Загрузка видео...

Не удалось загрузить видео

Возникла проблема при загрузке этого видео. Это может быть связано с временными проблемами сети или видео может быть недоступно.

На главную

Persona (words)

foggie art thou

60,400 subscribers

248,649 просмотров • 2 лет назад •via X (Twitter)

Искусство Юмор Образование

Anya Rossi• Live Now

Private livecam show

Комментарии: 10

Фото профиля pecan

pecan2 лет назад

FUCKIN FINALLY OMG DIS MY SHIT YOU NEED TO DROP DIS FOR MY SANITY PLS 😭

Фото профиля WrldPiece

WrldPiece2 лет назад

RESPECTFULLY WHAT TF IS THE HOLD UP WHEN IT COME TO RELEASING SOME OF THESE????

Фото профиля Bre

Bre2 лет назад

So poetic your words hurt my soul brother

Фото профиля 𝕍𝔸𝔻𝔼ℝ♛

𝕍𝔸𝔻𝔼ℝ♛2 лет назад

Foggie classic 👍🏾

Фото профиля Black.Silq

Black.Silq2 лет назад

Too gorgeous....too smooth.

Фото профиля Samuel Smith

Samuel Smith2 лет назад

The best 1

Фото профиля okoh tochukwu solomon. (Health scientist/Edu) BSC

okoh tochukwu solomon. (Health scientist/Edu) BSC2 лет назад

The voice of a lil Wayne

Фото профиля django

django2 лет назад

soothing man

Фото профиля CXRSED 🇯🇲🇧🇧🇦🇹

CXRSED 🇯🇲🇧🇧🇦🇹2 лет назад

Whoo whoooo Foggie always bringing the vibes 🔥 Where can I find the rets of it??

Фото профиля ⓙⓘⓜt¡m

ⓙⓘⓜt¡m2 лет назад

So smooth.....

Похожие видео

Game: Persona 4 The Animation (2011) Song: key plus words

Game: Persona 4 The Animation (2011) Song: key plus words

Raw Video Game Openings

80,998 просмотров • 3 месяцев назад

Quqco defends Nmplol after chatter said he’s the next one up “Nmp’s online persona is a persona..offline he is very nice respectful..never touched anybody weird..never said any inappropriate words to somebody..very not weirdchamp person, in my experience”

Quqco defends Nmplol after chatter said he’s the next one up “Nmp’s online persona is a persona..offline he is very nice respectful..never touched anybody weird..never said any inappropriate words to somebody..very not weirdchamp person, in my experience”

yeet

446,361 просмотров • 10 месяцев назад

Latin word for today: Persona From the preposition "per" meaning "through" and "sonare" meaning "to sound, to speak" (the root of words like "sonar" and "resonant"). Originally the word for the theater masks worn by actors, the "persona" is that through which you speak.

Latin word for today: Persona From the preposition "per" meaning "through" and "sonare" meaning "to sound, to speak" (the root of words like "sonar" and "resonant"). Originally the word for the theater masks worn by actors, the "persona" is that through which you speak.

The Last Homely House

14,022 просмотров • 1 день назад

the pitt rarely has room for long monologues but isa briones shines here. it's slow & quiet til the words start rushing out, out of breath bc she's been WAITING to say this all day. then she retreats back into her closed-off persona bc the vulnerability leaves her feeling exposed

the pitt rarely has room for long monologues but isa briones shines here. it's slow & quiet til the words start rushing out, out of breath bc she's been WAITING to say this all day. then she retreats back into her closed-off persona bc the vulnerability leaves her feeling exposed

cade

349,081 просмотров • 5 месяцев назад

Victor Davis Hanson: The Left’s Fake Middle-Class Persona Have you noticed this phenomenon of the Democrat-Socialist Party trying to create fake middle-class candidates? They thought candidates like Tim Walz, James Talarico, and Graham Platner would serve as Trojan horses: seemingly middle-class, working-class figures with socially conservative upbringings who would enact widely unpopular, radical leftist policies if elected. They thought wrong, argues Victor Davis Hanson on the latest edition of “Victor Davis Hanson: In a Few Words.” Full video: Victor Davis Hanson

Victor Davis Hanson: The Left’s Fake Middle-Class Persona Have you noticed this phenomenon of the Democrat-Socialist Party trying to create fake middle-class candidates? They thought candidates like Tim Walz, James Talarico, and Graham Platner would serve as Trojan horses: seemingly middle-class, working-class figures with socially conservative upbringings who would enact widely unpopular, radical leftist policies if elected. They thought wrong, argues Victor Davis Hanson on the latest edition of “Victor Davis Hanson: In a Few Words.” Full video: Victor Davis Hanson

Daily Signal

20,455 просмотров • 2 месяцев назад

Michelle Obama and Craig Robinson introduction on Megan is perhaps some of the most beautiful spoken words of her and one of the best moment from the interview. They see in her what a lot of her fans see, a genuine, kind soul, not the persona. The fact that they said Megan could be part of their family, tells you everything about who she really is in person❤️❤️ When First Lady Michelle is in awe of you, you know you are really loved. People's Princess!

Michelle Obama and Craig Robinson introduction on Megan is perhaps some of the most beautiful spoken words of her and one of the best moment from the interview. They see in her what a lot of her fans see, a genuine, kind soul, not the persona. The fact that they said Megan could be part of their family, tells you everything about who she really is in person❤️❤️ When First Lady Michelle is in awe of you, you know you are really loved. People's Princess!

JusticeForMegan

15,259 просмотров • 1 месяц назад

Here’s my conversation with Ryan Serhant SERHANT is global real-estate brand widely known across social media. That being said, there’s a deeply human side to Ryan (as is with everyone) separate from his business and public persona. We spoke about his family, upbringing, and such extreme hardship before the bright lights. In Ryan’s words, “in [his] 18 years of doing media, [he’s] never been asked about [his] grandparents.” This conversation gives you a glimpse into the sheer obstacles he’s overcome, the AI-native software he built to boost performance, and how he got to where he is. Ryan is full of life and truly one of a kind. Enjoy!

Sonith

76,114 просмотров • 3 месяцев назад

Soooo Thariq is on vacation has straight up changed my life with these 5 words: "HTML is the new markdown." It's so obvious in hindsight: while .md is simple to write and agents can read it well, it's a total slog to eyeball as a human. In this special ep recorded live at Code with Claude, Thariq walks me through how he: - uses HTML artifacts as interactive specs - builds throwaway micro-UIs - maintains a living design system in HTML - prompts Claude with "whatever is needed" to give it room to actually think He also tells us what comes after the SWE + PM role 👀 As always, a huge TY to our amazing sponsors: 🔀 Celigo - Intelligent automation built for AI: 🪪 Persona - trusted identity verification for any use case: Watch now on YT:

Soooo Thariq is on vacation has straight up changed my life with these 5 words: "HTML is the new markdown." It's so obvious in hindsight: while .md is simple to write and agents can read it well, it's a total slog to eyeball as a human. In this special ep recorded live at Code with Claude, Thariq walks me through how he: - uses HTML artifacts as interactive specs - builds throwaway micro-UIs - maintains a living design system in HTML - prompts Claude with "whatever is needed" to give it room to actually think He also tells us what comes after the SWE + PM role 👀 As always, a huge TY to our amazing sponsors: 🔀 Celigo - Intelligent automation built for AI: 🪪 Persona - trusted identity verification for any use case: Watch now on YT:

claire vo 🖤

201,045 просмотров • 4 месяцев назад

NEW: AG Pam Bondi says Rep. Jasmine Crockett could be CENSURED by Congress after calling for Elon Musk to be “taken down” and for Ted Cruz to be “knocked in the head.” Bondi warned that Crockett’s words were so reckless and inflammatory, they could warrant an official reprimand from Congress. Crockett recently said, “On March 29, it's my birthday. All I want to see happen on my birthday is for Elon to be taken down.” In another instance, she called for Sen. Ted Cruz to be “knocked over the head.” “I believe she probably will be censured by Congress for saying that,” Bondi said. “People don’t learn. She’s using her public persona, her public platform, to increase her followers, to increase her significance, and she is threatening lives, safety.” “She has to apologize immediately and denounce the violence.”

NEW: AG Pam Bondi says Rep. Jasmine Crockett could be CENSURED by Congress after calling for Elon Musk to be “taken down” and for Ted Cruz to be “knocked in the head.” Bondi warned that Crockett’s words were so reckless and inflammatory, they could warrant an official reprimand from Congress. Crockett recently said, “On March 29, it's my birthday. All I want to see happen on my birthday is for Elon to be taken down.” In another instance, she called for Sen. Ted Cruz to be “knocked over the head.” “I believe she probably will be censured by Congress for saying that,” Bondi said. “People don’t learn. She’s using her public persona, her public platform, to increase her followers, to increase her significance, and she is threatening lives, safety.” “She has to apologize immediately and denounce the violence.”

The Vigilant Fox 🦊

1,778,134 просмотров • 1 год назад

Listen up, folks, this charlatan, Sulaiman Ahmed, launched a vicious, non-stop assault on me the moment I began dominating X Spaces. But oh, how the plot thickens: peel back the layers, and you'll uncover a web of deceit that exposes him for the utter sham he truly is. Mark my words, Sulaiman Ahmed is persona non grata in the world of journalism. Never trust a single syllable from this snake oil salesman moving forward. He's nothing but a predatory fraudster and shameless grifter, preying on vulnerable Muslim children through his bogus "schools" in the UK while funneling dirty cash through a labyrinth of fraudulent shell companies designed to launder his ill-gotten gains. Don't miss the fireworks—join us live on X tonight at 11 PM, hot on the heels of our deep dive into Charlie Kirk. The fearless citizen journalist Caulin Goyimreads will be dropping bombshells, dissecting his earth-shattering exposé that rips the mask off this con artist once and for all.

Listen up, folks, this charlatan, Sulaiman Ahmed, launched a vicious, non-stop assault on me the moment I began dominating X Spaces. But oh, how the plot thickens: peel back the layers, and you'll uncover a web of deceit that exposes him for the utter sham he truly is. Mark my words, Sulaiman Ahmed is persona non grata in the world of journalism. Never trust a single syllable from this snake oil salesman moving forward. He's nothing but a predatory fraudster and shameless grifter, preying on vulnerable Muslim children through his bogus "schools" in the UK while funneling dirty cash through a labyrinth of fraudulent shell companies designed to launder his ill-gotten gains. Don't miss the fireworks—join us live on X tonight at 11 PM, hot on the heels of our deep dive into Charlie Kirk. The fearless citizen journalist Caulin Goyimreads will be dropping bombshells, dissecting his earth-shattering exposé that rips the mask off this con artist once and for all.

RyanMatta 🇺🇸 🦅

71,170 просмотров • 11 месяцев назад

John Cena & Idris Elba debate the greatest action star of all time John Cena: "My heart wants to say Jackie Chan. It does. He's the greatest action star of all time. But then again… Arnold Schwarzenegger?” Idris Elba: “No. I love you Arnold but you ain't the goat of action stars. Action star right now, I'd say it's Tom Cruise. Arnold, for example he just has one good phrase” John Cena: “He has one good phrase per movie” Idris Elba: "Yeah but that's not the action, that's the phrase. This guy Tom Cruise does the entire action and you know he's doing it himself” John Cena: “But this guy has developed a persona of being the greatest ass-kicker of all time with just a sentence per movie” “I mean, Tom Cruise is getting paid a heck of a lot to hang off of space shuttles. If you break down Arnold's hourly fee by the word, he says like three words” Idris Elba: "Is he the goat action star, yes or no?" John Cena: "He's mine”

John Cena & Idris Elba debate the greatest action star of all time John Cena: "My heart wants to say Jackie Chan. It does. He's the greatest action star of all time. But then again… Arnold Schwarzenegger?” Idris Elba: “No. I love you Arnold but you ain't the goat of action stars. Action star right now, I'd say it's Tom Cruise. Arnold, for example he just has one good phrase” John Cena: “He has one good phrase per movie” Idris Elba: "Yeah but that's not the action, that's the phrase. This guy Tom Cruise does the entire action and you know he's doing it himself” John Cena: “But this guy has developed a persona of being the greatest ass-kicker of all time with just a sentence per movie” “I mean, Tom Cruise is getting paid a heck of a lot to hang off of space shuttles. If you break down Arnold's hourly fee by the word, he says like three words” Idris Elba: "Is he the goat action star, yes or no?" John Cena: "He's mine”

Jack

155,620 просмотров • 3 месяцев назад

As always Kemi Badenoch has lied in this clip about her experiences at a Nigerian school and confirmed the fact that she is an affliction and a plague. Outside of that, now that she has publicly stated that she no longer 'identifies with Nigeria' she should have her Nigerian passport revoked, she should be declared 'persona non grata' by our Government and she should be banned from ever setting her foot in our shores again. Her obsession with destroying Nigeria and decimating the image of the Nigeeian people borders on the pathological and at this point I am constrained to question her sanity. She has done much damage to our nation and it is time for us to stop treating her with kid gloves, fight back, expose her for the lying, mendacious and vile creature that she is and put her in her place. It is most inappropriate to continue to take her lightly and ignore her constant attacks and misrepresentation of our peoole because, by her actions and words, she has wilfully and systematically held herself out as the enemy of the Nigerian people and will take every opportunity to destroy our aspirations and fortunes. We cannot continue to fold our arms and watch her denigrate and destroy us. It is time to bring out the big guns, challenge her mendacities at every turn and expose her for what she is: a sick young lady who needs psychiatric medication and medical attention. (FFK)

As always Kemi Badenoch has lied in this clip about her experiences at a Nigerian school and confirmed the fact that she is an affliction and a plague. Outside of that, now that she has publicly stated that she no longer 'identifies with Nigeria' she should have her Nigerian passport revoked, she should be declared 'persona non grata' by our Government and she should be banned from ever setting her foot in our shores again. Her obsession with destroying Nigeria and decimating the image of the Nigeeian people borders on the pathological and at this point I am constrained to question her sanity. She has done much damage to our nation and it is time for us to stop treating her with kid gloves, fight back, expose her for the lying, mendacious and vile creature that she is and put her in her place. It is most inappropriate to continue to take her lightly and ignore her constant attacks and misrepresentation of our peoole because, by her actions and words, she has wilfully and systematically held herself out as the enemy of the Nigerian people and will take every opportunity to destroy our aspirations and fortunes. We cannot continue to fold our arms and watch her denigrate and destroy us. It is time to bring out the big guns, challenge her mendacities at every turn and expose her for what she is: a sick young lady who needs psychiatric medication and medical attention. (FFK)

Femi Fani-Kayode

41,714 просмотров • 1 год назад

Before "cancel culture" was a phrase, Jenny McCarthy Wahlberg lived it. She was given a chilling, in-person warning from a high-level PR executive. The message was stark: A government agency was actively recruiting top-tier PR firms to build a public narrative against her. The goal? To label her "anti-vaccine." When she protested, pointing out that she had always prefaced her story by stating she was not anti-vaccine, the response was a cold, "Doesn't matter." The machinery was in motion. The media was on their side. They were coming for her with everything they had. Armed with faith, truth, and a South Side of Chicago resilience forged in an all-girls Catholic school, she wasn't scared by the smears. The words were just sticks and stones. The real blow was economic. As a single mother funding her son's recovery—speech therapy, ABA—the campaigns began to work. The phone calls started: jobs were pulled, campaigns were canceled. They weren't just attacking a persona; they were threatening her ability to heal her child. But a mother's love is an unstoppable force. She kept writing. She kept speaking. She refused to be erased. Now, with her son 22 and thriving, she is not just still here—she is stronger, more radiant, and more powerful than ever. This is a testament to the undeniable power of standing in your truth, no matter the forces arrayed against you. The system tried to cancel her. It failed. Her story is a masterclass in resilience.

Before "cancel culture" was a phrase, Jenny McCarthy Wahlberg lived it. She was given a chilling, in-person warning from a high-level PR executive. The message was stark: A government agency was actively recruiting top-tier PR firms to build a public narrative against her. The goal? To label her "anti-vaccine." When she protested, pointing out that she had always prefaced her story by stating she was not anti-vaccine, the response was a cold, "Doesn't matter." The machinery was in motion. The media was on their side. They were coming for her with everything they had. Armed with faith, truth, and a South Side of Chicago resilience forged in an all-girls Catholic school, she wasn't scared by the smears. The words were just sticks and stones. The real blow was economic. As a single mother funding her son's recovery—speech therapy, ABA—the campaigns began to work. The phone calls started: jobs were pulled, campaigns were canceled. They weren't just attacking a persona; they were threatening her ability to heal her child. But a mother's love is an unstoppable force. She kept writing. She kept speaking. She refused to be erased. Now, with her son 22 and thriving, she is not just still here—she is stronger, more radiant, and more powerful than ever. This is a testament to the undeniable power of standing in your truth, no matter the forces arrayed against you. The system tried to cancel her. It failed. Her story is a masterclass in resilience.

Camus

261,396 просмотров • 11 месяцев назад

R.F. Kuang has written seven books, won the Nebula Award for Best Novel, and trained at some of the world's top universities: Cambridge, Oxford, and Yale. Her wisdom-per-word ratio is also off the charts. Some highlights from our conversation: 1) Emotions are like colors. Mix them! Emotions are never one-dimensional. Bring together fear and courage, love and revulsion, joy and panic. This collision of feelings is closer to how emotion actually works. 2) Practice literary shapeshifting. Become a new person, a new persona, and a new type of author with every project. Do not confuse your habitual voice with your authentic voice: there is no single way of constructing sentences that must define you. Treat language as a fluid and flexible tool. 3) There's no correlation between how good writing feels in the moment and the quality of the product. We mistake effortlessness for genius, flow, or divine inspiration. So don't evaluate a day’s work by the pleasure of producing it. Judge whether the sentences escaped your pre-existing patterns and helped you think something through. 4) Good writing comes from being attentive to what's happening around you and writing with specificity about those observations, rather than relying on the theoretical. Throughout the day, ask: “Where is this feeling sitting in my body? How am I physically responding to this?” Those questions force you beyond the abstract label and toward something more specific than the reader could easily imagine for themselves. 5) Use your zero draft to discover the beating heart of the story, not to prove that you can already write it. Research, brainstorm, follow your nose, and collect whatever feels surprising or “crunchy.” At this stage, coherence is less valuable than emotional resonance. 6) Draft in layers. Let the early draft remain “balls on sticks.” Add the setting, architecture, faces, furniture, and drape colors in later passes. A person’s visual appearance is often the least interesting thing about them. 7) Use the outsider’s perspective to make language strange again. Nabokov could play, stretch, and innovate with English because he was fascinated by the oddities and opportunities of particular word combinations. 8) Be suspicious of “volunteer words for volunteer thoughts.” Volunteer words are the phrases that offer themselves immediately because they are already floating around in your head. They repeat common discourse and carry ideas that are easy to digest; you are filling the page from your pre-existing dataset rather than articulating something you have actually observed or thought through. 9) If you're stuck, put the subconscious to work. Open a blank document, type a title, word, or phrase, then save and close it. Return after the problem has had time to work on you in the background. 10) Serious writing doesn't require solemnity. Soaring observations about history or human nature can sit beside potty jokes. 11) AI can offer readily available words for readily available thoughts, but readily available thoughts do not push boundaries. It may reproduce impressive human patterns, but “you won’t get your next Pale Fire from an LLM.” 12) Thinking about the audience as you write a first draft is a death sentence. The moment you start writing while looking over your shoulder, you stop taking the story where it needs to go. Timestamps: 0:29 Writing your emotions 6:44 Observing people 15:20 Why easy writing doesn't work 23:09 Building unique voices for each book 30:47 What Kuang learned from debate 32:52 Why primary sources matter 35:33 AI & writing 40:54 How to start a book 45:16 Trust your subconscious 50:25 Copy the writers you love 52:57 Being goofy 57:34 Find a driving question 1:01:36 What every writer needs to learn 01:04:38 Book and movie recommendations I've shared the full conversation with R.F. Kuang below. If you'd rather watch the full thing on YouTube, or listen to it all on Apple / Spotify, check out the reply tweets. Enjoy!

R.F. Kuang has written seven books, won the Nebula Award for Best Novel, and trained at some of the world's top universities: Cambridge, Oxford, and Yale. Her wisdom-per-word ratio is also off the charts. Some highlights from our conversation: 1) Emotions are like colors. Mix them! Emotions are never one-dimensional. Bring together fear and courage, love and revulsion, joy and panic. This collision of feelings is closer to how emotion actually works. 2) Practice literary shapeshifting. Become a new person, a new persona, and a new type of author with every project. Do not confuse your habitual voice with your authentic voice: there is no single way of constructing sentences that must define you. Treat language as a fluid and flexible tool. 3) There's no correlation between how good writing feels in the moment and the quality of the product. We mistake effortlessness for genius, flow, or divine inspiration. So don't evaluate a day’s work by the pleasure of producing it. Judge whether the sentences escaped your pre-existing patterns and helped you think something through. 4) Good writing comes from being attentive to what's happening around you and writing with specificity about those observations, rather than relying on the theoretical. Throughout the day, ask: “Where is this feeling sitting in my body? How am I physically responding to this?” Those questions force you beyond the abstract label and toward something more specific than the reader could easily imagine for themselves. 5) Use your zero draft to discover the beating heart of the story, not to prove that you can already write it. Research, brainstorm, follow your nose, and collect whatever feels surprising or “crunchy.” At this stage, coherence is less valuable than emotional resonance. 6) Draft in layers. Let the early draft remain “balls on sticks.” Add the setting, architecture, faces, furniture, and drape colors in later passes. A person’s visual appearance is often the least interesting thing about them. 7) Use the outsider’s perspective to make language strange again. Nabokov could play, stretch, and innovate with English because he was fascinated by the oddities and opportunities of particular word combinations. 8) Be suspicious of “volunteer words for volunteer thoughts.” Volunteer words are the phrases that offer themselves immediately because they are already floating around in your head. They repeat common discourse and carry ideas that are easy to digest; you are filling the page from your pre-existing dataset rather than articulating something you have actually observed or thought through. 9) If you're stuck, put the subconscious to work. Open a blank document, type a title, word, or phrase, then save and close it. Return after the problem has had time to work on you in the background. 10) Serious writing doesn't require solemnity. Soaring observations about history or human nature can sit beside potty jokes. 11) AI can offer readily available words for readily available thoughts, but readily available thoughts do not push boundaries. It may reproduce impressive human patterns, but “you won’t get your next Pale Fire from an LLM.” 12) Thinking about the audience as you write a first draft is a death sentence. The moment you start writing while looking over your shoulder, you stop taking the story where it needs to go. Timestamps: 0:29 Writing your emotions 6:44 Observing people 15:20 Why easy writing doesn't work 23:09 Building unique voices for each book 30:47 What Kuang learned from debate 32:52 Why primary sources matter 35:33 AI & writing 40:54 How to start a book 45:16 Trust your subconscious 50:25 Copy the writers you love 52:57 Being goofy 57:34 Find a driving question 1:01:36 What every writer needs to learn 01:04:38 Book and movie recommendations I've shared the full conversation with R.F. Kuang below. If you'd rather watch the full thing on YouTube, or listen to it all on Apple / Spotify, check out the reply tweets. Enjoy!

David Perell

561,273 просмотров • 20 дней назад

Elon Musk was offered the chance to have his own product destroyed on camera, unscripted, and he took it in under a second. Musk: "Fuck yeah, let's do it." Then they walked out to the garage. Rogan drew an 80 pound bow on the side of a Cybertruck, cameras still running. A 545 grain arrow at roughly 275 feet per second into cold rolled stainless. Sparks off the panel. The broadhead flattened. The arrow blew apart. Rogan: "Barely scratched it." That panel is the same steel he picked for Starship after walking away from carbon fiber. A man builds a rocket, wraps a truck in it, then hands you a weapon and stands there. There's no paint on it. No clear coat, no filler, nothing between you and the material. That stainless is structure, not decoration. Nobody offers up their own product like that unless it has already been tested where nobody was watching. Most people saw a stunt. What they watched was a man putting a claim in front of physics, which has no opinion of him and could have humiliated him live. Almost nothing else works that way now. We have built an entire civilization out of statements that can never be checked. Decks, dashboards, mission statements, narratives engineered so that no single moment can ever prove them wrong. An unfalsifiable claim isn't a lie. Lies can be caught. This is a shape that looks like a claim and never has to meet anything. The supply of those just went vertical. Words cost nothing to produce now, at infinite volume, by machine. Anything in infinite supply prices to zero. So what still has a bid. Only what survived contact with something indifferent to it. Steel that got hit. Code that shipped. A number audited by reality instead of by a slide. Nothing indifferent to you has ever lied to you. Only the things that want something from you can. Trust has never been anything but exposure to failure, witnessed. Every bridge you've driven over was somebody agreeing to be wrong in public. Every engine, every vaccine, every building still standing. The entire inherited world was built by people who could have been destroyed in front of everyone and stood there anyway. Most of us have quietly optimized ourselves in the other direction. A resume nobody audits. A persona with no failure mode. A version of yourself that only exists where it can't be tested. That isn't a character flaw. It's what the last twenty years paid for. The payout schedule just changed. Proof is about to be the scarcest asset in the economy, and the one thing that can't be generated. It has to be earned once, in contact with something that doesn't care. Nobody controls access to that. You don't need scale or permission. You need one true thing you'd stand beside while somebody takes a shot at it. He stood there and let the arrow come. The arrow came apart. Everything made only of words does.

Elon Musk was offered the chance to have his own product destroyed on camera, unscripted, and he took it in under a second. Musk: "Fuck yeah, let's do it." Then they walked out to the garage. Rogan drew an 80 pound bow on the side of a Cybertruck, cameras still running. A 545 grain arrow at roughly 275 feet per second into cold rolled stainless. Sparks off the panel. The broadhead flattened. The arrow blew apart. Rogan: "Barely scratched it." That panel is the same steel he picked for Starship after walking away from carbon fiber. A man builds a rocket, wraps a truck in it, then hands you a weapon and stands there. There's no paint on it. No clear coat, no filler, nothing between you and the material. That stainless is structure, not decoration. Nobody offers up their own product like that unless it has already been tested where nobody was watching. Most people saw a stunt. What they watched was a man putting a claim in front of physics, which has no opinion of him and could have humiliated him live. Almost nothing else works that way now. We have built an entire civilization out of statements that can never be checked. Decks, dashboards, mission statements, narratives engineered so that no single moment can ever prove them wrong. An unfalsifiable claim isn't a lie. Lies can be caught. This is a shape that looks like a claim and never has to meet anything. The supply of those just went vertical. Words cost nothing to produce now, at infinite volume, by machine. Anything in infinite supply prices to zero. So what still has a bid. Only what survived contact with something indifferent to it. Steel that got hit. Code that shipped. A number audited by reality instead of by a slide. Nothing indifferent to you has ever lied to you. Only the things that want something from you can. Trust has never been anything but exposure to failure, witnessed. Every bridge you've driven over was somebody agreeing to be wrong in public. Every engine, every vaccine, every building still standing. The entire inherited world was built by people who could have been destroyed in front of everyone and stood there anyway. Most of us have quietly optimized ourselves in the other direction. A resume nobody audits. A persona with no failure mode. A version of yourself that only exists where it can't be tested. That isn't a character flaw. It's what the last twenty years paid for. The payout schedule just changed. Proof is about to be the scarcest asset in the economy, and the one thing that can't be generated. It has to be earned once, in contact with something that doesn't care. Nobody controls access to that. You don't need scale or permission. You need one true thing you'd stand beside while somebody takes a shot at it. He stood there and let the arrow come. The arrow came apart. Everything made only of words does.

Dustin

84,069 просмотров • 1 месяц назад

Roy Keane: “It’s just an act…” 👇🏻👇🏻👇🏻 Below is perhaps one of the most insightful clips I’ve watched related to the psychology of adult elite sport (the professional level of sport). Tucked away…silently…in a BBC interview quite some years ago. A small section of an interview with Roy Keane, one of the Premier League’s greatest players… “It’s an act. Of course I had self-doubts, but I kept an act up. The skinhead. A few sendings off. I fear nothing. Some sort of machine. Which is nonsense. You act, don’t you!” Roy Keane was a great actor. He acted when he took to the pitch. He had, what I call a ‘Game Face’. I wrote about my mental technique of ‘Game Face’ in my first book Soccer Tough (a book that I’m proud to say Gareth Bale called life changing). And I expanded on ‘Game Face’ in Soccer Tough II. A ‘Game Face’ is a term I use to describe a player’s best ‘mental state’ and ideal ‘competitive persona’. It’s a pictorial metaphor that helps players think about, imagine, and then self-regulate around who they want to be in the heat of battle and how they want to execute their actions. “I’m my Game Face no matter what. I say it, be it, do it, act it…embody it, enact it” To bring this alive I’ll provide some examples… I spent five years working with someone considered one of the best defenders in the world. He had a ‘Game Face’ of ‘Dominant & Relentless’. These last two years working with Feyenoord as they won the Eredivisie and the Dutch Cup, one of the players had a ‘Game Face’ of ‘Positive Upbeat Benzema’ When England played in the final of the rugby World Cup in 2019, one of the players had a ‘Game Face’ of ‘Aggressive Energetic Lion’ (I was lead psych prior to the World Cup). You see, these are pictorial metaphors consisting of action-based words, often combined with a model player or concept such as an animal. Metaphors are wonderful linguistic tools for self-regulation, and can help human beings execute actions at a high intensity level, as well as engage in a competition with approach behaviour (on the front-foot, energy forward). Ultimately, sports competitors would do well to be great actors when they need to be. This doesn’t mean there’s anything inauthentic about their style of play. On the contrary, a ‘Game Face’ is robust in that it offers a description of ‘who they are’ and ‘who they need to be’ when kick-off arrives. It offers a dynamic descriptor of ‘who they are’ and ‘who they need to be’ in-game when the pressure is on. A ‘Game Face’ is a mix of authentic and inauthentic mental (and personality) states that enable players to adapt and flex when they need to. Roy Keane had a ‘Game Face’. He was an actor when he needed to be. In his words, it helped him find ‘the zone’. A ‘Game Face’ is the most powerful technique I’ve devised over the years…one that enables me to help players take charge of themselves and take control no matter what. To dominate their mindset and own their mindset no matter what… …no matter what!

Roy Keane: “It’s just an act…” 👇🏻👇🏻👇🏻 Below is perhaps one of the most insightful clips I’ve watched related to the psychology of adult elite sport (the professional level of sport). Tucked away…silently…in a BBC interview quite some years ago. A small section of an interview with Roy Keane, one of the Premier League’s greatest players… “It’s an act. Of course I had self-doubts, but I kept an act up. The skinhead. A few sendings off. I fear nothing. Some sort of machine. Which is nonsense. You act, don’t you!” Roy Keane was a great actor. He acted when he took to the pitch. He had, what I call a ‘Game Face’. I wrote about my mental technique of ‘Game Face’ in my first book Soccer Tough (a book that I’m proud to say Gareth Bale called life changing). And I expanded on ‘Game Face’ in Soccer Tough II. A ‘Game Face’ is a term I use to describe a player’s best ‘mental state’ and ideal ‘competitive persona’. It’s a pictorial metaphor that helps players think about, imagine, and then self-regulate around who they want to be in the heat of battle and how they want to execute their actions. “I’m my Game Face no matter what. I say it, be it, do it, act it…embody it, enact it” To bring this alive I’ll provide some examples… I spent five years working with someone considered one of the best defenders in the world. He had a ‘Game Face’ of ‘Dominant & Relentless’. These last two years working with Feyenoord as they won the Eredivisie and the Dutch Cup, one of the players had a ‘Game Face’ of ‘Positive Upbeat Benzema’ When England played in the final of the rugby World Cup in 2019, one of the players had a ‘Game Face’ of ‘Aggressive Energetic Lion’ (I was lead psych prior to the World Cup). You see, these are pictorial metaphors consisting of action-based words, often combined with a model player or concept such as an animal. Metaphors are wonderful linguistic tools for self-regulation, and can help human beings execute actions at a high intensity level, as well as engage in a competition with approach behaviour (on the front-foot, energy forward). Ultimately, sports competitors would do well to be great actors when they need to be. This doesn’t mean there’s anything inauthentic about their style of play. On the contrary, a ‘Game Face’ is robust in that it offers a description of ‘who they are’ and ‘who they need to be’ when kick-off arrives. It offers a dynamic descriptor of ‘who they are’ and ‘who they need to be’ in-game when the pressure is on. A ‘Game Face’ is a mix of authentic and inauthentic mental (and personality) states that enable players to adapt and flex when they need to. Roy Keane had a ‘Game Face’. He was an actor when he needed to be. In his words, it helped him find ‘the zone’. A ‘Game Face’ is the most powerful technique I’ve devised over the years…one that enables me to help players take charge of themselves and take control no matter what. To dominate their mindset and own their mindset no matter what… …no matter what!

Daniel Abrahams

640,866 просмотров • 2 лет назад