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🔥 Petite black beauty getting double BBC stuffed and loving every thick inch! 😈 Those happy smiles say it all—she’s in heaven getting stretched wide and filled deep by two massive black cocks. Pure bliss, no limits, just raw pleasure! 💦🍆🍆 #BBC #DoubleBBC #PetiteBlackGirl #Interracial #BBCslut #Blacked #NSFW #CreampieQueen... show more
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![Created With Grok Imagine. ●. The Ring World - Stillness, silence 1. Nebula Birthplace - Star formation 2. The Pillars - Birth, creation 3. The Storm - Isolation, turbulence 4. The Wanderer - Eternal journey 5. The Threshold - Edge of reality 6. The Collision - Time meaningless 7. The Abyss - Forever stares back 8. The Pale Blue Dot - Home grok imagine prompts used: [ { "id": 0, "title": "The Ring World", "prompt": "A gas giant's rings stretching to infinity, seen edge-on as razor-thin lines of pale gold and silver ice extending beyond comprehension into the void. The planet itself is a massive sphere of muted amber and slate grey storms, half in shadow, half catching distant starlight. The rings cast a whisper-thin shadow band across the planet's face. Everything floats in absolute silence and stillness against crushing black emptiness. A single moon, small and pale, drifts in the middle distance. The scale is vertigo-inducing - the rings could wrap around everything you've ever known. Cinematic composition, extreme wide shot, deep atmospheric blacks, soft diffused lighting, melancholic and vast, jewel-tone highlights on ring particles catching light, 8K, anamorphic lens, cosmic sublime aesthetic." }, { "id": 1, "title": "Nebula Birthplace", "prompt": "A breathtaking view of the Carina Nebula's star-forming pillars, towering columns of cosmic dust and hydrogen gas illuminated by the fierce ultraviolet radiation of newborn blue-white stars. The pillars rise like ancient cathedral spires against a backdrop of deep crimson and burnt orange gas clouds, with delicate tendrils of teal and magenta plasma curling at their edges. Thousands of pinpoint stars scatter across the scene like diamond dust, while a brilliant central cluster of young O-type stars blazes with intense blue-white light, casting dramatic shadows through the translucent dust lanes. Wispy shock fronts of superheated gas glow in electric blue where stellar winds collide with denser material. Ultra high resolution, photorealistic astrophotography style, Hubble Space Telescope quality." }, { "id": 2, "title": "The Pillars", "prompt": "Colossal pillars of cosmic dust rising from an infinite void, monolithic towers of deep indigo and midnight blue stretching impossibly tall against the blackness of space. Edges glow with ethereal bioluminescent teal and soft magenta where newborn stars ignite within, light bleeding through translucent layers of gas like lanterns behind silk. Thousands of stars scattered like crushed diamonds across absolute darkness. Scale is incomprehensible - each pillar contains worlds. Soft god rays pierce through gaps in the dust. Cinematic wide shot, extreme depth, atmospheric haze creating layers of distance, moody dramatic lighting, deep blacks crushing into the void, jewel-tone luminosity, 8K, anamorphic lens quality, awe-inspiring cosmic sublime aesthetic." }, { "id": 3, "title": "The Storm", "prompt": "A massive planetary storm seen from orbit, a swirling vortex of deep sapphire blue and electric teal gases spinning slowly in the darkness. The eye of the storm reveals darker layers beneath - navy, cobalt, almost black. High altitude cloud wisps of pale white ice crystals streak across the surface at impossible speeds, frozen in this moment. The planet's limb curves away into shadow, a thin bright arc of atmospheric haze glowing where day meets night. Everything else is void - pure crushing blackness surrounding this lonely turbulent world. Cinematic close orbit view, moody and isolated, deep rich blues against absolute black, soft diffused lighting from distant sun, atmospheric and melancholic, 8K, anamorphic lens quality, cosmic sublime aesthetic." }, { "id": 4, "title": "The Wanderer", "prompt": "A comet drifting through the inner solar system, its ancient dark nucleus trailing twin tails that stretch across the entire frame and beyond. The dust tail sweeps in a graceful arc of pale gold and cream, while the ion tail streams straight back in ghostly electric blue, both dissolving into the infinite black. The nucleus itself is a small dark heart of primordial ice, barely visible, jets of sublimating gas creating a soft teal-white coma glow around it. It has traveled for billions of years through absolute nothing to reach this moment. Loneliness incarnate. Cinematic composition, sense of vast journey and isolation, soft ethereal glow against crushing void, muted jewel tones, atmospheric and melancholic, 8K, anamorphic lens, cosmic sublime aesthetic." }, { "id": 5, "title": "The Threshold", "prompt": "The event horizon of a supermassive black hole, reality distorting at the edge of existence. A thin brilliant ring of superheated gas - white-hot fading to deep amber and crimson - orbits at nearly light speed, smeared into a perfect glowing halo by gravitational lensing. Behind it, stars are warped and duplicated, stretched into arcs and rings around the perfect circular darkness at the center. The black hole itself is absence - not black but nothing, a hole in the universe where light falls forever. The accretion disk reflects faintly in the gravitationally mirrored space above and below. Staring into infinity. Cinematic composition, reality-bending distortion, warm accretion glow against absolute crushing void, terrifying and beautiful, 8K, anamorphic lens, cosmic sublime aesthetic." }, { "id": 6, "title": "The Collision", "prompt": "Two galaxies passing through each other in slow gravitational embrace, their spiral arms stretched and distorted into sweeping tidal ribbons of light. Stars by the billions flow like luminous rivers between the merging cores - streams of pale gold, soft blue, and distant white pulling across hundreds of thousands of light-years of void. Where the cores approach, intense knots of newborn stars blaze in clusters of soft cyan and magenta. Dark dust lanes create dramatic silhouettes against the glowing stellar streams. The interaction has been happening for millions of years and will continue for millions more. Time is meaningless at this scale. Cinematic extreme wide shot, incomprehensible scale, soft ethereal luminosity, jewel tones against absolute black void, 8K, anamorphic, cosmic sublime aesthetic." }, { "id": 7, "title": "The Abyss", "prompt": "A vast cosmic void stretching infinitely in all directions, an endless expanse of deep black punctuated by distant pinpricks of starlight. In the foreground, a swirling nebula of ethereal gas and dust glows softly in shades of violet, indigo, and midnight blue, illuminated from within by the faint light of newborn stars. Wisps of iridescent teal and magenta drift through the darkness like ghostly tendrils, creating a sense of depth and mystery. The scale is incomprehensible - this is a place where entire galaxies could fit within the frame. You are small. You are nothing. You are staring into forever and forever stares back. Cinematic wide shot, extreme depth, atmospheric haze creating layers of distance, moody dramatic lighting, deep blacks crushing into infinite void, soft ethereal bioluminescence, jewel-tone nebula glow against absolute darkness, 8K, anamorphic lens, cosmic sublime aesthetic." }, { "id": 8, "title": "The Pale Blue Dot", "prompt": "Earth seen from four billion miles away, a tiny pale blue-white speck barely visible against the absolute black void of deep space. No detail, no continents, no clouds - just a faint luminous point of soft cyan light, smaller than a grain of sand, floating in endless nothing. The frame is almost entirely pure black emptiness with the tiny distant Earth off-center, barely there, almost lost. A subtle scattered band of faint light crosses the frame diagonally - ancient sunlight diffused through interplanetary dust. The loneliness is overwhelming. The fragility is heartbreaking. Everything that ever lived, loved, or mattered exists on that barely-visible point of light. Minimalist composition, extreme negative space, 90% pure black void, tiny distant pale blue dot, Voyager 1 perspective, melancholic and profound, 8K, anamorphic lens, cosmic sublime aesthetic." } ]](https://image.24vids.com/tw-2011435857161441638/amplify_video_thumb/2011434828705714176/img/rWRXIB2J8vCxvHt2.jpg)
![Trump Keeps Admitting That He Is Bought And Owned By The World’s Richest Israeli It’s bizarre how little mainstream attention is given to the fact that the president of the United States has repeatedly confessed to being bought and owned by the world’s richest Israeli, especially given how intensely fixated his political opposition was on the possibility that he was compromised by a foreign government during his first term. During a speech before the Israeli parliament on Monday, President Trump once again publicly admitted that he has implemented Israel-friendly policies at the behest of Israeli-American billionaire Miriam Adelson and her late husband Sheldon, this time adding that he believes Adelson favors Israel over the United States. Here’s a transcript of Trump’s remarks: “As president, I terminated the disastrous Iran nuclear deal, and ultimately, I terminated Iran’s nuclear program with things called B2 bombers. It was swift and it was accurate, and it was a military beauty. I authorized the spending of billions of dollars, which went to Israel’s defense, as you know. And after years of broken promises from many other American presidents — you know that they kept promising — I never understood it until I got there. There was a lot of pressure put on these presidents. It was put on me, too, but I didn’t yield to the pressure. But every president for decades said, ‘We’re going to do it.’ The difference is I kept my promise and officially recognized the capital of Israel and moved the American Embassy to Jerusalem. “Isn’t that right Miriam? Look at Miriam. She’s back there. Stand up. Miriam and Sheldon [Adelson] would come into the office and call me. They’d call me — I think they had more trips to the White House than anybody else, I guess. Look at her sitting there so innocently — got $60 billion in the bank, $60 billion. And she loves, and she, I think she said, ‘No, more.’ And she loves Israel, but she loves it. And they would come in. And her husband was a very aggressive man, but I loved him. It was a very aggressive, very supportive of me. And he’d call up, ‘Can I come over and see you? I’d say ‘Sheldon, I’m the president of the United States. It doesn’t work that way.’ He’d come in. But they were very responsible for so much, including getting me thinking about Golan Heights, which is probably one of the greatest things ever happened. Miriam, stand up, please. She really is, I mean, she loves this country. She loves this country. Her and her husband are so incredible. We miss him so dearly. But I actually asked her, I’m going to get her in trouble with this. But I actually asked her once, I said, ‘So Miriam, I know you love Israel. What do you love more? The United States or Israel?’ She refused to answer. That means — that might mean Israel, I must say, we love you. Thank you, darling, for being here. That’s a great honor. Great honor. She’s a wonderful woman. She is a great woman.” Sheldon Adelson reportedly gave Trump and the Republicans over $424 million in campaign funding from 2016 up until his death in 2021. His widow Miriam continued her husband’s legacy and poured a further $100 million into Trump’s 2024 presidential campaign. On the 2024 campaign trail Trump also admitted to being controlled by Adelson cash. Here’s a transcript of those remarks: “Just as I promised, I recognize Israel’s eternal capital and opened the American embassy in Jerusalem. Jerusalem became the capital. I also recognized Israeli sovereignty over the Golan Heights. “You know, Miriam and Sheldon would come into the White House probably almost more than anybody outside of people that work there. And they were always after — and as soon as I’d give them something — always for Israel. As soon as I’d give them something, they’d want something else. I’d say, ‘Give me a couple of weeks, will you, please?’ But I gave them the Golan Heights, and they never even asked for it. “You know, for 72 years they’ve been trying to do the Golan Heights, right? And even Sheldon didn’t have the nerve. But I said, ‘You know what?’ I said to David Friedman, ‘Give me a quick lesson, like five minutes or less on the Golan Heights.’ And he did. And I said, ‘Let’s do it.’ We got it done in about 15 minutes, right?” Legitimizing Israel’s illegal annexation of the Golan Heights and moving the US embassy from Tel Aviv to Jerusalem were two of the most controversial moves Trump made in Israel’s favor during his first term, which have now been eclipsed by his backing the genocide in Gaza and his bombings of Iran and Yemen. And here is his, openly admitting that his billionaire Zionist megadonors have been using the access their donations bought them to push him to take drastic action in favor of Israel. Just imagine for a second if someone had leaked documents to the press proving that Trump and received extensive financial backing from a Russian oligarch to whom he doled out favors of immense geopolitical consequence. It would be the biggest scandal in the history of American politics, bar none. But because it’s an Israeli oligarch, he can admit to it openly and repeatedly without anyone batting an eye. During Trump’s first term his political rivals spent years pushing a bogus conspiracy theory that he was controlled by Vladimir Putin, despite his having spent that entire term aggressively ramping up cold war hostilities against Russia. Entire political punditry careers were birthed trying to create a scandal out of a narrative that could be plainly seen as false just by looking at the movements of the US war machine and Washington’s actions against Moscow. But here’s Trump openly admitting to bending over backwards to give an Israeli oligarch whatever she wants because she gave his campaign huge sums of money, while pouring weapons into Israel to facilitate its mass atrocities and engaging in acts of war on Israel’s behalf. And it barely makes a blip in mainstream western politics or media. This is because mainstream western politics and media understand that we are living in an unofficial oligarchic empire to which both the US and Israel belong. They never acknowledge it, they never talk about it, but all high-level politicians, pundits and operatives in the western world understand that they serve a globe-spanning power structure run by a loose alliance of plutocrats and empire managers. They understand that states like Israel are a part of said power structure, while states like Russia, China and Iran are not. So they spend their time normalizing the corruption and abuses of imperial member states while facilitating the empire’s efforts to attack and undermine the states which have successfully resisted being absorbed into the imperial power umbrella. I’ve said it before and I’ll say it again, the only thing I like about Donald Trump is his infantile tendency to say the quiet part out loud. He advances the same kinds of abuses as his predecessors who were no less corrupt and controlled, but he exposes the underlying mechanics of those abuses in ways that more refined presidents never would. Reading by Tim Foley:](https://image.24vids.com/tw-1977908223291412639/amplify_video_thumb/1977905855556141056/img/EOVHBaOiCuLZfb73.jpg)
![🔥 Knapp and I, "have seen high-quality everything [UAP] that you'd ever want to see. It's amazing." ~Corbell 🔥 (Great way to end the year. Unless you think Corbell and Knapp are lying or have been fooled by nothing but fake photos and videos, the good stuff DOES exist. Damn. Wasn't expecting this, but it's very important to hear. You'll have to decide what this means for you. Happy New Year!) ~~~ Jeremy Kenyon Lockyer Corbell: "George and I are reporters and people send us stuff. He and I can both attest: We have seen high-fidelity, of things that like, are so egregiously bizarre, you guys (Knapp shaking his head up and down in agreement). I'll just admit it. We have been exposed to every type of footage you can imagine. Every type. Lots of it. And this has happened for a while, and I don't know what to do. I mean, as a journalist, we are able to be exposed to these things, and they're...you know, it's shocking. "There's a lot of footage from this aggregate program called IMMACULATE CONSTELLATION, and not even within that program. That program was just siphoning off. Here's the deal: Our sensor platforms - from space, to air, to sea, to undersea - pick up, all the time, highly-anomalous things that are unambiguously UAP. That's fact. I can attest to that as a human being sitting in front of you, that George and I have been exposed to it. I'm not gonna go any further today, but that is fact, we have been. "So, what happens is, you have our government saying, all of this reporting is coming in and it's going up on these classified servers, but like, what do we do with it, what do we do with it? So they've developed one of many programs that used to be called Immaculate Constellation, where they will pull the best of the best, a lot of it using AI. And they will pull these into an archive and have them assessed in secret groups. So that's what Immaculate Constellation actually was, was an aggregate program to take all of that footage, bring it, and nothing facing internally to the U.S. So if we're doing any exploitation (reverse engineering efforts. ~Joe), if it's anything with us? Nothing. But to other countries, and just passive and active picking up UAP, that's what Immaculate Constellation did. And now it's under a different name. But it does the same thing, and it's one of many programs. "So, I can attest, and so can George, that that footage of high-quality from all-domain is something that exists, it's unambiguous. Now the question is: Who do you show it to? Who gets to see it? What actions can they take? I don't know. I don't know. I'm not in charge here. Is there an adult in the room?" George Knapp: "Jeremy, DoD spokesperson says there is no record of anything called Immaculate Constellation within the Department of Defense. I guess it can't be real then, right?" Corbell: "You know, I think there will be clarity on that, because I think there's humans behind whistleblowing, and I think one day we're going to learn more about that. I hope that that helps. Like, when David Grusch came forward, and he said, 'Look, I dug into all these black projects, and I had 40 witnesses.' By the way, it's not the people that you know of and this sort of thing. This is like, deep within our intelligence agencies. David Grusch DID bring 40 people to the IC IG. He did do that. He told it like it is. Yeah, it exists. It exists. It's the most frustrating thing in the world, once you know for sure that high-quality data exists and that people that should see it haven't seen it, and you're kind of stuck. You don't know what to do about it. That's how I feel.: Knapp: "But maybe a technicality could be it exists or existed, but not within the Pentagon." Corbell: "Oh, yeah, all those games like, Immaculate Constellation was not a DoD USAP. So that's like, why you see Susan Gough like, technically, she's telling the truth. So, Immaculate Constellation was a USAP (Unacknowledged Special Access Program ~Joe) under a different heading. So imagine this: Imagine even the Department of Energy has its own USAPs. The White House has its own USAPs. So you can technically say it's not under DoD. They might have actuated some things for that operation, which was an operation, Immaculate Constellation, but they can get away with these technicalities. But there are USAPs in a lot of different departments, as you can imagine." Joe Murgia - Joe Murgia: "I am not letting you guys get away with not commenting again on what you've seen, image-wise. I mean, have you guys seen craft, structured craft, up close (Corbell and Knapp both shaking their heads up and down)?" Corbell: "Yep." Murgia: "Flying saucer-type craft?" Corbell: "Yep." Murgia: "Triangles?" Corbell: "Yeah." Murgia: "What else can you say about that?" Corbell: "The weirdest sh*t I've ever seen in my life, man. As journalists, we get a lot of weird stuff, and George and I, we'll look at it and assess it, and it's legitimate, and we've seen it. And, yeah, I don't know what else to say, George, unless you want to say something." Knapp: "We've seen stuff that we're not supposed to see. Put it that way." Murgia: "From government sensors?" Corbell: "Oh yeah." Knapp: "Yeah." Corbell: "Yeah. Look, as journalists, we don't know at first, right? Like, we'll get a bunch of information. We'll be exposed to a bunch of information. It's a very tricky place for us to be. First, are people f*cking with us? You know, is this a lie, is this real? We had that debate about the Jellyfish. Like, we had to, like, dig in and find out, which base, where was it, who's seen it? Multiple sources that have seen it at that base. It takes time. We're in that position now. We've been exposed to a lot of stuff and everything you just said, Joe, yeah. I mean, I could tell you as a friend, straight up, George could affirm this, with his own eyes, too. What that means, I don't know, and I don't know where to go from there. But we have seen high-quality everything that you'd ever want to see. It's amazing."](https://image.24vids.com/tw-1874258646508634486/ext_tw_video_thumb/1874246145226268674/pu/img/B2QPH6uyoAol1MiH.jpg)
![Apple’s iPad “Crush” Ad Is Bleak, Ominous and Threatening I don’t know if you’ve seen Apple’s just-released commercial for the “New” iPad Pro, but it’s pretty awful. It is dark, humorless, and feels like a not-so-thinly veiled threat to writers, musicians, game makers, developers, and artists of all kinds. …and children, even. I’ve watched it at least five times today alone, and I’m left with one big question. “Who on earth approved this?” It’s absolutely baffling that the world’s largest technology company, with the world’s biggest marketing budget, thought this would be a good idea. What kind of idiot—or idiots, since dozens or hundreds of people had to be involved in the writing, staging, producing, recording, and editing—felt this kind of ad would somehow create a positive emotional connection with consumers? Seriously, it’s terrifying. In a dank, cold warehouse, devoid of all life and humanity, an industrial crusher comes to life, and slowly starts destroying a collection of musical, philosophical, and artistic devices and instruments. For no apparent reason, everything starts getting smashed: first, a trumpet, then an arcade video game, then cans of paint, a piano, a globe, a metronome, a guitar… on and on it goes, obliterating everything in sight into a colorful, gooey, explosive mess. Books, camera lenses, lamps, a guitar, a sculpture, and a typewriter—all tools of the liberal arts—get mangled into a garbage heap as Sonny & Cher cheerfully sing, “All I ever need is you.” In the penultimate moment, a goofy yellow smiley emoji becomes a bug-eyed scary-clown freak as it, too, is crushed to death. Worse, if you enable closed captions like I do by default, the video says: “[POPPING] [SPLAT]” right as its eyeballs pop out of its head when Cher sings, “Give me a reason to build my world around you.” It’s enough to make a child cry. It has all the comforting vibes of the burnt pink teddy bear floating in the swimming pool on Breaking Bad after two planes crash in mid-air. I have so many questions (aside from simply wondering the names of the soon-to-be ex-employees who greenlit this abomination). First of all, as a trumpet player myself, I am personally offended that they made me watch a perfectly good trumpet get smashed to smithereens like it’s no big deal. Why would they torture me like this? Second of all, what is the message here? No, not that “the most powerful iPad ever is also the thinnest,” as the voiceover artist states in the last few seconds of the clip. I mean: what is the message? Ostensibly, pulverizing children’s toys, arcade games, architectural models, and ceramic Angry Birds into a paste implies something like “We’re taking all the best of humanity; all the collective works of Western Civilization, smashing it into pieces and putting it inside this remarkably thin device so you can have all of it in the palm of your hand.” But my oh my, is there an elephant in this room… he’s hiding behind the monstrous destroying machine. Did anyone inside Apple realize that everyone outside Apple will recognize this imagery in a metaphorical sense, but not the one Apple intended? We don’t see a crushing machine gently consolidating the greatest output of all our artistic endeavors, simply reformatted for a digital age and consumed by everyone with instant, fingertip access. We see what is painstakingly obvious to us, and the timing couldn’t possibly be worse. We see a giant, soulless machine consuming our work in a very different way. Right now, AI models are training themselves on our intellectual property and even our very own personally-identifying data. We aren’t the ones doing the consuming. We’re the ones being consumed. The tech industry has become one massive gaping maw, opening wide and swallowing everything in sight, chewing it up into little bits and pieces of comminuted waste, like a paper shredder or a garbage disposal. It’s destruction in its most literal form. And for what? For a newer version of the iPad that is only slightly thinner than its predecessor? For an only marginally improved version of Apple’s tablet device that has been around for 14 years? For increased profits? This is a terrible look for Apple. They may as well be saying: “All your work are belong to us.” Personally, I am a fan of artificial intelligence. I am eagerly embracing our robot overlords and I welcome our new CSV god (as the actual developers of AI models like to say). I look forward to the freedom and innovation that will come as a result of humanity augmenting our intelligence with AI like a force multiplier on a battlefield. But if Apple has the same perspective I do, they’re selling it in the worst possible way. When I see this video, I see that Apple is definitely crushing something… but I’m not sure what. -Crushing small companies that develop apps for the extremely heavy-handed App Store, which imposes byzantine restrictions on what they can and can’t do with their own apps? -Crushing competitors by limiting what they can do on the iOS and MacOS platforms with arbitrary and capricious rules about enabling functionalities that Apple doesn’t like, even if users do? -Crushing publishers and content creators with a punitive 30% fee on all subscriptions and in-app purchases? -Crushing choice and competition by not allowing app makers to make apps and programs that do the same thing that native apps already do, even if they do it better? -Crushing all human creativity and innovation by automating and systematizing everything? In the early days of the “Google vs. Apple” fight over the web and app stores, I was really concerned that Google was becoming way, way too powerful. Specifically, in 2015, when Google came up with “app streaming,” they announced a desire to form a “web of apps.” This was concerning. Especially when coupled with Google’s efforts to steal content from other websites and provide it to users via the “knowledge graph” results, ending up with the creation of “zero-click” search results pages, which absolutely punished website owners and content creators. By taking the most valuable content off a website and showing it to Google users without them needing to click through to the website itself, Google had essentially stolen everybody’s intellectual property with only the most minimal attribution possible (to fend off lawsuits no doubt, but with no intention of users actually visiting the website in question anymore). “Google is eating the internet,” I thought, and said out loud, (although I probably wasn’t the first person to use that phrase) But what I meant was purely an analogy. It was vague and ambiguous, almost silly. Maybe I was wrong, though: maybe it’s Apple that’s doing the eating. Maybe Apple is not only gobbling up everyone else’s work, but also homogenizing it—and us—and forcing us to use their platform, pay their fees, abide by their rules, and constantly keep upgrading, upgrading, upgrading, to an ever-thinner iPad in order to use it. Watch the video again. This is the stuff of nightmares. To be perfectly fair, even if I were to take the commercial at face value and ignore it’s off-the-charts creepiness and just stick to its one stated claim—that the new iPad Pro is thinner—it still fails as a commercial. Why? Because nobody cares how thin an iPad is. Seriously. I’ve owned an iPad since 2010: that means I’ve carried around a version of Apple’s already-thin tablet every day for over a dozen years. Never once have I said to myself: “You know what improvement I’d really like to see in this thing? I wish it were thinner.” Never. That thought has never crossed my mind, even once. You know what has? -Better battery life. -I’d like my iPad to not get hot to the touch when I use the Apple Pencil to take notes. -I wish it wasn’t so fragile: I dropped my brand-new iPad 2 back in the day when it slipped out of the arm-hold I was carrying it in, it bounced on the pavement, and the screen shattered into a thousand pieces, making it unusable. -I wish it had more storage. -I wish Apple would stop changing the type of cable connector it uses: I’ve gone from the original 30-pin connector to the Lightning connector, and now to the current USB-C/Thunderbolt connector. -I wish I could view the screen in direct sunlight. -I wish it wouldn’t overheat and turn off automatically when I use it outdoors in the summertime. Those are announcements I would welcome in a new iPad Pro commercial. None of this “now even thinner” nonsense nobody needs or cares about. So, back to the commercial. In my opinion, whoever made this ad should be fired. I almost never say that about other companies, especially for good-faith marketing efforts gone wrong… those of us who work in marketing make mistakes sometimes, and we learn from them. But cases like this warrant a special exception. Marketing and advertising are designed to make people want to buy your products. This commercial doesn’t just not make me want to buy Apple’s products. It makes me not want to buy Apple’s products, which is something altogether different. It turns me from someone who likes iPads into someone who is almost rethinking iPads entirely. That’s not just a bad advertisement; it’s a harmful advertisement. Apple’s usually known for great commercials. The legendary 1984 Super Bowl commercial was, of course, their best. I thought “Hello, I’m a Mac” was absolutely brilliant. They have made some missteps along the way, but this one is really bad. Not even their nauseatingly preachy and woke “Mother Nature” ad from a few years ago was this bad. Steve Jobs once said, “Technology alone is not enough—it’s technology married with liberal arts, married with the humanities, that yields us the results that make our heart sing.” My goodness, that last line alone is poetry itself! This ad seems to be Apple signaling that they don’t believe in that anymore. And I don’t think all this handwringing is an overreaction to where you could say “Oh, c’mon, it’s just a commercial! What’s the big deal?” It is a big deal. It tells you about the values of the company, and what they intend to communicate. Really, how is this the same company that used to sell iPhones by showing grandmas using FaceTime to connect with their baby grandchildren from afar during the holidays? Everything about it is wrong: even the thumbnail they chose for it (the bulging-eyed smiley face) and the fact that they gave it the title “Crush!” It was fun to see the reactions to the video online today. I find it fascinating that Apple shared it on YouTube but turned off the comments. On X, Tim Cook shared it Tuesday, and the video, which so richly deserves to be mocked, is getting it in spades. Some people are calling it “anti-art.” One user called it “soul-crushing,” which was about as literal and logical a response as you’d expect. It turns out Apple actually made an announcement about the commercial. In response to the (apparently unexpected) poor welcome it got, Apple wrote: “We missed the mark with this video, and we’re sorry.” Lame response from a tone-deaf tech behemoth, but still, they hopefully got the message. C’mon, Apple. I have seen the future, and this ain’t it.](https://image.24vids.com/tw-1788740167194579387/media/GNLjSOOaEAAZ6VT.jpg)
!["I have graphs, I've looked at the Google Analytics, the data does not lie. Every single time, starting in April 2024, that Jen McCabe would become the subject of public attention --It happens at specific discrete moments on the timeline-- you see a bump in the attention paid to Lindsey Gaetani." "And there's no doubt in my mind that Brian Tully's MSP unit --when they had Michael Morrissey make that video, when McCabe's friends or family or whatever, when they all got him to make that video, and that didn't work, and when Morrissey had to recuse, when things got so bad that they had no other out, and the TurtleRiders would not pay attention to anyone but those Karen Read and John O'Keefe witnesses-- Tully, Kate Peter and their people said, "all right, we're left with no other option. Lindsey Gaetani looks like a good distraction. Let's release her phone." And then that cycle repeated over and over and over and over again. And Lindsey's not the only one who's been subject to this. You wanna talk about what's going on to Estey? Even what's going on with Deanna? With Meredith?" TRANSCRIPT: And people wonder why I get so passionate about this. This is nothing I haven't talked about before, but you are not gonna tell me, me, of all people --I'm not gonna speak for Lindsey-- but you are not gonna tell me that the release of Lindsey Gaetani's cell phone extraction did not have serious, serious ramifications. Like, I can't even conceptualize what the impact was on Lindsey and her family's life. I don't think my life was ever the same again after April of 2024. As traumatized as I was from that December 2023 court hearing, what happened in April of 2024 was the worst thing that I have ever seen happen to any human being in my entire life. [Speaking to chat] Oh, hi Lindsey, how are you? I've just never seen anything that horrific, the leak of that cell phone extraction, the impact that it had, the fact that no one even understood how severe it was because people were so distracted by the polemics of it. People were so "excited" to be able to smear Lindsey and the distraction was so powerful that no one asked, one, why did this happen? Or two, what was the impact? And that's what really got me so passionate and furious about this. It wasn't an issue of substantive guilt or innocence about anyone. It was that I was seeing the same exact stuff happen in this situation to people without political connections that I saw happen to the staff of the CCC when really powerful men started getting very, very, very close to each other in positions of power and then when they would do bad things to women, they would just talk to each other. One guy would run the HR department, the other guy would run the executive director position, and somebody else would have a connection to the appointing authority. And so any complaint would just be what's called "caught and killed." And I said, there is no way that this is gonna happen again. When it was happening in the CCC, it was an administrative regulatory agency. At least there was some sort of semblance of check and balance. It wasn't egregious because everyone had a lot of influence, even the people who were staffers. This situation, we had state police officers, people who, if you were listening to the just the narrative of the people who were supporting the Justice for John O'Keefe movement, you would think that Michael Proctor's infallible. You would think Brian Tully's infallible. You would think Kate Peter's infallible, which means incapable of fault. That's nonsense. I'm telling you right now, that's nonsense, and that's why it was so easy for this stuff to manifest. And that's why I became so personally concerned. Forget about what developed from April to April of 2024 until now. That's why I was so upset because I watched what happened from December of 2023 through to April of 2024. And that enough was so egregious, so wrong, such an abuse of trust, such an abuse of the justice system that I said, there is no way that I can just stand by and be apathetic about this, no matter what the price, no matter what the obstacles, no matter what the pressures. And I can't tell you how bad it was --it tore families apart, these cases-- if you didn't live through it. It tore communities apart. I don't believe anyone in Massachusetts around this area, 128 or Dedham or whatever, was able to live a life that was not impacted in some way by this case. Okay, these cases, the TurtleBoy case, Karen Read case, et cetera, et cetera. It frustrates me to no end that somehow within that high-profile situation, there were people who started to control the narrative because they had things to hide. And that's why I started this space, because I truly believe that the real secrets lying beneath what was really going on with Michael Proctor and Brian Tully and Kate Peter and the PI, Marty Kraft and Jen McCabe and Yuri Bukhenik and John Fanning and Nick Guarino. What I really believe was going on was that they were worried that the attention brought onto that unit by the John O'Keefe and Karen Read case was gonna spill their secrets about Birchmore. And it led them to double down and commit even more egregious acts in the context of some of this other behavior, like leaking Lindsey Gaetani's cell phone extraction. And that's, again, you wanna talk about the timeline from April 2024 until now, we can do that too. But what I'll tell you is the story ends up being the same. I have graphs, I've looked at the Google Analytics, the data does not lie. Every single time starting in April 2024, that Jen McCabe would become the subject of public attention. It happens at specific, specific discrete moments on the timeline. You see a bump in the attention paid to Lindsey. And there's no doubt in my mind that this unit, when they had Michael Morrissey make that video, when McCabe's friends or family or whatever, when they all got him to make that video, and that didn't work. When Morrissey had to recuse, when things got so bad that they had no other out and the TurtleRiders would not pay attention to anyone but those Karen Read and John O'Keefe witnesses, Tully and his people said, "all right, we're left with no other option. Lindsey Gaetani looks like a good distraction. Let's release her phone." And then that cycle repeated over and over and over and over again. And Lindsey's not the only one who's been subject to this. You wanna talk about what's going on to Estey? Even what's going on with Deanna? With Meredith? What's going on with a lot of these people, right? There were PIs and moles in the internet saying that Lindsey was that and separating that. There were PIs, moles and various people in the end, just sort of people who were trying to either support Karen or support a movement that they could believe in or whatever it was, who got exploited, who got ran by various people for intel purposes to feed information back to their various handlers. And when they became expendable, they got burned. You watch, look at these emails sent to all these people's schools, the mass emails. That can't be a coincidence. Whoever it benefits can't be a coincidence, all right? It's a coordinated tactic. It's designed to put public attention on very specific people when otherwise damaging information gets released. And what have we seen over the past, let's say from April 2024 until now, what have we seen? That over and over and over again, all right? Every time something would happen, there'd be a new distraction. And then as we got through the end of the Karen Read and John O'Keefe case, what did we see? Yes, there were some real, real secrets lying beneath in terms of this case. And I mean it, I mean it with every bone and fiber in my towel body. There were secrets about the Birchmore case. There were secrets about that phone extraction. There were secrets about the inside baseball and the communications between Tully and Kate and Tully and Jen McCabe and Michael Morrissey and Kate and Michael Morrissey and Jen McCabe. And as it all started to come out and as it crescendoed folks over the past few months to the point where Michael Proctor's own attorney was basically making misrepresentations to the court about the existence of 12 years of cell phone records. When he had Kate Peter deleting evidence from Google Drives that were submitted as formal records to grand juries in the Kearney proceedings. When you have a special prosecutor statute that is so broken, it allows a DA rather than complying with the court order to appoint a new special prosecutor to just no-cross cases. So that stuff like what we've been talking about doesn't come out. It's indefensible. But what is the karmic justice here? It is that for whatever reason, Michael Proctor's cell phone records which I truly believe were captured and swept up by the feds during their federal probe of either Farwell or Tully's unit or John O'Keefe's death, whatever it was, exposing a lot of this. It's not just the Rule 14 discovery related to Kate Peter and otherwise and Tully that was turned over in the Aidan Kearney case, the 5,000 pages of material. Initially 4,000 pages of it was mysteriously just blank. It's not just that folks. It's also the, hey, Michael Proctor's cell phone until months ago, August of 2025 was hidden from the public. It was hidden from criminal defendants until someone somewhere must have informed Michael Proctor that a full copy of that cell phone already existed so there was no point in him continuing to hide it. What does this speak to? Well, it speaks to why I started this space today because in light of everything I just laid out from memory. I wanted to see if there was a single person who would be willing to stand up here and defend Michael Proctor's state police unit, Ryan Tully, John Fanning, Yuri Bukhenik, any of them or Kate Peter or Jen McCabe. Not because of their actions necessarily in the John O'Keefe and Karen Read case but because of everything I just laid out and the silence would let it speak volumes because how are you possibly going to counter any of that? This is what I'm doing from memory sitting here while trying to challenge people to a debate. That is just a part of the historical record. I cannot put into words how much more expansive in scope some of this story is and it's not any one person's story to tell. Let me also go on a rant about this. I'm getting so frustrated with the possessive approach that some people take to some of this coverage. Do you care about what was done to the most vulnerable? I don't care if you think of Karen as vulnerable, Lindsey is vulnerable, Sandra Birchmore is vulnerable, whoever you think of as vulnerable. Do you care about what happened to them? Do you care about righting the wrongs? Do you care about actually talking about the misconduct or are you trying to make a polemical point in furtherance of some specific platform that either you run or you support? What are you trying to accomplish? And I think a lot of us recently have been forced to have some very difficult moral reckoning. Okay, because a lot of us were tricked. I felt absolutely tricked into supporting Michael Proctor. If I knew, I'm not saying about the merits of the John O'Keefe investigation. If I knew then, back in 2023, 2024, what I know now about what's on that phone and about what that unit was willing to do, I never would have supported them. We supported Lindsey, but I never would have supported that unit. I'm sorry. Nope, never would have done it. And that's why I want to talk about people became very possessive about coverage of this case. Reporters are supposed to fade into the background. It's not supposed to be about us. Yes, maybe you have some skills. The reporter, people are interested. You use those skills to get a following so you can tell a story and get the facts out there, but it's not supposed to be about us. If a reporter is the centerpiece of a story, they have failed. Okay, you just blend in the background. We make sure that the people who are the most harmed, their voices are centered. And then we make sure these predatory vultures, like Kate Peter, are unable to manipulate public narratives to protect entrenched systemic power structures. That's what it's all about. So for me, that's why I get so frustrated. That's why I wanted to do this space because I wanted to make a point that when forced to actually debate on merit, all the propaganda mouthpieces will run from the chance. They're happy to get up and shit talk other people when it's a space they control, and they don't have to address the merits. But you put them in a position where they don't control the space and they're forced to debate on merit and they'll run from it. So in some sense, I made my point. But I also think it's an important exercise in telling this story, in explaining where I'm coming from. I think there are a lot of us that are all coming to the same position, which is it doesn't matter what various camp we may have been in or what not. We're not defined by that. We are just individual humans who have a bunch of views on different cases. And at the end of the day, a lot of us, more so, I think than people realize, actually care about systemic reform. We're not in it to protect Kate Peter or Jen McCabe or Brian Tully or anybody. We're here to hold people to equal standards and ask that the justice system do the same. And I think that's a noble goal. That's something that I can believe in. I wish people would be willing to debate it, though. It frustrates me. It really frustrates me. And, you know, maybe that's the nature of it. Maybe it's that making this point requires showing the litany of evidence, showing the sort of timeline, showing the overlapping concentric social circles, talking about these people, talking about what they did, talking about the implications, talking about where this is going. That's what cuts out the propaganda. To me, everyone is capable of fault. I said this the other day. If there are people out there in your orbit who are telling you that they are incapable of fault, they're a threat to the United States. They're the most dangerous, pernicious force we can imagine. Everyone's capable of fault. And we should look to the people who, in spite of their faults, try to leave the world a better place than what they found when they arrived. I think there are those of us. In spite of absolutely inculcating incredible odds who have somehow managed to get to a point where we've centered the voices, we're not there yet, where we're centering the voices who are actually impacted by all this. And if that happens, mark my words, it will not be because of any large media platforms or networks or anything. It will be in spite of them. It will be in spite of their impact inside dealing in spite of the documentary contracts, in spite of the news networks. It will be because a small group of well-meaning people were willing to band together and say, everything else aside, we can stand behind what's right. It may not be a form of right that we all agree on, but starting from that place, instead of from a place of hatred or otherwise, is a good step. I don't know where this is going. I don't know where it's going. I know that no one will stand up here and defend Kate Peter and Brian Tully, at least in a debate with me where I control the playing field. Can you blame them? But I don't know where this is going. You're on my prediction. As someone who's, I think I've not lived this as much as some other people, but I've lived it a lot. It's been a lot. And I'm never gonna understand the impact that this had on the people who had directly impacted, but it's been a lot on a lot of people. The story has impacted many lives. Even myself, with the perspective I have, kind of sitting back here on my veranda, you can call me Thomas Jefferson Towel. I don't have any hemp though, or do I? Sitting on my veranda, kind of looking forward, right here, all right? I got my public records request back today. I know when a public records request denial is like, oh, we want to stonewall this because there's something there. And I'm getting that vibe related to the contacts between the Norfolk DA's office and the Mass AGO's office between September 25th and October 24th of 2025 related to whether the Norfolk DA reached out to appoint a new special prosecutor in the Lindsey Gaetani and Aidan Kearney cases. But as I'm sitting here on my veranda with my eyes closed, I don't have a veranda. I have a desk. I'm a little towel. As I'm sitting here with my eyes closed, I can see the future materializing, okay? There's only certain roads that this can go down. There are only so many pathways left. There's a reckoning coming, folks. Whether it's a reckoning by way of the Sandra Birchmore cover-up, whether it's a reckoning by way of Michael Proctor's attempt to hide a substantial amount of evidence across a substantial number of criminal cases, whether it's related to Kate Peter's involvement in the handling of evidence in the still remaining Aidan Kearney cases. You can sense the anticipation. You can sense the apprehension and anxiety. And you can sense imminent closure. I'm not saying that is gonna be an easy process. I'm not saying it's gonna be a short process. But I'm saying there's something in the air. It's undeniable. There's little left to defend. There's not a single person, troll or otherwise anonymous account or whatever, who would stand up here today right now and with me and try to defend Kate Peter and Brian Tully. I gave you the chance. There's a time, if I had done this space a year ago, oh, people would have been jumping at the bit. No one will do it. No one. Why? Because we're at the end of the road. What Proctor did was indefensible, not in the Read O'Keefe case, although he should never have used those words about Karen. I'd critique him if he was a private citizen, although obviously I'm protective of women, right? But say what you will about that. I wouldn't use those words in private. That man used them in his capacity as a police officer. Right? Not to mention the other defendants' cases that were impacted by whatever Proctor and Sean Goode and whoever else was on that text chain and whatever else is on that phone is gonna lead to. You can sense it. You can sense the reckoning coming. The question is, back to Watergate in the '70s, there was a member of the House of Representatives during the impeachment hearings in '74. We had a very famous phrase. "What did the President know and when did he know?" Folks, the phrase of our era will be, "What did Michael Morrissey know and when did he know it?" This cannot start and end with justice for any single person involved in this. This is not about any one person at this point. This is about a system of justice in Massachusetts that I suppose was not about justice long before any of us realized it was teetering on the brink of collapse. Annie Dookhan was a warning that we all ignored to our peril. I should have seen it when they somehow got Lindsey that same lawyer that Annie Dookhan had. I should have seen it. It's not—I didn't realize until last week that lawyer George was a handler. Dookhan could create a huge—it could have created huge exposure for some people in the state police. It's incredible. If somebody painted the picture of the power structure that was at play here. Karen Read, when she said she was afraid of these people, I didn't—when she said it in the text or something and somebody leaked it. When I first started covering this case, I would not have got it. I don't know what it had been like. What do you mean? They're a state police unit. Like, yeah, they're paramilitary. Like, if you're a criminal, you should fear them, but they're not scary. Right now, after some of the stuff, and I'm talking about half the stuff I've seen as people pull, they horrifying. I think they're cornered, by the way. I don't think there's much they can do. They're getting a little desperate, burning a lot of their agents and their moles. And that's why I sense some kind of reckoning coming. You don't burn deep cover moles. I think Deanna was a mole for Kate for a while. You don't burn somebody like that unless it's almost over. Same thing with Kristy, the way Kristy's been burning everybody. I don't know who the hell she was working for, but whatever she's doing has got to be close to over because you don't burn everybody down unless it's almost over. So why is it almost over, folks? Why? What's coming? Some combination of all of this stuff. And if you want my fundamental prediction, let me give it to you like this. I don't like that it's coming to this, but it's a political question. It's a question of what the narrative is going to be. You don't just, as everyone now knows, you don't just prosecute people because they do things wrong. There's always a decision tree. So what do the feds want out of this? The people who were involved in the cover-up of Sandra Birchmore's murder, whoever was the father of Sandra's unborn child, you know, it's not that Matt Farwell. Well, and then they obviously want this MSP unit. Okay, Michael Proctor, that cell phone, didn't just get cloned. It was a setup. They let Proctor lie to the judge about all those cases and all the cell phone records. And as soon as his lawyer filed the document, they moved on him. He must be under federal investigation. How did Aidan Kearney get those text messages from Jen McCabe to KF and Allie McCabe? Those were removed from Jen McCabe's extraction. The feds cloned her phone too, just like Aidan told Lindsey in those text messages as part of Exhibit O from November 28, 2023. Why did the feds clone Jen McCabe's phone? To see what Jen would withhold in the Rule 14 process. She didn't get banged up on charges federally, so she must have not done anything that bad. Something, however, is going to happen to Proctor, in turn, legally on the federal level. You can sense it. You can sense it. They're going to indict him. But for what? But then it leaves Tully, which was what this whole stream is about. We have the email from Tully. Forget about whether it's normal procedure for Tully to instruct Proctor to look into all the defense witnesses. We now know that Proctor was not running that case. It was Tully. It was all Brian Tully. What was the meme that I put up today? I really like this one. It says, the nine most terrifying words in the English language are, "I'm Brian Tully and I'm here to help." Attributed to Ronald Reagan. My point is though, it was Brian Tully. Look at it. Kate was his little, I don't know, what do we want to call, how can we say this nicely? You know, I'm trying to rise above and encourage more reasonable, respectful discourse. So Kate was his little, this is so hard. All right, let me, let me say a prayer here. Come on, now you can do this. Okay. So, there are so many words I want to use. Kate was his little assistant. I know, I know. You were expecting something wonderful. Every single thing that I was going to say there was going to be cruel, so I'm sorry. Kate was his little assistant, his little PI there. And then, I'm going to turn it around, nightmare PI Moms, version 2, Kate Peter, Jen McCabe, let's go down the seaport. Kate Peter was his little PI until he was quarterbacking all this. I think it was Morrissey who was even cut out of the loop a little bit, although I'm not sure he wasn't more involved than I'm willing to say right now. And you can see why it happened. Because when Morrissey recused in October of 2023 from the Aidan Kearney cases, and what became the Aidan Kearney and Karen Read investigations that are still ongoing, he didn't really recuse. He just had Tully and Kate running it. I started to wonder if Jen McCabe was like a PI for a case she was a witness on. I'm really starting to wonder that.](https://image.24vids.com/tw-1987503776723320894/amplify_video_thumb/1987502597427662848/img/rCXN6v-5U_9-ODTv.jpg)