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Part 2 Cuckold slave serving a bratty alpha goddess while she'smaking out wither her bf. #hot #brunette #cuckoldstories #slavery #feet #femdom #humiliation #feetfethish #brat

Beta Heaven 160k+

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178,608 Aufrufe • vor 3 Jahren •via X (Twitter)

NSFW #hot #brunette #cuckoldstories #slavery #feet #femdom #humiliation #feetfethish #brat

Anya Rossi• Live Now

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Colonel Rohit Dev (RDX) 🇮🇳

58,400 Aufrufe • vor 1 Jahr

Made with Seedance 2.5 using 2 prompts (15s each) + manual stitching. PROMPT 1: ⬇️ 15 seconds, 16:9 horizontal, one continuous photorealistic viral smartphone shot. Absurd surreal comedy scene in a small indoor hotel pool. Realistic environment: tiled walls, fluorescent ceiling lights, metal pool ladders at the sides, pool depth markers, white plastic chairs, vending machines, and 6–8 normal-size spectators in swimwear standing around the pool, laughing, cheering, and filming on smartphones. A giant young sexy blonde woman in her early 20s is floating flat on her back in the pool. Her enormous head, neck, and upper shoulders float naturally on the water surface. Her face is almost horizontal, looking upward toward the ceiling. Wet slicked-back blonde hair spreads slightly in the water. She is exceptionally beautiful, youthful, glamorous, and highly photogenic, with blue eyes, glossy wet skin, and realistic pores. At the very first frame, a full-size normal middle-aged man in plaid swim trunks is already standing barefoot with BOTH FEET planted directly on the center of the giant woman’s forehead above her eyebrows. He is holding a white cup. The man is approximately 180 cm tall in the world of the scene. He is NOT miniature, NOT toy-sized, NOT dwarf-sized, NOT shrunken. His size, height, head size, and body proportions must match the men standing around the pool. He must also match the human scale of the pool ladders, chairs, and vending machines. Only the woman is gigantic. The man is NOT standing on a ladder, NOT standing on the pool edge, and NOT climbing down from anywhere. The pool ladders exist only in the background and never interact with him. The giant woman remains lying flat on her back throughout the scene. Her enormous face floats on the water while the full-size normal man stands clearly on top of her forehead. Do not make him grab her nose. ACTION: 0–3s: Wide poolside smartphone shot. The giant blonde woman floats flat on her back. The full-size normal 180 cm man is already balancing on her forehead with both feet. The crowd behind them laughs and films. She looks upward at him with amused, slightly confused eyes. 3–6s: The man moves quickly and awkwardly across her forehead, taking faster unsteady steps and windmilling his arms while trying not to fall. He should not move carefully or slowly. The crowd reacts louder. The phone camera does a slight shaky push-in. 6–9s: He slips suddenly and slides faster down the slope of her giant face toward her nose and mouth. His white cup flies out of his hand. Her eyes track him and her expression changes from amused confusion to surprised disbelief. 9–12s: She opens her mouth very wide in sudden surprise. He slides directly into the open mouth much faster, feet-first, with a more dramatic loss of balance. 12–15s: He falls completely into her open mouth and disappears fully inside. No part of him remains outside. She closes her mouth, blinks in shock, and the people around the pool erupt in cheers, laughter, raised hands, and excited phone filming. CAMERA / REALISM: One continuous viral smartphone shot from poolside, slightly handheld, natural framing, mild compression, realistic fluorescent indoor lighting, convincing wet skin, water reflections, and splashes. No cinematic grading. The impossible scale should still look weirdly believable: giant woman floating on the water + full-size normal 180 cm man standing on her face + normal-size crowd behind them. TONE: Funny, surreal, visually shocking, and energetic, but not horror. No gore, no blood, no violence, no body horror. CRITICAL NEGATIVES: NO man on ladder. NO man on pool edge. NO man climbing into frame. NO nose grabbing. NO miniature man. NO toy-sized man. NO dwarf-sized man. NO shrunken man. NO woman upright in the water. NO giant head standing vertically. NO scale changes. NO broken anatomy. NO extra limbs. NO glitchy transitions. ---- PROMPT 2 (with a screenshot of the man as a reference): ⬇️ 15 seconds, 16:9 horizontal Use the provided man as the reference identity. Keep his face, hairstyle, age, body type, and plaid swim trunks recognizable. He is the same man from the previous scene. Photorealistic absurd surreal comedy continuation. The man is rushing through a huge surreal internal tunnel inspired by a human colon/rectum, but presented like a bizarre water slide. The tunnel is fleshy, pinkish, wet, and organic-looking, with curved tubular walls, but it stays clean and surreal — no gore, no blood, no fecal content. Water rushes around him as if he is riding an impossible fleshy water slide. The man is visible in the frame for most of the sequence, sliding, spinning, yelling, and trying to hold on as he gets carried forward by the rushing water. The tunnel gradually opens into daylight. He shoots out of the end of the surreal organic slide into a bright real outdoor waterpark splash pool. Realistic sunny waterpark setting: colorful slides, shallow pool, splashing water, and a crowd of people cheering and clapping as he bursts out and lands in the water. He pops up from the splash, shocked but unharmed, while everyone applauds. CAMERA STYLE: cinematic but still realistic, smooth motion as if the camera follows him inside the tunnel, then a clean wide exterior shot for the final exit. Strong realism, good water physics, clear continuity, exciting but playful tone. Tone: surreal, hilarious, high-energy, impossible but convincing. Not disgusting, not gory, not sexual. More like a bizarre theme-park sequence. ACTION TIMING: - 0–4s: Inside the surreal organic tunnel, the man slides feet-first through the wet curved passage while splashing water rushes around him. - 4–8s: He tumbles and spins through the fleshy water-slide tunnel, still clearly visible, yelling and flailing. - 8–11s: The tunnel brightens ahead as daylight appears. He accelerates toward the opening. - 11–15s: He blasts out into a real outdoor waterpark pool in a huge splash, the crowd cheers and claps, and he surfaces looking stunned but okay. Important: preserve the man’s identity from the reference. Keep him visible for most of the interior ride. Make the internal tunnel feel like a surreal organic water slide, not graphic anatomy. No gore, no fecal imagery, no body horror, no broken limbs, no glitching. #AIVideo

Made with Seedance 2.5 using 2 prompts (15s each) + manual stitching. PROMPT 1: ⬇️ 15 seconds, 16:9 horizontal, one continuous photorealistic viral smartphone shot. Absurd surreal comedy scene in a small indoor hotel pool. Realistic environment: tiled walls, fluorescent ceiling lights, metal pool ladders at the sides, pool depth markers, white plastic chairs, vending machines, and 6–8 normal-size spectators in swimwear standing around the pool, laughing, cheering, and filming on smartphones. A giant young sexy blonde woman in her early 20s is floating flat on her back in the pool. Her enormous head, neck, and upper shoulders float naturally on the water surface. Her face is almost horizontal, looking upward toward the ceiling. Wet slicked-back blonde hair spreads slightly in the water. She is exceptionally beautiful, youthful, glamorous, and highly photogenic, with blue eyes, glossy wet skin, and realistic pores. At the very first frame, a full-size normal middle-aged man in plaid swim trunks is already standing barefoot with BOTH FEET planted directly on the center of the giant woman’s forehead above her eyebrows. He is holding a white cup. The man is approximately 180 cm tall in the world of the scene. He is NOT miniature, NOT toy-sized, NOT dwarf-sized, NOT shrunken. His size, height, head size, and body proportions must match the men standing around the pool. He must also match the human scale of the pool ladders, chairs, and vending machines. Only the woman is gigantic. The man is NOT standing on a ladder, NOT standing on the pool edge, and NOT climbing down from anywhere. The pool ladders exist only in the background and never interact with him. The giant woman remains lying flat on her back throughout the scene. Her enormous face floats on the water while the full-size normal man stands clearly on top of her forehead. Do not make him grab her nose. ACTION: 0–3s: Wide poolside smartphone shot. The giant blonde woman floats flat on her back. The full-size normal 180 cm man is already balancing on her forehead with both feet. The crowd behind them laughs and films. She looks upward at him with amused, slightly confused eyes. 3–6s: The man moves quickly and awkwardly across her forehead, taking faster unsteady steps and windmilling his arms while trying not to fall. He should not move carefully or slowly. The crowd reacts louder. The phone camera does a slight shaky push-in. 6–9s: He slips suddenly and slides faster down the slope of her giant face toward her nose and mouth. His white cup flies out of his hand. Her eyes track him and her expression changes from amused confusion to surprised disbelief. 9–12s: She opens her mouth very wide in sudden surprise. He slides directly into the open mouth much faster, feet-first, with a more dramatic loss of balance. 12–15s: He falls completely into her open mouth and disappears fully inside. No part of him remains outside. She closes her mouth, blinks in shock, and the people around the pool erupt in cheers, laughter, raised hands, and excited phone filming. CAMERA / REALISM: One continuous viral smartphone shot from poolside, slightly handheld, natural framing, mild compression, realistic fluorescent indoor lighting, convincing wet skin, water reflections, and splashes. No cinematic grading. The impossible scale should still look weirdly believable: giant woman floating on the water + full-size normal 180 cm man standing on her face + normal-size crowd behind them. TONE: Funny, surreal, visually shocking, and energetic, but not horror. No gore, no blood, no violence, no body horror. CRITICAL NEGATIVES: NO man on ladder. NO man on pool edge. NO man climbing into frame. NO nose grabbing. NO miniature man. NO toy-sized man. NO dwarf-sized man. NO shrunken man. NO woman upright in the water. NO giant head standing vertically. NO scale changes. NO broken anatomy. NO extra limbs. NO glitchy transitions. ---- PROMPT 2 (with a screenshot of the man as a reference): ⬇️ 15 seconds, 16:9 horizontal Use the provided man as the reference identity. Keep his face, hairstyle, age, body type, and plaid swim trunks recognizable. He is the same man from the previous scene. Photorealistic absurd surreal comedy continuation. The man is rushing through a huge surreal internal tunnel inspired by a human colon/rectum, but presented like a bizarre water slide. The tunnel is fleshy, pinkish, wet, and organic-looking, with curved tubular walls, but it stays clean and surreal — no gore, no blood, no fecal content. Water rushes around him as if he is riding an impossible fleshy water slide. The man is visible in the frame for most of the sequence, sliding, spinning, yelling, and trying to hold on as he gets carried forward by the rushing water. The tunnel gradually opens into daylight. He shoots out of the end of the surreal organic slide into a bright real outdoor waterpark splash pool. Realistic sunny waterpark setting: colorful slides, shallow pool, splashing water, and a crowd of people cheering and clapping as he bursts out and lands in the water. He pops up from the splash, shocked but unharmed, while everyone applauds. CAMERA STYLE: cinematic but still realistic, smooth motion as if the camera follows him inside the tunnel, then a clean wide exterior shot for the final exit. Strong realism, good water physics, clear continuity, exciting but playful tone. Tone: surreal, hilarious, high-energy, impossible but convincing. Not disgusting, not gory, not sexual. More like a bizarre theme-park sequence. ACTION TIMING: - 0–4s: Inside the surreal organic tunnel, the man slides feet-first through the wet curved passage while splashing water rushes around him. - 4–8s: He tumbles and spins through the fleshy water-slide tunnel, still clearly visible, yelling and flailing. - 8–11s: The tunnel brightens ahead as daylight appears. He accelerates toward the opening. - 11–15s: He blasts out into a real outdoor waterpark pool in a huge splash, the crowd cheers and claps, and he surfaces looking stunned but okay. Important: preserve the man’s identity from the reference. Keep him visible for most of the interior ride. Make the internal tunnel feel like a surreal organic water slide, not graphic anatomy. No gore, no fecal imagery, no body horror, no broken limbs, no glitching. #AIVideo

Alpha Mom

49,995 Aufrufe • vor 1 Tag

Please take no offense in this, but I am way ahead of you. Not only have I talked to Candace on the phone 3 different times and can prove it regarding these topics, but I can prove to you exactly how she has everyone so hooked. If you are honest after I tell you what I'm about to tell you, you will have to admit there's truth to it. If you don't, there's no other answer except that you revel in wickedness, or you are part of the tribe. The IPA identified **7 common propaganda tactics** from The Institute of Propaganda Analysis 1939-1943 pre-WWII A list compiled of PSYOP propaganda tactics Americans should look out for. And Candace deploys **all seven** in almost every episode, every post, every rant. She was taught these by her husband, Boy Georgie Farmer — former president of the elite **Bullingdon Club** at Oxford, Britain’s version of Skull & Bones. (👈 REALLY SHOULD RESEARCH THAT) Here are the 7 tactics and exactly how Candace uses them: 1. **Name Calling** — Slaps bad labels to trigger hate or guilt! “Epstein class,” “satanic,” “Fed-Slop,” “black widow.” 2. **Glittering Generalities** — Vague feel-good words with no evidence. Calling her show “God’s platform.” 3. **Transfer** — Borrows credibility from respected things. JFK assassination, MK Ultra, Project Mockingbird, Netflix Black Mirror, even COVID-19. 4. **Testimonial** — Uses famous people to endorse her. The endless Tucker, Shawn Ryan, Theo podcast merry-go-round. Tucker was one of the very first ones to back her on Theos podcast super early on 5. **Plain Folks** — Pretends to be regular like you. “Just a stay-at-home homeschool mom making sandwiches for Boy Georgie” — while she’s a multi-millionaire elitist making $150k-350k an episode just in mid read ad rolls and her husband's worth hundreds of millions, but asks for help paying her legal fees. 6. **Card Stacking** — Cherry-picks facts, hides everything else. Completely ignores the Remington Core-Lokt bullet revealed in the pretrial, made to leave no exit wound—key trial evidence she will NEVER inform her followers of. 7. **Bandwagon** — Also known as the false consensus effect “Everyone’s doing it,” “we're getting close,” or “The world wants to know!” even “we’re above the target.” Also, her tip line is almost like a choose your own adventure, allowing everyone to feel part of the story. As they have said, they get 50k emails a day. Don't forget about the nickname “Candace Intelligent Agents”? C.I.A., all made to make you feel like you are part of the tribe. Well last but not least,when she just outright calls anyone who doesn't agree with her evil or satanic, or claims everyone in anyone who doesn't agree with her is bought and paid for. Putting pressure on one to get down with her or lay down! Or be perceived as evil! It is a social pressure psyop that is pivotal to her narrative and desired outcome. People need to wake up. Do their own research. Use discernment. Get in the Word. "For such people are not serving our Lord Christ, but their own appetites. By smooth talk and flattering words they deceive the minds of naive people."— Romans 16:18: Truth over tribalism 💯 Mind over manipulation 🧠 CHRIST over clout 🙏

Please take no offense in this, but I am way ahead of you. Not only have I talked to Candace on the phone 3 different times and can prove it regarding these topics, but I can prove to you exactly how she has everyone so hooked. If you are honest after I tell you what I'm about to tell you, you will have to admit there's truth to it. If you don't, there's no other answer except that you revel in wickedness, or you are part of the tribe. The IPA identified 7 common propaganda tactics from The Institute of Propaganda Analysis 1939-1943 pre-WWII A list compiled of PSYOP propaganda tactics Americans should look out for. And Candace deploys all seven in almost every episode, every post, every rant. She was taught these by her husband, Boy Georgie Farmer — former president of the elite Bullingdon Club at Oxford, Britain’s version of Skull & Bones. (👈 REALLY SHOULD RESEARCH THAT) Here are the 7 tactics and exactly how Candace uses them: 1. Name Calling — Slaps bad labels to trigger hate or guilt! “Epstein class,” “satanic,” “Fed-Slop,” “black widow.” 2. Glittering Generalities — Vague feel-good words with no evidence. Calling her show “God’s platform.” 3. Transfer — Borrows credibility from respected things. JFK assassination, MK Ultra, Project Mockingbird, Netflix Black Mirror, even COVID-19. 4. Testimonial — Uses famous people to endorse her. The endless Tucker, Shawn Ryan, Theo podcast merry-go-round. Tucker was one of the very first ones to back her on Theos podcast super early on 5. Plain Folks — Pretends to be regular like you. “Just a stay-at-home homeschool mom making sandwiches for Boy Georgie” — while she’s a multi-millionaire elitist making $150k-350k an episode just in mid read ad rolls and her husband's worth hundreds of millions, but asks for help paying her legal fees. 6. Card Stacking — Cherry-picks facts, hides everything else. Completely ignores the Remington Core-Lokt bullet revealed in the pretrial, made to leave no exit wound—key trial evidence she will NEVER inform her followers of. 7. Bandwagon — Also known as the false consensus effect “Everyone’s doing it,” “we're getting close,” or “The world wants to know!” even “we’re above the target.” Also, her tip line is almost like a choose your own adventure, allowing everyone to feel part of the story. As they have said, they get 50k emails a day. Don't forget about the nickname “Candace Intelligent Agents”? C.I.A., all made to make you feel like you are part of the tribe. Well last but not least,when she just outright calls anyone who doesn't agree with her evil or satanic, or claims everyone in anyone who doesn't agree with her is bought and paid for. Putting pressure on one to get down with her or lay down! Or be perceived as evil! It is a social pressure psyop that is pivotal to her narrative and desired outcome. People need to wake up. Do their own research. Use discernment. Get in the Word. "For such people are not serving our Lord Christ, but their own appetites. By smooth talk and flattering words they deceive the minds of naive people."— Romans 16:18: Truth over tribalism 💯 Mind over manipulation 🧠 CHRIST over clout 🙏

The Coldblooded Christian

69,862 Aufrufe • vor 15 Tagen

🚨 This is wild for a sitting governor. 🚨 California Gov. Gavin Newsom posted a reel taking shots at Nicki Minaj and Donald Trump, using: •Photos of Trump with Jeffrey Epstein •Photos of Trump with himself right after photos of Trump with Epstein.. Which was odd🧐 Are you dissing Trump or allegedly acting as if you are Epstein re incarnated? 🤔 •Audio from Megan Thee Stallion’s “Hiss” (a Nicki Minaj diss) 🤔 For a politician, this is reckless behavior. Especially one who presents himself as a “moral” and “model” leader compared to the opposition. ⚠️ Conflict of Interest? Using the music of a controversial artist, while: •That artist’s alleged ex intimate partner is incarcerated by her allegations •His case allegedly contains reasonable doubt •Advocates have reportedly tried to get Newsom’s office to review the case That alone raises serious ethical questions. 📌 Let’s talk about Newsom’s actual record not social media stunts. Reparations in California: •Newsom signaled support during election cycles •But rejected direct cash reparations at the final stage In 2023, he refused to endorse the California Reparations Task Force’s cash payment recommendations, stating the legacy of slavery is “more than cash payments.” He also vetoed or declined support for bills that would have: •Provided college admission preferences for descendants of enslaved people •Allowed families to reclaim or be compensated for property taken via racially motivated eminent domain •Created homebuyer assistance funds for descendants of enslaved people 📉 Bottom line: No direct cash reparations. Multiple reparations bills scaled back or vetoed. 💰 California’s Tax & Business Exodus •Newsom supports policies like a retroactive billionaire tax •Targets roughly 220 billionaires, the most mobile taxpayers in the country 📊 IRS-based studies show: •California loses a taxpayer roughly every 1–2 minutes •States gaining residents: Texas, Florida, North Carolina Major companies leaving California include: Chevron, Tesla/X, SpaceX, Oracle, HP, Charles Schwab, Toyota North America, Joe Rogan Experience just to name a few. 📉 The Result? •Shrinking tax base •Growing budget deficits •Businesses and high earners “voting with their feet” Economists point to the Laffer Curve: ➡️ Higher taxes don’t always mean higher revenue ➡️ Excessive taxation often drives capital out, not in 🗳️ And now Gavin Newsom wants to run for President… …on a record of: •Performative politics •Broken reparations promises •Business flight •Aggressive taxation •And viral Instagram governance 🤔 Is this leadership or clout chasing?

🚨 This is wild for a sitting governor. 🚨 California Gov. Gavin Newsom posted a reel taking shots at Nicki Minaj and Donald Trump, using: •Photos of Trump with Jeffrey Epstein •Photos of Trump with himself right after photos of Trump with Epstein.. Which was odd🧐 Are you dissing Trump or allegedly acting as if you are Epstein re incarnated? 🤔 •Audio from Megan Thee Stallion’s “Hiss” (a Nicki Minaj diss) 🤔 For a politician, this is reckless behavior. Especially one who presents himself as a “moral” and “model” leader compared to the opposition. ⚠️ Conflict of Interest? Using the music of a controversial artist, while: •That artist’s alleged ex intimate partner is incarcerated by her allegations •His case allegedly contains reasonable doubt •Advocates have reportedly tried to get Newsom’s office to review the case That alone raises serious ethical questions. 📌 Let’s talk about Newsom’s actual record not social media stunts. Reparations in California: •Newsom signaled support during election cycles •But rejected direct cash reparations at the final stage In 2023, he refused to endorse the California Reparations Task Force’s cash payment recommendations, stating the legacy of slavery is “more than cash payments.” He also vetoed or declined support for bills that would have: •Provided college admission preferences for descendants of enslaved people •Allowed families to reclaim or be compensated for property taken via racially motivated eminent domain •Created homebuyer assistance funds for descendants of enslaved people 📉 Bottom line: No direct cash reparations. Multiple reparations bills scaled back or vetoed. 💰 California’s Tax & Business Exodus •Newsom supports policies like a retroactive billionaire tax •Targets roughly 220 billionaires, the most mobile taxpayers in the country 📊 IRS-based studies show: •California loses a taxpayer roughly every 1–2 minutes •States gaining residents: Texas, Florida, North Carolina Major companies leaving California include: Chevron, Tesla/X, SpaceX, Oracle, HP, Charles Schwab, Toyota North America, Joe Rogan Experience just to name a few. 📉 The Result? •Shrinking tax base •Growing budget deficits •Businesses and high earners “voting with their feet” Economists point to the Laffer Curve: ➡️ Higher taxes don’t always mean higher revenue ➡️ Excessive taxation often drives capital out, not in 🗳️ And now Gavin Newsom wants to run for President… …on a record of: •Performative politics •Broken reparations promises •Business flight •Aggressive taxation •And viral Instagram governance 🤔 Is this leadership or clout chasing?

Cousin Tino ™️

13,797 Aufrufe • vor 8 Monaten

While Africans argue about which of the African-resource-evacuation/Lobito-Corridor parties in DC to support in November (because the U.S. is really a militarised 1-party state divided only on issues like pronouns, Algerian Olympic boxers, and fictitious cat-eating Haitians), consider this: US Secretary of State Secretary Antony Blinken yesterday accused African Stream of being part of a global "Russian propaganda network" while announcing new sanctions against RT. African Stream's YouTube channel, on which I was scheduled to begin hosting a new podcast from next month, has since been suspended by Google. It is the latest in a tried-and-tested American habit of giving a dog a bad name in order to hang it. In the 19th century, Dr. Samuel Adolphus Cartwright from Mississippi theorised that Africans escaping from slave plantations must be afflicted with a mental problem because slavery was such an elevation from the natural status of an African that any African seeking to be free must be mentally ill. He called the proposed mental illness "Drapetomania," and he published multiple papers suggesting corrective treatments for "Drapetomania." A century later, during the Cold War, the US State Department and CIA began doing something similar whenever they decided to carry out an assassination or regime change. The CIA accused Patrice Lumimba of being a Soviet-linked Communist, and he was subsequently captured, tortured, murdered and dissolved in sulphuric acid by their Belgian proxies. The same people also accused Kwame Nkrumah of being a Soviet-linked communist, and the 1966 coup in Ghana was the result. Whenever any African leader emerged with a vision for national or regional growth and independence, the immediate accusation that followed was "The Russians are sponsoring him." It is a core tenet of American propaganda that Africa is fundamentally not supposed to have ideas, ideologies, thinkers, voices and leaders of its own - the continent exists for mining cheap resources and sending them to the coasts to be shipped to the Places Where Human Beings Actually Live. Africans, you see, are apparently far too stupid and unevolved, with our behind-the-bell-curve gorilla brains, to actually come up with ideas, voices and plans for our own future that do not coincide with the Western model. So when we do come up with these things, there is only one explanation - the Russians did it. Every single African liberation movement was accused of being Communist Russia's creation because Africans wanting to be free, independent, and economically prosperous must be a symptom of Drapetomania. Even Nelson Mandela, prior to his rebranding as Jesus Morgan Christ Freeman, was also accused of being indoctrinated and sponsored by the Russians. Unfortunately, the Lobito Corridor People are not capable of changing their worldview or adopting new tactics, because here we are in big 2024 and Blinken is here accusing me and the guys in Nairobi of being Russian government cutouts. This tells me 2 very important things: 1.) The work that African Stream and others in the non-western-controlled African media space are doing is having a real effect in cutting through decades of foreign propaganda and raising the independent consciousness of the new generation of internet-savvy young Africans. The US state propaganda machine cannot keep up with social media, and so it is lashing out with petulant stunts like holding a press conference falsely accusing an independent media platform in Nairobi of being "run by RT" WITH ZERO ATTEMPT AT PROVIDING ANY EVIDENCE FOR SUCH A CLAIM. 2.) Washington DC's Lobito Corridor government is planning to go to war in Africa. The first act in war is controlling the narrative. This is an attempt to destroy sources of alternative viewpoints so that Africans can once again go back to having only "America, woo woo!" as our news. When the information war is won, then the shooting war will commence. Dear African, you are under direct attack!

While Africans argue about which of the African-resource-evacuation/Lobito-Corridor parties in DC to support in November (because the U.S. is really a militarised 1-party state divided only on issues like pronouns, Algerian Olympic boxers, and fictitious cat-eating Haitians), consider this: US Secretary of State Secretary Antony Blinken yesterday accused African Stream of being part of a global "Russian propaganda network" while announcing new sanctions against RT. African Stream's YouTube channel, on which I was scheduled to begin hosting a new podcast from next month, has since been suspended by Google. It is the latest in a tried-and-tested American habit of giving a dog a bad name in order to hang it. In the 19th century, Dr. Samuel Adolphus Cartwright from Mississippi theorised that Africans escaping from slave plantations must be afflicted with a mental problem because slavery was such an elevation from the natural status of an African that any African seeking to be free must be mentally ill. He called the proposed mental illness "Drapetomania," and he published multiple papers suggesting corrective treatments for "Drapetomania." A century later, during the Cold War, the US State Department and CIA began doing something similar whenever they decided to carry out an assassination or regime change. The CIA accused Patrice Lumimba of being a Soviet-linked Communist, and he was subsequently captured, tortured, murdered and dissolved in sulphuric acid by their Belgian proxies. The same people also accused Kwame Nkrumah of being a Soviet-linked communist, and the 1966 coup in Ghana was the result. Whenever any African leader emerged with a vision for national or regional growth and independence, the immediate accusation that followed was "The Russians are sponsoring him." It is a core tenet of American propaganda that Africa is fundamentally not supposed to have ideas, ideologies, thinkers, voices and leaders of its own - the continent exists for mining cheap resources and sending them to the coasts to be shipped to the Places Where Human Beings Actually Live. Africans, you see, are apparently far too stupid and unevolved, with our behind-the-bell-curve gorilla brains, to actually come up with ideas, voices and plans for our own future that do not coincide with the Western model. So when we do come up with these things, there is only one explanation - the Russians did it. Every single African liberation movement was accused of being Communist Russia's creation because Africans wanting to be free, independent, and economically prosperous must be a symptom of Drapetomania. Even Nelson Mandela, prior to his rebranding as Jesus Morgan Christ Freeman, was also accused of being indoctrinated and sponsored by the Russians. Unfortunately, the Lobito Corridor People are not capable of changing their worldview or adopting new tactics, because here we are in big 2024 and Blinken is here accusing me and the guys in Nairobi of being Russian government cutouts. This tells me 2 very important things: 1.) The work that African Stream and others in the non-western-controlled African media space are doing is having a real effect in cutting through decades of foreign propaganda and raising the independent consciousness of the new generation of internet-savvy young Africans. The US state propaganda machine cannot keep up with social media, and so it is lashing out with petulant stunts like holding a press conference falsely accusing an independent media platform in Nairobi of being "run by RT" WITH ZERO ATTEMPT AT PROVIDING ANY EVIDENCE FOR SUCH A CLAIM. 2.) Washington DC's Lobito Corridor government is planning to go to war in Africa. The first act in war is controlling the narrative. This is an attempt to destroy sources of alternative viewpoints so that Africans can once again go back to having only "America, woo woo!" as our news. When the information war is won, then the shooting war will commence. Dear African, you are under direct attack!

David Hundeyin

439,571 Aufrufe • vor 1 Jahr

Analyzing Episode 39. Season 2 aka Of Closets, Skeletons, and Haunting Truths Eveeeetttt. I finally found some of my old energy to write because last night's episode was AWESOME. And, allow me, nay, give me the freedom to say 'I TOLD YOU SO!' because the zombie turned out to be just as big a sh!thead as I expected him to be. Okay, now that I've gotten that exultant vindication out of the way, let's get on with our analysis. We start the episode with FrankenBoran saying 'Alya' and promptly fainting again. When he comes to again, he remarkably remembers all his other family members, and proceeds to creep Alya out further by calling her beautiful. I mean, don't get me wrong, but if a loving husband woke up from a year-long coma and saw his wife, I'd expect him to say something like 'I missed you' or 'How have you been?' But this guy? He goes straight for the look at my hot trophy-doctor wife. Yech. Anyway, at the zombie's insistence of seeing Cihan Deniz, Alya informs his decrepit self of the accident and all that followed, minus the mountain of trauma she went through. Is anyone else surprised by how handy this man's memory is? Because what the heck do you mean he doesn't remember asking his brother to marry his widow? When Cihan is forced to inform the zombie of his marriage to Alya, he suddenly switches to victim mode and passes out again. Convenient. After that, the assorted Alboras all convene in the salon at Sadakat's insistence, where she tries and fails to guilt-trip Cihan and Alya into showing Deniz to the zombie. Then she fine-tunes her maternal emo blackmail skills to keep Cihan from telling Boran who his real father is. Spot the witch's hypocrisy here? The only thing that made that entire scene bearable was Nare and Kaya supporting Cihan and Alya. Thank goodness for Azem and Fiko anne's genes. Alya's scene with Deniz (who's still blissfully napping) was a cute reprieve. She's understandably struggling with how she's going to explain the mess the zombie has made of their lives to her son. And, like any decent mom, she wants to protect Deniz from all kinds of pain, but finds herself helpless. And the fact that Cihan walks in and says he wishes he could protect Alya from the ugliness of life because she's just as innocent as Deniz was special to me. Because the world we live in will always blame women first, regardless of whether they're guilty or not. I've read so many comments from random losers (yep, losers) blaming Alya and accusing her of 'loose morals' because she refuses to return to the PoS husband who all but foists her on his brother's shoulders to save his own worthless self. That little reminder by Cihan of Alya's innocence in all that's happening to them made me want to hug Gulizar. Because that scene was put in there for a reason. It's to remind the viewers to watch what's happening without the blinders of hate and judgment. Because sometimes the truth requires you to be a little more than just your hateful prejudices. The next scene that stood out to me was when Boran sees Deniz. Because there you can clearly see the difference between Cihan and Boran in their 'husband' or 'protector' roles. When Boran struts to Alya in his fake righteous indignation and asks her about which room is hers, you can see his harsh, condemnatory behavior in juxtaposition to Cihan's loving acceptance of all that Alya is. Even when Cihan doesn't know her, he intrinsically trusts her and refuses to believe his mother's accusations about her and Izzet. The fact that Boran expects Alya to have a separate room, even though he specifically asks Cihan to marry Alya, is just more proof that the zombie merely wanted the marriage to ensure Alya didn't move on in her life. It was never about love or protection. It was about control and possession. Among the many outstanding scenes of this episode were Cihan and Alya facing off against Boran. Because it was about damn time this freaking skeleton was dragged out of the closet and forced into the light of truth. Why do people expect Alya to go back to Boran? Why do they expect her to stay silent about loving Cihan? Because she's a woman? Because her worth is measured by what the world dictates is her honor? Fcuk that. And that's precisely what Alya's monologue is about. How is she the one to blame when her ex-husband was the one lying to her since day one? How is the shame hers when Boran felt none, asking his brother to marry his widow just so he could return and claim her like she's some baggage? Alya rightly informs the zombie that, in his attempt to play God, his decision made her Cihan's wife. And, no matter how much he apologizes, nothing will change the truth of her feelings. She loves Cihan now, and that's that. Now, let's focus on Cihan's talk with Boran. I feel so sad for Ciho, because the man he looked up to turned out to have feet of clay. And, Cihan's realization of that becomes obvious as their 'talk' continues. When Cihan admits he loves Alya, Boran immediately hits him with Meryem. The zombie has the audacity to say that if Cihan managed to get over Meryem, his love for Alya could be a passing thing too. Manipulative ass. Thankfully, Cihan has the perfect comeback. And, what's more, we as the audience know he's telling the truth, because we've seen him evolve. He says what he thought was the truth was actually a lie, and it was only something he realized when he came face-to-face with the real deal. Alya truly is the love of his life. A fact that only becomes clearer as he continues to talk. When Boran dares to ask whether Cihan has slept with Alya, you can see Cihan's heart break in the heavy breath he expels. It's almost as if he can't believe the words he's hearing. But despite that, he answers. And he answers truthfully. Why? Because he'd never allow what he feels for Alya to be marred by accusations of lust. Of falling under the spell of her beauty only. Cihan knows Alya is beautiful. And he's often mesmerized by her beauty. But he falls in love with who Alya is. As a mother. As a doctor. As his wife. He falls in love with all the aspects of her, good and bad. And his dialogue 'whether I touch her or not, my love for her will never change,' proves he's operating on a different plain than his scum of a brother. The fact that Alya is willing to risk being called 'characterless' or 'easy' with the trauma of her past, and that Cihan is willing to go against his entire code of 'family and duty' for each other, is the biggest proof of their love. It's not easy to break out of the mold our circumstances and life place us in. But what makes Alya and Cihan inherently attractive is that they're willing to risk it all for love, while still sticking to their principles and beliefs. I think I fell in love with CihAl as a couple all over again in this episode. These two characters are possibly the most conscientious protagonists I've seen in a dizi, and it's laughable when people pass judgment on them due to morals, lmao. Now, on to less palatable topics. The zombie and Albora's haunting truth. The last scene of the episode makes several silent revelations. One is that Boran was never happy being sidelined in favor of Cihan as the leader. Two is that Boran likely killed Sulaiman Baybars, not out of a vendetta, but possibly because he was trying to prove himself worthy of the mantle of leadership, and being exiled instead pissed him off. Three is that Boran will likely stoop to any level, including going over to Ecmel's side to snatch what he feels is rightfully his. And four is that allowing Boran to escape the consequences of his actions created a monster who thinks the world revolves around him. It's obvious by the look on Boran's face that he's going to pick bitterness and payback over introspection and accountability. And in doing so, Albora's haunting truth will be repeated - the biggest danger to the family isn't some external enemy, it's often one of your own, driven by festering envy and entitlement. Because history doesn't always repeat, but it does rhyme. And that's my two cents on this episode. Till next time, happy reading y'all. #CihAl #UzakŞehir

Analyzing Episode 39. Season 2 aka Of Closets, Skeletons, and Haunting Truths Eveeeetttt. I finally found some of my old energy to write because last night's episode was AWESOME. And, allow me, nay, give me the freedom to say 'I TOLD YOU SO!' because the zombie turned out to be just as big a sh!thead as I expected him to be. Okay, now that I've gotten that exultant vindication out of the way, let's get on with our analysis. We start the episode with FrankenBoran saying 'Alya' and promptly fainting again. When he comes to again, he remarkably remembers all his other family members, and proceeds to creep Alya out further by calling her beautiful. I mean, don't get me wrong, but if a loving husband woke up from a year-long coma and saw his wife, I'd expect him to say something like 'I missed you' or 'How have you been?' But this guy? He goes straight for the look at my hot trophy-doctor wife. Yech. Anyway, at the zombie's insistence of seeing Cihan Deniz, Alya informs his decrepit self of the accident and all that followed, minus the mountain of trauma she went through. Is anyone else surprised by how handy this man's memory is? Because what the heck do you mean he doesn't remember asking his brother to marry his widow? When Cihan is forced to inform the zombie of his marriage to Alya, he suddenly switches to victim mode and passes out again. Convenient. After that, the assorted Alboras all convene in the salon at Sadakat's insistence, where she tries and fails to guilt-trip Cihan and Alya into showing Deniz to the zombie. Then she fine-tunes her maternal emo blackmail skills to keep Cihan from telling Boran who his real father is. Spot the witch's hypocrisy here? The only thing that made that entire scene bearable was Nare and Kaya supporting Cihan and Alya. Thank goodness for Azem and Fiko anne's genes. Alya's scene with Deniz (who's still blissfully napping) was a cute reprieve. She's understandably struggling with how she's going to explain the mess the zombie has made of their lives to her son. And, like any decent mom, she wants to protect Deniz from all kinds of pain, but finds herself helpless. And the fact that Cihan walks in and says he wishes he could protect Alya from the ugliness of life because she's just as innocent as Deniz was special to me. Because the world we live in will always blame women first, regardless of whether they're guilty or not. I've read so many comments from random losers (yep, losers) blaming Alya and accusing her of 'loose morals' because she refuses to return to the PoS husband who all but foists her on his brother's shoulders to save his own worthless self. That little reminder by Cihan of Alya's innocence in all that's happening to them made me want to hug Gulizar. Because that scene was put in there for a reason. It's to remind the viewers to watch what's happening without the blinders of hate and judgment. Because sometimes the truth requires you to be a little more than just your hateful prejudices. The next scene that stood out to me was when Boran sees Deniz. Because there you can clearly see the difference between Cihan and Boran in their 'husband' or 'protector' roles. When Boran struts to Alya in his fake righteous indignation and asks her about which room is hers, you can see his harsh, condemnatory behavior in juxtaposition to Cihan's loving acceptance of all that Alya is. Even when Cihan doesn't know her, he intrinsically trusts her and refuses to believe his mother's accusations about her and Izzet. The fact that Boran expects Alya to have a separate room, even though he specifically asks Cihan to marry Alya, is just more proof that the zombie merely wanted the marriage to ensure Alya didn't move on in her life. It was never about love or protection. It was about control and possession. Among the many outstanding scenes of this episode were Cihan and Alya facing off against Boran. Because it was about damn time this freaking skeleton was dragged out of the closet and forced into the light of truth. Why do people expect Alya to go back to Boran? Why do they expect her to stay silent about loving Cihan? Because she's a woman? Because her worth is measured by what the world dictates is her honor? Fcuk that. And that's precisely what Alya's monologue is about. How is she the one to blame when her ex-husband was the one lying to her since day one? How is the shame hers when Boran felt none, asking his brother to marry his widow just so he could return and claim her like she's some baggage? Alya rightly informs the zombie that, in his attempt to play God, his decision made her Cihan's wife. And, no matter how much he apologizes, nothing will change the truth of her feelings. She loves Cihan now, and that's that. Now, let's focus on Cihan's talk with Boran. I feel so sad for Ciho, because the man he looked up to turned out to have feet of clay. And, Cihan's realization of that becomes obvious as their 'talk' continues. When Cihan admits he loves Alya, Boran immediately hits him with Meryem. The zombie has the audacity to say that if Cihan managed to get over Meryem, his love for Alya could be a passing thing too. Manipulative ass. Thankfully, Cihan has the perfect comeback. And, what's more, we as the audience know he's telling the truth, because we've seen him evolve. He says what he thought was the truth was actually a lie, and it was only something he realized when he came face-to-face with the real deal. Alya truly is the love of his life. A fact that only becomes clearer as he continues to talk. When Boran dares to ask whether Cihan has slept with Alya, you can see Cihan's heart break in the heavy breath he expels. It's almost as if he can't believe the words he's hearing. But despite that, he answers. And he answers truthfully. Why? Because he'd never allow what he feels for Alya to be marred by accusations of lust. Of falling under the spell of her beauty only. Cihan knows Alya is beautiful. And he's often mesmerized by her beauty. But he falls in love with who Alya is. As a mother. As a doctor. As his wife. He falls in love with all the aspects of her, good and bad. And his dialogue 'whether I touch her or not, my love for her will never change,' proves he's operating on a different plain than his scum of a brother. The fact that Alya is willing to risk being called 'characterless' or 'easy' with the trauma of her past, and that Cihan is willing to go against his entire code of 'family and duty' for each other, is the biggest proof of their love. It's not easy to break out of the mold our circumstances and life place us in. But what makes Alya and Cihan inherently attractive is that they're willing to risk it all for love, while still sticking to their principles and beliefs. I think I fell in love with CihAl as a couple all over again in this episode. These two characters are possibly the most conscientious protagonists I've seen in a dizi, and it's laughable when people pass judgment on them due to morals, lmao. Now, on to less palatable topics. The zombie and Albora's haunting truth. The last scene of the episode makes several silent revelations. One is that Boran was never happy being sidelined in favor of Cihan as the leader. Two is that Boran likely killed Sulaiman Baybars, not out of a vendetta, but possibly because he was trying to prove himself worthy of the mantle of leadership, and being exiled instead pissed him off. Three is that Boran will likely stoop to any level, including going over to Ecmel's side to snatch what he feels is rightfully his. And four is that allowing Boran to escape the consequences of his actions created a monster who thinks the world revolves around him. It's obvious by the look on Boran's face that he's going to pick bitterness and payback over introspection and accountability. And in doing so, Albora's haunting truth will be repeated - the biggest danger to the family isn't some external enemy, it's often one of your own, driven by festering envy and entitlement. Because history doesn't always repeat, but it does rhyme. And that's my two cents on this episode. Till next time, happy reading y'all. #CihAl #UzakŞehir

CocoLoco

30,788 Aufrufe • vor 8 Monaten

🚨 ALERT RED STATE OKLAHOMA YOUR STATE HAS BEEN TARGETED - WHY IS YOUR LEADERSHIP LETTING CAIR IN WITHOUT A FIGHT? Oklahoma - you have been selected. CAIR has planted itself inside your state government, your Capitol, your political processes, and your civic institutions - with ZERO pushback from Governor Kevin Stitt or Attorney General Gentner Drummond. Florida fought back. Texas fought back. Oklahoma’s leaders? Silent. Passive. Complicit. And now we see that one of America’s most notorious Islamic agitators, Linda Sarsour, was proudly hosted by CAIR Oklahoma to sell the biggest lie in their political playbook: “Sharia is harmless. Jihad just means inner struggle.” This is taqiyya at its purest form. And Oklahoma’s government is giving her the microphone. WHERE ARE YOU: Governor Stitt – Governor Kevin Stitt Attorney General Drummond – 🎥 WATCH LINDA SARSOUR TRY TO REWRITE SHARIA AND JIHAD FOR CONSERVATIVES Sarsour told Oklahoma audiences that Sharia is nothing more than a “pathway” for daily life - marriage, inheritance, and prayer. She insisted that jihad is only “speaking truth to a tyrant.” But this is the same Linda Sarsour who: • Praised convicted terrorists • Used threatening and dehumanizing rhetoric toward critics • Told Muslims not to “assimilate” • Triggered national outrage after using the term “jihad” in a political speech about resisting President Trump — then played victim when Don Jr. called her out Now she’s in Oklahoma, telling conservatives that Sharia and jihad are peaceful concepts, and CAIR Oklahoma is amplifying every word. But here are the facts - from Islam’s own authoritative legal manuals, including Reliance of the Traveller, accepted by Al-Azhar University and used globally as a definitive source of Sharia. ❌ 1. LINDA’S LIE: “SHARIA IS JUST DAILY LIFE.” ✔️ REALITY: SHARIA IS A TOTAL SYSTEM OF GOVERNMENT, AND IT IS BRUTAL. Directly from Reliance of the Traveller: Apostasy o8.1 - Execution for leaving Islam o8.4 - No penalty for killing an apostate Non-Muslims o11 - Non-Muslims must pay the jizya tax, submit to discriminatory laws, accept humiliation, and may be killed if they break Sharia’s restrictions o1.2 - No penalty for a Muslim who kills a non-Muslim Women m5.1 - Women must submit sexually on demand m10.11 -Husband may strike his wife for “rebellion” m3.4–7 - Women cannot choose their own husbands o4.9 - A woman's life is legally worth half of a man's Slavery o9.13 - Captured women and children become slaves automatically o9.14 - Male captives can be executed, ransomed, or enslaved Punishments o12.2 - Stoning for adultery o14.1 - Amputation for theft Permissible Lying (Taqiyya) r8.2 - Lying is permitted - and sometimes obligatory - when the truth harms Islam This is not “just marriage rules.” This is a political, legal, and civilizational system that has been enforced for 1,400 years. And Sarsour knows it. ❌ 2. LINDA’S LIE: “JIHAD JUST MEANS SPIRITUAL STRUGGLE.” ✔️ REALITY: JIHAD MEANS WARFARE — ISLAM’S OWN LAW SAYS SO. Reliance of the Traveller, o9.0: “Jihad means to war against non-Muslims… warfare to establish the religion.” Quran 2:216: “Fighting has been prescribed for you.” Quran 9:29: “Fight the People of the Book until they pay the jizya and feel themselves subdued.” Bukhari & Muslim: “I have been commanded to fight the people until they testify that there is no god but Allah.” There is no disagreement among: • All four Sunni schools • The Shia schools • Classical Islamic jurisprudence • 1,000+ years of legal commentary Jihad means physical warfare to expand Islamic rule. The “inner struggle” myth comes from a fabricated hadith, rejected by major jurists. ❌ 3. LINDA’S LIE: “YOU CAN’T LET NON-MUSLIMS DEFINE OUR RELIGION.” ✔️ REALITY: WE ARE QUOTING HER OWN CANONICAL SOURCES. The brutality of Sharia comes from Islamic law, not critics. We are quoting: • Quran • Hadith • Reliance of the Traveller No “Islamophobia industry” wrote those verses. Islamic scholars did. When Sarsour laughs and says conservatives are “obsessed,” what she really means is: Stop noticing. Stop asking. Stop resisting. 🚨 OKLAHOMA — WAKE UP. YOU ARE BEING TARGETED. While Linda Sarsour runs taqiyya seminars, CAIR Oklahoma hosts “Muslim Day at the Capitol,” training activists in: • Political influence • Lobbying • Penetrating the legislative process • Embedding Islamist operatives in government They openly boast about access to: • State lawmakers • City councils • Congressional offices • The Governor’s office Meanwhile, your own leaders — Stitt and Drummond — watch silently as CAIR gains ground. Florida acted. Texas acted. Why won’t Oklahoma?

🚨 ALERT RED STATE OKLAHOMA YOUR STATE HAS BEEN TARGETED - WHY IS YOUR LEADERSHIP LETTING CAIR IN WITHOUT A FIGHT? Oklahoma - you have been selected. CAIR has planted itself inside your state government, your Capitol, your political processes, and your civic institutions - with ZERO pushback from Governor Kevin Stitt or Attorney General Gentner Drummond. Florida fought back. Texas fought back. Oklahoma’s leaders? Silent. Passive. Complicit. And now we see that one of America’s most notorious Islamic agitators, Linda Sarsour, was proudly hosted by CAIR Oklahoma to sell the biggest lie in their political playbook: “Sharia is harmless. Jihad just means inner struggle.” This is taqiyya at its purest form. And Oklahoma’s government is giving her the microphone. WHERE ARE YOU: Governor Stitt – Governor Kevin Stitt Attorney General Drummond – 🎥 WATCH LINDA SARSOUR TRY TO REWRITE SHARIA AND JIHAD FOR CONSERVATIVES Sarsour told Oklahoma audiences that Sharia is nothing more than a “pathway” for daily life - marriage, inheritance, and prayer. She insisted that jihad is only “speaking truth to a tyrant.” But this is the same Linda Sarsour who: • Praised convicted terrorists • Used threatening and dehumanizing rhetoric toward critics • Told Muslims not to “assimilate” • Triggered national outrage after using the term “jihad” in a political speech about resisting President Trump — then played victim when Don Jr. called her out Now she’s in Oklahoma, telling conservatives that Sharia and jihad are peaceful concepts, and CAIR Oklahoma is amplifying every word. But here are the facts - from Islam’s own authoritative legal manuals, including Reliance of the Traveller, accepted by Al-Azhar University and used globally as a definitive source of Sharia. ❌ 1. LINDA’S LIE: “SHARIA IS JUST DAILY LIFE.” ✔️ REALITY: SHARIA IS A TOTAL SYSTEM OF GOVERNMENT, AND IT IS BRUTAL. Directly from Reliance of the Traveller: Apostasy o8.1 - Execution for leaving Islam o8.4 - No penalty for killing an apostate Non-Muslims o11 - Non-Muslims must pay the jizya tax, submit to discriminatory laws, accept humiliation, and may be killed if they break Sharia’s restrictions o1.2 - No penalty for a Muslim who kills a non-Muslim Women m5.1 - Women must submit sexually on demand m10.11 -Husband may strike his wife for “rebellion” m3.4–7 - Women cannot choose their own husbands o4.9 - A woman's life is legally worth half of a man's Slavery o9.13 - Captured women and children become slaves automatically o9.14 - Male captives can be executed, ransomed, or enslaved Punishments o12.2 - Stoning for adultery o14.1 - Amputation for theft Permissible Lying (Taqiyya) r8.2 - Lying is permitted - and sometimes obligatory - when the truth harms Islam This is not “just marriage rules.” This is a political, legal, and civilizational system that has been enforced for 1,400 years. And Sarsour knows it. ❌ 2. LINDA’S LIE: “JIHAD JUST MEANS SPIRITUAL STRUGGLE.” ✔️ REALITY: JIHAD MEANS WARFARE — ISLAM’S OWN LAW SAYS SO. Reliance of the Traveller, o9.0: “Jihad means to war against non-Muslims… warfare to establish the religion.” Quran 2:216: “Fighting has been prescribed for you.” Quran 9:29: “Fight the People of the Book until they pay the jizya and feel themselves subdued.” Bukhari & Muslim: “I have been commanded to fight the people until they testify that there is no god but Allah.” There is no disagreement among: • All four Sunni schools • The Shia schools • Classical Islamic jurisprudence • 1,000+ years of legal commentary Jihad means physical warfare to expand Islamic rule. The “inner struggle” myth comes from a fabricated hadith, rejected by major jurists. ❌ 3. LINDA’S LIE: “YOU CAN’T LET NON-MUSLIMS DEFINE OUR RELIGION.” ✔️ REALITY: WE ARE QUOTING HER OWN CANONICAL SOURCES. The brutality of Sharia comes from Islamic law, not critics. We are quoting: • Quran • Hadith • Reliance of the Traveller No “Islamophobia industry” wrote those verses. Islamic scholars did. When Sarsour laughs and says conservatives are “obsessed,” what she really means is: Stop noticing. Stop asking. Stop resisting. 🚨 OKLAHOMA — WAKE UP. YOU ARE BEING TARGETED. While Linda Sarsour runs taqiyya seminars, CAIR Oklahoma hosts “Muslim Day at the Capitol,” training activists in: • Political influence • Lobbying • Penetrating the legislative process • Embedding Islamist operatives in government They openly boast about access to: • State lawmakers • City councils • Congressional offices • The Governor’s office Meanwhile, your own leaders — Stitt and Drummond — watch silently as CAIR gains ground. Florida acted. Texas acted. Why won’t Oklahoma?

Amy Mek

148,101 Aufrufe • vor 8 Monaten