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Part 1/5 MAJOR STAN LEE UNIVERSE ANNOUNCEMENT Stan Lee’s largest initial superhero creation, “The Excelsiors,” is set for development into graphic novel, TV, and film adaptations by Kartoon Studios. Michael Uslan (Originator and Executive Producer of the Batman Film Franchise) plans to join forces with Kartoon Studios to bring...

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Stan Lee

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27,719 次观看 • 1 年前 •via X (Twitter)

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Nigel King’s contribution to the #ImpersonateStanChallenge! Comedians, impersonators, and impressionists around the world are coming together to celebrate and remember one of Stan’s most recognizable characteristics... his voice 😎 Stan fans can join in the challenge by sharing their own impersonations of Stan’s iconic voice, tagging this account, and using the hashtag #ImpersonateStanChallenge Check back tomorrow for another AMAZING Stan Lee impersonation, Excelsior! #StanLee #StanLeeUniverse #StanLeePresents #KartoonStudios #Toon #Marvel #MarvelComics #MarvelMovies #NuffSaid #Excelsior #Impersonation #Impresionist
0:34

Nigel King’s contribution to the #ImpersonateStanChallenge! Comedians, impersonators, and impressionists around the world are coming together to celebrate and remember one of Stan’s most recognizable characteristics... his voice 😎 Stan fans can join in the challenge by sharing their own impersonations of Stan’s iconic voice, tagging this account, and using the hashtag #ImpersonateStanChallenge Check back tomorrow for another AMAZING Stan Lee impersonation, Excelsior! #StanLee #StanLeeUniverse #StanLeePresents #KartoonStudios #Toon #Marvel #MarvelComics #MarvelMovies #NuffSaid #Excelsior #Impersonation #Impresionist

Stan Lee

21,972 次观看 • 1 年前

I am thrilled to finally share something we have been working on in stealth for nearly two years with talented animation filmmaker Ishan Shukla. This fantastic film project, based in the #Baahubali universe, will set up the Baahubali franchise for its next phase. Arka Mediaworks is producing the two-part stylised 3D animation film "Baahubali—The Eternal War" in collaboration with Indian and international studios and creative teams. Our vision is to offer the first-of-its-kind animation film from India! We wanted our film lovers to experience the teaser in theatres first, so we attached it to #BaahubaliTheEpic. We hope you will love it. We will release the teaser online, first-look poster, and full details on the project, including the creative and technical teams and studios working on this ambitious project, next week. Stay tuned! 😊 Attaching a short clip of rajamouli ss discussing this project with #Prabhas and Rana Daggubati !
3:00

I am thrilled to finally share something we have been working on in stealth for nearly two years with talented animation filmmaker Ishan Shukla. This fantastic film project, based in the #Baahubali universe, will set up the Baahubali franchise for its next phase. Arka Mediaworks is producing the two-part stylised 3D animation film "Baahubali—The Eternal War" in collaboration with Indian and international studios and creative teams. Our vision is to offer the first-of-its-kind animation film from India! We wanted our film lovers to experience the teaser in theatres first, so we attached it to #BaahubaliTheEpic. We hope you will love it. We will release the teaser online, first-look poster, and full details on the project, including the creative and technical teams and studios working on this ambitious project, next week. Stay tuned! 😊 Attaching a short clip of rajamouli ss discussing this project with #Prabhas and Rana Daggubati !

Shobu Yarlagadda

468,906 次观看 • 10 个月前

I’m thrilled to announce that I’ve joined Staircase Studios AI as Head of AI Filmmaking, where I have the incredible opportunity to direct and lead the creative vision for our debut feature, The Woman with Red Hair. This film—a gripping portrayal of WWII Dutch Resistance heroine Johanna 'Hannie' Schaft—marks the beginning of an exciting journey at the frontier of AI-driven storytelling. Working alongside our CEO and Founder, Pouya Shahbazian, producer of the Divergent franchise, is a true honor, and I’m inspired by his vision to redefine how we bring stories to life. It’s also a privilege to collaborate with such remarkable talent, including screenwriter Michael Schatz and the real-world voice actors who breathe authenticity into every line: Maya-Nika Bewley, Leander Vyvey (Vikings: Valhalla), Angus Castle-Doughty (Shadow and Bone), and Geoffrey Breton (The Crown). Together, we’re harnessing our cutting-edge ForwardMotion AI workflow to create something truly groundbreaking, and I couldn’t be more excited to be part of a team pushing the boundaries of cinematic innovation. Check out our sizzle reel, which debuts Staircase Studios AI and the first 5 minutes of our first feature film!
6:17

I’m thrilled to announce that I’ve joined Staircase Studios AI as Head of AI Filmmaking, where I have the incredible opportunity to direct and lead the creative vision for our debut feature, The Woman with Red Hair. This film—a gripping portrayal of WWII Dutch Resistance heroine Johanna 'Hannie' Schaft—marks the beginning of an exciting journey at the frontier of AI-driven storytelling. Working alongside our CEO and Founder, Pouya Shahbazian, producer of the Divergent franchise, is a true honor, and I’m inspired by his vision to redefine how we bring stories to life. It’s also a privilege to collaborate with such remarkable talent, including screenwriter Michael Schatz and the real-world voice actors who breathe authenticity into every line: Maya-Nika Bewley, Leander Vyvey (Vikings: Valhalla), Angus Castle-Doughty (Shadow and Bone), and Geoffrey Breton (The Crown). Together, we’re harnessing our cutting-edge ForwardMotion AI workflow to create something truly groundbreaking, and I couldn’t be more excited to be part of a team pushing the boundaries of cinematic innovation. Check out our sizzle reel, which debuts Staircase Studios AI and the first 5 minutes of our first feature film!

Brett Stuart

23,313 次观看 • 1 年前

The prison version of Michael Jackson’s “They Don’t Care About Us” short film directed by the legendary Spike Lee, was released on this date in 1996, this version was the second short film for the single, following the “Brazil Version" released in March 1996 that’s also directed by Spike Lee. It was filmed inside of New York Correctional Facility depicts MJ as an inmate to symbolize mass incarceration and systemic injustice. It is juxtaposed with archival footage of historical human rights violations and police brutality. Due to its controversial and "hard-driven" imagery, the prison version was largely banned from daytime television on major music channels like MTV and VH1, leading to the creation of the more "radio-friendly" Brazil version as the primary promotional clip.
2:18

The prison version of Michael Jackson’s “They Don’t Care About Us” short film directed by the legendary Spike Lee, was released on this date in 1996, this version was the second short film for the single, following the “Brazil Version" released in March 1996 that’s also directed by Spike Lee. It was filmed inside of New York Correctional Facility depicts MJ as an inmate to symbolize mass incarceration and systemic injustice. It is juxtaposed with archival footage of historical human rights violations and police brutality. Due to its controversial and "hard-driven" imagery, the prison version was largely banned from daytime television on major music channels like MTV and VH1, leading to the creation of the more "radio-friendly" Brazil version as the primary promotional clip.

Jantar The Botman🪼

81,032 次观看 • 4 个月前

At the Litecoin Summit 2025 in Las Vegas, our video opened for Charlie Lee. An AI-powered film, crafted with intention. Translating Litecoin’s message into cinema. “Wow. That video was amazing.” – Charlie “Charlie Lee Ⓜ️🕸️” Lee This film wasn’t made in a studio. It was made on NFINITY. And yesterday, NFINITY turned 1. One year ago, NFNT was just a blurry vision: A platform for AI-powered creation. But now? It’s real. We’ve built tools. Told stories. Shipped work. The Litecoin video proved what we always believed: That storytelling is changing. That creators will lead. That the best narratives won’t come from studios, they’ll come from platforms like this. So here’s to what’s possible. To crypto with a message. And to a future where anyone can direct the story.
1:55

At the Litecoin Summit 2025 in Las Vegas, our video opened for Charlie Lee. An AI-powered film, crafted with intention. Translating Litecoin’s message into cinema. “Wow. That video was amazing.” – Charlie “Charlie Lee Ⓜ️🕸️” Lee This film wasn’t made in a studio. It was made on NFINITY. And yesterday, NFINITY turned 1. One year ago, NFNT was just a blurry vision: A platform for AI-powered creation. But now? It’s real. We’ve built tools. Told stories. Shipped work. The Litecoin video proved what we always believed: That storytelling is changing. That creators will lead. That the best narratives won’t come from studios, they’ll come from platforms like this. So here’s to what’s possible. To crypto with a message. And to a future where anyone can direct the story.

NFINITY AI

29,099 次观看 • 1 年前

Since Michael Jackson's music is trending afresh due to 'Michael', the movie, this "inspiration" by M.M.Keeravani/Maragadhamani/MM Kreem is worth revisiting! K.Balachander's 1991 film Azhagan had music by Maragadhamani, as he was called in Tamil, just an year after his Telugu debut. One song in the film (loaded with fantastic music all through) was the beautiful 'Thathithom' set to Dharmavathi raaga. The situation is that Mammooty, an older widower, wants to test his new gift, a Casio keyboard, from Bhanupriya, a popular dancer, who is in love with him. A college-going girl, played by Madhoo (her debut, before Roja and Phool Aur Kaante), is also in love with him. So, while Madhoo sings, Mammooty tests his keyboard by playing along. Towards the very end, Madhoo decides to tell him how he feels, musically, and pivots away from the heavily-soaked in Dharmavathi raaga melody to a completely Western melody!! That brief piece is directly inspired by the last single from Michael Jackson's Bad album (1987), Liberian Girl! I continue to wonder how and why Maragadhamani decided to infuse this tiny bit of direct inspiration into his otherwise quasi-Carnatic melody. Did it have something to do with K.Balachander wanting to bring about Madhoo's (a college-going girl in the early 1990s) outlook and musical expression of the present times when Jackson was ruling the musical world?
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Since Michael Jackson's music is trending afresh due to 'Michael', the movie, this "inspiration" by M.M.Keeravani/Maragadhamani/MM Kreem is worth revisiting! K.Balachander's 1991 film Azhagan had music by Maragadhamani, as he was called in Tamil, just an year after his Telugu debut. One song in the film (loaded with fantastic music all through) was the beautiful 'Thathithom' set to Dharmavathi raaga. The situation is that Mammooty, an older widower, wants to test his new gift, a Casio keyboard, from Bhanupriya, a popular dancer, who is in love with him. A college-going girl, played by Madhoo (her debut, before Roja and Phool Aur Kaante), is also in love with him. So, while Madhoo sings, Mammooty tests his keyboard by playing along. Towards the very end, Madhoo decides to tell him how he feels, musically, and pivots away from the heavily-soaked in Dharmavathi raaga melody to a completely Western melody!! That brief piece is directly inspired by the last single from Michael Jackson's Bad album (1987), Liberian Girl! I continue to wonder how and why Maragadhamani decided to infuse this tiny bit of direct inspiration into his otherwise quasi-Carnatic melody. Did it have something to do with K.Balachander wanting to bring about Madhoo's (a college-going girl in the early 1990s) outlook and musical expression of the present times when Jackson was ruling the musical world?

Karthik 🇮🇳

34,224 次观看 • 4 个月前

Big announcement: Punjab to establish a 50 acre , first of its kind #PunjabFilmCity in Lahore bringing the glory of filmmaking back to Lahore and Punjab. Conceived nearly two years ago and shaped through continuous consultations with filmmakers, producers, and actors, this unprecedented project will create a sovereign, end to end pipeline for content creation in Pakistan. Punjab Film City will feature world class studios and sound stages, advanced VFX and post-production labs, diverse backlots with a central lake, a purpose built convention hall for international award shows, integrated media trade hubs, and a film & music school along with dedicated safety and emergency response infrastructure and a vibrant entertainment district. By reducing reliance on foreign production services, this initiative will empower local talent, create thousands of jobs, and position Pakistan as a global hub for creative excellence. Our vision is to transform Punjab into a global destination for technology, innovation, heritage and culture. Punjab Film City is a gift to our youth and artists.. a space where their dreams can take flight and the true, vibrant face of Pakistan is showcased to the world.
1:28

Big announcement: Punjab to establish a 50 acre , first of its kind #PunjabFilmCity in Lahore bringing the glory of filmmaking back to Lahore and Punjab. Conceived nearly two years ago and shaped through continuous consultations with filmmakers, producers, and actors, this unprecedented project will create a sovereign, end to end pipeline for content creation in Pakistan. Punjab Film City will feature world class studios and sound stages, advanced VFX and post-production labs, diverse backlots with a central lake, a purpose built convention hall for international award shows, integrated media trade hubs, and a film & music school along with dedicated safety and emergency response infrastructure and a vibrant entertainment district. By reducing reliance on foreign production services, this initiative will empower local talent, create thousands of jobs, and position Pakistan as a global hub for creative excellence. Our vision is to transform Punjab into a global destination for technology, innovation, heritage and culture. Punjab Film City is a gift to our youth and artists.. a space where their dreams can take flight and the true, vibrant face of Pakistan is showcased to the world.

Maryam Nawaz Sharif

810,385 次观看 • 4 个月前

Michael Jackson made a 39-minute horror film with Stephen King in the 1990s, and somehow an entire generation barely remembers it existed. It was called Ghosts. What started as an idea years earlier eventually became one of the most ambitious projects Michael Jackson ever put on film. Stephen King helped develop the story, and Stan Winston, the legendary special-effects artist behind some of Hollywood's most famous movie creatures, directed it. Jackson didn't just play the mysterious Maestro. He transformed himself through extensive makeup and effects to play five different roles, including the grotesque Mayor who leads a group of townspeople to the Maestro's mansion demanding that he leave. “2 Bad,” “Ghosts” and “Is It Scary” become part of an enormous supernatural dance production filled with practical effects, makeup and choreography. At more than 38 minutes, Ghosts even held the record for the longest music video for years, and in 1997 it received a special screening at the Cannes Film Festival. Everybody remembers Thriller. But how many of you remember Michael Jackson's Ghosts? And how many are seeing this for the first time?
1:24

Michael Jackson made a 39-minute horror film with Stephen King in the 1990s, and somehow an entire generation barely remembers it existed. It was called Ghosts. What started as an idea years earlier eventually became one of the most ambitious projects Michael Jackson ever put on film. Stephen King helped develop the story, and Stan Winston, the legendary special-effects artist behind some of Hollywood's most famous movie creatures, directed it. Jackson didn't just play the mysterious Maestro. He transformed himself through extensive makeup and effects to play five different roles, including the grotesque Mayor who leads a group of townspeople to the Maestro's mansion demanding that he leave. “2 Bad,” “Ghosts” and “Is It Scary” become part of an enormous supernatural dance production filled with practical effects, makeup and choreography. At more than 38 minutes, Ghosts even held the record for the longest music video for years, and in 1997 it received a special screening at the Cannes Film Festival. Everybody remembers Thriller. But how many of you remember Michael Jackson's Ghosts? And how many are seeing this for the first time?

fOx

246,044 次观看 • 26 天前

Thank you to Director Antoine Fuqua for the invite, and to Lionsgate—Chairman & CEO Adam Fogelson, my brother—along with the entire Lionsgate team, and Universal Pictures, led by Chairman & CEO Donna Langley… could not be more proud—this is going to be EPIC!!! This is more than an event… this is a moment. With everything going on in the world, music still finds a way to bring us back. And none other than Michael Jackson is about to remind the world what that feels like. He’s about to make the world dance again… reminding us that music has no limits, no barriers, no color lines—it’s a universal language. Michael brought the world together—and he still is. It’s been 16 years since we lost him on June 25, 2009… and the world has never been the same. So to witness this film and be invited to the biggest global movie premiere for “Michael” was one of the greatest honors of my life. To Jaafar Jackson… you are absolutely unbelievable. I know your uncle is smiling down from heaven. You stepped in and did what only YOU could do. I literally felt like I was watching Michael all over again. Thank you to the Jackson family, and to the fans around the world already echoing the excitement for this global phenomenon. What an honor it was to be part of such a legendary day into the night. Special shout to Suzanne de Passe and Mona Scott-Young—and the entire Lionsgate team—for one of the most inspirational, life-changing nights of my life… And now… the bombshell drops Friday, April 24—I’m booking an entire IMAX theater. Me and my friends. Nothing but love. Let’s go watch it!! —tg
2:37

Thank you to Director Antoine Fuqua for the invite, and to Lionsgate—Chairman & CEO Adam Fogelson, my brother—along with the entire Lionsgate team, and Universal Pictures, led by Chairman & CEO Donna Langley… could not be more proud—this is going to be EPIC!!! This is more than an event… this is a moment. With everything going on in the world, music still finds a way to bring us back. And none other than Michael Jackson is about to remind the world what that feels like. He’s about to make the world dance again… reminding us that music has no limits, no barriers, no color lines—it’s a universal language. Michael brought the world together—and he still is. It’s been 16 years since we lost him on June 25, 2009… and the world has never been the same. So to witness this film and be invited to the biggest global movie premiere for “Michael” was one of the greatest honors of my life. To Jaafar Jackson… you are absolutely unbelievable. I know your uncle is smiling down from heaven. You stepped in and did what only YOU could do. I literally felt like I was watching Michael all over again. Thank you to the Jackson family, and to the fans around the world already echoing the excitement for this global phenomenon. What an honor it was to be part of such a legendary day into the night. Special shout to Suzanne de Passe and Mona Scott-Young—and the entire Lionsgate team—for one of the most inspirational, life-changing nights of my life… And now… the bombshell drops Friday, April 24—I’m booking an entire IMAX theater. Me and my friends. Nothing but love. Let’s go watch it!! —tg

Tyrese Gibson

26,069 次观看 • 4 个月前

Message from #LAKA ~ The Incarnation Of Elder IKAI As Jacob “In The Moment Of Remembering The Light Of His Own Soul, Archangel Michael Told Jacob That His Name Would Be Israel Which Meant, 'Let God Prevail’. He Explained That His Children Would Lead In The Creation Of The Tribes To Restore Areas Where People Would Thrive." Podcast YouTube ------- What is “Jacob’s Ladder”? This was a vision shown to Jacob by Pleiadians representing Dimensions and Densities. The ladder was the change in frequencies that starseeds experience when incarnating into duality, and a representation of all the generations that would experience dark and light until the Shift. Did Jacob wrestle an Angel? Jacob was having higher contact, and was also having a major awakening of who he was. This was actually very hard for him to deal with, and it came out as anger and ego. Pleiadians were giving him the vision to help him see the bigger picture and remember his plan. The “angel” that Jacob wrestled was himself – his Higher Self, Ikai. His human ego won the battle and this made Jacob remorseful. At times still felt like Ikai, and this was to bring him back to the story. Details were later added to scriptures in the retelling. The Friendship of Archangel Michael and Elder Ikai #NEIOH - “The First Friendship Known In Creation Was Elder IKAI And The Powerful Archangel Michael. They Traveled Together And Observed The Vastness Of The Ethers Of Nothingness And Traversed Great Areas That Would Be Labeled By Mankind As Galaxies… Archangel Michael Found The Expression Of Long White Hair To Be Appropriate And Desired For His Travels And Expansion. His Close Friend IKAI Found This Way Of Appearance To Be Acceptable As His Friend’s Look… Though IKAI Would Become Elder And Commander Of The Galactic Federation, Archangel Michael Would Serve The Light By Traveling Without A Home. His Visit Became Regular And Frequent On Taygeta And The Visits Continue In This Moment Of Now… The Closeness And Bonding With Elder IKAI Allowed Him To Travel On Missions Of Light And He Is Loved And Honored By All Members Of The Galactic Federation.”
6:28

Message from #LAKA ~ The Incarnation Of Elder IKAI As Jacob “In The Moment Of Remembering The Light Of His Own Soul, Archangel Michael Told Jacob That His Name Would Be Israel Which Meant, 'Let God Prevail’. He Explained That His Children Would Lead In The Creation Of The Tribes To Restore Areas Where People Would Thrive." Podcast YouTube ------- What is “Jacob’s Ladder”? This was a vision shown to Jacob by Pleiadians representing Dimensions and Densities. The ladder was the change in frequencies that starseeds experience when incarnating into duality, and a representation of all the generations that would experience dark and light until the Shift. Did Jacob wrestle an Angel? Jacob was having higher contact, and was also having a major awakening of who he was. This was actually very hard for him to deal with, and it came out as anger and ego. Pleiadians were giving him the vision to help him see the bigger picture and remember his plan. The “angel” that Jacob wrestled was himself – his Higher Self, Ikai. His human ego won the battle and this made Jacob remorseful. At times still felt like Ikai, and this was to bring him back to the story. Details were later added to scriptures in the retelling. The Friendship of Archangel Michael and Elder Ikai #NEIOH - “The First Friendship Known In Creation Was Elder IKAI And The Powerful Archangel Michael. They Traveled Together And Observed The Vastness Of The Ethers Of Nothingness And Traversed Great Areas That Would Be Labeled By Mankind As Galaxies… Archangel Michael Found The Expression Of Long White Hair To Be Appropriate And Desired For His Travels And Expansion. His Close Friend IKAI Found This Way Of Appearance To Be Acceptable As His Friend’s Look… Though IKAI Would Become Elder And Commander Of The Galactic Federation, Archangel Michael Would Serve The Light By Traveling Without A Home. His Visit Became Regular And Frequent On Taygeta And The Visits Continue In This Moment Of Now… The Closeness And Bonding With Elder IKAI Allowed Him To Travel On Missions Of Light And He Is Loved And Honored By All Members Of The Galactic Federation.”

Kab

84,395 次观看 • 2 年前

Christopher Nolan did a great interview with Nathan Fielder and Benny Safdie about their show “The Curse” in 2024. Fielder talks about his creative process and so much of it comes through in trailer for Elizabeth Holmes doc: ▫️Fielder says he “stumbles into ideas he gets excited about” without a master plan and “just piles things on and it grows” (for the Holmes doc, he had an agreement with A24 to scrap the project even after years of shooting if he didn’t think there was a film) ▫️setting the tone is the top priority, even moreso than narrative (“when you have the tone right, everything falls into place”) ▫️the musical score is crucial in setting the tone (the sound doesn’t even have to match action on the scene, it can float above just setting mood) ▫️he doesn’t want to rush scenes; let them develop to the point where audience is expecting any action to be consequential and it builds the tension (inspired by old detective TV show Colombo) *** Full interview here (Nolan really is a Fielder Stan):
6:03

Christopher Nolan did a great interview with Nathan Fielder and Benny Safdie about their show “The Curse” in 2024. Fielder talks about his creative process and so much of it comes through in trailer for Elizabeth Holmes doc: ▫️Fielder says he “stumbles into ideas he gets excited about” without a master plan and “just piles things on and it grows” (for the Holmes doc, he had an agreement with A24 to scrap the project even after years of shooting if he didn’t think there was a film) ▫️setting the tone is the top priority, even moreso than narrative (“when you have the tone right, everything falls into place”) ▫️the musical score is crucial in setting the tone (the sound doesn’t even have to match action on the scene, it can float above just setting mood) ▫️he doesn’t want to rush scenes; let them develop to the point where audience is expecting any action to be consequential and it builds the tension (inspired by old detective TV show Colombo) *** Full interview here (Nolan really is a Fielder Stan):

Trung Phan

371,260 次观看 • 10 天前

➡️ Disseminated by Market One for commercial purposes __ 📈 𝘔𝘰𝘯𝘦𝘺 𝘔𝘰𝘷𝘦𝘴 is back to provide rare insights into the strategies behind one of Canada’s top-performing small-cap funds. While the small-cap sector has struggled over the past four years, AlphaNorth Asset Management has thrived, delivering industry-leading returns in a challenging market. 🎙 Join our host, Michael Hainsworth (Michael Hainsworth), in this exclusive interview with Steve Palmer, President & CIO of AlphaNorth, as we dive deep into: 🔹 How AlphaNorth outperforms in both bull and bear markets 🔹 Why timing sell decisions is the hardest part of investing 🔹 The key sectors poised for growth as the small-cap bull run accelerates 🔹 How investors can capitalize on emerging trends and market inefficiencies 👀 Watch the full episode to get the inside track on small-cap investing with this top-performing fund manager!
9:13

➡️ Disseminated by Market One for commercial purposes __ 📈 𝘔𝘰𝘯𝘦𝘺 𝘔𝘰𝘷𝘦𝘴 is back to provide rare insights into the strategies behind one of Canada’s top-performing small-cap funds. While the small-cap sector has struggled over the past four years, AlphaNorth Asset Management has thrived, delivering industry-leading returns in a challenging market. 🎙 Join our host, Michael Hainsworth (Michael Hainsworth), in this exclusive interview with Steve Palmer, President & CIO of AlphaNorth, as we dive deep into: 🔹 How AlphaNorth outperforms in both bull and bear markets 🔹 Why timing sell decisions is the hardest part of investing 🔹 The key sectors poised for growth as the small-cap bull run accelerates 🔹 How investors can capitalize on emerging trends and market inefficiencies 👀 Watch the full episode to get the inside track on small-cap investing with this top-performing fund manager!

Market One Media

240,063 次观看 • 1 年前

🎬 It’s been almost 2 months now that I’ve been working as a VFX AI Prompt Artist / Photoshop Editor on Season 2 of #houseofdavid, a major international production for Prime Video & Amazon MGM Studios. And honestly? It’s absolutely wild. The show is crushing it (No. 2 on Prime US, over 22 million viewers worldwide), and I’m super proud to have been part of the team since February What truly makes this project stand out is that, for the first time on a production of this scale, AI Artists have been directly integrated into the VFX pipeline. A bold move led by Wonder Project, and a strong signal for what’s coming next: generative AI has clearly found its place in the film industry. Day to day? 🎥 Massive sets, ⏱️ Tight deadlines, 🧠 Challenging sequences, 💬 Meetings with the cast, 🙌 And above all, an amazing team that’s an absolute joy to work with (LudovicCreator , Genmakers , Heather Cooper ) In this video, Jon Erwin talks about how AI was used in episode 6 of season 1, and shares his vision of what generative AI can bring to the future of filmmaking. A clear, inspiring message — and totally aligned with what I’m experiencing on this project every day. One thing’s for sure: AI in cinema is no longer just R&D… it’s already happening. And the story is just getting started.
3:09

🎬 It’s been almost 2 months now that I’ve been working as a VFX AI Prompt Artist / Photoshop Editor on Season 2 of #houseofdavid, a major international production for Prime Video & Amazon MGM Studios. And honestly? It’s absolutely wild. The show is crushing it (No. 2 on Prime US, over 22 million viewers worldwide), and I’m super proud to have been part of the team since February What truly makes this project stand out is that, for the first time on a production of this scale, AI Artists have been directly integrated into the VFX pipeline. A bold move led by Wonder Project, and a strong signal for what’s coming next: generative AI has clearly found its place in the film industry. Day to day? 🎥 Massive sets, ⏱️ Tight deadlines, 🧠 Challenging sequences, 💬 Meetings with the cast, 🙌 And above all, an amazing team that’s an absolute joy to work with (LudovicCreator , Genmakers , Heather Cooper ) In this video, Jon Erwin talks about how AI was used in episode 6 of season 1, and shares his vision of what generative AI can bring to the future of filmmaking. A clear, inspiring message — and totally aligned with what I’m experiencing on this project every day. One thing’s for sure: AI in cinema is no longer just R&D… it’s already happening. And the story is just getting started.

Pierrick Chevallier | IA

479,588 次观看 • 1 年前