 Mono Depth Estimation 🔥 Multi-View SfM 🔥 Multi-View Stereo 🔥 Depth Completion 🔥 Registration … and many more possibilities! – plus everything is metric 🎯 We release code for data processing, training, benchmarking & ablations – everything Apache 2.0! Details & Links 👇

Nikhil Keetha

123,025 Aufrufe • vor 10 Monaten

SceNeRFlow: Time-Consistent Reconstruction of General Dynamic Scenes abs: paper page: Existing methods for the 4D reconstruction of general, non-rigidly deforming objects focus on novel-view synthesis and neglect correspondences. However, time consistency enables advanced downstream tasks like 3D editing, motion analysis, or virtual-asset creation. We propose SceNeRFlow to reconstruct a general, non-rigid scene in a time-consistent manner. Our dynamic-NeRF method takes multi-view RGB videos and background images from static cameras with known camera parameters as input. It then reconstructs the deformations of an estimated canonical model of the geometry and appearance in an online fashion. Since this canonical model is time-invariant, we obtain correspondences even for long-term, long-range motions. We employ neural scene representations to parametrize the components of our method. Like prior dynamic-NeRF methods, we use a backwards deformation model. We find non-trivial adaptations of this model necessary to handle larger motions: We decompose the deformations into a strongly regularized coarse component and a weakly regularized fine component, where the coarse component also extends the deformation field into the space surrounding the object, which enables tracking over time. We show experimentally that, unlike prior work that only handles small motion, our method enables the reconstruction of studio-scale motions.

SceNeRFlow: Time-Consistent Reconstruction of General Dynamic Scenes abs: paper page: Existing methods for the 4D reconstruction of general, non-rigidly deforming objects focus on novel-view synthesis and neglect correspondences. However, time consistency enables advanced downstream tasks like 3D editing, motion analysis, or virtual-asset creation. We propose SceNeRFlow to reconstruct a general, non-rigid scene in a time-consistent manner. Our dynamic-NeRF method takes multi-view RGB videos and background images from static cameras with known camera parameters as input. It then reconstructs the deformations of an estimated canonical model of the geometry and appearance in an online fashion. Since this canonical model is time-invariant, we obtain correspondences even for long-term, long-range motions. We employ neural scene representations to parametrize the components of our method. Like prior dynamic-NeRF methods, we use a backwards deformation model. We find non-trivial adaptations of this model necessary to handle larger motions: We decompose the deformations into a strongly regularized coarse component and a weakly regularized fine component, where the coarse component also extends the deformation field into the space surrounding the object, which enables tracking over time. We show experimentally that, unlike prior work that only handles small motion, our method enables the reconstruction of studio-scale motions.

AK

76,380 Aufrufe • vor 3 Jahren