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Patrick Collison: “Working with people you’re close to is underrated.” Patrick started Stripe with his brother John and Arc Institute with his wife Silvana. He offers founders the following advice: “I think working with people you’re close to is underrated… For all of the ventures of any significance in...

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130,940 Aufrufe • vor 3 Monaten •via X (Twitter)

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Crypto Officevor 3 Monaten

those who make it work get a level of sync others can't reach

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Hrithikvor 3 Monaten

It really depends on how compatible the two people are. Sometimes it works out, and sometimes it doesn’t.

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Jason傑森 🇭🇰 | 🛠️vor 3 Monaten

说得还挺真的

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Tom Holland says that Anne Hathaway has such an incredible career: "I think for me, what I love about my job is getting to work with people like Anne and just watch and learn. Anne has such an incredible career. There are lists and lists of movies that we can all watch and learn something from. So to get to see that up close is a real luxury. And we became great friends, which was really lovely. I know you had worked with Chris before, but it had been a while. For me, it was my first time. So there did feel like a sense that we were both sort of walking onto the field together."
1:42

Tom Holland says that Anne Hathaway has such an incredible career: "I think for me, what I love about my job is getting to work with people like Anne and just watch and learn. Anne has such an incredible career. There are lists and lists of movies that we can all watch and learn something from. So to get to see that up close is a real luxury. And we became great friends, which was really lovely. I know you had worked with Chris before, but it had been a while. For me, it was my first time. So there did feel like a sense that we were both sort of walking onto the field together."

Anne Hathaway Archives ⚔️

52,214 Aufrufe • vor 2 Monaten

Q: how do you think for you personally your desire for validation and acceptance has impacted the way that you let people treat you? rosé: i have let people get away with I think a lot of things that has made me sad and like has made me cry. I think I let a lot of things make me really sad but i I’ve noticed this thing where i sometimes protect people and i don’t know why i would like to think I have a lot of love for certain people in my life but to a certain extent that I want to be validated by them and then their actions of making me sad or feel sad is forgiving and I turn that around and I understand them and then i would probably blame myself.
1:02

Q: how do you think for you personally your desire for validation and acceptance has impacted the way that you let people treat you? rosé: i have let people get away with I think a lot of things that has made me sad and like has made me cry. I think I let a lot of things make me really sad but i I’ve noticed this thing where i sometimes protect people and i don’t know why i would like to think I have a lot of love for certain people in my life but to a certain extent that I want to be validated by them and then their actions of making me sad or feel sad is forgiving and I turn that around and I understand them and then i would probably blame myself.

rosé pics

29,038 Aufrufe • vor 7 Monaten

John Carmack on the importance hard work: “For decades, I worked 60 hours a week” “I was never one of the programmers who would do all-nighters or work for 20 hours straight,” programming legend John Carmack begins when asked about his work routine. “My brain generally starts turning to mush after 12 hours or so. But hard work is really important, and for decades I would work 60 hours a week. I would work 10 hours a day, 6 days a week.” He continues: “I had a little thing in the back of my head where I was almost jealous of some of the programmers who would do these marathon sessions. Like Dave Taylor, one of the guys we had at id Software, would be one of those people who would fall asleep under his desk sometimes and all the classic hacker tropes about these things. Part of me was always a little bothered that wasn’t me. I wouldn’t program 20 hours straight because I’m falling apart and not being very effective after 12 hours . . . There are people who can work on 4 hours of sleep and continue to do good work, but there’s a lot of people who just fall apart. I always try to get 8 hours of sleep . . . you can work 100 hours a week and still get 8 hours of sleep if you prioritize things correctly. But I do believe in working hard.” John disagrees with the backlash against hard work and voices support for game developer’s comment that “40 hours a week is kind of a part-time job.” “If you’re doing what you think is important work that you’re passionate about, working more gets more done. It’s really not possible to argue with that if you’ve been around the people who work with that level of intensity.” He believes people who argue that you’re less productive if you work more than 40 hours a week are misinterpreting things: “Your marginal productivity for an hour after eight hours is less than one of your peak hours, but you’re not literally getting less done. There’s a point where you start breaking things and literally going backwards, but it’s not 8-12 hours.” John illustrates this point with a fictional example: “Imagine there’s an asteroid that’s going to crash into Earth and destroy all human life. Do you want Elon Musk and the people working at SpaceX building the interceptor that’s going to deflect the asteroid clocking out at 5pm because they’re going to do worse work if they work another couple hours? It seems absurd . . . It’s the truth: working longer gets more done.” Video source: Lex Fridman (Aug 2022)
3:39

John Carmack on the importance hard work: “For decades, I worked 60 hours a week” “I was never one of the programmers who would do all-nighters or work for 20 hours straight,” programming legend John Carmack begins when asked about his work routine. “My brain generally starts turning to mush after 12 hours or so. But hard work is really important, and for decades I would work 60 hours a week. I would work 10 hours a day, 6 days a week.” He continues: “I had a little thing in the back of my head where I was almost jealous of some of the programmers who would do these marathon sessions. Like Dave Taylor, one of the guys we had at id Software, would be one of those people who would fall asleep under his desk sometimes and all the classic hacker tropes about these things. Part of me was always a little bothered that wasn’t me. I wouldn’t program 20 hours straight because I’m falling apart and not being very effective after 12 hours . . . There are people who can work on 4 hours of sleep and continue to do good work, but there’s a lot of people who just fall apart. I always try to get 8 hours of sleep . . . you can work 100 hours a week and still get 8 hours of sleep if you prioritize things correctly. But I do believe in working hard.” John disagrees with the backlash against hard work and voices support for game developer’s comment that “40 hours a week is kind of a part-time job.” “If you’re doing what you think is important work that you’re passionate about, working more gets more done. It’s really not possible to argue with that if you’ve been around the people who work with that level of intensity.” He believes people who argue that you’re less productive if you work more than 40 hours a week are misinterpreting things: “Your marginal productivity for an hour after eight hours is less than one of your peak hours, but you’re not literally getting less done. There’s a point where you start breaking things and literally going backwards, but it’s not 8-12 hours.” John illustrates this point with a fictional example: “Imagine there’s an asteroid that’s going to crash into Earth and destroy all human life. Do you want Elon Musk and the people working at SpaceX building the interceptor that’s going to deflect the asteroid clocking out at 5pm because they’re going to do worse work if they work another couple hours? It seems absurd . . . It’s the truth: working longer gets more done.” Video source: Lex Fridman (Aug 2022)

Startup Archive

240,279 Aufrufe • vor 9 Monaten

Fourth: “We’ve been working together, and the Khunnoo has been with us for 4–5 years. I feel like some people might think that’s already a long time, that things have gotten repetitive. But I want to tell all Khunnoo, including Gemini’s fans, that this is only the beginning for us. All of you are going to be with me for a long time. I definitely won’t leave any of you behind. Is this the climax yet?” “Not yet, definitely not. We’re going to go even higher than this. We can do it. Come and go on this journey with me. Gemini: “Let’s go together, my friend.” 🥹 #GeminiConcertD2 #GeminiFourth
1:10

Fourth: “We’ve been working together, and the Khunnoo has been with us for 4–5 years. I feel like some people might think that’s already a long time, that things have gotten repetitive. But I want to tell all Khunnoo, including Gemini’s fans, that this is only the beginning for us. All of you are going to be with me for a long time. I definitely won’t leave any of you behind. Is this the climax yet?” “Not yet, definitely not. We’re going to go even higher than this. We can do it. Come and go on this journey with me. Gemini: “Let’s go together, my friend.” 🥹 #GeminiConcertD2 #GeminiFourth

Alesha

23,601 Aufrufe • vor 18 Tagen

🇺🇸🇹🇷 President Trump on his call with Turkey's Erdoğan: I had a very good call with President Erdoğan. We have a very good relationship. Isn't it nice that I have relationships with some very tough people? He is a tough guy, but I have a relationship with him that nobody else does. He's actually done a good job. He's been, you know, I think very much of an ally. Some people would doubt that, but I think he's been a great ally, and his people respect him. His people respect him a lot.
0:30

🇺🇸🇹🇷 President Trump on his call with Turkey's Erdoğan: I had a very good call with President Erdoğan. We have a very good relationship. Isn't it nice that I have relationships with some very tough people? He is a tough guy, but I have a relationship with him that nobody else does. He's actually done a good job. He's been, you know, I think very much of an ally. Some people would doubt that, but I think he's been a great ally, and his people respect him. His people respect him a lot.

Visioner

16,848 Aufrufe • vor 4 Monaten

I love getting to know Secretary Rubio like this! Katie Miller asked him two questions: 1. Who do you think is the funniest in the whole cabinet? 2. Who’s your best friend in the administration? 1. First answer: "There’s I think there’s three finalists. I have to say three. So I think the VP is funny. Everybody’s got their own style. And I think the VP can be very funny. I think Bessent in his own way can be very funny. And I mean in his own way. He’s got a different type of way of presentation. And I think Bobby Kennedy is very funny. Bobby has some of the greatest stories you’ll ever hear. It’s unbelievable stories that he’ll tell and you listen to these stories. They’re like that didn’t really happen. Oh, no, but it did. The guy has lived an extraordinary life. Like I was, how is this not a movie? I mean it can’t even be a movie. It would have to be a miniseries because he has so many incredible stories and many of them are not just funny because they happen, but they’re just fascinating to me. But he can be funny too." 😂 2. Second answer: "So the best way to answer that question, I have a lot of people. So I’ve known JD the longest of anybody that’s on there because he was in there. He was in the Senate with me. But I even knew him before he was a senator and we had interacted on some policy stuff. And then the people I work with the closest on a daily basis because I just see them all the time repeatedly as you know, Pete Hegseth, obviously Scott Bessent we deal with a lot, and John Ratcliffe. That group and that team is constantly interacting with one another as well. So these are the people I’m the closest to because we work with the most." Secretary Rubio has a special type of personality, I love it!
1:23

I love getting to know Secretary Rubio like this! Katie Miller asked him two questions: 1. Who do you think is the funniest in the whole cabinet? 2. Who’s your best friend in the administration? 1. First answer: "There’s I think there’s three finalists. I have to say three. So I think the VP is funny. Everybody’s got their own style. And I think the VP can be very funny. I think Bessent in his own way can be very funny. And I mean in his own way. He’s got a different type of way of presentation. And I think Bobby Kennedy is very funny. Bobby has some of the greatest stories you’ll ever hear. It’s unbelievable stories that he’ll tell and you listen to these stories. They’re like that didn’t really happen. Oh, no, but it did. The guy has lived an extraordinary life. Like I was, how is this not a movie? I mean it can’t even be a movie. It would have to be a miniseries because he has so many incredible stories and many of them are not just funny because they happen, but they’re just fascinating to me. But he can be funny too." 😂 2. Second answer: "So the best way to answer that question, I have a lot of people. So I’ve known JD the longest of anybody that’s on there because he was in there. He was in the Senate with me. But I even knew him before he was a senator and we had interacted on some policy stuff. And then the people I work with the closest on a daily basis because I just see them all the time repeatedly as you know, Pete Hegseth, obviously Scott Bessent we deal with a lot, and John Ratcliffe. That group and that team is constantly interacting with one another as well. So these are the people I’m the closest to because we work with the most." Secretary Rubio has a special type of personality, I love it!

JJ🕊️

177,479 Aufrufe • vor 1 Monat

Intel CEO on working with Elon Musk: "Elon Musk, I think we all agree is one of the best entrepreneur in this century. He and we share the same view. It's just delighted to work with him. He's very unconventional. He question every step and why this traditional way of doing things and I like that. We both are going to learn a lot together. He have a vision that his robots and his car, he needs a lot of silicon. We are delighted to work with him on Terafab. He has a very good team that I work with weekly and it's just refreshing to work with him." via No Priors
1:25

Intel CEO on working with Elon Musk: "Elon Musk, I think we all agree is one of the best entrepreneur in this century. He and we share the same view. It's just delighted to work with him. He's very unconventional. He question every step and why this traditional way of doing things and I like that. We both are going to learn a lot together. He have a vision that his robots and his car, he needs a lot of silicon. We are delighted to work with him on Terafab. He has a very good team that I work with weekly and it's just refreshing to work with him." via No Priors

DogeDesigner

98,805 Aufrufe • vor 3 Monaten

Chappell Roan delivered a speech at the Resonator Awards in LA, saying, “The only thing that matters is community.” “I feel very uncomfortable being told that I’m a good person. I think that has to do with some type of Christian guilt or something. But it’s cool when people you really look up to think that you’re a good person or that you’re doing good things. I only know what to do because I see other people in my life doing good things and listening to trans people who need representation and money for healthcare and rent. I kind of think that it’s just an artist’s—and anybody who has money—it’s kind of your duty to give it away. I don’t really know what else there is to harmony other than giving.”
2:49

Chappell Roan delivered a speech at the Resonator Awards in LA, saying, “The only thing that matters is community.” “I feel very uncomfortable being told that I’m a good person. I think that has to do with some type of Christian guilt or something. But it’s cool when people you really look up to think that you’re a good person or that you’re doing good things. I only know what to do because I see other people in my life doing good things and listening to trans people who need representation and money for healthcare and rent. I kind of think that it’s just an artist’s—and anybody who has money—it’s kind of your duty to give it away. I don’t really know what else there is to harmony other than giving.”

Variety

458,741 Aufrufe • vor 7 Monaten

🎥| “Well, for starters, it's not the first time I've heard a story like that, you know, of people kind of being inspired to work in the industry. Um, and I think that's really cool, you know. I've always been a big believer that the more fans that work in the music industry, the better for the music and the better for everyone, really. You know, they're definitely the most passionate people. Um, you know, especially the likes of like managements or record labels, these kind of opinions are vital. [Fan: We live it, like, quite literally.] Absolutely, absolutely, yeah. There's not really, you know, it's not about kind of guessing, it's, like you say, you guys kind of live that life. So, I think it's really, really important, it's really cool that it seems to be happening more and more, um, which I think is great. Um, in terms of the relationship with the fans, something I really, really cherish. it's a really funny thing, you know, when you've grown up together, but that ‘together’ to me is, you know, a decent chunk of people. It's a funny concept to me, really, in general. But I feel very, very lucky to have it, and I feel really—I think I've always felt quite protective over my fans as well, and I think... that is a nature of kind of growing up together, you know? I feel like we've got each other's back like that. [Fan: I feel like you have a unique relationship with your fans that is not common amongst artists today, so we really appreciate that, the effort you put in and the care.] I like to, yeah, I like to think so. I mean, I feel very, very blessed that wherever I am, you know, wherever I am, there's a certain kind of level of support and passion, you know? And that... there's a friend, exactly, that's lovely.” via Jesslyn Downey
2:21

🎥| “Well, for starters, it's not the first time I've heard a story like that, you know, of people kind of being inspired to work in the industry. Um, and I think that's really cool, you know. I've always been a big believer that the more fans that work in the music industry, the better for the music and the better for everyone, really. You know, they're definitely the most passionate people. Um, you know, especially the likes of like managements or record labels, these kind of opinions are vital. [Fan: We live it, like, quite literally.] Absolutely, absolutely, yeah. There's not really, you know, it's not about kind of guessing, it's, like you say, you guys kind of live that life. So, I think it's really, really important, it's really cool that it seems to be happening more and more, um, which I think is great. Um, in terms of the relationship with the fans, something I really, really cherish. it's a really funny thing, you know, when you've grown up together, but that ‘together’ to me is, you know, a decent chunk of people. It's a funny concept to me, really, in general. But I feel very, very lucky to have it, and I feel really—I think I've always felt quite protective over my fans as well, and I think... that is a nature of kind of growing up together, you know? I feel like we've got each other's back like that. [Fan: I feel like you have a unique relationship with your fans that is not common amongst artists today, so we really appreciate that, the effort you put in and the care.] I like to, yeah, I like to think so. I mean, I feel very, very blessed that wherever I am, you know, wherever I am, there's a certain kind of level of support and passion, you know? And that... there's a friend, exactly, that's lovely.” via Jesslyn Downey

World Tomlinson

18,346 Aufrufe • vor 2 Monaten

Nick Offerman said people still call him Ron Swanson, and some are so intimidated they approach him shaking and scared. Nick Offerman: And you’re just like, “You guys, that was a long time…” Amy Poehler: That was a long, you know, my son just turned 17, which is when we started the show. Seventeen years ago. Nick Offerman: Holy cow. Amy Poehler: And, I know, think about that. Nick Offerman: (laughs) Amy Poehler: And, the fact that there’s still, people are still dressing up for Ron Swanson at Halloween. And people said that you got us through the pandemic, and people are saying, “My kid’s just starting it,” and like it’s unbe— I don’t, I mean, I know we knew, I gotta say, and, I, I think I can speak for us both, we were old enough, and, I don’t know, maybe a little, like we knew what we had at the time, you and me. We really did. Nick Offerman: For sure. Amy Poehler: And we tried to enjoy every minute of it, but like, Ron Swanson is, would be in the ma— is in the Hall of Fame of characters. I mean, he is, he is this person that people feel con— what is it like, almost 20 years later, interacting with that kind of work? Like, how do people interact with you? Nick Offerman: It’s interesting. I mean, mostly, first of all, I’m so stupidly grateful, like from star— soup to nuts. And also, people are so nice to me and respectful, I think of Ron, like, people approach me with a deference… Amy Poehler: (laughs) Nick Offerman: …and also a little fear. Amy Poehler: Yeah. Nick Offerman: Um, but they’re, they are really polite to me where I, I usually have to say, “Please call me Nick,” or, you know, because they’re shaking and they’re scared.
2:26

Nick Offerman said people still call him Ron Swanson, and some are so intimidated they approach him shaking and scared. Nick Offerman: And you’re just like, “You guys, that was a long time…” Amy Poehler: That was a long, you know, my son just turned 17, which is when we started the show. Seventeen years ago. Nick Offerman: Holy cow. Amy Poehler: And, I know, think about that. Nick Offerman: (laughs) Amy Poehler: And, the fact that there’s still, people are still dressing up for Ron Swanson at Halloween. And people said that you got us through the pandemic, and people are saying, “My kid’s just starting it,” and like it’s unbe— I don’t, I mean, I know we knew, I gotta say, and, I, I think I can speak for us both, we were old enough, and, I don’t know, maybe a little, like we knew what we had at the time, you and me. We really did. Nick Offerman: For sure. Amy Poehler: And we tried to enjoy every minute of it, but like, Ron Swanson is, would be in the ma— is in the Hall of Fame of characters. I mean, he is, he is this person that people feel con— what is it like, almost 20 years later, interacting with that kind of work? Like, how do people interact with you? Nick Offerman: It’s interesting. I mean, mostly, first of all, I’m so stupidly grateful, like from star— soup to nuts. And also, people are so nice to me and respectful, I think of Ron, like, people approach me with a deference… Amy Poehler: (laughs) Nick Offerman: …and also a little fear. Amy Poehler: Yeah. Nick Offerman: Um, but they’re, they are really polite to me where I, I usually have to say, “Please call me Nick,” or, you know, because they’re shaking and they’re scared.

Ruzy.hl

173,247 Aufrufe • vor 2 Monaten

James Orengo: I look forward to working with you as Linda Mwananchi. We have been working before, but now, as the leader of a political party and I, as the party leader of Linda Mwananchi, our work begins now, and I think we are going to sit together to work together
0:55

James Orengo: I look forward to working with you as Linda Mwananchi. We have been working before, but now, as the leader of a political party and I, as the party leader of Linda Mwananchi, our work begins now, and I think we are going to sit together to work together

Citizen TV Kenya

67,941 Aufrufe • vor 1 Monat

han saying it takes a long time for him to get close with someone he just met! 🐿️ you know the writer who makes tracks for me, the one i work with a lot? i’ve known him for 8 years now. but actually meeting up, talking, hanging out, it hasn’t even been a year yet 🐿️ it really takes me forever to get close to someone 🐿️ i mean there are plenty of people i can be friendly with on the surface […] but the people i actually feel drawn to and reach out to first, i can count on one hand
0:40

han saying it takes a long time for him to get close with someone he just met! 🐿️ you know the writer who makes tracks for me, the one i work with a lot? i’ve known him for 8 years now. but actually meeting up, talking, hanging out, it hasn’t even been a year yet 🐿️ it really takes me forever to get close to someone 🐿️ i mean there are plenty of people i can be friendly with on the surface […] but the people i actually feel drawn to and reach out to first, i can count on one hand

도토리‎

130,168 Aufrufe • vor 23 Tagen

Jackson Wang - Ending Ment #GOT7_NESTFEST_Day2 "Hello, this is Jackson. They (members before him) talked for some time. Today is the second day and I said everything I wanted to say yesterday, still, I'll say it again. (...) In this world... I've gone through a lot. I've debuted as GOT7 and also did solo activities. But in reality… To be honest, I've met a lot of people and worked with a lot of people too. It was very dynamic. Also I've met a lot of baby dogs (not positive). But babies don't think of themselves as babies. Just like bad people don't think of themselves as bad. That is life. That is reality. I'm sure you agree in many ways. After meeting many people, these 6 people are really the purest people I have met in my life. For example, even if I get close with other artists. I’m confused if I’m close to them or their fans or their team. I wonder about those things. But as I’m carrying on with my life, when I’m reflecting back on myself. We’ve all grown up together with each other from when we had nothing, from day one. There is no one like these people. I really wanted to tell you guys this. Likewise, you all have your own lives and I don’t wish for anything big. I don’t want to say things like “don’t leave us,” but just want to say that in your daily lives I wish that we can give you guys happiness. That means the most to us. We may all be in different companies but we will get together every now and then, and make you all happy. This is all I want to say to our fans. Ya, we just want to say, we seven, and as individuals- I started off everything in Korea. Thank you so much for allowing me to debut and allowing me to put out albums. 🙏 This has been Jackson.” #GOT7_NESTFEST #GOT7
1:05

Jackson Wang - Ending Ment #GOT7_NESTFEST_Day2 "Hello, this is Jackson. They (members before him) talked for some time. Today is the second day and I said everything I wanted to say yesterday, still, I'll say it again. (...) In this world... I've gone through a lot. I've debuted as GOT7 and also did solo activities. But in reality… To be honest, I've met a lot of people and worked with a lot of people too. It was very dynamic. Also I've met a lot of baby dogs (not positive). But babies don't think of themselves as babies. Just like bad people don't think of themselves as bad. That is life. That is reality. I'm sure you agree in many ways. After meeting many people, these 6 people are really the purest people I have met in my life. For example, even if I get close with other artists. I’m confused if I’m close to them or their fans or their team. I wonder about those things. But as I’m carrying on with my life, when I’m reflecting back on myself. We’ve all grown up together with each other from when we had nothing, from day one. There is no one like these people. I really wanted to tell you guys this. Likewise, you all have your own lives and I don’t wish for anything big. I don’t want to say things like “don’t leave us,” but just want to say that in your daily lives I wish that we can give you guys happiness. That means the most to us. We may all be in different companies but we will get together every now and then, and make you all happy. This is all I want to say to our fans. Ya, we just want to say, we seven, and as individuals- I started off everything in Korea. Thank you so much for allowing me to debut and allowing me to put out albums. 🙏 This has been Jackson.” #GOT7_NESTFEST #GOT7

ru 💌

85,113 Aufrufe • vor 1 Jahr

My first book publishes today. It has nothing to do with hardcore finance or bitcoin, but everything to do with self-improvement, constant learning, and living the life you want. The book, which is titled How To Live An Extraordinary Life, is a compilation of 65 letters to my children on various life lessons I have picked up over the years. I never had an intention to write a book, but as I started writing these letters in private it struck me that many other people could benefit from these insights. The beauty of the book is that each letter is the product of a mistake I made, a piece of advice someone gave to me, or an experience I lived through over the years. You will learn lessons about money, investing, work, relationships, health, and happiness. None of the ideas are my own — I had to live my life and rely on people much smarter than me to teach me all of this information. Each letter in the book is structured to share the lesson, explain how I learned it, and then give actionable advice on how to implement it in your own life. My goal is to share the information with my children and some of you. These are timeless lessons that have been passed down to me, so their survival over time signals their accuracy and value. As you all know, I hate asking people for a favor. But the publisher has told me that sales in the first week really matter for the long-term popularity of the book. With that understanding, if I have ever helped you in any way (taught you something, given you an idea, made you think more critically, etc), then please consider buying the book today. BUY NOW:
1:19

My first book publishes today. It has nothing to do with hardcore finance or bitcoin, but everything to do with self-improvement, constant learning, and living the life you want. The book, which is titled How To Live An Extraordinary Life, is a compilation of 65 letters to my children on various life lessons I have picked up over the years. I never had an intention to write a book, but as I started writing these letters in private it struck me that many other people could benefit from these insights. The beauty of the book is that each letter is the product of a mistake I made, a piece of advice someone gave to me, or an experience I lived through over the years. You will learn lessons about money, investing, work, relationships, health, and happiness. None of the ideas are my own — I had to live my life and rely on people much smarter than me to teach me all of this information. Each letter in the book is structured to share the lesson, explain how I learned it, and then give actionable advice on how to implement it in your own life. My goal is to share the information with my children and some of you. These are timeless lessons that have been passed down to me, so their survival over time signals their accuracy and value. As you all know, I hate asking people for a favor. But the publisher has told me that sales in the first week really matter for the long-term popularity of the book. With that understanding, if I have ever helped you in any way (taught you something, given you an idea, made you think more critically, etc), then please consider buying the book today. BUY NOW:

Anthony Pompliano 🌪

1,369,267 Aufrufe • vor 2 Jahren

Hirokazu Koreeda on how he directs Children: "Interviewer: I think 'Shoplifters' (2018) is very remarkable in showing different sides of a city and like you said, people who are pretty much invisible, but I do want to also commend you on another thing, is you often work with young actors, and they always tend to have a significant role in many of your films. How do you go about finding such dynamic young actors, and why do you often put these young people at the center of each one of your stories? Koreeda: First of all, I would say that I tend to make what I would call family dramas, and of course, you have to have children if you’re creating a family, but that’s how it started, but I found that as I did it, I became really interested. It became very interesting and fun to work with these children, and for example, the two children in this film, neither of them had any acting experience at all before this film. I brought them in, and what I find when you bring these children in, and you work with them is that the adult actors change. They become much more lively and natural in the way that they act, and I guess, at some point, I realized this, and I guess, became really attracted to the idea of having children and the impact that it had. Interviewer: Do you find that there is any struggle in terms of working with young actors, or in this case, young children who have not actually acted before? Koreeda: Just to clarify, I have worked with children in many of my films, and all of them have never had experienced before. I always go out and pick non-acting children to work in my films, so just, I wanted to put that out there. In terms of the struggle, it does take time. You have to give extra time to work with these children. When I choose these children, I have an audition, and I pick out who I want to the audition, and then when we get to set, I never give them the script. No child that I’ve worked with has been given a script beforehand, and when I get to the actual part where they’re going to be acting, I give them the lines myself, and work with them and coach them. What I find is that it’s actually really enjoyable, both for them and for myself that way. I also, because I’ve been doing this now for several years, I tend to have a fairly high success rate in choosing children that are able to work with me in that way. Interviewer: That’s fascinating, and it also shows how you are able to create such authentic performances from these child actors over and over again in so many of your films. I think it’s a unique gift that you have, and it’s something that very few directors, I think, here in the United States do. Koreeda: It’s true, I guess by working with these children, I learned. I discovered that the best way to do it was just to communicate verbally their lines, rather than giving them in a written format, and over time, this really worked, and so I just kept doing it. But, interestingly, I loved the movie 'Kramer vs Kramer' (1979), directed by Robert Benton, and one time I bought the movie with all the extra, the making of and everything, and I went over it, and I found through that, that in fact, the child in that movie was also given his lines every day by the assistant director each morning when they came in to set, so I discovered that it wasn’t just me that was doing this." (Koreeda's interview with Scott Menzel, We Live Entertainment, 2018)
1:23

Hirokazu Koreeda on how he directs Children: "Interviewer: I think 'Shoplifters' (2018) is very remarkable in showing different sides of a city and like you said, people who are pretty much invisible, but I do want to also commend you on another thing, is you often work with young actors, and they always tend to have a significant role in many of your films. How do you go about finding such dynamic young actors, and why do you often put these young people at the center of each one of your stories? Koreeda: First of all, I would say that I tend to make what I would call family dramas, and of course, you have to have children if you’re creating a family, but that’s how it started, but I found that as I did it, I became really interested. It became very interesting and fun to work with these children, and for example, the two children in this film, neither of them had any acting experience at all before this film. I brought them in, and what I find when you bring these children in, and you work with them is that the adult actors change. They become much more lively and natural in the way that they act, and I guess, at some point, I realized this, and I guess, became really attracted to the idea of having children and the impact that it had. Interviewer: Do you find that there is any struggle in terms of working with young actors, or in this case, young children who have not actually acted before? Koreeda: Just to clarify, I have worked with children in many of my films, and all of them have never had experienced before. I always go out and pick non-acting children to work in my films, so just, I wanted to put that out there. In terms of the struggle, it does take time. You have to give extra time to work with these children. When I choose these children, I have an audition, and I pick out who I want to the audition, and then when we get to set, I never give them the script. No child that I’ve worked with has been given a script beforehand, and when I get to the actual part where they’re going to be acting, I give them the lines myself, and work with them and coach them. What I find is that it’s actually really enjoyable, both for them and for myself that way. I also, because I’ve been doing this now for several years, I tend to have a fairly high success rate in choosing children that are able to work with me in that way. Interviewer: That’s fascinating, and it also shows how you are able to create such authentic performances from these child actors over and over again in so many of your films. I think it’s a unique gift that you have, and it’s something that very few directors, I think, here in the United States do. Koreeda: It’s true, I guess by working with these children, I learned. I discovered that the best way to do it was just to communicate verbally their lines, rather than giving them in a written format, and over time, this really worked, and so I just kept doing it. But, interestingly, I loved the movie 'Kramer vs Kramer' (1979), directed by Robert Benton, and one time I bought the movie with all the extra, the making of and everything, and I went over it, and I found through that, that in fact, the child in that movie was also given his lines every day by the assistant director each morning when they came in to set, so I discovered that it wasn’t just me that was doing this." (Koreeda's interview with Scott Menzel, We Live Entertainment, 2018)

DepressedBergman

49,522 Aufrufe • vor 8 Monaten

Sydney Pollack on 'The Yakuza' (1974) & the differences he had with Paul Schrader while making the movie: "I think 'The Yakuza' (1974) is a terrific picture. I think it is one of the better pictures that I have done. it's not an audience picture at all. it's a picture that got fairly well received critically. [but] nobody went to see; it it's an oddball movie that very few people even know. but it's a movie that I like a lot. It was Schrader's first big break. He's a very talented guy and again I had a similar problem working with him, not quite like [working with] Milius but but it was a taste problem. In other words, he was an ex-critic and a real film buff and his models for everything were films that he'd seen before and he had approached everything from a sort of a genre point of view; "let's have a little violence in the first 10 minutes then we can have some later". I kept saying I know what that means all I know is the scene doesn't work but he & his brother were terrific and they were both good and they came over while we were shooting. Robert Towne came into the rewrite for me on that and I got to work with Mitchum who is just wonderful to work with and Brian Keith and Richard Jordan, some real good actors and a wonderful Japanese camera man named Kozo Okazaki and spent a lot of time in Japan and I think that's a pretty damn good picture." (Sydney Pollack's interview with John A. Gallagher, 1983)
1:17

Sydney Pollack on 'The Yakuza' (1974) & the differences he had with Paul Schrader while making the movie: "I think 'The Yakuza' (1974) is a terrific picture. I think it is one of the better pictures that I have done. it's not an audience picture at all. it's a picture that got fairly well received critically. [but] nobody went to see; it it's an oddball movie that very few people even know. but it's a movie that I like a lot. It was Schrader's first big break. He's a very talented guy and again I had a similar problem working with him, not quite like [working with] Milius but but it was a taste problem. In other words, he was an ex-critic and a real film buff and his models for everything were films that he'd seen before and he had approached everything from a sort of a genre point of view; "let's have a little violence in the first 10 minutes then we can have some later". I kept saying I know what that means all I know is the scene doesn't work but he & his brother were terrific and they were both good and they came over while we were shooting. Robert Towne came into the rewrite for me on that and I got to work with Mitchum who is just wonderful to work with and Brian Keith and Richard Jordan, some real good actors and a wonderful Japanese camera man named Kozo Okazaki and spent a lot of time in Japan and I think that's a pretty damn good picture." (Sydney Pollack's interview with John A. Gallagher, 1983)

DepressedBergman

124,980 Aufrufe • vor 9 Monaten

ROSALÍA speaking to the public in Barcelona in Catalan, visibly emotional and on the verge of tears by the end of speech: "Good night everyone! How are you today? I'm delighted to see you. I have to admit that... I'm usually a little nervous, you know? Before I perform I get a little dumb or dizzy, right? And I can't stop, but today I think my heart was going to me, but for a very specific reason. And because I'm singing in my city. I suppose there are artists and artists, like people and people, from his mother and father. And I remember that once I met Peret, an amazing artist, the father of rumba, and we were both going to sing that same night, I remember, here in Barcelona, and I went in with girls, he saw me, I mean, he was like there in a corner like that watching, and he saw that I was nervous, and he said to me, but why are you getting nervous? I said to myself, I have never been so nervous in my entire career and there I understood that he loved his city and celebrated it so much that with that invasion with that joy that invaded it he had no energy left to get nervous for anything and who knows if one day I will reach that level of calm, without resistance, but one thing you can be sure Barcelona is that I love you madly and you don't know how much I wanted to come back here. And probably as a singer, in front of your city or for your city is the most intense experience, I think, or most rewarding that you can live. But sometimes also the one that imposes itself on you the most, maybe. And I think that... I think it hits you in a way because it is the place that has seen you grow and that has seen you start from the bottom and run away on a path, you know? It is the place that confronts who you were and who you are now, you know? And what you have become. And the place where I believe you cannot escape yourself and you cannot be anyone but yourself. And that is precisely why this stage is not just any stage, you know? Tonight is not just any night. So thank you Barcelona, I love you so much. Thank you for supporting me." Source: 3CatInfo
4:33

ROSALÍA speaking to the public in Barcelona in Catalan, visibly emotional and on the verge of tears by the end of speech: "Good night everyone! How are you today? I'm delighted to see you. I have to admit that... I'm usually a little nervous, you know? Before I perform I get a little dumb or dizzy, right? And I can't stop, but today I think my heart was going to me, but for a very specific reason. And because I'm singing in my city. I suppose there are artists and artists, like people and people, from his mother and father. And I remember that once I met Peret, an amazing artist, the father of rumba, and we were both going to sing that same night, I remember, here in Barcelona, and I went in with girls, he saw me, I mean, he was like there in a corner like that watching, and he saw that I was nervous, and he said to me, but why are you getting nervous? I said to myself, I have never been so nervous in my entire career and there I understood that he loved his city and celebrated it so much that with that invasion with that joy that invaded it he had no energy left to get nervous for anything and who knows if one day I will reach that level of calm, without resistance, but one thing you can be sure Barcelona is that I love you madly and you don't know how much I wanted to come back here. And probably as a singer, in front of your city or for your city is the most intense experience, I think, or most rewarding that you can live. But sometimes also the one that imposes itself on you the most, maybe. And I think that... I think it hits you in a way because it is the place that has seen you grow and that has seen you start from the bottom and run away on a path, you know? It is the place that confronts who you were and who you are now, you know? And what you have become. And the place where I believe you cannot escape yourself and you cannot be anyone but yourself. And that is precisely why this stage is not just any stage, you know? Tonight is not just any night. So thank you Barcelona, I love you so much. Thank you for supporting me." Source: 3CatInfo

ROSALÍA archive

84,928 Aufrufe • vor 5 Monaten