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People are forgetting that #AkshayKumar 's #BhootBungla is made by Same director who made classics like Bhool Bhulaiya, Bhagam Bhag, Hera pheri etc. In Horror comedy Genre BB is still best. And Director music sense is epic. 19 March #Dhurandhar 2, April 2nd #BhootBungla 😍🔥

axay patel🔥🔥

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32,107 просмотров • 7 месяцев назад •via X (Twitter)

#AkshayKumar #BhootBungla #Dhurandhar #BhootBungla

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#BhoothBanglaReview :- its better than Bhool Bhulaiya 2 and 3. If you like kapil sharma show you are gonna love this movie. And #AkshayKumar gave tight slap to fake narrative people who is trolling him for teleprompter thing. He is best in every frame of #BhoothBangla 😍🔥

#BhoothBanglaReview :- its better than Bhool Bhulaiya 2 and 3. If you like kapil sharma show you are gonna love this movie. And #AkshayKumar gave tight slap to fake narrative people who is trolling him for teleprompter thing. He is best in every frame of #BhoothBangla 😍🔥

axay patel🔥🔥

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DHURANDHAR WINS THE HEART OF GADAR’S DIRECTOR 🔥 Director Anil Sharma showers massive praise on #Dhurandhar, calling it a truly brilliant film. He admits he was left stunned by Akshaye Khanna’s performance a jaw-dropping act with no comparison, no answer. Praising Ranveer Singh, Anil Sharma declares: “Among actors who came after 2000, Ranveer Singh is the BEST actor.” The box-office storm that Gadar 2 created…that same destruction is now being unleashed by Dhurandhar. 🔥 And this storm won’t stop before Border 2.

DHURANDHAR WINS THE HEART OF GADAR’S DIRECTOR 🔥 Director Anil Sharma showers massive praise on #Dhurandhar, calling it a truly brilliant film. He admits he was left stunned by Akshaye Khanna’s performance a jaw-dropping act with no comparison, no answer. Praising Ranveer Singh, Anil Sharma declares: “Among actors who came after 2000, Ranveer Singh is the BEST actor.” The box-office storm that Gadar 2 created…that same destruction is now being unleashed by Dhurandhar. 🔥 And this storm won’t stop before Border 2.

Rahul Gupta

50,789 просмотров • 7 месяцев назад

AKSHAY KUMAR - PRIYADARSHAN REUNITE: 'BHOOTH BANGLA' FIRST SONG UNVEILED – 10 APRIL 2026 RELEASE... #RamJiAakeBhalaKarenge – the first song from #BhoothBangla – brings back #AkshayKumar in the high-energy comic space that fans have cherished for years. Watch the full song here 🔗: #AkshayKumar and director #Priyadarshan – the iconic duo behind multiple super-successes – reunite for this much-awaited horror-comedy. Produced by #AkshayKumar, #ShobhaKapoor and #EktaaRKapoor, the film arrives in theatres worldwide on 10 April 2026. #BhoothBangla is co-produced by #FaaraSheikh and #VedantVikaasBaali. #BhoothBanglaOn10thApril

AKSHAY KUMAR - PRIYADARSHAN REUNITE: 'BHOOTH BANGLA' FIRST SONG UNVEILED – 10 APRIL 2026 RELEASE... #RamJiAakeBhalaKarenge – the first song from #BhoothBangla – brings back #AkshayKumar in the high-energy comic space that fans have cherished for years. Watch the full song here 🔗: #AkshayKumar and director #Priyadarshan – the iconic duo behind multiple super-successes – reunite for this much-awaited horror-comedy. Produced by #AkshayKumar, #ShobhaKapoor and #EktaaRKapoor, the film arrives in theatres worldwide on 10 April 2026. #BhoothBangla is co-produced by #FaaraSheikh and #VedantVikaasBaali. #BhoothBanglaOn10thApril

taran adarsh

125,120 просмотров • 5 месяцев назад

Where are the #AkshayKumar haters who said welcome 3 budget is 250 cr? Director clarify it that they made movie in just 120 cr. Budget. And they earn 120 cr. From ott deal only. Its great business plan akki ne fees nahi li he ab jo bhi profit ho raha he uska 72% akki ko jayega.🔥

Where are the #AkshayKumar haters who said welcome 3 budget is 250 cr? Director clarify it that they made movie in just 120 cr. Budget. And they earn 120 cr. From ott deal only. Its great business plan akki ne fees nahi li he ab jo bhi profit ho raha he uska 72% akki ko jayega.🔥

axay patel🔥🔥

133,157 просмотров • 1 месяц назад

#WATCH | Mumbai | On his upcoming movie Bhooth Bangla, Director Priyadarshan says, "When we made Bhool Bhulaiyaa, we didn't think about horror comedy. We just thought of a film which is a psychological thriller. But if you watch any film of mine, there will be a lot of humour...When the audience goes to watch a horror film, they'll be very tense. They actually look for a chance to laugh...We are trying to exploit that weakness of the audience...In Bhooth Bangla also, there are sequences which are very tense and have humour...This is a nice combination...Whenever I think of humour, my first preference definitely is Akshay..."

#WATCH | Mumbai | On his upcoming movie Bhooth Bangla, Director Priyadarshan says, "When we made Bhool Bhulaiyaa, we didn't think about horror comedy. We just thought of a film which is a psychological thriller. But if you watch any film of mine, there will be a lot of humour...When the audience goes to watch a horror film, they'll be very tense. They actually look for a chance to laugh...We are trying to exploit that weakness of the audience...In Bhooth Bangla also, there are sequences which are very tense and have humour...This is a nice combination...Whenever I think of humour, my first preference definitely is Akshay..."

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Christopher Nolan just gave Marvel the biggest compliment possible⚡ On The Late Show he told Stephen Colbert that Marvel and DC storytelling comes directly from Homer's ancient Greek epics. The same director who made The Dark Knight. The same director RDJ turned down The Odyssey for to play Doctor Doom. Nolan didn't say superhero movies are comic book films. He said they are modern mythology. Tony Stark is Achilles. Steve Rogers is Odysseus. Doctor Doom is every tyrant who ever wanted to rule the world by believing he knew better than everyone else.

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Hercules (1983). Lou Ferrigno and Sybil Danning star in this epic tale of legend, directed by Luigi Cozzi - who made the equally epic Starcrash five years earlier. Critics unkindly compared it to Conan the Barbarian and Clash of the Titans and found it wanting. But that's unfair: Hercules is in the bold tradition of Italian maximalist fantasy films and if you like that genre then this is a great watch.

Hercules (1983). Lou Ferrigno and Sybil Danning star in this epic tale of legend, directed by Luigi Cozzi - who made the equally epic Starcrash five years earlier. Critics unkindly compared it to Conan the Barbarian and Clash of the Titans and found it wanting. But that's unfair: Hercules is in the bold tradition of Italian maximalist fantasy films and if you like that genre then this is a great watch.

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🚨BOOM! AG Todd Blanche and FBI Director Kash Patel are arresting fraudsters in blue states. The GOP states are already cooperating. They’re cracking down on governors and officials who refuse to cooperate on massive Medicaid fraud. The Trump administration is now threatening to pull federal funding from those states. Arrests are being made. This is what real accountability looks like.🔥

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We were taught the history in school. That’s fine. What we refuse is the idea that we inherit the guilt. I do not carry the moral debt of people who died before I was born. Neither does anyone else alive in Scotland today. Collective ancestral burden is not justice it’s a political weapon. By the way this same woman who declared that the whole of Scotland “was and still is racist” is the one demanding we accept that permanent stain. No. We are not our ancestors. We are not their crimes. And we will not be made to live under their sentence.

We were taught the history in school. That’s fine. What we refuse is the idea that we inherit the guilt. I do not carry the moral debt of people who died before I was born. Neither does anyone else alive in Scotland today. Collective ancestral burden is not justice it’s a political weapon. By the way this same woman who declared that the whole of Scotland “was and still is racist” is the one demanding we accept that permanent stain. No. We are not our ancestors. We are not their crimes. And we will not be made to live under their sentence.

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This "film critic" wants people who are well versed with "International Humanitarian Laws" to comment on Dhurandhar because a death convict was sent to Pakistan as an agent. 🤦🤦🤦 These people have literally lost their minds. They just don't understand what is fiction and what is real in Dhurandhar. So they are nitpicking and criticizing anything just for the sake of criticism. A flim critic of all should know that this is not the first time that someone has made a movie about a death row convict getting used as an agent by a Govt. To cry about this is just laughable. 😂😂😂

This "film critic" wants people who are well versed with "International Humanitarian Laws" to comment on Dhurandhar because a death convict was sent to Pakistan as an agent. 🤦🤦🤦 These people have literally lost their minds. They just don't understand what is fiction and what is real in Dhurandhar. So they are nitpicking and criticizing anything just for the sake of criticism. A flim critic of all should know that this is not the first time that someone has made a movie about a death row convict getting used as an agent by a Govt. To cry about this is just laughable. 😂😂😂

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President Trump made animal cruelty a felony in 2019. So why is NIH still torturing animals under Fauci-era programs? Dr. Jay Bhattacharya Jay Bhattacharya was supposed to clean house, but his deputy, Nicole Kleinstreuer Dr. Nicole Kleinstreuer, is an Obama-era Fauci fangirl who is still pushing for taxpayer-funded animal torture. Dogs, monkeys, and cats are being infected with Ebola virus and other diseases, and they are being abused in secret labs while Americans are lied to. And now we find out President Trump’s own NIH Director is undermining the Trump admin by protecting the same people they were supposed to remove? It’s unacceptable. You don’t fight the swamp by hiring Fauci’s foot soldiers. You FIRE them. Justin Goodman, Senior VP of White Coat Waste, joined me on Loomer Unleashed to discuss.

President Trump made animal cruelty a felony in 2019. So why is NIH still torturing animals under Fauci-era programs? Dr. Jay Bhattacharya Jay Bhattacharya was supposed to clean house, but his deputy, Nicole Kleinstreuer Dr. Nicole Kleinstreuer, is an Obama-era Fauci fangirl who is still pushing for taxpayer-funded animal torture. Dogs, monkeys, and cats are being infected with Ebola virus and other diseases, and they are being abused in secret labs while Americans are lied to. And now we find out President Trump’s own NIH Director is undermining the Trump admin by protecting the same people they were supposed to remove? It’s unacceptable. You don’t fight the swamp by hiring Fauci’s foot soldiers. You FIRE them. Justin Goodman, Senior VP of White Coat Waste, joined me on Loomer Unleashed to discuss.

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chan’s ment from today “it feels really spectacular and it’s hard to explain what it feels like to have a stadium full of people who sing the songs that we made from the beginning, cause you know we’ve had the stubbornness to really make our own music— and to have people enjoy listening to what we made is— we didn’t expect this many people to like our stuff! — the fact that you guys still listen to our music and sing along and just have fun in itself is just really meaningful because it means that all we wanna say and all we wanna give out to music reaches you guys. honestly, that’s all that matters cause if there’s anyone out there who’s astray like we are— and that’s why we’re called stray kids and that’s why we can call it “stray kids everywhere all around the world” because we wanna reach out to people who are stray, yk?”

chan’s ment from today “it feels really spectacular and it’s hard to explain what it feels like to have a stadium full of people who sing the songs that we made from the beginning, cause you know we’ve had the stubbornness to really make our own music— and to have people enjoy listening to what we made is— we didn’t expect this many people to like our stuff! — the fact that you guys still listen to our music and sing along and just have fun in itself is just really meaningful because it means that all we wanna say and all we wanna give out to music reaches you guys. honestly, that’s all that matters cause if there’s anyone out there who’s astray like we are— and that’s why we’re called stray kids and that’s why we can call it “stray kids everywhere all around the world” because we wanna reach out to people who are stray, yk?”

ཐི⋆hamida⋆ཋྀ

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A 20-YEAR-OLD JUST BROKE EVERY RECORD A24 HAS. a movie based on a YouTube creepypasta just had the biggest opening in A24's history. Backrooms made $81.5M in the US and $118M worldwide in three days - more than triple A24's old record. the director is 20 years old. - Kane Parsons made the original "Backrooms" as a viral YouTube short in 2022, at 16 - he's now the youngest filmmaker ever to have the #1 movie in America, breaking a record that stood since 2012 - biggest opening ever for an original horror film AND for any first-time director - made for ~$10M. already hugely profitable - 86% of the audience is under 35 and he wasn't alone. the same weekend, Obsession ($750K budget) climbed for a third straight weekend - and both films outsold a $165M Star Wars movie. two filmmakers in their twenties, who started on YouTube, just beat Lucasfilm with movies that cost a fraction of its budget. the gatekeepers spent decades deciding who gets to make a movie. a 20-year-old just uploaded his way past all of them.

frostzy

136,311 просмотров • 2 месяцев назад

Many people in Zim-dancehall do not want to hear this, but it is a local genre that will not go anywhere unless the artist is extremely talented, like Stonebwoy. This Jamaican aunty in the video is an example of why certain genres of music only make sense when performed by people from where they originated. Picture this aunty at Murambinda Growth point, Mbembesi, or Nkandla in KZN—she is able to deliver the bars because it is their music. They grew up listening to it from day one, and it uses their local language, it is like what Amapiano is to South Africans. How does a Zim-dancehall artist compete with the authentic thing on the global stage? Shabba Ranks once commented on how reggae dancehall has been murdered abroad. It is a bit like Swahili, it was made in Tanzania, killed in Kenya and buried in Uganda-ok, that is an East African joke. But seriously, while Zim-dancehall artists can draw inspiration from various sources and adapt different styles, there is undoubtedly a certain authenticity that comes from growing up immersed in the culture and language that shape a particular music genre. It is difficult for artists from other backgrounds to replicate the genuine connection and understanding that Jamaican artists have with reggae dancehall, given its roots is in their local language and culture. This inherent advantage makes it challenging for Zim-dancehall artists to achieve the same level of success and recognition on the global stage. I must take my hat off to artists like Stoneybwoy and Winky D, who have contributed to the evolution and growth of the dancehall genre by bringing new perspectives and creative ideas to the table in the Ghanian and Zimbabwean contexts respectively. Zim-dancehall artists have carved out a space for themselves within the genre and made a meaningful impact in Zimbabwe, especially those who focus on socio-political issues like Winky D, but international success will always be minimal if not elusive compared to their counterparts in Jamaica where the genre originated. Every genre needs to be international if the artists are going to get enough cheese. Whenever I am in Rwanda or Kenya or Nigeria, Amapiano will blares from car radios, wine bars and clubs, it is because it is authentic to South Africans. There is that one in a hundred artist, like Lucky Dube, Snow, or Alpha Blondy, who will break the mould, but they are outliers. This Jamaican aunty who is a vendor will bury the best we have in a sound clash, it is their music, it is their culture, it is their heritage. So let us dance along to Zim-dancehall, knowing full well that it will remain within the confines of our borders. Until such a time when our Zim-dancehall artists can go and play a show to a non-Zimbabwean audience, they remain local, not international! Zim-dancehall sounds the same way Chimurenga music or Sungura sounds to a Zimbabwean when being sung by a European or American, it doesn’t sound authentic at all outside our borders! Part of dancehall’s authenticity is the language used, Jamaican patois, we speak it like a child is learning to speak bar for a few who have lived in England or Jamaica and have mastered the language.

Many people in Zim-dancehall do not want to hear this, but it is a local genre that will not go anywhere unless the artist is extremely talented, like Stonebwoy. This Jamaican aunty in the video is an example of why certain genres of music only make sense when performed by people from where they originated. Picture this aunty at Murambinda Growth point, Mbembesi, or Nkandla in KZN—she is able to deliver the bars because it is their music. They grew up listening to it from day one, and it uses their local language, it is like what Amapiano is to South Africans. How does a Zim-dancehall artist compete with the authentic thing on the global stage? Shabba Ranks once commented on how reggae dancehall has been murdered abroad. It is a bit like Swahili, it was made in Tanzania, killed in Kenya and buried in Uganda-ok, that is an East African joke. But seriously, while Zim-dancehall artists can draw inspiration from various sources and adapt different styles, there is undoubtedly a certain authenticity that comes from growing up immersed in the culture and language that shape a particular music genre. It is difficult for artists from other backgrounds to replicate the genuine connection and understanding that Jamaican artists have with reggae dancehall, given its roots is in their local language and culture. This inherent advantage makes it challenging for Zim-dancehall artists to achieve the same level of success and recognition on the global stage. I must take my hat off to artists like Stoneybwoy and Winky D, who have contributed to the evolution and growth of the dancehall genre by bringing new perspectives and creative ideas to the table in the Ghanian and Zimbabwean contexts respectively. Zim-dancehall artists have carved out a space for themselves within the genre and made a meaningful impact in Zimbabwe, especially those who focus on socio-political issues like Winky D, but international success will always be minimal if not elusive compared to their counterparts in Jamaica where the genre originated. Every genre needs to be international if the artists are going to get enough cheese. Whenever I am in Rwanda or Kenya or Nigeria, Amapiano will blares from car radios, wine bars and clubs, it is because it is authentic to South Africans. There is that one in a hundred artist, like Lucky Dube, Snow, or Alpha Blondy, who will break the mould, but they are outliers. This Jamaican aunty who is a vendor will bury the best we have in a sound clash, it is their music, it is their culture, it is their heritage. So let us dance along to Zim-dancehall, knowing full well that it will remain within the confines of our borders. Until such a time when our Zim-dancehall artists can go and play a show to a non-Zimbabwean audience, they remain local, not international! Zim-dancehall sounds the same way Chimurenga music or Sungura sounds to a Zimbabwean when being sung by a European or American, it doesn’t sound authentic at all outside our borders! Part of dancehall’s authenticity is the language used, Jamaican patois, we speak it like a child is learning to speak bar for a few who have lived in England or Jamaica and have mastered the language.

Hopewell Chin’ono

60,094 просмотров • 1 год назад