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Patrick Bateman has completely lost control, and this scene shows just how terrifyingly far he has gone. After another violent encounter, Bateman grabs a chainsaw and begins chasing a terrified woman through the building. She runs desperately for her life while Bateman follows her with an almost disturbing sense...

2,901,613 просмотров • 2 месяцев назад •via X (Twitter)

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The story follows a new boy who arrives at a strange and extraordinary home inhabited by children with unusual abilities. At first, he is shocked by what he sees. One boy can release a swarm of bees from his mouth and calmly draw them back in. A little girl has a second mouth at the back of her head, which she uses to eat, while another girl can generate intense heat with her hands. As the woman who runs the home introduces him to the other children, he discovers even more remarkable abilities. One girl can make plants grow rapidly, producing an enormous carrot from the ground in seconds, while another child possesses incredible strength. He also meets a pale-haired girl who can float through the air. With a rope tied around her waist, she rises into the sky to rescue a frightened squirrel from a tree. Despite how strange their abilities may seem, the children live together like a family. Their caretaker watches over them with patience and affection, treating their extraordinary differences as completely normal. The garden becomes a place where their powers are part of everyday life rather than something to fear. By the end, the boy realizes that he has entered a very unusual household—a home created for children who don't fit into the ordinary world. Surrounded by their strange abilities, kindness, and sense of belonging, he begins to understand that he may now be one of them. Movie Title: Miss Peregrine’s Home for Peculiar Children (2016)

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One of the saddest scenes in Taxi Driver (1976) is just two people having breakfast. Travis has brought Iris to a diner because he wants to convince her to leave Sport. He expects the situation to be obvious: she is a child, Sport is exploiting her, and going home should be the easiest decision in the world. Iris does not experience it that way. She talks about Sport as if he were a boyfriend. She brings up astrology, defends him and brushes off Travis’s concern. None of this means she understands what is happening to her. It means she has already learned how to make it sound normal. That is the most disturbing part of the conversation. Iris describes exploitation using the language of love, loyalty and freedom. Then she pours sugar over her jelly. It lasts only a second, but it breaks through the whole performance. Iris may wear sunglasses, speak in street slang and insist that she can make her own decisions, but she still eats breakfast like a kid. Jodie Foster never pushes the moment. Iris is not presented as a helpless symbol waiting to be rescued. She is funny, stubborn, suspicious and sometimes more socially aware than Travis. Then a small gesture reminds you how young she really is. Travis is unusually gentle with her. He listens. He lowers his voice. He gives her money and tries, in his broken way, to offer an escape. He is also imagining himself as her savior. That is the danger underneath his concern. Travis correctly sees that Iris needs help, but he cannot help anyone without turning the situation into a story about himself. Her rescue becomes another chance for him to prove that he has a purpose. Knowing what comes later makes the quietness of the diner difficult to watch. Here, Travis looks almost capable of helping her like a normal person. Later, he enters the building with guns and leaves bodies behind him. The film never asks us to choose between the two versions of him. His concern for Iris may be genuine. So is his desire for violence. He can recognize that a child is being harmed, but he cannot imagine saving her without becoming the hero of a bloodbath. For a few minutes over breakfast, Travis almost looks like someone Iris could trust. Almost.

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196,750 просмотров • 3 месяцев назад