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Pharrell surprised longtime friend and collaborator Pusha T with a brand new Rolls-Royce. 😭🔥 The two have worked closely for years, most recently with Pharrell serving as executive producer on Pusha T and his brother Malice’s Clipse album Let God Sort Em Out, which earned five Grammy nominations ahead... show more

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In A Recent Complex Music Interview Pusha T, No Malice And Pharrell Williams Reacts To Kendrick Lamar Verse On “Chains & Whips” From The New Clipse Album “Let God Sort Em Out” 🔥🔥

In A Recent Complex Music Interview Pusha T, No Malice And Pharrell Williams Reacts To Kendrick Lamar Verse On “Chains & Whips” From The New Clipse Album “Let God Sort Em Out” 🔥🔥

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.Pusha & Malice reveals that there’s a more sinister meaning behind their album title 😈 a #behindthescenes look at how #clipse came up with the title for their new album 'let god sort em out' 💿🎶🔥

.Pusha & Malice reveals that there’s a more sinister meaning behind their album title 😈 a #behindthescenes look at how #clipse came up with the title for their new album 'let god sort em out' 💿🎶🔥

Genius

31,164 views • 1 year ago

Pusha T and N.O.R.E. are now beefing over Drake and Pharrell Williams?👀🤯🔥🥩 N.O.R.E. recently unloaded on Pusha T after Pusha took issue with something N.O.R.E. said on air and it spiraled into a pretty revealing snippet about loyalty, ego, and the broader Drake vs. Pusha T saga. During an appearance on the Brilliant Idiots podcast with Charlamagne Tha God and Andrew Schulz, N.O.R.E. revisited an old moment from when he hosted Pharrell Williams on Drink Champs. He had asked Pharrell to pick a side between Pusha and Drake two MCs with a long-standing feud rooted in some of hip-hop’s most notorious diss tracks and Pharrell responded by basically saying he liked both. That was enough to set Pusha off, according to N.O.R.E. N.O.R.E. recounts that Pusha called him pissed off afterward, essentially saying, “How could Pharrell not pick me? Drake would’ve chosen me.” N.O.R.E.’s take was that it wasn’t some hush-hush phone call between two guys with a personal problem this beef had been public for years, a “schoolyard” spectacle that wasn’t private by any stretch. He stressed that talking about it wasn’t off-record. He even laughed about it, saying he’d only shut up to let Pusha vent because the whole thing stemmed from Pharrell not answering the loyalty question the way Pusha expected. According to N.O.R.E., that reaction so intense over a producer not picking sides was wild to him, especially given how public the Pusha-Drake beef has always been. Pusha T’s camp didn’t just sit quiet, either. Afterward, Pusha reportedly questioned why N.O.R.E. would put the conversation out there, implying it should have stayed between the people involved despite the fact that the beef between him and Drake has been one of hip-hop’s most public feuds for years. For extra context: Pusha T and Drake’s beef dates back over a decade and has included some of the genre’s most crazy moments including Pusha revealing Drake’s son in “The Story of Adidon” back in 2018, a diss move that upended Drake’s public image and is still tied to how people see their beef.

Pusha T and N.O.R.E. are now beefing over Drake and Pharrell Williams?👀🤯🔥🥩 N.O.R.E. recently unloaded on Pusha T after Pusha took issue with something N.O.R.E. said on air and it spiraled into a pretty revealing snippet about loyalty, ego, and the broader Drake vs. Pusha T saga. During an appearance on the Brilliant Idiots podcast with Charlamagne Tha God and Andrew Schulz, N.O.R.E. revisited an old moment from when he hosted Pharrell Williams on Drink Champs. He had asked Pharrell to pick a side between Pusha and Drake two MCs with a long-standing feud rooted in some of hip-hop’s most notorious diss tracks and Pharrell responded by basically saying he liked both. That was enough to set Pusha off, according to N.O.R.E. N.O.R.E. recounts that Pusha called him pissed off afterward, essentially saying, “How could Pharrell not pick me? Drake would’ve chosen me.” N.O.R.E.’s take was that it wasn’t some hush-hush phone call between two guys with a personal problem this beef had been public for years, a “schoolyard” spectacle that wasn’t private by any stretch. He stressed that talking about it wasn’t off-record. He even laughed about it, saying he’d only shut up to let Pusha vent because the whole thing stemmed from Pharrell not answering the loyalty question the way Pusha expected. According to N.O.R.E., that reaction so intense over a producer not picking sides was wild to him, especially given how public the Pusha-Drake beef has always been. Pusha T’s camp didn’t just sit quiet, either. Afterward, Pusha reportedly questioned why N.O.R.E. would put the conversation out there, implying it should have stayed between the people involved despite the fact that the beef between him and Drake has been one of hip-hop’s most public feuds for years. For extra context: Pusha T and Drake’s beef dates back over a decade and has included some of the genre’s most crazy moments including Pusha revealing Drake’s son in “The Story of Adidon” back in 2018, a diss move that upended Drake’s public image and is still tied to how people see their beef.

Diverse Mentality

103,340 views • 7 months ago

when the bar is so ill, it takes your own brother a second to catch it🔥 #pushat & #malice breakdown “ace trumpets” off the new Pusha & Malice album ‘let god sort em out’💿 which is filled with double entendres 🎶🔥 be sure to catch the full episode of #verified on our youtube channel 💻

when the bar is so ill, it takes your own brother a second to catch it🔥 #pushat & #malice breakdown “ace trumpets” off the new Pusha & Malice album ‘let god sort em out’💿 which is filled with double entendres 🎶🔥 be sure to catch the full episode of #verified on our youtube channel 💻

Genius

59,720 views • 1 year ago

#Today On February 22 1998, .Madonna's "Ray Of Light" (Studio Album) was released. Ray of Light was met with universal acclaim upon its release and is often considered Madonna's magnum opus. The album entered the US Billboard 200 at number two, with the biggest first-week sales by a female artist at the time. It also peaked at number one in 17 countries, including Australia, Canada, Germany, Italy, Spain and on the United Kingdom Albums Chart, and charted within the top-five in most musical markets. Worldwide, Ray of Light has sold over 16 million copies and is one of the best-selling albums by women. Ray of Light won four Grammy Awards from a total of six nominations at the 41st Annual Grammy Awards.

#Today On February 22 1998, .Madonna's "Ray Of Light" (Studio Album) was released. Ray of Light was met with universal acclaim upon its release and is often considered Madonna's magnum opus. The album entered the US Billboard 200 at number two, with the biggest first-week sales by a female artist at the time. It also peaked at number one in 17 countries, including Australia, Canada, Germany, Italy, Spain and on the United Kingdom Albums Chart, and charted within the top-five in most musical markets. Worldwide, Ray of Light has sold over 16 million copies and is one of the best-selling albums by women. Ray of Light won four Grammy Awards from a total of six nominations at the 41st Annual Grammy Awards.

Madonna Records

14,361 views • 5 months ago

With Ken’s passing, we’ve lost a true legend and our dear friend. We’re honored to have worked closely with Ken as he entertained the most devout enthusiasts while also inspiring an entirely new generation of automotive fans. Our hearts go out to his family.

With Ken’s passing, we’ve lost a true legend and our dear friend. We’re honored to have worked closely with Ken as he entertained the most devout enthusiasts while also inspiring an entirely new generation of automotive fans. Our hearts go out to his family.

Ford Motor Company

142,813 views • 3 years ago

Firstly, I agree with this video—why would UMG have a problem with kendrick and Pusha T being on the same album?🤔 Secondly, maybe UMG is just trying to maximize profits off this beef. Why waste Kendrick and Pusha on the same diss when they can drop separately and double the drama—and the dollars? Both still have one more diss in the chamber to shove down our throats before the public finally checks out. Also—let’s be real. Roc Nation might be managing Pusha now, but UMG is still the distributor behind his music. They’re playing both sides, just under different banners🤣 And, of course, they’ll milk the moment heavily when the SZA tour hits Toronto. Drake Drake Drake—always the centerpiece😏

Firstly, I agree with this video—why would UMG have a problem with kendrick and Pusha T being on the same album?🤔 Secondly, maybe UMG is just trying to maximize profits off this beef. Why waste Kendrick and Pusha on the same diss when they can drop separately and double the drama—and the dollars? Both still have one more diss in the chamber to shove down our throats before the public finally checks out. Also—let’s be real. Roc Nation might be managing Pusha now, but UMG is still the distributor behind his music. They’re playing both sides, just under different banners🤣 And, of course, they’ll milk the moment heavily when the SZA tour hits Toronto. Drake Drake Drake—always the centerpiece😏

industrypolitics

10,675 views • 1 year ago

What wonderful news to welcome this Monday morning! I am filled with joy as our son, Seni Saraki, CEO of NATIVE Networks NATIVE Records, and his partners and artists at Island Records Music team and Paramount Pictures celebrate the monumental achievement of winning a Grammy Award Recording Academy / GRAMMYs for their work on the Bob Marley: One Love – Music Inspired By the Film album, which has been honoured with the Grammy for Best Reggae Album — and a huge congratulations to TEMS on her Grammy Award win for Best African Music Performance for ‘Love Me Jeje’! Congratulations, Seni, on this well-earned Grammy win. May your dedication, vision, and commitment to uplifting African creativity continue to guide you, grow, and lead to even greater success. #GRAMMYs #NATIVENetworks #BobMarleyOneLove #Grammys2025 #MaternalMonday

What wonderful news to welcome this Monday morning! I am filled with joy as our son, Seni Saraki, CEO of NATIVE Networks NATIVE Records, and his partners and artists at Island Records Music team and Paramount Pictures celebrate the monumental achievement of winning a Grammy Award Recording Academy / GRAMMYs for their work on the Bob Marley: One Love – Music Inspired By the Film album, which has been honoured with the Grammy for Best Reggae Album — and a huge congratulations to TEMS on her Grammy Award win for Best African Music Performance for ‘Love Me Jeje’! Congratulations, Seni, on this well-earned Grammy win. May your dedication, vision, and commitment to uplifting African creativity continue to guide you, grow, and lead to even greater success. #GRAMMYs #NATIVENetworks #BobMarleyOneLove #Grammys2025 #MaternalMonday

Toyin Saraki

13,961 views • 1 year ago

T.I. will retire from rap after the release of his upcoming album, Kill the King. The revered Atlanta rapper shared the news on Sunday (Feb. 1) at the 2026 Grammy Awards. “‘Let Em Know,’ produced by Pharrell,” he told Entertainment Tonight. “My first single off my final album. I’ma be done.” He elaborated on why it’s time to hang up the mic. “I think I have many gifts that God has given me, man, that I could spend some more time and attention on and spend more time at home with my family and grandchildren,” T.I. added. “It’s plenty stuff to do.” Tip dropped the new track “Let Em Know” last month to rave reviews. This marks the first music release he’s put out in recent months since he began following his passion for stand-up comedy, which he’s done for the last few years. The MC even unleashed a new comedy special called Cheaper Than Therapy last December. This isn’t the first time T.I. has talked about retiring. In a 2023 Off The Porch interview with Dirty Glove Bastard, he said when he was first coming up over 20 years ago, that it was an “actual achievement to put out an album” and feels there’s no longer a “ceremony around it.” He delivered his debut album, I’m Serious, in 2001. Do you think T.I. should retire?

T.I. will retire from rap after the release of his upcoming album, Kill the King. The revered Atlanta rapper shared the news on Sunday (Feb. 1) at the 2026 Grammy Awards. “‘Let Em Know,’ produced by Pharrell,” he told Entertainment Tonight. “My first single off my final album. I’ma be done.” He elaborated on why it’s time to hang up the mic. “I think I have many gifts that God has given me, man, that I could spend some more time and attention on and spend more time at home with my family and grandchildren,” T.I. added. “It’s plenty stuff to do.” Tip dropped the new track “Let Em Know” last month to rave reviews. This marks the first music release he’s put out in recent months since he began following his passion for stand-up comedy, which he’s done for the last few years. The MC even unleashed a new comedy special called Cheaper Than Therapy last December. This isn’t the first time T.I. has talked about retiring. In a 2023 Off The Porch interview with Dirty Glove Bastard, he said when he was first coming up over 20 years ago, that it was an “actual achievement to put out an album” and feels there’s no longer a “ceremony around it.” He delivered his debut album, I’m Serious, in 2001. Do you think T.I. should retire?

XXL Magazine

88,191 views • 6 months ago

Pusha T & Malice speak on leaving Def Jam after the label wanted to block Kendrick Lamar's feature on "Chains & Whips" 👀 "This record was crucial because it was actually, this is what kind of sparked the label drama. For those who don't know, we were on Def Jam. Def Jam is a subsidiary of Universal. While the whole drama was going on, the Drake-Kendrick drama, and the drama with myself, you know, years prior..." "So, of course, Kendrick heard the record and was like, 'Yo, I wanna get on it.' Everyone was gung-ho to put the album out. We come back with that record, at that particular time with that feature, and the label just kinda pushed the brakes on everything." (Via GRAMMY Museum)

Pusha T & Malice speak on leaving Def Jam after the label wanted to block Kendrick Lamar's feature on "Chains & Whips" 👀 "This record was crucial because it was actually, this is what kind of sparked the label drama. For those who don't know, we were on Def Jam. Def Jam is a subsidiary of Universal. While the whole drama was going on, the Drake-Kendrick drama, and the drama with myself, you know, years prior..." "So, of course, Kendrick heard the record and was like, 'Yo, I wanna get on it.' Everyone was gung-ho to put the album out. We come back with that record, at that particular time with that feature, and the label just kinda pushed the brakes on everything." (Via GRAMMY Museum)

HotNewHipHop

211,269 views • 7 months ago

CHRIS BROWN WON HIS 2ND GRAMMY 🏆 They finally stop playing with da kid and gave him another Grammy ! It’s been 14 years since Chris won a Grammy for “F.A.M.E” back in 2011 . WHICH IS INSANE! He deserves this man ! With everything that happened , he never stop putting out music & never folded when many others would have ! Y’all can say what yall want about BREEZY but you can’t breeze by that talent , I DONT CARE !! congrats Brodie Chris Brown !! Long overdue !! & congrats to all the homies on the project who got a Grammy too ! Yall deserve 🏆

CHRIS BROWN WON HIS 2ND GRAMMY 🏆 They finally stop playing with da kid and gave him another Grammy ! It’s been 14 years since Chris won a Grammy for “F.A.M.E” back in 2011 . WHICH IS INSANE! He deserves this man ! With everything that happened , he never stop putting out music & never folded when many others would have ! Y’all can say what yall want about BREEZY but you can’t breeze by that talent , I DONT CARE !! congrats Brodie Chris Brown !! Long overdue !! & congrats to all the homies on the project who got a Grammy too ! Yall deserve 🏆

3/12 🎈

64,242 views • 1 year ago

How did it go wrong between Pusha T and Kanye West ⁉️ Are you asking that as well⁉️ I gat you‼️💯 Pusha T and Kanye/Ye had a long creative run: features on "My Beautiful Dark Twisted Fantasy" (“Runaway,” “So Appalled”), Cruel Summer (“Mercy,” “New God Flow”), full production on Daytona (2018), and half of It’s Almost Dry (2022)‼️. Pusha was G.O.O.D. Music president for years‼️. Cracks started during the 2021 "Donda" sessions in Atlanta‼️. Pusha felt the energy shift—sidebar talks when he left the room, competing agendas, and isolation tied to the Drake fallout (his “Story of Adidon” diss had residual impact on Ye)‼️. Ye later said the situation caused him mental harm‼️. The public break hit in late 2022 after Ye’s antisemitic remarks‼️. Pusha called it “very disappointing,” said there’s “no room for bigotry or hate speech” as a Black man in America, left G.O.O.D. Music after ~12 years, and confirmed they stopped speaking‼️. Ye expected more public support given the platform he’d given others‼️. In 2025 interviews (GQ, Apple Music/Ebro, The Guardian) promoting Clipse’s Let God Sort Em Out, Pusha went harder‼️: He said They only clicked on music‼️: “Outside of music, we’re nothing… his principles, his morals, his mindset. We don’t see eye to eye. Hardly ever. And we never have.”‼️ - Ye “champions and stands next to anybody and everybody who don’t fuck with me.”‼️ - “He knows I don’t think he’s a man… He’s showed me the weakest sides of him, and he knows how I think of weak people.”‼️ - He called Ye calculated and detrimental, denied leaking texts, and said he won’t risk “wishy-washiness or the lack of loyalty.” Any future collab is “definitely in the past.”‼️ Ye has said he misses the friendship and they’ve spoken privately a few times‼️. Pusha acknowledged Ye returned the Def Jam-era G.O.O.D. profits, calling that the best thing he did‼️. Is this switching up when it’s no longer beneficial⁉️ Partially, in the industry sense, but not purely one-sided‼️. Pusha frames it as principle and character: he won’t cosign hate speech, prioritizes real loyalty, and lost respect after seeing what he views as weakness and side-taking‼️. Distancing himself when Ye became a liability was also self-preservation‼️. Ye sees it as people failing to reciprocate the support he gave when he needed it‼️. Some old G.O.O.D. voices (like Consequence) accuse Pusha of using Ye then walking for clout‼️. Both dynamics are present‼️. The music holds up; the personal relationship does not‼️. Which makes me ask what the foundation of the loyalty is⁉️

How did it go wrong between Pusha T and Kanye West ⁉️ Are you asking that as well⁉️ I gat you‼️💯 Pusha T and Kanye/Ye had a long creative run: features on "My Beautiful Dark Twisted Fantasy" (“Runaway,” “So Appalled”), Cruel Summer (“Mercy,” “New God Flow”), full production on Daytona (2018), and half of It’s Almost Dry (2022)‼️. Pusha was G.O.O.D. Music president for years‼️. Cracks started during the 2021 "Donda" sessions in Atlanta‼️. Pusha felt the energy shift—sidebar talks when he left the room, competing agendas, and isolation tied to the Drake fallout (his “Story of Adidon” diss had residual impact on Ye)‼️. Ye later said the situation caused him mental harm‼️. The public break hit in late 2022 after Ye’s antisemitic remarks‼️. Pusha called it “very disappointing,” said there’s “no room for bigotry or hate speech” as a Black man in America, left G.O.O.D. Music after ~12 years, and confirmed they stopped speaking‼️. Ye expected more public support given the platform he’d given others‼️. In 2025 interviews (GQ, Apple Music/Ebro, The Guardian) promoting Clipse’s Let God Sort Em Out, Pusha went harder‼️: He said They only clicked on music‼️: “Outside of music, we’re nothing… his principles, his morals, his mindset. We don’t see eye to eye. Hardly ever. And we never have.”‼️ - Ye “champions and stands next to anybody and everybody who don’t fuck with me.”‼️ - “He knows I don’t think he’s a man… He’s showed me the weakest sides of him, and he knows how I think of weak people.”‼️ - He called Ye calculated and detrimental, denied leaking texts, and said he won’t risk “wishy-washiness or the lack of loyalty.” Any future collab is “definitely in the past.”‼️ Ye has said he misses the friendship and they’ve spoken privately a few times‼️. Pusha acknowledged Ye returned the Def Jam-era G.O.O.D. profits, calling that the best thing he did‼️. Is this switching up when it’s no longer beneficial⁉️ Partially, in the industry sense, but not purely one-sided‼️. Pusha frames it as principle and character: he won’t cosign hate speech, prioritizes real loyalty, and lost respect after seeing what he views as weakness and side-taking‼️. Distancing himself when Ye became a liability was also self-preservation‼️. Ye sees it as people failing to reciprocate the support he gave when he needed it‼️. Some old G.O.O.D. voices (like Consequence) accuse Pusha of using Ye then walking for clout‼️. Both dynamics are present‼️. The music holds up; the personal relationship does not‼️. Which makes me ask what the foundation of the loyalty is⁉️

(st_ides)

12,755 views • 3 days ago

Here’s a little snippet of my seventh #1 song - “For the Sake of the Call”…and this little snippet from a very kind K-LOVE article about each of my #1 songs over the years. “Chapman opened a fresh decade with one of the most memorable songs in his early discography, “For The Sake of the Call.” The namesake of his fourth studio album, the 1990 hit had the five-time GRAMMY® winner recalling the time Jesus called the 12 disciples and boldly pledging his own devotion to Him as a Christ follower.”

Here’s a little snippet of my seventh #1 song - “For the Sake of the Call”…and this little snippet from a very kind K-LOVE article about each of my #1 songs over the years. “Chapman opened a fresh decade with one of the most memorable songs in his early discography, “For The Sake of the Call.” The namesake of his fourth studio album, the 1990 hit had the five-time GRAMMY® winner recalling the time Jesus called the 12 disciples and boldly pledging his own devotion to Him as a Christ follower.”

Steven Curtis Chapman

19,318 views • 3 years ago

Remembering the great Bill Evans who was born on this day in 1929. Known for lush harmonies and lyrical improvisation, Evans is regarded as one of the most influential pianists of his time. The way Evans built and connected chords and improvised melodies gave his playing a romantic quality that contrasted with much of 1950s bebop. In an interview given in 1964, Evans described Bud Powell as his single greatest influence. His repertoire was also unusual. Musical theatre pieces such as “Someday My Prince Will Come” and “My Favorite Things” became in his hands bold rhythmic and chromatic experiments. During his lifetime, Evans was honored with 31 Grammy nominations and seven Awards. In 1994, he was posthumously honored with the Grammy Lifetime Achievement Award. Here, he is performing “Emily” with Eddie Gomez on bass and Marty Morell on drums live in Finland, 1970.

Remembering the great Bill Evans who was born on this day in 1929. Known for lush harmonies and lyrical improvisation, Evans is regarded as one of the most influential pianists of his time. The way Evans built and connected chords and improvised melodies gave his playing a romantic quality that contrasted with much of 1950s bebop. In an interview given in 1964, Evans described Bud Powell as his single greatest influence. His repertoire was also unusual. Musical theatre pieces such as “Someday My Prince Will Come” and “My Favorite Things” became in his hands bold rhythmic and chromatic experiments. During his lifetime, Evans was honored with 31 Grammy nominations and seven Awards. In 1994, he was posthumously honored with the Grammy Lifetime Achievement Award. Here, he is performing “Emily” with Eddie Gomez on bass and Marty Morell on drums live in Finland, 1970.

The Jazz Estate

68,697 views • 1 year ago

Remembering the great Bill Evans who was born on this day in 1929. Known for lush harmonies and lyrical improvisation, Evans is regarded as one of the most influential pianists of his time. The way Evans built and connected chords and improvised melodies gave his playing a romantic quality that contrasted with much of 1950s bebop. In an interview given in 1964, Evans described Bud Powell as his single greatest influence. His repertoire was also unusual. Musical theatre pieces such as “Someday My Prince Will Come” and “My Favorite Things” became in his hands bold rhythmic and chromatic experiments. During his lifetime, Evans was honored with 31 Grammy nominations and seven Awards. In 1994, he was posthumously honored with the Grammy Lifetime Achievement Award. Here, he is performing “Someday My Prince Will Come” with Eddie Gomez on bass and Marty Morell on drums live in Paris, France in 1972.

Remembering the great Bill Evans who was born on this day in 1929. Known for lush harmonies and lyrical improvisation, Evans is regarded as one of the most influential pianists of his time. The way Evans built and connected chords and improvised melodies gave his playing a romantic quality that contrasted with much of 1950s bebop. In an interview given in 1964, Evans described Bud Powell as his single greatest influence. His repertoire was also unusual. Musical theatre pieces such as “Someday My Prince Will Come” and “My Favorite Things” became in his hands bold rhythmic and chromatic experiments. During his lifetime, Evans was honored with 31 Grammy nominations and seven Awards. In 1994, he was posthumously honored with the Grammy Lifetime Achievement Award. Here, he is performing “Someday My Prince Will Come” with Eddie Gomez on bass and Marty Morell on drums live in Paris, France in 1972.

The Jazz Estate

41,873 views • 2 years ago

When Alicia Keys met legendary music executive Clive Davis for the first time, he asked her a question she didn’t expect. “He said to me, ‘So what do you want to do? Where do you see yourself in five, ten years? Where do you want to be?’ And I had never had somebody of his stature ask me those questions,” Keys told 60 Minutes in 2004. Davis, who won four Grammy Awards as an album producer, has died at age 94.

When Alicia Keys met legendary music executive Clive Davis for the first time, he asked her a question she didn’t expect. “He said to me, ‘So what do you want to do? Where do you see yourself in five, ten years? Where do you want to be?’ And I had never had somebody of his stature ask me those questions,” Keys told 60 Minutes in 2004. Davis, who won four Grammy Awards as an album producer, has died at age 94.

60 Minutes

69,845 views • 1 month ago

“Genie in a Bottle” is the debut single from Christina Aguilera’s self-titled 1999 album. The track became an instant worldwide success, spending five weeks at #1 on the Billboard Hot 100. It also reached #1 in Canada, #2 in the UK, #2 in New Zealand, #5 in Australia, and the Top 10 in several European countries. Christina was only 18 years old when the song was released. Before releasing her debut album, she had already caught the industry's attention with "Reflection" from Disney's Mulan (1998), a performance that helped her secure a recording contract. "Genie in a Bottle" was co-written by hitmaker Steve Kipner, who also co-wrote Chicago's "Hard to Say I'm Sorry", and was later recorded in Spanish as "Genio Atrapado" for the Latin American edition of Aguilera's debut album. The single earned Aguilera a Grammy Award nomination for Best Female Pop Vocal Performance and paved the way for her Best New Artist win at the 42nd Grammy Awards in 2000.

“Genie in a Bottle” is the debut single from Christina Aguilera’s self-titled 1999 album. The track became an instant worldwide success, spending five weeks at #1 on the Billboard Hot 100. It also reached #1 in Canada, #2 in the UK, #2 in New Zealand, #5 in Australia, and the Top 10 in several European countries. Christina was only 18 years old when the song was released. Before releasing her debut album, she had already caught the industry's attention with "Reflection" from Disney's Mulan (1998), a performance that helped her secure a recording contract. "Genie in a Bottle" was co-written by hitmaker Steve Kipner, who also co-wrote Chicago's "Hard to Say I'm Sorry", and was later recorded in Spanish as "Genio Atrapado" for the Latin American edition of Aguilera's debut album. The single earned Aguilera a Grammy Award nomination for Best Female Pop Vocal Performance and paved the way for her Best New Artist win at the 42nd Grammy Awards in 2000.

Ladytron Fan Account

14,642 views • 20 days ago

NEW: The 19-year-old suspect in the CT mall sh**ting was out on $25K bond for reckless driving and other charges Tajuan Washington, 19, opened fire after confronting a man he “had a history” of “beef” with, according to reports Washington sh*t the man and four women who were with him He was previously arrested in October for driving 105 mph on I-84 East with his lights off to evade police Washington is now charged with five counts of first-degree assault and other weapons charges He’s being held on a $2 million bond Three of the five victims have been released from the hospital The other two are stable, including one woman sh*t in the spine All five victims were between 18 and their mid-20s

NEW: The 19-year-old suspect in the CT mall sh**ting was out on $25K bond for reckless driving and other charges Tajuan Washington, 19, opened fire after confronting a man he “had a history” of “beef” with, according to reports Washington sht the man and four women who were with him He was previously arrested in October for driving 105 mph on I-84 East with his lights off to evade police Washington is now charged with five counts of first-degree assault and other weapons charges He’s being held on a $2 million bond Three of the five victims have been released from the hospital The other two are stable, including one woman sht in the spine All five victims were between 18 and their mid-20s

Unlimited L's

122,191 views • 1 year ago

Pusha T responding to critics of his subject matter and the ethics of drug dealing (2022): “You can’t deny the destruction that is caused [by drugs]…but I like to think about the major families throughout history…all of it started from illegal business. I feel like People of Color were the only ones [who] never got to treat that like our gold rush.” The thoughtfulness with which he answered this question shows the sort of intentionality that a lot of us appreciate in his music. Benny the Butcher has also touched on this topic, saying he never wants to glorify the streets and with his music you get the good with the bad of his come up. It’s a reality, and as artists, they put all sides of this reality on display for the listener.

Pusha T responding to critics of his subject matter and the ethics of drug dealing (2022): “You can’t deny the destruction that is caused [by drugs]…but I like to think about the major families throughout history…all of it started from illegal business. I feel like People of Color were the only ones [who] never got to treat that like our gold rush.” The thoughtfulness with which he answered this question shows the sort of intentionality that a lot of us appreciate in his music. Benny the Butcher has also touched on this topic, saying he never wants to glorify the streets and with his music you get the good with the bad of his come up. It’s a reality, and as artists, they put all sides of this reality on display for the listener.

Joey

143,941 views • 1 year ago

The New York Times Magazine naming Jay-Z one of the 30 Greatest Living American Songwriters feels less like praise and more like confirmation of what’s long been true. Even as a rookie, he rapped with the voice of experience, calm, precise, and already thinking three moves ahead. Jody Rosen points to that immediately: while others were “shootin’ stupid,” Jay was “carefully plottin’.” That same discipline carried him from Reasonable Doubt to ghostwriting “Still D.R.E.” to the bruised honesty of 4:44. He never chased what didn’t belong to him, and he said it himself: “If you’re trying to make young music and you’re not young, it’s gonna be inauthentic and people can feel that.” Pusha T backed that up in the same piece. He said “Hovi Baby” flat out scared him, and pointed out that even Jay’s biggest commercial records never lost the weight of mixtape lyricism. That same authenticity is why Jay respected what Clipse did with Let God Sort Em Out: “I love what the Clipse are doing right now and how it’s authentic to them.” He was even close to appearing on the album but stepped back because he wasn’t ready to say what needed to be said. At 56, that kind of restraint says more than forcing a verse ever could. That’s how legacies last!

The New York Times Magazine naming Jay-Z one of the 30 Greatest Living American Songwriters feels less like praise and more like confirmation of what’s long been true. Even as a rookie, he rapped with the voice of experience, calm, precise, and already thinking three moves ahead. Jody Rosen points to that immediately: while others were “shootin’ stupid,” Jay was “carefully plottin’.” That same discipline carried him from Reasonable Doubt to ghostwriting “Still D.R.E.” to the bruised honesty of 4:44. He never chased what didn’t belong to him, and he said it himself: “If you’re trying to make young music and you’re not young, it’s gonna be inauthentic and people can feel that.” Pusha T backed that up in the same piece. He said “Hovi Baby” flat out scared him, and pointed out that even Jay’s biggest commercial records never lost the weight of mixtape lyricism. That same authenticity is why Jay respected what Clipse did with Let God Sort Em Out: “I love what the Clipse are doing right now and how it’s authentic to them.” He was even close to appearing on the album but stepped back because he wasn’t ready to say what needed to be said. At 56, that kind of restraint says more than forcing a verse ever could. That’s how legacies last!

The Mad Rapper

59,256 views • 3 months ago