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Perfect babe cumsluts# #Amateur,Babe,Cum On Pussy,Cumshot,Homemade,Lingerie,Missionary,Real Couple,Shaved Pussy,Ukrainian Amateur Ukrainian teen babe flashes perfect small tits and tight ass in black lingerie while riding and missionary pounding her shaved pussy on a bed, moaning with pleasure as her partner unloads thick cum all over her smooth skin. The slim...

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Oh man, I've fallen in love! And how couldn't you when you watch the way the insanely hot Dina Cardone from Italy is lighting her ciggie in her car? You can immediately see the relaxing relief in her sultry eyes as soon as she does a double pump on her freshly lit ciggie. And she proceeds by doing double and triple pumps on every inhale, each time letting a hot plume of creamy smoke billow out from between her sexy lips. All the while she gives us a hypnotic look with her beautiful, hazy eyes; allowing us to look straight into the soul of this gorgeous woman. She doesn't rush; savouring every bit of nicotine that's entering her addicted lungs. And the ash on the tip keeps piling up as she sucks ever more pleasure deep into her hot body. Everything about Dina is pure perfection; her gorgeous, jet-black hair, wide eyebrows, hypnotic eyes, perfect nose, sculpted cheekbones, puffy lips, and luscious chest with a hot cross tattoo between her breasts. She's quite simply the perfect woman. Just imagine the luck of the guy whom she allows her second-hand smoke to penetrate his lungs. Dina's got every guy at her feet. Go to her Instagram page @dina_cardone to give her some love; she deserves it so much. #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #smokinginthecar #lightingup #deepinhale #doublepump #triplepump #creamyexhale #sultrylips #puffylips #hypnoticeyes #hazyeyes #dinacardone #coolgirl #hotgirl #sexygirl #italiangirl #italiansmoker
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Oh man, I've fallen in love! And how couldn't you when you watch the way the insanely hot Dina Cardone from Italy is lighting her ciggie in her car? You can immediately see the relaxing relief in her sultry eyes as soon as she does a double pump on her freshly lit ciggie. And she proceeds by doing double and triple pumps on every inhale, each time letting a hot plume of creamy smoke billow out from between her sexy lips. All the while she gives us a hypnotic look with her beautiful, hazy eyes; allowing us to look straight into the soul of this gorgeous woman. She doesn't rush; savouring every bit of nicotine that's entering her addicted lungs. And the ash on the tip keeps piling up as she sucks ever more pleasure deep into her hot body. Everything about Dina is pure perfection; her gorgeous, jet-black hair, wide eyebrows, hypnotic eyes, perfect nose, sculpted cheekbones, puffy lips, and luscious chest with a hot cross tattoo between her breasts. She's quite simply the perfect woman. Just imagine the luck of the guy whom she allows her second-hand smoke to penetrate his lungs. Dina's got every guy at her feet. Go to her Instagram page @dina_cardone to give her some love; she deserves it so much. #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #smokinginthecar #lightingup #deepinhale #doublepump #triplepump #creamyexhale #sultrylips #puffylips #hypnoticeyes #hazyeyes #dinacardone #coolgirl #hotgirl #sexygirl #italiangirl #italiansmoker

Smoking girl lover

10,450 Aufrufe • vor 11 Monaten

This is my second post of the amazing Queen Delvys, a sexy teen Indonesian girl who's a full-on smoking machine. Every evening this hot little tar-pit has the same routine; doing a live in her room while listening to her music and pumping smokies into her black lungs. And you can immediately spot just how accomplished she is. She's a true queen of hot, stylish smoking. She follows each drag with a perfect snap inhale. Then she holds the smoke; this massive addict really wants every last bit of nicotine to soak into her lungs. And she finishes off with massive double exhales from her the sides of her mouth and her nostrils. I have edited the sixteen perfect inhales and exhales she did on one ciggie into a single video. And look how she becomes more and more blasted as her ciggie gets shorter. Her heads bobs ever slower as she relaxes while her lovely eyes turn into tiny hazy slits from the nicotine rush building up inside her hot little body. And listen to her smoky voice as she talks to the horny boys who are watching her. No surprise that they all want a piece of her. And she's really into it; she asks one of the boys if he wants a bitch like her, if he wants to handle her. Oh man, wouldn't you take a plane to Jakarta just to pump this cute little bitch full of pleasure? #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #lightup #deepinhale #snapinhale #exhale #noseexhale #smokinglive #sultryeyes #hazyeyes #teensmoking #teensmoker #smokingteen #coolgirl #hotgirl #sexygirl #indonesiangirl #indonesiansmoker
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This is my second post of the amazing Queen Delvys, a sexy teen Indonesian girl who's a full-on smoking machine. Every evening this hot little tar-pit has the same routine; doing a live in her room while listening to her music and pumping smokies into her black lungs. And you can immediately spot just how accomplished she is. She's a true queen of hot, stylish smoking. She follows each drag with a perfect snap inhale. Then she holds the smoke; this massive addict really wants every last bit of nicotine to soak into her lungs. And she finishes off with massive double exhales from her the sides of her mouth and her nostrils. I have edited the sixteen perfect inhales and exhales she did on one ciggie into a single video. And look how she becomes more and more blasted as her ciggie gets shorter. Her heads bobs ever slower as she relaxes while her lovely eyes turn into tiny hazy slits from the nicotine rush building up inside her hot little body. And listen to her smoky voice as she talks to the horny boys who are watching her. No surprise that they all want a piece of her. And she's really into it; she asks one of the boys if he wants a bitch like her, if he wants to handle her. Oh man, wouldn't you take a plane to Jakarta just to pump this cute little bitch full of pleasure? #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #lightup #deepinhale #snapinhale #exhale #noseexhale #smokinglive #sultryeyes #hazyeyes #teensmoking #teensmoker #smokingteen #coolgirl #hotgirl #sexygirl #indonesiangirl #indonesiansmoker

Smoking girl lover

34,697 Aufrufe • vor 1 Jahr

Some people still think AI does't look real - This video just ended the argument Made with Seedance 2.5 1080p on maxfusion Full prompt: Raw vertical phone video (UGC), handheld throughout, filmed by a friend who walks with the group, casual sway, natural night lighting, wide-angle lens, deep focus. Characters: The hero is a young woman with long dark hair in a deep-purple one-shoulder dress with a small shoulder bag. Her three friends: one in a dark brown dress, a blonde in a black wrap dress, a blonde in a white mini dress — party dresses and sandals. Laughing, spontaneous night-out energy. Setting: A luxury marina at night — a stone quay along a narrow water slip flanked on both sides by large moored luxury yachts, big white hulls rising on either side, masts and rigging above, fenders on the hulls. Warm orange street lamps, palm trees, distant city lights. The yachts glow with blue-turquoise underwater LED lights spilling into the water; a yellow mooring line runs to the stone. [0.0s–4.0s] — Wide tracking shot, eye level, camera moving backward. The camera walks backward ahead of the four women as they stroll toward it down the marina promenade, framed head-to-toe, laughing and chatting in French; warm lamplight and palm trees behind, slight handheld bob. [4.0s–6.0s] — Medium shot, eye level, backward track + quick left pan. The woman in the purple dress surges ahead of the group toward the lens, one arm raised, hair flying; the camera, on their left, keeps tracking back and pans to hold her. [6.0s–8.0s] — Medium-wide, camera tilts down-left to follow, whip motion. She reaches the quay edge between the moored luxury yachts and launches headfirst over the edge; the handheld camera whips left and tilts down to chase her off the stone. [8.0s–10.0s] — High-angle wide, looking down at the water, slight jolt. From up on the quay the camera looks down as she plunges headfirst into the blue-turquoise water in the slip between the big yacht hulls — a big splash, the underwater lights glowing around the impact; the handheld frame jolts slightly with the motion. [10.0s–13.0s] — High-angle medium, looking down, small handheld drift. She surfaces in the teal water, gasping and laughing up at the camera, hair slicked back, treading water. [13.0s–16.0s] — Handheld tilt up and back down, slight zoom. The camera lifts off the water and tilts up to a person leaning on the deck railing of one of the moored luxury yachts, watching her in the water, then tilts back down and zooms slightly in on her still treading and laughing. [16.0s–20.0s] — High-angle medium, tilting to follow her up. She swims to the stone quay wall, reaches up and grabs a thick dark mooring pole, and hauls herself out; the camera tilts upward with her as she rises from the water, legs braced on the stone. [20.0s–23.0s] — Low/close medium at the quay edge, static handheld. She climbs onto the stone lip, rolls onto her side, soaked dress clinging, then pushes up to her feet; the camera holds close, catching the water running off her. [23.0s–27.0s] — Medium shot, eye level, loose handheld reframe. Back on the promenade, dripping wet, she flips her long wet hair forward and wrings it out, laughing, as her friends and passing pedestrians move behind her. [27.0s–30.0s] — Medium shot, eye level, camera settles. Still dripping, she straightens up and strikes a confident, playful pose for the camera — hand on hip, tossing her wet hair back with a big smile — her friends laughing around her; the camera holds on the pose to end. Audio: Live sync sound — friends laughing and shouting excitedly in French, a scream at the leap, a big water splash, water sloshing against the yacht hulls, wet footsteps on stone, ambient night marina sounds. No music. Style: Raw amateur vertical phone footage, natural night lighting, warm street lamps mixing with the turquoise underwater yacht glow, authentic handheld motion.
0:30

Some people still think AI does't look real - This video just ended the argument Made with Seedance 2.5 1080p on maxfusion Full prompt: Raw vertical phone video (UGC), handheld throughout, filmed by a friend who walks with the group, casual sway, natural night lighting, wide-angle lens, deep focus. Characters: The hero is a young woman with long dark hair in a deep-purple one-shoulder dress with a small shoulder bag. Her three friends: one in a dark brown dress, a blonde in a black wrap dress, a blonde in a white mini dress — party dresses and sandals. Laughing, spontaneous night-out energy. Setting: A luxury marina at night — a stone quay along a narrow water slip flanked on both sides by large moored luxury yachts, big white hulls rising on either side, masts and rigging above, fenders on the hulls. Warm orange street lamps, palm trees, distant city lights. The yachts glow with blue-turquoise underwater LED lights spilling into the water; a yellow mooring line runs to the stone. [0.0s–4.0s] — Wide tracking shot, eye level, camera moving backward. The camera walks backward ahead of the four women as they stroll toward it down the marina promenade, framed head-to-toe, laughing and chatting in French; warm lamplight and palm trees behind, slight handheld bob. [4.0s–6.0s] — Medium shot, eye level, backward track + quick left pan. The woman in the purple dress surges ahead of the group toward the lens, one arm raised, hair flying; the camera, on their left, keeps tracking back and pans to hold her. [6.0s–8.0s] — Medium-wide, camera tilts down-left to follow, whip motion. She reaches the quay edge between the moored luxury yachts and launches headfirst over the edge; the handheld camera whips left and tilts down to chase her off the stone. [8.0s–10.0s] — High-angle wide, looking down at the water, slight jolt. From up on the quay the camera looks down as she plunges headfirst into the blue-turquoise water in the slip between the big yacht hulls — a big splash, the underwater lights glowing around the impact; the handheld frame jolts slightly with the motion. [10.0s–13.0s] — High-angle medium, looking down, small handheld drift. She surfaces in the teal water, gasping and laughing up at the camera, hair slicked back, treading water. [13.0s–16.0s] — Handheld tilt up and back down, slight zoom. The camera lifts off the water and tilts up to a person leaning on the deck railing of one of the moored luxury yachts, watching her in the water, then tilts back down and zooms slightly in on her still treading and laughing. [16.0s–20.0s] — High-angle medium, tilting to follow her up. She swims to the stone quay wall, reaches up and grabs a thick dark mooring pole, and hauls herself out; the camera tilts upward with her as she rises from the water, legs braced on the stone. [20.0s–23.0s] — Low/close medium at the quay edge, static handheld. She climbs onto the stone lip, rolls onto her side, soaked dress clinging, then pushes up to her feet; the camera holds close, catching the water running off her. [23.0s–27.0s] — Medium shot, eye level, loose handheld reframe. Back on the promenade, dripping wet, she flips her long wet hair forward and wrings it out, laughing, as her friends and passing pedestrians move behind her. [27.0s–30.0s] — Medium shot, eye level, camera settles. Still dripping, she straightens up and strikes a confident, playful pose for the camera — hand on hip, tossing her wet hair back with a big smile — her friends laughing around her; the camera holds on the pose to end. Audio: Live sync sound — friends laughing and shouting excitedly in French, a scream at the leap, a big water splash, water sloshing against the yacht hulls, wet footsteps on stone, ambient night marina sounds. No music. Style: Raw amateur vertical phone footage, natural night lighting, warm street lamps mixing with the turquoise underwater yacht glow, authentic handheld motion.

Stav Zilbershtein

420,883 Aufrufe • vor 1 Monat

Super cute Amina lights up a ciggie during her live, and shows us just how incredibly hot a teen girl becomes when she takes up a cool smoking habit. This German beauty has Serbian-Greek roots, and looks absolutely amazing in her tight white turtleneck sweater, massive hoop earrings, and with her lovely long, raven hair and gorgeous eyes. She's only fifteen and started smoking when she was twelve. She insist that it was her own decision and that she doesn't ever regret becoming a smoker. She's now so addicted that her parents had to allow her to smoke in her room. And she smokes like a pro, taking deep drags and holding it in to let her lungs soak up all the nicotine pleasure. She doesn't let anything go to waste, smoking her ciggie right down to the filter. And she becomes so relaxed, and when she smokes looks way more mature than her young age. Her two friends in the back also follow her lead; they know that they don't have to hold back when they're visiting Amina. I just love how she passes them her pack of Marlboro Reds immediately after lighting up. In the background you can see the girl behind Amina smoking while eating her pizza, and two hands ash their ciggies in the pizza box. Man, it's so hot when three teen girls are pumping the room full of smoke! They all just need to smoke as soon as they discover how cool it feels when the nicotine rushes through their body. It's impossible to resist becoming addicted to so much fun. Let's face it, every teen girl should be like Amina. #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #turtleneck #turtlenecksweater #turtleneckfetish #hoopearring #lightingup #deepinhale #exhale #ashingciggies #teensmoking #teensmoker #smokingteen #coolgirl #hotgirl #sexygirl #germangirl #germansmoker
5:31

Super cute Amina lights up a ciggie during her live, and shows us just how incredibly hot a teen girl becomes when she takes up a cool smoking habit. This German beauty has Serbian-Greek roots, and looks absolutely amazing in her tight white turtleneck sweater, massive hoop earrings, and with her lovely long, raven hair and gorgeous eyes. She's only fifteen and started smoking when she was twelve. She insist that it was her own decision and that she doesn't ever regret becoming a smoker. She's now so addicted that her parents had to allow her to smoke in her room. And she smokes like a pro, taking deep drags and holding it in to let her lungs soak up all the nicotine pleasure. She doesn't let anything go to waste, smoking her ciggie right down to the filter. And she becomes so relaxed, and when she smokes looks way more mature than her young age. Her two friends in the back also follow her lead; they know that they don't have to hold back when they're visiting Amina. I just love how she passes them her pack of Marlboro Reds immediately after lighting up. In the background you can see the girl behind Amina smoking while eating her pizza, and two hands ash their ciggies in the pizza box. Man, it's so hot when three teen girls are pumping the room full of smoke! They all just need to smoke as soon as they discover how cool it feels when the nicotine rushes through their body. It's impossible to resist becoming addicted to so much fun. Let's face it, every teen girl should be like Amina. #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #turtleneck #turtlenecksweater #turtleneckfetish #hoopearring #lightingup #deepinhale #exhale #ashingciggies #teensmoking #teensmoker #smokingteen #coolgirl #hotgirl #sexygirl #germangirl #germansmoker

Smoking girl lover

27,359 Aufrufe • vor 1 Jahr

Wan 3.0 vs Seedance 2.5 - same viral video There is only one ruler and it's clear who prompt: Raw vertical phone video (UGC), handheld throughout, filmed by a friend who walks with the group, casual sway, natural night lighting, wide-angle lens, deep focus. Characters The hero is a young woman with long dark hair in a deep-purple one-shoulder dress with a small shoulder bag. Her three friends: one in a dark brown dress, a blonde in a black wrap dress, a blonde in a white mini dress — party dresses and sandals. Laughing, spontaneous night-out energy. Setting A luxury marina at night — a stone quay along a narrow water slip flanked on both sides by large moored luxury yachts, big white hulls rising on either side, masts and rigging above, fenders on the hulls. Warm orange street lamps, palm trees, distant city lights. The yachts glow with blue-turquoise underwater LED lights spilling into the water; a yellow mooring line runs to the stone. Shot list 0.0s–4.0s — Wide tracking shot, eye level, camera moving backward The camera walks backward ahead of the four women as they stroll toward it down the marina promenade, framed head-to-toe, laughing and chatting in French; warm lamplight and palm trees behind, slight handheld bob. 4.0s–6.0s — Medium shot, eye level, backward track + quick left pan The woman in the purple dress surges ahead of the group toward the lens, one arm raised, hair flying; the camera, on their left, keeps tracking back and pans to hold her. 6.0s–8.0s — Medium-wide, camera tilts down-left to follow, whip motion She reaches the quay edge between the moored luxury yachts and launches headfirst over the edge; the handheld camera whips left and tilts down to chase her off the stone. 8.0s–10.0s — High-angle wide, looking down at the water, slight jolt From up on the quay the camera looks down as she plunges headfirst into the blue-turquoise water in the slip between the big yacht hulls — a big splash, the underwater lights glowing around the impact; the handheld frame jolts slightly with the motion. 10.0s–13.0s — High-angle medium, looking down, small handheld drift She surfaces in the teal water, gasping and laughing up at the camera, hair slicked back, treading water. 13.0s–16.0s — Handheld tilt up and back down, slight zoom The camera lifts off the water and tilts up to a person leaning on the deck railing of one of the moored luxury yachts, watching her in the water, then tilts back down and zooms slightly in on her still treading and laughing. 16.0s–20.0s — High-angle medium, tilting to follow her up She swims to the stone quay wall, reaches up and grabs a thick dark mooring pole, and hauls herself out; the camera tilts upward with her as she rises from the water, legs braced on the stone. 20.0s–23.0s — Low/close medium at the quay edge, static handheld She climbs onto the stone lip, rolls onto her side, soaked dress clinging, then pushes up to her feet; the camera holds close, catching the water running off her. 23.0s–27.0s — Medium shot, eye level, loose handheld reframe Back on the promenade, dripping wet, she flips her long wet hair forward and wrings it out, laughing, as her friends and passing pedestrians move behind her. 27.0s–30.0s — Medium shot, eye level, camera settles Still dripping, she straightens up and strikes a confident, playful pose for the camera — hand on hip, tossing her wet hair back with a big smile — her friends laughing around her; the camera holds on the pose to end. Audio Live sync sound — friends laughing and shouting excitedly in French, a scream at the leap, a big water splash, water sloshing against the yacht hulls, wet footsteps on stone, ambient night marina sounds. No music. Style Raw amateur vertical phone footage, natural night lighting, warm street lamps mixing with the turquoise underwater yacht glow, authentic handheld motion.
0:30

Wan 3.0 vs Seedance 2.5 - same viral video There is only one ruler and it's clear who prompt: Raw vertical phone video (UGC), handheld throughout, filmed by a friend who walks with the group, casual sway, natural night lighting, wide-angle lens, deep focus. Characters The hero is a young woman with long dark hair in a deep-purple one-shoulder dress with a small shoulder bag. Her three friends: one in a dark brown dress, a blonde in a black wrap dress, a blonde in a white mini dress — party dresses and sandals. Laughing, spontaneous night-out energy. Setting A luxury marina at night — a stone quay along a narrow water slip flanked on both sides by large moored luxury yachts, big white hulls rising on either side, masts and rigging above, fenders on the hulls. Warm orange street lamps, palm trees, distant city lights. The yachts glow with blue-turquoise underwater LED lights spilling into the water; a yellow mooring line runs to the stone. Shot list 0.0s–4.0s — Wide tracking shot, eye level, camera moving backward The camera walks backward ahead of the four women as they stroll toward it down the marina promenade, framed head-to-toe, laughing and chatting in French; warm lamplight and palm trees behind, slight handheld bob. 4.0s–6.0s — Medium shot, eye level, backward track + quick left pan The woman in the purple dress surges ahead of the group toward the lens, one arm raised, hair flying; the camera, on their left, keeps tracking back and pans to hold her. 6.0s–8.0s — Medium-wide, camera tilts down-left to follow, whip motion She reaches the quay edge between the moored luxury yachts and launches headfirst over the edge; the handheld camera whips left and tilts down to chase her off the stone. 8.0s–10.0s — High-angle wide, looking down at the water, slight jolt From up on the quay the camera looks down as she plunges headfirst into the blue-turquoise water in the slip between the big yacht hulls — a big splash, the underwater lights glowing around the impact; the handheld frame jolts slightly with the motion. 10.0s–13.0s — High-angle medium, looking down, small handheld drift She surfaces in the teal water, gasping and laughing up at the camera, hair slicked back, treading water. 13.0s–16.0s — Handheld tilt up and back down, slight zoom The camera lifts off the water and tilts up to a person leaning on the deck railing of one of the moored luxury yachts, watching her in the water, then tilts back down and zooms slightly in on her still treading and laughing. 16.0s–20.0s — High-angle medium, tilting to follow her up She swims to the stone quay wall, reaches up and grabs a thick dark mooring pole, and hauls herself out; the camera tilts upward with her as she rises from the water, legs braced on the stone. 20.0s–23.0s — Low/close medium at the quay edge, static handheld She climbs onto the stone lip, rolls onto her side, soaked dress clinging, then pushes up to her feet; the camera holds close, catching the water running off her. 23.0s–27.0s — Medium shot, eye level, loose handheld reframe Back on the promenade, dripping wet, she flips her long wet hair forward and wrings it out, laughing, as her friends and passing pedestrians move behind her. 27.0s–30.0s — Medium shot, eye level, camera settles Still dripping, she straightens up and strikes a confident, playful pose for the camera — hand on hip, tossing her wet hair back with a big smile — her friends laughing around her; the camera holds on the pose to end. Audio Live sync sound — friends laughing and shouting excitedly in French, a scream at the leap, a big water splash, water sloshing against the yacht hulls, wet footsteps on stone, ambient night marina sounds. No music. Style Raw amateur vertical phone footage, natural night lighting, warm street lamps mixing with the turquoise underwater yacht glow, authentic handheld motion.

Stav Zilbershtein

190,342 Aufrufe • vor 1 Monat

Horrifying... Nicole Maurier testified at the Allison Inquiry in Canadian Parliament about her daughter Abigail. Abigail was 24. She had a drug hypersensitivity and a strong intuition that the COVID shots would harm her. She asked for a medical exemption from her employer (Alberta Health Services) and her lifelong doctor. Both were denied. Her doctor told her the shots were "safe and effective." She trusted her. She got her 1st Pfizer shot Sept 15, 2021. Her 2nd Oct 15, 2021. Seven months later, she started feeling unwell. By March 2023, she was in the ER. A CT scan revealed she was "basically full of cancer." She had a tumor in her right lung. Both lower and middle lobes collapsed. A tumor in her chest so large it was pushing her heart and valves to the left side of her body. Enlarged lymph nodes throughout her body - two in her neck threatening to cut off her ability to swallow or breathe. She was diagnosed with NUT carcinoma, an extraordinarily rare cancer. The tumor doubled in size in just two weeks. Her oncologist said this rate of growth is what they'd normally see over a 10-year span in a cancer patient. From diagnosis to death: six weeks. She was 23. She never smoked. She was a ring girl at MMA fights in December 2022. By April 2023, she was unrecognizable. Her platelets dropped to 6 (normal is 150-450). She bled from her nose for 24 hours. She coughed up massive blood clots. Her organs shut down one by one. She went into metabolic acidosis. On May 2, 2023, Nicole crawled into bed with her daughter, sang her a lullaby, and held her as she took her last breath. Abigail's family doctor later completed the federal VIS medical assessment form and wrote: "NUT carcinoma post-COVID-19 vaccination." She noted Abigail was mandated by her employer. When Nicole confronted the doctor about denying Abigail's exemption, the doctor said: "You're right, I did." And then she said: "What you need to understand is that we were threatened by our associations. If we gave out medical exemptions... we would lose our license and our job." Nicole's final words: "And for what? For a virus that has a 99% survival rate. All because of a mandate." Abigail was Nicole's only child. Her "earth angel." Her entire world. This is her story.
20:34

Horrifying... Nicole Maurier testified at the Allison Inquiry in Canadian Parliament about her daughter Abigail. Abigail was 24. She had a drug hypersensitivity and a strong intuition that the COVID shots would harm her. She asked for a medical exemption from her employer (Alberta Health Services) and her lifelong doctor. Both were denied. Her doctor told her the shots were "safe and effective." She trusted her. She got her 1st Pfizer shot Sept 15, 2021. Her 2nd Oct 15, 2021. Seven months later, she started feeling unwell. By March 2023, she was in the ER. A CT scan revealed she was "basically full of cancer." She had a tumor in her right lung. Both lower and middle lobes collapsed. A tumor in her chest so large it was pushing her heart and valves to the left side of her body. Enlarged lymph nodes throughout her body - two in her neck threatening to cut off her ability to swallow or breathe. She was diagnosed with NUT carcinoma, an extraordinarily rare cancer. The tumor doubled in size in just two weeks. Her oncologist said this rate of growth is what they'd normally see over a 10-year span in a cancer patient. From diagnosis to death: six weeks. She was 23. She never smoked. She was a ring girl at MMA fights in December 2022. By April 2023, she was unrecognizable. Her platelets dropped to 6 (normal is 150-450). She bled from her nose for 24 hours. She coughed up massive blood clots. Her organs shut down one by one. She went into metabolic acidosis. On May 2, 2023, Nicole crawled into bed with her daughter, sang her a lullaby, and held her as she took her last breath. Abigail's family doctor later completed the federal VIS medical assessment form and wrote: "NUT carcinoma post-COVID-19 vaccination." She noted Abigail was mandated by her employer. When Nicole confronted the doctor about denying Abigail's exemption, the doctor said: "You're right, I did." And then she said: "What you need to understand is that we were threatened by our associations. If we gave out medical exemptions... we would lose our license and our job." Nicole's final words: "And for what? For a virus that has a 99% survival rate. All because of a mandate." Abigail was Nicole's only child. Her "earth angel." Her entire world. This is her story.

Camus

106,139 Aufrufe • vor 12 Tagen

✨ Great achievements begin with the simple choices you make every morning. Prompt: Scene 1 (0–5 sec) – Sunrise Awakening A bright, elegant bedroom bathed in soft golden sunrise light. A young professional woman sleeps peacefully beneath a cozy blanket. A sleek smartphone alarm lights up at 6:45 AM and gently rings. She slowly opens her eyes, stretches comfortably, and takes a deep breath as the morning light fills the room. Cinematic lighting, ultra-realistic, smooth camera movement, highly detailed, 4K. Scene 2 (5–10 sec) – Refreshing Start She walks into a stylish modern bathroom with a calm expression. She splashes cool water on her face, smiles softly at her reflection, brushes her teeth, and gets ready for the day. Natural morning light, realistic facial expressions, cinematic close-up shots, premium quality, ultra-detailed. Scene 3 (10–15 sec) – Morning Energy Inside a luxurious contemporary kitchen, she prepares a fresh cup of coffee using a premium espresso machine. Rich coffee flows slowly into a ceramic mug as warm steam rises. She enjoys the first sip while gazing through the window at the peaceful morning skyline. Cozy atmosphere, warm cinematic tones, realistic details, 4K. Scene 4 (15–20 sec) – Ready for the Day Back in her modern apartment, she dresses in elegant business attire, wears her watch, picks up her laptop bag, checks her reflection in a full-length mirror, smiles confidently, and walks toward the front door. Smooth tracking shot, cinematic realism, premium interior design. Scene 5 (20–25 sec) – A Journey Begins She steps onto a lively morning street filled with soft sunlight and people beginning their day. She confidently walks toward the city, carrying her coffee and laptop bag as the camera follows from behind before revealing a stunning wide-angle view of the skyline. Hopeful atmosphere, cinematic storytelling, ultra-realistic, 4K, smooth camera movement. Final Frame (25–30 sec) The screen fades into a clean cinematic ending with elegant minimalist text: Zohaib Ai Premium typography, soft fade-in animation, luxury aesthetic, ultra-realistic, 4K.
0:27

✨ Great achievements begin with the simple choices you make every morning. Prompt: Scene 1 (0–5 sec) – Sunrise Awakening A bright, elegant bedroom bathed in soft golden sunrise light. A young professional woman sleeps peacefully beneath a cozy blanket. A sleek smartphone alarm lights up at 6:45 AM and gently rings. She slowly opens her eyes, stretches comfortably, and takes a deep breath as the morning light fills the room. Cinematic lighting, ultra-realistic, smooth camera movement, highly detailed, 4K. Scene 2 (5–10 sec) – Refreshing Start She walks into a stylish modern bathroom with a calm expression. She splashes cool water on her face, smiles softly at her reflection, brushes her teeth, and gets ready for the day. Natural morning light, realistic facial expressions, cinematic close-up shots, premium quality, ultra-detailed. Scene 3 (10–15 sec) – Morning Energy Inside a luxurious contemporary kitchen, she prepares a fresh cup of coffee using a premium espresso machine. Rich coffee flows slowly into a ceramic mug as warm steam rises. She enjoys the first sip while gazing through the window at the peaceful morning skyline. Cozy atmosphere, warm cinematic tones, realistic details, 4K. Scene 4 (15–20 sec) – Ready for the Day Back in her modern apartment, she dresses in elegant business attire, wears her watch, picks up her laptop bag, checks her reflection in a full-length mirror, smiles confidently, and walks toward the front door. Smooth tracking shot, cinematic realism, premium interior design. Scene 5 (20–25 sec) – A Journey Begins She steps onto a lively morning street filled with soft sunlight and people beginning their day. She confidently walks toward the city, carrying her coffee and laptop bag as the camera follows from behind before revealing a stunning wide-angle view of the skyline. Hopeful atmosphere, cinematic storytelling, ultra-realistic, 4K, smooth camera movement. Final Frame (25–30 sec) The screen fades into a clean cinematic ending with elegant minimalist text: Zohaib Ai Premium typography, soft fade-in animation, luxury aesthetic, ultra-realistic, 4K.

Zohaib Ai

40,886 Aufrufe • vor 2 Monaten

Seedance 2.5 full 30s prompt + H3 lipsync workflow are below 👇 [3_panel_ref] is a three-panel character turnaround (front, left profile, rear) that strictly defines one single continuous Black woman: short black hair with a sharp undercut on one side, large gold hoop earrings, thick gold curb-chain necklace, fitted black short-sleeve crop top exposing the midriff, baggy green woodland-camouflage cargo pants with large side pockets, and black-and-white Nike high-top sneakers with leopard-print heel and tongue panels. Use only her exact face, body proportions, hair, clothing and accessories. Do not use the plain studio background or any lighting from this image. [outdoor_ref] provides the outdoor lakeside music festival environment at blue-hour dusk: dense standing crowd, main stage with large LED screens and vibrant purple-cyan-pink lighting, scattered white and colored tents, flags, gravel paths, dark forested hills, and calm reflective lake water. Use this only for location layout, spatial depth, ambient lighting mix (cool dusk sky + warm practical tent lights + stage color spill), and background crowd density. Do not promote any specific individuals from this image into the main subject role. Generate a continuous 30-second photorealistic cinematic sequence of the exact same woman from [3_panel_ref] advancing through the dense festival crowd of [outdoor_ref] while carrying a clear plastic cup of beer in each hand. Her path is a single continuous forward trajectory from deep inside the packed crowd toward a slightly clearer edge near the water where her friends wait. All camera work and cuts preserve the unbroken sense of her physical progress and direction of travel. No dialogue, no subtitles, no on-screen text. 0-3s: Hybrid SnorriCam + Steadicam locked on her face and upper torso. She pushes and weaves through tightly packed bodies, constantly bumped from left, right and behind. Both beer cups tilt and liquid sloshes; her expression cycles between tight frustration and stubborn determination. She never stops advancing. Stage lights and crowd motion blur behind her. 3.0-4.5s: Medium side tracking shot. A tall man shoulders into her hard — brief slow-motion impact, beer liquid arcs upward, then hard speed-ramp recovery as she re-centers and keeps moving forward. 4.5-6.0s: Extreme close-up on her right hand clamped around the plastic cup. Foam and golden liquid sway violently with each jolt; knuckles and gold chain details sharp. 6.0-7.5s: Low-angle close-up of her Nike sneakers with leopard accents stepping carefully between other people’s feet, discarded cups and uneven grass, still pushing ahead. 7.5-9.0s: Tight facial close-up with rapid zoom-in to her eyes and the swinging gold hoop earring. She glances sideways at a near-miss, jaw tight, then locks forward again. 9.0-10.5s: Medium three-quarter shot. She ducks under a raised dancing arm, speed-ramp on the duck and straighten, beers held high, continuing the same forward line. 10.5-12.0s: Slightly elevated back three-quarter. A surge of people passes; her crop top and gold chain catch stage light as she twists her torso to slip through without stopping. 12.0-13.5s: Extreme close-up on the left beer cup as it is jolted — liquid nearly overflows, catching a purple stage flash, then settles as she stabilizes. 13.5-15.0s: Dutch-angle medium shot. She brushes past a person with a large backpack; camo cargo pockets scrape fabric; her stride never breaks. 15.0-16.5s: Close-up on the undercut side of her head and short black hair moving with the motion, gold earring flashing. 16.5-18.0s: Slightly high angle looking down as she navigates a tighter cluster near tents; bodies part just enough for her to thread through, still advancing. 18.0-19.5s: Slow-motion medium close-up of her upper body and face as a drift of stage fog and colored light crosses her; skin, gold jewelry and black fabric catch the colors while she keeps walking. 19.5-21.0s: Side tracking speed-ramp. She sidesteps a couple holding hands, beers lifted protectively, path still straight toward the water edge. 21.0-22.5s: Extreme close-up on her slightly parted lips and focused eyes looking ahead, concentration unbroken. 22.5-24.0s: Medium full-body as the crowd density begins to thin near the lake. She picks up a half-step of speed while still carefully balancing both cups. 24.0-25.5s: Tracking from behind as she emerges into a small clearer zone. Two female friends in casual festival clothes are waiting a few meters ahead, already noticing her. 25.5-27.0s: Medium shot as she reaches them, stops, still holding both beers upright. Shoulders begin to drop. 27.0-30s: Close-up on her face. She releases a long, deep sigh of pure relief, a small tired smile appears, eyes soften toward her friends. Soft bokeh of lake water and residual stage lights behind her. Hold the final frame. Visual treatment: photorealistic live-action, natural blue-hour mixed with vibrant stage color spill, shallow depth of field on all close-ups, grounded handheld energy that never loses her continuous forward path. Audio: dense overlapping crowd murmur and chatter, distant muffled bass and music from the main stage, liquid sloshing inside the cups, soft body impacts and fabric rustle, her slightly elevated breathing, final clear relieved exhalation. No added music bed beyond the distant stage sound. Keep the woman’s identity, clothing, cup ownership and direction of travel completely stable across every cut. If you need the prompts for the references used, check the quoted post! 🫡
0:30

Seedance 2.5 full 30s prompt + H3 lipsync workflow are below 👇 [3_panel_ref] is a three-panel character turnaround (front, left profile, rear) that strictly defines one single continuous Black woman: short black hair with a sharp undercut on one side, large gold hoop earrings, thick gold curb-chain necklace, fitted black short-sleeve crop top exposing the midriff, baggy green woodland-camouflage cargo pants with large side pockets, and black-and-white Nike high-top sneakers with leopard-print heel and tongue panels. Use only her exact face, body proportions, hair, clothing and accessories. Do not use the plain studio background or any lighting from this image. [outdoor_ref] provides the outdoor lakeside music festival environment at blue-hour dusk: dense standing crowd, main stage with large LED screens and vibrant purple-cyan-pink lighting, scattered white and colored tents, flags, gravel paths, dark forested hills, and calm reflective lake water. Use this only for location layout, spatial depth, ambient lighting mix (cool dusk sky + warm practical tent lights + stage color spill), and background crowd density. Do not promote any specific individuals from this image into the main subject role. Generate a continuous 30-second photorealistic cinematic sequence of the exact same woman from [3_panel_ref] advancing through the dense festival crowd of [outdoor_ref] while carrying a clear plastic cup of beer in each hand. Her path is a single continuous forward trajectory from deep inside the packed crowd toward a slightly clearer edge near the water where her friends wait. All camera work and cuts preserve the unbroken sense of her physical progress and direction of travel. No dialogue, no subtitles, no on-screen text. 0-3s: Hybrid SnorriCam + Steadicam locked on her face and upper torso. She pushes and weaves through tightly packed bodies, constantly bumped from left, right and behind. Both beer cups tilt and liquid sloshes; her expression cycles between tight frustration and stubborn determination. She never stops advancing. Stage lights and crowd motion blur behind her. 3.0-4.5s: Medium side tracking shot. A tall man shoulders into her hard — brief slow-motion impact, beer liquid arcs upward, then hard speed-ramp recovery as she re-centers and keeps moving forward. 4.5-6.0s: Extreme close-up on her right hand clamped around the plastic cup. Foam and golden liquid sway violently with each jolt; knuckles and gold chain details sharp. 6.0-7.5s: Low-angle close-up of her Nike sneakers with leopard accents stepping carefully between other people’s feet, discarded cups and uneven grass, still pushing ahead. 7.5-9.0s: Tight facial close-up with rapid zoom-in to her eyes and the swinging gold hoop earring. She glances sideways at a near-miss, jaw tight, then locks forward again. 9.0-10.5s: Medium three-quarter shot. She ducks under a raised dancing arm, speed-ramp on the duck and straighten, beers held high, continuing the same forward line. 10.5-12.0s: Slightly elevated back three-quarter. A surge of people passes; her crop top and gold chain catch stage light as she twists her torso to slip through without stopping. 12.0-13.5s: Extreme close-up on the left beer cup as it is jolted — liquid nearly overflows, catching a purple stage flash, then settles as she stabilizes. 13.5-15.0s: Dutch-angle medium shot. She brushes past a person with a large backpack; camo cargo pockets scrape fabric; her stride never breaks. 15.0-16.5s: Close-up on the undercut side of her head and short black hair moving with the motion, gold earring flashing. 16.5-18.0s: Slightly high angle looking down as she navigates a tighter cluster near tents; bodies part just enough for her to thread through, still advancing. 18.0-19.5s: Slow-motion medium close-up of her upper body and face as a drift of stage fog and colored light crosses her; skin, gold jewelry and black fabric catch the colors while she keeps walking. 19.5-21.0s: Side tracking speed-ramp. She sidesteps a couple holding hands, beers lifted protectively, path still straight toward the water edge. 21.0-22.5s: Extreme close-up on her slightly parted lips and focused eyes looking ahead, concentration unbroken. 22.5-24.0s: Medium full-body as the crowd density begins to thin near the lake. She picks up a half-step of speed while still carefully balancing both cups. 24.0-25.5s: Tracking from behind as she emerges into a small clearer zone. Two female friends in casual festival clothes are waiting a few meters ahead, already noticing her. 25.5-27.0s: Medium shot as she reaches them, stops, still holding both beers upright. Shoulders begin to drop. 27.0-30s: Close-up on her face. She releases a long, deep sigh of pure relief, a small tired smile appears, eyes soften toward her friends. Soft bokeh of lake water and residual stage lights behind her. Hold the final frame. Visual treatment: photorealistic live-action, natural blue-hour mixed with vibrant stage color spill, shallow depth of field on all close-ups, grounded handheld energy that never loses her continuous forward path. Audio: dense overlapping crowd murmur and chatter, distant muffled bass and music from the main stage, liquid sloshing inside the cups, soft body impacts and fabric rustle, her slightly elevated breathing, final clear relieved exhalation. No added music bed beyond the distant stage sound. Keep the woman’s identity, clothing, cup ownership and direction of travel completely stable across every cut. If you need the prompts for the references used, check the quoted post! 🫡

TechHalla

14,854 Aufrufe • vor 1 Monat

Made with Seedance 2.5 on Rezona Prompt: 30 seconds | 16:9 | Ultra-photorealistic live-action Create a natural Korean morning-routine day-in-the-life video featuring one young Korean woman waking up and easing into her quiet morning at home. Use the reference image as the EXACT starting frame — she is lying in bed, just waking up. Use the reference image for her exact facial identity, hairstyle, skin tone, and body proportions. Keep her appearance consistent throughout the entire video. The video begins from this reference pose and moves forward naturally. OUTFIT: Soft cream/white cotton loungewear or a light pajama set to start; she stays in comfortable loungewear throughout (no wardrobe change). Minimal or no jewelry. Hair natural and slightly tousled from sleep at the start, settling as the morning goes on. TIME & LIGHTING: Soft early-morning summer sunlight, gradually warming as the morning progresses. Gentle, consistent natural light, shadows, color temperature, and time of day across every scene. 00–05s — Waking up (starts from reference image) The video opens on the exact reference pose — she is lying in bed, eyes just opening, waking up slowly. Soft morning light filters through sheer curtains onto the bed. She stirs gently, blinks, and slowly sits up, stretching her arms with a soft, sleepy motion. Her hair is naturally tousled. She rubs her eyes, looks softly toward the window, and quietly says: "Morning already…" 05–11s — Out of bed She swings her legs off the bed and stands, stretching gently. She pads across the room and opens the curtains — bright morning light floods in. She looks out the window for a moment at the quiet neighborhood outside (rooftops, trees, soft sky). Natural, unhurried movement. 11–17s — Washing up She walks to the bathroom sink. She turns on the faucet and splashes cool water on her face, then pats it dry with a soft towel. Water droplets fall naturally. She looks at herself briefly in the mirror, tucks her hair behind her ear, and takes a slow breath. Fresh and calm. 17–23s — Making breakfast / morning drink She moves to the kitchen. She fills a kettle and sets it to boil, then takes a mug and a tea bag (or pour-over coffee) from the counter. Steam rises as she pours the hot water — the liquid swirls naturally in the mug. She sets a simple breakfast on a small plate (toast, fruit, or a pastry). Gentle, homey morning movements. 23–30s — Quiet morning moment She sits by the window with her warm mug and breakfast, both hands wrapped around the cup. She takes a slow first sip, pauses, and smiles softly. She looks out at the morning light and quietly says: "Perfect start." The camera slowly drifts backward, capturing the cozy bedroom/kitchen, the open window, gentle curtain movement, soft morning light, and the calm start-of-day atmosphere. Cut naturally at the end. CAMERA STYLE: Documentary lifestyle footage with smooth handheld movement. Natural tracking shots, occasional subtle camera sway, realistic focus transitions, restrained depth of field, natural lens behavior, and authentic perspective. Avoid overly cinematic shots or commercial advertising aesthetics. AUDIO: Real environmental audio only — soft morning ambience, birdsong outside, sheets rustling, a gentle yawn, curtains sliding open, water running, towel patting, kettle boiling, water pouring into a mug, a spoon clinking, breathing, and natural sipping sounds. No background music. PHYSICAL REALISM: The bedsheets shift and drape naturally as she wakes and rises. Her stretching, standing, and walking feel spontaneous and physically accurate. Water flows and droplets fall naturally. The kettle steams and the liquid pours with realistic fluid dynamics. Hands maintain believable grip and pressure. All body movements — waking, stretching, walking, washing, pouring, sitting, sipping — should feel natural and unforced.
0:30

Made with Seedance 2.5 on Rezona Prompt: 30 seconds | 16:9 | Ultra-photorealistic live-action Create a natural Korean morning-routine day-in-the-life video featuring one young Korean woman waking up and easing into her quiet morning at home. Use the reference image as the EXACT starting frame — she is lying in bed, just waking up. Use the reference image for her exact facial identity, hairstyle, skin tone, and body proportions. Keep her appearance consistent throughout the entire video. The video begins from this reference pose and moves forward naturally. OUTFIT: Soft cream/white cotton loungewear or a light pajama set to start; she stays in comfortable loungewear throughout (no wardrobe change). Minimal or no jewelry. Hair natural and slightly tousled from sleep at the start, settling as the morning goes on. TIME & LIGHTING: Soft early-morning summer sunlight, gradually warming as the morning progresses. Gentle, consistent natural light, shadows, color temperature, and time of day across every scene. 00–05s — Waking up (starts from reference image) The video opens on the exact reference pose — she is lying in bed, eyes just opening, waking up slowly. Soft morning light filters through sheer curtains onto the bed. She stirs gently, blinks, and slowly sits up, stretching her arms with a soft, sleepy motion. Her hair is naturally tousled. She rubs her eyes, looks softly toward the window, and quietly says: "Morning already…" 05–11s — Out of bed She swings her legs off the bed and stands, stretching gently. She pads across the room and opens the curtains — bright morning light floods in. She looks out the window for a moment at the quiet neighborhood outside (rooftops, trees, soft sky). Natural, unhurried movement. 11–17s — Washing up She walks to the bathroom sink. She turns on the faucet and splashes cool water on her face, then pats it dry with a soft towel. Water droplets fall naturally. She looks at herself briefly in the mirror, tucks her hair behind her ear, and takes a slow breath. Fresh and calm. 17–23s — Making breakfast / morning drink She moves to the kitchen. She fills a kettle and sets it to boil, then takes a mug and a tea bag (or pour-over coffee) from the counter. Steam rises as she pours the hot water — the liquid swirls naturally in the mug. She sets a simple breakfast on a small plate (toast, fruit, or a pastry). Gentle, homey morning movements. 23–30s — Quiet morning moment She sits by the window with her warm mug and breakfast, both hands wrapped around the cup. She takes a slow first sip, pauses, and smiles softly. She looks out at the morning light and quietly says: "Perfect start." The camera slowly drifts backward, capturing the cozy bedroom/kitchen, the open window, gentle curtain movement, soft morning light, and the calm start-of-day atmosphere. Cut naturally at the end. CAMERA STYLE: Documentary lifestyle footage with smooth handheld movement. Natural tracking shots, occasional subtle camera sway, realistic focus transitions, restrained depth of field, natural lens behavior, and authentic perspective. Avoid overly cinematic shots or commercial advertising aesthetics. AUDIO: Real environmental audio only — soft morning ambience, birdsong outside, sheets rustling, a gentle yawn, curtains sliding open, water running, towel patting, kettle boiling, water pouring into a mug, a spoon clinking, breathing, and natural sipping sounds. No background music. PHYSICAL REALISM: The bedsheets shift and drape naturally as she wakes and rises. Her stretching, standing, and walking feel spontaneous and physically accurate. Water flows and droplets fall naturally. The kettle steams and the liquid pours with realistic fluid dynamics. Hands maintain believable grip and pressure. All body movements — waking, stretching, walking, washing, pouring, sitting, sipping — should feel natural and unforced.

K

18,378 Aufrufe • vor 23 Tagen

Seedance 2.5 vs WAN 3.0 - same viral video One of them is dead in the water - You judge Prompt: Handheld digital camcorder aesthetic, landscape framing. A gorgeous fitness and food influencer films herself by hand in selfie-cam and first-person style while cooking a late-night high-protein meal after training and a shower. Keep realistic hand shake, slightly crooked framing, autofocus briefly hunting between her face and the food, awkward zoom-ins onto the pan, occasional motion blur, brief lens steam-up over the hot pan that clears naturally, and small framing mistakes where her face or the pan edge slips out of frame. Mix handheld selfie footage with a few fixed external shots. Important: never show her placing, adjusting, or setting up a camera. When switching from handheld footage to a fixed external angle, use a clean jump cut as if the camera had already been positioned before the shot began. The camera itself must never appear on screen or in the window reflection. LOOK: Warm late-night kitchen light. A single warm pendant over the counter, cool blue night visible through the window behind her, under-cabinet strip light glowing on the backsplash. Slight camcorder softness, faint noise in the shadows, mild bloom on the pendant. Food realism is the core of the look: real sizzle with fine oil spatter, steam rising and curling from the pan, honest food textures with sear marks and glistening surfaces, knife cuts that separate cleanly, droplets on rinsed vegetables. Realistic skin texture, fresh-from-the-shower glow, clean dewy skin, realistic skin tones. STYLE: A realistic late-night what-I-eat-after-training vlog. The tone is relaxed, hungry, funny, quietly confident, and natural, talking to the lens like a friend while her hands keep working. She is clearly attractive and charismatic, but the video must feel like a believable self-recorded kitchen vlog, not a food commercial. Fast clean jump cuts, strong continuity, natural body language, real kitchen sounds, sizzle, chopping, no awkward dead moments. CHARACTER: The woman in the reference image. Her face, features, skin tone, body, and clothing must match the reference image exactly in every shot — she wears exactly what she is wearing in the reference image. Do not restyle, beautify, or alter her in any way beyond the reference. The one addition: a soft white towel wrapped around her head like a turban, as if she just stepped out of the shower. The towel stays neatly wrapped for the whole video. A few small damp strands of hair may peek out at the hairline and neck. Minimal or no makeup, fresh clean post-shower look. A small kitchen towel over one shoulder for most of the video. SETTING: A small warm real apartment kitchen at night. Wooden counter with knife marks, a gas hob with one cast-iron pan, a cutting board with chicken breast and vegetables, a bowl of cooked rice, a bottle of olive oil, salt in a small dish, a fridge with magnets and photos, dishes drying on a rack, dark window over the sink reflecting the warm kitchen. Lived-in and slightly cluttered. No other people, no pets. IMPORTANT CONTINUITY RULES: The same woman from the reference image must remain fully consistent in every shot. No face changes, no outfit changes, no body changes. The head towel stays wrapped in the same position in every shot — it never unwraps, falls, changes color, or disappears. The meal progresses in one direction only: raw ingredients, then chopping, then searing, then plating, then eating, and never reverses or regenerates. Food already cooked never becomes raw again. Hands and knife are the top priority: five fingers always, correct knife grip with curled guiding fingers, clean cuts, the knife never bends and never passes through her hand. The pan, board, oil bottle and rice bowl stay in the same positions. Steam and sizzle must behave with real physics. No extra people, including in the dark window reflection, and the reflection never shows a camera. No duplicated limbs. No camera visible. No camera setup shown. Keep her matching the reference image, warm, and photogenic in every shot. STORYBOARD: 30 seconds total, 10 cuts. (~3s, arm's-length selfie) She leans on the counter, towel wrapped on her head, clearly fresh from the shower after training, and grins tiredly at the lens. Dialogue: "Trained late. Showered. Starving. Let's cook." (~3s, handheld pan across the counter and back to her) The camera drifts across the board with raw chicken and vegetables, the pan, the rice bowl, then back up to her face. Dialogue: "Ten minute meal. Watch." (~3s, fixed external medium shot from across the counter) Jump cut. She is already chopping a red pepper with quick confident cuts, guiding fingers curled, pieces falling evenly. No camera setup shown. No dialogue, just the knife on the board. (~3s, same fixed shot) She slices the chicken breast into strips, seasons it from the salt dish with a high pinch, and rubs it in with her fingertips. Dialogue: "Protein first. Always." (~3s, tight handheld first-person shot over the pan) Oil shimmering, she lays the chicken strips in one by one and they hit with a loud real sizzle, fine spatter, steam rising into the lens which fogs for a beat and clears. No dialogue, just the sizzle. (~3s, handheld selfie while the pan sizzles behind her) She turns the camera on herself, fanning steam away from her face, laughing, one hand briefly steadying the head towel. Dialogue: "The smell. You have no idea." (~3s, tight handheld close-up of the pan) She flips the strips with tongs, showing deep golden sear marks, tosses in the peppers, and shakes the pan once so everything jumps and resettles. Dialogue: "That colour? That's the whole point." (~3s, fixed external shot) Jump cut. She plates it: rice pressed from the bowl, chicken and peppers over the top, a last drizzle of olive oil in a thin ribbon, and she wipes the plate rim with the towel like a chef, then smirks at her own seriousness. Dialogue: "Yes, I wiped the rim. Let me live." (~3s, tight handheld close-up) First fork bite, steam still coming off it, she chews, closes her eyes for a beat and nods slowly. Dialogue: "Ten minutes. That's it. Ridiculous." (~3s, arm's-length selfie ending) Plate in one hand, camera in the other, she backs out of the kitchen toward the sofa, flicking the kitchen light off with her elbow. Dialogue: "Okay. Eating. Good night." FINAL INSTRUCTION: The result must feel like a real self-recorded late-night cooking vlog by an athlete who actually cooks, filmed right after her shower. The highest priorities are matching the reference image exactly, correct hands and knife work at close range, one-directional cooking progression that never reverses, real sizzle, steam and food texture, the head towel staying consistently wrapped, honest warm kitchen light against the dark window, and subtle imperfection. Keep it warm, hungry, and real. Not a food commercial, not overhead recipe content, not stiff.
0:30

Seedance 2.5 vs WAN 3.0 - same viral video One of them is dead in the water - You judge Prompt: Handheld digital camcorder aesthetic, landscape framing. A gorgeous fitness and food influencer films herself by hand in selfie-cam and first-person style while cooking a late-night high-protein meal after training and a shower. Keep realistic hand shake, slightly crooked framing, autofocus briefly hunting between her face and the food, awkward zoom-ins onto the pan, occasional motion blur, brief lens steam-up over the hot pan that clears naturally, and small framing mistakes where her face or the pan edge slips out of frame. Mix handheld selfie footage with a few fixed external shots. Important: never show her placing, adjusting, or setting up a camera. When switching from handheld footage to a fixed external angle, use a clean jump cut as if the camera had already been positioned before the shot began. The camera itself must never appear on screen or in the window reflection. LOOK: Warm late-night kitchen light. A single warm pendant over the counter, cool blue night visible through the window behind her, under-cabinet strip light glowing on the backsplash. Slight camcorder softness, faint noise in the shadows, mild bloom on the pendant. Food realism is the core of the look: real sizzle with fine oil spatter, steam rising and curling from the pan, honest food textures with sear marks and glistening surfaces, knife cuts that separate cleanly, droplets on rinsed vegetables. Realistic skin texture, fresh-from-the-shower glow, clean dewy skin, realistic skin tones. STYLE: A realistic late-night what-I-eat-after-training vlog. The tone is relaxed, hungry, funny, quietly confident, and natural, talking to the lens like a friend while her hands keep working. She is clearly attractive and charismatic, but the video must feel like a believable self-recorded kitchen vlog, not a food commercial. Fast clean jump cuts, strong continuity, natural body language, real kitchen sounds, sizzle, chopping, no awkward dead moments. CHARACTER: The woman in the reference image. Her face, features, skin tone, body, and clothing must match the reference image exactly in every shot — she wears exactly what she is wearing in the reference image. Do not restyle, beautify, or alter her in any way beyond the reference. The one addition: a soft white towel wrapped around her head like a turban, as if she just stepped out of the shower. The towel stays neatly wrapped for the whole video. A few small damp strands of hair may peek out at the hairline and neck. Minimal or no makeup, fresh clean post-shower look. A small kitchen towel over one shoulder for most of the video. SETTING: A small warm real apartment kitchen at night. Wooden counter with knife marks, a gas hob with one cast-iron pan, a cutting board with chicken breast and vegetables, a bowl of cooked rice, a bottle of olive oil, salt in a small dish, a fridge with magnets and photos, dishes drying on a rack, dark window over the sink reflecting the warm kitchen. Lived-in and slightly cluttered. No other people, no pets. IMPORTANT CONTINUITY RULES: The same woman from the reference image must remain fully consistent in every shot. No face changes, no outfit changes, no body changes. The head towel stays wrapped in the same position in every shot — it never unwraps, falls, changes color, or disappears. The meal progresses in one direction only: raw ingredients, then chopping, then searing, then plating, then eating, and never reverses or regenerates. Food already cooked never becomes raw again. Hands and knife are the top priority: five fingers always, correct knife grip with curled guiding fingers, clean cuts, the knife never bends and never passes through her hand. The pan, board, oil bottle and rice bowl stay in the same positions. Steam and sizzle must behave with real physics. No extra people, including in the dark window reflection, and the reflection never shows a camera. No duplicated limbs. No camera visible. No camera setup shown. Keep her matching the reference image, warm, and photogenic in every shot. STORYBOARD: 30 seconds total, 10 cuts. (~3s, arm's-length selfie) She leans on the counter, towel wrapped on her head, clearly fresh from the shower after training, and grins tiredly at the lens. Dialogue: "Trained late. Showered. Starving. Let's cook." (~3s, handheld pan across the counter and back to her) The camera drifts across the board with raw chicken and vegetables, the pan, the rice bowl, then back up to her face. Dialogue: "Ten minute meal. Watch." (~3s, fixed external medium shot from across the counter) Jump cut. She is already chopping a red pepper with quick confident cuts, guiding fingers curled, pieces falling evenly. No camera setup shown. No dialogue, just the knife on the board. (~3s, same fixed shot) She slices the chicken breast into strips, seasons it from the salt dish with a high pinch, and rubs it in with her fingertips. Dialogue: "Protein first. Always." (~3s, tight handheld first-person shot over the pan) Oil shimmering, she lays the chicken strips in one by one and they hit with a loud real sizzle, fine spatter, steam rising into the lens which fogs for a beat and clears. No dialogue, just the sizzle. (~3s, handheld selfie while the pan sizzles behind her) She turns the camera on herself, fanning steam away from her face, laughing, one hand briefly steadying the head towel. Dialogue: "The smell. You have no idea." (~3s, tight handheld close-up of the pan) She flips the strips with tongs, showing deep golden sear marks, tosses in the peppers, and shakes the pan once so everything jumps and resettles. Dialogue: "That colour? That's the whole point." (~3s, fixed external shot) Jump cut. She plates it: rice pressed from the bowl, chicken and peppers over the top, a last drizzle of olive oil in a thin ribbon, and she wipes the plate rim with the towel like a chef, then smirks at her own seriousness. Dialogue: "Yes, I wiped the rim. Let me live." (~3s, tight handheld close-up) First fork bite, steam still coming off it, she chews, closes her eyes for a beat and nods slowly. Dialogue: "Ten minutes. That's it. Ridiculous." (~3s, arm's-length selfie ending) Plate in one hand, camera in the other, she backs out of the kitchen toward the sofa, flicking the kitchen light off with her elbow. Dialogue: "Okay. Eating. Good night." FINAL INSTRUCTION: The result must feel like a real self-recorded late-night cooking vlog by an athlete who actually cooks, filmed right after her shower. The highest priorities are matching the reference image exactly, correct hands and knife work at close range, one-directional cooking progression that never reverses, real sizzle, steam and food texture, the head towel staying consistently wrapped, honest warm kitchen light against the dark window, and subtle imperfection. Keep it warm, hungry, and real. Not a food commercial, not overhead recipe content, not stiff.

Stav Zilbershtein

29,730 Aufrufe • vor 1 Monat

One lab. One infection. And suddenly, she wasn’t human anymore. 🧟‍♀️ Seedance 2.5 on WaveSpeedAI Prompt : Create a photorealistic zombie-horror sequence inside a high-security research laboratory. The central character is a young adult Korean female scientist dressed in a clean white lab coat over a simple light-colored shirt, blue straight-leg jeans, and practical white sneakers. She has natural dark hair, minimal makeup, realistic skin texture, and believable proportions. Her face, hairstyle, lab coat, jeans, shoes, and body proportions must remain consistent throughout the entire sequence. Build the environment with steel machinery, specimen tables, glass containment chambers, computer monitors, harsh fluorescent lighting, and realistic laboratory details. Use grounded practical effects and physically believable movement with tense handheld camerawork. While she works at a containment station, a glass specimen chamber suddenly develops fractures and explodes, scattering glass across the floor as a small dark parasite escapes and attaches itself around her shoulder and neck. She stumbles backward, frightened, while dark veins gradually appear beneath her skin and spread upward across her neck and face. Her skin becomes noticeably pale and clammy, her fingers twitch, and violent tremors run through her body. Her terrified expression gradually disappears into a blank, emotionless stare as her eyes transform into an unnaturally deep obsidian black. She abruptly turns toward a nearby colleague and charges, forcing him behind a glass partition. She repeatedly strikes the glass while staring directly at him, her completely black eyes and pulsing dark veins clearly visible. Two more scientists enter and freeze when she suddenly becomes perfectly still, then slowly rotates her head toward them. Around the laboratory, additional containment chambers begin cracking as warning lights activate. Another infected creature breaks free, sending the scientists scrambling for emergency equipment. They use a powerful emergency strobe and fire extinguisher to disorient the creatures before pushing a heavy steel cart across the corridor and retreating behind a security door. The surviving scientists reach an emergency corridor and catch their breath as red warning lights wash over their exhausted faces. The sealed laboratory door violently shakes behind them. The camera gradually approaches its small observation window, revealing the infected woman standing motionless in the darkness, still wearing her white lab coat and blue jeans. Her pale face, prominent dark veins, and completely black eyes are visible through the glass. She slowly tilts her head toward the camera as the emergency lights flicker across her face. Cut to black. Visual and audio direction: Ultra-realistic sci-fi zombie horror with detailed natural skin, convincing black eyes, subtle veins beneath the skin, realistic facial changes, practical creature effects, authentic anatomy, and believable environmental physics. Maintain cold clinical lighting before transitioning to red emergency illumination. Use handheld camera movement and natural diegetic sounds such as breaking glass, alarms, footsteps, breathing, impacts, convulsions, and distant screams. Avoid graphic gore or excessive blood. No anime, cartoon, illustration, artificial CGI appearance, plastic skin, duplicated characters, face morphing, distorted anatomy, floating objects, impossible movement, changing clothing, identity changes, subtitles, text overlays, logos, or watermark.
0:30

One lab. One infection. And suddenly, she wasn’t human anymore. 🧟‍♀️ Seedance 2.5 on WaveSpeedAI Prompt : Create a photorealistic zombie-horror sequence inside a high-security research laboratory. The central character is a young adult Korean female scientist dressed in a clean white lab coat over a simple light-colored shirt, blue straight-leg jeans, and practical white sneakers. She has natural dark hair, minimal makeup, realistic skin texture, and believable proportions. Her face, hairstyle, lab coat, jeans, shoes, and body proportions must remain consistent throughout the entire sequence. Build the environment with steel machinery, specimen tables, glass containment chambers, computer monitors, harsh fluorescent lighting, and realistic laboratory details. Use grounded practical effects and physically believable movement with tense handheld camerawork. While she works at a containment station, a glass specimen chamber suddenly develops fractures and explodes, scattering glass across the floor as a small dark parasite escapes and attaches itself around her shoulder and neck. She stumbles backward, frightened, while dark veins gradually appear beneath her skin and spread upward across her neck and face. Her skin becomes noticeably pale and clammy, her fingers twitch, and violent tremors run through her body. Her terrified expression gradually disappears into a blank, emotionless stare as her eyes transform into an unnaturally deep obsidian black. She abruptly turns toward a nearby colleague and charges, forcing him behind a glass partition. She repeatedly strikes the glass while staring directly at him, her completely black eyes and pulsing dark veins clearly visible. Two more scientists enter and freeze when she suddenly becomes perfectly still, then slowly rotates her head toward them. Around the laboratory, additional containment chambers begin cracking as warning lights activate. Another infected creature breaks free, sending the scientists scrambling for emergency equipment. They use a powerful emergency strobe and fire extinguisher to disorient the creatures before pushing a heavy steel cart across the corridor and retreating behind a security door. The surviving scientists reach an emergency corridor and catch their breath as red warning lights wash over their exhausted faces. The sealed laboratory door violently shakes behind them. The camera gradually approaches its small observation window, revealing the infected woman standing motionless in the darkness, still wearing her white lab coat and blue jeans. Her pale face, prominent dark veins, and completely black eyes are visible through the glass. She slowly tilts her head toward the camera as the emergency lights flicker across her face. Cut to black. Visual and audio direction: Ultra-realistic sci-fi zombie horror with detailed natural skin, convincing black eyes, subtle veins beneath the skin, realistic facial changes, practical creature effects, authentic anatomy, and believable environmental physics. Maintain cold clinical lighting before transitioning to red emergency illumination. Use handheld camera movement and natural diegetic sounds such as breaking glass, alarms, footsteps, breathing, impacts, convulsions, and distant screams. Avoid graphic gore or excessive blood. No anime, cartoon, illustration, artificial CGI appearance, plastic skin, duplicated characters, face morphing, distorted anatomy, floating objects, impossible movement, changing clothing, identity changes, subtitles, text overlays, logos, or watermark.

Synthia

51,709 Aufrufe • vor 8 Tagen

Horror in the hospital Seedance 2.5 on Higgsfield 🥵 Prompt : Main character: A young adult Korean woman in her early 20s with long messy black hair and pale realistic skin. She wears a light-blue hospital patient gown with a subtle small geometric pattern, white hospital wristband, white ankle socks, and no shoes. An IV cannula is taped to her left hand. Keep her face, hairstyle, hospital gown, wristband, and overall appearance consistent throughout every shot. Style: Ultra-realistic live-action outbreak horror, photorealistic skin and eyes, realistic veins, practical effects, handheld camera, cold hospital lighting, flickering fluorescent lights, tense atmosphere, realistic physics, no music, only natural hospital sounds. Shot 1: The woman lies weakly on a hospital bed in her light-blue patient gown, sweating and breathing heavily, IV line connected to her hand. Shot 2: Extreme close-up of her hand gripping the white bedsheet as dark veins begin spreading beneath her skin. Shot 3: Close-up of her frightened eyes slowly becoming cloudy and milky white. Shot 4: Dark fluid appears at the corner of her mouth while her breathing becomes irregular. Shot 5: A drop falls beside the hospital bed while a nurse walks past outside her room. Shot 6: Still wearing the same hospital gown, she suddenly sits upright and stares motionlessly toward the nurse. Shot 7: The nurse approaches the bed and cautiously touches her shoulder. Shot 8: The infected woman suddenly lunges forward and bites the nurse's shoulder. Shot 9: Close-up of the bite area as dark branching veins rapidly spread beneath the nurse's skin. Shot 10: The nurse collapses against a medical cart, trembling violently. Shot 11: Her eyes become milky white while dark veins emerge across her neck and face. Shot 12: The infected nurse releases an inhuman scream, echoing through the hospital. Shot 13: A doctor opens the treatment-room door and freezes after seeing the infected nurse. Shot 14: The nurse suddenly charges toward the doctor. Shot 15: Patients, doctors, and nurses panic and run through the corridor as medical carts and equipment are knocked aside. Shot 16: A frightened patient hides behind a hospital bed while another patient's arm develops rapidly spreading dark veins. Shot 17: That patient slowly rises, pale skin changing texture and eyes becoming milky white. Shot 18: Several infected patients in hospital gowns begin chasing survivors through the corridor. Shot 19: A doctor grabs a fire extinguisher and sprays it toward the approaching infected. Shot 20: White extinguisher mist fills the corridor while survivors escape toward the emergency stairwell. Shot 21: Survivors slam the stairwell doors shut and push a hospital bed against them. Shot 22: Infected hands violently pound against the glass window in the door. Shot 23: Extreme close-up of a milky-white infected eye staring through the slowly cracking glass. Shot 24: One survivor looks at their hand and discovers dark veins spreading beneath their skin. Shot 25: Everyone stares in horror as the infected continue pounding against the barricade. Shot 26: Final cinematic wide shot—the original woman stands barefoot except for her white hospital socks in the center of the destroyed corridor, still wearing her recognizable light-blue hospital gown and wristband, dark veins covering her exposed arms and neck, milky-white eyes staring directly into the camera as fluorescent lights flicker overhead. Negative prompt: excessive gore, exposed organs, graphic wounds, cartoon, anime, obvious CGI, distorted anatomy, inconsistent clothing, changing hospital gown, duplicated characters, extra limbs, distorted faces, subtitles, text, logos, watermark, music, narration.
0:30

Horror in the hospital Seedance 2.5 on Higgsfield 🥵 Prompt : Main character: A young adult Korean woman in her early 20s with long messy black hair and pale realistic skin. She wears a light-blue hospital patient gown with a subtle small geometric pattern, white hospital wristband, white ankle socks, and no shoes. An IV cannula is taped to her left hand. Keep her face, hairstyle, hospital gown, wristband, and overall appearance consistent throughout every shot. Style: Ultra-realistic live-action outbreak horror, photorealistic skin and eyes, realistic veins, practical effects, handheld camera, cold hospital lighting, flickering fluorescent lights, tense atmosphere, realistic physics, no music, only natural hospital sounds. Shot 1: The woman lies weakly on a hospital bed in her light-blue patient gown, sweating and breathing heavily, IV line connected to her hand. Shot 2: Extreme close-up of her hand gripping the white bedsheet as dark veins begin spreading beneath her skin. Shot 3: Close-up of her frightened eyes slowly becoming cloudy and milky white. Shot 4: Dark fluid appears at the corner of her mouth while her breathing becomes irregular. Shot 5: A drop falls beside the hospital bed while a nurse walks past outside her room. Shot 6: Still wearing the same hospital gown, she suddenly sits upright and stares motionlessly toward the nurse. Shot 7: The nurse approaches the bed and cautiously touches her shoulder. Shot 8: The infected woman suddenly lunges forward and bites the nurse's shoulder. Shot 9: Close-up of the bite area as dark branching veins rapidly spread beneath the nurse's skin. Shot 10: The nurse collapses against a medical cart, trembling violently. Shot 11: Her eyes become milky white while dark veins emerge across her neck and face. Shot 12: The infected nurse releases an inhuman scream, echoing through the hospital. Shot 13: A doctor opens the treatment-room door and freezes after seeing the infected nurse. Shot 14: The nurse suddenly charges toward the doctor. Shot 15: Patients, doctors, and nurses panic and run through the corridor as medical carts and equipment are knocked aside. Shot 16: A frightened patient hides behind a hospital bed while another patient's arm develops rapidly spreading dark veins. Shot 17: That patient slowly rises, pale skin changing texture and eyes becoming milky white. Shot 18: Several infected patients in hospital gowns begin chasing survivors through the corridor. Shot 19: A doctor grabs a fire extinguisher and sprays it toward the approaching infected. Shot 20: White extinguisher mist fills the corridor while survivors escape toward the emergency stairwell. Shot 21: Survivors slam the stairwell doors shut and push a hospital bed against them. Shot 22: Infected hands violently pound against the glass window in the door. Shot 23: Extreme close-up of a milky-white infected eye staring through the slowly cracking glass. Shot 24: One survivor looks at their hand and discovers dark veins spreading beneath their skin. Shot 25: Everyone stares in horror as the infected continue pounding against the barricade. Shot 26: Final cinematic wide shot—the original woman stands barefoot except for her white hospital socks in the center of the destroyed corridor, still wearing her recognizable light-blue hospital gown and wristband, dark veins covering her exposed arms and neck, milky-white eyes staring directly into the camera as fluorescent lights flicker overhead. Negative prompt: excessive gore, exposed organs, graphic wounds, cartoon, anime, obvious CGI, distorted anatomy, inconsistent clothing, changing hospital gown, duplicated characters, extra limbs, distorted faces, subtitles, text, logos, watermark, music, narration.

Smiling Khan

10,726 Aufrufe • vor 3 Tagen

EXCLUSIVE: Young Ontario woman's life becomes a living hell after Moderna booster shot leaves her paralyzed. Doctors confirm vaccine connection and offer Medical Assistance in Dying (MAID). Kayla Pollock is a 37-year-old mother from Ontario whose life took a drastic turn after receiving a Moderna Covid-19 booster shot. She experienced paralysis from the neck down and has been enduring a challenging ordeal ever since. Kayla's early years were marked by unspeakable cruelty and suffering. As an infant, she endured the horrors of severe abuse, including broken bones, cigarette burns, and bruises inflicted upon her helpless body by her parents. Her distressing situation prompted the intervention of family and children services, ultimately leading to her placement in a caring, loving and supportive home. As she grew older, Kayla dedicated the majority of her younger adult years to behavioral training of exotic animals. However, she eventually made the decision to resign from this profession after having her son, recognizing the inherent risks of the job. Kayla eventually ended up in the small town of Mount Albert, Ontario, where she co-raised her son after a separation. She worked as a casual educational assistant at Robert Munsch Public School, assisting kindergarten children. Her home was conveniently located right next to the school. Kayla's son attended the same school where she worked, and she expressed her love for her job and the positive direction her life was heading. Describing herself as fit, healthy, and very active, Kayla enjoyed hiking, being outdoors, gardening, and going places with her son. When the pandemic struck, Kayla recalls the mainstream media, politicians, and public health officials emphasizing the severity of the virus and urging everyone to get vaccinated. She remembers health officials specifically advising that those at highest risk should prioritize getting vaccinated. Being immunocompromised and a type one diabetic, Kayla heeded the advice of health officials and received the first two Pfizer shots in the middle of 2021 and didn’t experience any issues. Additionally, she mentions another reason for getting vaccinated was because her father resided in a long-term care facility with dementia, and vaccination was going to be a requirement for entry into the care home. Kayla then decided to take a booster, but this time it was a Moderna booster shot. She recounts going to a vaccination drive and the police being there. She found that odd and questioned why the police were present. According to Kayla, people were upset that Moderna was being given out instead of Pfizer, and that was the reason for the police presence. Kayla says that something didn’t sit right in her gut, but she went ahead with the Moderna booster shot anyway. She explains her reasoning for getting the third shot was because she felt like a third one would be mandated at some point to get access into her dads long term care home. She received the Moderna booster shot on January 11, 2022. Four days later, Kayla described a situation where her legs just gave out, and she collapsed, but all seemed fine a short time later. Then, nine days later, she experienced a similar event, and at that time, she called her doctor, asking to see a neurologist because she suspected something wasn’t right. On the morning of February 22, 2022, Kayla's life took an irreversible turn. As she awoke, opened her eyes, a sudden realization struck her – she couldn't move her body. Despite the shock, she says she remained calm and started yelling for help. Fortunately, her boyfriend who spent the night, was in the driveway preparing to leave for work, and heard her cries for help. Her boyfriend called 911 and Kayla was transported to Southlake Regional Health Centre in Newmarket, Ontario. While in the emergency department Kayla recounts that the attending physician initially dismissed her symptoms, suggesting that it was all in her head and portrayed her as a "crazy person," and ordered a psychiatric consult. All of what Kayla describes happening is evident in her medical records which we obtained and reviewed. Eventually, an MRI was conducted, revealing that Kayla had a very large lesion on her spinal cord. A neurologist followed up with Kayla and recommended a course of steroids in an attempt to decrease the size of the lesion. Kayla questioned the neurologist and asked if the lesion could be a tumor. In an audio recording taken by Kayla’s boyfriend, the neurologist responds, saying, “it's less likely a tumor” and that it is his “gut impression it was caused by the vaccine.” When Kayla questions the doctor as to whether many people have had something similar happen to them, the doctor responds, saying “many people have had it.” Later, Kayla would learn that she had developed transverse myelitis, a condition that interrupts the transmission of messages along the spinal cord nerves throughout the body. She would go on to spend several months in the hospital, where she says she was offered medical assistance in dying (MAID) on two occasions but rejected the offer. During Kayla's hospital stay, she received steroids, which she claims helped to some extent, allowing her to regain very slight movement in her arms, hands, and fingers. However, she still has absolutely no feeling from the neck down. Visually examining her fingernails reveals decay due to the lack of nerve function. Kayla believes that if the initial doctor had taken her concerns seriously, rather than dismissing her as a "crazy person," and promptly ordered an MRI, she might have been able to walk again or experience sensation in some parts of her body that she doesn’t have today. After her initial treatment at the local hospital, Kayla was subsequently transferred to Lyndhurst Rehabilitation Centre in Toronto to undergo several months of intensive rehabilitation aimed at attempting to restore her physical capabilities and adapting to her new reality. Unfortunately, Kayla says that rehab did not help her. Following her discharge from the hospital, she now takes a long list of drugs daily. She ended up losing everything she worked hard for—her home, the ability to co-raise her son, and her job, essentially losing everything. Kayla was placed on provincial disability and was forced to move away from Mount Albert, where her son lives, into an apartment that could accommodate her wheelchair accessibility needs. Kayla has faced challenges in obtaining the promised hours of in-home care after leaving the hospital. Kayla relies on a personal support worker to help her get out of bed each morning, another organization assists with meal preparation, and in the evenings, a friend comes over to manually extract feces from her bowel and aid her in getting into bed. Securing compensation through the federal government’s Vaccine Injury Support Program (VISP) has been difficult for Kayla. She initiated the application process in July of 2022, following up with the program six months later. However, according to Kayla, her application was still under review at that time. Another six months elapsed, and when she sought an update, the program informed her that they had never received her initial application. In response, Kayla reapplied to the program and was recently assigned a case worker. Uncertainty looms over whether she will be approved and, if approved, when she will receive any form of compensation. Kayla faces challenges in performing simple tasks both at home and in the community. She is in a difficult financial situation and desperately seeks a service dog. According to her, having a service dog would not only assist her with daily tasks but also offer companionship, providing her with much-needed company. An organization called Veterans 4 Freedom has stepped in to help Kayla and has set up a GiveSendGo campaign to help her raise funds for a service dog. A link to that fundraising campaign is below.
13:14

EXCLUSIVE: Young Ontario woman's life becomes a living hell after Moderna booster shot leaves her paralyzed. Doctors confirm vaccine connection and offer Medical Assistance in Dying (MAID). Kayla Pollock is a 37-year-old mother from Ontario whose life took a drastic turn after receiving a Moderna Covid-19 booster shot. She experienced paralysis from the neck down and has been enduring a challenging ordeal ever since. Kayla's early years were marked by unspeakable cruelty and suffering. As an infant, she endured the horrors of severe abuse, including broken bones, cigarette burns, and bruises inflicted upon her helpless body by her parents. Her distressing situation prompted the intervention of family and children services, ultimately leading to her placement in a caring, loving and supportive home. As she grew older, Kayla dedicated the majority of her younger adult years to behavioral training of exotic animals. However, she eventually made the decision to resign from this profession after having her son, recognizing the inherent risks of the job. Kayla eventually ended up in the small town of Mount Albert, Ontario, where she co-raised her son after a separation. She worked as a casual educational assistant at Robert Munsch Public School, assisting kindergarten children. Her home was conveniently located right next to the school. Kayla's son attended the same school where she worked, and she expressed her love for her job and the positive direction her life was heading. Describing herself as fit, healthy, and very active, Kayla enjoyed hiking, being outdoors, gardening, and going places with her son. When the pandemic struck, Kayla recalls the mainstream media, politicians, and public health officials emphasizing the severity of the virus and urging everyone to get vaccinated. She remembers health officials specifically advising that those at highest risk should prioritize getting vaccinated. Being immunocompromised and a type one diabetic, Kayla heeded the advice of health officials and received the first two Pfizer shots in the middle of 2021 and didn’t experience any issues. Additionally, she mentions another reason for getting vaccinated was because her father resided in a long-term care facility with dementia, and vaccination was going to be a requirement for entry into the care home. Kayla then decided to take a booster, but this time it was a Moderna booster shot. She recounts going to a vaccination drive and the police being there. She found that odd and questioned why the police were present. According to Kayla, people were upset that Moderna was being given out instead of Pfizer, and that was the reason for the police presence. Kayla says that something didn’t sit right in her gut, but she went ahead with the Moderna booster shot anyway. She explains her reasoning for getting the third shot was because she felt like a third one would be mandated at some point to get access into her dads long term care home. She received the Moderna booster shot on January 11, 2022. Four days later, Kayla described a situation where her legs just gave out, and she collapsed, but all seemed fine a short time later. Then, nine days later, she experienced a similar event, and at that time, she called her doctor, asking to see a neurologist because she suspected something wasn’t right. On the morning of February 22, 2022, Kayla's life took an irreversible turn. As she awoke, opened her eyes, a sudden realization struck her – she couldn't move her body. Despite the shock, she says she remained calm and started yelling for help. Fortunately, her boyfriend who spent the night, was in the driveway preparing to leave for work, and heard her cries for help. Her boyfriend called 911 and Kayla was transported to Southlake Regional Health Centre in Newmarket, Ontario. While in the emergency department Kayla recounts that the attending physician initially dismissed her symptoms, suggesting that it was all in her head and portrayed her as a "crazy person," and ordered a psychiatric consult. All of what Kayla describes happening is evident in her medical records which we obtained and reviewed. Eventually, an MRI was conducted, revealing that Kayla had a very large lesion on her spinal cord. A neurologist followed up with Kayla and recommended a course of steroids in an attempt to decrease the size of the lesion. Kayla questioned the neurologist and asked if the lesion could be a tumor. In an audio recording taken by Kayla’s boyfriend, the neurologist responds, saying, “it's less likely a tumor” and that it is his “gut impression it was caused by the vaccine.” When Kayla questions the doctor as to whether many people have had something similar happen to them, the doctor responds, saying “many people have had it.” Later, Kayla would learn that she had developed transverse myelitis, a condition that interrupts the transmission of messages along the spinal cord nerves throughout the body. She would go on to spend several months in the hospital, where she says she was offered medical assistance in dying (MAID) on two occasions but rejected the offer. During Kayla's hospital stay, she received steroids, which she claims helped to some extent, allowing her to regain very slight movement in her arms, hands, and fingers. However, she still has absolutely no feeling from the neck down. Visually examining her fingernails reveals decay due to the lack of nerve function. Kayla believes that if the initial doctor had taken her concerns seriously, rather than dismissing her as a "crazy person," and promptly ordered an MRI, she might have been able to walk again or experience sensation in some parts of her body that she doesn’t have today. After her initial treatment at the local hospital, Kayla was subsequently transferred to Lyndhurst Rehabilitation Centre in Toronto to undergo several months of intensive rehabilitation aimed at attempting to restore her physical capabilities and adapting to her new reality. Unfortunately, Kayla says that rehab did not help her. Following her discharge from the hospital, she now takes a long list of drugs daily. She ended up losing everything she worked hard for—her home, the ability to co-raise her son, and her job, essentially losing everything. Kayla was placed on provincial disability and was forced to move away from Mount Albert, where her son lives, into an apartment that could accommodate her wheelchair accessibility needs. Kayla has faced challenges in obtaining the promised hours of in-home care after leaving the hospital. Kayla relies on a personal support worker to help her get out of bed each morning, another organization assists with meal preparation, and in the evenings, a friend comes over to manually extract feces from her bowel and aid her in getting into bed. Securing compensation through the federal government’s Vaccine Injury Support Program (VISP) has been difficult for Kayla. She initiated the application process in July of 2022, following up with the program six months later. However, according to Kayla, her application was still under review at that time. Another six months elapsed, and when she sought an update, the program informed her that they had never received her initial application. In response, Kayla reapplied to the program and was recently assigned a case worker. Uncertainty looms over whether she will be approved and, if approved, when she will receive any form of compensation. Kayla faces challenges in performing simple tasks both at home and in the community. She is in a difficult financial situation and desperately seeks a service dog. According to her, having a service dog would not only assist her with daily tasks but also offer companionship, providing her with much-needed company. An organization called Veterans 4 Freedom has stepped in to help Kayla and has set up a GiveSendGo campaign to help her raise funds for a service dog. A link to that fundraising campaign is below.

The Canadian Independent

1,423,528 Aufrufe • vor 2 Jahren

Just learned that the world is observing November as the “Islamophobia Awareness Month.” Here’s a story to commemorate the occasion. Once upon a time there was a 21-year-old Palestinian girl named Wafa al-Biri. She lived with her parents in Gaza. One day, while making dinner, a gas cooker blew up on her, giving her 45% burns all over her body. First Wafa was rushed to al-Shifa, the biggest hospital in Gaza, for treatment. But that proved inadequate, and she was moved to the Soroka hospital in the Israeli town of Beersheba. Here, she came under the care of a Jew named Dr. Yuval Krieger. Along with him, two Jewish nurses Mazal and Igor were also assigned to her case. After the initial treatments, she was prescribed periodic revisits for follow-up tests, well on her way to recovery. Pleased with their daughter’s care, her parents even wrote a letter of thanks to the doctors. All seemed to be going well. Wafa made her appointments on time, every week. Then one day she didn’t. It was a Monday, and she was supposed to be at the hospital at 8:00 AM. But she didn’t show up. Dr. Krieger marked her as no-show in his records and carried on with his day. But Wafa wasn’t home either. That morning, she had already left home and was at the Erez border crossing from Gaza into Israel around 5:30 AM. A letter of appointment in her purse. And a 20-pound bomb in her bra. The plan was to blow up the outpatient ward of the very hospital where she received her treatments. Including all the patients, children, babies, and doctors in it. Including, ironically, the very doctor and the nurses that saved her life. Wafa al-Biri was now a suicide bomber. Mission was to kill at least 50 Jews in one final act of martyrdom. But you don’t get to sneak 20 pounds of explosives through a crossing like Erez and not expect detection. Alarms went off and she was asked to undress. As she unbuttoned her pants, she realized she was going to get caught anyway. Might as well die here and take them along. In desperation, Wafa pulled the detonator string in her pocket and prepared to meet her…nothing happened. The string snapped free in her hand and the bomb failed to go off. Everybody lived to die another day. Wafa was arrested, later convicted and sentenced to 14 years in prison. In 2011, less than halfway through her sentence, life took a turn again. Gazan terrorists took an Israeli soldier captive. To secure his release, that one soldier’s release, the Israeli government agreed to release over a thousand Palestinian terrorists (what do I say, some societies tend to value their own). Wafa was one of them. The failed suicide bomber now lives happily with her folks in Gaza, probably plotting her next shot at martyrdom. Please don’t be Islamophobic. Not all Muslims exist to blow up hospitals and behead babies. Some are nice too. Spread love. 🌹
1:17

Just learned that the world is observing November as the “Islamophobia Awareness Month.” Here’s a story to commemorate the occasion. Once upon a time there was a 21-year-old Palestinian girl named Wafa al-Biri. She lived with her parents in Gaza. One day, while making dinner, a gas cooker blew up on her, giving her 45% burns all over her body. First Wafa was rushed to al-Shifa, the biggest hospital in Gaza, for treatment. But that proved inadequate, and she was moved to the Soroka hospital in the Israeli town of Beersheba. Here, she came under the care of a Jew named Dr. Yuval Krieger. Along with him, two Jewish nurses Mazal and Igor were also assigned to her case. After the initial treatments, she was prescribed periodic revisits for follow-up tests, well on her way to recovery. Pleased with their daughter’s care, her parents even wrote a letter of thanks to the doctors. All seemed to be going well. Wafa made her appointments on time, every week. Then one day she didn’t. It was a Monday, and she was supposed to be at the hospital at 8:00 AM. But she didn’t show up. Dr. Krieger marked her as no-show in his records and carried on with his day. But Wafa wasn’t home either. That morning, she had already left home and was at the Erez border crossing from Gaza into Israel around 5:30 AM. A letter of appointment in her purse. And a 20-pound bomb in her bra. The plan was to blow up the outpatient ward of the very hospital where she received her treatments. Including all the patients, children, babies, and doctors in it. Including, ironically, the very doctor and the nurses that saved her life. Wafa al-Biri was now a suicide bomber. Mission was to kill at least 50 Jews in one final act of martyrdom. But you don’t get to sneak 20 pounds of explosives through a crossing like Erez and not expect detection. Alarms went off and she was asked to undress. As she unbuttoned her pants, she realized she was going to get caught anyway. Might as well die here and take them along. In desperation, Wafa pulled the detonator string in her pocket and prepared to meet her…nothing happened. The string snapped free in her hand and the bomb failed to go off. Everybody lived to die another day. Wafa was arrested, later convicted and sentenced to 14 years in prison. In 2011, less than halfway through her sentence, life took a turn again. Gazan terrorists took an Israeli soldier captive. To secure his release, that one soldier’s release, the Israeli government agreed to release over a thousand Palestinian terrorists (what do I say, some societies tend to value their own). Wafa was one of them. The failed suicide bomber now lives happily with her folks in Gaza, probably plotting her next shot at martyrdom. Please don’t be Islamophobic. Not all Muslims exist to blow up hospitals and behead babies. Some are nice too. Spread love. 🌹

Amit Schandillia

124,745 Aufrufe • vor 1 Jahr

Created this video using Gemini Omni Flash on Fotor Try here: prompt: Cinematic summer beverage commercial for FIZZI Sparkling Tonic — Grapefruit, high-end style in a warm golden-hour color grade with teal-turquoise pool contrast and coral-pink accents, mixing lifestyle wide shots with hyper-detailed macro product close-ups, slow-motion moments, fun youthful carefree energy, upbeat tropical pop and sound design of can hiss, carbonation fizz, pool splashes and laughter. The product is a tall slim coral-pink aluminum can with condensation droplets — bold retro-rounded lowercase magenta "fizzi" at the top, "sparkling tonic" below, a 4x4 pop-art grid of illustrated grapefruit circles in pink, coral, hot pink and pale yellow, with "0% Alcohol" and "GRAPEFRUIT" at the bottom. At golden hour on a stylish rooftop pool, a young woman in a coral-pink swimsuit sits at the pool edge with her feet in turquoise water, lifting an ice-cold FIZZI can to her lips and closing her eyes in pleasure, friends mingling and string lights twinkling in a dreamy soft-focus blur behind her, condensation catching the golden light. A slightly wider shot shows her floating on a clear inflatable beside a friend in a pale yellow swimsuit, both laughing as they clink their coral-pink cans with a small splash, shot at water level with sparkling reflections dancing across the frame. An extreme macro slowly pans across the coral-pink can surface in hyper-detail — beads of condensation catching prismatic light, the glistening magenta "fizzi" logo filling the frame, then down to the crisp pop-art grapefruit grid with shimmering turquoise bokeh behind. Another dreamy slow-motion macro shows tiny carbonation bubbles racing up through pale-pink sparkling liquid in a glass with a glowing grapefruit slice floating, the can softly out of focus behind, with ASMR fizzing crackle. Finally the camera pulls back to a wide golden-hour shot of the full party — both women floating with cans, friends dancing and lounging on coral towels, grabbing FIZZI from an ice bucket of grapefruit halves — then slowly pushes in as they raise their cans toward camera and clean white text fades in: "Grab an ice cold fizzi," with "© 2026 FIZZI Beverages Co." below, holding then fading out.
0:20

Created this video using Gemini Omni Flash on Fotor Try here: prompt: Cinematic summer beverage commercial for FIZZI Sparkling Tonic — Grapefruit, high-end style in a warm golden-hour color grade with teal-turquoise pool contrast and coral-pink accents, mixing lifestyle wide shots with hyper-detailed macro product close-ups, slow-motion moments, fun youthful carefree energy, upbeat tropical pop and sound design of can hiss, carbonation fizz, pool splashes and laughter. The product is a tall slim coral-pink aluminum can with condensation droplets — bold retro-rounded lowercase magenta "fizzi" at the top, "sparkling tonic" below, a 4x4 pop-art grid of illustrated grapefruit circles in pink, coral, hot pink and pale yellow, with "0% Alcohol" and "GRAPEFRUIT" at the bottom. At golden hour on a stylish rooftop pool, a young woman in a coral-pink swimsuit sits at the pool edge with her feet in turquoise water, lifting an ice-cold FIZZI can to her lips and closing her eyes in pleasure, friends mingling and string lights twinkling in a dreamy soft-focus blur behind her, condensation catching the golden light. A slightly wider shot shows her floating on a clear inflatable beside a friend in a pale yellow swimsuit, both laughing as they clink their coral-pink cans with a small splash, shot at water level with sparkling reflections dancing across the frame. An extreme macro slowly pans across the coral-pink can surface in hyper-detail — beads of condensation catching prismatic light, the glistening magenta "fizzi" logo filling the frame, then down to the crisp pop-art grapefruit grid with shimmering turquoise bokeh behind. Another dreamy slow-motion macro shows tiny carbonation bubbles racing up through pale-pink sparkling liquid in a glass with a glowing grapefruit slice floating, the can softly out of focus behind, with ASMR fizzing crackle. Finally the camera pulls back to a wide golden-hour shot of the full party — both women floating with cans, friends dancing and lounging on coral towels, grabbing FIZZI from an ice bucket of grapefruit halves — then slowly pushes in as they raise their cans toward camera and clean white text fades in: "Grab an ice cold fizzi," with "© 2026 FIZZI Beverages Co." below, holding then fading out.

Sharon Riley

44,826 Aufrufe • vor 2 Monaten

The GUARDIAN A mother who protects her child. A movie made entirely for Runway Contest. Prompt Inside a commercial airplane flying at night above thick glowing clouds, soft warm cabin lighting illuminating rows of seats. A young exhausted mother sits by the window, staring at the dark sky with anxious eyes, while her small son sleeps peacefully against her shoulder. Subtle reflections on the window glass, cinematic depth, emotional silence. 2 Close-up shot of a young mother’s face inside airplane cabin, pale tired skin, anxious expression, soft orange cabin light highlighting her cheekbones. Her eyes glisten slightly as she looks down at her sleeping child. Background softly blurred with passengers and seats. 3 Wide shot of airplane interior at night, dim blue and warm lighting contrast, clouds visible outside windows. Mother gently adjusting a blanket over her sleeping son, her hands trembling slightly from exhaustion. Quiet, emotional, cinematic realism. 4 Window seat view, night sky above endless glowing clouds. Reflection on glass shows mother holding her child close. Her face is partially visible in reflection, looking lost in thought, soft melancholy mood. 5 Mid shot inside airplane aisle, mother standing slightly bent over to check on her son sleeping across the seat. Soft cabin lights create long shadows, passengers blurred in background, emotional tension and fatigue. 6 Overhead angle inside airplane cabin, mother and child seated together. The child leans into her lap, sleeping peacefully. Mother looks forward with worried eyes, hands clasped tightly. Calm but emotionally heavy atmosphere. 7 Close shot of mother’s hands gently holding her son’s small hand. The child is asleep, fingers loosely curled. Soft golden cabin light emphasizes warmth and emotional connection. 8 Side profile cinematic shot of mother looking out of airplane window into dark sky and glowing clouds. Tears barely visible in her eyes, but she remains still and composed. Subtle reflections of cabin lights on glass. 9 Final emotional frame inside airplane cabin, quiet night flight. Mother slowly closing her eyes while holding her sleeping child close. Soft light fades across their faces, peaceful yet deeply emotional atmosphere.
4:03

The GUARDIAN A mother who protects her child. A movie made entirely for Runway Contest. Prompt Inside a commercial airplane flying at night above thick glowing clouds, soft warm cabin lighting illuminating rows of seats. A young exhausted mother sits by the window, staring at the dark sky with anxious eyes, while her small son sleeps peacefully against her shoulder. Subtle reflections on the window glass, cinematic depth, emotional silence. 2 Close-up shot of a young mother’s face inside airplane cabin, pale tired skin, anxious expression, soft orange cabin light highlighting her cheekbones. Her eyes glisten slightly as she looks down at her sleeping child. Background softly blurred with passengers and seats. 3 Wide shot of airplane interior at night, dim blue and warm lighting contrast, clouds visible outside windows. Mother gently adjusting a blanket over her sleeping son, her hands trembling slightly from exhaustion. Quiet, emotional, cinematic realism. 4 Window seat view, night sky above endless glowing clouds. Reflection on glass shows mother holding her child close. Her face is partially visible in reflection, looking lost in thought, soft melancholy mood. 5 Mid shot inside airplane aisle, mother standing slightly bent over to check on her son sleeping across the seat. Soft cabin lights create long shadows, passengers blurred in background, emotional tension and fatigue. 6 Overhead angle inside airplane cabin, mother and child seated together. The child leans into her lap, sleeping peacefully. Mother looks forward with worried eyes, hands clasped tightly. Calm but emotionally heavy atmosphere. 7 Close shot of mother’s hands gently holding her son’s small hand. The child is asleep, fingers loosely curled. Soft golden cabin light emphasizes warmth and emotional connection. 8 Side profile cinematic shot of mother looking out of airplane window into dark sky and glowing clouds. Tears barely visible in her eyes, but she remains still and composed. Subtle reflections of cabin lights on glass. 9 Final emotional frame inside airplane cabin, quiet night flight. Mother slowly closing her eyes while holding her sleeping child close. Soft light fades across their faces, peaceful yet deeply emotional atmosphere.

Sharon Riley

14,525 Aufrufe • vor 5 Monaten

Made this cinematic sequence using Seedance 2.5 The realism, camera movements, water physics, explosions, and intense atmosphere are on another level. AI video generation is getting seriously cinematic. Prompt ⤵️ Create a 30-second ultra-realistic cinematic disaster sequence with a dark, intense, Hollywood-blockbuster atmosphere. Main character: A young woman with short, messy dark hair, wearing a soaked white T-shirt and light-colored shorts. Keep her appearance consistent throughout the entire video. Her face should remain realistic and expressive, showing fear, shock, exhaustion, and determination. Scene 1 — 0–5 seconds: Open with an extreme close-up of the woman running toward the camera through a dark industrial shipping yard at night. Heavy rain is falling, her hair and clothes are completely wet, and she is breathing heavily. Behind her, bright industrial lights glow through thick smoke and mist. The camera moves backward smoothly while maintaining focus on her face. Add realistic rain droplets on the camera lens, dramatic backlighting, atmospheric fog, and handheld cinematic movement. Scene 2 — 5–10 seconds: Cut to a wider shot as she runs through the flooded container yard. Large shipping containers surround her, emergency lights flash in the distance, and explosions/fire erupt behind her. She looks over her shoulder in panic while continuing to run. Water splashes dramatically around her legs with every step. Use realistic fire, smoke, debris, rain, and volumetric lighting. Scene 3 — 10–15 seconds: She suddenly loses her balance and falls into the flooded ground. Show the impact in slow motion for a moment, with water splashing around her. She quickly pushes herself back up while terrified people run in the background. A massive wave of smoke, debris, and water moves through the shipping yard behind them. Use a low-angle camera close to the ground for a powerful disaster-movie perspective. Scene 4 — 15–21 seconds: She gets back on her feet and starts sprinting toward safety. The camera tracks alongside her at high speed. Containers shake, debris flies through the air, vehicles and objects are pushed around by the powerful force behind her. Keep her face and body consistent. Alternate between close-ups of her frightened expression and wide shots showing the enormous scale of destruction. Scene 5 — 21–25 seconds: She reaches a large modern building filled with terrified people. The camera follows her inside as everyone rushes toward safety. People are falling, crawling, and helping each other while water and debris can be seen outside through the entrance. The lighting changes from cold blue-gray exterior lighting to dramatic warm interior lighting. Scene 6 — 25–30 seconds: Suddenly transition to a massive luxury yacht in the middle of a violent ocean. Huge dark waves surround the vessel under a stormy sky. The camera starts behind the yacht and slowly reveals an enormous shark-like sea creature emerging from the ocean directly behind it, creating a terrifying final reveal. The creature rises through the waves with water cascading from its body. End with a gigantic wave crashing toward the yacht. Visual style: photorealistic Hollywood disaster film, cinematic color grading, realistic skin texture, physically accurate water and rain, volumetric fog, dramatic practical lighting, realistic fire and smoke, detailed environments, natural motion blur, shallow depth of field, dynamic camera movement, high contrast, atmospheric storm clouds, extremely detailed CGI, 4K cinematic quality. Camera: mixture of handheld close-ups, smooth tracking shots, wide establishing shots, low-angle disaster shots, slow-motion impact moments, and dramatic aerial/wide shots. Sound design: heavy rainfall, thunder, distant explosions, sirens, screaming crowds, footsteps splashing through water, crashing metal, deep cinematic bass, roaring waves, and an intense rising orchestral score that builds toward the final creature reveal.
0:30

Made this cinematic sequence using Seedance 2.5 The realism, camera movements, water physics, explosions, and intense atmosphere are on another level. AI video generation is getting seriously cinematic. Prompt ⤵️ Create a 30-second ultra-realistic cinematic disaster sequence with a dark, intense, Hollywood-blockbuster atmosphere. Main character: A young woman with short, messy dark hair, wearing a soaked white T-shirt and light-colored shorts. Keep her appearance consistent throughout the entire video. Her face should remain realistic and expressive, showing fear, shock, exhaustion, and determination. Scene 1 — 0–5 seconds: Open with an extreme close-up of the woman running toward the camera through a dark industrial shipping yard at night. Heavy rain is falling, her hair and clothes are completely wet, and she is breathing heavily. Behind her, bright industrial lights glow through thick smoke and mist. The camera moves backward smoothly while maintaining focus on her face. Add realistic rain droplets on the camera lens, dramatic backlighting, atmospheric fog, and handheld cinematic movement. Scene 2 — 5–10 seconds: Cut to a wider shot as she runs through the flooded container yard. Large shipping containers surround her, emergency lights flash in the distance, and explosions/fire erupt behind her. She looks over her shoulder in panic while continuing to run. Water splashes dramatically around her legs with every step. Use realistic fire, smoke, debris, rain, and volumetric lighting. Scene 3 — 10–15 seconds: She suddenly loses her balance and falls into the flooded ground. Show the impact in slow motion for a moment, with water splashing around her. She quickly pushes herself back up while terrified people run in the background. A massive wave of smoke, debris, and water moves through the shipping yard behind them. Use a low-angle camera close to the ground for a powerful disaster-movie perspective. Scene 4 — 15–21 seconds: She gets back on her feet and starts sprinting toward safety. The camera tracks alongside her at high speed. Containers shake, debris flies through the air, vehicles and objects are pushed around by the powerful force behind her. Keep her face and body consistent. Alternate between close-ups of her frightened expression and wide shots showing the enormous scale of destruction. Scene 5 — 21–25 seconds: She reaches a large modern building filled with terrified people. The camera follows her inside as everyone rushes toward safety. People are falling, crawling, and helping each other while water and debris can be seen outside through the entrance. The lighting changes from cold blue-gray exterior lighting to dramatic warm interior lighting. Scene 6 — 25–30 seconds: Suddenly transition to a massive luxury yacht in the middle of a violent ocean. Huge dark waves surround the vessel under a stormy sky. The camera starts behind the yacht and slowly reveals an enormous shark-like sea creature emerging from the ocean directly behind it, creating a terrifying final reveal. The creature rises through the waves with water cascading from its body. End with a gigantic wave crashing toward the yacht. Visual style: photorealistic Hollywood disaster film, cinematic color grading, realistic skin texture, physically accurate water and rain, volumetric fog, dramatic practical lighting, realistic fire and smoke, detailed environments, natural motion blur, shallow depth of field, dynamic camera movement, high contrast, atmospheric storm clouds, extremely detailed CGI, 4K cinematic quality. Camera: mixture of handheld close-ups, smooth tracking shots, wide establishing shots, low-angle disaster shots, slow-motion impact moments, and dramatic aerial/wide shots. Sound design: heavy rainfall, thunder, distant explosions, sirens, screaming crowds, footsteps splashing through water, crashing metal, deep cinematic bass, roaring waves, and an intense rising orchestral score that builds toward the final creature reveal.

Noor 🌸

23,635 Aufrufe • vor 1 Monat

You invite vayne to a date on the beach. she says no. you don't ask why. three days later she shows up at your door with a duffel bag and says "lets go" you don't question it. you drive in silence. the aroma of salty air starts leaking through the cracked window an hour before you arrive. she watches the side mirror the entire drive like someone's going to follow you to a public beach on a saturday. you pull into the lot. she doesn't get out of the car. the ocean is loud even through the windshield. waves breaking in slow rolling booms. gulls somewhere. kids laughing down the shoreline. she's staring at the water like it's something she was sent to kill. "change of plans" she says. you wait. she grips the strap of the duffel bag tighter. her knuckles go pale. "i can't swim" you blink. the demon hunter. the woman who has slain demons with her crossbow in total darkness. cannot swim. you try not to smile. she sees you try not to smile. "say one word and i'm walking home" you don't say a word. she gets out of the car. slams the door harder than she needs to. her swimsuit is black. of course it's black. she'd wear tactical gear to the beach if they made it in swim fabric. her crossbow is in the duffel bag. you know it's in the duffel bag. she knows you know. the sand is hot under your feet. the wind pulls at her hair and she keeps pushing it back with irritation. you walk her down to the shore. she stops where the water touches her toes and doesn't move. a wave comes in and wraps around her ankles and pulls back and she watches the sand shift under her feet like the earth just betrayed her. "this is stupid" you say "we don't have to" "i said we're doing it" the sun is directly overhead. your shadow is small. you can smell the salt on her skin already. sunscreen she definitely applied angrily in the car. you hold out your hand. she looks at it for a long second. then she reluctantly takes it. her grip is tighter than it needs to be. her palm is warm. you can feel her pulse in her thumb. you walk in together. knee deep. the water is cold enough to make her inhale sharply. she doesn't complain. she doesn't complain about anything ever. waist deep. a small wave hits her hip and she tightens her grip on you. you pretend not to notice. chest deep. her breathing changes. she grabs your shoulder with her free hand. hard enough that you'll have a mark tomorrow. "i don't like this" you tell her to lean back. you'll hold her. you've got her. she doesn't lean back. "i don't lean back. ever" you say "i know. that's the problem" she looks deep into your eyes as if staring into your soul. the water is moving around both of you in slow pulses. her hair is wet at the ends from where it dipped in. there's salt drying on her cheekbones. her eyes are the color they always are but they look different in this light. less like something hunting you. more like something that hasn't slept in years. long pause. then she leans back. slowly. an inch at a time. like she's disarming a trap that could go off under her. your hand slides under her back. the other cups the back of her neck. her hair spreads out around her in the water. her whole body tightening. she's staring straight up at the sky. "if i drown i'm coming back to kill you" you tell her she's floating. "i know i'm floating. i can feel it" her voice is different. quieter. softer than the voice she uses in the world. you've never heard it. the sun is on her face. her eyelashes are wet and clumped. a single drop of seawater slides from her temple down into her hair. she doesn't flinch. you keep your hand under her even though she doesn't need it anymore. she doesn't tell you to move it. minutes pass. you're not sure how many. then a bigger wave rolls in from behind you. she feels it before she sees it. she panics. snaps upright. both arms around your neck. her face buried in the crook of your shoulder. her whole body pressed against yours in the water. you can feel her heart beating against your chest. you hold her. the wave passes under both of you and keeps going. neither of you moves. you can hear her breathing. slow and shaky. her fingers are tangled at the back of your neck. the ocean sounds further away than it did a minute ago. she smells like salt and sun and something underneath that you don't have a word for. she doesn't let go for a long time. when she finally does she pushes away like she just realized what she was doing. her face is flushed from something that isn't the sun. she won't look at you. she starts walking back to shore without a word. the water breaks around her waist then her knees then her ankles. you follow. on the sand she towels off aggressively. attacks her hair like it insulted her personally. the sun is lower now. gold on the water behind her. kids are still laughing somewhere down the beach. she won't make eye contact. then she says "we're doing this again" she doesn't ask. she tells. "and don't tell ANYONE what you just saw" Study the Saskio way
6:06

You invite vayne to a date on the beach. she says no. you don't ask why. three days later she shows up at your door with a duffel bag and says "lets go" you don't question it. you drive in silence. the aroma of salty air starts leaking through the cracked window an hour before you arrive. she watches the side mirror the entire drive like someone's going to follow you to a public beach on a saturday. you pull into the lot. she doesn't get out of the car. the ocean is loud even through the windshield. waves breaking in slow rolling booms. gulls somewhere. kids laughing down the shoreline. she's staring at the water like it's something she was sent to kill. "change of plans" she says. you wait. she grips the strap of the duffel bag tighter. her knuckles go pale. "i can't swim" you blink. the demon hunter. the woman who has slain demons with her crossbow in total darkness. cannot swim. you try not to smile. she sees you try not to smile. "say one word and i'm walking home" you don't say a word. she gets out of the car. slams the door harder than she needs to. her swimsuit is black. of course it's black. she'd wear tactical gear to the beach if they made it in swim fabric. her crossbow is in the duffel bag. you know it's in the duffel bag. she knows you know. the sand is hot under your feet. the wind pulls at her hair and she keeps pushing it back with irritation. you walk her down to the shore. she stops where the water touches her toes and doesn't move. a wave comes in and wraps around her ankles and pulls back and she watches the sand shift under her feet like the earth just betrayed her. "this is stupid" you say "we don't have to" "i said we're doing it" the sun is directly overhead. your shadow is small. you can smell the salt on her skin already. sunscreen she definitely applied angrily in the car. you hold out your hand. she looks at it for a long second. then she reluctantly takes it. her grip is tighter than it needs to be. her palm is warm. you can feel her pulse in her thumb. you walk in together. knee deep. the water is cold enough to make her inhale sharply. she doesn't complain. she doesn't complain about anything ever. waist deep. a small wave hits her hip and she tightens her grip on you. you pretend not to notice. chest deep. her breathing changes. she grabs your shoulder with her free hand. hard enough that you'll have a mark tomorrow. "i don't like this" you tell her to lean back. you'll hold her. you've got her. she doesn't lean back. "i don't lean back. ever" you say "i know. that's the problem" she looks deep into your eyes as if staring into your soul. the water is moving around both of you in slow pulses. her hair is wet at the ends from where it dipped in. there's salt drying on her cheekbones. her eyes are the color they always are but they look different in this light. less like something hunting you. more like something that hasn't slept in years. long pause. then she leans back. slowly. an inch at a time. like she's disarming a trap that could go off under her. your hand slides under her back. the other cups the back of her neck. her hair spreads out around her in the water. her whole body tightening. she's staring straight up at the sky. "if i drown i'm coming back to kill you" you tell her she's floating. "i know i'm floating. i can feel it" her voice is different. quieter. softer than the voice she uses in the world. you've never heard it. the sun is on her face. her eyelashes are wet and clumped. a single drop of seawater slides from her temple down into her hair. she doesn't flinch. you keep your hand under her even though she doesn't need it anymore. she doesn't tell you to move it. minutes pass. you're not sure how many. then a bigger wave rolls in from behind you. she feels it before she sees it. she panics. snaps upright. both arms around your neck. her face buried in the crook of your shoulder. her whole body pressed against yours in the water. you can feel her heart beating against your chest. you hold her. the wave passes under both of you and keeps going. neither of you moves. you can hear her breathing. slow and shaky. her fingers are tangled at the back of your neck. the ocean sounds further away than it did a minute ago. she smells like salt and sun and something underneath that you don't have a word for. she doesn't let go for a long time. when she finally does she pushes away like she just realized what she was doing. her face is flushed from something that isn't the sun. she won't look at you. she starts walking back to shore without a word. the water breaks around her waist then her knees then her ankles. you follow. on the sand she towels off aggressively. attacks her hair like it insulted her personally. the sun is lower now. gold on the water behind her. kids are still laughing somewhere down the beach. she won't make eye contact. then she says "we're doing this again" she doesn't ask. she tells. "and don't tell ANYONE what you just saw" Study the Saskio way

Tony Chau

49,627 Aufrufe • vor 5 Monaten

Oh yeah, this is just quintessential Chloe; or "Chlo" as this English teen scene queen likes to call herself. She's been pregaming with her friends ahead of the big night out, and simply can't pace herself. So now she's already completely smashed; utterly shitfaced beyond belief. And she desperately needs a smoke. So Chlo bursts into the kitchen, puts a ciggie between her lips and lights up. Just hear her moaning as she hammers that first drag deep into her lungs. Oh man, this is so good; feeling the nicotine rush through her completely smashed body is just so amazing. Then she gets up and starts wobbling around with her lung candy dangling between her lips. And soon she starts belting out "I'm sexy and I know it" while waving her cig. And let's admit it; she really is, isn't she? Just look how hot she is with that purple emo hairdo, fake tan, pink lipstick, rail thin body in those leggings and with those perky titties almost falling out of her top. Which hot-blooded British lad wouldn't wanna get it on with this sloshed hottie? You already heard what she sounds like just from dragging on a cigarette. Just imagine how intensely she'll be moaning when she gets some meatier fun inside of her later tonight. Chlo doesn't apologize for being trashy, and let's face it; these kind of British hammered hotties are quite simply irresistible when you're on a drunken night out. #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #partygirl #partysmoker #drunksmoking #wasterdgirl #shitfaced #hammered #smashed #deepinhale #danglingciggie #scenequeen #purplehair #emohair #faketan #leggings #teensmoking #teensmoker #smokingteen #coolgirl #hotgirl #sexygirl #englishgirl #englishsmoker
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Sensitive content

Oh yeah, this is just quintessential Chloe; or "Chlo" as this English teen scene queen likes to call herself. She's been pregaming with her friends ahead of the big night out, and simply can't pace herself. So now she's already completely smashed; utterly shitfaced beyond belief. And she desperately needs a smoke. So Chlo bursts into the kitchen, puts a ciggie between her lips and lights up. Just hear her moaning as she hammers that first drag deep into her lungs. Oh man, this is so good; feeling the nicotine rush through her completely smashed body is just so amazing. Then she gets up and starts wobbling around with her lung candy dangling between her lips. And soon she starts belting out "I'm sexy and I know it" while waving her cig. And let's admit it; she really is, isn't she? Just look how hot she is with that purple emo hairdo, fake tan, pink lipstick, rail thin body in those leggings and with those perky titties almost falling out of her top. Which hot-blooded British lad wouldn't wanna get it on with this sloshed hottie? You already heard what she sounds like just from dragging on a cigarette. Just imagine how intensely she'll be moaning when she gets some meatier fun inside of her later tonight. Chlo doesn't apologize for being trashy, and let's face it; these kind of British hammered hotties are quite simply irresistible when you're on a drunken night out. #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #partygirl #partysmoker #drunksmoking #wasterdgirl #shitfaced #hammered #smashed #deepinhale #danglingciggie #scenequeen #purplehair #emohair #faketan #leggings #teensmoking #teensmoker #smokingteen #coolgirl #hotgirl #sexygirl #englishgirl #englishsmoker

Smoking girl lover

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