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Philip Seymour Hoffman on getting sober at 22: In this interview, Hoffman is asked about his decision to stop drinking and using drugs. The interviewer notes he went into rehab early, at 25. Hoffman corrects him. "I got sober. I was 22 years old." When asked whether it was...

94,949 görüntüleme • 3 ay önce •via X (Twitter)

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George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)

DepressedBergman

56,916 görüntüleme • 8 ay önce

Matthew McConaughey reveals the three words his dad said that changed his life “I said dad, I don't want to go to law school anymore. I want to go to film school and after about a 5 second pause, he goes, ‘Are you sure that's what you want to do?’ I reply yes sir” “Another long pause. Then I hear, ‘Well, don't halfass it’” “I remember just beaming, hopping up just like Yes! My dad not only said okay. The way he said don't halfass it, it was also, okay. Let's go big boy. Own that shit. Get some leverage. Get some horsepower behind where you're going. Go do it” “I remember to this day and I've learned this later I think from becoming a father, part of what I believe happened to him and why he said that to me that way on that call was the way that I asked him. I wasn't really asking. It was, ‘I don't want to go to law school, Dad. I want to go to film school.’ I didn't stutter. He heard his son saying this is what I want to do” “What I think happened to him in that moment is what I think any father, any parent loves. You raise your kids in a certain way and you give them a guideline, a ladder to climb and here's the guidelines and if you do it this way, you're most likely going to have some success in life and it'll work out for you and then when we do it that way, we can be proud parents” “But what do we really want to happen when our kids are out of the house and they're on their own? We kind of want them to call one day and go, ‘I'm breaking out. I'm going my own way.’ And as a parent, we go, as much as it may scare us, we're going, ‘Yes!’ I gave my kid the confidence and the courage and the foundation to say they're going to go their own way” “In a way, I think every parent honors and loves that moment. I heard my dad, when he didn't hear me stutter, when he heard me directly say what I said. I wasn't really asking him. Even though I was out of respect asking him, the way I said it, I wasn't asking him and I think he felt that” “Don't halfass it”

Jack

1,184,527 görüntüleme • 3 ay önce

One of the most powerful moments in this episode. At 28, mark pincus finds himself unemployed (fired by John Malone, Bain, and others), with few prospects. He had big dreams, but the world wasn't cooperating. This is how he turned things around. what "I realized I had nowhere else to fall from this because I just felt like I’d made a lot of bad career decisions and I was washed up early and I just sat there in this temple." It was a good place to sit and think because he didn't know anyone and didn't understand anything. "And I just started writing in a notebook about why my life sucked so badly." This book, a journal he's kept every year that he calls the book of life, allows him to take an accurate accounting of his life and change his mindset through reflection. After writing for hours about how bad his life sucked and all the mistakes he'd made, he focused on one small thing. "I just ended on this one thing: that I smoked cigarettes. I didn’t even smoke smoke. I smoked like one or two a day, a pack a night if I was at a bar on weekends, but I hated it ... I didn’t want to do it, but I kept doing it." He felt like his life was out of control, but this was one thing he could control. "I just was like, if I could do one thing to know that I’m making some positive change in my life, I’m going to quit smoking. So on October 19th, 1994, I did a lifetime quit on cigarettes and then every day for that year after that, that I didn’t smoke, it was something I could feel good about. So I was like, okay, I did something for myself today by not smoking." The wins started to stack. I asked him what he was writing about. What was his process? "At that point, I had no structure or process. I was just writing, and there was so much in me." Was it anger? "It was. I did feel angry and frustrated and I was like, I had all these dreams. I wanted to be an entrepreneur from early on and I was an achiever. I thought I was an achiever, but I was not achieving." He's done the same technique every year: "What it’s done for me and I think it could do for a lot of people is just be strategic about your life, like be thoughtful about, I like to say, what would your future self thank you for doing this year and what wouldn’t?" And that question is the one that really matters. What can you do today that your future self will thank you for? What the book of life did was hold him accountable and force him to make tough decisions that his future self would thank him for.

Shane Parrish

23,083 görüntüleme • 3 ay önce